front cover of Hagar Poems
Hagar Poems
Mohja Kahf
University of Arkansas Press, 2016

“Mohja Kahf ’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.”

—Alicia Ostriker, author of For the Love of God: The Bible as an Open Book

“Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, Aïsha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.”

—Marilyn Hacker, author of A Stranger’s Mirror

“‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.”

—Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America

“This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.”

—From the foreword by Amina Wadud


The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam.

These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts.

Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.

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The Golden Shovel Anthology
New Poems Honoring Gwendolyn Brooks
Peter Kahn
University of Arkansas Press, 2017

“Throughout this anthology, more than 60 other well-known Brooks poems can be read the same way, with lines from ‘The Mother’ and ‘The Bean Eaters’ tripping down the right-hand side of the page. The anthology ends with ‘Non-Brooks Golden Shovels’ and ‘Variations and Expansions on the Form.’ The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.
—Claudia Rankine, The New York Times, August 2017

“The editors, including tireless poetry advocate Kahn, of this unique, new addition to the Gwendolyn Brooks legacy put together a richly diverse set of poets working with the most unusual and fertile new poetic form created in recent years. National Book Award winner Terrance Hayes invented the Golden Shovel, which he illuminates in his stirring foreword, writing, “Because where do poems come from if not other poems?” In a Golden Shovel poem, the last words in each line are taken from a Brooks poem. A veritable who’s who of contemporary poets tried their hands at this encoded homage, including Billy Collins, Mark Doty, Rita Dove, Nikki Giovanni, Joy Harjo, Billy Lombardo, Sharon Olds, Alberto Ríos, Tracy K. Smith, and Timothy Yu. Beautifully introduced by Patricia Smith, this is a beguiling and mind-expanding anthology shaped by formal expertise and deep appreciation for the complexity and resonance of Brooks’ work and profoundly nurturing influence. In all, a substantial and dynamic contribution to American literature.

Booklist, May 2017

"Gwendolyn Brooks was the first black writer to receive the Pulitzer Prize for poetry back in 1950. A new book honors her work in using a form called the golden shovel, developed by poet Terrance Hayes. In The Golden Shovel Anthology, poets select a line from a poem of Brooks’s and use it as the closing line or lines in a poem of their own. The result is an expansive and extraordinary assemblage edited by poets Peter Kahn, Ravi Shankar, and Patricia Smith.”

—Nina MacLaughlin, Boston Globe, March 2017

The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.

The last words of each line in a Golden Shovel poem are, in order, words from a line or lines taken from a Brooks poem. The poems are, in a way, secretly encoded to enable both a horizontal reading of the new poem and vertical reading down the right-hand margin of Brooks’s original. An array of writers—including Pulitzer Prize winners, T. S. Eliot Prize winners, National Book Award winners, and National Poet Laureates—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Nikki Giovani, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, and Julia Glass are just a few of the contributing poets.

The poems found here will inspire a diversity of readers, teachers, and writers of poetry while at the same time providing remarkable access for newcomers, making it ideal for classrooms. The Golden Shovel Anthology will also honor Brooks with publication in 2017, the centenary of her birth.

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The Golden Shovel Anthology
New Poems Honoring Gwendolyn Brooks
Peter Kahn
University of Arkansas Press, 2019
“The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.”
—Claudia Rankine in the New York Times


The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes.

An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets.

This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology.
[more]

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The Measure of Distance
An Immigrant Novel
Pauline Kaldas
University of Arkansas Press, 2023
They went to Cairo, leaving behind the adobe houses built along the edge of the Nile and the villagers who all knew each other and who had lived on this land for more centuries than their names could count. Behind them, they left the imprint of their footsteps for others who might follow.
 
This family saga begins when Salim, the eldest of three brothers, moves to Cairo at the start of the twentieth century with dreams of opening his own bakery. His decision to leave his ancestral village of Kom Ombo despite his parents’ objections reverberates across generations, kicking off a series of migrations that shape the lives of his family and their descendants throughout the decades that follow. These migrations only intensify after the revolution of 1952—with Misha, Salim’s eldest grandchild, being the first to flee to “Amreeka,” his annual phone calls home becoming briefer and briefer with each passing year.
 
Culminating with the 2011 protests in Tahrir Square, Pauline Kaldas’s The Measure of Distance is a detailed portrait of immigration against the backdrop of an Egypt in constant flux and an America that is always falling short of the fantasy. Alternating between tales of those who migrate and those who stay, this expansive novel follows its characters as they determine the course of their lives, often choosing one uncertainty over another as they migrate to new lands or plant their roots more firmly in their homeland.
 
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The Time between Places
Stories That Weave In and Out of Egypt and America
Pauline Kaldas
University of Arkansas Press, 2010
This collection of twenty stories delves into the lives of Egyptian characters, from those living in Egypt to those who have immigrated to the United States. With subtle and eloquent prose, the complexities of these characters are revealed, opening a door into their intimate struggles with identity and place. We meet people who are tempted by the possibilities of America and others who are tempted by the desire to return home. Some are in the throes of re-creating themselves in the new world while others seem to be embedded in the loss of their homeland. Many of these characters, although physically located in either the United States or Egypt, have lives that embrace both cultures. "A Game of Chance" follows the actions of a young man when he wins the immigration lottery and then must decide whether or not to change his life. "Cumin and Coriander" takes us inside a woman's thoughts as she tries to come to terms with the path her life has taken while working as a cook for American expatriates in Egypt. "The Top" enters the mind of a man whose immigration results in a loss of identity and sanity. These compelling stories pull us into the lives of many different characters and offer us striking insights into the Arab American experience.
[more]

front cover of Beyond Memory
Beyond Memory
An Anthology of Contemporary Arab American Creative Nonfiction
Pauline Kaldas
University of Arkansas Press, 2020
This anthology brings together the voices of both new and established Arab American writers in a compilation of creative nonfiction that reveals the stories of the Arab diaspora in styles that range from the traditional to the experimental. Writers from Egypt, Lebanon, Libya, Palestine, and Syria explore issues related to politics, family, culture, and racism. Coming from different belief systems and cultures and including first- and second-generation immigrants as well as those whose identities encompass more than a single culture, these writers tell stories that speak to the complexity of the Arab American experience.
[more]

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Dinarzad's Children
An Anthology of Contemporary Arab American Fiction
Pauline Kaldas
University of Arkansas Press, 2009
The first edition of Dinarzad’s Children was a groundbreaking and popular anthology that brought to light the growing body of short fiction being written by Arab Americans. This expanded edition includes sixteen new stories —thirty in all—and new voices and is now organized into sections that invite readers to enter the stories from a variety of directions. Here are stories that reveal the initial adjustments of immigrants, the challenges of forming relationships, the political nuances of being Arab American, the vision directed towards homeland, and the ongoing search for balance and identity. The contributors are D. H. Melhem, Mohja Khaf, Rabih Alameddine, Rawi Hage, Laila Halaby, Patricia Sarrafian Ward, Alia Yunis, Diana Abu Jaber, Susan Muaddi Darraj, Samia Serageldin, Alia Yunis, Joseph Geha, May Monsoor Munn, Frances Khirallah Nobel, Nabeel Abraham, Yussef El Guindi, Hedy Habra, Randa Jarrar, Zahie El Kouri, Amal Masri, Sahar Mustafah, Evelyn Shakir, David Williams, Pauline Kaldas, and Khaled Mattawa.
[more]

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The Future Ain't What It Used to Be
The 2016 Presidential Election in the South
Branwell DuBose Kapeluck
University of Arkansas Press, 2018

The Future Ain’t What It Used to Be details how the 2016 presidential election developed in the eleven states that make up the South. Preeminent scholars of Southern politics analyze this momentous election, including the issues that drove southern voters, the nomination process in early 2016, and where the region may be headed politically in the Trump era. In addition, each state chapter includes analysis on notable congressional races and important patterns within the states.

This new edited volume will be an important tool for scholars, and also journalists and political enthusiasts seeking a deeper understanding of contemporary southern electoral politics.

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front cover of A Paler Shade of Red
A Paler Shade of Red
The 2008 Presidential Election in the South
Branwell DuBose Kapeluck
University of Arkansas Press, 2009
The scholars included in A Paler Shade of Red cover the 2008 presidential election with detailed, state-by-state analyses of how the presidential election, from the nomination struggle through the casting of votes in November, played out in the South. The book also includes examinations of important elections other than for president, and in addition to the single-state perspectives, there are three chapters that look at the region as a whole. Contributors are Scott E. Buchanan, John A. Clark, Patrick R. Cotter, Charles Bullock III, Rogert E. Hogan and Eunice H. McCarney, David A. Breaux and Stephen D. Shaffer, Cole Blease Graham, Jay Barth, Janine A. Parry and Todd G. Shields, Jonathan Knuckey, Charles Prysby, Ronald Keith Gaddie, Brian Arbour and Mark McKenzie, and John J. McGlennon, all collected here to provide powerful insight into southern politics today.
[more]

front cover of Let Me Tell You Where I've Been
Let Me Tell You Where I've Been
New Writing by Women of the Iranian Diaspora
Persis M. Karim
University of Arkansas Press, 2006
Until recently, Iranian literature has overwhelmingly been the domain of men. But the new hybrid culture of diaspora Iranians has produced a prolific literature by women that reflects a unique perspective and voice. Let Me Tell You Where I've Been is an extensive collection of poetry, fiction, and nonfiction by women whose lives have been shaped and influenced by Iran's recent history, exile, immigration and the formation of new cultural identities in the United States and Europe. These writings represent an emerging and multi-cultural female sensibility. Unlike many flat media portrayals of Iranian women—as veiled, silenced—these writers offer a complex literary view of Iranian culture and its influences. These writers interrogate, challenge, and re-define notions of home and language and their work offers readers an experience of Iranian diaspora culture. Featuring over one hundred selections (two-thirds of which have never been published before) by more than fifty contributors--including such well-known writers as Gelareh Asayesh, Tara Bahrampour, Firoozeh Dumas, Roya Hakakian and Mimi Khalvati--the collection represents a substantial diversity of voices in this multicultural community. Divided into six sections, the book's themes of exile, family, culture resistance, and love, create a rich and textured view of the Iranian diaspora. The poems, short stories, and essays are suggestive of an important conversation about Iran, Iranian culture, the Persian and English languages, and the dual identities of many of its authors. This powerful collection is a tribute to the wisdom, insight, and sensitivity of women attempting to invent and articulate a literature of in-betweenness.
[more]


front cover of The White River Chronicles of S. C. Turnbo
The White River Chronicles of S. C. Turnbo
Man and Wildlife on the Ozarks Frontier
James Keefe
University of Arkansas Press, 1999

This highly readable folklore collection highlights the most representative and evocative tales in the twenty-five hundred pages of backwoods stories collected by Silas Tunbo toward the end of the last century. Turnbo and his informants, antebellum Ozarks natives, believed that the legends of the hunt were, as William Faulkner would write, “the best of all breathing and forever the best of all listening.”

With no apology, the first settlers on the southern frontiers became predators in their own environment. They embraced blood sport and sought its rewards at every turn. The chase promised them a sureness of profit more predictable than land speculation, timbering, or commercial agriculture.

These early opportunists believed that the greatest natural resource along the lush White River drainages in Missouri and Arkansas was large game. Although surrounded by  living waters, climax forests, and luxuriant grasses, the tellers of Turnbo’s stories only incidentally made mention of flora. Silas Turnbo and his  informants were fascinated by animals and the settlers’ ongoing relationship with them—a relationship often defined by contents for supremacy.

Significantly, Tunbo’s education included only a few years in subscription schools of the 1850s. His writing is direct and in the idiom of hte Ozarks, including spellings that are occasionally whimsical, perfectly befitting these “fireside stories” of the great outdoor drama of the southern frontiers.

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Philosophical Topics 41.2
Envisioning Plurality: Feminist Perspectives on Pluralism in Ethics, Politics, and Social Theory
Jean Keller
University of Arkansas Press, 2015

Contents:
Why a Feminist Volume on Pluralism? – Bonnie Mann and Jean Keller
PLURALISM ’S FAILURES AND CERTAIN CONDITIONS FOR THE POSSIBILITY OF SUCCESS
Indigenous Agencies and the Pluralism of Empire – Scott L. Pratt
What Would Philosophic Pluralism Look Like?: True Dialogue, Epistemic Credibility, Rational Parity, and Death in the University – Jennifer Lisa Vest
Asking Too Much? Civility vs. Pluralism – Alison Reiheld
Attending to Others: Simone Weil and Epistemic Pluralism – Shari Stone-Mediatore
FEMINIST PLURALISM AND RELIGIOUS WORLDVIEWS
Islamic Feminisms and Freedom – Allison Weir
Is an “Islamic Feminism” Possible?: Gender Politics in the Contemporary Islamic Republic of Iran – Paria Gashtili
Beyond the Modern/Religious Dichotomy: The Veil and Feminist Solidarity in Contemporary Turkey – Fulden Ibrahimhakkioglu
Philosophy, Religion, Race, and Queerness: A Question of Accommodation or Access – Kim Q. Hall
FEMINIST PLURALISM AND FUNDAMENTAL VALUES
Value Pluralism, Intuitions, and Reflective Equilibrium – Lisa Tessman
Radical-cum-Relation: Bridging Feminist Ethics and Native Individual Autonomy – Shay Welch

[more]

front cover of After Communism
After Communism
Perspectives on Democracy
Donald R. Kelley
University of Arkansas Press, 2003
In this collection, top scholars of Soviet and post-Soviet studies convene to explore communism's aftermath. They consider state building and consitutionalism; the transition to market capitalism and democracy across Eastern Europe; the political development of Muslim states; the complex and differential developments of electoral systems; the risks and opportunities of nationalism; and new political and economic activities in Russia, from corruption to contracts. Editor Donald Kelley introduces the volume with a synthesis of the theoretical and empirical findings of the volume, and his brief chapter introductions place each contribution in relation to the other essays and to larger debates on democratization.
[more]

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Divided Power
The Presidency, Congress, and the Formation of American Foreign Policy
Donald R. Kelley
University of Arkansas Press, 2005
Divided Power is a collection of eight original essays written for the Fulbright Institute of International Relations that focuses on timely yet unanswerable questions about the relationship between the executive and legislative branches in the formation of American foreign policy. In trying to answer questions about what the nation’s foreign policy is, and who has the upper hand in making it, these essays examine the struggle between the constant of the division of powers mandated by the Constitution (ambiguous though it may be) and the ever-changing political realities and conventional wisdoms of the day. Within that context, the authors also examine the society and culture in which those realities and wisdoms are nested. The goal of these essays is to offer a snapshot in time of the interaction of the executive and legislative branches in the shaping of our foreign policy, framed and informed by the intellectual and political realities that characterize the post–Cold War, post–September 11 world.
[more]

front cover of Newspaperwoman of the Ozarks
Newspaperwoman of the Ozarks
The Life and Times of Lucile Morris Upton
Susan Croce Kelly
University of Arkansas Press, 2023

Lucile Morris Upton landed her first newspaper job out West in the early 1920s, then returned home to spend half a century reporting on the Ozarks world she knew best. Having come of age just as women gained the right to vote, she took advantage of opportunities that presented themselves in a changing world. During her years as a journalist, Upton rubbed shoulders with presidents, flew with aviation pioneer Wiley Post, covered the worst single killing of US police officers in the twentieth century, wrote an acclaimed book on the vigilante group known as the Bald Knobbers, charted the growth of tourism in the Ozarks, and spearheaded a movement to preserve iconic sites of regional history. Following retirement from her newspaper job, she put her experience to good use as a member of the Springfield City Council and community activist.

Told largely through Upton’s own words, this insightful biography captures the excitement of being on the front lines of newsgathering in the days when the whole world depended on newspapers to find out what was happening.

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A History of Southland College
The Society of Friends and Black Education in Arkansas
Thomas Kennedy
University of Arkansas Press, 2009
In 1864 Alida and Calvin Clark, two abolitionist members of the Religious Society of Friends from Indiana, went on a mission trip to Helena, Arkansas. The Clarks had come to render temporary relief to displaced war orphans but instead found a lifelong calling. During their time in Arkansas, they started the school that became Southland College, which was the first institution of higher education for blacks west of the Mississippi, and they set up the first predominately black monthly meeting of the Religious Society of Friends in North America. Their progressive racial vision was continued by a succession of midwestern Quakers willing to endure the primitive conditions and social isolation of their work and to overcome the persistent challenges of economic adversity, social strife, and natural disaster. Southland’s survival through six difficult and sometimes dangerous decades reflects both the continuing missionary zeal of the Clarks and their successors as well as the dedication of the black Arkansans who sought dignity and hope at a time when these were rare commodities for African Americans in Arkansas.
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front cover of Self-Mythology
Self-Mythology
Poems
Saba Keramati
University of Arkansas Press, 2024
In the search for a true home, what does it mean to be confronted instead by an insurmountable sense of otherness? This question dwells at the center of Saba Keramati’s Self-Mythology, which explores multiraciality and the legacy of exile alongside the poet’s uniquely American origin as the only child of political refugees from China and Iran. Keramati navigates her ancestral past while asking what language and poetry can offer to those who exist on the margins of contemporary society. Constantly scanning her world for some likeness that would help her feel less of an outsider, the poet writes, “You could cut me in half. Send the left side with my mother, / right with my father. Shape what’s missing out of clay // from their lands and still I would not belong.” Blending the personal and the political, Self-Mythology considers the futurity of diaspora in America while revealing its possibilities.
[more]

front cover of Afternoon Masala
Afternoon Masala
Poems
Vandana Khanna
University of Arkansas Press, 2014
2014 cowinner, Miller Williams Arkansas Poetry Prize
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front cover of The Kingdom of Strangers
The Kingdom of Strangers
Elias Khoury
University of Arkansas Press, 1996

front cover of There When We Needed Him
There When We Needed Him
Wiley Austin Branton, Civil Rights Warrior
Judith Kilpatrick
University of Arkansas Press, 2007
Supreme Court Justice Thurgood Marshall said of Wiley Austin Branton that he “devoted his entire life to fighting for his own people.” There When We Needed Him is the story of that fight, which began with Branton's being one of the first black students at the University of Arkansas Law School and which took him to the highest levels of business and government. From his private law practice in Pine Bluff, Arkansas, Branton became, along with Marshall, counsel for the Little Rock Nine in their 1957 efforts to integrate Central High School. Under his leadership of the Atlanta-based Voter Education Project, more than six hundred thousand black voters were registered from 1962 to 1965. He later became executive secretary of President Lyndon Johnson's Council on Equal Opportunity and special assistant to attorneys general Nicholas Katzenbach and Ramsey Clark. He provided leadership to the United Planning Organization, the Alliance for Labor Action, and the NAACP; and he was dean of Howard University Law School. At Branton’s funeral in 1988, former Arkansas senator David Pryor described him as “quiet and unassuming. . . . It is his humility and desire to always put the goals of the civil rights movement before self which probably accounts for the fact that [he] was not more famous than he was.” The influence of this quiet and unassuming man continues to be felt decades later.
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Rising Star
The Meaning of Nikki Haley, Trump’s Unlikely Ambassador
Jason A. Kirk
University of Arkansas Press, 2021
Nikki Haley has been an emerging force in American politics, her star power burnished over a decade that has seen her move from the national spotlight to the global stage. In Rising Star, political scientist Jason A. Kirk analyzes her ascendance in the Republican Party, from her governorship of South Carolina—during which she faced extraordinary challenges in a state reckoning with tragedy, race, and its own history—to her elevated profile as Donald Trump’s ambassador to the United Nations, where, as the daughter of immigrants and a woman of color, she became the face of his America First policy to the world. In considering a wide range of perspectives, Kirk illuminates how the combination of Haley’s political talents and her identity as an Indian American, Christian, southern woman has made her an unlikely bridge between the Trump years and the GOP’s embattled path forward.
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Race and Ethnicity in Arkansas
New Perspectives
John A. Kirk
University of Arkansas Press, 2014
Race and Ethnicity in Arkansas brings together the work of leading experts to cast a powerful light on the rich and diverse history of Arkansas’s racial and ethic relations. The essays span from slavery to the civil rights era and cover a diverse range of topics including the frontier experience of slavery; the African American experience of emancipation and after; African American migration patterns; the rise of sundown towns; white violence and its continuing legacy; women’s activism and home demon¬stration agents; African American religious figures from the better know Elias Camp (E. C.) Morris to the lesser-known Richard Nathaniel Hogan; the Mexican-American Bracero program; Latina/o and Asian American refugee experiences; and contemporary views of Latina/o immigration in Arkansas. Informing debates about race and ethnicity in Arkansas, the South, and the nation, the book provides both a primer to the history of race and ethnicity in Arkansas and a prospective map for better understanding racial and ethnic relations in the United States.
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Winthrop Rockefeller
From New Yorker to Arkansawyer, 1912-1956
John A. Kirk
University of Arkansas Press, 2022
Why did Winthrop Rockefeller, scion of one of the most powerful families in American history, leave New York for an Arkansas mountaintop in the 1950s? In this richly detailed biography of the former Arkansas governor, John A. Kirk delves into the historical record to fully unravel that mystery for the first time. Kirk pursues clues threaded throughout Rockefeller’s life, tracing his family background, childhood, and education; his rise in the oil industry from roustabout to junior executive; his military service in the Pacific during World War II, including his involvement in the battles of Guam, Leyte, and Okinawa; his postwar work in race relations, health, education, and philanthropy; his marriage to and divorce from Barbara “Bobo” Sears; and the birth of his only child, future Arkansas lieutenant governor Win Paul Rockefeller. This careful examination of Winthrop Rockefeller’s first forty-four years casts a powerful new light on his relationship with his adopted state, where his legacy continues to be felt more than half a century after his governorship.
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front cover of Beyond Little Rock
Beyond Little Rock
The Origins and Legacies of the Central High Crisis
John A. Kirk
University of Arkansas Press, 2007
Based on extensive archival work, private paper collections, and oral history, this book includes eight of John Kirk’s essays, two of which have never been published before. Together, these essays locate the dramatic events of the crisis within the larger story of the African American struggle for freedom and equality in Arkansas. Examining key episodes in state history from before the New Deal to the present, Kirk covers a wide range of topics that include the historiography of the school crisis; the impact of the New Deal; early African American politics and mass mobilization; race, gender, and the civil rights movement; the role of white liberals in the struggle; and the intersections of race and city planning policy. Kirk unearths many previously neglected individuals, organizations, and episodes, and provides a thought-provoking analytical framework for understanding them.
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An Epitaph for Little Rock
A Fiftieth Anniversary Retrospective on the Central High Crisis
John A. Kirk
University of Arkansas Press, 2008
This collection of essays mines the Arkansas Historical Quarterly from the 1960s to the present to form a body of work that represents some of the finest scholarship on the crisis, from distinguished southern historians Numan V. Bartley, Neil R. McMillen, Tony A. Freyer, Roy Reed, David L. Chappell, Lorraine Gates Schuyler, John A. Kirk, Azza Salama Layton, and Ben F. Johnson III. A comprehensive array of topics are explored, including the state, regional, national, and international dimensions of the crisis as well as local white and black responses to events, gender issues, politics, and law. Introduced with an informative historiographical essay from John A. Kirk, An Epitaph for Little Rock is essential reading on this defining moment in America's civil rights struggle.
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front cover of Repertory of Shakespeare's Company, 1594–1613
Repertory of Shakespeare's Company, 1594–1613
Roslyn Lander Knutson
University of Arkansas Press, 1991
Knutson demystifies Shakespeare and his company by providing a clear vision of the dynamics of repertory management and play-going in Shakespeare's England.
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Geography of the Forehead
Ron Koertge
University of Arkansas Press, 2000

From short, acerbic lyrics to hilarious prose poems about nutty German professors and Dracula’s teenage girlfriend, readers laugh out loud at simple turns of phrase before they are jerked sober by startling insights into the way we live—and Koertge knows how we live.

Nothing in American culture is safe from the scythe of his irony—not Joan Crawford, not Superman, nor Frank Sinatra. He lampoons our literary heroes and historical giants with the gentlest touch, and we find ourselves grinning before we realize that Koertge is redefining what we thought we knew. His poems are alternately funny or poignantly sad because they are always true, and that truth lingers long after the reading is over.

In Geography of the Forehead, Ron Koertge offers us nearly sixty poems, each a brilliant testament to the human condition. “Though he has been writing his influential and highly original poems for many years,” Charles Harper Webb declares, “he is still something of a secret: a poet of dazzling wit, and surprising sweetness. With this collection, however, the secret is out.”

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Making Love to Roget's Wife
Poems New and Selected
Ron Koertge
University of Arkansas Press, 2001

In plain, unpretentious language, with brutal honesty, Ron Koertge can meld violence, love, human ugliness, joy, and modern depravity into a short lyric that makes us laugh out loud or socks us in the gut. His images arrive in giant clown shoes—cigars the size of Florida, the plastic man’s counter-length arms—or neatly packaged in carefully observed detail, as he writes of the “black little hearts” of ants or an ape’s “dark and leathery breast.”

Through every poem, there runs a constant and sincere humanity, a voice that laughs at itself, often goads us a bit, but always stuns and enlightens us when we dis – cover something of ourselves gambling with the crowd at the racetrack, driving from the parking lot of the Mexican restaurant, or shambling with the distraught parent leaving the hospital.

In Making Love to Roget’s Wife, Ron Koertge offers his best work from twenty-three years and a dozen earlier collections. With twenty-five new poems, and over eighty from previous books, this selection reawakens us to the presence of a superbly honed comic voice.

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front cover of A Pictorial History of Arkansas's Old State House
A Pictorial History of Arkansas's Old State House
Celebrating 175 Years
Mary L. Kwas
University of Arkansas Press, 2011
Arkansas's Old State House, arguably the most famous building in the state, was conceived during the territorial period and has served through statehood. A History of Arkansas's Old State House traces the history of the architecture and purposes of the remarkable building. The history begins with Gov. John Pope's ideas for a symbolic state house for Arkansas and continues through the construction years and an expansion in 1885. After years of deterioration, the building was abandoned by the state government, and the Old State House then became a medical school and office building. Kwas traces the subsequent fight for the building's preservation on to its use today as a popular museum of Arkansas history and culture. Brief biographies of secretaries of state, preservationists, caretakers, and others are included, and the book is generously illustrated with early and seldom-seen photographs, drawings, and memorabilia.
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front cover of Digging for History at Old Washington
Digging for History at Old Washington
Mary L. Kwas
University of Arkansas Press, 2009
Positioned along the legendary Southwest Trail, the town of Washington in Hempstead County in southwest Arkansas was a thriving center of commerce, business, and county government in the nineteenth century. Historical figures such as Davy Crockett and Sam Houston passed through, and during the Civil War, when the Federal troops occupied Little Rock, the Hempstead County Courthouse in Washington served as the seat of state government. A prosperous town fully involved in the events and society of the territorial, antebellum, Civil War, and Reconstruction eras, Washington became in a way frozen in time by a series of events including two fires, a tornado, and being bypassed by the railroad in 1874. Now an Arkansas State Park and National Historic Landmark, Washington has been studied by the Arkansas Archeological Survey over the past twenty-five years. Digging for History at Old Washington joins the historical record with archaeological findings such as uncovered construction details, evidence of lost buildings, and remnants of everyday objects. Of particular interest are the homes of Abraham Block, a Jewish merchant originally from New Orleans, and Simon Sanders from North Carolina, who became the town’s county clerk. The public and private lives of the Block and Sanders families provide a fascinating look at an antebellum town at the height of its prosperity.
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