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Latin@s' Presence in the Food Industry
Changing How We Think about Food
Meredith E. Abarca
University of Arkansas Press, 2016

Latin@s’ Presence in the Food Industry takes the holistic culinary approach of bringing together multidisciplinary criticism to explore the diverse, and not always readily apparent, ways that Latin@s relate to food and the food industry.

The networks Latin@s create, the types of identities they fashion through food, and their relationship to the US food industry are analyzed to understand Latin@s as active creators of food-based communities, as distinctive cultural representations, and as professionals. This vibrant new collection acknowledges issues of labor conditions, economic politics, and immigration laws—structural vulnerabilities that certainly cannot be ignored—and strives to understand more fully the active and conscious ways that Latina@s create spaces to maneuver global and local food systems.

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The Bookmaker's Daughter
A Memory Unbound
Shirley Abbott
University of Arkansas Press, 2006

This deeply felt memoir is a journey through family history, feminist insight, and southern mythology. In it a daughter reflects on the complicated and volatile love she and her father shared. Shirley Jean Abbott grew up in Hot Springs, Arkansas, in the 1940s and 50s and was the beloved daughter of Alfred Bemont Abbott, affectionately known as “Hat.” Hat wasn’t a bookmaker in the literary sense, even though he allowed Shirley’s mother to believe as much while they were dating. Rather, his craft was gambling, and his business was horse racing.

Despite the corruption, which put food on the table and rabbit coats in the closet, Abbott remembers the kind and attentive father who spent nights reading to her. He alone is responsible for opening the door to a world of language and literature for her. And she ran with it. Against her father’s wishes, after graduation she headed for New York City. In the end, the girl he had nurtured into an independent and intelligent young woman had outgrown the small town where she grew up. The Bookmaker’s Daughter was originally published by Ticknor and Fields in 1992 and was a Book of the Month Club selection.

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Womenfolks
Growing Up Down South
Shirley Abbott
University of Arkansas Press, 2017
A classic that has been in print since its first publication in 1983, Womenfolks is both a personal memoir and a meditation on the often pernicious mythologies of southern cultural history. Shirley Abbott gives us the gritty, independent women of the backwoods, the South’s true heroines, whose hardscrabble world is one of red dirt and hard work—a far cry from the hoopskirts and magnolias of southern lore. As honest, vibrant, and remarkable as the women whose stories illuminate these pages, Womenfolks draws a vivid portrait of a rural culture beset by poverty and sustained by deeply rooted traditions. In her new preface to this edition, Abbott assesses what has changed—and what may never change—about the burdens of southern history and expresses her hope that the better angels of our nature may prevail in our still-new century.
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The Listening Chamber
Poems
William Aberg
University of Arkansas Press, 1997
Winner of the seventh annual Arkansas Poetry Award, William Aberg presents in The Listening Chamber a gallery of poetic forms, from short free-verse lyrics and crafted prose poems to original forms skillfully matched with their subjects. He writes comfortably of cats or derringers, the idylls of childhood, or of patients in mental hospitals. Throughout his poetry there runs a proletarian strain of dissatisfaction, an unrest coupled with dexterous wit and a remarkable sense of wonder. Convincingly, he populates these poems with farm workers, romantics, fugitives, lovers, beeches, elms, and constellations. With influences as wide ranging as William Stafford, Miklos Radnoti, and René Magritte, Aberg has fashioned a first collection in which every poem is a unique and haunting experience.
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Strip
Poems
Jessica Abughattas
University of Arkansas Press, 2020
Winner of the 2020 Etel Adnan Poetry Prize, Jessica Abughattas’s Strip is a captivating debut about desire and dispossession and that tireless poetic metaphor—the body. Audacious and clear-eyed, plainspoken and brassy, Abughattas’s poems are songs that break free from confinement as they span the globe from Hollywood to Palestine.

“The mystery that Abughattas composes is always moving toward an impossible freeing of the self from its numerous frames. Yet frame by frame . . . she suspends our disbelief, catalogs those potentialities in an America always ready to shoot, direct, and produce the film of itself. Strip is ‘in love with possibility,’ ‘in praise of here I am, here I’ve been,’ USA style. Strip celebrates the body—its rise and fall, ebb and flow, in a carnival of parties—restlessly, shamelessly, searching for a way out…. Even as Abughattas claims that ‘I can’t believe sometimes I have a body,’ her poems teem with an awareness of the body’s unavoidable centrality in our lives—in how we view our lives, and how others view them; in how they progress, and how they end; in how they become meaningful, and how they are stripped of meaning. And no stripping escapes memory. Whether in terms of dispossession or sexuality, admiration or pity, Abughattas renders her treatment of the body with candor and poignancy. . . . The most startling moments in Abughattas’s poems, however, depend not on shocking or intimate details—but on the ‘I’ pulling away from the self, abandoning the ego, and gazing outward. She tries to see something else, to escape the body’s restraints.”
—Fady Joudah and Hayan Charara, from the Preface
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Pedaling Resistance
Sympathy, Subversion, and Vegan Cycling
Carol J. Adams
University of Arkansas Press, 2024
Vegans and cyclists are often outsiders, negotiating food systems and built environments that tend to prioritize omnivores and motor vehicles by default. Pedaling Resistance: Sympathy, Subversion, and Vegan Cycling examines the relationship between veganism and cycling through the journeys, experiences, and reflections of a dozen vegan cyclists from the United States and beyond.
 
The essays in this collection explore the unity between cycling for health, work, competition, transport, and joy, and the issues of animal suffering, environmentalism, and speciesism inherent in veganism—all through lenses of class, race, gender, and disability. Pedaling Resistance illuminates themes of everyday resistance and boundary crossing to uncover the greater social and political issues that underlie the decisions to give up animal products and choose cycling over driving.
 
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Civil Obedience
An Oral History of School Desegregation in Fayetteville, Arkansas, 1954–1965
Julianne Lewis Adams
University of Arkansas Press, 1994
Among the many changes that have occurred in our country in the last forty years, few have been as significant as those heralded by the Supreme Court's decision in the Brown vs. Board of Education case in 1954. By declaring racially segregated public schools unconstitutional, the court set in motion forces that resulted in the dismantling of the legal structure of Jim Crowism. The impact of the Brown decision was national in scope, but in no other region was its impact more far-reaching and traumatic than in the South. In Arkansas, as in other Southern states, racial segregation was not merely a well-stablished way of life, it was firmly imbedded in law.

While school desegregation generated much noise and some violence elsewhere in the South, the city of Fayetteville, Arkansas confronted the issue and resolved it with a good deal of dignity and grace, becoming the first Southern city to accommodate the Brown decision.

Through this fascinating collection of interviews with those who were involved in the desegregation process—students, teachers, administrators, civic leaders, and members of local groups—we learn of the determination of citizens to obey the law of the land and to see that freedom and equality took priority over their commitment to a school system that patently discriminated against one group of citizens.

In our continuing efforts to create a society in which all races and cultures can coexist, Civil Obedience is a story worthy of our full attention.
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Little Songs in the Shade of Tamaara
Muhammed Afifi
University of Arkansas Press, 2000

Paradise, for the skeptic Mohammed Afifi, was just four steps down from his porch into a sunny garden. There he would sit, morning and evening, in the shadow of Tamaara, his beloved tamarhinna tree, soaking up the sights, sounds, and smells of his precious corner of the natural world. From an old yellow straw chair, Afifi would train his perceptive gaze on that garden in all its detail. Flora and fauna blessed him with honorary membership in their enchanted realm. Only the rare downpours of winter and the dust storms of spring could banish him indoors. Yet, whether inspired at the side of the heater, purring black cat on his lap, or next to the pansy bed, with ecstatic flocks of bee-eaters overhead, Afifi’s intimate, whimsical musings radiate a profound and unique sense of place.

Lisa J. White’s nuanced translation of Taramiim fii Dhill Taraara captures Afifi’s impish, ironic sense of humor and his unsparing honesty. She handles Afifi’s parting gift to the world with great care and honor. Mohammed Afifi died in 1981, in winter, just after completing this fictionalized memoir. Majestic and melancholy, mysterious and magical—the essence of his world, Afifi’s extraordinary garden, is here revealed to the English-speaking world.

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A Cry for Justice
Daniel Rudd and His Life in Black Catholicism, Journalism, and Activism, 1854-1933
Gary B. Agee
University of Arkansas Press, 2017
Daniel A. Rudd, born a slave in Bardstown, Kentucky, grew up to achieve much in the years following the Civil War. His Catholic faith, passion for activism, and talent for writing led him to increasingly influential positions in many places. One of his important early accomplishments was the publication of the American Catholic Tribune, which Rudd referred to as "the only Catholic journal owned and published by colored men." At its zenith, the Tribune, run out of Detroit and Cincinnati, where Rudd lived, had ten thousand subscribers, making it one of the most successful black newspapers in the country. Rudd was also active in the leadership of the Afro-American Press Association, and he was a founding member of the Catholic Press Association. By 1889, Rudd was one of the nation's best-known black Catholics. His work was endorsed by a number of high-ranking church officials in Europe as well as in the United States, and he was one of the founders of the Lay Catholic Congress movement. Later, his travels took him to Bolivar County, Mississippi, and eventually on to Forrest City, Arkansas, where he worked for the well-known black farmer and businessperson, Scott Bond, and eventually co-wrote Bond's biography.
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"Too Good a Town"
William Allen White, Community, and the Emerging Rhetoric of Middle America
Edward G. Agran
University of Arkansas Press, 1999

For fifty years, William Allen White, first as a reporter and later as the long-time editor of the Emporia Gazette, wrote of his small town and its Mid-American values. By tailoring his writing to the emerging urban middle class of the early twentieth century, he won his “gospel of Emporia” a nationwide audience and left a lasting impact on he way America defines itself.

Investigating White’s life and his extensive writings, Edward Gale Agran explores the dynamic thought of one of America’s best-read and most-respected social commentators. Agran shows clearly how White honed his style and transformed the myth of conquering the western frontier into what became the twentieth-century ideal of community building.

Once a confidante of and advisor to Theodore Roosevelt, White addressed, and reflected in his work, all the great social and political oscillations of his time—urbanization and industrialism, populism, and progressivism, isolationism internationalism, Prohibition, and New Deal reform. Again and again, he asked the question “What’s the matter?” about his times and townspeople, then found the middle ground. With great care and discernment, Agran gathers the man strains of White’s messages, demonstrating one writer’s pivotal contribution to our idea of what it means to be an American.

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New Orleans Sports
Playing Hard in the Big Easy
Thomas Aiello
University of Arkansas Press, 2019
New Orleans has long been a city fixated on its own history and culture. Founded in 1718 by the French, transferred to the Spanish in the 1763 Treaty of Paris, and sold to the United States in 1803, the city’s culture, law, architecture, food, music, and language share the influence of all three countries. This cultural mélange also manifests in the city’s approach to sport, where each game is steeped in the city’s history.

Tracing that history from the early nineteenth century to the present, while also surveying the state of the city’s sports historiography, New Orleans Sports places sport in the context of race relations, politics, and civic and business development to expand that historiography—currently dominated by a text that stops at 1900—into the twentieth century, offering a modern examination of sports in the city.
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Scattered Crumbs
A Novel
Muhsin Al-ramli
University of Arkansas Press, 2003
Set in an Iraqi village during the Iran-Iraq war, Scattered Crumbs critiques a totalitarian dictatorship through the stories of an impoverished peasant family. A father, a fierce supporter of Saddam Hussein—here called only “The Leader”—clashes with his artist son, who loves his homeland but finds himself literally unable to paint the Leader's portrait for his father's wall. The narrator remembers the disintegration of his family as he leaves the village to search for his cousin, even as he realizes that the only thing he really knows of this cousin is his absence. Translator Hanoosh says that the novel “evokes the processes of deterioration undergone both by the country and by the individual characters caught up in the maelstrom.” Scattered Crumbs was first published in Arabic in Cairo in 2000. This translation captures the subtle sarcasm of the original text and its elliptical rhythms.
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Ambiguous Lives
Free Women of Color in Rural Georgia, 1789–1879
Adele Logan Alexander
University of Arkansas Press, 1992

1992 Myers Center Outstanding Book on Human Rights

Historians have produced scores of studies on white men, extraordinary white women, and even the often anonymous mass of enslaved Black people in the United States. But in this innovative work, Adele Logan Alexander chronicles there heretofore undocumented dilemmas of one of nineteenth-century America’s most marginalized groups—free women of color in the rural South.

Ambiguous Lives focuses on the women of Alexander’s own family as representative of this subcaste of the African-American community. Their forbears, in fact, included Africans, Native Americans, and whites. Neither black nor white, affluent nor impoverished, enslaved nor truly free, these women of color lived and died in a shadowy realm situated somewhere between the legal, social, and economic extremes of empowered whites and subjugated blacks. Yet, as Alexander persuasively argues, these lives are worthy of attention precisely because of these ambiguities—because the intricacies, gradations, and subtleties of their anomalous experience became part of the tangled skein of American history and exemplify our country’s endless diversity, complexity, and self-contradictions.

Written as a “reclamation” of a long-ignored substratum of our society, Ambiguous Lives is more than the story of one family—it is a well-researched and fascinating profile of America, its race and gender relations, and its complex cultural weave.

 
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The Man in Song
A Discographic Biography of Johnny Cash
John M. Alexander
University of Arkansas Press, 2018

There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit.

The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs.

Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.

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Dongola
A Novel of Nubia
Idris Ali
University of Arkansas Press, 1998

The University of Arkansas Press Award for Arabic Literature in Translation, 1997

In this, the first Nubian novel ever translated, Awad Shalali, a Nubian worker in modern Egypt, dreams of Dongola—the capital of medieval Nubia, now lost to the flood waters of the Aswan High Dam. In Dongola, the Nubians reached their zenith. They defeated and dominated Upper Egypt, and their archers, deadly accurate in battle, were renowned as “the bowman of the glance.

Helima, Awad’s wife, must deal with the reality of today’s Nubia, a poverty-stricken bottomland. Men like Awad now work in Cairo for good wages while the women remain at home in squalor, dominated by the Islam of their conquerors and ignorant of the glory now covered by the Nile’s water. Left to tend Awad’s sick mother and his dying country, Halima grows despondent and learns the truths behind the Upper Egyptian lyric: “Time, you are a traitor—what have you done with my love?

Through his characters’ pain and suffering, Idris Ali paints in vibrant detail, with wit and a keen sense of history’s absurdities, the story of cultures and hearts divided, of lost lands, impossible dreams, and abandoned lives.

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We Are Called Human
The Poetry of Richard Hugo
Michael S. Allen
University of Arkansas Press, 1982

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The Coming of the King James Gospels
A Collection of the Translators’ Work-in-Progress
Ward S. Allen
University of Arkansas Press, 1994

The Coming of the King James Gospels is a primary publication exploring the handwritten annotations of the Oxford New Testament Company, made as members completed Matthew, Mark, Luke, and John. Their original edited pages, gathered into one binding as the Bodleian Bishops’ Bible ([1602] b.1), offer us the only known surviving record of their monumental work.

Ward Allen’s painstakingly produced collation of this Bishops’ Bible is available for the first time in acessible visual layout. It allows a reader to study simultaneously the three texts, that of the original Bishops’ Bible, the revisions suggested for the 1602 text, and the final King James version of the Gospels. Rejected readings reveal the reasoning which led to the wording of the final text. Beautifully produced, The Coming of the King James Gospels is now a prime resource for all students of the Bible and the English language.

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The Gudge Creek and Wad Chronicles
Richard Allin
University of Arkansas Press, 1989

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A Theory of Birds
Poems
Zaina Alsous
University of Arkansas Press, 2019

Winner of the 2019 Etel Adnan Poetry Prize

Inside the dodo bird is a forest, Inside the forest
a peach analog, Inside the peach analog a woman, Inside
the woman a lake of funerals

This layering of bird, woman, place, technology, and ceremony, which begins this first full-length collection by Zaina Alsous, mirrors the layering of insights that marks the collection as a whole. The poems in A Theory of Birds draw on inherited memory, historical record, critical theory, alternative geographies, and sharp observation. In them, birds—particularly extinct species—become metaphor for the violences perpetrated on othered bodies under the colonial gaze.

Putting ecological preservation in conversation with Arab racial formation, state vernacular with the chatter of birds, Alsous explores how categorization can be a tool for detachment, domination, and erasure. Stretching their wings toward de-erasure, these poems—their subjects and their logics—refuse to stay put within a single category. This is poetry in support of a decolonized mind.

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Tremors
New Fiction by Iranian American Writers
Anita Amirrezvani
University of Arkansas Press, 2013
This groundbreaking anthology brings together twenty-seven authors from a wide range of experiences that offer new perspectives on the Iranian American story. The authors in Tremors represent the maturing voice of Iranian American fiction from the vantage point of those who were born and raised in Iran, as well as those writers who reflect a more distant, but still important, connection to their Iranian heritage. Altogether, these narratives capture the diversity of the Iranian diaspora and complicate the often-narrow view of Iranian culture represented in the media. The stories and novel excerpts explore the deeply human experiences of one of the newest immigrant groups to the United States in its attempts to adjust and assimilate in the face of major historical upheavals such as the 1979 Iranian revolution, the hostage crisis, and the attacks of September 11, 2001. The stories set in Iran testify to the resilience, dignity, and humor of a people rich in history and culture.
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Biotelemetry X
Charles Amlaner
University of Arkansas Press, 1989

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Notes to Make the Sound Come Right
Four Innovators of Jazz Poetry
T.J. Anderson III
University of Arkansas Press, 2004
In “When Malindy Sings” the great African American poet Paul Laurence Dunbar writes about the power of African American music, the “notes to make the sound come right.” In this book T. J. Anderson III, son of the brilliant composer, Thomas Anderson Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as the spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?–1970) and the unjustly overlooked Bob Kaufman (1925–1986), who have affinities with Beat poetry; Jayne Cortez (1936– ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947– ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz. Anderson shows that through their use of complex musical and narrative weaves these poets incorporate both the tonal and performative structures of jazz and create work that articulates the African journey. From improvisation to polyrhythm, they crafted a unique poetics that expresses a profound debt to African American culture, one that highlights the crucial connection between music and literary production and links them to such contemporary writers as Michael Harper, Amiri Baraka, and Yusef Komunyakaa, as well as young recording artists—United Future Organization, Us3, and Groove Collection—who have successfully merged hip-hop poetry and jazz.
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Agitations
Ideologies and Strategies in African American Politics
Kevin R. Anderson
University of Arkansas Press, 2010

Though the activities of the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), and the Student Nonviolent Coordinating Committee (SNCC) were unified in their common idea of resistance to oppression, these groups fought their battles on multiple fronts. The NAACP filed lawsuits and aggressively lobbied Congress and state legislatures, while Martin Luther King Jr. and SCLC challenged the racial status quo through nonviolent mass action, and the SNCC focused on community empowerment activities. In Agitations, Kevin Anderson studies these various activities in order to trace the ideological foundations of these groups and to understand how diversity among African Americans created multiple political strategies.

Agitations goes beyond the traditionally acknowledged divide between integrationist and accommodationist wings of African American politics to explore the diverse fundamental ideologies and strategic outcomes among African American activists that still define, influence, and complicate political life today.

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Frank Merriwell and the Fiction of All-American Boyhood
The Progressive Era Creation of the Schoolboy Sports Story
Ryan K. Anderson
University of Arkansas Press, 2015
Gilbert Patten, writing as Burt L. Standish, made a career of generating serialized twenty-thousand-word stories featuring his fictional creation Frank Merriwell, a student athlete at Yale University who inspired others to emulate his example of manly boyhood. Patten and his publisher, Street and Smith, initially had only a general idea about what would constitute Merriwell’s adventures and who would want to read about them when they introduced the hero in the dime novel Tip Top Weekly in 1896, but over the years what took shape was a story line that capitalized on middle-class fears about the insidious influence of modern life on the nation’s boys.

Merriwell came to symbolize the Progressive Era debate about how sport and school made boys into men. The saga featured the attractive Merriwell distinguishing between “good” and “bad” girls and focused on his squeaky-clean adventures in physical development and mentorship. By the serial’s conclusion, Merriwell had opened a school for “weak and wayward boys” that made him into a figure who taught readers how to approximate his example.

In Frank Merriwell and the Fiction of All-American Boyhood, Anderson treats Tip Top Weekly as a historical artifact, supplementing his reading of its text, illustrations, reader letters, and advertisements with his use of editorial correspondence, memoirs, trade journals, and legal documents. Anderson blends social and cultural history, with the history of business, gender, and sport, along with a general examination of childhood and youth in this fascinating study of how a fictional character was used to promote a homogeneous “normal” American boyhood rooted in an assumed pecking order of class, race, and gender.
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Twin Cities Sports
Games for All Seasons
Sheldon Anderson
University of Arkansas Press, 2020
The histories in Twin Cities Sports are rooted in the class, ethnic, and regional identity of this unique upper midwestern metropolitan area. The compilation includes a wide range of important studies on the hub of interwar speedskating, the success of Gopher football in the Jim Crow era, the integration of municipal golf courses, the building of a world-renowned park system, the Minneapolis Lakers’ basketball dynasty, the Minnesota Twins’ connections to Cuba, and more.
 
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The Scars of Project 459
The Environmental Story of the Lake of the Ozarks
Traci Angel
University of Arkansas Press, 2014
The Scars of Project 459 tells the environmental story of the Lake of the Ozarks, built by the Union Electric Company in 1931. At 55,000 acres, the lake was the biggest manmade lake in the United States at the time of its completion, and it remains the biggest in the Midwest, with 1,100 miles of shoreline in four different Missouri counties. Though created to generate hydroelectric power, not for development, the "Magic Dragon," as it is popularly known because of its serpentine shape, has become a major recreational area. Located in some of the most spectacular Ozark scenery, the giant lake today attracts three million visitors annually and has more than 70,000 homes along its shoreline. Traci Angel shows how the popularity of the Lake of the Ozarks has resulted in major present-day problems, including poor water quality, loss of habitat, and increasing concerns about aging waste-management systems for the homes surrounding the lake. Many in the area, especially business owners whose incomes depend on tourism, resist acknowledging these problems. The Scars of Project 459 aims to make public the challenges facing this important resource and ensure that its future is not to be loved to death.
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New and Selected Poems
1956-1996
Philip Appleman
University of Arkansas Press, 1996

With an astonishing command of nature imagery, from sparrows to mastodons, Philip Appleman can deftly weave into a single poem an intricate pattern of ideas drawn from evolution, humanism, anthropology, religious skepticism, and everyday experience. Appealing to reason as well as to emotion and imagination, he writes poems of lyrical intensity and remarkable narrative depth. He creates characters—Eve or Darwin or a failed priest—with such wit, compassion, and subtle humor that they live on the page and surprise us with new insights into joy and sorrow, life and death. Set on the beach at Malibu, in the port of Trieste, or in a Manhattan subway, his poems evoke genuine feeling with out sentimentality and transform the personal into the universal.

Drawn from six previous books of poetry written over four decades, and with fourteen new poems, this collection shows the power and complexity of Appleman’s wide-ranging talent.

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Showdown in Desire
The Black Panthers Take a Stand in New Orleans
Orissa Arend
University of Arkansas Press, 2009
Showdown in Desire portrays the Black Panther Party in New Orleans in 1970, a year that included a shootout with the police on Piety Street, the creation of survival programs, and the daylong standoff between the Panthers and the police in the Desire housing development. Through interviews with Malik Rahim, the Panther; Robert H. King, Panther and member of the Angola 3; Larry Preston Williams, the black policeman; Moon Landrieu, the mayor; Henry Faggen, the Desire resident; Robert Glass, the white lawyer; Jerome LeDoux, the black priest; William Barnwell, the white priest; and many others, Orissa Arend tells a nuanced story that unfolds amid guns, tear gas, desperate poverty, oppression, and inflammatory rhetoric to capture the palpable spirit of rebellion, resistance, and revolution of an incendiary summer in New Orleans.
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Chop Suey and Sushi from Sea to Shining Sea
Chinese and Japanese Restaurants in the United States
Bruce Makoto Arnold
University of Arkansas Press, 2018

The essays in Chop Suey and Sushi from Sea to Shining Sea fill gaps in the existing food studies by revealing and contextualizing the hidden, local histories of Chinese and Japanese restaurants in the United States.

The writer of these essays show how the taste and presentation of Chinese and Japanese dishes have evolved in sweat and hardship over generations of immigrants who became restaurant owners, chefs, and laborers in the small towns and large cities of America. These vivid, detailed, and sometimes emotional portrayals reveal the survival strategies deployed in Asian restaurant kitchens over the past 150 years and the impact these restaurants have had on the culture, politics, and foodways of the United States.

Some of these authors are family members of restaurant owners or chefs, writing with a passion and richness that can only come from personal investment, while others are academic writers who have painstakingly mined decades of archival data to reconstruct the past. Still others offer a fresh look at the amazing continuity and domination of the “evil Chinaman” stereotype in the “foreign” world of American Chinatown restaurants. The essays include insights from a variety of disciplines, including history, sociology, anthropology, ethnography, economics, phenomenology, journalism, food studies, and film and literary criticism.

Chop Suey and Sushi from Sea to Shining Sea not only complements the existing scholarship and exposes the work that still needs to be done in this field, but also underscores the unique and innovative approaches that can be taken in the field of American food studies.

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The Rumble of a Distant Drum
The Quapaws and Old World Newcomers, 1673–1804
Morris Arnold
University of Arkansas Press, 2007

Winner of the 2001 Booker Worthen Literary Prize
Winner of the 2002 S. G. Ragsdale Award for Arkansas History

The Rumble of a Distant Drum opens in 1673 when Marquette and Jolliet sailed down the Mississippi River and found the Quapaw living in the area where the Arkansas River flowed into the Mississippi. In 1686 Henri de Tonti would found Arkansas Post in this same location. It was the first European settlement in this part of the country, established thirty years before New Orleans and eighty before St. Louis.

Morris S. Arnold draws on his many years of archival research and writing on colonial Arkansas to produce this elegant account of the cultural intersections of the French and Spanish with the native American peoples. He demonstrates that the Quapaws and Frenchmen created a highly symbiotic society in which the two disparate peoples became connected in complex and subtle ways—through intermarriage, trade, religious practice, and political/military alliances.

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Unequal Laws Unto a Savage Race
European Legal Traditions in Arkansas, 1686-1836
Morris Arnold
University of Arkansas Press, 1985

Partly because its colonial settlements were tiny, remote, and inconsequential, the early history of Arkansas has been almost entirely neglected. Even Arkansas Post, the principal eighteenth-century settlement, served mainly as a temporary place of residence for trappers and voyageurs. It was also an entrepot for travelers on the Mississippi—a place to be while on the way elsewhere. Only a very few inhabitants, true agricultural settlers, ever established themselves a or around the Post.

For most of the eighteenth century, Arkansas’s non-Indian population was less than one hundred, and never much exceeded five or six hundred. Its European residents of that era, mostly French, have left virtually no physical trace: the oldest buildings and the oldest marked graves in the state date from the 1820s. Drawing on original French and Spanish archival sources, Morris Arnold chronicles for the first time the legal institutions of colonial Arkansas, the attitude of its population towards European legal ideas as were current in Arkansas when Louisiana was transferred to the United States in 1803. Because he views the clash of legal traditions in the upper reaches of the Jefferson’s Louisiana as part of a more general cultural conflict, Arnold closely examines the social and economic characteristics of Arkansas’s early residents in order to explain why, following the American takeover, the common law was introduced into Arkansas with such relative ease.

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The Arkansas Post of Louisiana
Morris S. Arnold
University of Arkansas Press, 2017

Arkansas Post, the first European settlement in what would become Jefferson’s Louisiana, had an important mission as the only settlement between Natchez and the Illinois Country, a stretch of more than eight hundred miles along the Mississippi River. The Post was a stopping point for shelter and supplies for those travelling by boat or land, and it was of strategic importance as well, as it nurtured and sustained a crucial alliance with the Quapaw Indians, the only tribe that occupied the region.

The Arkansas Post of Louisiana covers the most essential aspects of the Post’s history, including the nature of the European population, their social life, the economy, the architecture, and the political and military events that reflected and shaped the Post’s mission.

Beautifully illustrated with maps, portraits, lithographs, photographs, documents, and superb examples of Quapaw hide paintings, The Arkansas Post of Louisiana is a perfect introduction to this fascinating place at the confluence of the Arkansas and Mississippi Rivers, a place that served as a multicultural gathering spot, and became a seminal part of the history of Arkansas and the nation.

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front cover of Colonial Arkansas, 1686-1804
Colonial Arkansas, 1686-1804
A Social and Cultural History
Morris S. Arnold
University of Arkansas Press, 1993

Before Arkansas was acquired by the United States as part of the Louisiana Purchase in 1803, it was claimed first by France, then later by Spain. Both of these cultures profoundly influenced the development of the region and its inhabitants, as evidenced in the many cultural artifacts that constitute the social, economic, and political history of colonial Arkansas.

Based on exhaustive research in French, Spanish, and American archives, Colonial Arkansas 1686–1804 is an engaging and eminently readable story of the state’s colonial period. Examining a wide range of subjects—including architecture, education, agriculture, amusements, and diversions of the period, and the Europeans’ social structures—Judge Morris S. Arnold explores and describes the relations between settlers and the indigenous Indian tribes, the early military and its activities, and the legal traditions observed by both the Spanish and French governments.

This lively and illuminating study is sure to remain the definitive history of the state’s colonial period and will be equally embraced by scholars, historians, and curious Arkansans eager to develop a fuller understanding of their rich and varied heritage.

1992 Certificate of Commendation from American Association for State and Local History

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Moving Boarders
Skateboarding and the Changing Landscape of Urban Youth Sports
Matthew Atencio
University of Arkansas Press, 2018
Once considered a kind of delinquent activity, skateboarding is on track to join soccer, baseball, and basketball as an approved way for American children to pass the after-school hours. With family skateboarding in the San Francisco Bay Area as its focus, Moving Boarders explores this switch in stance, integrating first-person interviews and direct observations to provide a rich portrait of youth skateboarders, their parents, and the social and market forces that drive them toward the skate park.

This excellent treatise on the contemporary youth sports scene examines how modern families embrace skateboarding and the role commerce plays in this unexpected new parent culture, and highlights how private corporations, community leaders, parks and recreation departments, and nonprofits like the Tony Hawk Foundation have united to energize skate parks—like soccer fields before them—as platforms for community engagement and the creation of social and economic capital.

 
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A Rift in the Clouds
Race and the Southern Federal Judiciary, 1900-1910
Brent J. Aucoin
University of Arkansas Press, 2007
A Rift in the Clouds chronicles the efforts of three white southern federal judges to protect the civil rights of African Americans at the beginning of the twentieth century, when few in the American legal community were willing to do so. Jacob Treiber of Arkansas, Emory Speer of Georgia, and Thomas Goode Jones of Alabama challenged the Supreme Court's reading of the Reconstruction amendments that were passed in an attempt to make disfranchised and exploited African Americans equal citizens of the United States. These unpopular white southerners, two of whom who had served in the Confederate Army and had themselves helped to bring Reconstruction to an end in their states, asserted that the amendments not only established black equality, but authorized the government to protect blacks. Although their rulings won few immediate gains for blacks and were overturned by the Supreme Court, their legal arguments would be resurrected, and meet with greater success, over half a century later during the civil rights movement.
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front cover of Democratic Sports
Democratic Sports
Men's and Women's College Athletics during the Great Depression
Brad Austin
University of Arkansas Press, 2015
American public universities suffered tremendous funding cuts during the 1930s, yet they were also responsible for educating increasing numbers of students. The mounting financial troubles, coupled with a perceived increase in the number of “radical” student activists, contributed to a general sense of crisis on American college campuses.
University leaders used their athletic programs to combat this crisis and to preserve “traditional” American values and institutions, prescribing different models for men and women. Educators emphasized the competitive nature of men’s athletics, seeking to inculcate male college athletes (and their audiences) with individualistic, masculine values in order to reinforce the existing American political and economic systems.

In stark contrast, the prevailing model of women’s college athletics taught a communal form of democracy. Strongly supported by almost all female athletic leaders, this “a girl for every game, and a game for every girl” model had replaced the more competitive model that had been popular until the 1920s. The new programs denied women individual attention and high-level competition, and they promoted the development of what was considered proper femininity.

Whatever larger purposes these programs were intended to serve, they could not have survived without vocal supporters. Democratic Sports tells the important story of how men’s and women’s college athletic programs survived, and even thrived, during the most challenging decade of the twentieth century.
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Up Against the Wall
Violence in the Making and Unmaking of the Black Panther Party
Curtis J. Austin
University of Arkansas Press, 2008
Curtis J. Austin’s Up Against the Wall chronicles how violence brought about the founding of the Black Panther Party in 1966 by Huey P. Newton and Bobby Seale, dominated its policies, and finally destroyed the party as one member after another—Eldridge Cleaver, Fred Hampton, Alex Rackley—left the party, was killed, or was imprisoned. Austin shows how the party’s early emphasis in the 1960s on self-defense, though sorely needed in black communities at the time, left it open to mischaracterization, infiltration, and devastation by local, state, and federal police forces and government agencies. Austin carefully highlights the internal tension between advocates of a more radical position than the Panthers took, who insisted on military confrontation with the state, and those such as Newton and David Hilliard, who believed in community organizing and alliance building as first priorities. Austin interviewed a number of party members who had heretofore remained silent. With the help of these stories, Austin is able to put the violent history of the party in perspective and show that the “survival” programs, such as the Free Breakfast for Children program and Free Health Clinics, helped the black communities they served to recognize their own bases of power and ability to save themselves.
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