"What emerges from Kachru's fine work is the potential demarcation
        of an entire field, rather than merely the fruitful exploration of a topic.
        . . . [Kachru] is to be congratulated for having taken us as far as he
        already has and for doing so in so stimulating and so productive a fashion."
        -- World Englishes
      "A potent addition to theoretical, sociolinguistic, attitudinal
        and methodological explorations vis-à-vis the spread and functions
        of, and innovations in, English from the viewpoint of a non-Western scholar."
        -- The Language Teacher
      
      Winner of the Joint First Prize, Duke of Edinburgh English Language
        Book Competition of the English-Speaking Union of the Commonwealth, 1987
     
 

When Sy Kahn set off to serve in the Pacific during World War II, he was a bookish, naive nineteen-year-old, the youngest in his company. Convinced he would not survive the war, Kahn kept a meticulous record of his experiences as his "foxhole of the mind," even though keeping such a journal was forbidden by military regulations. His secret diary--one soldier's "mark against oblivion"--is a rare ground-level account of the war.
 
Often writing in tents by candlelight, in foxholes, or on board ships, Kahn documents life during four campaigns and over three hundred air attacks. He describes the 244th Port Company's backbreaking work of loading and unloading ships, the suffocating heat, the debilitating tropical diseases, and the relentless, sometimes terrifying bombings, accidents, casualties, and deaths.
 His wartime odyssey also includes encounters with civilians in Australia, in the Philippines, and, as among the earliest occupation troops, in Japan. A detailed record of the daily cost of war, Kahn's journal reflects his increasing maturity and his personal coming of age, representative of thousands of young Americans who served in World War II.
 
 
 

Civil society organizations, nonprofits, national and international nongovernmental organizations, and a variety of formal and informal associations have coalesced into a world political force. Though the components of this so-called third sector vary by country, their cumulative effects play an ever-greater role in global affairs. Looking at relief and welfare organizations, innovation organizations, social networks, and many other kinds of groups, Meghan Elizabeth Kallman and Terry Nichols Clark explore the functions, impacts, and composition of the nonprofit sector in six key countries. Chinese organizations, for example, follow the predominantly Asian model of government funding that links their mission to national political goals. Western groups, by contrast, often explicitly challenge government objectives, and even gain relevance and cache by doing so. In addition, Kallman and Clark examine groups in real-world contexts, providing a wealth of political-historical background, in-depth consideration of interactions with state institutions, region-by-region comparisons, and suggestions for how groups can borrow policy options across systems. Insightful and forward-seeing, The Third Sector provides a rare international view of organizations and agendas driving change in today's international affairs.

In 1920, at the age of thirteen, Irmgard Gebensleben first traveled from Germany to The Netherlands on a "war-children transport." She would later marry a Dutch man and live and raise her family there while keeping close to her German family and friends through the frequent exchange of letters. Yet during this period geography was not all that separated them. Increasing divergence in political opinions and eventual war between their countries meant letters contained not only family news but personal perspectives on the individual, local, and national choices that would result in the most destructive war in history. 

This important collection, first assembled by Irmgard Gebensleben's daughter Hedda Kalshoven, gives voice to ordinary Germans in the Weimar Republic and the Third Reich and in the occupied Netherlands. The correspondence between Irmgard, her friends, and four generations of her family delve into their most intimate and candid thoughts and feelings about the rise of National Socialism. The responses to the German invasion and occupation of the Netherlands expose the deeply divided loyalties of the family and reveal their attempts to bridge them. Of particular value to historians, the letters evoke the writers' beliefs and their understanding of the events happening around them.

This first English translation of Ik denk zoveel aan jullie:  Een briefwisseling tussen Nederland en Duitsland 1920-1949, has been edited, abridged, and annotated by Peter Fritzsche with the assent and collaboration of Hedda Kalshoven. After the book's original publication the diary of Irmgard's brother and loyal Wehrmacht soldier, Eberhard, was discovered and edited by Hedda Kalshoven. Fritzsche has drawn on this important additional source in his preface.

British colonial relations with the native peoples of eastern North America

This is an annotated edition of the treaties between the British colonies and Indian nations, originally printed and sold by Benjamin Franklin. Last published in 1938, Benjamin Franklin, Pennsylvania, and the First Nations makes these important treaties available once again, featuring a simpler, easier-to-read format, extensive explanatory notes, and maps. A detailed introduction by Susan Kalter puts the treaties in their proper historical and cultural context. 

This carefully researched edition shows these treaties to be complex intercultural documents, and provides significant insight into the British colonists’ relationship with native peoples of North America. They also reveal the complexity of Benjamin Franklin’s perceptions of Native Americans, showing him in some negotiations as a promoter of the Indian word against the colonial one. Finally, the treaties offer an enormous wealth of linguistic, aesthetic, and cultural information about the Iroquois, the Delawares, and their allies and neighbors.

Arranged in four parts--each associated with a particular Louisiana city--the poems in Rhythm & Booze trace the hardships and uncertainties, as well as the moments of unexpected sublimity, of a life lived in a continuous struggle between fresh starts and destructive old patterns.
 
Mirroring the music of New Orleans, Kane's poems combine traditional form with improvisational flourishes. Rhythm & Booze charts her progress as she undertakes a number of journeys, from youth to experience, from blues bars to college classrooms, from city to country, from chaos to something approaching peace.
 

Today, over one hundred Chicago-area Catholic churches offer Spanish language mass to congregants. How did the city's Mexican population, contained in just two parishes prior to 1960, come to reshape dozens of parishes and neighborhoods?

Deborah E. Kanter tells the story of neighborhood change and rebirth in Chicago's Mexican American communities. She unveils a vibrant history of Mexican American and Mexican immigrant relations as remembered by laity and clergy, schoolchildren and their female religious teachers, parish athletes and coaches, European American neighbors, and from the immigrant women who organized as guadalupanas and their husbands who took part in the Holy Name Society. Kanter shows how the newly arrived mixed memories of home into learning the ways of Chicago to create new identities. In an ever-evolving city, Mexican immigrants and Mexican Americans’ fierce devotion to their churches transformed neighborhoods such as Pilsen.

The first-ever study of Mexican-descent Catholicism in the city, Chicago Católico illuminates a previously unexplored facet of the urban past and provides present-day lessons for American communities undergoing ethnic integration and succession.

 
      Red Diapers is the
        first anthology of autobiographical writings by the children of American
        communists. These memoirs, short stories, and poems reflect the joys and
        perils of growing up in a subculture defined by its opposition to some
        of society's most deeply held values. How red diaper babies have come
        to terms with their political inheritance is the theme of this compelling
        anthology.
      Some contributors have fond
        memories of family activism; others recall the past with ambivalence or
        even pain. The authors range in age from their twenties to their eighties.
        Some, such as Watergate reporter Carl Bernstein and sixties activist Bettina
        Aptheker, are widely known themselves; some are the children of well-known
        American leftists, including Jeff Lawson, son of blacklisted screenwriter
        John Howard Lawson, and Robert Meeropol, son of Ethel and Julius Rosenberg.
        In disparate voices, the contributors elaborate on how their parents attempted
        to pass on to them the torch of radical politics.
 

  This is an updated version of Karier's highly regarded Man, Society,
        and Education, which focuses on the concepts of human nature and community
        throughout American educational history. For the new edition, Karier has
        added chapters on the major movements in American education from World
        War II to the present and on the major Supreme Court cases involving educational
        policy during the same period.
      "This classic volume remains a remarkable study in the history of
        ideas into which the implications for American schooling have been deftly
        woven. It is balanced, thorough, and intelligently challenging."
        --- Ann M. Keppel, College of Education, University of Hawaii at
        Manoa
      "This new edition should have great use as a primary text at the
        graduate and advanced undergraduate levels."
        --- Peter A. Sola, School of Education, Howard University
 

Although Sumatra is the sixth largest island in the world and home to an estimated 44 million Indonesians, its musical arts and cultures have not been the subject of a book-length study until now. Documenting and explaining the ethnographic, cultural, and historical contexts of Sumatra's performing arts, Musical Journeys in Sumatra also traces the changes in their style, content, and reception from the early 1970s onward.

Having dedicated almost forty years of scholarship to exploring the rich and varied music of Sumatran provinces, Margaret Kartomi provides a fascinating ethnographic record of vanishing musical genres, traditions, and practices that have become deeply compromised by the pressures of urbanization, rural poverty, and government policy. This deeply informed collection showcases the complex diversity of Indonesian music and includes field observations from six different provinces: Aceh, North Sumatra, Riau, West Sumatra, South Sumatra, and Bangka-Belitung. Featuring photographs and original drawings from Kartomi's field observations of instruments and performances, Musical Journeys in Sumatra provides a comprehensive musical introduction to this neglected, very large island, with its hundreds of ethno-linguistic-musical groups.

      Pluralist or multiculturalist, proudly ethnic or disappearing into the
        melting pot, people come in all persuasions. This volume attempts to bridge
        the gap that has developed between pluralists and multiculturalists, advocates
        of the academic canon and defenders of diversity, celebrants of ethnic
        heritage and critics of racial ascription. Contributors explore the nation's
        pluralistic framework as a historical creation, looking at group relations
        in the United States and how they have been conceptualized in the past.
 

Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Book chapters feature discussion of modernists including Walter Pater, George Egerton, Sarah Grand, Henry James, Joseph Conrad, Ford Madox Ford, Dorothy Richardson, and Virginia Woolf.

Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.

Plain Folk depicts both the ordinary occupations and ethnic and racial diversity of America at the turn of the century. Katzman and Tuttle have drawn upon 75 brief autobiographies or "lifelets" of working-class Americans published between 1902 and 1906 in The Independent magazine. Among the seventeen life stories included here are those of a Lithuanian stockyards worker in Chicago, a Polish sweatshop girl and a Chinese merchant in New York City, a black peon in rural Georgia, and a Swedish farmer in Minnesota. Together they provide an unmediated and seldom-seen view of American life during this period.
 

Woody Guthrie, American Radical reclaims the politically radical profile of America's greatest balladeer. Although he achieved a host of national honors and adorns U.S. postage stamps, and although his song "This Land Is Your Land" is often considered the nation's second national anthem, Woody Guthrie committed his life to the radical struggle. Will Kaufman traces Guthrie's political awakening and activism throughout the Great Depression, World War II, the Cold War, the Korean War, the Civil Rights struggle, and the poison of McCarthyism. He examines Guthrie's role in the development of a workers' culture in the context of radical activism spearheaded by the Communist Party of the USA, the Popular Front, and the Congress of Industrial Organizations. Kaufman also establishes Guthrie's significance in the perpetuation of cultural front objectives into the era of the "New Left" and beyond, particularly through his influence on the American and international protest song movement. Utilizing a wealth of previously unseen archival materials such as letters, song lyrics, essays, personal reflections, photos, and other manuscripts, Woody Guthrie, American Radical introduces a heretofore unknown Woody Guthrie: the canny political strategist, fitful thinker, and cultural front activist practically buried in the general public's romantic celebration of the "Dust Bowl Troubadour." A portion of the royalties from the sales of this book will be donated to the Woody Guthrie Foundation.

This second edition of The Graying of America greatly expands and updates the most comprehensive reference book on aging that is readily accessible to the lay reader.
 
Featuring nontechnical language, user-friendly indexes, and more than 150 new entries, the second edition covers new topics such as acupuncture, wheelchairs, adjusting to bifocals, preparing for traveling, improving communication with physicians, and avoiding eye strain in computer use. Among other updates are more detailed coverage of health problems including arthritis, diabetes, osteoporosis, and various kinds of cancer, as well as advice on reducing the stress of caring for a family member with Alzheimer's disease. In addition to discussing hundreds of common ailments and conditions, Kausler and Kausler provide constructive guidance on regular physical activity, mental stimulation, and other behaviors that promote "successful aging."
 

How cultural categories shaped--and were shaped by--new ideas about controlling nature

Ranging from alchemy to necromancy, "books of secrets" offered medieval readers an affordable and accessible collection of knowledge about the natural world. Allison Kavey's study traces the cultural relevance of these books and also charts their influence on the people who read them. Citing the importance of printers in choosing the books' contents, she points out how these books legitimized manipulating nature, thereby expanding cultural categories, such as masculinity, femininity, gentleman, lady, and midwife, to include the willful command of the natural world.

The first comparison of the breast cancer and the prostate cancer movements

Cancer Activism explores the interplay between advocacy, the media, and public perception through an analysis of breast cancer and prostate cancer activist groups over a nearly twenty-year period. Despite both diseases having nearly identical mortality and morbidity rates, Karen M. Kedrowski and Marilyn Stine Sarow present evidence from more than 4,200 news articles to show that the different groups have had markedly different impacts. They trace the rise of each movement from its beginning and explore how discussions about the diseases appeared on media, public, and government agendas. In an important exception to the feminist tenet that women as a group hold less power than men, Kedrowski and Sarow demonstrate that the breast cancer movement is not only larger and better organized than the prostate cancer movement, it is also far more successful at shaping media coverage, public opinion, and government policy.

This collection of new interviews with twenty-five accomplished female composers substantially advances our knowledge of the work, experiences, compositional approaches, and musical intentions of a diverse group of creative individuals. With personal anecdotes and sometimes surprising intimacy and humor, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first. The composers work in a variety of genres including classical, jazz, multimedia, or collaborative forms for the stage, film, and video games. Their interviews illuminate questions about the status of women composers in America, the role of women in musical performance and education, the creative process and inspiration, the experiences and qualities that contemporary composers bring to their craft, and balancing creative and personal lives. Candidly sharing their experiences, advice, and views, these vibrant, thoughtful, and creative women open new perspectives on the prospects and possibilities of making music in a changing world.

Big money NCAA basketball had its origins in a many-sided conflict of visions and agendas. On one side stood large schools focused on a commercialized game that privileged wins and profits. Opposing them was a tenuous alliance of liberal arts colleges, historically black colleges, and regional state universities, and the competing interests of the NAIA, each with distinct interests of their own.

Kurt Edward Kemper tells the dramatic story of the clashes that shook college basketball at mid-century—and how the repercussions continue to influence college sports to the present day. Taking readers inside the competing factions, he details why historically black colleges and regional schools came to embrace commercialization. As he shows, the NCAA's strategy of co-opting its opponents gave each group just enough just enough to play along—while the victory of the big-time athletics model handed the organization the power to seize control of college sports.

An innovative history of an overlooked era, Before March Madness looks at how promises, power, and money laid the groundwork for an American sports institution.

The Cold War era spawned a host of anxieties in American society, and in response, Americans sought cultural institutions that reinforced their sense of national identity and held at bay their nagging insecurities. They saw football as a broad, though varied, embodiment of national values. College teams in particular were thought to exemplify the essence of America: strong men committed to hard work, teamwork, and overcoming pain. Toughness and defiance were primary virtues, and many found in the game an idealized American identity.

In this book, Kurt Kemper charts the steadily increasing investment of American national ideals in the presentation and interpretation of college football, beginning with a survey of the college game during World War II. From the Army-Navy game immediately before Pearl Harbor, through the gradual expansion of bowl games and television coverage, to the public debates over racially integrated teams, college football became ever more a playing field for competing national ideals. Americans utilized football as a cultural mechanism to magnify American distinctiveness in the face of Soviet gains, and they positioned the game as a cultural force that embodied toughness, discipline, self-deprivation, and other values deemed crucial to confront the Soviet challenge.

Americans applied the game in broad strokes to define an American way of life. They debated and interpreted issues such as segregation, free speech, and the role of the academy in the Cold War. College Football and American Culture in the Cold War Era offers a bold new contribution to our understanding of Americans' assumptions and uncertainties regarding the Cold War.

The mid-Seventies represented a watershed era for feminism. A historic National Women's Conference convened in Houston in 1977. The Equal Rights Amendment inched toward passage. Conservative women in the Midwest, however, saw an event like the International Year of the Woman not as a celebration, but as part of a conspiracy that would lead to radicalism and one-world government. Erin M. Kempker delves into how conspiracy theories affected--and undermined--second wave feminism in the Midwest. Focusing on Indiana, Kempker views this phenomenon within the larger history of right-wing fears of subversion during the Cold War. Feminists and conservative women each believed they spoke in women's best interests. Though baffled by the conservative dread of "collectivism," feminists compromised by trimming radicals from their ranks. Conservative women, meanwhile, proved adept at applying old fears to new targets. Kemper's analysis places the women's opposing viewpoints side by side to unlock the differences that separated the groups, explain one to the other, and reveal feminism's fate in the Midwest.

Julian Steward (1902-72) is best remembered in American anthropology as the creator of cultural ecology, a theoretical approach that has influenced generations of archaeologists and cultural anthropologists. Virginia Kerns considers the intellectual and emotional influences of Steward's remarkable career, exploring his early life in the American West, his continued attachments to western landscapes and inhabitants, his research with Native Americans, and the writing of his classic work, Theory of Culture Change. With fluid prose and rich detail, the book captures the essence and breadth of Steward's career while carefully measuring the ways he reinforced the male-centered structure of mid-twentieth-century American anthropology.

     This classic study of Black
        Carib culture and its preservation through ancestral rituals organized
        by older women now includes a foreword by Constance R. Sutton and an afterword
        by the author.
      "One of the outstanding
        studies of this genre. . . . Refreshingly, the book has good photographs,
        as well as strong endnotes and bibliography, and very useful tables, figures,
        maps, and index." -- Choice
      "An outstanding contribution
        to the literature on female-centered bilateral kinship and residence."
       
        -- Grant D. Jones, American Ethnologist
      "A richly detailed account
        of a contemporary culture in which older women are important, valued,
        and self-respecting."
        -- Anthropology and Humanism Quarterly
      "A combination of competent
        research, interwoven themes, and an easily readable, sometimes beautifully
        evocative, prose style." -- Heather Strange, The Gerontologist

 

A richly detailed look at the crucial role of federally supported civil rights activism

In this rigorous and thoroughly documented study focusing on the pivotal Midwest, Andrew E. Kersten shows how a tiny government agency--the President's Committee on Fair Employment Practice (FEPC)--influenced the course of civil rights reform, moving the United States closer to a national fair employment policy and laying the foundation for today's contested affirmative action practices.

Rejecting claims that black advancement during the war was due primarily to shortages of labor, Race, Jobs, and the War contends that the FEPC made significant strides in breaking racial barriers, settling complaints, and pursuing a vigorous educational campaign to foster more harmonious industrial relations between white and minority workers.

This collection represents the thirty-year intellectual trajectory of one of today’s leading historians of gender and labor in the United States. The seventeen essays are divided into four sections, narrating the evolution and refinement of Alice Kessler-Harris's central project: showing gender’s fundamental importance in the shaping of United States history and working class culture. 

The first section considers women and organized labor while the second pushes this analysis toward a gendered labor history as the essays consider the gendering of male as well as female workers and how gender operates with and within the social category of class. Subsequent sections broaden this framework to examine U.S. social policy as a whole, the question of economic citizenship, and wage labor from a global perspective. While each essay represents an important intervention in American historiography in itself, the collection taken as a whole shows Kessler-Harris continuing to push the field of American history to greater levels of inclusion and analysis.

A classic since its original publication, Women Have Always Worked brought much-needed insight into the ways work has shaped female lives and sensibilities. Beginning in the colonial era, Alice Kessler-Harris looks at the public and private work spheres of diverse groups of women—housewives and trade unionists, immigrants and African Americans, professionals and menial laborers, and women from across the class spectrum. She delves into issues ranging from the gendered nature of the success ethic to the social activism and the meaning of citizenship for female wage workers. This second edition adds artwork and features significant updates. A new chapter by Kessler-Harris follows women into the early twenty-first century as they confront barriers of race, sex, and class to earn positions in the new information society.

An attempt to put an Asian woman on Canada's $100 bill in 2012 unleashed enormous controversy. The racism and xenophobia that answered this symbolic move toward inclusiveness revealed the nation's trumpeted commitment to multiculturalism as a lie. It also showed how multiple minor publics as well as the dominant public responded to the ongoing issue of race in Canada. In this new study, Christine Kim delves into the ways cultural conversations minimize race's relevance even as violent expressions and structural forms of racism continue to occur. Kim turns to literary texts, artistic works, and media debates to highlight the struggles of minor publics with social intimacy. Her insightful engagement with everyday conversations as well as artistic expressions that invoke the figure of the Asian allows Kim to reveal the affective dimensions of racialized publics. It also extends ongoing critical conversations within Asian Canadian and Asian American studies about Orientalism, diasporic memory, racialized citizenship, and migration and human rights.

If a religion cannot attract and instruct young people, it will struggle to survive, which is why recreational programs were second only to theological questions in the development of twentieth-century Mormonism. In this book, Richard Ian Kimball explores how Mormon leaders used recreational programs to ameliorate the problems of urbanization and industrialization and to inculcate morals and values in LDS youth. As well as promoting sports as a means of physical and spiritual excellence, Progressive Era Mormons established a variety of institutions such as the Deseret Gymnasium and camps for girls and boys, all designed to compete with more "worldly" attractions and to socialize adolescents into the faith.

Kimball employs a wealth of source material including periodicals, diaries, journals, personal papers, and institutional records to illuminate this hitherto underexplored aspect of the LDS church. In addition to uncovering the historical roots of many Mormon institutions still visible today, Sports in Zion is a detailed look at the broader functions of recreation in society.

Heber C. Kimball was Mormonism's most colorful leader and a major force in shaping, sustaining, and spreading the Mormon faith. Only Joseph Smith and Brigham Young wielded as much authority or had as much influence during the first four decades of the Mormon church. This is the first comprehensive and objective biography of Kimball since 1888. Stanley B. Kimball, Heber's great-great-grandson, shows us the man in all of his many dimensions---missionary, pioneer, preacher, politician, farmer, father, and husband.

"Superb! This is a superior biography, based almost entirely on manuscript sources, few of which have been used or even examined by other scholars. It is new, it is fresh, it is fast-moving, it has the ring of truth, there is little editorializing, and it is written with economy, clarity, and balance." -- Leonard J. Arrington, author of Brigham Young: American Moses
     
 

Historic Sites and Markers
  is an indispensable guide for travelers who wish to retrace the various frontier
  routes taken by the Mormons and other pioneers in their treks westward. Traversing
  fifteen states from New York to California, Stanley Kimball presents some of
  America's most famous trails--the Mormon, the Oregon-California, the Santa Fe,
  the Overland, and many others--and describes important points of interest, including
  forts, trail centers, and museums.
"An important contribution
  to the history of the West and perhaps the most comprehensive mile-by-mile guide
  to trail markers and historical sites ever prepared."
  -- Brigham D. Madsen, author of The Shoshoni Frontier and the Bear
  River Massacre
 

The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction.

 

In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtág's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite.

 

Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtág illustrates the wealth of insight that can be gained through studying the creative process.

”We do not understand music—it understands us.” This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.

Scholars from a wide array of disciplines describe and debate postcolonialism as it applies to America in this authoritative and timely collection. Investigating topics such as law and public policy, immigration and tourism, narratives and discourses, race relations, and virtual communities, Postcolonial America clarifies and challenges prevailing conceptualizations of postcolonialism and accepted understandings of American culture.
 
Advancing multiple, even conflicted visions of postcolonial America, this important volume interrogates postcolonial theory and traces the emergence and significance of postcolonial practices and precepts in the United States. Contributors discuss how the unique status of the United States as the colony that became a superpower has shaped its sense of itself. They assess the global networks of inequality that have displaced neocolonial systems of conquest, exploitation, and occupation. They also examine how individuals and groups use music, the Internet, and other media to reconfigure, reinvent, and resist postcoloniality in American culture.
 
Candidly facing the inherent contradictions of "the American experience," this collection demonstrates the patterns, connections, and histories characteristic of postcoloniality in America and initiates important discussions about how these conditions might be changed.
 

In this concise social history of golf in the United States from the 1880s to the present, George B. Kirsch tracks the surprising growth of golf as a popular, mainstream sport, in contrast to the stereotype of golf as a pastime enjoyed only by the rich elite. In addition to classic heroes such as Francis Ouiment, Gene Sarazen, Sam Snead, and Ben Hogan, the annals of golf's early history also include African American players--John Shippen Jr., Ted Rhodes, and Charlie Sifford--as well as both white and black female players such as Mildred "Babe" Didrikson Zaharias, Louise Suggs, Betsy Rawls, Ann Gregory, and former tennis champ Althea Gibson. Golf in America tells the stories of these and many other players from different social classes, ethnic backgrounds, races, and genders.

Examining golf's recent history, Golf in America looks at the impact of television and the rivalry between Arnold Palmer and Jack Nicklaus, both of whom in 1996 were impressed by an upstart named Eldrick "Tiger" Woods. Kirsch also highlights the history of public golf courses in the United States, from Van Cortlandt Park in the Bronx to Boston's Franklin Park, Chicago's Jackson Park, and other municipal and semiprivate courses that have gone relatively unnoticed in the sport's history. Illustrated with nearly two dozen photographs, this book shows that golf in America has always reflected a democratic spirit, evolving into a sport that now rivals baseball for the honor of being acclaimed "America's national pastime."

The boom in trained service animal use and access has transformed the lives of travelers with disabilities. As a result, tens of thousands of people in the United States and Canada enjoy travel options that were difficult or impossible just a few years ago. Henry Kisor and Christine Goodier provide a narrative guidebook full of essential information and salted with personal, hands-on stories of life on the road with service dogs and miniature horses. As the travel-savvy human companions of Trooper (Kisor's miniature schnauzer/poodle cross) and Raylene (Goodier's black Labrador), the authors share experiences from packing for your animal partner to widely varying legal protections to the animal-friendly rides at Disneyland. Chapters cover the specifics of air, rail, road, and cruise ship travel, while appendixes offer checklists, primers on import regulations and corporate policies, advice for emergencies, and a route-by-route guide to finding relief walks during North American train trips. Practical and long overdue, Traveling with Service Animals provides any human-animal partnership with a horizon-to-horizon handbook for exploring the world.

As cultural mediators, Chamelco's market women offer a model of contemporary Q'eqchi' identity grounded in the strength of the Maya historical legacy. Guatemala's Maya communities have faced nearly five hundred years of constant challenges to their culture, from colonial oppression to the instability of violent military dictatorships and the advent of new global technologies. In spite of this history, the people of San Juan Chamelco, Guatemala, have effectively resisted significant changes to their cultural identities. Chamelco residents embrace new technologies, ideas, and resources to strengthen their indigenous identities and maintain Maya practice in the 21st century, a resilience that sets Chamelco apart from other Maya towns.

Unlike the region's other indigenous women, Chamelco's Q'eqchi' market women achieve both prominence and visibility as vendors, dominating social domains from religion to local politics. These women honor their families' legacies through continuation of the inherited, high-status marketing trade. In Maya Market Women, S. Ashley Kistler describes how market women gain social standing as mediators of sometimes conflicting realities, harnessing the forces of global capitalism to revitalize Chamelco's indigenous identity. Working at the intersections of globalization, kinship, gender, and memory, Kistler presents a firsthand look at Maya markets as a domain in which the values of capitalism and indigenous communities meet.

Sally L. Kitch explores the crisis in contemporary Afghan women’s lives by focusing on two remarkable Afghan professional women working on behalf of their Afghan sisters. Kitch's compelling narrative follows the stories of Judge Marzia Basel and Jamila Afghani from 2005 through 2013, providing an oft-ignored perspective on the personal and professional lives of Afghanistan's women. Contending with the complex dynamics of a society both undergoing and resisting change, Basel and Afghani speak candidly--and critically--of matters like international intervention and patriarchal Afghan culture, capturing the ways in which immense possibility alternates and vies with utter hopelessness. Strongly rooted in feminist theory and interdisciplinary historical and geopolitical analysis, Contested Terrain sheds new light on the struggle against the powerful forces that affect Afghan women's education, health, political participation, livelihoods, and quality of life. The book also suggests how a new dialogue might be started--in which women from across geopolitical boundaries might find common cause for change and rewrite their collective stories.

"Real mystery fans will enjoy this survey of nearly 300 female sleuths in 100 years of British and U.S. fiction." -- Feminist Bookstore News
This new edition adds sixty new female private eyes to the roster and includes an afterword that assesses the current state of the genre's new and old novels. A comprehensive bibliography and a character list update the field through mid-1994.

"A highly intelligent analysis." -- Ms.
"Well-researched and well-written. . . . Traces the evolution of sexist boundaries in popular detective fiction from a feminist viewpoint and documents the parallels in social history and the women's rights movement." -- Ronald C. Miller, The Armchair Detective
"Identifies dozens of good novels whose titles are not well known, its promise of good reading extending well beyond its own covers." -- Jane Bakerman, Belles Lettres
 

The experiences of widows and their children during the Progressive Era and the New Deal depended on differences in local economies and values. How did these widely varied experiences impact the origins of the welfare state? 

S. J. Kleinberg delves into the question by comparing widows' lives in three industrial cities with differing economic, ethnic, and racial bases. Government in Fall River, Massachusetts, saw employment as a solution to widows' poverty and as a result drastically limited public charity. In Pittsburgh, widows received sympathetic treatment. Few jobs existed for them or their children; indeed, the jobs for men were concentrated in "widowmaking" industries like steel and railroading. With a large African American population and a diverse economy that relied on inexpensive child and female labor, Baltimore limited funds for public services. African Americans adapted by establishing their own charitable institutions. 

A fascinating comparative study, Widows and Orphans First offers a one-of-a-kind look at social welfare policy for widows and the role of children in society during a pivotal time in American history.

This engaging memoir follows the life and career of circus performer Tiny Kline (1891-1964) from the burlesque house to the circus tent, and on to Disneyland and the silver screen. While working for the Ringling Bros. and Barnum & Bailey Circus, Kline became well known for her signature "slide for life" stunt, an "iron jaw" act in which she slid to the ground while dangling from trapeze rigging by her teeth. Kline renewed her spectacular acrobatics at the age of seventy when she played Tinker Bell in the "Fantasy in the Sky" fireworks show at Disneyland. In that same year, she also began writing her life story.

Extensively annotated by Janet M. Davis, this memoir documents twentieth-century changes in popular amusements, while providing fresh insight into circus personalities such as John Ringling, acrobat Lillian Leitzel, and big cat trainer Mabel Stark, as well as mainstream entertainers like Florenz Ziegfeld, John Philip Sousa, and others. Kline also provides intimate details about the daily machinations at the circus, including fascinating accounts of its sexual politics, racial dynamics, risky nature, and labor relations.

Anthologies, awards, journals, and works in translation have sprung up to reflect science fiction's increasingly international scope. Yet scholars and students alike face a problem. Where does one begin to explore global SF in the absence of an established canon? Lingua Cosmica opens the door to some of the creators in the vanguard of international science fiction. Eleven experts offer innovative English-language scholarship on figures ranging from Cuban pioneer Daína Chaviano to Nigerian filmmaker Olatunde Osunsanmi to the Hugo Award-winning Chinese writer Liu Cixin. These essays invite readers to ponder the themes, formal elements, and unique cultural characteristics within the works of these irreplaceable—if too-little-known—artists. Dale Knickerbocker includes fantasists and genre-benders pushing SF along new evolutionary paths even as they draw on the traditions of their own literary cultures. Includes essays on Daína Chaviano (Cuba), Jacek Dukaj (Poland), Jean-Claude Dunyac (France), Andreas Eschbach (Germany), Angélica Gorodischer (Argentina), Sakyo Komatsu (Japan), Liu Cixin (China), Laurent McAllister (Yves Meynard and Jean-Louis Trudel, Francophone Canada), Olatunde Osunsanmi (Nigeria), Johanna Sinisalo (Finland), and Arkady and Boris Strugatsky (Russia). Contributors: Alexis Brooks de Vita, Pawel Frelik, Yvonne Howell, Yolanda Molina-Gavilán, Vibeke Rützou Petersen, Amy J. Ransom, Hanna-Riikka Roine, Hanna Samola, Mingwei Song, Tatsumi Takayuki, Juan Carlos Toledano Redondo, and Natacha Vas-Deyres.

If size counts for anything, Michael Bay towers over his contemporaries. His summer-defining event films involve extraordinary production costs and churn enormous box office returns. His ability to mastermind breathtaking spectacles of action, mayhem, and special effects continually push the movie industry as much as the medium of film toward new frontiers. Lutz Koepnick engages the bigness of works like Armageddon and the Transformers movies to explore essential questions of contemporary filmmaking and culture. Combining close analysis and theoretical reflection, Koepnick shows how Bay's films, knowingly or not, address profound issues about what it means to live in the late twentieth- and early twenty-first centuries. According to Koepnick's astute readings, no one eager to understand the state of cinema today can ignore Bay's work. Bay's cinema of world-making and transnational reach not only exemplifies interlocking processes of cultural and economic globalization. It urges us to contemplate the future of moving images, of memory, matter, community, and experience, amid a time of rampant political populism and ever-accelerating technological change. An eye-opening look at one of Hollywood's most polarizing directors, Michael Bay illuminates what energizes the films of this cinematic and cultural force.

Reclaiming Klytemnestra explores the surprisingly numerous revisions by late twentieth-century women writers of the famous axe-wielding Greek queen who killed her husband in his bath when he returned from the Trojan War.
By slaying her husband, Klytemnestra exposed the competing ethics of motherhood and matrimony at the beginnings of the Western tradition. In this interdisciplinary study, Kathleen L. Komar first examines the classical archetype of Klytemnestra established by writers such as Aeschylus, Sophocles, and Euripides. Turning to the twentieth century, she investigates the work of modern writers who, since the 1960s, have reconceptualized Klytemnestra’s actions and motivations in the contemporary contexts of dance, fiction, drama, poetry, and the Internet. These revisions include a Martha Graham ballet; a performance piece by multiple authors; a play by Dacia Maraini; novels by Christa Reinig, Nancy Bogen, Christa Wolf, and Marie Cardinal; a short story by Christine Brückner; a poem by Laura Kennelly; a mixed-genre piece by Séverine Auffret; and two Internet presentations.
Eloquent, provocative, and richly detailed, Reclaiming Klytemnestra asks us to reassess the roles women were assigned at the beginnings of Western culture and to reenvision how those roles might be changed in the new millennium.
 

      "If this isn't the best analysis of the professional sports business
        ever written, I'd like to see the book that beats it. . . . Should be
        read by every sports fan or -- for that matter -- social critic."
        --From a five-star review, West Coast Review of Books.
      "Explores its subject so thoroughly and demolishes so many commonly
        held assumptions that after reading it even the most knowledgeable fans
        (and some journalists) should feel like drunks who have suddenly been
        forced to sober up."
        -- Chicago Tribune
      "Required reading for anyone who calls himself a fan."
        -- Chicago Sun-Times
      "An invaluable contribution to sports literature."
        -- Howard Cosell
 

One of the pioneers of gender studies in music, Ellen Koskoff edited the foundational text Women and Music in Cross Cultural Perspective, and her career evolved in tandem with the emergence and development of the field.
 
In this intellectual memoir, Koskoff describes her journey through the maze of social history and scholarship related to her work examining the intersection of music and gender. Koskoff collects new, revised, and hard-to-find published material from mid-1970s through 2010 to trace the evolution of ethnomusicological thinking about women, gender, and music, offering a perspective of how questions emerged and changed in those years, as well as Koskoff's reassessment of the early years and development of the field. Her goal: a personal map of the different paths to understanding she took over the decades, and how each inspired, informed, and clarified her scholarship. For example, Koskoff shows how a preference for face-to-face interactions with living people served her best in her research, and how her now-classic work within Brooklyn's Hasidic community inflamed her feminist consciousness while leading her into ethnomusicological studies.
 
An uncommon merging of retrospective and rumination, A Feminist Ethnomusicology: Writings on Music and Gender offers a witty and disarmingly frank tour through the formative decades of the field and will be of interest to ethnomusicologists, anthropologists, scholars of the history and development of feminist thought, and those engaged in fieldwork.
 
Includes a foreword by Suzanne Cusick framing Koskoff's career and an extensive bibliography provided by the author.

"The past fifteen years have been a time of intense scholarly interest in women, resulting in an explosion of literature that has begun to reveal the overriding effects of gender on other cultural domains. Affecting all aspects of culture, issues of sexuality, gender-related behaviors, and inter-gender relations also have profound implications for music performance. This volume represents an introduction to the field of women, music, and culture and in no way attempts to be comprehensive in its coverage nor conclusive in its implications. For example, Western classical music is not discussed here, many large world areas are not covered, nor does this volume present a comprehensive survey of all recent developments in feminist-oriented anthropology. What these essays do share is a focus on women's culture identity and musical activity, either in socially isolated performance environments or within the public arenas shared by their male counterparts."--From the preface
 

As the first full-length study on Paul Schrader's films, this book examines the different styles of his work and the multiple influences on which it draws. A defining feature of Schrader's career is his capacity to engage in a range of collaborations and production contexts while returning to a consistent set of themes, character types, and dramatic scenarios. Going beyond the affirmation of a directorial vision, Schrader creates a cinema driven by issues of obsession, memory, and the difficult nature of experience. Representative of a new generation of American writer-directors of the 1970s, Schrader's films highlight the tension between old and new ways of telling a story and between the maintenance of commercial formulas and openness to individual expression.
 
George Kouvaros draws on a personal interview conducted with Schrader and the director's prior commentary to trace common motivations and impulses behind such well-known films as Light Sleeper, American Gigolo, Affliction, Auto Focus, Taxi Driver, and Patty Hearst. Kouvaros reads Schrader's films not only in terms of a number of important themes such as male obsession and estrangement, but also in regard to harder to define issues that include melancholia, trauma, and the complex linkages of violence and guilt that bind individuals to places and each other.

This is the collected work of a major, versatile American poet passionately engaged with everything from the Holocaust and the Spanish Civil War to his love for New York City and his wife. The editors argue that his long poem sequence, Denmark Vesey, stands as the most ambitious poem about African American history ever written by a white American. Wicked Times includes previously unpublished poems and the first detailed account of Kramer's life, along with photos and extensive explanatory notes.
 

The Many and the Few recounts the dramatic "inside" story of one of the pivotal strikes in American history. For six weeks in 1937, workers at General Motors' Flint, Michigan, plant refused to budge from their sit-down strike. That action changed the course of industrial and labor history, when General Motors finally agreed to recognize the United Auto Workers as the sole bargaining agent in all GM plants. Through it all, UAW activist Henry Kraus was there.
 

"A woman is more than just her exterior. The lingerie is also important."
 
"The mission of the press is to spread culture while destroying the attention span."
 
"Art serves to rinse out our eyes."
Uniquely combining humor with profundity and venom with compassion, Dicta and Contradicta is a bonanza of scandalous wit from Vienna's answer to Oscar Wilde.
 
From the decadent turn of the century to the Third Reich, the acerbic satirist Karl Kraus was one of the most famous–and feared–intellectuals in Europe. Through the polemical and satirical magazine Die Fackel (The torch), which he founded in 1899, Kraus launched wicked but unrelentingly witty attacks on literary and media corruption, sexual repression and militarism, and the social hypocrisy of fin-de-siècle Vienna.
 
Kraus's barbed aphorisms were an essential part of his running commentary on Viennese culture. These miniature gems, as sharp as diamonds, demonstrate Kraus's highly cultivated wit and his unerring eye for human weakness, flaccidity, and hypocrisy. Kraus shies away from nothing; the salient issues of the day are lined up side by side, as before a firing squad, with such perennial concerns as sexuality, religion, politics, art, war, and literature. By turns antagonistic, pacifistic, realistic, and maddeningly misogynistic, Kraus's aphorisms provide the sting that precedes healing.
 
For Dicta and Contradicta, originally published in 1909 (with the title Spruche und Widerspruche) and revised in 1923, Kraus selected nearly 1,000 of the scathing aphorisms that had appeared in Die Fackel. In this new translation, Jonathan McVity masterfully renders Kraus's multilayered meanings, preserving the clever wordplay of the German in readable colloquial English. He also provides an introductory essay on Kraus's life and milieu and annotations that clarify many of Kraus's literary and sociohistorical allusions.
 

George Szell was the Cleveland Orchestra's towering presence for over a quarter of a century. From the boardroom to the stage, Szell's powerful personality affected every aspect of a musical institution he reshaped in his own perfectionist image. Marcia Hansen Kraus's participation in Cleveland's classical musical scene allowed her an intimate view of Szell and his achievements. As a musician herself, and married to an oboist who worked under Szell, Kraus pulls back the curtain on this storied era through fascinating interviews with orchestra musicians and patrons. Their recollections combine with Kraus's own to paint a portrait of a multifaceted individual who both earned and transcended his tyrannical reputation. If some musicians hated Szell, others loved him or at the least respected his fair-minded toughness. A great many remember playing under his difficult leadership as the high point in their lives. Filled with vivid backstage stories, George Szell's Reign reveals the human side of a great orchestra ”and how one visionary built a premier classical music institution.

      Probing the profitable new science of creating--and altering--life forms
      "Extraordinarily well documented . . . remarkably clear. This is
        the most comprehensive coverage of these issues to date. It will be required
        reading for some time." -- Lawrence Busch, Michigan State University
      "Krimsky and Wrubel not only describe the components of agricultural
        biotechnology, they address and analyze controversies involving the risks
        and benefits of new technologies. Coverage of technical to social components
        of agricultural biotechnology is unusually complete and thorough. Their
        even-handed and comprehensive approach to these topics is rare and extremely
        valuable." -- Richard Weinzierl, University of Illinois
      Modern agriculture is being transformed by the genetic alteration of
        seeds, animals, and microorganisms, a process that has produced such products
        as flavor saver tomatoes and crops resistant to specific insects or herbicides.
      Agricultural Biotechnology and the Environment is the first comprehensive
        overview of the ongoing transformation of agriculture, exploring the impact
        of genetic engineering from scientific, social, ethical, and ecological
        perspectives.
      Sheldon Krimsky and Roger Wrubel detail the impact the new generation
        of products is expected to have on agricultural practice and the environment
        and assess the degree to which current trends in biotechnology match earlier
        expectations. They also analyze the social and political response to innovations
        resulting from genetic technology.
      Closely examined in each of three areas--transgenic plants, genetically
        engineered microorganisms, and transgenic animals--are technical and scientific
        problems, social controversies, and anticipated environmental impacts.
      An objective, detailed look at a subject of interest to a broad spectrum
        of readers, Agricultural Biotechnology and the Environment will
        be of interest to researchers in the new biotechnology fields as well
        as to educated general readers and policymakers.
      A volume in the series The Environment and the Human Condition
 

The Dutch scholar Rob Kroes argues that American culture is "modular,"
continually fragmenting, disassembling, and reassembling itself--and in
the process creating something new. In a series of topical essays that
show why he is one of Europe's leading authorities on American culture,
Kroes probes trends in American advertising, the image of the Vietnam
war in American films, the implications of American vernacular culture as represented in rap music, and other topics.
 

At the dawn of the twenty-first century, all of us consider ourselves to be citizens of something-–but of what? Nation-states? Regions? Ethnic groups? Corporations?
 
An accomplished set of meditations by one of Europe's leading Americanists, Them and Us is a rich comparative study of European and American cultural traditions and their influence on conceptions of community. In contrast with the ethnic and nationalist allegiances that historically have splintered Europe, Rob Kroes identifies a complex of cultural practices that have mitigated against ethnically rooted divisions in the United States. He argues that the American approach–-articulated by a national rhetoric emphasizing openness rather than closure, diversity rather than uniformity--has much to offer a Europe where the nationalist and ethnic conflicts that spawned two world wars continue to sow terror and destruction.
 
Kroes discusses European and American attitudes toward the welfare state, the human rights tradition in the United States, and the role of regionalism in shaping conceptions of national identity. He also considers new, transnational forms of cultural membership that are emerging to take the place of nation-based citizenship. He contends that the frame of reference Europeans now use to make sense of their collective situation draws on ingredients provided by the worldwide dissemination of American mass culture. He investigates the way this emerging world culture, under American auspices, affects the way people in their local and national settings structure their sense of the past and conceive of their citizenship.
 
Imagining a new set of cultural relationships that could serve as the basis for global citizenship, Them and Us is an insightful consideration of the types of solidarity that might weave humankind together into a meaningful community.
 

The 1936 Olympic Games played a key role in the development of both Hitler’s Third Reich and international sporting competition. The Nazi Olympics gathers essays by modern scholars from prominent participating countries and lays out the issues--sporting as well as political--surrounding the involvement of individual nations. 

The volume opens with an analysis of Germany’s preparations for the Games and the attempts by the Nazi regime to allay the international concerns about Hitler’s racist ideals and expansionist ambitions. Essays follow on the United States, Great Britain, and France--top-tier Olympian nations with misgivings about participation--as well as Germany's future Axis partners Italy and Japan. Other contributions examine the issues involved for Finland, Sweden, Norway, Denmark, and the Netherlands. Throughout, the authors reveal the high political stakes surrounding the Games and how the Nazi Olympics distilled critical geopolitical issues of the time into a spectacle of sport.

In Walden Two, behavioral psychologist B. F. Skinner describes one of the most controversial fictional utopias of the twentieth century. During the 1960s and 70s, this novel went on to inspire approximately three dozen actual communities, which are entertainingly examined in Hilke Kuhlmann's Living Walden Two.
 
In the novel, behavioral engineers use positive reinforcement in organizing and "gently guiding" all aspects of society, leaving the rest of the citizens "free" to lead happy and carefree lives. Among the real-world communities, a recurrent problem in moving past the planning stages was the nearly ubiquitous desire among members to be gentle guides, coupled with strong resistance to being guided.
 
In an insightful and often hilarious narrative, Hilke Kuhlmann explores the dynamics of the communities, with an in-depth examination of the two surviving Skinnerian communities: Comunidad Los Horcones in Mexico, and Twin Oaks in Virginia. Drawing on extensive interviews with the founders and key players in the Walden Two communities, Kuhlmann redefines the criteria for their success by focusing on the tension between utopian blueprints for a new society and communal experiments' actual effects on individual lives.
 

Rick Kuhn’s Henryk Grossman and the Recovery of Marxism is the definitive study of the life and work of this renowned economist, activist, and intellectual. As a young man, Grossman joined the socialist movement and participated in Jewish workers' strikes and demonstrations, as well as in boycotts against employers and the Austro-Hungarian state. He moved to Vienna, but was driven back to Poland by the Austrian state's racist citizenship policies. A member of the illegal Polish Communist Party, Grossman was frequently arrested and jailed, finally leaving Poland for a post at the Institute for Social Research in Frankfurt am Main, which gave rise to the famous 'Frankfurt School'. 

Grossman published his best known work in Frankfurt, including studies of Marx's method in Capital and theories of economic crisis that remain influential today. In tracing Grossman's experiences, from Kraków to New York, and offering a detailed account of his ideas, the biography provides an intimate account of key events in twentieth century history, including the politicization of east European Jewry, the World Wars, the rise of Stalinism and Nazism, and the cold war.

Shanti Kumar's Gandhi Meets Primetime examines how cultural imaginations of national identity have been transformed by the rapid growth of satellite and cable television in postcolonial India. To evaluate the growing influence of foreign and domestic satellite and cable channels since 1991, the book considers a wide range of materials including contemporary television programming, historical archives, legal documents, policy statements, academic writings and journalistic accounts.
Kumar argues that India's hybrid national identity is manifested in the discourses found in this variety of empirical sources. He deconstructs representations of Mahatma Gandhi as the Father of the Nation on the state-sponsored network Doordarshan and those found on Rupert Murdoch's STAR TV network. The book closely analyzes print advertisements to trace the changing status of the television set as a cultural commodity in postcolonial India and examines publicity brochures, promotional materials and programming schedules of Indian-language networks to outline the role of vernacular media in the discourse of electronic capitalism. The empirical evidence is illuminated by theoretical analyses that combine diverse approaches such as cultural studies, poststructuralism and postcolonial criticism. 
 

Fusing general interest in mushrooming with serious scholarship, Mushrooms of the Midwest describes and illustrates over five hundred of the region's mushroom species. From the cold conifer bogs of northern Michigan to the steamy oak forests of Missouri, the book offers a broad cross-section of the fungi, edible and not, that can be found growing in the Midwest’s diverse ecosystems.

With hundreds of color illustrations, Mushrooms of the Midwest is ideal for amateur and expert mushroomers alike. Michael Kuo and Andrew Methven provide identification keys and thorough descriptions. The authors discuss the DNA revolution in mycology and its consequences for classification and identification, as well as the need for well-documented contemporary collections of mushrooms.

Unlike most field guides, Mushrooms of the Midwest includes an extensive introduction to the use of a microscope in mushroom identification. In addition, Kuo and Methven give recommendations for scientific mushroom collecting, with special focus on ecological data and guidelines for preserving specimens. Lists of amateur mycological associations and herbaria of the Midwest are also included. A must-have for all mushroom enthusiasts!

      Unique and compelling, this husband-and-wife memoir of the Holocaust
        will move and inform generations. As we lose eyewitnesses to this ultimate
        horror, the Kuperhands present us with an elegantly restrained, yet hard-hitting,
        Kaddish to Polish Jewry.
      Miriam was the daughter of a prosperous furrier; Saul was the son of
        a poor shoemaker. Miriam was sixteen when she and her brother roamed the
        wild countryside of Poland, searching for food and shelter--and for their
        parents. Saul was only a few years older when he watched the smoke rising
        from the crematoria and knew that his parents, sister, and eight brothers
        were gone forever. Miriam lived by hiding; Saul lived by escaping from
        the camp.
      The authors emphasize the essential role that Polish Christians played
        in their survival and stress that wit, courage, faith, luck, and even
        a strong will to live were worthless without their help.
      The travail of their survival is wrenching yet comforting, tragic yet
        upbeat, cinematic yet intimate. Shadows of Treblinka will haunt
        and inspire its readers.