“Mohja Kahf ’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.”

—Alicia Ostriker, author of For the Love of God: The Bible as an Open Book

“Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, Aïsha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.”

—Marilyn Hacker, author of A Stranger’s Mirror

“‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.”

—Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America

“This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.”

—From the foreword by Amina Wadud

The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam.

These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts.

Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.

BLACK POWER!

It was a phrase that consumed the American imagination in the 1960s and 70s and inspired a new agenda for black freedom. Dynamic and transformational, the black power movement embodied more than media stereotypes of gun-toting, dashiki-wearing black radicals; the movement opened new paths to equality through political and economic empowerment.

In Harambee City, Nishani Frazier chronicles the rise and fall of black power within the Congress of Racial Equality (CORE) by exploring the powerful influence of the Cleveland CORE chapter. Frazier explores the ways that black Clevelanders began to espouse black power ideals including black institution building, self-help, and self-defense. These ideals challenged CORE’s philosophy of interracial brotherhood and nonviolent direct action, spawning ideological ambiguities in the Cleveland chapter. Later, as Cleveland CORE members rose to national prominence in the organization, they advocated an open embrace of black power and encouraged national CORE to develop a notion of black community uplift that emphasized economic populism over political engagement. Not surprisingly, these new empowerment strategies found acceptance in Cleveland.

By providing an understanding of the tensions between black power and the mainstream civil rights movement as they manifested themselves as  both local and national forces, Harambee City sheds new light on how CORE became one of the most dynamic civil rights organizations in the black power era.

In 2015, Booklist observed, “the arrival of Hauser’s annual boxing review is akin to Christmas morning for fight fans. Nobody knows a sport any better than Hauser knows boxing.”

Each year, readers, writers, and critics alike look forward to Thomas Hauser’s annual collection of articles about the contemporary boxing scene. He’s one of the last real champions of boxing and one of the very best who has ever written about the sport.

A Hard World continues this tradition of excellence with dressing-room reports from big fights like Canelo Alvarez vs. Miguel Cotto, a behind-the-scenes look at Floyd Mayweather vs. Manny Pacquiao, and a foray into the world of mixed martial arts for a compelling portrait of Ronda Rousey. Most importantly, this new collection contains Hauser’s groundbreaking two-part investigative report on the relationship between the United States Anti-Doping Agency and boxing, a report that shook the industry and raised fundamental questions regarding the integrity of USADA’s drug-testing procedures as applied to boxing.

Finalist, Miller Williams Poetry Prize

“The past is a flame you must learn to hold / your hand above,” Eric Leigh writes in this stunning first volume of poems, a poignant meditation on the harm that we can and cannot keep from those we love, and the harm that cannot be kept from us. Taking place in both the rural and the urban, in fields and on sidewalks, in gay bars and in laboratories, with topics as diverse and powerful as a father’s suicide, a mother’s resilience, coming out, lost love, and the continuing plight of HIV, Leigh’s poems locate the heartbreaking music in these struggles. At the center of this profound book about loss—of family, of love, of immunity—lies the spirit’s ability to persevere. “My worst fear has come true, / and I am still here walking,” Leigh writes. Indeed, these poems are as assured and brave as those steps toward an unknown future. At turns beautiful, disturbing, mournful, and redemptive, Harm’s Way is an accomplished debut.

Harm’s Way is part of the University of Arkansas Press Poetry Series, edited by Enid Shomer.

During the first eight scorching days of August in 1932, U.S. Senator Huey P. Long of Louisiana campaigned in Arkansas for the election of Hattie Caraway to the U.S. Senate. Caraway easily defeated six well-known opponents in a race she was not expected to win and became the first woman to be elected to the U.S. Senate. This volume is a textbook of politics and a sweeping picture of the Great Depression, as if those perilous times had been compressed into a week and a day. It is a fascinating look at two extremely different people caught briefly in a common purpose.

Traveling evangelist John Brown believed that conventional colleges had become elitist and morally suspect, so he founded a small utopian college in 1919 to better combine evangelical Christianity and higher education. Historian Rick Ostrander places John Brown University in the long tradition of Christian education, but he also shows that evangelicalism had largely separated from mainstream higher education by the twentieth century. This engaging and objective history explores how John Brown University has adapted to modern American culture while maintaining its evangelical character. Brown set out to educate the poor, rural children of the Ozarks who had no other opportunity for schooling. He wanted to instill in them not only religious zeal but also his conception of what constituted significant work, namely manual labor. His concern with practical work is evident today in programs for broadcasting, engineering, teacher education, and business. His sons made academic excellence an institutional priority and gradually transformed the school into an accredited, respected liberal arts college. Head, Heart, and Hand deftly connects the story of John Brown University to the larger currents of American education and religion.

In 1981, James F. Cherry embarked on what evolved into a passionate, personal quest to identify and document all the known headpots of Mississippian Indian culture from northeast Arkansas and the bootheel region of southeast Missouri. Produced by two groups the Spanish called the Casqui and Pacaha and dating circa AD 1400–1700, headpots occur, with few exceptions, only in a small region of Arkansas and Missouri. Relatively little is known about these headpots: did they portray kinsmen or enemies, the living or the dead or were they used in ceremonies, in everyday life, or exclusively for the sepulcher? Cherry’s decades of research have culminated in the lavishly illustrated The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri, a fascinating, comprehensive catalog of 138 identified classical style headpots and an invaluable resource for understanding the meaning of these remarkable ceramic vessels.

Heavy Justice is the inside story of one of the great courtroom battles of our time. Gregory Garrison, the special prosecutor in the case, and Randy Roberts, historian and eminent boxing scholar, recount the trial that put heavyweight champion Mike Tyson behind bars. With all the drama, verve, and procedural detail of a novel by John Grisham or Scott Turow, this is also a highly topical morality play touching on all the issues of sex, race, celebrity, and justice that now so perplex our society. When he first heard about the Tyson case, Greg Garrison wanted nothing to do with it. Date rape? Always tough to prove. And one of the few facts already reported was that the young woman making the accusation had been in the defendant's hotel room at two o'clock in the morning. This case was dead on arrival, except that when Desiree Washington told her story, Garrison believed her. So drawing on this simple trust, and inspired by Desiree's courage and conviction, he accepted the challenge of this "unwinnable" case, stepping into the ring against not only Mike Tyson, multimillionaire sports celebrity and hero to millions, and Don King, cheerleader, but also the Washington law firm of Williams & Connolly, perhaps the slickest and most powerful defense counsel money could buy. Originally published in 1994, Heavy Justice brings together the worlds of big-time sports, lowlife sleaze, painstaking police work, and the lofty realms of Harvard's Alan Dershowitz to offer us a thoroughly absorbing account of one of the century's most important legal cases.

In this novelette, William Gilmore Simms records one of the awful realities of America's early frontier, that of women trapped in ill-fated marriages. Forced into a union with her lover, Helen Halsey is exploited and victimized in a domestic situation from which there is no release.Utilizing the compression of the short novel form, Simms weaves elaborate plot lines of violence, romance, and intrigue to create a fast-moving, action-packed tale of an America just beginning its search for identity, justice, and spiritual truth. Edgar Allan Poe said of Simms that "in invention, in vigor, in movement, in the power of exciting interest, and in the artistical arrangement of his themes," he surpassed "any of his countrymen."

The poems in celebrated poet Elton Glaser’s sixth collection journey through the seasons, from spring to spring, a pilgrimage down to the South, over the Midwest of snow and roses, and across the Romance countries of Europe. If the poet often finds himself “[h]alfway between grief and longing,” that may be his natural condition, rooted in this world against the pull of the next, his faith in the “purple evidence of plums, the testimony of wild persimmon” weathering the stormy preachers and the droughts of middle age.

Within that tension, the range of tones is unlimited, sometimes in the same poem, from the serious to the sublime, from anguish to awe. Holding everything together is Glaser’s unmistakable voice, a warm idiom made pungent by wintry wit: “my tongue of odd American, my mongrel sublime.” Whether the poems speak of ripe pears or minor prophets, they invite the reader to a feast of language that lets us taste how it feels to live on this earth, in the shadow of the afterlife.

Heresy and the Ideal is a powerful collection of essays and essay-reviews which David Baker wrote and published throughout the 1990s. He thoroughly discusses the work of more than fifty contemporary poets, including T. R. Hummer, Miller Williams, Albert Goldbarth, Jane Kenyon, Galway Kinnell, Charles Simic, Ted Kooser, David Wojahn, Alice Fulton, Louise Glück, and Charles Wright. He takes as his models some of the great critical books of the past three decades, especially Richard Howard's masterpiece, Alone with America, and Helen Vendler's Part of Nature, Part of Us, as well as other works by Laurence Lieberman, Majorie Perloff, Carol Muske, and Mary Kinzie. At its center, Heresy and the Ideal is based on Baker's sense of Romantic poetics, especially on how contemporary poets have applied, altered, or rejected certain Romantic principles. He uses the Romantic trope to measure the tension between passion and reason and between the problems of literary transcendence and the obligations of social engagement. The result is a welcome variety of enlightening, practical criticism devoid of exclusionary jargon and based on persistent attention to an individual poem or book of poems. Utilizing the essay-review, Baker considers each poet's purposes and achievements. He blends the strategies of explanation, analysis, and evaluation, clarifying each poet's work instead of complaining or condemning. Heresy and the Ideal addresses a wide and diverse range of contemporary poetry and should take a deserved place both as a critical introduction to the work of many important poets and as a work that documents and explores the shape of poetry at the end of the millennium.

Louise Thaden wrote High, Wide, and Frightened in the prime of her life, making this autobiography unique among books about the Golden Age of Aviation. Thaden, a contemporary of pioneering women pilots Amelia Earhart, Ruth Elder, Florence Klingensmith, and Ruth Nichols, was part of a small group of determined women who overcame discrimination and obstacles to become pilots in a time when air races and distance, altitude and endurance records were daily news in America. She became the first woman to win the Bendix Transcontinental Air Race, the premier air race of the day and, before her, a male-dominated one.

High, Wide, and Frightened is the story of Thaden’s life, of her achievements in aviation, and also of her childhood in Arkansas. She writes about her everyday personal life and her day-today experiences in aviation.

Counterculture flourished nationwide in the 1960s and 1970s, and while the hippies of Haight–Ashbury occupied the public eye, a faction of back to the landers were quietly creating their own haven off the beaten path in the Arkansas Ozarks. In Hipbillies, Jared Phillips combines oral histories and archival resources to weave the story of the Ozarks and its population of country beatniks into the national narrative, showing how the back to the landers engaged in “deep revolution” by sharing their ideas on rural development, small farm economy, and education with the locals—and how they became a fascinating part of a traditional region’s coming to terms with the modern world in the process.

This book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.

Originally published in 1907 and now reprinted for the first time, this is the only account published by a Union guerrilla in the border region of the central Ozarks, where political and civil violence lasted from the Civil War well into the 1880s.

There were probably many people who wanted to shoot Billy Monks. He was a Union patriot and skilled guerrilla fighter to some, but others called him a bushwhacker, a murderer, and a thief. His was a very personal combat: he commanded, rallied, arrested, killed, quarreled with, and sued people he knew. His life provides a striking example of the cliché that the war did not end in 1865, but continued fiercely on several fronts for another decade as partisan factions settled old scores and battled for local political control.

This memoir was Monks’s last salvo at his old foes, by turns self-defense and an uncompromising affirmation of the Radical Union cause in the Ozarks. The editors include a new biographical sketch of the author, fill in gaps in his narrative, identify all the people and places to which he refers, and offer a detailed index. Monks himself illustrated the volume with staged photographs of key events re-created by aged comrades who appear to have been just barely able to hoist the muskets they hold as props.

In 1864 Alida and Calvin Clark, two abolitionist members of the Religious Society of Friends from Indiana, went on a mission trip to Helena, Arkansas. The Clarks had come to render temporary relief to displaced war orphans but instead found a lifelong calling. During their time in Arkansas, they started the school that became Southland College, which was the first institution of higher education for blacks west of the Mississippi, and they set up the first predominately black monthly meeting of the Religious Society of Friends in North America. Their progressive racial vision was continued by a succession of midwestern Quakers willing to endure the primitive conditions and social isolation of their work and to overcome the persistent challenges of economic adversity, social strife, and natural disaster. Southland’s survival through six difficult and sometimes dangerous decades reflects both the continuing missionary zeal of the Clarks and their successors as well as the dedication of the black Arkansans who sought dignity and hope at a time when these were rare commodities for African Americans in Arkansas.

Written and first published in 1866 soon after the author's discharge from the Union army, A. F. Sperry's History of the 33d Iowa Infantry is one of the classic regimental histories of the American Civil War. It is a fresh, honest, and detailed account of the regiment's movements and actions—in Kentucky, Mississippi, Alabama, Texas, and, most notably, Arkansas, where it played a conspicuous role in the Helena, Little Rock, and Camden campaigns. As the regiment's fife and drum major responsible for sounding the duty calls that regulated a soldier's day, Sperry was well situated to observe the inner workings of his unit. His perceptive narrative of army life on the march and in camp captures the courage, humor, and sufferings of the rank and file. Although he took pride in his regiment's accomplishments, he unflinchingly reveals the hard side of war with vivid depictions of looting, resistance to orders, and "extermination" of Confederate guerrillas. By itself, Sperry's memoir is remarkable and important. It is made even more valuable by the new introduction and detailed notes from the editors. Their meticulous annotations include quotes from the diaries, letters, and reminiscences of other soldiers, adding depth and detail to the account. Seven maps and thirty-seven never-before-published photographs of 33d Iowa personnel taken during the war further enrich the book. Civil War historians and reenactors everywhere will welcome this important new classic.

Originally published in 1924 and long out of print, this book tells the story of the Mosaic Templars of America (MTA), a famous black fraternal organization that was founded by two former slaves in Little Rock, Arkansas, in the late-nineteenth century. The organization originally provided illness, death, and burial insurance during an era of segregation when few basic services were available to black people. By 1900 Mosaic Templars’ industries grew to include an insurance company, a building and loan association, a publishing company, a business college, a nursing school, and a hospital.

Clair Bee (1896-1983) was a hugely successful basketball coach at Rider College and Long Island University with a 412 and 87 record before his career was derailed in 1951 by a point-shaving scandal. In the trial that sent his star player, Sherman White, to prison, the judge excoriated Bee for creating a morally lax culture that contributed to his players' involvement with gambling. To a certain extent, Bee agreed with the judge's scolding, concluding that coaches, himself included, had become so driven to succeed on the court that they had lost sight of the educational role sports should play. His coaching career effectively over, Bee launched an effort to reform the ills he saw in college sports, and he did so in the pages of the Chip Hilton novels for young readers. He began the series in 1948, but it was the post-scandal books that he used as teaching tools. The books mirrored some of the events of the gambling scandal and were Bee's attempt to reform the problems plaguing college sports. He used his fiction to posit a better sports world that he hoped his young readers would construct and inhabit. The Chip Hilton books were extremely popular and have become a classic series, with over two million copies sold to date. Hoop Crazy is the fascinating story of Clair Bee and his star character Chip Hilton and the ways in which their lives, real and fictional, were intertwined.

Belonging with the work of Gabriel Garcia Márquez, Carlos Fuentes, and Julio Cortázar, this richly drawn story runs the gamut from lyrical to violent to pastoral. Originally published in 1975, Cavalls cap a la fosca was hailed by the public and critics alike as perhaps the most incisive Catalan novel since the Spanish Civil War. It was honored with four prestigious literary prizes, including the 1976 Spanish Literary Critics’ Award

In Horses into the Night, the narrator’s search for his roots—especially for his father—among the myths, stories, lies, and truths of his family and hometown, strikes a universal chord. As the plot becomes increasingly textured with piracy, smuggling, the Inquisition, morbid familial relationships, eroticism, and occult occurrences, it is all but impossible to resist this epic story described by El Pais as a “Mediterranean novel flooded with light and bathed in darkness.”

A century ago Hot Springs, Arkansas, was a world-renown resort city. Today, the town remains the most unique city in Arkansas but with much of its Victorian-to-1950s views nearly unrecognizable. Hot Springs: Past and Present shows vividly the before and after of hundreds of sites, answering questions such as “What used to be on this corner?” and “What was here before it was a parking lot?” The answer to those questions is often an opulent hotel, a theater, a bathhouse, a gambling house, or a mansion. Fire destroyed many buildings, even more were demolished, and some sites remain not so unlike they used to be. Hot Springs: Past and Present makes a perfect walking companion for anyone visiting the town and wishing to learn more about this one-of-a-kind place through not only the photographs but also the informative text that provides a good overview of the town’s history.

Laurence Gonzales began his successful publishing career in 1989 with the publication of The Still Point and later The Hero’s Apprentice (1994), both with the University of Arkansas Press. From these collections of essays he went on to write for renowned magazines in addition to publishing several books, including the best selling Deep Survival. His journalism garnered two National Magazine Awards, and his latest nonfiction book, Surviving Survival, was named by Kirkus as one of the best books of 2012.

This new collection of essays shows us the sometimes hair-raising, sometimes heart-wrenching writing that Gonzales has become known for. This “compelling and trustworthy guide” (Booklist) takes us from a maximum-security prison to a cancer ward, from a mental institution to the World Trade Center. Among the essays included is “Marion Prison,” a National Magazine Award finalist, with its intimate view inside the most maximum security prison in America. “House of Pain” takes the reader into the life of a brain surgeon at Chicago’s Cook County Hospital, a grim world that few ever see. “Rites of Spring,” another National Magazine Award finalist, follows Gonzales and his wife on their journey through cancer, not once, but twice.

Other stories venture above the Arctic Circle, flying deep into the Alaskan wilderness among grizzly bears and trumpeter swans; explore aerobatics in high-performance aircraft; and eulogize Memphis and Miami as American cities that mourn their fates in uniquely different ways.

“We need a new poetry lexicon—a new way of moleculing the poem on the page, even—and Maya Salameh brings it. We need all the strange Arabic-diasporic ways we can find for being in this terrible and joyful and often frighteningly banalizing world, and Salameh’s poems are a generous find. Her writing is an unexpected cousin in the colonized and capitalism-razed city, bewildering and divining things you’ve never heard but want to learn. . . . Prepare to be stretched and delighted.”
—Mohja Kahf, from the Foreword

The divine and the digital achieve a distinct corporality in Maya Salameh’s HOW TO MAKE AN ALGORITHM IN THE MICROWAVE, winner of the 2022 Etel Adnan Poetry Prize. Layering prayer with code, Salameh brings supposedly unassailable technological constructs like algorithm, recursion, and loop into conversation with the technologies of womanhood, whether liner, lipstick, or blood. Exploring the relationships we have with our devices, she speaks back to the algorithm (“a computer’s admission to blood”), which acts simultaneously as warden, confidant, and data thief.

Here Salameh boldly examines how an Arab woman survives the digitization of her body—experimenting with form to create an intimate collage of personal and neocolonial histories, fearlessly insinuating herself into the scripts that would otherwise erase her, and giving voice to the full mess of ritual.

Reading Hunting Arkansas is like walking alongside acclaimed Arkansas outdoorsman and writer Keith Sutton as he searches for the elusive woodcock in bottomland timber near the L'Anguille River, stalks deer across farmland, or treks through woodlands hunting black bears. Sutton weaves hunting know-how with personal stories and histories of various regions to produce this book telling you when, where, why and how to hunt in the Natural State.

This post-revisionist study examines the motives and the concerns of the ex-slaves in South Carolina who supported a movement that eventually led to white supremacy.

Although most freedmen throughout the states of the former Confederacy were Republicans loyal to the party of the Federal government that had emancipated them, they were factions of African-American voters who aligned themselves with local white Democratic leaders. one such group of black conservatives joined the “Red Shirts,” white paramilitary clubs that attempted to restore antebellum values in electing former Confederate general Wade Hampton governor of South Carolina in 1876.

Drago’s fine analysis recovers and explains this lost aspect of Southern black history. Drawing on primary sources that include testimonies of several black Red Shirts before a Congressional investigation of the election and eleven slave narratives, he de-romanticizes the black experience by examining the relationship between black initiative and southern paternalism.

A Hurting Sport marks the tenth annual volume of Thomas Hauser’s boxing articles to be published by the University of Arkansas Press. Every year, readers, sportswriters, and critics alike look forward to these collections. In 2014, Booklist observed, “This annual series detailing the year in boxing should be a highlight, not only for fans of the sport but also for those who appreciate journalistic acumen and stylish prose.”

Other sportswriters have called Hauser “the dean of fightwriters” (TheSweetScience.com) and “our craft’s most celebrated practitioner” (15Rounds.com). His readers call him one of the last real champions in boxing and one of the very best who has ever written about this sport.

A Hurting Sport continues this tradition of excellence with a behind-the-scenes recounting of 2014’s biggest fights, a look at Floyd Mayweather’s conduct in and out of the ring, analysis of fight impresario Al Haymon’s burgeoning empire, and much more.