front cover of Of Mice and Mooshaber
Of Mice and Mooshaber
Ladislav Fuks
Karolinum Press, 2014
Ladislav Fuks (1923–94) was an outstanding Czech writer whose work, consisting primarily of psychological fiction, explores themes of anxiety and life in totalitarian systems. Fuks is best known for his works of short fiction set during the Holocaust, specifically “The Cremator,” a story—later made into a film—about a worker in a crematorium, who, under the influence of Nazi propaganda, murders his entire family.
           
Written before the occupation of Czechoslovakia in 1968 but not published until 1970, Of Mice and Mooshaber is Fuks’s first novel. The story takes place in an unspecified country in which the ruler has been overthrown and replaced by a dictator. The main protagonist, Mrs. Mooshaber, is an old widow whose husband was a coachman in a brewery. Her life revolves around her job as a caretaker for troublesome children, her own ungrateful children, and her fear of mice, which she tries to catch in traps. Blending elements of the grotesque with the fantastic, Fuks’s novel of heartbreaking tragedy speaks to the evil that can be found within the human soul.
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front cover of On This Modern Highway, Lost in the Jungle
On This Modern Highway, Lost in the Jungle
Tropics, Travel, and Colonialism in Czech Poetry
Jan Mrázek
Karolinum Press, 2022
Postcolonial reflections on Indonesia’s influence upon the avant-garde poetry of a non-colonial European.

In 1926, the Communist avant-garde poet Konstantin Biebl (1898–1951) traveled from Czechoslovakia to the Dutch East Indies. In the writings from his journal—texts simultaneously poetic and comic—both landlocked Bohemia and the colonized tropical islands are seen in disorienting new perspectives, like “mirrors looking at themselves in each other.”

Jan Mrázek’s On This Modern Highway, Lost in the Jungle takes us on a journey of our own, crisscrossing Biebl’s life and work—with particular attention to his travel writing—as they mirror Mrázek’s own experiences as a multinational academic: a Prague conservatory graduate, educated at Michigan and Cornell, and now a scholar of Indonesia living in Singapore. Biebl’s writings are also the book’s point of departure for a broader exploration of the intersections of travel and poetry, issues of colonial and social injustice, and the representation of otherness in the Czech literary and visual imagination. In its attention to how poetic travel reflects the Czech historical experience in the shadow of imperial nations, Mrázek’s book elevates scholarly reflection on literary travel, modernity, and colonialism to a new level.
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