The 2005 winner of the The Arkansas Arabic Traslation Award, sponsored by the King Fahd Center for Middle East and Islamic Studies at the University of Arkansas and the University of Arkansas Press, though written in the nineteenth century, is a richly contextualized precursor of modern Muslim wrestlings with notions of democracy and constitutionalism. Translated by the distinguished Middle East historian L. Carl Brown, this important historical work is now available to English language readers for the first time. Toward the end of his long career as an official in the Tunisian government, Ahmad ibn Abi Diyaf (Bin Diyaf) took on the task of writing a history of his country. The result was a multivolume history, concentrating on the period that Bin Diyaf experienced first-hand from within the small circle of Tunisia’s government, where he had served from the 1820s to the 1860s. It was as if a Harry Hopkins, Arthur Schlesinger Jr., or Henry Kissinger had served not just a Roosevelt, Kennedy, or Nixon, but all three presidents for an unbroken forty-year period. Not only the most penetrating and most perceptive study of nineteenth-century Tunisian political life, Bin Diyaf’s history was illustrative of the activities and ideas in play throughout the larger Ottoman world. His work was a history with a thesis. Bin Diyaf sought to show the need for his country, and for that matter the larger Ottoman world, to adopt representative and responsive forms of government as existed in Europe. His purpose was most clearly set out in the Muqaddima or Introduction to his monumental work, which Brown has translated. The ideas produced in this text roughly a century and a half ago were not institutionalized, but they did catch hold as ideas and goals influencing later developments.

This book continues the personal story of Jabra Ibrahim Jabra (1920–1994) that began with The First Well: A Bethlehem Boyhood. Jabra was one of the Middle East’s leading novelists, poets, critics, painters, and translators (he was the first to translate The Sound and the Fury into Arabic), and is the writer who is given credit for modernizing the Arabic novel. This book not only helps us understand Jabra as a writer and human being but also his times in post–World War II Baghdad when Iraq was enjoying an unprecedented period of creativity in literature and the arts. As a bright and inquisitive young man he became friends with the archeologist Max Mallowan and his wife, who, he later learned, was Agatha Christie (she wrote The Mousetrap during this period, in a little mud brick room). Jabra’s intellectual autobiography quickly developed as he traveled to Jerusalem, Oxford, and Harvard University, where he studied with I. A. Richards and Archibald MacLeish. A number of different teaching posts in Baghdad provided him opportunities to become friends with many leading poets, such as Buland al-Haydari and Tawfiq Sayigh; historians like George Antonius; and the renowned translators of Arabic literature Desmond Stewart and Denys Johnson-Davies. But this book is not only about matters of the mind, it is about matters of the heart as well. Jabra beautifully describes his lengthy love affair with a young Muslim woman, the beautiful Lamica, whom he first met near Princesses’ Street and whom he eventually married. He recounts all of the difficulties they had to surmount, and the pleasures to be had. This is the last book that Jabra published during his lifetime. Not only is Jabra’s life an outstanding example of the circumstances—and fate—of the Palestinian in the twentieth century, but it also provides countless interesting insights into the cultural life of the Middle East in general and its modes of interconnection with the West.

Prior to the 1972 passage of Title IX, women’s basketball was a minor sport in the United States. It was played by companies such as Cook’s Goldblume Beer and Sunoco and for obscure colleges such as Iowa Wesleyan and Wayland Baptist as part of the Amateur Athletic Union (AAU). But during the two generations of the mid-twentieth century, women’s basketball improved and became more popular throughout the country. AAU All-Star teams dominated women’s international basketball until the emergence of subsidized national teams in the 1960s.

The women who played on these AAU teams helped to lay the foundation for women’s athletics today. Most of the teams came from central and southern states, and most of the players had rural origins. “Country girls” from Arkansas, Iowa, Oklahoma, Tennessee, and Texas competed at an elite level unknown to their city sisters. The AAU formed several successful international teams of gifted players that gained fame abroad but that were anonymous at home. Until nearly the last quarter of the century, skilled women basketball players had only one option after high school: the AAU.

This is the history of these gifted women, their coaches, and their teams—their records, motivations, and personal stories. Extensively illustrated, Just for Fun is the first book to thoroughly explore the complex history of the Amateur Athletic Union’s women’s basketball program and to bring to light the four decades of women’s basketball all but forgotten in the current success of women’s athletics.

Winner, 2020-2021 Northeastern Minnesota Book Award