A SCHOLARLY BOOK REPOSITORY154 start with A start with A
Perceptive and broad in scope, America’s Religious Crossroads illuminates the integral relationship between communal and spiritual growth in early Midwestern history.
Laurie Mercier's look at "community unionism" examines the distinctive culture of cooperation and activism fostered by residents in Anaconda, Montana, home to the world's largest copper smelter and the namesake of the Anaconda Copper Mining Company.
Mercier depicts the vibrant life of the smelter city at full steam, incorporating the candid commentary of the locals ("the company furnished three pair of leather gloves . . . and all the arsenic [dust] you could eat"). During five decades of devoted unionism, locals embraced an "alternative Americanism" that championed improved living standards for working people as the best defense against communism. Mercier also explores how gender limits on women's political, economic, and social roles shaped the nature and outcome of labor struggles, and traces how union rivalries, environmental concerns, and the 1980 closing of the Anaconda smelter transformed the town.
A fascinating portrait of how community molds working class consciousness, Anaconda offers important insights about the changing nature of working class culture and collective action.
James A. Baer follows the lives, careers, and travels of Diego Abad de Santillán, Manuel Villar, and other migrating anarchists to highlight the ideological and interpersonal relationships that defined a vital era in anarchist history. Drawing on extensive interviews with Abad de Santillán, José Grunfeld, and Jacobo Maguid, along withunusual access to anarchist records and networks, Baer uncovers the ways anarchist migrants in pursuit of jobs and political goals formed a critical nucleus of militants, binding the two countries in an ideological relationship that profoundly affected the history of both. He also considers the impact of reverse migration and discusses political decisions that had a hitherto unknown influence on the course of the Spanish Civil War.
Personal in perspective and transnational in scope, Anarchist Immigrants in Spain and Argentina offers an enlightening history of a movement and an era.
Breasted's monumental work, originally published from 1906 to 1907, encompasses twenty-six dynasties spanning more than three millennia: from ca. 3050 B.C. to 525 B.C. For each document, Breasted provides information on location, condition, historical significance, and content. Beginning with the earliest known official annals of Egypt, the Palermo Stone, Breasted catalogs the realm's official activities, including royal succession, temple construction, property distribution, and foreign conquest. He tracks the careers of scores of kings, queens, government officials, military leaders, powerful statesmen, and influential courtiers, reproducing their autobiographies, letters of favor, paeans, mortuary gifts, and tomb inscriptions. Clearly annotated for the lay reader, the documents provide copious evidence of trade relations, construction activities, diplomatic envoys, foreign expeditions, and other aspects of a vigorous, highly organized, and centrally controlled society.
Breasted's commentary is both rigorously documented and accessible, suffused with a contagious fascination for the events, the personalities, the cultural practices, and the sophistication these records indicate. A herculean assemblage of primary documents, many of which have deteriorated to illegibility in the intervening century, Ancient Records of Egypt illuminates both the incredible complexity of Egyptian society and the almost insuperable difficulties of reconstructing a lost civilization.
This first paperback edition of Ancient Records of Egypt features a new introduction and supplementary bibliographies by Peter A. Piccione. Setting Breasted's work in the context of the development of American Egyptology, Piccione discusses Breasted's establishment of the Oriental Institute of the University of Chicago, with corporate support by John D. Rockefeller and other benefactors, and surveys the ambitious body of publications with which Breasted laid the foundation for future Egyptian studies.
The Eighteenth Dynasty saw the consolidation of the cult of Amun and the expansion of the temple of Amun-Re at Karnak, as well as a religious revolution under King Akhenaten that involved abandoning Thebes as a religious capital and royal residence and founding a new city devoted to the service of the new solar god, Aten. Breasted presents records of the biography and coronation of Queen Hatshepsut, including reliefs that depict the queen's expedition to the land of Punt. Also in this volume are the annals of Thutmose III, providing the most complete account of the military achievements of any Egyptian king; scenes representing the supernatural birth and coronation by the gods of his son, Amenhotep II; and inscriptions from the tomb of Rekhmire, prime minister or vizier under Thutmose III, that include a listing of taxes paid to the temple and foreign tribute proceeding from the king's two decades of military activity in Asia.
A herculean assemblage of primary documents, many of which have deteriorated to illegibility since its original publication, Ancient Records of Egypt illuminates both the incredible complexity of Egyptian society and the almost insuperable difficulties of reconstructing a lost civilization.
In the context of a long history of mutilating and altering reliefs for political purposes, Breasted discusses the insertion into a relief of the figure of Ramesses II in order to reinforce his claim to the throne. This volume also includes the treaty of alliance that sealed peace with the Hittites under Ramesses II; a series of documents that record the invasion of Libyans and Mediterranean Sea people during the reign of Merneptah; and the Great Temple of Abu Simbel, the most remarkable of the rock-cut temples of Egypt.
This first complete paperback edition of Breasted's five-volume Ancient Records of Egypt makes available to a new audience a milestone in Egyptology and in the compilation of documentary histories. Clearly annotated for the lay reader, the documents provide copious evidence of trade relations, construction activities, diplomatic envoys, foreign expeditions, and other aspects of a vigorous, highly organized, and centrally controlled society. Breasted's commentary is both rigorously documented and accessible, suffused with a contagious fascination for the events, the personalities, the cultural practices, and the sophistication these records indicate
Volume 4 includes intriguing records of the harem conspiracy and legal documents that indicate the extent of robberies of royal tombs. Records of the Nile levels at Karnak provide important chronological landmarks, while the Stela of Piye (Piankhi), which documents the Nubian kingdom already in existence as a full-fledged power, provides information on the internal political climate of Egypt during a time when no aggressive monarch controlled the whole country. Breasted also notes where these ancient Egyptian records intersect with accounts of the same events from other sources, such as the mutiny of Psamtik I's troops as inscribed on the alabaster statue of Nesuhor and as narrated by Herodotus.
In effect, Ancient Records of Egypt offers a valuable dual record. On the one hand, Breasted presents the events and personages of ancient Egypt as recorded in the documents. On the other hand, he presents a history of the documents themselves. Fragmentary or partially destroyed, carved on temple and tomb walls or written on fragile scrolls of leather or papyrus, even inscribed on the coffins and temple linens of the royal and priestly mummy wrappings, these records offer an irreplaceable primary source on a fascinating civilization.
An indispensable companion to any of the other volumes of Ancient Records of Egypt, the Supplementary Bibliographies and Indices facilitates direct access to specific information on the people, places, and inscriptions catalogued by James Henry Breasted. Exhaustively compiled and intelligently arranged, these indices include the kings and queens, temples and geographical locations, divine names, and titles and ranks encompassed by three thousand years of Egyptian history. Also provided are indices of all Egyptian, Hebrew, and Arabic terms mentioned in the texts, as well as a complete listing of the records with their location in Lepsius's Denkmäler.
This first paperback edition of Ancient Records of Egypt features the important addition of bibliographies by Peter A. Piccione, together with an introduction that puts Breasted's historical commentaries into modern perspective. These bibliographies offer valuable guidance on new translations and modern treatments of the inscriptions included in Ancient Records of Egypt. Professor Piccione points the reader toward recent studies of Egyptian chronology and modern scholarship on Egyptian and Nubian history. He also provides information on anthologies of Egyptian texts in translation and topographical bibliographies that suggest further reading on specific ancient Egyptian monuments, texts, and reliefs.
And the World Stood Silent gathers the Sephardim's French, Greek, Italian, and Judeo-Spanish poems, accompanied by English translations, about their long journey to the concentration and extermination camps. Isaac Jack Lévy also surveys the 2,000-year history of the Sephardim and discusses their poetry in relation to major religious, historical, and philosophical questions.
Wrenchingly conveying the pathos and suffering of the Jewish community during World War II, And the World Stood Silent is invaluable as a historical account and as a documentary source.
Karen L. Graves details how teachers were targeted, interrogated, and stripped of their professional credentials, and she examines the extent to which these teachers resisted the invasion of their personal lives. She contrasts the experience of three groups--civil rights activists, gay and lesbian teachers, and University of South Florida personnel--called before the committee and looks at the range of response and resistance to the investigations. Based on archival research conducted on a recently opened series of Investigation Committee records in the State Archives of Florida, this work highlights the importance of sexuality in American and education history and argues that Florida's attempt to govern sexuality in schools implies that educators are distinctly positioned to transform dominant ideology in American society.
This retrenchment among Mormons is the main theme of Mauss's book, which analyzes the last forty years of Mormon history from a sociological perspective. At the official ecclesiastical level, Mauss finds, the retrenchment can be seen in the greatly increased centralization of bureaucratic control and in renewed emphases on obedience to modern prophets, on genealogy and vicarious temple work, and on traditional family life; retrenchment is also apparent in extensive formal religious indoctrination by full-time professionals and in increased sophistication and intensity of proselytizing.
With writing that conveys a strong sense of place and people, Hayes ultimately finds such an identity not in the relatively few agreements within Anglicanism but within the disagreements themselves. Including hard-to-find historical documents, Anglicans in Canada is ideal for research, classroom use, and as a resource for church groups.
In Linzey’s view, animal rights is synonymous with animal theology. Linzey argues that historical theology, creatively defined, must reject humanocentricity. Questioning the assumption that if theology is to speak on this issue, “it must only do so on the side of the oppressors,” Linzey investigates not only the abstractions of theory, but also the realities of hunting, animal experimentation, and genetic engineering. His is a pioneering, vital, and unequivocally Christian voice advocating on behalf of the countless creatures who share our world and our lives but cannot speak for themselves.
studies on animals and theology ever published. Contributors from both
sides of the Atlantic tackle fundamental questions about theology and
how it is put into practice.
Do animals have immortal souls? Does Christ's reconciling work include
animals? Contributors address these issues and more in the context of
scriptural perspectives, the Christian tradition, historical disputes,
and obligations to animals.
As Andrew Linzey points out in his introduction, it cannot be right for
theological practitioners to carry on their business as though the world
of animals were invisible. Mainstream Christianity still propagates a
range of ideas about animals that are hugely detrimental to their status
and welfare. This important volume argues that it is time for a change.
With this first scholarly biography of Anna Howard Shaw (1847-1919), Trisha Franzen sheds new light on an important woman suffrage leader who has too often been overlooked and misunderstood.
An immigrant from a poor family, Shaw grew up in an economic reality that encouraged the adoption of non-traditional gender roles. Challenging traditional gender boundaries throughout her life, she put herself through college, worked as an ordained minister and a doctor, and built a tightly-knit family with her secretary and longtime companion Lucy E. Anthony.
Drawing on unprecedented research, Franzen shows how these circumstances and choices both impacted Shaw's role in the woman suffrage movement and set her apart from her native-born, middle- and upper-class colleagues. Franzen also rehabilitates Shaw's years as president of the National American Woman Suffrage Association, arguing that Shaw's much-belittled tenure actually marked a renaissance of both NAWSA and the suffrage movement as a whole.
Anna Howard Shaw: The Work of Woman Suffrage presents a clear and compelling portrait of a woman whose significance has too long been misinterpreted and misunderstood.
Williams examines subjects ranging from Aboriginal and African dances to the Royal Ballet, and makes a compelling case for moving beyond the Western view of the dance as mere entertainment, locating human movement firmly and irrefutably within the sphere of serious study.
Anthropology and the Dance: Ten Lectures is the thoroughly rewritten second edition of Ten Lectures on Theories of the Dance (1991). Included are a glossary of terms, indexes and notes, an updated bibliography, and an appendix, "An Exercise in Applied Personal Anthropology."
explore how people actually experience their culture and how those experiences are expressed in forms as varied as narrative, literary work, theater, carnival, ritual, reminiscence, and life review. Their studies will be
of special interest for anyone working in anthropological theory, symbolic
anthropology, and contemporary social and cultural anthropology, and useful as well for other social scientists, folklorists, literary theorists, and philosophers.
Addressing Native American studies past, present, and future, the essays in New Indians, Old Wars tackle the discipline head-on, presenting a radical revision of the popular view of the American West in the process. Instead of luxuriating in the West's past glories or accepting the widespread historians' view of it as a shared place, Elizabeth Cook-Lynn argues that the American West should be fundamentally understood as stolen.
Cook-Lynn says that the Indian Wars of Resistance to the nineteenth- and twentieth-century colonial effort to seize native lands and resources must be given standing in the face of the ever-growing imperial narrative of America--because the terror the world is now witnessing may be the direct consequence of events which began in America's earliest dealings with the natives of this continent. Cook-Lynn's story examines the ongoing and perennial relationship of conflict between colonizers and indigenous people, and it is a story that every American must read.
Cook-Lynn understands that the story of the American West teaches the political language of land theft and tyranny. She argues that to remedy this situation, Native American studies must be considered and pursued as its own discipline, rather than as a subset of history or anthropology. She makes an impassioned claim that such a shift, not merely an institutional or theoretical change, could allow Native American studies to play an important role in defending the sovereignty of indigenous nations today.
Spalding analyzes how issues as disparate as industrialization around coal, plantation culture, race relations, and the 1970s folk revival influenced freestyle clogging and other dance forms like square dancing in profound ways. She reveals how African Americans and Native Americans, as well as European immigrants drawn to the timber mills and coal fields, brought movement styles that added to local dance vocabularies. Placing each community in its sociopolitical and economic context, Spalding analyzes how the formal and stylistic nuances found in Appalachian dance reflect the beliefs, shared understandings, and experiences of the community at large, paying particular attention to both regional and racial diversity.
Written in clear and accessible prose, Appalachian Dance is a lively addition to the literature and a bold contribution to scholarship concerned with the meaning of movement and the ever-changing nature of tradition.
Appalachian Mountain Religion is much more than a narrowly focused look at the religion of a region. Within this largest regional and widely diverse religious tradition can be found the strings that tie it to all of American religious history. The fierce drama between American Protestantism and Appalachian mountain religion has been played out for nearly two hundred years; the struggle between piety and reason, between the heart and the head, has echoes reaching back even further--from Continental Pietism and the Scots-Irish of western Scotland and Ulster to Colonial Baptist revival culture and plain-folk camp-meeting religion. Deborah Vansau McCauley places Appalachian mountain religion squarely at the center of American religious history, depicting the interaction and dramatic conflicts between it and the denominations that comprise the Protestant "mainstream." She clarifies the tradition histories and symbol systems of the area's principally oral religious culture, its worship practices and beliefs, further illuminating the clash between mountain religion and the "dominant religious culture" of the United States. This clash has helped to shape the course of American religious history.
The explorations in Appalachian Mountain Religion range from Puritan theology to liberation theology, from Calvinism to the Holiness-Pentecostal movements. Within that wide realm and in the ongoing contention over religious values, the many strains of American religious history can be heard.
noted, but it has never been examined so thoroughly, nor with such an
eye for the amazing interconnectedness of Indian tribal ceremonies and
practices, as in An Archaeology of the Soul. In this monumental
work, destined to become a classic in its field, Robert Hall traces the
genetic and historical relationships of the tribes of the Midwest and
Plains--including roots that extend back as far as 3,000 years.
Looking beyond regional barriers, An Archaeology of the Soul offers new depths of insight into American Indian ethnography. Hall uncovers the lineage and kinship shared by Native North Americans through the perspectives of history, archaeology, archaeoastronomy, biological anthropology, linguistics, and mythology. The wholeness and panoramic complexity of American Indian belief has never been so fully explored--or more deeply understood.
Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.
The new volume in the Urban Agenda series examines the technological questions still surrounding autonomous vehicles and the uncertain societal and legislative impact of widespread AV adoption. Assessing both short- and long-term concerns, the authors probe how autonomous vehicles might change transportation but also land use, energy consumption, mass transit, commuter habits, traffic safety, job markets, the freight industry, and supply chains. At the same time, the essays discuss opportunities for industry, researchers, and policymakers to make the autonomous future safer, more efficient, and more mobile.
Contributors: Austin Brown, Stan Caldwell, Chris Hendrickson, Kazuya Kawamura, Taylor Long, and P. S. Srira.
A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies.
Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music.
Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html
Lincoln Park Zoo was established in 1868 when New York's Central Park Commissioners sent the Lincoln Park Commissioners the gift of two pairs of swans. The swans were such a popular attraction that the park commissioners began acquiring other animals and building quarters for them, adding a bear cage, a bison enclosure, a sea lion pool, an eagle exhibit, and an animal house, all before 1900.
Although the zoo was initially conceived as a primarily recreational attraction, its mission has evolved over time, with conservation, science, and education now forming central elements. Starting in 1884, when the zoo saw what was reportedly the first-ever birth of a North American bison in captivity, Lincoln Park Zoo has been part of the effort to study and protect endangered species from all over the world.
This comprehensive history of Lincoln Park Zoo also tells the wider story of the growth of the American zoo movement and the changes that have occurred in the past century, as zoos evolved from a leisure pursuit into a multimillion-dollar industry and an invaluable participant in global conservation efforts.
User-friendly and practical, Arousing Sense is a guide to how teaching through sensory experience can lead to positive, transformative impact in the classroom and everyday life.
What does a life with art offer that a life without art does not? Art and Freedom asserts that the fundamental point of the enterprise of art is the creation and delivery of values that are not singularly available in the nonart world.
E. E. Sleinis discusses visual art, literature, music, theater, and other art forms, arguing that as art both liberates and provides new points of focus and awareness, the art enterprise depends on a positive freeing from the nonart world, rather than on mere addition to it.
Art and Freedom introduces a novel classificatory system for representation, expression, and formalist theories of art. Sleinis argues that a characteristic defect of contemporary theories of art is their neglect of the issue of value. Challenging these reductive, formalist notions of art, he emphasizes the potential, and the need, for art to evolve and make progress in ways comparable to the sciences, albeit on a very different model.
A smart blend of incisive commentary and illuminating philosophy, Art and Freedom provides a useful context for transforming a sometimes baffling medium into a means of fostering personal growth and creating and sharing values.
This book analyzes the broad range of Supreme Court cases that concern the protection of art and free speech under the First Amendment. Finding that debates about free expression (whether in speech or art) swirl around sex and cultural blasphemy, Randall P. Bezanson tracks and interprets the Court's decisions on film, nude dancing, music, painting, and other visual expressions.
Showing how the Court has dealt with judgments of art, quality, meaning, and how to distinguish types of speech and expression, Bezanson explores issues as diverse as homosexuality in the Boy Scouts, gay and lesbian parade floats, 2 Live Crew's alleged copyright infringement, National Endowment for the Arts grants and diversity, dangerous art, and screenings of the film Carnal Knowledge. In considering the transformative meaning of art, the importance of community judgments, and the definition of speech in Court rulings, Bezanson focuses on the fundamental questions underlying the discussion of art as protected free speech: What are the boundaries of art? What are the limits on the government's role as supporter and "patron" of the arts? And what role, if any, may core social values of decency, respect, and equality play in limiting the production or distribution of art?
Accessibly written and evocatively argued, Art and Freedom of Speech explores these questions and concludes with the argument that, for legal purposes, art should be absolutely free under the First Amendment--in fact, even more free than other forms of speech.
series. In the first section, Theodore Wolff deals with the role of the
art critic in education. He gives a practical overview of how the principles
and practices of art criticism can be applied to the teaching of art (k-12).
In the second, George Geahigan begins with an historical overview of art
criticism in education literature and provides a conceptualized approach
to critical inquiry, asserting that the most effective form of that inquiry
is the pursuit of meaning in works of art. A rare combination of the practical
and theoretical, Art Criticism and Education will be an invaluable
aid to anyone involved in art education.
A volume in the series Disciplines in Art Education: Contexts of Understanding,
edited by Ralph Smith
Supported by the Getty Foundation
philosophical rationale for the idea of discipline-based art education.
Levi and Smith discuss topics ranging over both the public and private
aspects of art, the disciplines of artistic creation, art history, art
criticism, and aesthetics, and curriculum proposals featuring five phases
of aesthetic learning.
While there is no consensus on how the various components of aesthetic
learning should be presented in order to accomplish the goals of discipline-based
art education, the authors point out that progress toward those goals
will require that those who design art education programs bring an understanding
of the four disciplines to their work. The introductory volume of a five-volume
series, this book will appeal to elementary and secondary art teachers,
those who prepare teachers at the college level, and museum educators.
Guided by Stephen Addiss's grounding in art history scholarship and Mary Erickson's expertise in art education theory and practice, this volume approaches the issue of teaching art history from theoretical and philosophical as well as practical and political standpoints. In the first section, Addiss raises issues about the discipline of art history. In the second, Erickson examines proposals about how art history can be incorporated into the general education of children and offers some curriculum guides and lesson plans for art educators.
What is involved in "making art"? In what ways have Americans
introduced art making to students? In Art Making and Education, a
practicing artist and a historian of art education discuss from their
particular perspectives the production of studio and classroom art. Among
those to whom this book will appeal are prospective teachers, school administrators,
university-level art educators, and readers interested in the theory of
discipline-based art education.
"The sources are excellent. The bibliographical material is a must
for any candidate wanting to teach the visual arts and certainly for any
student hoping to become an artist."
-- William Klenk, University of Rhode Island
Maria Cristina Fava explores the rich creative milieu shaped by artists dedicated to using music and theater to advance the promotion, circulation, and acceptance of leftist ideas in 1930s New York City. Despite tensions between aesthetic and pragmatic goals, the people and groups produced works at the center of the decade’s sociopolitical and cultural life. Fava looks at the Composers’ Collective of New York and its work on proletarian music and workers’ songs before turning to the blend of experimentation and vernacular idioms that shaped the political use of music within the American Worker’s Theater Movement. Fava then reveals how composers and theater practitioners from these two groups achieved prominence within endeavors promoted by the Works Project Administration.
Fava’s history teases out fascinating details from performances and offstage activity attached to works by composers such as Marc Blitzstein, Charles Seeger, Ruth Crawford Seeger, Elie Siegmeister, and Harold Rome. Endeavors encouraged avant-garde experimentation while nurturing innovations friendly to modernist approaches and an interest in non-western music. Blitzstein’s The Cradle Will Rock offered a memorable example that found popular success, but while the piece achieved its goals, it became so wrapped up in myths surrounding workers’ theater that critics overlooked Blitzstein’s musical ingenuity.
Provocative and original, Art Music Activism considers how innovative classical composers of the 1930s balanced creative aims with experimentation, accessible content, and a sociopolitical message to create socially meaningful works.
In this volume, liberally seasoned with period illustrations, Yoshinobu Hakutani has collected and annotated a rich selection of Theodore Dreiser's pre-fame writings on the cultural milieu of his day.
In these brief essays, Dreiser sallies into the vibrant world of creative work in turn-of-the-century America. He inspects the eccentric and revealing paraphernalia of artists' studios, probes the work habits of writers, and goes behind the scenes in the popular song-writing business, where this week's celebrity is next week's has-been. He profiles famous figures and introduces numerous women artists, novelists, and musicians, including the prolific and tireless Amelia Barr (mother of fourteen children and author of thirty-two novels), the illustrator Alice B. Stephens, and the opera singer Lillian Nordica. Hakutani's notes provide biographical detail on dozens of now-obscure individuals mentioned by Dreiser.
Percussionist Thomas Siwe organizes and analyzes the groundbreaking musical literature that arose during the twentieth century. Focusing on innovations in style and the evolution of the percussion ensemble, Siwe offers a historical overview that connects the music to scoring techniques, new instrumentation and evolving technologies as well as world events. Discussions of representative pieces by seminal composers examines the resources a work requires, its construction, and how it relates to other styles that developed during the same period. In addition, Siwe details the form and purpose of many of the compositions while providing background information on noteworthy artists. Each chapter is supported with musical examples and concludes with a short list of related works specifically designed to steer musicians and instructors alike toward profitable explorations of composers, styles, and eras.
Gary Westfahl closely examines Clarke's remarkable career, ranging from his forgotten juvenilia to the passages he completed for a final novel, The Last Theorem. As Westfahl explains, Clarke’s science fiction offered original perspectives on subjects like new inventions, space travel, humanity’s destiny, alien encounters, the undersea world, and religion. While not inclined to mysticism, Clarke necessarily employed mystical language to describe the fantastic achievements of advanced aliens and future humans. Westfahl also contradicts the common perception that Clarke’s characters were bland and underdeveloped, arguing that these reticent, solitary individuals, who avoid conventional relationships, represent his most significant prediction of the future, as they embody the increasingly common lifestyle of people in the twenty-first century.
history, Bruce Laurie examines the character of working-class factionalism, plebian expectations of government, and relations between the organized few and the unorganized many. Laurie also examines the republican tradition and the movements that drew on it, from the General Trades Unions in the age of Jackson to the Knights of Labor later in the century.
This edition of Common Threads investigates the intersection of social justice work with education in the visual arts, music, theatre, dance, and literature. Weaving together resources from a range of University of Illinois Press journals, the editors offer articles on the scholarly inquiry, theory, and practice of social justice arts education. Selections from the past three decades reflect the synergy of the diverse scholars, educators, and artists actively engaged in such projects. Together, the contributors bring awareness to the importance of critically reflective and inclusive pedagogy in arts educational contexts. They also provide pedagogical theory and practical tools for building a social justice orientation through the arts.
Contributors: Joni Boyd Acuff, Seema Bahl, Elizabeth Delacruz, Elizabeth Garber, Elizabeth Gould, Kirstin Hotelling, Tuulikki Laes, Monica Prendergast, Elizabeth Saccá, Alexandra Schulteis, Amritjit Singh, and Stephanie Springgay
Viewing his subjects sometimes from airplane altitude, sometimes from the intimacy of a shared restaurant table, Murray crafts “true stories about color,” narratives of dislocation and belonging that invite readers to question their own relationship to art.
Included in this volume is a long sequential poem titled “The Seconds,” which Murray composed across the second days of thirteen months. The rhythms of this diary-as-poem seize the tensions of shifting times and locales, capturing the essences of moments that are at once chosen and arbitrary.
“Codes toward an Incidental City,” the sequence that closes the book, is a confederacy of forty poems that delve into the concrete familiarities and mythologies of urban landscapes, illuminating the ecstasies of city life.
This interdisciplinary collection examines the shaping of local sexual cultures in the Asian Pacific region in order to move beyond definitions and understandings of sexuality that rely on Western assumptions. The diverse studies in AsiaPacifiQueer demonstrate convincingly that in the realm of sexualities, globalization results in creative and cultural admixture rather than a unilateral imposition of the western values and forms of sexual culture. These essays range across the Pacific Rim and encompass a variety of forms of social, cultural, and personal expression, examining sexuality through music, cinema, the media, shifts in popular rhetoric, comics and magazines, and historical studies. By investigating complex processes of localization, interregional borrowing, and hybridization, the contributors underscore the mutual transformation of gender and sexuality in both Asian Pacific and Western cultures.
Contributors are Ronald Baytan, J. Neil C. Garcia, Kam Yip Lo Lucetta, Song Hwee Lim, J. Darren Mackintosh, Claire Maree, Jin-Hyung Park, Teri Silvio, Megan Sinnott, Yik Koon Teh, Carmen Ka Man Tong, James Welker, Heather Worth, and Audrey Yue.
Distinguished by a remarkable combination of erudition and lucidity, Aspects of Old English Poetic Syntax provides new insight into the rules that govern syntactic relationships and indicates how these rules differ for prose and verse. Blockley considers the functions of four of the most common and most syntactically important words in Old English, as well as such features of clauses as verb-initial order, negative contraction, and unexpressed but understood subjects. Picking up where Bruce Mitchell's classic Old English Syntax left off, Blockley shows how such common words and structures mark the relationships between phrases and clauses.
Blockley also considers how the poetic tradition compensated for the loss in written texts of the syntactic functions served by intonation and inflection. Arguing that verse relied instead on a prescriptively regulated, unambiguous syntax, she suggests principles that promise more complex and subtle interpretations of familiar texts such as Beowulf as well as a wealth of other Old English writings.
Nunzio Pernicone and Fraser M. Ottanelli dig into the transnational experiences and the historical, social, cultural, and political conditions behind the phenomenon of anarchist violence in Italy. Looking at political assassinations in the 1890s, they illuminate the public effort to equate anarchy's goals with violent overthrow. Throughout, Pernicone and Ottanelli combine a cutting-edge synthesis of the intellectual origins, milieu, and nature of Italian anarchist violence with vivid portraits of its major players and their still-misunderstood movement.
A bold challenge to conventional thinking, Assassins against the Old Order demolishes a century of myths surrounding anarchist violence and its practitioners.
Scientifically up-to-date and illustrated with over 240 color photos, An Atlas of Illinois Fishes is a benchmark in the study of Illinois’s ever-changing fish communities and the habitats that support them.
In this study, Emma Wilson closely analyzes the range of Egoyan's films and their visual textures, emotional control, and perverse beauty. Offering a full-scale chronological overview of Egoyan's work on films up to and including Where the Truth Lies, Wilson shows the persistence and development of certain structures and themes in Egoyan's cinema: questions of exile and nostalgia, trauma and healing, the family and sexuality. While drawing on ideas about intercultural cinema, Wilson also sets Egoyan's films in the context of contemporary Canadian cinema and European art-house cinema. Egoyan's own comments on his films thread throughout Wilson's analyses, and the book features a recent interview with the director.
In Autism and Gender: From Refrigerator Mothers to Computer Geeks, Jack focuses on the ways gender influences popular discussion and understanding of autism's causes and effects. She identifies gendered theories like the “refrigerator mother” theory, for example, which blames emotionally distant mothers for autism, and the “extreme male brain” theory, which links autism to the modes of systematic thinking found in male computer geeks. Jack's analysis reveals how people employ such highly gendered theories to craft rhetorical narratives around stock characters--fix-it dads, heroic mother warriors rescuing children from autism--that advocate for ends beyond the story itself while also allowing the storyteller to gain authority, understand the disorder, and take part in debates.
Autism and Gender reveals the ways we build narratives around controversial topics while offering new insights into the ways rhetorical inquiry can and does contribute to conversations about gender and disability.
A bold challenge to established scholarship, Autochthonomies ranges from Africa to Europe and the Americas to provide powerful new tools for charting the transnational interactions between African cultural producers and sites.
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