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Technologies of History
Visual Media and the Eccentricity of the Past
Steve F. Anderson
Dartmouth College Press, 2011
Technologies of History is an engrossing and innovative consideration of how history is constructed today, exploring our most basic relationship to history and the diverse contributions of visual and computational media to conceptions of the past. Embracing the varieties of history offered by experimental film, television, video games, and digital media, Steve F. Anderson mines the creative and discursive potential of this profane and esoteric historiography. He offers a highly readable and consistently fascinating discussion of historiography in visual media, with an emphasis on alternate or fantastic histories, including Star Trek time travel episodes, fake documentaries, films created from home movies and found footage, and video games about cultural traumas such as the siege at Waco and the assassination of President John F. Kennedy. Examining artifacts from the most commercial Hollywood product to the modernist avant-garde, this bold and ambitious polemic seeks to address historians, media scholars, and general readers alike, encouraging all to recognize, engage with, and perhaps even learn from these heterodox histories and the powerful sway they hold over our historical consciousness.
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Thomas Hirschhorn
A New Political Understanding of Art?
Christina Braun
Dartmouth College Press, 2018
Thomas Hirschhorn, a leading installation artist whose work is owned and exhibited by modern art museums throughout Europe and the United States, is known for compelling, often site-specific and interactive environments tackling issues of critical theory, global politics, and consumerism. His work initially engages the viewer through sheer superabundance. Combining found images and texts, bound up in handcrafted constructions of cardboard, foil, and packing tape, the artworks reflect the intellectual scavenging and sensory overload that characterize our own attempts to grapple with the excess of information in daily life. Christina Braun, the first to compile and systematically analyze the extensive source material on this artist’s theoretical principles, sheds light on the complicated yet constitutive relations between Hirschhorn’s work and theory. Her study, now translated into English, makes a major contribution to the study of contemporary art.
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Time and the Digital
Connecting Technology, Aesthetics, and a Process Philosophy of Time
Timothy Scott Barker
Dartmouth College Press, 2012
Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker’s Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies.
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Transcendental Resistance
The New Americanists and Emerson's Challenge
Johannes Voelz
Dartmouth College Press, 2010
Johannes Voelz offers a critique of the New Americanists through a stimulating and original reexamination of the iconic figure of Ralph Waldo Emerson. Voelz argues against the prevailing tendency among Americanists to see Emerson as the product of an “all-pervasive scope of cultural power.” Instead he shows Emerson’s philosophy to be a deft response to the requirements of lecturing professionally at the newly built lyceums around the country. Voelz brings to light a fascinating organic relationship between Emerson’s dynamic style of thinking and the uplifting experience demanded by his public. This need for an audience-directed philosophy, the author argues, reveals the function of Emerson’s infamous inconsistencies on such issues as representation, identity, and nation. It also poses a major counter-argument to the New Americanists’ dim view of Emerson’s individualism and his vision of the private man in public. Challenging the fundamental premises of the New Americanists, this study is an important, even pathbreaking guide to the future of American studies.
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Trans/Portraits
Voices from Transgender Communities
Jackson Wright Shultz
Dartmouth College Press, 2015
Although transgender people are increasingly represented in academic studies and popular culture, they rarely have the opportunity to add their own voices to the conversation. In this remarkable book, Jackson Shultz records the stories of more than thirty Americans who identify as transgender. They range in age from fifteen to seventy-two; come from twenty-five different states and a wide array of racial, religious, and socioeconomic backgrounds; and identify across a vast spectrum of genders and sexualities. Giving voice to a diverse group of individuals, the book raises questions about gender, acceptance, and unconditional love. From historical descriptions of activism to personal stories of discrimination, love, and community, these touching accounts of gender transition shed light on the uncharted territories that lie beyond the gender binary. Despite encounters with familial rejection, drug addiction, and medical malpractice, each account is imbued with optimism and humor, providing a thoughtful look at the daily joys and struggles of transgender life. With an introduction and explanations from the author, this work will appeal to transgender individuals, their significant others, friends, family, and allies; health-care providers, educators, and legal professionals; and anyone questioning their own gender, considering transition, or setting out on their own transition journey.
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Trauma and Recovery on War's Border
A Guide for Global Health Workers
Edited by Kathleen Allden and Nancy Murakami
Dartmouth College Press, 2015
An increasing number of students and professionals are choosing to travel the globe to engage with the realities of trauma and human suffering through mental health aid. But in the field of global mental health, good intentions are not enough to ensure good training, development, and care. The risk of harm is real when outsiders deliver mental health aid in culturally inappropriate and otherwise naïve ways. This book, based on the experiences of the co-editors and their colleagues at Burma Border Projects (BBP), a nonprofit organization dedicated to the mental health and psychosocial well-being of the displaced people of Burma, sets out global mental health theory allied with local perspectives, experiences, real-life challenges, strengths, and best practices. Topics include assessment and intervention protocols, vulnerable groups and the special challenges they present, and supervision and evaluation programs. An introduction by the editors establishes the political and health contexts for the volume. Written in a style appropriate for academic audiences and lay readers, this book will serve as a fundamental text for clinicians, interns, volunteers, and researchers who work in regions of the world that have suffered the violence of war, forced displacement, human rights violations, poverty, and oppression.
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Travels in Intermediality
ReBlurring the Boundaries
Edited by Bernd Herzogenrath
Dartmouth College Press, 2012
How do fiction, film, music, the Internet, and plastic, performative, and fine arts negotiate their shapes, formats, and contents in our contemporary world? More important, how does their interaction shape their techniques of representation, strategies of communication, and forms of reception? In the light of these ongoing interactive (and intermedial) processes, the fields of cultural studies and American studies are challenged to restructure and reorganize themselves. Less interested in the mere fact of traditional art forms meeting new media such as film, video, and digital arts, this collection concentrates on the ways in which the fundamental theoretical constructs of the media have forever changed. This book offers the latest in global intermedial studies, including discussions of digital photography, comics and graphic novels, performance art, techno, hypertext, and video games.
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The Trial of Charles I
A Documentary History
Edited by David Lagomarsino and Charles T. Wood
Dartmouth College Press, 1989
On January 6, 1649, the House of Commons passed an act for “the Trying and Judging of Charles Stuart, King of England.” By month’s end, the King’s judges had found him “guilty of High Treason and of the murders, rapines, burnings, spoils, desolations, damage, and mischief to this nation” committed during the recently concluded Civil War. The sentence, ordering his execution “by severing of his head from his body,” was carried out in full public view on January 30. How and why a King--God’s annointed--could be executed for treason are questions that underscore the profound changes that politics and political thought were undergoing at this time. To provide a window into this pivotal period, accounts of the trial and execution taken from contemporary newspapers, pamphlets, and official records, are collected here and edited for modern readers. This compilation of eyewitness accounts has been arranged to sketch a dramatic day-by-day narrative of that fateful month, introducing the important issues in a way that brings readers close to the making of these great events. The speeches at the trial make especially vivid the clash between two contrasting theories of government--that of a divine monarchy in which a king is deemed essential to the true liberty of his people, and that of a commonwealth in which sovereignty rests with the people and is exercised by its representatives.
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