A SCHOLARLY BOOK REPOSITORY14 have author last names that start with O have author last names that start with O
O’Connor introduces readers to some of the 10,000 kinds of seaweed that grow on our planet, demonstrating how seaweed is both one of the world’s last great renewable resources and a culinary treasure ready for discovery. Many of us think of seaweed as a forage food for the poor, but various kinds were often highly prized in ancient times as a delicacy reserved for kings and princes. And they ought to be prized: there are seaweeds that are twice as nutritious as kale and taste just like bacon—superfood, indeed. Offering recipes that range from the traditional to the contemporary—taking us from Asia to Europe to the Americas—O’Connor shows that sushi is just the beginning of the possibilities for this unique plant.
African American sprinters Tommie Smith and John Carlos protesting racial segregation in the United States in 1968. Hitler watching the Berlin Olympics in 1936. Michael Phelps’ photo finish in the 100-meter butterfly to win his seventh of a record eight medals in 2008. Since its creation in 1896, the Olympic Games have produced iconic images such as these, from the second the Olympic flame is lit at the lavish opening ceremony to the moment that same flame is extinguished at its close. As billions across the globe watch this showcase of fitness, strength, and skill, few understand how the pictorial legacy of the Games continues to shape the way the events are viewed today.
Drawing on an extensive archive of Eisenstein’s published and unpublished writings, O’Mahony situates his oeuvre in the social and political context of the first three decades of Communist rule in the Soviet Union. The book analyzes his most influential films—including Battleship Potemkin, October, and Aleksandr Nevskii—as well as his uncompleted film projects, pioneering theories and methods, and copious archive of writings and drawings. O’Mahony examines how Eisenstein’s projects were generated or constrained by his volatile and complex personality, ongoing political events, and the conflict between his beliefs the Stalinist regime and his beliefs as a Bolshevik artist. The arcs of success and defeat in Eisenstein’s career, the book ultimately reveals, are inextricably intertwined with these fraught political and personal circumstances.
An in-depth and thoughtful biographical treatment, Sergei Eisenstein gives us a new, richer understanding of this standard-bearer in modern filmmaking, making this an accessible and essential read for historians, scholars of film history, and movie buffs alike.
The Soviet state sponsored countless programs to promote sporting activities, even constructing a new term, fizkultura, to describe sports culture.
With Sport in the USSR, Mike O’Mahony asserts that the popular image of fizkultura was as dependent on its presentation as it was on its actual practice. Images of vigorous Soviet sportsmen and women were constantly evoked in literature, film, and folk songs; they frequently appeared on the badges and medals of various work associations and even on plates and teapots. Several major artists, in fact, made their careers out of vivid representations of sports.
O’Mahony further examines the role that fizkultura played in the formulation of the novyi chelovek, or Soviet New Person, arguing that these images of the sporting life not only promoted the existence of this national being but also articulated the process of transformation that could bring him or her into existence. Fizkultura, O’Mahony claims,became a civic duty alongside state labor drives and military service.
Sport in the USSR is a fascinating addition to current debates in the fields of sociology, popular culture, and Russian history.
London Fashion Week is the pinnacle of the fashion season, and it features an array of native designers, from Burberry and Vivenne Westwood to Alexander McQueen and Nicole Farhi. The roots of London’s place as the international epicenter of haute couture and prêt-à-porter stretch back centuries, and they are explored here by Alistair O’Neill.
Arguing that fashion was central to the impact of modernity in late nineteenth- and twentieth-century London, O’Neill maps the progress of fashion against the city’s neighborhoods and streets. Carnaby Street, Soho, Jermyn Street, and King’s Road each get their turn in London, along with many others, revealing the intersection between London’s urban history and the development of fashion. O’Neill’s analysis is not merely confined to clothing—from the popularity of tattooing in the 1890s to the diverse uses of chintz in the 1980s design aesthetic, he traces the history of fashion in its various manifestations and explores how particular figures were key to disseminating fashion throughout British and international cultures. Participating in fashion, Londonshows, was not only a pleasurable aspect of modern urban life, but also a fundamental element of contemporary cultural sensibilities. London unearths vital moments of revolution in fashion that reflect deeper changes in London’s history and culture, contending that these historic changes are unfairly marginalized in accounts of transformation in the city’s culture.
A fascinating look at style and urbanism, London offers an intriguing reconsideration of the role of fashion in city life and fills in long overlooked gaps in the history of London and modern design.
Known for its unusual and dramatic rock formations, breathtaking vistas, and treasure trove of waterfalls, Yosemite receives nearly four million visitors a year. Scanning over these crowds, Ogden soon leaves them to walk through Yosemite’s history, back to its original name, “Ahwahnee”—given by its Miwok inhabitants—and the tragic irony behind what we call it now, which early Anglo-American visitors mistook as the Miwok appellation, but which some scholars now suggest in fact means “there are killers among them.” Visiting with famed stewards such as John Muir, and lesser-known ones such as James Mason Hutchings and Galen Rowell, she recounts the valley’s discovery by westerners, exploration, exploitation, and its eventual preservation as one of the first National Parks. Ogden also looks at the many artworks it has inspired and the larger hold it has had on the imagination and our dreams of the unspoiled American west.
Rich in detail and beautifully illustrated with everything from landscape photography to paintings inspired by its beauties, this book is a must read for anyone who has ever stepped into this incomparable valley—or anyone who has wanted to.
From small beach pebbles to huge megaliths, stones have been revered, collected, enhanced, sculpted, or engraved for practical and artistic purposes throughout the ages. They have been used to delineate boundaries and to build homes and shelters and utilized for cooking, games, and competitions. This surprising and fascinating compendium of stone facts, myths, and stories reveals the impact and importance of stones in our history and culture. Cally Oldershaw introduces the science in an accessible way and covers the aesthetic appeal of stones, their practical uses, and metaphysical properties. With an eclectic mix of examples from the Stone Age to the present, Stones engagingly excavates the story of this essential matter.
Tracing the edible obsessions of philosophers from Diogenes to Sartre, Onfray considers how their ideas relate to their diets. Would Diogenes have been an opponent of civilization without his taste for raw octopus? Would Rousseau have been such a proponent of frugality if his daily menu had included something more than dairy products? Onfray offers a perfectly Kantian critique of the nose and palate, since “the idea obtained from them is more a representation of enjoyment than cognition of the external object.” He exposes Nietzsche’s grumpiness—really, Nietzsche grumpy?—about bad cooks and the retardation of human evolution, and he explores Sartre’s surrealist repulsion by shellfish because they are “food buried in an object, and you have to pry them out.”
A fun romp through the culinary likes and dislikes of our most famous thinkers, Appetites for Thought will intrigue, provoke, and entertain, and it might also make you ponder a bite to eat.
Transatlantic Translations refigures Latin American narratives outside of this standard postcolonial framework of victimization and resistance. Julio Ortega traces the ways in which Latin America has been represented through the works of many “native speakers,” including Juan Rulfo, Gabriel García Márquez, and Juan Maria Gutierrez. Language, Ortega reveals, was not solely a way for colonizers to indoctrinate and civilize; instead, it gave Latin Americans the means to tell their own history. Spanning literatures from the early modern period to the present day, the essays in Transatlantic Translations demonstrate the rich history of shared language between old and new worlds.
The term "conservative," when employed today in reference to politicians and beliefs, can denote groups as diverse and incompatible as the religious right, libertarians, and opponents of large, centralized government. Yet the original conservative philosophy, first developed in the eighteenth century by Edmund Burke, was most concerned with managing change. This kind of genuine conservatism has a renewed relevance in a complex world where change is rapid, pervasive, and dislocating.
In Conservatism, Kieron O’Hara presents a thought-provoking revision of the traditional conservative philosophy, here crafted for the modern age. As O’Hara argues, conservatism transcends traditional politics and has surprising applications—not least as the most appropriate and practical response to climate change. He shows what a properly conservative ideology looks like today, and draws on such great conservative thinkers as Burke and Adam Smith, philosophers from Plato to Wittgenstein, and contemporary social commentators such as Nassim Nicholas Taleb, Ulrich Beck, and Jared Diamond, in order to outline how conservative philosophy lays bare our failure to understand our own society. O’Hara proves as well that conservatism is distinct from neo-liberalism, neo-conservatism, and the extreme positions of many of today’s most outspoken commentators.
In this comprehensive and detailed description of a philosophy of change and innovation, O’Hara shows how conservatism can be an ideology sensitive to cultural differences among the United States, Europe, the Middle East, and elsewhere. As well, he highlights key issues of technology, trust, and privacy. Conservatism is a provocative read and a level-headed guide to cutting through the many voices of policy makers and pundits claiming to represent conservative points of view.
This book reveals how the ancient Maya—and their buildings, ideas, objects, and identities—have been perceived, portrayed, and exploited over five hundred years in the Americas, Europe, and beyond.
Engaging in interdisciplinary analysis, the book summarizes ancient Maya art and history from the preclassical period to the Spanish invasion, as well as the history of outside engagement with the ancient Maya, from Spanish invaders in the sixteenth century to later explorers and archaeologists, taking in scientific literature, visual arts, architecture, world’s fairs, and Indigenous activism. It also looks at the decipherment of Maya inscriptions, Maya museum exhibitions and artists’ responses, and contemporary Maya people’s engagements with their ancestral past. Featuring the latest research, this book will interest scholars as well as general readers who wish to know more about this ancient, fascinating culture.
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