A case study of the unusual liberties taken by the fifteenth-century Bohemian scribe Crux of Telcz.​

Passionate Copying in Late Medieval Bohemia addresses a unique case in the culture of manuscript transcription and textual transmission during the late fifteenth century, a transformative period in book history. This period is marked by the widespread intrusion of an unprecedented number of scribal paratexts—tables of contents, indices, explanatory notes, etc.—into transcribed manuscripts. To explore this development, the authors dig deep into a detailed case study of the Bohemian scribe Crux of Telč (1434–1504). Unlike most medieval copyists, who were stringent in their work even when inserting paratexts, Crux of Telč is notable for the extreme liberties he took with manuscript contents. Sometimes diligent, sometimes careless, his copies are notably rife with his own inventions and additions to the text. Crux’s life story is meticulously reconstructed in this book, relying on his colophons—the personal annotations left by medieval copyists to identify themselves and their circumstances—and other personal notes. The singularity of his approach to manuscripts is reinforced by the authors’ inclusion of a study of another late medieval scribe, Johannes Sintram of Würtzburg (d. 1450), whose scrivening is compared with that of Crux of Telč.

A reassessment of fundamental scholarship on the Middle Ages, based on previously unknown medieval written source material.

Medieval peasantry represents a particularly attractive unknown for historians, as it is crucial for understanding both later economic growth and the surprising stagnation of some European regions. Our existing knowledge about the social structures and institutions of the medieval peasantry is incomplete, existing only in rough outlines. Almost nothing is known about their real inner dynamics and demographic aspects. This monograph takes on this challenge, taking advantage of the previously unnoticed preserved written sources of the Cheb city-state, a place unique in the European context. Drawing from this material, the book presents a remarkably detailed view of social mobility, migration, and the method of social reproduction of peasantry in the late Middle Ages, including new perspectives on the phenomenon of the disintegration of country settlements during that period.

The first English-language translation of a classic Czech antiwar novel written in the wake of WWI.
 
Originally published in 1925, Ploughshares into Swords is an expressionist antiwar novel in which Vladislav Vančura tells the story of the denizens of the Ouhrov estate in language as baroque as the manor that ties them all together. The fragmented narrative introduces the reader to such characters as Baron Danowitz, his sons, his French concubine, the farmhand František Hora, and the mentally disabled murderer Řeka in the autumn of 1913, before revealing their fates during World War I. Ranging from the peaceful farmlands of Bohemia to the battlefields of Galicia, taking in the pubs of Budapest and the hospitals of Krakow, the novel constitutes an unsentimental and naturalistic approach to the war that created Czechoslovakia. Ploughshares into Swords is a stunning novel by one of Czech literature’s most important writers. This modernist masterpiece, reminiscent of the work of Isaac Babel and William Faulkner, is now available in English for the very first time.
 

In this comparative tour de force, Josef Hrdlička--one of the Czech Republic’s foremost experts on lyric poetry--examines the impact of exile, literal or spiritual, on poetry. Hrdlička argues that exile serves to disrupt the fundamental elements of poetry, especially its linguistic and cultural framework. Beginning with an examination of exile as a cultural phenomenon in the Western tradition, Hrdlička follows its complex history and treatment by poets from Solon to Celan. Focusing on the specific poetics of exile, he identifies Ovid’s elegies as an early model of exile in poetics before tracing the metamorphosis of exile as a concept through the modern age and the very Baudelarian idea that a person can be metaphorically exiled by the act of daily living itself. The core of Poetry in Exile, however, hews closer to Hrdlička’s homeland, homing in on the postwar poetry of Czech exiles. Poets such as Ivan Blatný, Milada Součková, Ivan Diviš, and Petr Král are investigated as examples to test the theoretical questions raised in the first part of the book and discover the answers that their individual poems provide.
 

Contextualizes the Czech Reformation in the setting of Prague University.

The Czech Reformation offered a radical solution to the spiritual and institutional crisis of the late medieval church at the end of the fourteenth century. The beginnings of this reform are distinctly connected with Prague University, which drew many educated people to Prague from across Europe. Through John Hus—a former Prague University student who became its rector in 1402—the Czech Reformation gave rise to a new, radical ecclesiology. Not only did Hus challenge the hierarchical system of the church, but under his influence, the Czech Reformation acquired a specific national shape, and elements of Czech messianism emerged with the university.

Prague, John Hus and Prague University explores that sentiment within Prague University, as well as its limits and restrictive consequences for the Czech Reformation and Czech medieval society. Emphasis is placed on showing how Prague and the university became a world that existed outside the Christian ecumenism of the time.

A groundbreaking analysis of Alfred North Whitehead’s thinking on aesthetics.
 
Though philosopher Alfred North Whitehead did not dedicate any books or articles specifically to aesthetics, aesthetic motifs nonetheless permeate his entire body of work. Despite this, aestheticians have devoted little attention to Whitehead. In this book, four scholars of aesthetics provide another angle from which Whiteheadian aesthetics might be reconstructed. Paying special attention to the notion of aesthetic experience, the authors analyze abstraction versus concreteness, immediacy versus mediation, and aesthetic contextualism versus aesthetic isolationism. The concepts of creativity and rhythm are crucial to their interpretation of Whiteheadian aesthetics. Using these concepts, the book interprets the motif of the processes by which experience is harmonized, the sensation of the quality of the whole, and directedness towards novelty.