front cover of Making March Madness
Making March Madness
The Early Years of the NCAA, NIT, and College Basketball Championships, 1922-1951
Chad Carlson
University of Arkansas Press, 2017

Throughout the NCAA Tournament’s history, underdogs, Cinderella stories, and upsets have captured the attention and imagination of fans. Making March Madness is the story of this premiere tournament, from its early days in Kansas City, to its move to Madison Square Garden, to its surviving a point-shaving scandal in New York and taking its games to different sites across the country.Chad Carlson’s analysis places college basketball in historical context and connects it to larger issues in sport and American society, providing fresh insights on a host of topics that readers will find interesting, illuminating, and thought provoking.

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Reporting for Arkansas
The Documentary Films of Jack Hill
Dale Carpenter
University of Arkansas Press, 2022

Jack Hill was a pioneering Arkansas documentary filmmaker dedicated to sharing his state’s history with a wider public. Following a decade as an award-winning investigative journalist and news anchor at KAIT in Jonesboro, Hill was pushed out by new management for his controversial reporting on corruption in a local sheriff’s office. What seemed like a major career setback turned out to be an opportunity: he founded the production company TeleVision for Arkansas, through which he produced dozens of original films. Although Hill brought an abiding interest in education and public health to this work from the beginning, he found his true calling in topics based in Arkansas history. Convinced that a greater acquaintance with the state’s most significant historical events would nurture a greater sense of homegrown pride, Hill tirelessly crisscrossed the state to capture the voices of hundreds of Arkansans recalling significant chapters in the state’s history, such as the oil boom in El Dorado and Smackover, the crucial contributions of the Arkansas Ordnance Plant in Jacksonville during World War II, and the role of Rosenwald Schools in expanding educational opportunities.

In Reporting for Arkansas, Dale Carpenter and Robert Cochran present a biography of Hill alongside an annotated selected filmography designed to accompany sixteen of his best films on subjects related to Arkansas history—all newly hosted online by the Center for Arkansas and Regional Studies at the University of Arkansas.

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Death of a Confederate Colonel
Civil War Stories and a Novella
Pat Carr
University of Arkansas Press, 2007
Dramatically compelling and historically informed, The Death of a Confederate Colonel takes us into the lives of those left behind during the Civil War. These stories, all with Arkansas settings, are filled with the trauma of the time. They tell of a Confederate woman’s care of and growing affection for a wounded Union soldier, a plantation mistress’s singular love for a sick slave child, and an eight-year-old girl’s fight for survival against frigid cold, injury, starvation, heartbreak, and lawlessness. Here are women holding down the home front with heroism and loyalty, or, sometimes, with weakness and duplicity. Will a young belle remain loyal to her wounded fiance? How long can a caring nurse hold her finger on a severed artery? And how does anyone comprehend the legacy of slavery and the brutality of war? The Death of a Confederate Colonel triumphs in its portrayal of desperate circumstances coated in the patina of the Civil War era, the complexity of ordinary people confronting situations that change them forever.
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Brother Bill
President Clinton and the Politics of Race and Class
Daryl A Carter
University of Arkansas Press, 2016

“This book is a fascinating analysis of race and class in the age of President Bill Clinton. It provides much-needed clarity in regards to the myth of the ‘First Black President.’ It contributes much to our understanding of the history that informs our present moment!”
—Cornel West


As President Barack Obama was sworn into office on January 20, 2009, the United States was abuzz with talk of the first African American president. At this historic moment, one man standing on the inaugural platform, seemingly a relic of the past, had actually been called by the moniker the “first black president” for years.

President William Jefferson Clinton had long enjoyed the support of African Americans during his political career, but the man from Hope also had a complex and tenuous relationship with this faction of his political base. Clinton stood at the nexus of intense political battles between conservatives’ demands for a return to the past and African Americans’ demands for change and fuller equality. He also struggled with the class dynamics dividing the American electorate, especially African Americans. Those with financial means seized newfound opportunities to go to college, enter the professions, pursue entrepreneurial ambitions, and engage in mainstream politics, while those without financial means were essentially left behind. The former became key to Clinton’s political success as he skillfully negotiated the African American class structure while at the same time maintaining the support of white Americans. The results were tremendously positive for some African Americans. For others, the Clinton presidency was devastating.

Brother Bill examines President Clinton’s political relationship with African Americans and illuminates the nuances of race and class at the end of the twentieth century, an era of technological, political, and social upheaval.

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The Blood of Abraham
Insights into the Middle East
Jimmy Carter
University of Arkansas Press, 2007
In The Blood of Abraham, originally published in 1985 with updates to the afterword in 1993 and 2007, President Carter explains his understanding of the Middle East and seeks to provide an enlightening and reconciling vision for greater peace in the region.
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Everything to Gain
Making the Most of the Rest of Your Life
Jimmy Carter
University of Arkansas Press, 1995
Everything to Gain, first published in 1987, is the warm account of Jimmy and Rosalynn Carter’s life after their years in the White House. They discuss their marriage and health issues, their work with Habitat for Humanity and the Carter Center, and much more.
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front cover of A Government as Good as Its People
A Government as Good as Its People
Jimmy Carter
University of Arkansas Press, 1996
A Government as Good as Its People, first published in 1977, presents sixty-two of the most notable public statements made by President Carter on his way to the White House. Formal speeches, news conferences, informal remarks made at gatherings, interviews, and excerpts from debates give a vivid glimpse into the issues of the time and the deeply held convictions of Jimmy Carter.
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Keeping Faith
Memoirs of a President
Jimmy Carter
University of Arkansas Press, 1995
In Keeping Faith, originally published in 1982, President Carter provides a candid account of his time in the Oval Office, detailing the hostage crisis in Iran, his triumph at the Camp David Middle East peace summit, his relationships with world leaders, and even glimpses into his private world. “Responsible, truthful, intelligent, earnest, rational, purposeful. Thus the man: thus the book” (The Washington Post).
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An Outdoor Journal
Adventures and Reflections
Jimmy Carter
University of Arkansas Press, 1994
An Outdoor Journal, first published in 1988, is President Carter’s memoir of hunting and fishing and the meaning of nature, revealing much about a man who embodies “so much of what Americans claim to admire—self-reliance, honesty, humor, modesty, intelligence—the stuff of heroes” (The New York Times Book Review).
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Why Not the Best?
The First Fifty Years
Jimmy Carter
University of Arkansas Press, 1996
Why Not the Best?, originally published in 1975, is President Carter’s presidential campaign autobiography, the book that introduced the world to Georgia governor Jimmy Carter and asked the American people to demand the best and highest standards of excellence from our government.
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The Little Baby Snoogle-Fleejer
Jimmy Carter
University of Arkansas Press, 2014
“Once upon a time there was a little boy named Jeremy who lived with his mother in a small house near the sea. His mother earned a bare living for the two of them by washing clothes for some of the wealthy families in their town. Jeremy loved her very much.” So begins the enchanting fairy tale president Jimmy Carter first spun for his daughter Amy as a child. Originally published in 1995, this favorite family story has been joined with Amy Carter’s vibrant illustrations to bring to life a secret friendship that produces unexpected rewards when tragedy looms in a young boy’s life.
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First Lady from Plains
Rosalynn Carter
University of Arkansas Press, 1994
First Lady from Plains, first published in 1984, is Rosalynn’s Carter’s autobiography, covering her life from her childhood in Plains, Georgia, through her time as First Lady. It is “a readable, lively and revealing account of the Carters and their remarkable journey from rural Georgia to the White House in a span of ten years” (The New York Times).
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Helping Yourself Help Others
A Book for Caregivers
Rosalynn Carter
University of Arkansas Press, 2023

“A practical, highly informative, and sympathetic guide.”
The Washington Post


Most of us will become a caregiver at some point in our lives. And we will assume this role for the most personal reason imaginable: wanting to help someone we love. But we may not know where to start, and we may be afraid of losing ourselves in this daunting task.

Former first lady Rosalynn Carter, a longtime advocate for caregivers and mental health, knows firsthand the challenges of this labor of love. Drawing upon her own experiences and those of hundreds of others whose stories she gathered over many decades, Mrs. Carter offers reassuring, practical advice to any caregiver who has faced stress, anxiety, or loneliness.

Helping Yourself Help Others, reissued here with a new foreword, is as relevant as ever. Long before the COVID-19 pandemic inspired national conversations about the vast undervaluing of unpaid caregiving, the dangers of burnout, and the merits of self-care for relief, Rosalynn Carter was shining a light on these matters and everything else that caregivers confront. Filled with empathy, this encouraging guide will help you meet a difficult challenge head-on and find fulfillment and empowerment in your caregiving role.

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Candlefish
Poems
Elizabeth Chapman
University of Arkansas Press, 2004

The candlefish, enormous schools of which enter the Pacific Northwest’s rivers in the spring, is so rich with oil that when supplied with a wick it can be used as a candle. Thus creatures of the water become transformed into instruments of fire and spirit, ultimately transcending this world.

Written as the author begins to navigate the second half of life, Candlefish unfolds along multiple lines of narrative and reflection. Each poem is rendered from experience and made incandescent by the spark of the author’s intellect and insight.

Whether tending the flower beds, skinnydipping on her birthday, conversing with a grown daughter, or bringing inside the teacup her husband can no longer carry, Elizabeth Biller Chapman distills each moment to its most vital components and makes them luminous with the necessity and surprise of relation.

Elizabeth Biller Chapman’s candlefish gracefully swim toward the pierced horizon all of us must face and are transformed by imaginative compassion as the book develops, season by season, from summer to spring.

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Inclined to Speak
An Anthology of Contemporary Arab American Poetry
Hayan Charara
University of Arkansas Press, 2008
At no other time in American history has our imagination been so engrossed with the Arab experience. An indispensable and historic volume, Inclined to Speak gathers together poems, from the most important contemporary Arab American poets, that shape and alter our understanding of this experience. These poems also challenge us to reconsider what it means to be American. Impressive in its scope, this book provides readers with an astonishing array of poetic sensibilities, touching on every aspect of the human condition. Whether about culture, politics, loss, art, or language itself, the poems here engage these themes with originality, dignity, and an unyielding need not only to speak, but also to be heard. Here are thirty-nine poets offering up 160 poems. Included in the anthology are Naomi Shihab Nye, Samuel Hazo, D. H. Melhem, Lawrence Joseph, Khaled Mattawa, Mohja Khaf, Matthew Shenoda, Kazim Ali, Nuar Alsadir, Fady Joudah, and Lisa Suhair Majaj. Charara has written a lengthy introduction about the state of Arab American poetry in the country today and short biographies of the poets and provided an extensive list of further readings.
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front cover of The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri
The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri
James F. Cherry
University of Arkansas Press, 2009
In 1981, James F. Cherry embarked on what evolved into a passionate, personal quest to identify and document all the known headpots of Mississippian Indian culture from northeast Arkansas and the bootheel region of southeast Missouri. Produced by two groups the Spanish called the Casqui and Pacaha and dating circa AD 1400–1700, headpots occur, with few exceptions, only in a small region of Arkansas and Missouri. Relatively little is known about these headpots: did they portray kinsmen or enemies, the living or the dead or were they used in ceremonies, in everyday life, or exclusively for the sepulcher? Cherry’s decades of research have culminated in the lavishly illustrated The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri, a fascinating, comprehensive catalog of 138 identified classical style headpots and an invaluable resource for understanding the meaning of these remarkable ceramic vessels.
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Rugged and Sublime
The Civil War in Arkansas
Mark Christ
University of Arkansas Press, 1994

When one thinks of the American Civil War, such names as Vicksburg, Gettysburg, and Chancellorsville come immediately to mind. Few recall the battles in the Trans-Mississippi theater.

Rugged and Sublime goes a long way toward filling regrettable blanks in our memory of Arkansas’s role in Civil War. It explore the major clashes and locales of the war, including the state secession convention, seizure of the Little Rock Arsenal, the Battle of Wilson’s Creek, the Pea Ridge campaign, Marmaduke’s invasion of Missouri, the Battle of Helena, and the fall of Little Rock, as well as other actions. Rounding out this new and very readable account are studies of the devolution of Arkansas society when bands of guerillas and jayhawkers menaced the state, the surrender of the Confederate armies, and an assessment of losses.

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Getting Used to Being Shot At
Mark K. Christ
University of Arkansas Press, 2002
This collection of letters bears witness to the Civil War of the common soldiers and junior officers of the Army of Tennessee. Brothers Alex and Tom Spence described to their family in detail not only the many battles in which they served, but the hardship of campaigning (they marched literally thousands of miles), the pride of serving in battle-proven units, and the pain of losing comrades to bullets and disease. The Spences were a wealthy family who owned land, slaves, and the main hotel in Arkadelphia, Arkansas. With their successful careers and extensive property, they were among Clark County's most prominent families when the shadow of secession fell across Arkansas. Four years later, Arkansas would be ravaged by war, and Tom and Alex Spence would lie in soldiers' graves, far from home. Mark Christ has assembled their powerful letters from a collection in the Old State House Museum, weaving in other letters from their extended family and friends, brief but thorough introductions to each chapter, and evocative photographs. The story moves chronologically from the outset of war to the final letter from Alex's grieving fiancée.
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The War at Home
Perspectives on the Arkansas Experience during World War I
Mark K. Christ
University of Arkansas Press, 2020
The War at Home brings together some of the state’s leading historians to examine the connections between Arkansas and World War I. These essays explore how historical entities and important events such as Camp Pike, the Little Rock Picric Acid Plant, and the Elaine Race Massacre were related to the conflict as they investigate the issues of gender, race, and public health. This collection sheds new light on the ways that Arkansas participated in the war as well as the ways the war affected Arkansas then and still does today.
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front cover of I Do Wish This Cruel War Was Over
I Do Wish This Cruel War Was Over
First-Person Accounts of Civil War Arkansas from the Arkansas Historical Quarterly
Mark K. Christ
University of Arkansas Press, 2014
I Do Wish this Cruel War Was Over collects diaries, letters, and memoirs excerpted from their original publication in the Arkansas Historical Quarterly to offer a first-hand, ground-level view of the war's horrors, its mundane hardships, its pitched battles and languid stretches, even its moments of frivolity. Readers will find varying degrees of commitment and different motivations among soldiers on both sides, along with the perspective of civilians. In many cases, these documents address aspects of the war that would become objects of scholarly and popular fascination only years after their initial appearance: the guerrilla conflict that became the "real war" west of the Mississippi; the "hard war" waged against civilians long before William Tecumseh Sherman set foot in Georgia; the work of women in maintaining households in the absence of men; and the complexities of emancipation, which saw African Americans winning freedom and sometimes losing it all over again. Altogether, these first-person accounts provide an immediacy and a visceral understanding of what it meant to survive the Civil War in Arkansas.
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Sentinels of History
Reflections on Arkansas Properties on the National Register of Historic Places
Mark Christ
University of Arkansas Press, 2000
Sentinels of History was conceived of as a way to mark the turn of the millennium by the Arkansas Historic Preservation Program. This generously illustrated book contains thirty-nine essays, each of which showcases an important Arkansas site and is written by a noted authority. Also included is a location map for these sites and a full appendix providing location information, county by county, for the more than two thousand surviving properties in Arkansas (as of June 1999) that appear on the National Register. The essays are as wide-ranging as Roger Kennedy's placement of the Toltec Mounds at the time of Charlemagne, Donald Harington's sensitive look at the "bigeminal" architecture of the Wolf dogtrot cabin, and Neil Compton's egalitarian tribute to the Boxley Valley Historic District on the Buffalo National River. At least one current color photo of the site and one historic image are included with each essay. In addition, illustrations of the locations or structures listed in the appendix are scattered throughout sections. In all, Sentinels of History serves as a lavish inventory of historic properties in Arkansas at the end of the twentieth century.
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The Collected Poems of John Ciardi
John Ciardi
University of Arkansas Press, 1997
From twenty books of verse published between 1940 and 1993, John Ciardi gives us poems of love written with care and honest discernment and poems that tellingly render the ritual dance of human life and mortality.
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Poems of Love and Marriage
John Ciardi
University of Arkansas Press, 1989

Collected from his published and heretofore unpublished work, the love poems of John Ciardi in Poems of Love and Marriage are a rich display of gentle wit, emotion, and craft. Not merely lyrics of youthful romance, these span the course of a love affair, of a life shared from first blush to old age.

These poems never disturb the sanctity of the private moment, but transcend the specific situation and bloom into universal recognition. And in his usual way of basking in those qualities which transform the ordinary into the unique, John Ciardi finds poignancy and truth in those elements of love and living together that so often go unnoticed.

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Saipan
The War Diary of John Ciardi
John Ciardi
University of Arkansas Press, 1988
Ciardi records his days and nights as a gunner on a B-29 in the South Pacific during four of the last terrible months of World War II.
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Echoes
Poems Left Behind
John Ciardi
University of Arkansas Press, 1989

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Ciardi Himself
Fifteen Essays in the Reading, Writing, and Teaching of Poetry
John Ciardi
University of Arkansas Press, 1989
An excellent introduction to the man and his thoughts on the painstaking craftsmanship involved in the art of writing poetry, Ciardi Himself includes some hard lessons, but in the hands of this master teacher, the going is easy.
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John Ciardi
A Biography
Edward M. Cifelli
University of Arkansas Press, 1997
In this study of Ciardi’s life, Edward Cifelli has captured all the deep concern, passion, and thoughtfulness that marked Ciardi’s long career in American letters. With care and penetrating detail, Cifelli evokes Ciardi’s early childhood in Boston, his Italian heritage, his service as a gunner on a B-29 during World War II, and his years teaching at Harvard and Rutgers. Illuminated here are Ciardi’s widely read contributions as an editor of Saturday Review and World magazines, as well as his tireless effort to bring an awareness and love of language and poetry to America through radio, television, the lecture circuit, and his twenty-six years on the staff of the famous Bread Loaf Writers’ Conference, a gathering he directed for seventeen years.
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Reveille
Poems
George David Clark
University of Arkansas Press, 2015
In Reveille a man suffers fits of supernatural coughing, flytraps attack a child, a moray haunts a waterbed, and the prodigal son stalks his local brothel in a pair of lionhide pajamas. These poems survey their host of holy objects and exotic creatures the way one might the emblems in a dream: curious of their meanings but reluctant to interpret them and simplify their mystery. Theologically playful, rhetorically sophisticated, and formally ambitious, Reveille is rooted in awe and driven by the impulse to praise. At heart, these are love poems, though their loves are varied and complicated by terrible threats: that we will cry out and not be answered, fall asleep and never wake. Against such jeopardy Reveille fixes our attention on a lightening horizon.
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The Trouble with Light
Jeremy Michael Clark
University of Arkansas Press, 2024
In The Trouble with Light, Jeremy Michael Clark reflects on the legacy of familial trauma as he delves into questions about belonging, survival, knowledge, and self-discovery in unflinching lyrical poems. “Like you,” he writes, “I have . . . [a] history of / hardly caring for my body, of letting / whoever drink their share of me, / thinking it could cure / my fear of dirt.” Whether ruminating on intimacy, lineage, identity, faith, or addiction, Clark’s poems embody a restless, rigorous curiosity. Largely set in the poet’s hometown of Louisville, Kentucky, his portraits of interiority gracefully juxtapose the sorrows of alienation and self-neglect with the restorative power of human connection. In one of the most affectionate—and characteristically ambivalent—poems in the collection, Clark recalls, “For days, doubt struck as does lightning / across the span of night. . . . Love? If it exists, / it’s the uncertainty one feels before a thunderclap, / after the sky’s gone dark again.” A vulnerable and transporting debut, The Trouble with Light is a vital record of how grief can endure, and how we can yet endure ourselves.
 
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All Shook Up
Collected Poems about Elvis
Will Clemens
University of Arkansas Press, 2001
This anthology of poems about Elvis invites readers to experience the connection between the historical and mythical status of The King, on the one hand, and the poetic imagery of him on the other. All Shook Up! combines history and myth and art—in the words of some of our most well–known poets and in the elegant and revealing photographs of Jon Hughes.
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John Ciardi
Measure of the Man
Vince Clemente
University of Arkansas Press, 1987

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Haunted Man's Report
Reading Charles Portis
Robert Cochran
University of Arkansas Press, 2024
Robert Cochran’s Haunted Man’s Report is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America’s “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world.

Haunted Man’s Report, a deeply insightful literary exploration of Portis’s singular and underexamined oeuvre, celebrates this novelist’s great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados.
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Our Own Sweet Sounds
A Celebration of Popular Music in Arkansas
Robert Cochran
University of Arkansas Press, 2005
A rich portrait of the community that is Arkansas manifested in song, Our Own Sweet Sounds celebrates the diversity of musical forms and music makers that have graced the state since territorial times. Beginning with the earliest references to Quapaw and Caddo music as first reported by seventeenth-century European explorers and continuing forward to the “bizarrely named grunge bands” who will be stars tomorrow, Robert Cochran traces the music and voices that have enriched the life of the Natural State. Arkansas, many are starting to realize, was caught in a cultural crossfire of music. There were the nearby western swing influence of Tulsa, the blues of Memphis, the Louisiana Hayride of Shreveport, and the influence of Ozark music from Missouri. All of this resulted in the Arkansas cross-culture of blues, country, folk, and rock music, creating a broad spectrum of musical styles and musicians that has left an indelible impression on the Arkansas cultural scene. This new edition includes approximately seventy new artists, some of whom became famous after 1996, when the first edition was published, such as Joe Nichols, and some of whom were left out of the original edition, such as Little Willie John. The valuable “Featured Performers” section—lengthy discussions of individual artists with their photographs—is now one-third larger. This new edition, heavily illustrated, is a loving tribute to the common music that has filled local airwaves, lifted community gatherings to the level of joyous festivities, and enlivened the spirit of music lovers everywhere.
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Singing in Zion
Music and Song in the Life of One Arkansas Family
Robert Cochran
University of Arkansas Press, 1999
This book is a lyrical, scholarly exploration of the connection between one family's musical traditions and its rural community of Zion, Arkansas. In 1959, three Gilbert sisters—Alma, Helen, and Phydella—began compiling songs they remembered as their own and sending them to one another in letters. Their tendency to center memory in sound rather than sight reveals an unusual musical birthright. Robert Cochran has constructed a composite portrait of this family for whom music is the center of life. He examines their lived experience as they anchor their history through song, singing, and the playing of musical instruments. The Gilberts are wonderful exemplars of the "mediation of oral tradition," and when approached through their music, they reveal themselves as remarkable individuals with an elaborate and firmly held sense of their unique identities. A decade in the making, Singing in Zion is written with a memoirist's sense of family history and an ethnographer's sense of the rich encounter of worlds. This narrative has a seductive simplicity that conveys much of the Gilbert family's charm while at the same time establishing a broader framework that is firmly academic. It will be enjoyed by all readers.
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Lights! Camera! Arkansas!
From Broncho Billy to Billy Bob Thornton
Robert Cochran
University of Arkansas Press, 2015

Lights! Camera! Arkansas! traces the roles played by Arkansans in the first century of Hollywood’s film industry, from the first cowboy star, Broncho Billy Anderson, to Mary Steenburgen, Billy Bob Thornton, and many others. The Arkansas landscape also plays a starring role: North Little Rock’s cameo in Gone with the Wind, Crittenden County as a setting for Hallelujah (1929), and various locations in the state’s southeastern quadrant in 2012’s Mud are all given fascinating exploration.

Robert Cochran and Suzanne McCray screened close to two hundred films—from laughable box-office bombs to laudable examples of filmmaking -- in their research for this book. They’ve enhanced their spirited chronological narrative with an appendix on documentary films, a ratings section, and illustrations chosen by Jo Ellen Maack of the Old State House Museum, where Lights! Camera! Arkansas! debuted as an exhibit curated by the authors in 2013. The result is a book sure to entertain and inform those interested in Arkansas and the movies for years to come.

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Serious Daring
The Fiction and Photography of Eudora Welty and Rosamond Purcell
Susan Letzler Cole
University of Arkansas Press, 2016

Serious Daring is the story of the complementary journeys of two American women artists, celebrated fiction writer Eudora Welty and internationally acclaimed photographer Rosamond Purcell, each of whom initially practiced, but then turned from, the art form ultimately pursued by the other.

For both Welty and Purcell, the art realized is full of the art seemingly abandoned. Welty’s short stories and novels use images of photographs, photographers, and photography. Purcell photographed books, texts, and writing.

Both women make compelling art out of the seeming tension between literary and visual cultures. Purcell wrote a memoir in which photographs became endnotes. Welty re-emerged as a photographer through the publication of four volumes of what she called her “snapshots,” magnificent black-and-white photographs of small-town Mississippi and New York City life.

Serious Daring is a fascinating look at how the road not taken can stubbornly accompany the chosen path, how what is seemingly left behind can become a haunting and vital presence in life and art.

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The Apple That Astonished Paris
Poems
Billy Collins
University of Arkansas Press, 2006

Bruce Weber in the New York Times called Billy Collins “the most popular poet in America.” He is the author of many books of poetry, including, most recently, The Rain in Portugal: Poems.

In 1988 the University of Arkansas Press published Billy Collins’s The Apple That Astonished Paris, his “first real book of poems,” as he describes it in a new, delightful preface written expressly for this new printing to help celebrate both the Press’s twenty-fifth anniversary and this book, one of the Press’s all-time best sellers. In his usual witty and dry style, Collins writes, “I gathered together what I considered my best poems and threw them in the mail.” After “what seemed like a very long time” Press director Miller Williams, a poet as well, returned the poems to him in the “familiar self-addressed, stamped envelope.” He told Collins that there was good work here but that there was work to be done before he’d have a real collection he and the Press could be proud of: “Williams’s words were more encouragement than I had ever gotten before and more than enough to inspire me to begin taking my writing more seriously than I had before.”

This collection includes some of Collins’s most anthologized poems, including “Introduction to Poetry,” “Another Reason Why I Don’t Keep a Gun in the House,” and “Advice to Writers.” Its success over the years is testament to Collins’s talent as one of our best poets, and as he writes in the preface, “this new edition . . . is a credit to the sustained vibrancy of the University of Arkansas Press and, I suspect, to the abiding spirit of its former director, my first editorial father.”

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Defining the Delta
Multidisciplinary Perspectives on the Lower Mississippi River Delta
Janelle Collins
University of Arkansas Press, 2015
Inspired by the Arkansas Review’s “What Is the Delta?” series of articles, Defining the Delta collects fifteen essays from scholars in the sciences, social sciences, and humanities to describe and define this important region.

Here are essays examining the Delta’s physical properties, boundaries, and climate from a geologist, archeologist, and environmental historian. The Delta is also viewed through the lens of the social sciences and humanities—historians, folklorists, and others studying the connection between the land and its people, in particular the importance of agriculture and the culture of the area, especially music, literature, and food.

Every turn of the page reveals another way of seeing the seven-state region that is bisected by and dependent on the Mississippi River, suggesting ultimately that there are myriad ways of looking at, and defining, the Delta.
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Vasconselos
A Romance of the New World
Kevin Collins
University of Arkansas Press, 2013
The writings of William Gilmore Simms (1806–1870) provide a sweeping fictional portrait of the colonial and antebellum South in all of its regional diversity. Simms's account of the region is more comprehensive than that of any other author of his time; he treats the major intellectual and social issues of the South and depicts the bonds and tensions among all of its inhabitants. By the mid-1840s Simms's novels were so well known that Edgar Allan Poe could call him "the best novelist which this country has, on the whole, produced." Perhaps the darkest of Simms's novel-length works, Vasconselos (1853) presents a fictionalized account of one of the first European efforts to settle the land that would become the United States, the Hernando de Soto expedition of 1539. Set largely in Havana, Cuba, as the explorers prepare to embark, the work explores such themes as the marginalization of racial and national minorities, the historical abuse of women, and the tendency of absolute power to corrupt absolutely. In addition, Simms anticipates in this colonial romance the works of renowned scholars who would follow him, including the historian Frederick Jackson Turner and the entire formal scholarly field of psychology, which would take shape only long after the author's death.
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front cover of The Battle for the Buffalo River
The Battle for the Buffalo River
The Story of America's First National River
Neil Compton
University of Arkansas Press, 2010
Under the auspices of the 1938 Flood Control Act, the U.S. Corps of Engineers began to pursue an aggressive dam-building campaign. A grateful public generally lauded their efforts, but when they turned their attention to Arkansas’s Buffalo River, the vocal opposition their proposed projects generated dumbfounded them. Never before had anyone challenged the Corps’s assumption that damming a river was an improvement. Led by Neil Compton, a physician in Bentonville, Arkansas, a group of area conservationists formed the Ozark Society to join the battle for the Buffalo. This book is the account of this decade-long struggle that drew in such political figures as supreme court justice William O. Douglas, Senator J. William Fulbright, and Governor Orval Faubus. The battle finally ended in 1972 with President Richard Nixon’s designation of the Buffalo as the first national river. Drawing on hundreds of personal letters, photographs, maps, newspaper articles, and reminiscences, Compton’s lively book details the trials, gains, setbacks, and ultimate triumph in one of the first major skirmishes between environmentalists and developers.
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front cover of Philosophical Topics 34.1 and 34.2
Philosophical Topics 34.1 and 34.2
Analytic Kantianism
James Conant
University of Arkansas Press, 2006
Analytic Kantianism

Issue Editor: James Conant

Contributors: Robert Brandom, Eli Friedlander, Michael Friedman, Hannah Ginsborg, Arata Hamawaki, Andrea Kern, Michael Kremer, Thomas Land, Thomas Lockhart, Béatrice Longuenesse, John McDowell, A.W. Moore, Sebastian Rödl, and Clinton Tolley.

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front cover of Philosophical Topics 42.1
Philosophical Topics 42.1
The Second Person
James Conant
University of Arkansas Press, 2016

Contents:
Introduction – James Conant and Sebastian Rödl
THE FUNDAMENTAL CHARACTER OF THE SECOND PERSON AS A FORM OF CONSCIOUSNESS
Action and Passion – Anton Ford
What Binds Us Together: Normativity and the Second Person – Glenda Satne
Alethic Holdings – Jeremy Wanderer
THE SECOND PERSON AS A FORM OF PRACTICAL CONSCIOUSNESS
The Transmission of Skill – Will Small
For Oneself and Toward Another: The Puzzle about Recognition – Matthias Haase
THE SECOND PERSON AS THE FORM OF PRIVATE LAW
The Very Thought of (Wronging) You – Ariel Zylberman
The Idea of an Ethical Community: Kant and Hegel on the Necessity of Human Evil and the Love to Overcome It – Wolfram Gobsch
The Social and the Sociable – Stephen Darwall
THE PLACE OF THE SECOND PERSON IN THEORETICAL KNOWLEDGE
Theoretical Anarchism – Benjamin McMyler
Darwall on Action and the Idea of a Second-Personal Reason – Fabian Börchers
Kant on Testimony and the Communicability of Empirical Knowledge – Alexandra Newton
Testimony and Generality – Sebastian Rödl
ADDRESS AND ACKNOWLEDGMENT
Understanding Others in Social Interactions – Monika Dullstein
What Is It to Know Someone? – David Lauer
On Address – Adrian Haddock

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front cover of Das Arkansas Echo
Das Arkansas Echo
A Year in the Life of Germans in the Nineteenth-Century South
Kathleen Condray
University of Arkansas Press, 2020
In the late nineteenth century, a thriving immigrant population supported three German-language weekly newspapers in Arkansas. Most traces of the community those newspapers served disappeared with assimilation in the ensuing decades—but luckily, the complete run of one of the weeklies, Das Arkansas Echo, still exists, offering a lively picture of what life was like for this German immigrant community.

“Das Arkansas Echo”: A Year in the Life of Germans in the Nineteenth-Century South examines topics the newspaper covered during its inaugural year. Kathleen Condray illuminates the newspaper’s crusade against Prohibition, its advocacy for the protection of German schools and the German language, and its promotion of immigration. We also learn about aspects of daily living, including food preparation and preservation, religion, recreation, the role of women in the family and society, health and wellness, and practical housekeeping. And we see how the paper assisted German speakers in navigating civic life outside their immigrant community, including the racial tensions of the post-Reconstruction South.

“Das Arkansas Echo”: A Year in the Life of Germans in the Nineteenth-Century South offers a fresh perspective on the German speakers who settled in a modernizing Arkansas. Mining a valuable newspaper archive, Condray sheds light on how these immigrants navigated their new identity as southern Americans.
 
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front cover of The Other Brahmins
The Other Brahmins
Boston's Black Upper Class 1750-1950
Adelaide Cromwell
University of Arkansas Press, 1995

Adelaide Cromwell’s pioneering work explores race and the social caste system in an atypical northern environment over a period of two centuries. Based on scholarly sources, interviews, and questionnaires, the study identifies those blacks in Boston who exercised political, economic, and social leadership from the end of the eighteenth century to the middle of the twentieth. The central focus is a comparison of black and white upper-class women in the 1940s.

This rare look at a black social microcosm not located in the South is seminal and timely. Because it concludes at a critical period in American history, The Other Brahmins paints a colorful backdrop for evaluating subsequent changes in urban sociology and stratification. In a groundbreaking study, Cromwell effectively challenges the simplistic notions of hierarchy as they pertain to race.

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front cover of Ya Te Veo
Ya Te Veo
Poems
P. Scott Cunningham
University of Arkansas Press, 2018

Finalist, 2018 Miller Williams Poetry Prize

Ya Te Veo takes as its title the name of a mythical tree that eats people. Like the branches of that tree, the poems in this book seem to capture and nourish themselves on a diverse cast of would-be passers-by, drawing their life-force from the resulting synthesis of characters. Among the seized are poets and painters alongside musicians from Garth Brooks to Wu-Tang Clan to the composer Morton Feldman, whose mysterious personality serves as a backdrop in many poems for meditations on intimacy, ethics, and anxiety.

As the phrase “ya te veo” (“I see you”) implies, this is a book interested in revealing what we think is hidden, in questioning the gap inside all of us, a gap between what we feel and what we say and do, making space for our many contradictions.

Like the works of Feldman, these poems focus and recede, experimenting with form in order to accomplish a state of deep concentration. They impersonate sonnets, ghazals, terza rima, monologues, translations, and freestyles, but inexactly, embracing failed imitation as an opportunity to remix the familiar.

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front cover of Come Walk with Me
Come Walk with Me
The Art of Dorris Curtis
Dorris Curtis
University of Arkansas Press, 2004
Come Walk with Me: The Art of Dorris Curtis has enormous appeal both as a memoir and as a collection of wonderful paintings. Dorris Curtis, like Grandma Moses, began painting at a late age. She worked as a school teacher for over forty years and upon retirement at the age of sixty-five, began to study art. Curtis looked up to Grandma Moses and was heavily influenced by her achievements. This book includes 103 images of Curtis’s artwork, each with an extended caption, as well as an introduction by Robert Cochran which places Curtis’s art into the larger context of both Arkansas art and American folk art as a whole. Dorris Curtis began painting at the age of sixty-five. Since her start in 1973, Curtis’s work has been exhibited in Chicago and Washington, D.C., and she has appeared as a guest on the PBS series American Art Forum. Curtis recently donated her entire collection to the University of Central Arkansas.
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