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91 scholarly books by Diaphanes
Natura
Environmental Aesthetics After Landscape
Jens Andermann
Diaphanes, 2018
For poets, artists, philosophers, and even environmental activists and historians, the landscape has long constituted a surface onto which to project visions of utopia beyond modernity and capitalism. Yet amid fracking, deep sea drilling, biopiracy, and all the other environmental ravages of late capitalism, we are brought to re-examine the terms of landscape formations. In what ways might artistic, scholarly, and scientific work on nature push our thinking past seeing the world as something we act on, and instead give agency to the landscape itself?
Natura takes up this challenge, exploring how recent activist practices and eco-artistic turns in Latin America can help us to reconfigure the categories of nature and the human. Moving from botanical explorations of early modernity, through the legacies of mid-twentieth-century landscape design, up to present struggles for the rights of nature and speculative post-human creations, the critical essays and visual contributions in this anthology use interdisciplinary encounters to reimagine the landscape and how we inhabit it.
Natura takes up this challenge, exploring how recent activist practices and eco-artistic turns in Latin America can help us to reconfigure the categories of nature and the human. Moving from botanical explorations of early modernity, through the legacies of mid-twentieth-century landscape design, up to present struggles for the rights of nature and speculative post-human creations, the critical essays and visual contributions in this anthology use interdisciplinary encounters to reimagine the landscape and how we inhabit it.
[more]
Timing of Affect
Epistemologies of Affection
Marie-Luise Angerer
Diaphanes, 2014
Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology. The contributions address possibilities for affect as a capacity of the body; as an anthropological inscription and a primary, ontological conjunctive and disjunctive processes; as an interruption of chains of stimulus and response; and as an arena within cultural history for political, media, and psychopharmacological interventions. Showing how these and other temporal aspects of affect are articulated both throughout history and in contemporary society, the editors then explore the implications for the current knowledge structures surrounding affect today.
[more]
Wittgenstein's Rhinoceros
Françoise Armengaud
Diaphanes, 2016
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Descartes to Socrates, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
“Mister Wittgenstein! Stop looking for a horned beast in the middle of a Cambridge classroom!,” an exasperated Bertrand Russell commands his pupil. But the young Ludwig Wittgenstein knows that, just because we don’t see a rhinoceros, doesn’t mean one may not be hiding where we least expect it. When war breaks out in Europe, Ludwig is recruited for a top-secret mission. Alas, no one is able to make sense of rhino-loving philosopher’s notebooks. What could he possibly mean by so many seemingly nonsensical statements?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
“Mister Wittgenstein! Stop looking for a horned beast in the middle of a Cambridge classroom!,” an exasperated Bertrand Russell commands his pupil. But the young Ludwig Wittgenstein knows that, just because we don’t see a rhinoceros, doesn’t mean one may not be hiding where we least expect it. When war breaks out in Europe, Ludwig is recruited for a top-secret mission. Alas, no one is able to make sense of rhino-loving philosopher’s notebooks. What could he possibly mean by so many seemingly nonsensical statements?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
[more]
Nikolai Evreinov & Others
»The Storming of the Winter Palace«
Inke Arns
Diaphanes, 2017
In 1920, on the third anniversary of the October Revolution, dramatist Nikolai Evreinov directed a cast of 10,000 actors, dancers, and circus performers—as well as a convoy of armored cars and tanks—in The Storming of the Winter Palace. The mass spectacle, presented in and around the real Winter Palace in Petrograd, was intended to recall the storming as the beginning of the October Revolution. But it was a deceptive reenactment because, in producing the events it sought to reenact, it created a new kind of theater, agit-drama, promulgating political propaganda and deliberately breaking down the distinction between performers and spectators.
Nikolaj Evreinov: “The Storming of the Winter Palace” tells the fascinating story of this production. Taking readers through the relevant history, the authors describe the role of The Storming of the Winter Palace in commemorating Soviet power. With a wealth of illustrations, they also show how photographs of Evreinov’s theatrical storming eventually became historical documents of the October Revolution themselves.
Nikolaj Evreinov: “The Storming of the Winter Palace” tells the fascinating story of this production. Taking readers through the relevant history, the authors describe the role of The Storming of the Winter Palace in commemorating Soviet power. With a wealth of illustrations, they also show how photographs of Evreinov’s theatrical storming eventually became historical documents of the October Revolution themselves.
[more]
Egocracy
Marx, Freud and Lacan
Sonia Arribas
Diaphanes, 2011
Artaud 1937 Apocalypse
Letters from Ireland
Antonin Artaud
Diaphanes, 2019
Antonin Artaud’s journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto The New Revelations of Being about the “catastrophic immediate-future,” Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Traveling first to the isolated island of Inishmore off Ireland’s western coast, then to Galway, and finally to Dublin, Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II.
During his fateful journey, Artaud wrote letters to friends in Paris which included several “magic spells,” intended to curse his enemies and protect his friends from the city’s forthcoming incineration and the Antichrist’s appearance. (To André Breton, he wrote: “It’s the Unbelievable—yes, the Unbelievable—it’s the Unbelievable which is the truth.”) This book collects all of Artaud’s surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book’s translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud’s death.
During his fateful journey, Artaud wrote letters to friends in Paris which included several “magic spells,” intended to curse his enemies and protect his friends from the city’s forthcoming incineration and the Antichrist’s appearance. (To André Breton, he wrote: “It’s the Unbelievable—yes, the Unbelievable—it’s the Unbelievable which is the truth.”) This book collects all of Artaud’s surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book’s translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud’s death.
[more]
Artaud 1937 Apocalypse
Letters from Ireland
Antonin Artaud
Diaphanes, 2019
Antonin Artaud’s journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto The New Revelations of Being about the “catastrophic immediate-future,” Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Traveling first to the isolated island of Inishmore off Ireland’s western coast, then to Galway, and finally to Dublin, Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II.
During his fateful journey, Artaud wrote letters to friends in Paris which included several “magic spells,” intended to curse his enemies and protect his friends from the city’s forthcoming incineration and the Antichrist’s appearance. (To André Breton, he wrote: “It’s the Unbelievable—yes, the Unbelievable—it’s the Unbelievable which is the truth.”) This book collects all of Artaud’s surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book’s translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud’s death.
During his fateful journey, Artaud wrote letters to friends in Paris which included several “magic spells,” intended to curse his enemies and protect his friends from the city’s forthcoming incineration and the Antichrist’s appearance. (To André Breton, he wrote: “It’s the Unbelievable—yes, the Unbelievable—it’s the Unbelievable which is the truth.”) This book collects all of Artaud’s surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book’s translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud’s death.
[more]
Artaud the Mômo
and Other Major Poetry
Antonin Artaud
Diaphanes, 2020
Artaud the Mômo is Antonin Artaud’s most extraordinary poetic work from the brief final phase of his life, from his return to Paris in 1946 after nine years of incarceration in French psychiatric institutions to his death in 1948. This work is an unprecedented anatomical excavation carried through in vocal language, envisioning new gestural futures for the human body in its splintered fragments. With black humor, Artaud also illuminates his own status as the scorned, Marseille-born child-fool, the “mômo” (a self-naming that fascinated Jacques Derrida in his writings on this work). Artaud moves between extreme irreligious obscenity and delicate evocations of his immediate corporeal perception and his sense of solitude. The book’s five-part sequence ends with Artaud’s caustic denunciation of psychiatric institutions and of the very concept of madness itself.
This edition is translated by Clayton Eshleman, the acclaimed foremost translator of Artaud’s work. This will be the first edition since the original 1947 publication to present the work in the spatial format Artaud intended. It also incorporates eight original drawings by Artaud—showing reconfigured bodies as weapons of resistance and assault—which he selected for that edition, after having initially attempted to persuade Pablo Picasso to collaborate with him. Additional critical material draws on Artaud’s previously unknown manuscript letters written between 1946 and 1948 to the book’s publisher, Pierre Bordas, which give unique insights into the work from its origins to its publication.
This edition is translated by Clayton Eshleman, the acclaimed foremost translator of Artaud’s work. This will be the first edition since the original 1947 publication to present the work in the spatial format Artaud intended. It also incorporates eight original drawings by Artaud—showing reconfigured bodies as weapons of resistance and assault—which he selected for that edition, after having initially attempted to persuade Pablo Picasso to collaborate with him. Additional critical material draws on Artaud’s previously unknown manuscript letters written between 1946 and 1948 to the book’s publisher, Pierre Bordas, which give unique insights into the work from its origins to its publication.
[more]
Dépossession
Athena Athanasio
Diaphanes, 2016
Dialogue entre Judith Butler et Athena Athanasiou : le débat tourne autour de ceux qui ont perdu leur pays, leur nationalité, leurs biens, tous ceux qui ont été expropriés de leur appartenance au monde. Que signifie cette précarité, cette perte fondamentale, dans une société capitaliste dominée par la logique de la possession ? Est-ce que cette conscience d’expropriation peut amener à une nouvelle forme de résistance, apporter une réponse politique à ceux qui ont été déchus de leurs droits, de leurs biens, en un mot, des conditions de base de la vie elle-même ?
Les soulèvements révolutionnaires au Moyen-Orient et au Maghreb, comme les manifestations sur la place Puerta del Sol, la place Syntagma et le parc Zucotti établissent une nouvelle économie politique et affective du corps dans l’espace public. La rue est l’endroit par excellence des expropriés — de ceux qui défient les forces de police et qui se regroupent spontanément dans des collectifs pour lever la voix, pour être vus et entendus. Le livre offre une introduction à la complexité des nouvelles formes de privation de droits, de dépossession et de contestation politique. Une réflexion sur la puissance du perfomatif ainsi que sur la perte de pouvoir du sujet souverain et moral classique.
Les soulèvements révolutionnaires au Moyen-Orient et au Maghreb, comme les manifestations sur la place Puerta del Sol, la place Syntagma et le parc Zucotti établissent une nouvelle économie politique et affective du corps dans l’espace public. La rue est l’endroit par excellence des expropriés — de ceux qui défient les forces de police et qui se regroupent spontanément dans des collectifs pour lever la voix, pour être vus et entendus. Le livre offre une introduction à la complexité des nouvelles formes de privation de droits, de dépossession et de contestation politique. Une réflexion sur la puissance du perfomatif ainsi que sur la perte de pouvoir du sujet souverain et moral classique.
[more]
Film's Ghosts
Tatsumi Hijikata's Butoh and the Transmutation of 1960s Japan
Stephen Barber
Diaphanes, 2019
Tokyo during the 1960s was in a state of uproar, full of protests, riots, and insurrection. Tatsumi Hijikata—the initiator of the “Butoh” performance art and the seminal figure in Japan’s experimental arts culture of the 1960s—created his most famous works in the context of that turmoil, his experimental film projects and his horror and erotic films uniquely invoking the intensity of the decade. Based on original interviews with Hijikata’s collaborators as well as new research, Film’s Ghosts illuminates Hijikata’s work against the backdrop of 1960s urban culture in Tokyo. This will be an essential book for readers engaged with film and performance, urban cultures and architecture, and Japan’s experimental art and its histories.
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The Projectionists
Eadweard Muybridge and the Future Projections of the Moving Image
Stephen Barber
Diaphanes, 2020
Social Media-New Masses
Inge Baxmann
Diaphanes, 2016
Mass gatherings are at the center of contemporary discussions about community formation, communication, and social control. As new digital technologies and social media platforms have emerged, the concept of the mass gathering has evolved in parallel to take account of the different ways masses and crowds may form, including digital masses like flash mobs and protest groups. At the same time, these new digital masses provide a remarkable opportunity to reevaluate the broader historiographical framework surrounding mass gatherings.
With Social Media—New Masses, Inge Baxmann, Timon Beyes, and Claus Pias have brought together a diverse group of sociologists, media and cultural studies theorists, and historians of knowledge and technology who, together, outline the contours of this expanding field of research and analyze the differences between the old and new conceptions of masses and the distinct conditions and political consequences for each. Contributors to the volume include Marie-Luise Angerer, Dirk Baecker, Christian Borch, Christoph Engemann, Charles Ess, Wolfgang Hagen, Peter Krapp, Mirko Tobias Schäfer, and Sebastian Vehlken.
With Social Media—New Masses, Inge Baxmann, Timon Beyes, and Claus Pias have brought together a diverse group of sociologists, media and cultural studies theorists, and historians of knowledge and technology who, together, outline the contours of this expanding field of research and analyze the differences between the old and new conceptions of masses and the distinct conditions and political consequences for each. Contributors to the volume include Marie-Luise Angerer, Dirk Baecker, Christian Borch, Christoph Engemann, Charles Ess, Wolfgang Hagen, Peter Krapp, Mirko Tobias Schäfer, and Sebastian Vehlken.
[more]
Mad Men, Death and the American Dream
Elisabeth Bronfen
Diaphanes, 2016
Matthew Weiner’s Emmy-winning series Mad Men has earned wide critical acclaim in its seven seasons. What is it about these impeccably dressed men and women of midcentury Madison Avenue that fascinates us? Decades later, when Weiner’s iconic characters seem as much a thing of the past as the workday martini, why is it so easy for modern viewers to commiserate with the reserved but ambitious Peggy Olson, to jeer at Pete Campbell, and to cheer on Don Draper in his often indecorous struggles?
We are drawn to Mad Men’s dapper cast of characters, argues Elisabeth Bronfen, because, although the series has drawn praise for its depiction of the 1960s and ’70s, it speaks equally well to cultural concerns of the present. The prototypical con man, Don makes a precarious journey from poverty to fame and prosperity that maps the pursuit of moral perfectionism that features prominently throughout American cultural history. Yet a lingering sense of dissatisfaction hints that the lifestyle Don strives for may be a mere manifestation of the illusory American dream—cemented in the same collective desires Don draws on to advertise cigarettes and luxury cars by day.
"Mad Men," Death and the American Dream takes readers through the cultural fantasies that underlie characters’ motivations in this sophisticated and immensely popular television series, showing how—then as now—we turn to fantasy in the face of conflicts that cannot be resolved in political reality. Fascinating and full of accessible insights, the book will appeal to the show’s many fans, as well as anyone interested in American studies, media studies, or cultural history.
We are drawn to Mad Men’s dapper cast of characters, argues Elisabeth Bronfen, because, although the series has drawn praise for its depiction of the 1960s and ’70s, it speaks equally well to cultural concerns of the present. The prototypical con man, Don makes a precarious journey from poverty to fame and prosperity that maps the pursuit of moral perfectionism that features prominently throughout American cultural history. Yet a lingering sense of dissatisfaction hints that the lifestyle Don strives for may be a mere manifestation of the illusory American dream—cemented in the same collective desires Don draws on to advertise cigarettes and luxury cars by day.
"Mad Men," Death and the American Dream takes readers through the cultural fantasies that underlie characters’ motivations in this sophisticated and immensely popular television series, showing how—then as now—we turn to fantasy in the face of conflicts that cannot be resolved in political reality. Fascinating and full of accessible insights, the book will appeal to the show’s many fans, as well as anyone interested in American studies, media studies, or cultural history.
[more]
L’étrange survie du néolibéralisme
Colin Crouch
Diaphanes, 2016
Lorsqu'en 2008, la banque d’investissement Lehman Brothers fait faillite, on aurait pu s'attendre à ce que l'ère néolibérale touche à sa fin. Mais c’eût été méconnaître la véritable nature du néolibéralisme, qui ne se résume pas à la suprématie du marché sur l'État. Retraçant les batailles idéologiques et politiques qui opposèrent keynésiens – partisans du levier étatique – et « néolibéraux » – thuriféraires du marché –, Colin Crouch démontre que cette bipolarisation du débat ne permet plus de comprendre les enjeux contemporains du système néolibéral.
L'Étrange Survie du néolibéralisme s'efforce en effet de révéler comment ce combat s'est soldé par l'avènement de très grandes entreprises, un nouveau pouvoir qui fait désormais pièce à l'État comme aux marchés. Loin de s'apparenter à un aride examen des théories néolibérales, ce texte très accessible cherche à penser le rôle de la « société civile », la seule force, selon l'auteur, en mesure de faire face à la triade formée par le marché, l’État et les conglomérats.
L'Étrange Survie du néolibéralisme s'efforce en effet de révéler comment ce combat s'est soldé par l'avènement de très grandes entreprises, un nouveau pouvoir qui fait désormais pièce à l'État comme aux marchés. Loin de s'apparenter à un aride examen des théories néolibérales, ce texte très accessible cherche à penser le rôle de la « société civile », la seule force, selon l'auteur, en mesure de faire face à la triade formée par le marché, l’État et les conglomérats.
[more]
Post-démocratie
Colin Crouch
Diaphanes, 2013
Paru au Royaume-Uni en 2004, cet essai se propose d’explorer les forces sociales et économiques à l’oeuvre dans les démocraties modernes. Partant du malaise profond et de la violente crise de confiance que les peuples de ces pays traversent vis-à-vis des institutions étatiques, Crouch avance que les États y cèdent progressivement tout leur pouvoir décisionnel et leur marge d’action
aux multinationales. L’importance démesurée des flux de capitaux induits par le capitalisme moderne rend en effet les gouvernements extrêmement dépendants des conglomérats. Rejetés et décrédibilisés dans leur fonction même – garantir des services publics et sociaux à la population et à répondre à ses besoins –, ils délèguent ces tâches à des entreprises privées et perdent peu à peu toute légitimité.
Concis et subtilement argumenté, cet essai offre une réponse cinglante aux chantres du néolibéralisme pour qui les sociétés dites avancées ont atteint le degré de démocratie le plus élevé possible ; et propose des pistes concrètes afin de redonner aux citoyens – principaux acteurs de la vie économique et sociale – une réelle marge d’action, dans le cadre d’un système véritablement « démocratique ».
aux multinationales. L’importance démesurée des flux de capitaux induits par le capitalisme moderne rend en effet les gouvernements extrêmement dépendants des conglomérats. Rejetés et décrédibilisés dans leur fonction même – garantir des services publics et sociaux à la population et à répondre à ses besoins –, ils délèguent ces tâches à des entreprises privées et perdent peu à peu toute légitimité.
Concis et subtilement argumenté, cet essai offre une réponse cinglante aux chantres du néolibéralisme pour qui les sociétés dites avancées ont atteint le degré de démocratie le plus élevé possible ; et propose des pistes concrètes afin de redonner aux citoyens – principaux acteurs de la vie économique et sociale – une réelle marge d’action, dans le cadre d’un système véritablement « démocratique ».
[more]
Multiples in Pre-Modern Art
Walter Cupperi
Diaphanes, 2014
In the art world, replicas are typically thought to be of low value. However skillfully created, they remain in the eyes of many mere copies, pointing toward an original of greater significance. In recent years, however, replicas and multiples have come to occupy a more central position in discussions about ancient, medieval, and early modern art.
Multiples in Pre-Modern Art looks at the production and reception of replicas and multiples before the nineteenth century. A wide variety of media are considered, including metal, marble, terra cotta, textiles, plaster, porcelain, canvas, wood, and wax. Through a series of questions—What happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not identical?—many of the works are reappraised as significant art forms in their own right.
Multiples in Pre-Modern Art looks at the production and reception of replicas and multiples before the nineteenth century. A wide variety of media are considered, including metal, marble, terra cotta, textiles, plaster, porcelain, canvas, wood, and wax. Through a series of questions—What happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not identical?—many of the works are reappraised as significant art forms in their own right.
[more]
El Hadji Sy
Painting, Performance, Politics
Clémentine Deliss
Diaphanes, 2015
El Hadji Sy: Painting, Performance, Politics offers the first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy. Spanning thirty years of his practice as a painter, performance artist, and founder of numerous artists’ collectives and workshops in Dakar (Laboratoire AGIT’ART, Tenq, and Village des Arts), it provides unprecedented insight into the conceptual and aesthetic framework of a major living artist and curator from West Africa.
With newly commissioned essays and interviews by Hans Belting, Clémentine Deliss, Mamadou Diouf, Julia Grosse, Yvette Mutumba, Philippe Pirotte, and Manon Schwich, the book is presented in a bilingual English-German edition and also contains unique archival material, including manifestos, documents, and over four hundred illustrations.
With newly commissioned essays and interviews by Hans Belting, Clémentine Deliss, Mamadou Diouf, Julia Grosse, Yvette Mutumba, Philippe Pirotte, and Manon Schwich, the book is presented in a bilingual English-German edition and also contains unique archival material, including manifestos, documents, and over four hundred illustrations.
[more]
Foreign Exchange
(Or the Stories You Wouldn't Tell a Stranger)
Clémentine Deliss
Diaphanes, 2014
Founded in 1904, Frankfurt’s Weltkulturen Museum houses a remarkable collection of ethnographic artifacts from Asia, Africa, Oceania, and the Americas, with the aims of advancing public education and fostering innovative anthropological research across a wide variety of contemporary artistic practices.
Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and commodification of artifacts and, in particular, the representation of the human body in ethnographic photographs. Rounding out the volume are many previously unpublished photographs of works discussed. Contributing authors and artist include Peggy Buth, Minerva Cuevas, Gabriel Gbadamosi, David Lau, Tom McCarthy, David Weber-Krebs, and Luke Willis-Thompson.
Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and commodification of artifacts and, in particular, the representation of the human body in ethnographic photographs. Rounding out the volume are many previously unpublished photographs of works discussed. Contributing authors and artist include Peggy Buth, Minerva Cuevas, Gabriel Gbadamosi, David Lau, Tom McCarthy, David Weber-Krebs, and Luke Willis-Thompson.
[more]
The Cube and the Face
Around a Sculpture by Alberto Giacometti
Georges Didi-Huberman
Diaphanes, 2015
Alberto Giacometti’s 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality.
With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist’s surrealist and realist phases and contains many elements of Giacometti’s aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait—or what Didi-Huberman terms “abstract anthropomorphism.” Drawing on Freud, Bataille, Leiris, and others Giacometti counted as influence, Didi-Huberman presents fans and collectors of Giacometti’s art with a new approach to transitional work.
With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist’s surrealist and realist phases and contains many elements of Giacometti’s aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait—or what Didi-Huberman terms “abstract anthropomorphism.” Drawing on Freud, Bataille, Leiris, and others Giacometti counted as influence, Didi-Huberman presents fans and collectors of Giacometti’s art with a new approach to transitional work.
[more]
What is Contemporary Art?
Alexander García Düttmann
Diaphanes, 2019
Art today is often practiced in perfect conformity with the neoliberal zeitgeist, often even denying its own radical potential. What is Contemporary Art? lucidly examines the relationship between art and politics in our time. Addressing the heart of the political-aesthetic debate, Alexander Garcia Düttmann shows how the radicality of contemporary art actually serves to strengthen today’s political ideologies, ultimately frustrating rather than propelling real social change as a result.
[more]
Qu’est-ce que l’art contemporain ?
Alexander García Düttmann
Diaphanes
Towards an Aesthetics of Production
Sebastian Egenhofer
Diaphanes, 2017
Throughout the twentieth century, art history has been too narrowly focused on formalism. As a result, analyses regularly reduced works of art to their materials, texture, and composition. By contrast, art historian Sebastian Egenhofer takes Gilles Deleuze’s readings of Spinoza, Nietzsche, and Bergson as the basis for a new resistance to the overly reductive account of art history.
After laying out his argument for a new aesthetics of production in introductory chapters that discuss the work of Spinoza, Nietzsche, and Bergson, as well as Heidegger and Kant, Egenhofer applies this theoretical framework to case studies on Michael Asher, Marcel Duchamp, Thomas Hirschhorn, and Piet Mondrian. An aesthetics of production does not, he argues, imply a nostalgia for the artisanal or for a work of art’s singularity, but a way to bring together elements of critical materialism with a thorough reevaluation of the modern art and abstraction.
After laying out his argument for a new aesthetics of production in introductory chapters that discuss the work of Spinoza, Nietzsche, and Bergson, as well as Heidegger and Kant, Egenhofer applies this theoretical framework to case studies on Michael Asher, Marcel Duchamp, Thomas Hirschhorn, and Piet Mondrian. An aesthetics of production does not, he argues, imply a nostalgia for the artisanal or for a work of art’s singularity, but a way to bring together elements of critical materialism with a thorough reevaluation of the modern art and abstraction.
[more]
Thinking - Resisting - Reading the Political
Current Perspectives on Politics and Communities in the Arts Vol. 2
Anneka Esch-van Kan
Diaphanes, 2013
Natures of Data
A Discussion between Biologists, Artists and Science Scholars
Philipp Fischer
Diaphanes, 2020
Computer-based technologies for the production and analysis of data have been an integral part of biological research since the 1990s at the latest. This not only applies to genomics and its offshoots but also to less conspicuous subsections such as ecology. But little consideration has been given to how this new technology has changed research practically. How and when do data become questionable? To what extent does necessary infrastructure influence the research process? What status is given to software and algorithms in the production and analysis of data? These questions are discussed by the biologists Philipp Fischer and Hans Hofmann, the philosopher Gabriele Gramelsberger, the historian of science and biology Hans-Jörg Rheinberger, the science theorist Christoph Hoffmann, and the artist Hannes Rickli. The conditions of experimentation in the digital sphere are examined in four chapters—“Data,” “Software,” “Infrastructure,” and “in silico”—in which the different perspectives of the discussion partners complement one another. Rather than confirming any particular point of view, Natures of Data deepens understanding of the contemporary basis of biological research.
[more]
Neolithic Childhood
Art in a False Present, c. 1930
Anselm Franke
Diaphanes, 2018
Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art’s social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality—not only of art.
The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an “Ethnology of the White Man” together with the excavation of the deep time of humanity—into the “Neolithic Childhood” mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein’s own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.
With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian Zeidler
With reproductions of artworks by:
Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindřich Štyrský, Raoul Ubac, Paule Vézelay and others.
[more]
The Public in the Picture
Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art
Beate Fricke
Diaphanes, 2015
The act of including bystanders within the scene of an artwork has marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the “public” in the picture could be seen as a mediating between different times, people, and contents.
With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, and Daniela Wagner.
With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, and Daniela Wagner.
[more]
Anarchy—In a Manner of Speaking
Conversations with Mehdi Belhaj Kacem and Assia Turquier-Zauberman
David Graeber
Diaphanes, 2020
David Graeber is not only one of today’s most important living thinkers, but also one of the most influential. He is also one of the very few engaged intellectuals who has a proven track record of effective militancy on a world scale, and his impact on the international left cannot be overstated.
Graeber has offered up perhaps the most credible path for exiting capitalism—as much through his writing about debt, bureaucracy, or “bullshit jobs” as through his crucial involvement in the Occupy Wall Street movement, which led to his more-or-less involuntary exile from the American academy. In short, What is Anarchism? presents a series of interviews with a first-rate intellectual, a veritable modern hero on the order of Julian Assange, Edward Snowden, Linus Torvald, Aaron Swartz, and Elon Musk.
Interviewers Mehdi Belhaj Kacem and Assia Turquier-Zauberman ask Graeber not only about the history of anarchy, but also about its contemporary relevance and future. Their conversation also explores the ties between anthropology and anarchism, and the traces of its DNA in the Occupy Wall Street and Yellow Vest movements. Finally, Graeber discusses the meaning of anarchist ethics—not only in the political realm, but also in terms of art, love, sexuality, and more. With astonishing humor, verve, and erudition, this book redefines the contours of what could be (in the words of Peter Kropotkin) “anarchist morality” today.
Graeber has offered up perhaps the most credible path for exiting capitalism—as much through his writing about debt, bureaucracy, or “bullshit jobs” as through his crucial involvement in the Occupy Wall Street movement, which led to his more-or-less involuntary exile from the American academy. In short, What is Anarchism? presents a series of interviews with a first-rate intellectual, a veritable modern hero on the order of Julian Assange, Edward Snowden, Linus Torvald, Aaron Swartz, and Elon Musk.
Interviewers Mehdi Belhaj Kacem and Assia Turquier-Zauberman ask Graeber not only about the history of anarchy, but also about its contemporary relevance and future. Their conversation also explores the ties between anthropology and anarchism, and the traces of its DNA in the Occupy Wall Street and Yellow Vest movements. Finally, Graeber discusses the meaning of anarchist ethics—not only in the political realm, but also in terms of art, love, sexuality, and more. With astonishing humor, verve, and erudition, this book redefines the contours of what could be (in the words of Peter Kropotkin) “anarchist morality” today.
[more]
From Science to Computational Sciences
Studies in the History of Computing and its Influence on Today‘s Sciences
Gabriele Gramelsberger
Diaphanes, 2011
After the Crisis
Contemporary States of Photography
Donatien Grau
Diaphanes, 2019
After the Crisis offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
[more]
Après la Crise
États contemporains de la photographie
Donatien Grau
Diaphanes, 2019
documenta 12 education I
Engaging audiences, opening institutions Methods and strategies in education at documenta 12
Ayse Güleç
Diaphanes, 2009
Neighborhood Technologies
Media and Mathematics of Dynamic Networks
Tobias Harks
Diaphanes, 2015
Neighborhood Technologies expands upon sociologist Thomas Schelling’s well-known study of segregation in major American cities, using this classic work as the basis for a new way of researching social networks across many different disciplines. Up to now, research has focused on macro-level behaviors that, together, form rigid systems of neighborhood relations. But can neighborhoods conversely affect larger, global dynamics? What relationships can be found between micro- and macro- perspectives?
To answer these and related questions, this volume introduces the concept of “neighborhood technologies” as a model for intermediate, or meso-level, research into the links between local agents and neighborhood relations. Bridging the gap between the sciences and humanities, Tobias Harks and Sebastian Vehlken have assembled a group of contributors who are either natural scientists with an interest in interdisciplinary research or technology-savvy humanists. With insights into computer science, mathematics, sociology, media and cultural studies, theater studies, and architecture, the book will inform new research.
To answer these and related questions, this volume introduces the concept of “neighborhood technologies” as a model for intermediate, or meso-level, research into the links between local agents and neighborhood relations. Bridging the gap between the sciences and humanities, Tobias Harks and Sebastian Vehlken have assembled a group of contributors who are either natural scientists with an interest in interdisciplinary research or technology-savvy humanists. With insights into computer science, mathematics, sociology, media and cultural studies, theater studies, and architecture, the book will inform new research.
[more]
Lao-Tzu, or the Way of The Dragon
Miriam Henke
Diaphanes, 2018
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s big questions, however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, Freud, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
In Lao-Tzu, or the Way of The Dragon, we follow the ancient Chinese philosopher who founded Taoism, from the comet that announced his birth up to his inspired composition, more than fifty years later, of the Tao Te Ching, the Book of the Way. In body and mind an old sage from birth, Lao-Tzu devotes his life to deciphering the endless book of the world. But he soon becomes frustrated with the silliness of human order, impatient kings, and greedy people, and rides off on the back of a water buffalo in search of the Way. He encounters clouds that solidify under his feet, a cave guarded by a golden monkey, and the venerable Confucius himself, and ultimately finds the wisdom of the dragon already residing deep in his own heart.
In Lao-Tzu, or the Way of The Dragon, we follow the ancient Chinese philosopher who founded Taoism, from the comet that announced his birth up to his inspired composition, more than fifty years later, of the Tao Te Ching, the Book of the Way. In body and mind an old sage from birth, Lao-Tzu devotes his life to deciphering the endless book of the world. But he soon becomes frustrated with the silliness of human order, impatient kings, and greedy people, and rides off on the back of a water buffalo in search of the Way. He encounters clouds that solidify under his feet, a cave guarded by a golden monkey, and the venerable Confucius himself, and ultimately finds the wisdom of the dragon already residing deep in his own heart.
[more]
The Moses Complex
Freud, Schoenberg, Straub/Huillet
Ute Holl
Diaphanes, 2016
Moses has long been a source of modern fascination. For Sigmund Freud and psychoanalysis, Moses was a particularly fruitful subject for the study of memory and historiography. He also held great interest for the visual and performing arts. In the 1920s and ’30s, the composer Arnold Schoenberg wrote the three-act opera Moses and Aron. First performed just a few years before his exile to the United States, it required that its audiences distinguish voices from forceful background noise, just as Moses had to confront the burning bush before he could hear the voice of God. In 1974, filmmakers Jean-Marie Straub and Danièle Huillet created an avant-garde cinematic adaptation of Schoenberg’s opera that continued the composer’s examination of the established hierarchies of seeing and hearing.
In The Moses Complex, Ute Holl analyzes these major works in detail and deep historical context, synthesizing the complex models of resistance to explore the relationships among media, migration, and politics. Since Moses descended from Sinai with the tablets inscribed with the Ten Commandments, new media and new laws have often emerged simultaneously. Liberation, in particular, has been negotiated through many different cultural media, with psychoanalysis, music, and cinema all describing exodus and exile as a process of force. Offering a dynamic and comprehensive political and cultural theory of migration and violence, The Moses Complex speaks equally well to psychoanalytic, musical, and cinematic thinking as it does to our tendency toward violence in the treatment of migrants today.
In The Moses Complex, Ute Holl analyzes these major works in detail and deep historical context, synthesizing the complex models of resistance to explore the relationships among media, migration, and politics. Since Moses descended from Sinai with the tablets inscribed with the Ten Commandments, new media and new laws have often emerged simultaneously. Liberation, in particular, has been negotiated through many different cultural media, with psychoanalysis, music, and cinema all describing exodus and exile as a process of force. Offering a dynamic and comprehensive political and cultural theory of migration and violence, The Moses Complex speaks equally well to psychoanalytic, musical, and cinematic thinking as it does to our tendency toward violence in the treatment of migrants today.
[more]
Pynchon’s Sound of Music
Christian Hänggi
Diaphanes, 2020
Pynchon's Sound of Music is dedicated to cataloging, exploring, and interpreting the manifold manifestations of music in Thomas Pynchon’s work. An original mix of close and distant readings, this monograph employs a variety of disciplines—from literary studies and musicology to philosophy, media theory, and history—to explain Pynchon through music and music through Pynchon. Encyclopedic and eclectic in its approach, Pynchon’s Sound of Music discusses the author’s use of instruments such as the kazoo, harmonica, and saxophone and embarks on close readings of the most salient and musically tantalizing passages. Zooming out to a bird’s eye view, Christian Hänggi puts Pynchon’s historical musical references and allusions into perspective to trace the trends and tendencies in the development of the author’s interest in music. A treasure trove for fans and an invaluable source for future scholarship, this book includes the Pynchon Playlist, a catalog of over 900 musical references in Pynchon’s oeuvre, and an exhaustive index of more than 700 appearances of musical instruments.
[more]
Dance, Politics & Co-Immunity
Current Perspectives on Politics and Communities in the Arts Vol. 1
Stefan Hölscher
Diaphanes, 2013
Critique and the Digital
Erich Hörl
Diaphanes, 2020
Scripted Culture
Digitalization and the Cultural Public Sphere
Ines Kleesattel
Diaphanes, 2018
When we look at the cultural public sphere through the lens of digitalization, a paradoxical picture emerges. In some ways, the digital age seems to have brought the goals of the Enlightenment to their fullest fruition, giving us boundless and instantaneous access to every kind of knowledge and art. But the internet and its platforms also frequently bring chaos, immersing us in a sphere of often unverified information whose scope is unimaginable. This book takes a tour through the current debates on digital culture, bringing together a wide array of perspectives from aesthetic theory, cultural studies, electronic media, and the arts.
[more]
Crédit et débit
Alexander Kluge
Diaphanes, 2013
Les chaînes privées allemandes ne sont pas vraiment réputées pour le niveau élevé des débats qu’elles diffusent; la surprise est d’autant plus grande pour le zappeur qui, aux alentours de minuit, tombe sur ce genre de phrases : « La superstition économique est un peu comme l’éventail des vertus bourgeoises » ou « Les solutions se trouvent toujours dans la rue, dans le trafic. » Aucun doute : il s’agit d’une des émissions culturelles les plus remarquables – au sens plein du mot – d’Alexander Kluge. Kluge a trouvé en Joseph Vogl un partenaire idéal pour sa technique d’interview si caractéristique. Le résultat de cette passion commune, ce sont plus de 40 interviews télévisuelles qui renouvellent le genre en profondeur. La digression, maniée avec un talent particulier, n’y est jamais gratuite.
[more]
Breaking Bad, Breaking Out, Breaking Even
Gertrud Koch
Diaphanes, 2017
Breaking Bad is known for its grim and gritty outbursts of anger and violence. In the chaotic story of a meth-dealing high school chemistry teacher, time seems to collapse, and we feel as though the lives of the characters are moving inevitably closer to their ends. This warped perspective wends its way through virtually every aspect of the story, intensifying the meaning we attach to the characters’ precarious lives.
Hoping to cultivate a deeper understanding of the series, Breaking Bad, Breaking Out, Breaking Even offers a new way of approaching the program though its complex treatment of time. With its grotesque portrayal of life on the brink of death, argues Gertrud Koch, we can best view Breaking Bad as a black comedy between Chaplin’s Monsieur Verdoux and film noir. Koch takes readers through the ways in which this is accomplished through the show’s various visual elements and masterful temporal and narrative structuring. Full of fascinating insights, the book will appeal to the show’s many fans, as well as anyone interested in film studies, media studies, or popular culture.
Hoping to cultivate a deeper understanding of the series, Breaking Bad, Breaking Out, Breaking Even offers a new way of approaching the program though its complex treatment of time. With its grotesque portrayal of life on the brink of death, argues Gertrud Koch, we can best view Breaking Bad as a black comedy between Chaplin’s Monsieur Verdoux and film noir. Koch takes readers through the ways in which this is accomplished through the show’s various visual elements and masterful temporal and narrative structuring. Full of fascinating insights, the book will appeal to the show’s many fans, as well as anyone interested in film studies, media studies, or popular culture.
[more]
The Past's Threshold
Essays on Photography
Siegfried Kracauer
Diaphanes, 2014
Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many of the period’s preeminent thinkers, including his friends, the critic Walter Benjamin, and Theodor W. Adorno, who once claimed he owed more to Kracauer than any other contemporary.
This volume brings together for the first time all of Kracauer’s essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after his exile in America, where he would spend the last twenty-five years of his life. The texts show Kracauer as a pioneering thinker of the photographic medium in addition to the important historian, and theorist, of film that he is acknowledged to have been. His writings here build a cohesive theory on the affinities between photography, memory and history.
With a foreword by Philippe Despoix offering insights into Kracauer’s theories and the historical context, and a Curriculum vitae in pictures, photographs from the Kracauer estate annotated by Maria Zinfert.
This volume brings together for the first time all of Kracauer’s essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after his exile in America, where he would spend the last twenty-five years of his life. The texts show Kracauer as a pioneering thinker of the photographic medium in addition to the important historian, and theorist, of film that he is acknowledged to have been. His writings here build a cohesive theory on the affinities between photography, memory and history.
With a foreword by Philippe Despoix offering insights into Kracauer’s theories and the historical context, and a Curriculum vitae in pictures, photographs from the Kracauer estate annotated by Maria Zinfert.
[more]
Visualizing Portuguese Power
The Political Use of Images in Portugal and its Overseas Empire (16th-18th Century)
Urte Krass
Diaphanes, 2015
Images play a key role in political communication and the ways we come to understand the power structures that shape society. Nowhere is this more evident than in the process of empire building, in which visual language has long been a highly effective means of overpowering another culture with one’s own values and beliefs.
With Visualizing Portuguese Power, Urte Krass and a group of contributors examine the visual arts within the Portuguese empire between the sixteenth and eighteenth centuries. With a focus on the political appropriation of Portuguese-Christian art within the colonies, the book looks at how these and other objects could be staged to generate new layers of meaning. Beyond religious images, the book shows that the appropriation of the visual arts to reinforce important political concepts also took place in the outside the religious sphere, including adaptations of local artistic customs to reinforce Portuguese power.
With Visualizing Portuguese Power, Urte Krass and a group of contributors examine the visual arts within the Portuguese empire between the sixteenth and eighteenth centuries. With a focus on the political appropriation of Portuguese-Christian art within the colonies, the book looks at how these and other objects could be staged to generate new layers of meaning. Beyond religious images, the book shows that the appropriation of the visual arts to reinforce important political concepts also took place in the outside the religious sphere, including adaptations of local artistic customs to reinforce Portuguese power.
[more]
The Death of Socrates
Yann Le Bras
Diaphanes, 2015
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Descartes to Socrates, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
“Tell us, Delphic Oracle, who is the wisest man in all of Greece?” So begins The Death of Socrates. No mortal man is wiser than Socrates, who, on his daily walks through Athens, talks to all the people he meets. When the person he talks to takes himself to be very wise, Socrates asks so many questions that the person ends up admitting he knows nothing. When he runs into people who know little, Socrates sets them on the way to wisdom. But not everyone shares Socrates’s love for the truth. When the people of Athens become angry with him for his ceaseless questioning, how will he find the courage to continue to speak the truth?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
“Tell us, Delphic Oracle, who is the wisest man in all of Greece?” So begins The Death of Socrates. No mortal man is wiser than Socrates, who, on his daily walks through Athens, talks to all the people he meets. When the person he talks to takes himself to be very wise, Socrates asks so many questions that the person ends up admitting he knows nothing. When he runs into people who know little, Socrates sets them on the way to wisdom. But not everyone shares Socrates’s love for the truth. When the people of Athens become angry with him for his ceaseless questioning, how will he find the courage to continue to speak the truth?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
[more]
On Obliteration
An Interview with Françoise Armengaud Concerning the Work of Sacha Sosno
Emmanuel Levinas
Diaphanes, 2019
Emmanuel Levinas’s interview with Françoise Armengaud in 1988 is one of the only statements we have from the philosopher, who became influential in various disciplines through his ethics that focuses on the fine arts specifically. Presented in English for the first time here, this interview brings us Levinas’s understanding of “obliteration” as an uncanny, disruptive, and even “unavailable” concept. Discussing the work of the French sculptor Sacha Sosno, Levinas parses the complex relationship between ethics and aesthetics, examining how they play out in artistic operations and practices. In doing so, he turns away from the “ease and lighthearted casualness of the beautiful” to shed light instead on the processes of material wear and tear and the traces of repair that go into the creation and maintenance of works of art, and which ultimately give them a profound uniqueness of presence. This evocative interview uncovers a hidden thread of aesthetic thinking in Levinas’s work and introduces a new way of looking at artistic practices in general.
[more]
La réalité des médias de masse
Niklas Luhmann
Diaphanes, 2012
Les médias de masse forment un système qui s’autoalimente indépendamment de toute intervention extérieure, dans lequel nous avons pris l’habitude d’évoluer sans le questionner. Niklas Luhmann propose une analyse minutieuse des modes de fonctionnement de ce système, de ses implications et des sélections simplificatrices qu’il opère au sein de la complexité et de la contingence définissant le monde. Selon lui, l’actualité émerge ainsi au sein des médias de masse en suivant des règles précises et en respectant les constructions que ceux qui l’écrivent ou la filment plaquent sur le réel. Ils façonnent la réalité tout autant qu’ils la décrivent. D’une actualité indiscutable, cet essai invite à reconsidérer la manière dont le monde se conçoit lui-même.
[more]
Le socialisme du capital
Christian Marazzi
Diaphanes, 2017
Depuis l'effondrement des banques en 2008, le capitalisme semble être entré dans une phase de stagnation durable, mais aussi dans une instabilité géopolitique et monétaire. Le scénario qui se joue sous nos yeux évoque une sorte de « socialisme du capital » : l’État, qui subvient aux besoins des « soviets de la finance », impose à la société la dictature du marché. Plutôt qu’un effet parasite du capitalisme, cette financiarisation pourrait bien constituer la forme aussi essentielle que perverse de son nouveau régime.
Les textes rassemblés dans le présent recueil analysent et commentent les changements économiques survenus ces dix dernières années en revenant sur leurs acteurs principaux, sur certains symptômes de la crise ainsi que sur des phénomènes qui ont pu apparaître jusque-là comme marginaux. Loin d’adopter une approche simplificatrice ou moralisante, Christian Marazzi relit les enseignements de Michel Foucault sur la biopolitique pour tenter d’interpréter les bouleversements contemporains comme des transformations fondamentales du politique.
[more]
Diogenes the Dog-Man
Yan Marchand
Diaphanes, 2017
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
In Diogenes the Dog-Man, the philosopher Diogenes not only admires the honesty of dogs, he has actually become one—sleeping, eating, and lifting his leg to pee wherever he chooses! Best of all, unlike humans, who dupe one another as to their true feelings, Diogenes the Dog-Man is free to bark his displeasure and even bite his adversaries in the calves—even if they happen to be Alexander the Great. Initially, the citizens gathered in the Agora think Diogenes is mad. Does he have rabies? But it soon becomes clear that we can all learn a thing or two from dogs about how to live a simple life.
In Diogenes the Dog-Man, the philosopher Diogenes not only admires the honesty of dogs, he has actually become one—sleeping, eating, and lifting his leg to pee wherever he chooses! Best of all, unlike humans, who dupe one another as to their true feelings, Diogenes the Dog-Man is free to bark his displeasure and even bite his adversaries in the calves—even if they happen to be Alexander the Great. Initially, the citizens gathered in the Agora think Diogenes is mad. Does he have rabies? But it soon becomes clear that we can all learn a thing or two from dogs about how to live a simple life.
[more]
The Ghost of Karl Marx
Donatien Mary
Diaphanes, 2015
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Descartes to Socrates, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
In The Ghost of Karl Marx, the philosopher is saddened when the town weavers must sell their cloth cheaply to compete with machines. The farmers too cannot sell their crops and have no money to buy new seeds. Forced to leave their work, the townspeople form an angry crowd in front of the factories, but what is to be done when there are so many hungry people and so few jobs to pay for food to eat? Concealed in one of the weavers’ sheets, the philosopher makes a solemn vow to give this story a happy ending by finding the Market, that infernal magician, and ridding the town of him once and for all.
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
In The Ghost of Karl Marx, the philosopher is saddened when the town weavers must sell their cloth cheaply to compete with machines. The farmers too cannot sell their crops and have no money to buy new seeds. Forced to leave their work, the townspeople form an angry crowd in front of the factories, but what is to be done when there are so many hungry people and so few jobs to pay for food to eat? Concealed in one of the weavers’ sheets, the philosopher makes a solemn vow to give this story a happy ending by finding the Market, that infernal magician, and ridding the town of him once and for all.
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
[more]
Recessional - Or, the Time of the Hammer
Tom McCarthy
Diaphanes, 2016
Modernist and contemporary literature are marked by a preoccupation with time, specifically with the passage of time characterized by starts and stops and suspended states of waiting. Acclaimed novelist Tom McCarthy brings out a temporal pattern, a subliminal convention of a certain fringe of modernism that works both in and against the canon of modernist literature in works by Thomas Pynchon, J. G. Ballard, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce, and William Faulkner, as well as in McCarthy’s own fiction.
The latest edition in Diaphanes’s THINK ART series, which explores the cultural and theoretical impact of artistic processes, Recessional—Or, the Time of the Hammer opens with an essay by McCarthy on recessional time as an aesthetic element and literary device. This essay is followed by an interview with McCarthy, in which he further discusses his own writing process, taking his most recent novel, Satin Island, as the starting point and casting new light on both avant-garde and realist literature.
Praise for Remainder
“An avant-garde challenge. . . . [McCarthy is] one of the great English novelists of the past ten years.”—Zadie Smith
The latest edition in Diaphanes’s THINK ART series, which explores the cultural and theoretical impact of artistic processes, Recessional—Or, the Time of the Hammer opens with an essay by McCarthy on recessional time as an aesthetic element and literary device. This essay is followed by an interview with McCarthy, in which he further discusses his own writing process, taking his most recent novel, Satin Island, as the starting point and casting new light on both avant-garde and realist literature.
Praise for Remainder
“An avant-garde challenge. . . . [McCarthy is] one of the great English novelists of the past ten years.”—Zadie Smith
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Epistemologies of Aesthetics
Dieter Mersch
Diaphanes, 2015
The ideas of “art as research” and ”research as art” have risen over the past two decades as important critical focuses for the philosophy of media, aesthetics, and art. Of particular interest is how the methodologies of art and science might be merged to create a better conceptual understanding of art-based research.
In Epistemologies of Aesthetics, Dieter Mersch deconstructs and displaces the terminology that typically accompanies the question of the relationship between art and scientific truth. Identifying artistic practices as modes of thought that do not make use of language in a way that can easily be translated into scientific discourse, Mersch advocate for an aesthetic mode of thought beyond the “linguistic turn,” a way of thinking that cannot be substituted by any other disciplinary system. A sophisticated reflection on the epistemological status of the aesthetic by one of Germany’s leading philosophers, Epistemologies of Aesthetics will be of great interest within this growing field of study.
In Epistemologies of Aesthetics, Dieter Mersch deconstructs and displaces the terminology that typically accompanies the question of the relationship between art and scientific truth. Identifying artistic practices as modes of thought that do not make use of language in a way that can easily be translated into scientific discourse, Mersch advocate for an aesthetic mode of thought beyond the “linguistic turn,” a way of thinking that cannot be substituted by any other disciplinary system. A sophisticated reflection on the epistemological status of the aesthetic by one of Germany’s leading philosophers, Epistemologies of Aesthetics will be of great interest within this growing field of study.
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Manifesto of Artistic Research
Dieter Mersch
Diaphanes, 2020
Since its beginnings in the 1990s, artistic research has become established as a new format in the areas of educational and institutional policy, aesthetics, and art theory. It has now diffused into almost all artistic fields, from installation to experimental formats to contemporary music, literature, dance, or performance art. But from its beginnings—under labels like “art and science” or “scienceart” or “artscience” that mention both disciplines in one breath—it has been in competition with academic research, without its own concept of research having been adequately clarified. This manifesto attempts to resolve the problem and to defend the term. Further, this manifesto defends the radical potential of artistic research against those who toy all too carefully with university formats, wishing to ally their work with scientific principles. Its aim is to emphasize the autonomy and particular intellectuality of artistic research, without seeking to justify its legitimacy or adopt alien standards.
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L'hypothèse d'instabilité financière
Les processus capitalistes et le comportement de l'économie
Hyman P. Minsky
Diaphanes, 2013
Comment expliquer et prévoir l’instabilité qui caractérise le développement des systèmes économiques ? Comment appréhender les « marchés sauvages » qui constituent notre réalité actuelle ? Dès les années 1960, Hyman Minsky développe une théorie consacrée à l’instabilité des systèmes. Il démontre que le krach financier est un phénomène intervenant régulièrement, qui n’est dû ni à des causes externes, ni à des erreurs d’appréciation : C’est la logique des marchés financiers elle-même, bien plus que des secousses issues de la périphérie du système, qui serait à l’origine des crises. En présentant le texte central de la théorie économique d’Hyman P. Minsky, L’hypothèse d’instabilité financière offre au lecteur une première approche passionnante de cette œuvre dense, fondamentale et jusqu’à présent méconnue en France.
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Professor Kant's Incredible Day
Jean Paul Mongin
Diaphanes, 2016
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Descartes to Socrates, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
In Professor Kant’s Incredible Day, the philosopher Immanuel Kant wants only to be left in peace to consider life’s big questions: What can I know? What can I hope for? But, when a perfumed letter arrives one day, it interrupts his studies and sets off a series of events the dour professor could not possibly have predicted. But just when it seems as though all of Königsberg is plunged into chaos, he realizes that this perfect storm may hold the answers to his most pressing questions.
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
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Mister Descartes and His Evil Genius
Jean Paul Mongin
Diaphanes, 2016
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
On a peaceful winter night while the rest of the town sleeps, Mister Descartes stays up late reading the great books of the world. Suddenly, by the light of the moon, he sees a strange and fearsome shape in the shadow of his pet parrot, Baruch. Is it an illusion, or could it be that his faithful pet is but a figment of his imagination? Could the same be true of his room and all of sleepy Holland? Quite obviously, he cannot rely on his senses, so how can Mister Descartes arrive at any certainty about the world around him? How will he determine what is a clever trick and what is real?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
On a peaceful winter night while the rest of the town sleeps, Mister Descartes stays up late reading the great books of the world. Suddenly, by the light of the moon, he sees a strange and fearsome shape in the shadow of his pet parrot, Baruch. Is it an illusion, or could it be that his faithful pet is but a figment of his imagination? Could the same be true of his room and all of sleepy Holland? Quite obviously, he cannot rely on his senses, so how can Mister Descartes arrive at any certainty about the world around him? How will he determine what is a clever trick and what is real?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
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Albert Einstein's Bright Ideas
Frédéric Morlot
Diaphanes, 2017
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
In Albert Einstein’s Flashes of Inspiration, the young Albert Einstein has a very important job: he must deliver electricity to the big Oktoberfest celebration in Munich. As he hurries from one merry-go-round to another, nothing seems to be going as planned. With his sister, Maja, Heinrich the dog, and Niels Bohr, a qualified dwarf-thrower, can he win a battle against the laws of the universe? The key just may lie in the question of whether a dumpling can fly faster than light?
In Albert Einstein’s Flashes of Inspiration, the young Albert Einstein has a very important job: he must deliver electricity to the big Oktoberfest celebration in Munich. As he hurries from one merry-go-round to another, nothing seems to be going as planned. With his sister, Maja, Heinrich the dog, and Niels Bohr, a qualified dwarf-thrower, can he win a battle against the laws of the universe? The key just may lie in the question of whether a dumpling can fly faster than light?
[more]
Dr. Freud, Fish Whisperer
Marion Muller-Colard
Diaphanes, 2017
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s big questions, however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
Sprawled in his favorite armchair, Dr. Freud notices a peculiar phrase in pages of his notebook: “preaching to the fishes.” What could he have meant by this? If there’s one thing he has learned working as a psychoanalyst, it’s that the best way to make sense of yourself is through your dreams—and so he settles down for a nice long nap. But no sooner does his head hit the pillow than he begins to hear voices! A frightened fish with a childhood memory lodged in its throat coaxes Dr. Freud into the cold water, where his ideas come to life through an unforgettable cast of characters, including a loquacious carp and three frogs—Id, Ego, and Superego—locked in fierce competition for a single waterlily.
Sprawled in his favorite armchair, Dr. Freud notices a peculiar phrase in pages of his notebook: “preaching to the fishes.” What could he have meant by this? If there’s one thing he has learned working as a psychoanalyst, it’s that the best way to make sense of yourself is through your dreams—and so he settles down for a nice long nap. But no sooner does his head hit the pillow than he begins to hear voices! A frightened fish with a childhood memory lodged in its throat coaxes Dr. Freud into the cold water, where his ideas come to life through an unforgettable cast of characters, including a loquacious carp and three frogs—Id, Ego, and Superego—locked in fierce competition for a single waterlily.
[more]
Hannah Arendt's Little Theater
Marion Muller-Colard
Diaphanes, 2016
At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
In Hannah Arendt’s Little Theater, the philosopher Hannah Arendt is about to finish her last book, but she is sure something is missing. As she puzzles over her words, she is visited by a friend from the past—none other than her nine-year-old self! Reluctantly, she accepts young Hannah’s helping hand, joining the small blue-cardiganed girl on an adventure through the streets of New York City to a tiny theater where they watch a frightening play about a town terrorized by an evil wolf and his pack of puppets. But, even in the blackest moments, when evil seems sure to prevail, it is always possible to turn things around. Could the same be said of the “theater” of the real world, in which real people come together to create change?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
In Hannah Arendt’s Little Theater, the philosopher Hannah Arendt is about to finish her last book, but she is sure something is missing. As she puzzles over her words, she is visited by a friend from the past—none other than her nine-year-old self! Reluctantly, she accepts young Hannah’s helping hand, joining the small blue-cardiganed girl on an adventure through the streets of New York City to a tiny theater where they watch a frightening play about a town terrorized by an evil wolf and his pack of puppets. But, even in the blackest moments, when evil seems sure to prevail, it is always possible to turn things around. Could the same be said of the “theater” of the real world, in which real people come together to create change?
Plato & Co.’s clear approach and charming illustrations make this series the perfect addition to any little library.
[more]
documenta 12 education 2
Between Critical Practice and Visitor Services Results of a Research Project
Carmen Mörsch
Diaphanes, 2009
Qu'appelons-nous penser?
Jean-Luc Nancy
Diaphanes, 2013
Jean-Luc Nancy et Daniel Tyradellis, philosophes, questionnant tous deux la nature même de la pensée, se sont rencontrés un soir de novembre 2012 à Berlin. En a résulté un dialogue sur les représentations que nous nous faisons de la pensée, sur ce qui nous y amène, nous y force ou nous y incite ; mais également sur les bonnes et les mauvaises raisons de penser, sur la philosophie et la misosophie.
Cet échange rare et singulier traite de la précarité de toute pensée, qu’elle s’établisse dans la langue, dans l’image, dans le corps ou dans l’espace ; du nous et de la pensée partagée qui ouvre les possibilités du sens. Il dessine une pensée qui s’épuise, mais qui aime aussi, et nous redonne foi en l’existence.
Cet échange rare et singulier traite de la précarité de toute pensée, qu’elle s’établisse dans la langue, dans l’image, dans le corps ou dans l’espace ; du nous et de la pensée partagée qui ouvre les possibilités du sens. Il dessine une pensée qui s’épuise, mais qui aime aussi, et nous redonne foi en l’existence.
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Cybernetics
The Macy Conferences 1946-1953. The Complete Transactions
Claus Pias
Diaphanes, 2016
Between 1946 and 1953, the Josiah Macy, Jr. Foundation sponsored a series of conferences aiming to bring together a diverse, interdisciplinary community of scholars and researchers who would join forces to lay the groundwork for the new science of cybernetics. These conferences, known as the Macy conferences, constituted a landmark for the field. They were the first to grapple with new terms such as information and feedback and to develop a cohesive and broadly applicable theory of systems that would become equally applicable to living beings and machines, economic and cognitive processes, and many scholarly disciplines. The concepts that emerged from the conferences come to permeate thinking in many fields, including biology, neurology, sociology, ecology, economics, politics, psychoanalysis, linguistics, and computer science.
This book contains the complete transcripts of all ten Macy conferences and the guidelines for the conference proceedings. These transcripts are supplemented with an introduction by Claus Pias that charts the significance of the Macy conferences to the history of science.
This book contains the complete transcripts of all ten Macy conferences and the guidelines for the conference proceedings. These transcripts are supplemented with an introduction by Claus Pias that charts the significance of the Macy conferences to the history of science.
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Computer Game Worlds
Claus Pias
Diaphanes, 2017
Computer games have become ubiquitous in today’s society. Many scholars have speculated on the reasons for their massive success. Yet we haven’t considered the most basic questions: Why do computer games exist? What specific circumstances led to the creation of this entirely new type of game? What sorts of knowledge facilitated the requisite technological and institutional transformations?
With Computer Game Worlds, Claus Pias sets out to answer these questions. Tracing computer games from their earliest forms to the unstoppable commercial and cultural phenomena they have become today, Pias then provides a careful epistemological reconstruction of the process of playing games, both at computers and by computers themselves. The book makes a valuable theoretical contribution to the ongoing discussion about computer games.
With Computer Game Worlds, Claus Pias sets out to answer these questions. Tracing computer games from their earliest forms to the unstoppable commercial and cultural phenomena they have become today, Pias then provides a careful epistemological reconstruction of the process of playing games, both at computers and by computers themselves. The book makes a valuable theoretical contribution to the ongoing discussion about computer games.
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Beyond Potentialities?
Politics between the Possible and the Impossible
Mark Potocnik
Diaphanes, 2011
Itérations
Hans-Jörg Rheinberger
Diaphanes, 2013
Sous ce titre qui rend hommage à la pensée de Derrida, sont rassemblées des conférences tenues par le biologiste Hans-Jörg Rheinberger entre 1994 et 2007. Six textes aussi brefs que denses, nourris de vie de laboratoire et de philosophie franco-allemande – de Gaston Bachelard à Bruno Latour en passant par Martin Heidegger et Jacques Lacan –, qui donnent à voir un mouvement épistémologique sur le temps long. Tentant de faire dialoguer cet héritage philosophique avec la biologie moléculaire contemporaine, Itérations propose des variations sur l'inconnu et l'insoupçonné dans la recherche scientifique, et sur les systèmes expérimentaux comme contextes déterminants de la production des savoirs – cernant toujours les manifestations de l'Être comme écriture.
Excellente introduction à cette pensée de l'épistémologie historique, Itérations est l’un des prolongements les plus féconds de la pensée de Derrida.
Excellente introduction à cette pensée de l'épistémologie historique, Itérations est l’un des prolongements les plus féconds de la pensée de Derrida.
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Art and Contemporaneity
Frank Ruda
Diaphanes, 2015
Art is often said to be timeless, but specific works of art always take place within time and maintain a dynamic balance between their conditions of production and reception.
Art and Contemporaneity features contributions from leading scholars, including Alain Badiou and Alexander García Düttmann, who bring theories of aesthetic philosophy to bear on one of the most crucial questions about contemporary art: how do works of art come to exist within and in relation to time? A specific temporality of an artwork emerges from the material and political conditions of its production. But works of art also forge new relationships to time in their reception, which are continually superimposed upon layers of history. With a broad range of perspectives, Art and Contemporaneity offers a sustained reflection on the relationship between art and time, and it will appeal to those interested in both the theory and practice of contemporary art.
Art and Contemporaneity features contributions from leading scholars, including Alain Badiou and Alexander García Düttmann, who bring theories of aesthetic philosophy to bear on one of the most crucial questions about contemporary art: how do works of art come to exist within and in relation to time? A specific temporality of an artwork emerges from the material and political conditions of its production. But works of art also forge new relationships to time in their reception, which are continually superimposed upon layers of history. With a broad range of perspectives, Art and Contemporaneity offers a sustained reflection on the relationship between art and time, and it will appeal to those interested in both the theory and practice of contemporary art.
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Necroperformance
Cultural Reconstructions of the War Body
Dorota Sajewska
Diaphanes, 2019
In Necroperformance, Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements. Underpinning modern Polish nationhood, she reveals, is not only a Romantic myth of independence but also the up-close horrors of fratricidal warfare and the pacifist aspirations of those confronted with its violence.
Searching for traces of memory in precarious bodies inflicted with the violence of war, Necroperformance implores us to acknowledge the fragility of life as it actively reinforces an attitude of respect for the right to live. Sajewska constructs here an alternative culture archive, conjuring it from compoundly-mediatized historical remnants—bodies, documents, artworks, and cultural writings—that demand to be recognized in non-canonical reflection on our past. Her chief objective is to understand the social impact of remains and their place in culture, and by examining the body and corporality in artistic practices, social and cultural performances, she strives to identify both the fragmentariness of memory and the discontinuity of history, and finally, to reinstate the body’s (or its documental remains’) historical and political dimension.
Searching for traces of memory in precarious bodies inflicted with the violence of war, Necroperformance implores us to acknowledge the fragility of life as it actively reinforces an attitude of respect for the right to live. Sajewska constructs here an alternative culture archive, conjuring it from compoundly-mediatized historical remnants—bodies, documents, artworks, and cultural writings—that demand to be recognized in non-canonical reflection on our past. Her chief objective is to understand the social impact of remains and their place in culture, and by examining the body and corporality in artistic practices, social and cultural performances, she strives to identify both the fragmentariness of memory and the discontinuity of history, and finally, to reinstate the body’s (or its documental remains’) historical and political dimension.
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What’s Legit?
Critiques of Law and Strategies of Rights
Nadine Schiel
Diaphanes, 2020
Le principe d’anarchie
Heidegger et la question de l'agir
Reiner Schürmann
Diaphanes, 2013
Par une lecture à rebours de l’oeuvre de Martin Heidegger, Reiner Schürmann vise à mettre au jour ce qu’il identifie comme son impensé : le principe d’anarchie. Affirmant que le projet de destruction de l’ontologie annoncé dans Être et temps n’est pleinement intelligible qu’à partir des derniers jalons de cette pensée, Schürmann fait ainsi apparaître ce que Heidegger n’avait pu expliciter lui-même. Selon lui, la question de l’être telle qu’elle est posée par le philosophe de Fribourg est indissociable de celle de l’agir. Déconstruisant la métaphysique occidentale, Heidegger aurait ainsi sapé toute possibilité de donner une arché à l'action humaine. Le paradoxe d’un principe d’anarchie, principe de « dépérissement de la règle », est aux yeux de Schürmann ce qui permet de penser l’ambiguïté de la transition opérée par Heidegger.
Interprétation audacieuse et vivifiante de l’une des oeuvres philosophiques les plus marquantes du XXᵉ siècle, Le principe d’anarchie a influencé de nombreux philosophes français contemporains. Trente ans après la première publication, la présente réédition témoigne que cette oeuvre longtemps épuisée n’a rien perdu de son actualité ni de sa force.
Interprétation audacieuse et vivifiante de l’une des oeuvres philosophiques les plus marquantes du XXᵉ siècle, Le principe d’anarchie a influencé de nombreux philosophes français contemporains. Trente ans après la première publication, la présente réédition témoigne que cette oeuvre longtemps épuisée n’a rien perdu de son actualité ni de sa force.
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Reiner Schürmann
Des hégémonies brisées
Reiner Schürmann
Diaphanes, 2017
Le b-a ba du métier n’est-il pas d’assurer un fondement, non-fondé mais capable néanmoins d’ancrer les prémisses m’instruisant sur ce que je puis savoir et sur ce que je dois faire ? Comprise ainsi, la norme ne se justifie pas ; en quoi elle est fantasmatique. Mais elle justifie tout ce qui peut devenir phénomène pendant l’époque linguistique à laquelle elle imprime sa marque ; en quoi elle est hégémonique. S’il s’avère qu’un tel référent non-référable à quelque instance supérieure se maintient tant que prédomine une langue, alors l’histoire à retracer sera celle des fantasmes hégémoniques grec, latin, et moderne. Un fantasme est hégémonique quand toute une culture s’y fie comme si elle tenait là au nom de quoi parler et agir. Pareil représenté-chef (hêgemôn) travaille le singulier qui est indicible, en le disant part d’un tout. Les hégémonies tournent le singulier en du particulier.
Il s’agira donc de retracer une histoire de soumissions par nous-mêmes encourues.
Il s’agira donc de retracer une histoire de soumissions par nous-mêmes encourues.
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The Philosophy of Nietzsche
Reiner Schürmann Lecture Notes
Reiner Schürmann
Diaphanes, 2018
Nietzsche praised Kant for having “annihilated Socratism,” for exhibiting all ideals as essentially unattainable, and for having exposed himself to the despair of truth—all essential traits Nietzsche claimed for his own thinking. At the same time, the existentialist philosopher remained highly critical of Kant.
This volume of Reiner Schürmann’s lectures unpacks Nietzsche’s ambivalence towards Kant, in particular positioning Nietzsche’s claim to have brought an end to German idealism against the backdrop of the Kantian transcendental-critical tradition. Rather than simply compare the two philosophers, Schürmann’s lectures help us to understand the consequences Nietzsche derived from Kantian concepts, as well as the wider horizon within which Nietzsche’s ideas arose and can best be shown to apply. According to Schürmann’s trenchant reading: if Nietzsche was indeed “fatal” to Western philosophy, as he claimed, he was so in large part because of the Kantian transcendental thinking from which he inherited the very elements and tools of his criticism.
This volume of Reiner Schürmann’s lectures unpacks Nietzsche’s ambivalence towards Kant, in particular positioning Nietzsche’s claim to have brought an end to German idealism against the backdrop of the Kantian transcendental-critical tradition. Rather than simply compare the two philosophers, Schürmann’s lectures help us to understand the consequences Nietzsche derived from Kantian concepts, as well as the wider horizon within which Nietzsche’s ideas arose and can best be shown to apply. According to Schürmann’s trenchant reading: if Nietzsche was indeed “fatal” to Western philosophy, as he claimed, he was so in large part because of the Kantian transcendental thinking from which he inherited the very elements and tools of his criticism.
[more]
Luther. The Origin of Modern Self-Consciousness
Reiner Schürmann Lecture Notes
Reiner Schürmann
Diaphanes, 2020
If we are to understand the specifically modern function of self-consciousness, we must first look to the origins of the concept. Among the key thinkers who elaborated on self-consciousness was the German monk and theologian Martin Luther. Reiner Schuermann’s writings and lectures on Luther therefore offer an innovative reading of the systematic role of self-consciousness in both premodern and modern cultures.
This volume in a planned twenty-nine-part series, Reiner Schuermann: Luther. The Origin of Modern Self-Consciousness sees Schuermann tracing Luther’s conception of the rise of self-consciousness as the subjective reference point. Schuermann then explores this conception in conversation with both the Cartesian cogito and Kantian apperception.
This volume in a planned twenty-nine-part series, Reiner Schuermann: Luther. The Origin of Modern Self-Consciousness sees Schuermann tracing Luther’s conception of the rise of self-consciousness as the subjective reference point. Schuermann then explores this conception in conversation with both the Cartesian cogito and Kantian apperception.
[more]
Neo-Aristotelianism and the Medieval Renaissance
On Aquinas, Ockham, and Eckhart
Reiner Schürmann
Diaphanes, 2020
In this lecture course, Reiner Schürmann develops the idea that, in between the spiritual Carolingian Renaissance and the secular humanist Renaissance, there was a distinctive medieval Renaissance connected with the rediscovery of Aristotle. Focusing on Thomas Aquinas’s ontology and epistemology, William of Ockham’s conceptualism, and Meister Eckhart’s speculative mysticism, Schürmann shows how thought began to break free from religion and the hierarchies of the feudal, neo-Platonic order and devote its attention to otherness and singularity. A crucial supplement to Schürmann’s magnum opus Broken Hegemonies, Neo-Aristotelianism and the Medieval Renaissance will be essential reading for anyone interested in the rise and fall of Western principles, and thus in how to think and act today.
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Origins
Reiner Schürmann
Diaphanes, 2016
“Born too late to see the war and too early to forget it.” So writes Reiner Schürmann in Origins, a startlingly personal account of life as a young man from postwar Germany in the 1960s. Schürmann’s semi-autobiographical protagonist is incapable of escaping a past he never consciously experienced. All around him are barely concealed reminders of Nazi-inflicted death and destruction. His own experiences of displacement and rootlessness, too, are the burden of a cruel collective past. His story presents itself as a continuous quest for—and struggle to free himself from—his origins. The hero is haunted relentlessly by his fractured identity—in his childhood at his father’s factory, where he learns of the Nazi past through a horrible discovery; in an Israeli kibbutz, where, after a few months of happiness, he is thrown out for being a German; in postwar Freiburg, where he reencounters a friend who escaped the Nazi concentration camps; and finally, in the United States, where his attempts at a fresh start almost fail to exorcise the ghosts of the past.
Originally published in French in 1976, Origins was the winner of the coveted Prix Broquette-Gonin of the Académie Francaise. In close collaboration with the author, this meticulously crafted translation was created in the early 1990s, but Schürmann’s premature death in 1993 prevented its publication process and, as a result, one of the most important literary accounts of the conflicted process of coming to terms with the Holocaust and Germany’s Nazi past has been unavailable to English readers until now. Candid and frank, filled with fury and caustic sarcasm, Origins offers insight into a generation caught between disappointment and rage, alignment and rebellion, guilt and obsession with the past.
Originally published in French in 1976, Origins was the winner of the coveted Prix Broquette-Gonin of the Académie Francaise. In close collaboration with the author, this meticulously crafted translation was created in the early 1990s, but Schürmann’s premature death in 1993 prevented its publication process and, as a result, one of the most important literary accounts of the conflicted process of coming to terms with the Holocaust and Germany’s Nazi past has been unavailable to English readers until now. Candid and frank, filled with fury and caustic sarcasm, Origins offers insight into a generation caught between disappointment and rage, alignment and rebellion, guilt and obsession with the past.
[more]
Tomorrow the Manifold
Essays on Foucault, Anarchy, and the Singularization to Come
Reiner Schürmann
Diaphanes, 2018
This volume tracks the crucial role of Reiner Schürmann’s engagement with the work of Michel Foucault between 1983 and 1991. Drawing on Foucault’s highly original reading of the philosophical tradition, Schürmann traces the status of identity and difference in Foucault’s conception of history to develop a radical phenomenological understanding of anarchy. He examines the fate of philosophy after the critique of the subject and the collapse of the divide between theory and praxis, philosophy and politics.
Taken together, these pivotal essays introduce the reader to Schürmann’s most urgent concerns and assemble the conceptual tools that go on to lay the groundwork for his final work, Broken Hegemonies, which offers a subversive re-reading of the history of Western metaphysics outside of Foucault’s genealogical approach. To the reader unfamiliar with Schürmann’s work, these texts establish him as one of the most radical thinkers of the late 20th century, whose work might eventually become legible in our present.
Taken together, these pivotal essays introduce the reader to Schürmann’s most urgent concerns and assemble the conceptual tools that go on to lay the groundwork for his final work, Broken Hegemonies, which offers a subversive re-reading of the history of Western metaphysics outside of Foucault’s genealogical approach. To the reader unfamiliar with Schürmann’s work, these texts establish him as one of the most radical thinkers of the late 20th century, whose work might eventually become legible in our present.
[more]
Critique
The Stakes of Form
Beate Söntgen
Diaphanes, 2020
The Thought of Becoming
Gilles Deleuze’s Poetics of Life
Kathrin Thiele
Diaphanes, 2008
Disabled Theater
Sandra Umathum
Diaphanes, 2015
Jérôme Bel’s Disabled Theater, a dance piece featuring eleven actors with cognitive disabilities from Zurich’s Theater Hora, has polarized audiences worldwide. Some have celebrated the performance as an outstanding exploration of presence and representation; others have criticized it as a contemporary freak show. This impassioned reception provokes important questions about the role of people with cognitive disabilities within theater and dance—and within society writ large. Using Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Can the stage serve as a place of emancipation for people with disabilities? To what extent are performers with disabilities able to challenge and subvert the rules of society? What would a performance look like without an ideology of ability? The book includes contributions by Jérôme Bel, Kai van Eikels, Kati Kroß, André Lepecki, Lars Nowak, Yvonne Rainer, Gerald Siegmund, Yvonne Schmidt, Sandra Umathum, Scott Wallin, Benjamin Wihstutz, and the actors of Theater Hora.
[more]
De l'indécision
Joseph Vogl
Diaphanes, 2016
À partir des réflexions proposées par Freud dans le Moïse de Michel-Ange, Joseph Vogl développe une théorie de l’indécision et présente dans le même temps un véritable système pour explorer cette notion dans toutes ses variantes et ses nuances : dans le glissement synonymique entre hésiter, tergiverser, osciller, rechigner, chanceler ou vaciller s’exprime un doute profond, une démarche inquiète, un recul. Pourtant, la perplexité implicite de cette hésitation n’implique pas tout simplement l’arrêt d’une action. Elle indique tout d’abord le seuil imperceptible entre action et non-action, un interstice régi par la pure contingence et la potentialité créatrice. En tant qu’acte de parole à la fois impuissant et résistant, l’indécision introduit une temporalité suspendue qui s’oppose au primat de l’acte posé par la culture occidentale.
Pour Joseph Vogl, un événement est toujours inscrit dans un ensemble stratifié formé par l’ensemble de ses variantes non réalisées. Sa recherche esthétique et historique attribue ainsi à l’indécision une place posée comme systématique : elle instaure une « méthode de complication » par laquelle le pouvoir discursif des événements historiques et politiques peut être interrogé et contenu. Considérée comme une attitude face au monde et un geste de mise en question radicale, la temporalité suspendue de l’indécision constitue enfin le champ opératoire du discours lui-même.
Dans ce petit essai brillant et érudit, Vogl retrace une « anti-histoire » de l’indécision qui apparaît surtout en littérature et prend corps à travers les siècles dans les personnages d’Oreste, de Wallenstein, de Joseph K., de Bartleby ou de l’homme sans qualités.
Pour Joseph Vogl, un événement est toujours inscrit dans un ensemble stratifié formé par l’ensemble de ses variantes non réalisées. Sa recherche esthétique et historique attribue ainsi à l’indécision une place posée comme systématique : elle instaure une « méthode de complication » par laquelle le pouvoir discursif des événements historiques et politiques peut être interrogé et contenu. Considérée comme une attitude face au monde et un geste de mise en question radicale, la temporalité suspendue de l’indécision constitue enfin le champ opératoire du discours lui-même.
Dans ce petit essai brillant et érudit, Vogl retrace une « anti-histoire » de l’indécision qui apparaît surtout en littérature et prend corps à travers les siècles dans les personnages d’Oreste, de Wallenstein, de Joseph K., de Bartleby ou de l’homme sans qualités.
[more]
Le spectre du capital
Joseph Vogl
Diaphanes, 2010
Dans un contexte de crise financière omniprésente et durablement installée, Joseph Vogl interroge le système capitaliste, ses arcanes, ses modes de fonctionnement, la manière dont il se perpétue. Censé reposer sur une confiance multilatérale, le système des marchés est en réalité traversé d’inquiétude et d’instabilité. Ce qu’on définit comme ses « excès », en particulier la spéculation sous ses formes les plus extrêmes, semble au contraire en faire partie intégrante. Inscrit dans un rapport au temps qui refuse toute réflexion à long terme et passe d’un présent à l’autre ; régi par des responsabilités diluées dans une « main invisible », un spectre agitant dans l’ombre les flux de capitaux ; le monde financier se voit entouré d’une aura mystérieuse, aussi incompréhensible qu’imprévisible. L’enjeu de ce livre est de saisir comment l’économie financière tente de comprendre un monde qu’elle a elle-même engendré.
[more]
Dance of Values
Sergei Eisenstein’s Capital Project
Elena Vogman
Diaphanes, 2018
Sergei Eisenstein’s cinematic adaptation of Karl Marx’s Capital was never realized, yet it has haunted the imagination of many filmmakers, historians, and philosophers to the present day. Dance of Values aims to conjure the phantom of Eisenstein’s Capital, presenting for the first time material from the full scope of the film project’s archival body. This “visual instruction in the dialectical method,” as Eisenstein called it, comprises more than five hundred pages of notes, drawings, press clippings, diagrams, negatives, theoretical reflections, and extensive quotations. Dance of Values explores the internal formal necessity underlying Eisenstein’s artistic choices, and argues that its brilliant adaptation of Marx’s Capital relied on the fragmentary and nonlinear state of its material. Published here for the first time, sequences from Eisenstein’s archival materials are presented in this volume not as mere illustrations but as arguments in their own right, a visual theorization of value.
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Epidemic Subjects - Radical Ontology
Elisabeth von Samsonow
Diaphanes, 2016
Modern philosophy continues to grapple with the idea of subjectivity—and, as the concept of subjectivity has consequently been repeatedly refined and redefined, the struggle has spread to the ways we conceive of sovereignty, collectivity, nationality, and identity as a result. Yet, in the absence of an authoritative account of these central philosophical concepts, exciting new ways of thinking have emerged which continue to develop and evolve.
Epidemic Subjects—Radical Ontology brings together a renowned team of contributors, including Levi Bryant, Angela Melitopoulos, and Susan Stryker, who together forge a radically inclusive definition of subjectivity. Drawing on Gilles Deleuze and Félix Guattari’s concept of the “girl” as a heuristic device for examining modern society and its foundations, they tie together recent trends in philosophy and offer a concrete way forward from the conception of the “thing” or “object” privileged by new materialism, speculative realism, and other theories of subjectivity.
Epidemic Subjects—Radical Ontology brings together a renowned team of contributors, including Levi Bryant, Angela Melitopoulos, and Susan Stryker, who together forge a radically inclusive definition of subjectivity. Drawing on Gilles Deleuze and Félix Guattari’s concept of the “girl” as a heuristic device for examining modern society and its foundations, they tie together recent trends in philosophy and offer a concrete way forward from the conception of the “thing” or “object” privileged by new materialism, speculative realism, and other theories of subjectivity.
[more]
Between / Beyond / Hybrid
New Essays on Transdisciplinarity
Hartmut von Sass
Diaphanes, 2019
For years now, academics worldwide have been pushing for more interdisciplinarity and transdisciplinarity. Yet for all that, the very concept of transdisciplinarity has proved remarkably tough to define, let alone to enact. This book brings together prominent voices from the debate on transdisciplinarity in a manner that is itself transdisciplinary: scholars present papers from their own discipline, and those are followed by critical replies from different disciplines. The result is a vivid debate, new insights, and a growing confidence that there is something to be gained by approaching a topic from the outside and bringing new approaches to bear.
[more]
Real Magic
Susanne Witzgall
Diaphanes, 2018
In Western societies a newly discovered and very lively interest in magical practices and occult knowledge can be witnessed. The magical seems to be evolving into a popular phenomenon that affects society as a whole and is also becoming the subject of intense debate in artistic and academic-scientific contexts. The book Real Magic investigates the current realities of the magical in the contemporary arts, sciences and everyday culture. It explores the present Western residues and forms of magical practices, the current potentials of magical perception and thinking in a world largely determined by financialised instrumental reason, and also the drawbacks of occultism. The publication is the result of the fourth annual programme of the cx centre of interdisciplinary studies at the Academy of Fine Arts Munich.
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Fragile Identities
Susanne Witzgall
Diaphanes, 2016
What is the current state of the subject and what about the status of its self-image? In contemporary discourses we encounter more and more “fragile identities,” in artistic works as well as in scientific theories, and those are today much less referring to a critique of the concept of identity, but much rather to the relationship those concepts of identity entertain with the overall precarious state of the subject in current social conditions that are characterized by political upheaval and change.
The book Fragile Identities investigates among other things the chances and also the possible endangerments of such a fragile self and asks for the resurging urgency of a contemporary concept of subjectivity. The publication combines international artistic and scholarly contributions, discussions and project documentations in relation to the second annual theme of the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.
The book Fragile Identities investigates among other things the chances and also the possible endangerments of such a fragile self and asks for the resurging urgency of a contemporary concept of subjectivity. The publication combines international artistic and scholarly contributions, discussions and project documentations in relation to the second annual theme of the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.
[more]
Power of Material/Politics of Materiality
Susanne Witzgall
Diaphanes, 2014
Materiality has emerged as a new focus for art, design, and architecture. Where there was once the belief that the form of a work offered more capacity to bestow meaning, “New Materialism” asserts the agency of material within the artistic process, enmeshed as it is within a web of relationships.
For Power of Material—Politics of Materiality, editors Susanne Witzgall and Kerstin Stakemeier have brought together a diverse and interdisciplinary team of contributors to deepen the current discourse surrounding materiality. The contributors were participants at a lecture series held at the cx centre for interdisciplinary studies at the Academy of Fine Arts, Munich, and, the book presents the resultant discussions and experimental practices.
For Power of Material—Politics of Materiality, editors Susanne Witzgall and Kerstin Stakemeier have brought together a diverse and interdisciplinary team of contributors to deepen the current discourse surrounding materiality. The contributors were participants at a lecture series held at the cx centre for interdisciplinary studies at the Academy of Fine Arts, Munich, and, the book presents the resultant discussions and experimental practices.
[more]
The Present of the Future
Susanne Witzgall
Diaphanes, 2018
As the world teeters on the brink of crisis and potentially catastrophic change, outlooks for the future have come to be characterized by anxiety. The skepticism that meets utopian visions of the future has given rise to collective nostalgia for seemingly reliable ideas. But rather than stagnate in idealism, how can artists and scholars create the potential for real change?
The result of a lecture series held at the cx centre for interdisciplinary studies at the Academy of Fine Arts, Munich, The Present of the Future explores our current relationship to the future and considers strategies for artists and scholars to establish effective action for shaping alternative futures. Contributors to the book approach this problem from the perspective of diverse disciplines, including art, design, architecture, and philosophy.
The result of a lecture series held at the cx centre for interdisciplinary studies at the Academy of Fine Arts, Munich, The Present of the Future explores our current relationship to the future and considers strategies for artists and scholars to establish effective action for shaping alternative futures. Contributors to the book approach this problem from the perspective of diverse disciplines, including art, design, architecture, and philosophy.
[more]
minor cosmopolitan
Thinking art, politics, and the universe together otherwise
Zairong Xiang
Diaphanes, 2020
Aesthetic Theory
Sandro Zanetti
Diaphanes, 2019
Theodor Adorno’s famous aesthetic theory was not merely a theory of the aesthetic; it also made a wider claim about the aesthetic implications of all theory. At the same time we have to deal with aesthetic objects and events in which an aesthetic theory is inherent, which show themselves as art. From both sides—theory and aesthetics—a link can be made to the etymological meaning of theōria, which understands the theoretical as a seeing or perspective. Featuring lucid essays by major thinkers, the book examines this link, focusing equally on the aesthetic implications of theory and the theoretical implications of aesthetic events.
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Vision in Motion
Streams of Sensation and Configurations of Time
Michael F. Zimmermann
Diaphanes, 2015
Vision is not just a simple recognition of what passes through our field of sight, the reflection and observation of light and shape. Even before Freud posited dreams as a way of “seeing” even as we sleep, the writings of philosophers, artists, and scientists from Goethe to Cézanne have argued that to understand vision as a mere mirroring of the outside world is to overlook a more important cognitive act of seeing that is dependent on time.
Bringing together a renowned international group of contributors, Vision in Motion explores one of the most vexing problems in the study of vision and cognition: To make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. This volume offers a critical reexamination of seeing that restores a concept of “vision in motion” that avoids reducing the sensations we experience to narrative chronological sequencing. The contributors draw on Hume, Bergson, and Deleuze, among others, to establish a nuanced idea of how we perceive.
Bringing together a renowned international group of contributors, Vision in Motion explores one of the most vexing problems in the study of vision and cognition: To make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. This volume offers a critical reexamination of seeing that restores a concept of “vision in motion” that avoids reducing the sensations we experience to narrative chronological sequencing. The contributors draw on Hume, Bergson, and Deleuze, among others, to establish a nuanced idea of how we perceive.
[more]
Dialogical Imaginations
Aisthesis as Social Perception and New Ideas of Humanism
Michael F. Zimmermann
Diaphanes
We tend to think of imagination as private, originating from our innermost selves—and language as something that is created in communication. Turning this idea on its head, the contributors to Dialogical Imaginations start from the provocative premise that imagination and language are both inherently social constructs that determine how we perceive the world. In addition, the idea of imagination as a dialogical formation, where dialogue within the self can raise questions and can open up new topics for consideration, may also be applied to how societies as a whole perceive their own conditions.
With contributors from a wide range of disciplines, including philosophy, media and film studies, art history, literature, and sociology, the book considers a wide variety of cultural manifestations of social perception. In the process, it offers a reevaluation of he concept of humanism, addressing key criticisms of by Foucault, Butler, and others.
With contributors from a wide range of disciplines, including philosophy, media and film studies, art history, literature, and sociology, the book considers a wide variety of cultural manifestations of social perception. In the process, it offers a reevaluation of he concept of humanism, addressing key criticisms of by Foucault, Butler, and others.
[more]
Kracauer. Photographic Archive
Maria Zinfert
Diaphanes, 2014
Siegfried Kracauer was a leading figure on the Weimar arts scene and one of the foremost representatives of the Frankfurt School of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many of the period’s preeminent thinkers, including the critic Theodor W. Adorno, who once claimed he owed more to Kracauer than any other intellectual.
Kracauer.Photographic Archive, a companion volume to The Past’s Threshold: Essays on Photography, collects previously unpublished photographs by Siegfried and Elisabeth, “Lili,” Kracauer. With its remarkably rich material, the book tells the story of the Kracauer’s close working relationship, from their marriage in Germany to their escape to Paris and the war and postwar years in the United States. While neither Kracauer nor his wife trained in photography, their portraits, city views, and landscapes evince impressive aesthetic and technical skill, while simultaneously shedding light on their lives marked by exile and flight.
Kracauer.Photographic Archive, a companion volume to The Past’s Threshold: Essays on Photography, collects previously unpublished photographs by Siegfried and Elisabeth, “Lili,” Kracauer. With its remarkably rich material, the book tells the story of the Kracauer’s close working relationship, from their marriage in Germany to their escape to Paris and the war and postwar years in the United States. While neither Kracauer nor his wife trained in photography, their portraits, city views, and landscapes evince impressive aesthetic and technical skill, while simultaneously shedding light on their lives marked by exile and flight.
[more]
Qu’est-ce que le sexe ?
Alenka Zupancic
Diaphanes, 2019
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