John Marin was a major figure among the cutting-edge circle of American modernist artists who showed his work in Alfred Stieglitz’s New York galleries from 1909 until 1950. A new collection of the artist’s work at the Arkansas Arts Center, given by Marin’s daughter-in-law, forms the basis of this first book of essays and images to concentrate on Marin’s drawings in the context of Marin’s life, his watercolors, and his etchings.

We follow Marin to his most famous subject matter: New York City and the coast of Maine. Foundational drawings and an unfinished watercolor of the towering Woolworth Building, still under construction when they were made in 1912, begin the story of a renowned group of watercolors first exhibited in 1913 at Alfred Stieglitz’s 291 Gallery and then at the ground-breaking 1913 Armory Show. Other images take us to lesser-known locales, such as the Ramapo Mountains in New York and New Jersey where Marin often painted when he couldn’t get to Maine. More obscure aspects of the artist’s career explored in this collection include portraits of friends and family, charming drawings of animals, and circus scenes.

Becoming John Marin invites readers to look over this important artist’s shoulder as he created and honed the sketches he would interpret into completed watercolors and etchings, illustrating the evolution of his style and methods as he transformed from intuitive draftsman to innovative modernist watercolorist and etcher.

The Student Nonviolent Coordinating Committee (SNCC) arrived in Arkansas in October 1962 at the request of the Arkansas Council on Human Relations, the state affiliate of the Southern Regional Council. SNCC efforts began with Bill Hansen, a young white Ohioan--already an early veteran of the civil rights movement--who traveled to Little Rock in the early sixties to help stimulate student sit-in movements promoting desegregation. Thanks in large part to SNCC's bold initiatives, most of Little Rock's public and private facilities were desegregated by 1963, and in the years that followed many more SNCC volunteers rushed to the state to set up projects across the Arkansas Delta to help empower local people to take a stand against racial discrimination. In the five short years before it disbanded, the SNCC's Arkansas Project played a pivotal part in transforming the state, yet this fascinating branch of the national organization has barely garnered a footnote in the history of the civil rights movement. This collection serves as a corrective by bringing articles on SNCC's activities in Arkansas together for the first time, by providing powerful firsthand testimonies, and by collecting key historical documents from SNCC's role in the region's emergence from the slough of southern injustice.

Designed to appeal to students of history and foodies alike, American Appetites, the first book in the University of Arkansas Press’s new Food and Foodways series, brings together compelling firsthand testimony describing the nation’s collective eating habits throughout time. Beginning with Native American folktales that document foundational food habits and ending with contemporary discussions about how to obtain adequate, healthful, and ethical food, this volume reveals that the quest for food has always been about more than physical nourishment, demonstrating changing attitudes about issues ranging from patriotism and gender to technology and race. Readers will experience vicariously hunger and satiation, culinary pleasure and gustatory distress from perspectives as varied as those of enslaved Africans, nineteenth-century socialites, battle-weary soldiers, impoverished immigrants, and prominent politicians. Regardless of their status or the peculiarities of their historical moment, the Americans whose stories are captured here reveal that U.S. history cannot be understood apart from an examination of what drives and what feeds the American appetite.

2016 Choice Outstanding Academic Title
2017 Association for the Study of Food and Society Award, best edited collection.

The fifteen essays collected in Dethroning the Deceitful Pork Chop utilize a wide variety of methodological perspectives to explore African American food expressions from slavery up through the present. The volume offers fresh insights into a growing field beginning to reach maturity. The contributors demonstrate that throughout time black people have used food practices as a means of overtly resisting white oppression—through techniques like poison, theft, deception, and magic—or more subtly as a way of asserting humanity and ingenuity, revealing both cultural continuity and improvisational finesse. Collectively, the authors complicate generalizations that conflate African American food culture with southern-derived soul food and challenge the tenacious hold that stereotypical black cooks like Aunt Jemima and the depersonalized Mammy have on the American imagination. They survey the abundant but still understudied archives of black food history and establish an ongoing research agenda that should animate American food culture scholarship for years to come.

This powerful first collection and winner of the inaugural $5,000 Miller Williams Poetry Prize is literally rooted in the earth and in the world of animal husbandry. You can taste these poems about life on a family dairy farm in your mouth. In these lyrical poems we meet a closeted young man, his parents, their herd, and the other flora, fauna, and objects that populate his surreal garden.

As grandson of oil tycoon John D. Rockefeller Sr. and son of philanthropist John D. Jr., Winthrop Rockefeller was born into one of the most affluent and influential families in the world. But he was a nonconformist and often felt isolated from the rest of his family. Still, he amazed many when he left the New York elite for a farm in rural Arkansas, where he would ultimately serve two terms as governor and create a philanthropic legacy all his own. In Winthrop Rockefeller, Philanthropist, John L. Ward draws from his years as Rockefeller’s speech writer and campaign advisor to create a remarkably readable and comprehensive narrative. Ward provides valuable insights into Rockefeller’s complicated relationships with his father and brothers and convincingly argues that Rockefeller’s extraordinarily innovative approach to philanthropy changed the way Arkansas was viewed by its citizens and by the rest of the world. This book is a must-read for anyone interested in twentieth-century philanthropy.

Drawing on a variety of sources from oral histories to the records of professional organizations, Thomas J. Ward, Jr. examines the development of the African American medical profession in the South. Illuminating the contradictions of race and class, this research provides valuable new insight into class divisions within African American communities in the era of segregation.

Since its first edition in 1988, The Arkansas Freedom of Information Act has become the standard reference for the bench, the bar, and journalists for guidance in interpreting and applying the state’s open-government law. This sixth edition, published fifty years after the passage of the Act in 1967, builds upon its predecessors, incorporating later legislative enactments, judicial decisions, and Attorney General’s opinions to present a synthesis of the law of access to public records and meetings in Arkansas.

In 1935 a fledging government agency embarked on a project to photograph Americans hit hardest by the Great Depression. Over the next eight years, the photographers of the Farm Security Administration captured nearly a quarter-million images of tenant farmers and sharecroppers in the South, migrant workers in California, and laborers in northern industries and urban slums.

Of the roughly one thousand FSA photographs taken in Arkansas, approximately two hundred have been selected for inclusion in this volume. Portraying workers picking cotton for five cents an hour, families evicted from homes for their connection with the Southern Tenant Farmers Union, and the effects of flood and drought that cruelly exacerbated the impact of economic disaster, these remarkable black-and-white images from Ben Shahn, Arthur Rothstein, Dorothea Lange, Walker Evans, Russell Lee, and other acclaimed photographers illustrate the extreme hardships that so many Arkansans endured throughout this era.

These powerful photographs continue to resonate, providing a glimpse of life in Arkansas that will captivate readers as they connect to a shared past.

 

The Capital Hotel is uniquely beautiful, with its cast-iron façade and marble lobby, its high-ceilinged rooms, and its rich history. Since its opening in 1876, it has been the stage for the struggles, schemes, and dreams of generations of politicians, debutantes, prostitutes, carpenters, and businessmen. And a wide variety of owners and visionaries has shaped the hotel's fortunes, among them the Yankee entrepreneur who started it all; the Italian immigrant family who kept it going in its worst days; the architect who envisioned new lives for old buildings; and the financiers and craftsmen who brought the Capital to its current glory as a luxury hotel. The story of the Capital Hotel is also the story of Little Rock, and of many American cities: built in the commercial boom of the 1870s, in full flower at the turn of the century, battered by the Depression, optimistic in the postwar era, but decrepit by the late 1960s, then renovated in the 1980s and thriving today. This lavishly illustrated volume traces the history of the hotel from its origins as a commercial building to its spectacular renovation into a jewel of downtown Little Rock.

Senate majority leader Joseph Taylor Robinson was undoubtedly one of the most powerful U.S. senators of the early twentieth century. An important political figure in Arkansas from the time he was elected to the state legislature in 1895, Joe T., as he was popularly called became nationally prominent when he ascended to the Democratic leadership of the U.S. Senate in 1923.

Robinson’s career spanned momentous legislative debates in the chambers of the Senate, such as the League of Nations charter, the Teapot Dome Scandal, and FDR’s plan to “pack” the Supreme Court. His run for the vice-presidency in 1928, the first Southerner on a major ticket after the Civil War, and his three terms as chairman of the Democratic National Convention, in 1920, 1928, and 1936, are all covered in this perceptive study.

Examining the ways the publishing experiences of Conrad, Joyce, and Lawrence affected their fiction, Wexler draws on diverse sources of evidence to challenge some of the myths of modernism.

These stories of unique and distinct peoples, their interactions, and their influences on Arkansas and the South fill a void in the literature examining French and Spanish encounters with the Indians. Using historical, anthropological, and archaeological approaches, these essays collectively cover the European-Indian experience in the region, from DeSoto's first contact in 1541 through the Louisiana Purchase of 1803.

Certificate of Commendation, American Association of State and Local History

This remarkable collection of essays addresses social, historical, cultural, and labor issues as they affect a Southern plantation. The heart of the book is an examination of a "great experiment" to import Italian laborers to Sunnyside Plantation. From the crucible of tensions that this experiment produced, the reader obtains a concrete understanding of the implications of U.S. immigration policy, of changing labor relations following Reconstruction, and of a minority culture's introduction into the Delta.

Distilled from Arkansas: A Narrative History, the definitive work on the subject since its original publication in 2002, Arkansas: A Concise History is a succinct one-volume history of the state from the prehistory period to the present. Featuring four historians, each bringing his or her expertise to a range of topics, this volume introduces readers to the major issues that have confronted the state and traces the evolution of those issues across time.

After a brief review of Arkansas’s natural history, readers will learn about the state’s native populations before exploring the colonial and plantation eras, early statehood, Arkansas’s entry into and role in the Civil War, and significant moments in national and global history, including Reconstruction, the Gilded Age, the Progressive Era, the Elaine race massacre, the Great Depression, both world wars, and the Civil Rights Movement. Linking these events together, Arkansas: A Concise History offers both an understanding of the state’s history and a perspective on that history’s implications for the political, economic, and social realities of today.

The Rise to Respectability documents the history of the Church of God in Christ (COGIC) and examines its cultural and religious impact on African Americans and on the history of the South. It explores the ways in which Charles Harrison Mason, the son of slaves and founder of COGIC, embraced a Pentecostal faith that celebrated the charismatic forms of religious expression that many blacks had come to view as outdated, unsophisticated, and embarrassing.

While examining the intersection of race, religion, and class, The Rise to Respectability details how the denomination dealt with the stringent standard of bourgeois behavior imposed on churchgoers as they moved from southern rural areas into the urban centers in both the South and North.

Rooted in the hardships of slavery and coming of age during Jim Crow, COGIC’s story is more than a religious debate. Rather, this book sees the history of the church as interwoven with the Great Migration, class tension, racial animosity, and the struggle for modernity—all representative parts of the African American experience.
 

The original essays in this comprehensive collection examine the lives and sports of famous and not-so-famous African American male and female athletes from the nineteenth century to today. Here are twenty insightful biographies that furnish perspectives on the changing status of these athletes and how these changes mirrored the transformation of sports, American society, and civil rights legislation. Some of the athletes discussed include Marshall Taylor (bicycling), William Henry Lewis (football), Jack Johnson, Satchel Paige, Jesse Owens, Joe Lewis, Alice Coachman (track and field), Althea Gibson (tennis), Wilma Rudolph, Bill Russell, Jim Brown, Arthur Ashe, Michael Jordan, Tiger Woods, and Venus and Serena Williams.

The sixteen original essays in this collection cover influential and famous rivalries from a variety of sports, including track and field, golf, boxing, basketball, tennis, ice skating, baseball, football, soccer, and more. The essays are diverse, but together they illustrate what is common to any rivalry: equally matched opponents that often have decidedly different backgrounds, styles, and personalities. These differences may center on race and culture, political and societal ideologies, personality, geography, or religion—a mix intensified by fans and the media. From highly publicized and emotionally charged individual competitions to bitterly fought team contests, Rivals illuminates what one-of-a-kind opponents and the passion they inspire tell us about ourselves and our society.

Winner of the 2017 NASSH Book Award for best edited collection.

The hardening of racial lines during the first half of the twentieth century eliminated almost all African Americans from white organized sports, forcing black athletes to form their own teams, organizations, and events. This separate sporting culture, explored in the twelve essays included here, comprised much more than athletic competition; these “separate games” provided examples of black enterprise and black self-help and showed the importance of agency and the quest for racial uplift in a country fraught with racialist thinking and discrimination.

The significance of this sporting culture is vividly showcased in the stories of the Cuban Giants baseball team, basketball’s New York Renaissance Five, the Tennessee State Tigerbelles track-and-field team, black college football’s Turkey Bowl Classic, car racing’s Gold and Glory Sweepstakes, Negro League Baseball’s East-West All-Star game, and many more. These teams, organizations, and events made up a vibrant national sporting complex that remained in existence until the integration of sports beginning in the late 1940s. Separate Games explores the fascinating ways sports helped bind the black community and illuminate race pride, business acumen, and organizational abilities.

Finalist, 2016 Miller Williams Poetry Prize, edited by Billy Collins

In When We Were Birds, Joe Wilkins wrests his attention away from the griefs, deprivations, and high prairies of his Montana childhood and turns toward “the bean-rusted fields & gutted factories of the Midwest,” toward ordinary injustice and everyday sadness, toward the imminent birth of his son and his own confusions in taking up the mantle of fatherhood, toward faith and grace, legacy and luck.

A panoply of voices are at play—the escaped convict, the late-night convenience store clerk, and the drowned child all have their say—and as this motley chorus rises and crests, we begin to understand something of what binds us and makes us human: while the world invariably breaks all our hearts, Wilkins insists that is the very “place / hope lives, in the breaking.”

Within a notable range of form, concern, and voice, the poems here never fail to sing. Whether praiseful or interrogating, When We Were Birds is a book of flight, light, and song. “When we were birds,” Wilkins begins, “we veered & wheeled, we flapped & looped— / it’s true, we flew.”

Winner, 2017 Stafford/Hall Award for Poetry, Oregon Book Awards

A Documentary History of Arkansas provides a comprehensive look at Arkansas history from the state's earliest events to the present. Here are newspaper articles, government bulletins, legislative acts, broadsides, letters, and speeches that, taken collectively, give a firsthand glimpse at how the twenty-fifth state's history was made. Enhanced by additional documents and brought up to date since its original publication in 1984, this new edition is the standard source for essential primary documents illustrating the state's political, social, economic, educational, and environmental history.

This collection of documents represents a behind-the-scenes look at Arkansas from earliest times to 1984. Here are newspaper articles, government bulletins, legislative acts, broadsides, letters, and speeches. Collectively, they give a firsthand glimpse at how the twenty-fifth state’s history was made. Consideration is given to social and cultural aspects of Arkansas history, with special attention focused on the role played by women and blacks.

First published in 1948, Nothing but the Night marked the auspicious beginning of John Williams' career as a novelist—a career that would go on to include the classics Stoner and the National Book Award winning Augustus. In the person of Arthur Maxley, Williams investigates the terror and the waywardness of a man who has suffered an early traumatic experience. As a child, Maxley witnessed a scene of such violence and of such a nature tat the evocation of Greek tragedy is inescapable. now, years later, we move through a single significant day in the grown Arthur Maxley's life, the day when he is to meet his father, who has been absent for many years. With rare economy and clarity, the story moves at an ever-increasing pace to its unforgettable end.

By the 1840s American literature tradition had become fascinated with the frontier. The rural folk humor of the “Devil’s Fork” letters that a young Charles Fenton Mercer Noland (1810–1858) of central Arkansas began writing in 1837 was something the country wanted. His pieces were published regularly in New York’s Spirit of the Times, and he quickly achieved a reputation as one of the southwest’s best humorists. His tall tales told in dialect reflected the peculiar characteristics of the people of a backwoods region.

Noland’s semiautobiographical “Letters” were built around the experiences of Pete Whetstone, who, along with his neighbors, devoted himself to hunting, fishing, and an outdoors lifestyle. Through his first-person narration readers were able to experience an ideal southwest frontier existence. Here was a land of natural beauty, with clear rivers, forested mountains, and abundant game, a place where a person could live a free and rustic lifestyle.

Here too were horse races and bear fights, politics and balls. Unfortunately for Noland, an early death cut short a promising career. Had he lived longer and written more, he could have become one of America’s great nineteenth-century humorists. Midcentury America was certainly looking for one.

Civil rights activist Medgar Wiley Evers was well aware of the dangers he would face when he challenged the status quo in Mississippi in the 1950s and '60s, a place and time known for the brutal murders of Emmett Till, Reverend George Lee, Lamar Smith, and others. Nonetheless, Evers consistently investigated the rapes, murders, beatings, and lynchings of black Mississippians and reported the horrid incidents to a national audience, all the while organizing economic boycotts, sit-ins, and street protests in Jackson as the NAACP's first full-time Mississippi field secretary. He organized and participated in voting drives and nonviolent direct-action protests, joined lawsuits to overturn state-supported school segregation, and devoted himself to a career path that eventually cost him his life. This biography of an important civil rights leader draws on personal interviews from Myrlie Evers-Williams (Evers's widow), his two remaining siblings, friends, grade-school-to-college schoolmates, and fellow activists to elucidate Evers as an individual, leader, husband, brother, and father. Extensive archival work in the Evers Papers, the NAACP Papers, oral history collections, FBI files, Citizen Council collections, and the Mississippi State Sovereignty Commission Papers, to list a few, provides a detailed account of Evers's NAACP work and a clearer understanding of the racist environment that ultimately led to his murder.

Eight years in the making, Arkansas Biography brings to light the lives of those who have helped shape Arkansas history for over four hundred years. Featured are not only the trailblazers, such as steamboat captain Henry Shreve, Olympic gold medalist Bill Carr, discount mogul Sam Walton, and aviator Louise Thaden, but also those whose lives reflect their culture and times—musicians, scientists, teachers, preachers, and journalists. One hundred and eighty contributors—professional and avocational historians—offer clear vignettes of nearly three hundred individuals, beginning with Hernando de Soto, who crossed the Mississippi River in the summer of 1540. The entries include birth and death dates and places, life and career highlights, lineage, anecdotes, and source material. This is a browser's book with an Arkansas voice. The wealth of information condensed into this single reference volume will be valuable to general readers of all ages, libraries, museums, and scholars. A fitting summary at the turn of a millennium, Arkansas Biography pays lasting tribute to the men and women who have enriched the life and character of the state and, by extension, the region and the nation.

Bringing together the work of prominent scholars and rising stars in southern, western, and Indian history, A Whole Country in Commotion explores lesser-known aspects of one of the better-known episodes in U.S. history. While the purchase has been seen as a great boon for the United States, doubling the size of the new nation and securing American navigation on the Mississippi River, it also brought turmoil to many. Looking past the triumphal aspects of the purchase, this book examines the “negotiations among peoples, nations and empires that preceded and followed the actual transfer of territory.” Its nine essays highlight the “commotion” the purchase stirred up—among nations, among Louisiana residents and newcomers, even among those who remained east of the Mississippi. Many of these essays look at the portion of the Louisiana territory that would become Arkansas to illustrate the profound impact of the purchase on the diverse populations of the American Southwest. Others explore the woeful commotion brought to many thousands of lives as Jefferson’s “noble bargain” set the stage for the forced migration of native and African Americans from the east to the west of the Mississippi.

Finalist, 2019 Miller Williams Poetry Prize

“Poems that lead us to striking insights and strange destinations.”
—Billy Collins

The men who recur as characters throughout Jess Williard’s Unmanly Grief perform their masculinity in a variety of ways: boxing, theater, brotherhood, labor, and familial and romantic love. Marked by a sharp nostalgia, Williard’s poems move from Wisconsin to New York City and back, tracing the geographic movement of the speaker and his family: a teenage sister who disappears and returns, changed irrevocably; an older brother dismantled in adulthood; an ever-sacrificing father. Woven through the musculature of this varied and exciting collection, music appears as readily in dexterous formal verse as in lean, scrappy storytelling. What results is a crooning celebration of struggle and tenderness in this world, “where to be small and furious is enough.”

LA Sports brings together sixteen essays covering various aspects of the development and changing nature of sport in one of America’s most fascinating and famous cities. The writers cover a range of topics, including the history of car racing and ice skating, the development of sport venues, the power of the Mexican fan base in American soccer leagues, the intersecting life stories of Jackie and Mack Robinson, the importance of the Showtime Lakers, the origins of Muscle Beach and surfing, sport in Hollywood films, and more.

In this work of sporting and social history we have a biography of Canadian-born, Boston-raised boxer George Dixon (1870–1908), the first Black world champion of any sport and the first Black world boxing champion in any division. George Dixon: The Short Life of Boxing’s First Black World Champion, 1870–1908 chronicles the life of the most consequential Black athlete of the nineteenth century and details for the first time his Carnival appearance, perhaps the most significant bout involving a Black fighter until Jack Johnson began his reign in 1908. Yet despite his triumphs, Dixon has been lost to history, overshadowed by Black athletes whose activism against white supremacy far exceeded his own.

George Dixon reveals the story of a man trapped between the white world he served and the Black world that worshipped him. By ceding control to a manipulative white promoter, Dixon was steered through the white power structure of Gilded Age prizefighting, becoming world famous and one of North America’s richest Black men. Unable to hold on to his wealth, however, and battered by his vices, a depleted Dixon was abandoned by his white supporters just as the rising tide of Jim Crow limited both his prospects and the freedom of Blacks nationwide.

Architects of Little Rock provides biographical and historical sketches of the architects working in Little Rock from 1830 to 1950. Thirty-five architects are profiled, including George R. Mann, Thomas Harding, Charles L. Thompson, Max. F. Mayer, Edwin B. Cromwell, George H. Wittenberg, Lawson L. Delony, and others. Readers will learn who these influential professionals were, where they came from, where they were educated, how they lived, what their families were like, how they participated in the life of the city, and what their buildings contributed to the city. Famous buildings, including the Historic Arkansas Museum, the Old State House, the Arkansas State Capitol, St. Andrews Cathedral, Little Rock City Hall, the Pulaski County Court House, Little Rock Central High School, and Robinson Auditorium are showcased, bringing attention to and encouraging appreciation of the city’s historic buildings.

Published in collaboration with the Fay Jones School of Architecture.

Strange Good Fortune is a collection of fifteen essays on the state of American verse, written by a well-known American poet whose criticism has also attracted considerable attention. Passionate in his engagement with both the practice of poetry and in the observation of verse as it exists within an increasingly professionalized and sometimes perplexing scene, Wojahn follows in the tradition of poet-critics such as Randall Jarrell and Delmore Schwartz, offering provocative and insightful observations about such topics as the persistence of autobiographical poetry, poetry and politics, the creative writing industry, American poets and travel, recent literary hoaxes, and the poetry of depression and invective. The essays discuss not only familiar figures such as Elizabeth Bishop, James Wright, and Robert Lowell but also under-appreciated poets such as Weldon Kees, Frederick Seidel, and Armand Schwerner, as well as younger poets such as Mark Doty, Susan Mitchell, and Denis Johnson. Wojahn's is a humanistic and practical criticism, devoid of theoretical cant, and capable of both acute analysis of individual poems and larger generalizations about poetic method. Forceful, readable, and unflappable, Strange Good Fortune is the work of a poet writing about what he cares about; it is not hobbled by jargon or addled by theory.

Life in the Leatherwoods is one of the country's most delightful childhood memoirs, penned by an Ozark native with a keen, observant eye and a gift for narrative. John Quincy Wolf's relaxed style and colorful characters resemble those of another chronicler of nineteenth-century rural life, Laura Ingalls Wilder. Wolf's acerbic wit and lucid prose infuse the White River pioneers of his story with such life that the reader participates vicariously in their log rollings, house-raisings, spelling bees, hog killings, soap making, country dances, and camp meetings. Originally published by Memphis State University Press in 1974, this new edition includes additional writings of John Q. Wolf and a continuation of the autobiographical narrative after his 1887 move to Batesville. Wolf's writings are valuable resources for southern historians, folklorists, general readers, and scholars of Ozarkiana because they provide a rare glimpse into the social and family life of a largely misunderstood and stereotyped people—the independent hill farmers of the Arkansas Ozarks of the 1870s and 1880s. With Life in the Leatherwoods, Wolf bestows a benediction upon a society that existed vibrantly and humorously in his memory—one that has now forever disappeared from the American countryside.

Originally published by Memphis State University Press in 1974, this new edition includes additional writings of John Q. Wolf and a continuation of the autobiographical narrative after his 1887 move to Batesville. Wolf’s writings are valuable resources for southern historians, folklorists, general readers, and scholars of Ozarkiana because they provide a rare glimpse into the social and family life of a largely misunderstood and stereotyped people—the independent hill farmers of the Arkansas Ozarks of the 1870s and 1880s. With Life in the Leatherwoods, Wolf bestows a benediction upon a society that existed vibrantly and humorously in his memory—one that has now forever disappeared from the American countryside.

In 1700, ten sparsely settled colonies clung precariously to the Atlantic coast of the vast American continent, each far more firmly attached to the Old World by ties of politics, economy, and culture than they were to each other. By 1800, sixteen states, united by a common government, were poised exploit the seemingly endless resources of a new and independent nation. Throughout this century of enormous changes and challenges, one factor had remained constant: no single description captured the majority of the new country's inhabitants; no one lifestyle was embraced by a "typical American." Rich or poor, urban or rural, male or female, young or old, native-born or immigrant, northerner or southerner, slave or free, white or of color—the mixture of these characteristics and a host of others within each individual determined the shape and opportunities of everyday life. Americans of the eighteenth century were in the end, as they had been in the beginning, as "various as their land."

For the first time, the work of Iranian poet Forugh Farrokhzad is being brought to English-speaking readers through the perspective of a translator who is a poet in her own right, fluent in both Persian and English and intimately familiar with each culture. Sin includes the entirety of Farrokhzad's last book, numerous selections from her fourth and most enduring book, Reborn, and selections from her earlier work and creates a collection that is true to the meaning, the intention, and the music of the original poems. Farrokhzad was the most significant female Iranian poet of the twentieth century, as revolutionary as Russia's Akhmatova and Tsvetaeva and America's Plath and Sexton. She wrote with a sensuality and burgeoning political consciousness that pressed against the boundaries of what could be expressed by a woman in 1950s and 1960s Iran. She paid a high price for her art, shouldering the disapproval of society and her family, having her only child taken away, and spending time in mental institutions. Farrokhzad died in a car accident in 1967 at the age of thirty-two. Sin is a tribute to the work and life of this remarkable poet.

Through the support of PEN Center USA, Iranian American poet and translator Sholeh Wolpé has brought together sixty American poets to address the world through poems that not only meditate on the principles of freedom, justice, and tolerance but also boldly and directly address specific countries. Natasha Trethewey, Robert Bly, Rita Dove, Yusef Komunyakaa, Galway Kinnell, Philip Levine, Carolyn Forché, Billy Collins, Jorie Graham, Naomi Shihab Nye, and Quincy Troupe are just some of the poets whose work is gathered in this powerful new collection. These poets speak out in the tradition of all poets who speak out in uprisings, seeking to change the landscape despite an environment of oppression, torture, and denial of basic human rights. All poems included were gifted to this anthology, which will benefit PEN Center USA's Freedom to Write program.

Keeping Time with Blue Hyacinths, Sholeh Wolpé's third collection of poems, is a surreal journey of sorrows and sins, of love, ghosts, and Saudi princes, of banishment inside one's own skin. Wild in its leaps and images, these poems explore personal and psychological exile from a marriage, lovers, expectations, and finally, country.

Selected Poems, 1968–1998, represents thirty years of John Wood's work, offering his readers a most comprehensive view of an unusual mind and spirit that is at once eloquent and humorous. In poems that range from narratives, lyrics, and elegies, to odes, satires, and even a mini-epic, his work whips language into intense emotion. Recalled memories tumble with sense and grace. The homely and the visionary intertwine as the often stark realities of human experience are infused with love and light. The prospering genius of these poems is that they seek not so much to redeem or reclaim what is lost, but to redirect perspectives with a generous sweep of possibilities. Wood's craft as a wordsmith gives us a voice that powerfully interprets what it means to be human and alive. John Wood holds professorships in both photographic history and English literature at McNeese State University in Lake Charles, Louisiana, where he is also director of the Master of Fine Arts Program in Creative Writing. He is the author of three previous books of poetry and seven books of art and photographic criticism. His books have won the Iowa Poetry Prize twice, the American Library Association's Choice Outstanding Academic Books of 1992, and the New York Times Book Review Best Photo Books of 1995.

Arkansas, the Old South’s last frontier, was forced, after the election of Lincoln, to face the issue of secession. A decade earlier, the state had spurned all efforts from within to withdraw from the Union, but the following ten years drew Arkansas deeper into the economic and cultural community that bound it to the other slaveholding states. Now rumblings of secession were heard even before the president-elect assumed office on March 4, 1861. The question was asked on street corners, in offices, barbershops and living rooms: Would Arkansas leave the Union?

Answers to that question caused a fundamental realignment of politics in Arkansas during the winter of 1860–61. The former political coalition of Democrat and Whig fell away in a geographical split between the uplands and the lowlands. In this important and exciting book, the first to tell the story of Arkansas’s road to secession, James Woods examines the differences between uplanders, whose mountain regions offered little useful farmland for any crop, and lowlanders, whose vast deltas were ideally suited for cotton farming. The southern portion of the state began to rely increasingly upon slavery as it became linked to the economy of cotton and Southern antebellum values, but the northern region of the state did not. Woods focuses upon the resulting social, economic, and geographic divisions that grew within Arkansas before and during the secession crisis. He captures the political struggles of the state as it tore away from the nation, and as it threatened, in so doing, to tear itself apart.

Winner, 2023 J. G. Ragsdale Book Award from the Arkansas Historical Association

Because Johnny Cash cut his classic singles at Sun Records in Memphis and reigned for years as country royalty from his Nashville-area mansion, people tend to associate the Man in Black with Tennessee. But some of Cash’s best songs—including classics like “Pickin’ Time,” “Big River,” and “Five Feet High and Rising”—sprang from his youth in the sweltering cotton fields of northeastern Arkansas.

In Country Boy, Colin Woodward combines biography, history, and music criticism to illustrate how Cash’s experiences in Arkansas shaped his life and work. The grip of the Great Depression on Arkansas’s small farmers, the comforts and tragedies of family, and a bedrock of faith all lent his music the power and authenticity that so appealed to millions. Though Cash left Arkansas as an eighteen-year-old, he often returned to his home state, where he played some of his most memorable and personal concerts. Drawing upon the country legend’s songs and writings, as well as the accounts of family, fellow musicians, and chroniclers, Woodward reveals how the profound sincerity and empathy so central to Cash’s music depended on his maintaining a deep connection to his native Arkansas—a place that never left his soul.

In a collection of separate, mostly unrelated essays written for his newspaper column over many years, Workman charms with his grace, comforts with his wisdom and makes us smile with his wit. Like his previous collections of inspirational columns, Open Windows and Fireflies in a Fruitjar, this is a book to be read and given as a gift to those we love.

Poet C. D. Wright and photographer Deborah Luster have compiled a literary map of Arkansas and an unparalleled guidebook to its writers and the surroundings. Produced for "The Lost Roads Project," a walk-in exhibit of Arkansas as a state of letters, this map and catalog document the most significant places and authors in Arkansas's literary history. The Guidebook is replete with photographs, biographies, excerpts from novels and stories, poetry collections, and memoirs. With over 150 writers listed, the Reader's Map includes poets, country and blues songwriters, short fiction writers, novelists, historians, folklorists, and humorists. Each entry lists the author's life span, genre of work, birthplace, and bibliography.