Experience and Value: Essays on John Dewey and Pragmatic Naturalism brings together twelve philosophical essays spanning the career of noted Dewey scholar, S. Morris Eames. The volume includes both critiques and interpretations of important issues in John Dewey’s value theory as well as the application of Eames’s pragmatic naturalism in addressing contemporary problems in social theory, education, and religion.
The collection begins with a discussion of the underlying principles of Dewey’s pragmatic naturalism, including the concepts of nature, experience, and philosophic method. Essays “Experience and Philosophical Method in John Dewey” and “Primary Experience in the Philosophy of John Dewey” develop what Eames believed to be a central theme in Dewey’s thought and provide a theoretical framework for subsequent discussion.
The volume continues with specific applications of this framework in the areas of value theory, moral theory, social philosophy, and the philosophy of religion. Eames’s analysis of value exposes the connection between the immediately felt values of experience and the more sophisticated judgments of value that are the product of reflection. From this basis in moral theory, Eames considers the derivation of judgments of obligation from judgments of fact. This discussion provides a grounding for a consideration of contemporary social issues directed by naturalistic and scientific principles.
In the third section, with regard to educational theory, Eames considers possible resolutions of the current dichotomy between the factual worldview of science and the humanistic worldview of the liberal arts. The comprehensive article, “Dewey’s Views of Truth, Beauty, and Goodness,” connects the essays of the first and second sections and explores the placement of Dewey’s value theory with respect to morals and aesthetics. With “Creativity and Democracy,” in the fourth section, Eames also considers the concept of democracy from the standpoint of current and historical issues faced by society. This article hints at a major project of Eames’s intellectual life—the theory of democracy.
The volume concludes with a discussion of the difficulty of maintaining the values of religious experience in a scientifically and technologically sophisticated world, the very topic that first brought Eames to philosophy—the meaning of religion and the religious life. Suggested solutions are offered in “The Lost Individual and Religious Unity.”
Experience and Value: Essays on John Dewey and Pragmatic Naturalism illuminates Eames’ life of inquiry, a life that included moral, social, aesthetic, and religious dimensions of value—all suffused with the influence of John Dewey.
It is said that America came of age intellectually with the appearance of the pragmatic movement in philosophy. Pragmatic Naturalism presents a selective and interpretative overview of this philosophy as developed in the writings of its intellectual founders and chief exponents—Charles Sanders Peirce, William James, George Herbert Mead, and John Dewey. Mr. Eames groups the leading ideas of these pragmatic naturalists around the general fields of “Nature and Human Life,” “Knowledge,” “Value,” and “Education,” treating the primary concerns and special emphasis of each philosopher to these issues.
Philosophy students, teachers of philosophy, and general readers will find this book a comprehensive overview of American philosophy.
Early in the Civil War, two young brothers boldly flew the Union flag from a tree atop a hill between Makanda and Cobden. This was a towering act of courage in an area teeming with Copperheads.
Theodore and Al Thompson, 18 and 20 years old at the time, raised the flag in defiance of the Knights of the Golden Circle, a secessionist group that operated throughout the Midwest. Controlling its membership through terror, this secret society condemned betrayers to death by torture. The Knights, whose goals included capturing a Union prison and liberating the rebels, triggered the Civil War riot in Charleston, instigated anti-draft movements, and aided Northern deserters.
Theodore Thompson, who later owned much of Makanda, Giant City, and the land that became Southern Illinois University describes the tree as a "tall tulip poplar between 3 and 4 feet in diameter at the trunk and some 60 feet to the first limbs. This noted tree could be seen in some directions 15 or 20 miles away."
In 1849, while traveling as an attorney on the Eighth Judicial Circuit in Illinois, Abraham Lincoln befriended Leonard Swett (1825–89), a fellow attorney sixteen years his junior. Despite this age difference, the two men built an enduring friendship that continued until Lincoln’s assassination in 1865. Until now, no historian has explored Swett’s life or his remarkable relationship with the sixteenth president. In this welcome volume, Robert S. Eckley provides the first biography of Swett, crafting an intimate portrait of his experiences as a loyal member of Lincoln’s inner circle.
Eckley chronicles Swett’s early life and the part he played in Lincoln’s political campaigns, including his role as an essential member of the team behind Lincoln’s two nominations and elections for the presidency. Swett counseled Lincoln during the formation of his cabinet and served as an unofficial advisor and sounding board during Lincoln’s time in office. Throughout his life, Swett wrote a great deal on Lincoln, and planned to write a biography about him, but Swett’s death preempted the project. His eloquent and interesting writings about Lincoln are described and reproduced in this volume, some for the first time.
With Lincoln’s Forgotten Friend, Eckley removes Swett from the shadows of history and sheds new light on Lincoln’s personal relationships and their valuable contributions to his career.
Superior Achievement from the Illinois State Historical Society, 2013
Responding to a growing pedagogical paralysis in debates over the nature and status of composition studies as an academic discipline, Lisa Ede offers a provocative inquiry into the politics of composition’s place in the academy. The result is a timely and engaging reflection on the rhetoric, ideology, and ethics of scholarship and instruction in composition studies today.
Situating Composition: Composition Studies and the Politics of Location delves into some of the most vexing issues presently facing the field: its status in relation to English studies, the nature and consequences of the writing process movement, the uneven professionalization of composition teachers, and the widening chasm between theory and practice. Ede interrogates key moments and texts in composition’s evolution, from the writing process movement to Susan Miller’s Textual Carnivals, through the interpretive lenses of historical analysis, theoretical critique, feminist and cultural theory, and Ede’s own two decades of experiences as a teacher and writing program administrator.
Questioning the narratives of progress and paradigm shifts that inform the field’s highly regarded recent theoretical studies, Ede urges scholars to carefully reconsider these claims, to honor the roles of teachers and students as more than dupes of ideology, and to more fully acknowledge—and utilize—the differences between the practice of theory and the practice of teaching. As academic hierarchies of knowledge increasingly privilege scholarship over instruction, Ede warns researchers to be cognizant of the politics and power inherent in their own location in the academy, particularly when professing to speak for teachers and students. To that end, the volume’s conclusion advocates pragmatic avenues for change and proffers topics for future discussion and debate.
"Why write together?" the authors ask. They answer that question here, in the first book to combine theoretical and historical explorations with actual research on collaborative and group writing.
Lisa Ede and Andrea Lunsford challenge the assumption that writing is a solitary act. That challenge is grounded in their own personal experience as long-term collaborators and in their extensive research, including a three-stage study of collaborative writing supported by the Fund for the Improvement of Post-Secondary Education.
The authors urge a fundamental change in our institutions to accommodate collaboration by radically resituating power in the classroom and by instituting rewards for collaborative work that equal rewards for single-authored work. They conclude with the injunction: "Today and in the twenty-first century, our data suggest, writers must be able to work together. They must, in short, be able to collaborate."
Concerned as much with acting as it is with makeup, this work illuminates every actor’s quest for character—starting with a search for clues concealed in the script. Yet few actors fully understand the bond between a character’s psyche and physical appearance, and makeup classes seldom give the subject the attention it deserves.
Jenny Egan draws on her extensive experience to provide detailed instructions supported by clear illustrations for sculpting the face with paint, putty, and prostheses. She enlivens her instruction with personal anecdotes from her work on Broadway, television, and films with notables George C. Scott, Rip Torn, Maureen Stapleton, and Joseph Papp.
To a generation of fans, Willie Mays was the greatest ballplayer they had ever seen. The prowess and speed of the Say Hey Kid were unmatched on the diamond before his time, prompting Joe DiMaggio to label him, “the closest you can come to perfection.” He was the first player to hit fifty home runs and steal twenty bases in a single season. Mays played for the New York Giants (1951–1957), San Francisco Giants (1958–1972), and New York Mets (1972–1973), and in his glory days with the Giants he not only set the major league mark for consecutive seasons by appearing in 150 games or more but by winning his two MVP awards a record twelve seasons apart. When Mays retired, he ranked third in career home runs (behind Aaron and Ruth), a record of 660 soon to be surpassed by Mays’s godson, Barry Bonds.
This twenty-fifth anniversary edition of the only ballplayer biography ever named a finalist for the Pulitzer Prize, Willie’s Time: Baseball’s Golden Age, restores to print Charles Einstein’s vivid biography of one of the game’s foremost legends. With a new preface from the author, this volume replays the most dramatic moments of the Say Hey Kid’s career—from the 1951 Miracle Giants to the Amazing Mets of 1973—and takes us inside the lives of Ruth, DiMaggio, Aaron, Durocher, and others along the way. Einstein offers a compelling and complete look at Mays: as a youth in racist Birmingham, a triumphant symbol of African American success, a sports hero lionized by fans, and yet all the while, still a very human figure destined to play for two decades amid baseball’s Golden Age.
A chronicle of war infused with uncommon cheer, Dog Tags Yapping: The World War II Letters of a Combat GI is a young man’s education in life and death and a narrative of war told completely in letters.
During World War II, thousands of high school graduates were drafted into the army to be trained in colleges as engineers or other technicians but instead were assigned to fighting units and joined the great assault in Europe after D-Day. One of those reprogrammed combat infantrymen was Morton Elevitch from Duluth, Minnesota. Elevitch’s cartoons, drawings, and extremely unconventional letters home—rescued from box-in-the-basement oblivion after a more than fifty-year dormancy—recover the story of one rerouted GI in a voice that is compelling and new. Embellished with a boyish flair, the quirky and playful documents collected here impart a distinctly personal and uncalculated record of war, family, and coming of age. “It’s much easier to wield a melancholy pen than to sit down and cry,” Elevitch declares to his father.
Sparkling with a patina of wit and the bittersweet allure of lost innocence, the words and letters of “Privitch Elevate” offer the immediacy of the events as they unfolded. With the ease and expertise expected of a more seasoned storyteller, the young Elevitch escorts readers through his basic training and departure for Europe, duty in Brittany with the 94th Division and departure for Germany, combat under Patton’s command, wounding by mortar fragments, convalescence in England, and his return to France with the Signal Corps to guard prisoners and await demobilization. But along with these letters are the stories of his relationships with his parents, his brother, the men of his company and even the prisoners of war. The author’s perspectives on the war radically change. Both comic and tragic in its treatment of war’s chaos and tedium, this sensitive personal history covers experiences from the adjustment to military life and the temptations of flesh to the pain of wounds and recovery and the exposure to foreign countries and cultures.
Presaging his career as a novelist and editor, Elevitch’s words and drawings sketch an audacious and highly imaginative portrait of a young man during an exceptional time in world history. Evocative of life lived and nearly lost, his jarring accounts of combat reveal a soldier who was wounded not only in body but also in soul, in a war that changed him forever—just as it changed everyone it touched. Reproduced here as they were originally written, alongside a gallery of photos and hand-drawn battle maps, Elevitch’s cartoons and letters were initially intended for only three persons. But with their unique historical value and affecting exploration of the human spirit, they resurface in Dog Tags Yapping and result in an exhilarating ride for all readers through his “wild bivouac of the mind.”
More than any other person, Jack C. Ellis notes, John Grierson, a Scot, was responsible for the documentary film as it has developed in English-speaking countries.
While in the United States in the 1920s, Grierson first applied the term documentary to Robert Flaherty's Moana. In 1927, Grierson returned to Britain, where he was hired to promote the marketing of products of the British Empire. The first practical application of Grierson’s theory of documentary film was Drifters, a 1929 short feature about herring fishing in the North Sea. That success led Grierson to establish the Empire Marketing Board Film Unit (later the General Post Office Film Unit).
In 1939, Grierson moved to Canada, leaving behind a legacy of some sixty British filmmakers who spread his ideas and techniques to other countries. In Canada, he progressed beyond national concerns to global problems. The National Film Board of Canada stands as the largest and most impressive monument to Grierson's concepts and actions in regard to the use of film by governments in communicating with citizens.
Ellis examines Grierson's accomplishments in detail, probing the complexities of Grierson's motivations and personality. His subject, a true titan in the world of documentary film, was the first filmmaker to use public and private institutional sponsorship—not the box office—to pay for his films. He also employed nontraditional distribution techniques, going outside the movie theaters to reach audiences in schools and factories, union halls, and church basements. Essentially, Grierson created documentary film and established an audience for it.
Seventeen essays by Mary Hunter Austin (1868–1934), author of the western classic The Land of Little Rain (1903), demonstrate her wide-ranging interests and equally varied writing styles.
Although she was born in Carlinville, Illinois, and graduated from Blackburn College, Mary Austin spent most of her writing career in California, New York, and finally Sante Fe, New Mexico. A well-known, popular, and prolific writer, Austin published thirty-three books and three plays and was closely associated with many important literary figures of her time, including H. G. Wells, George Bernard Shaw, Mabel Dodge Luhan, Jack London, and Willa Cather. Still best known today for her nature writing and southwestern cultural studies, Austin has been increasingly recognized for her work on feminist themes, including the play The Arrow Maker, the nonfiction The Young Woman Citizen, and the novels A Woman of Genius and No. 26 Jayne Street. What has been perhaps an overemphasis on Austin’s nature writing has, since her death, eclipsed the fact that Austin was known during her lifetime as a colorful, eccentric, and controversial person whose direct and outspoken opinions engaged a wide variety of topics.
Beyond Borders demonstrates that variety. In addition to her monographs, Austin also published her short fiction and essays in periodicals. In fact, like many a writer earning a living from her work, Austin wrote prolifically for the magazine market, producing during her career over two hundred individual pieces published in over sixty periodicals. Although a collection of her short fiction appeared in 1987, Austin’s nonfiction periodical work has remained uncollected until now.
In support of Austin’s essays, Reuben J. Ellis provides an introduction that establishes a biographical and historical context for Austin’s work. In addition, each Austin essay is prefaced by brief introductory remarks by the editor. A selected bibliography of Austin’s essays is also included.
Wheat Flour Messiah follows the career of Eric Jansson from his boyhood on a farm near Biskopskulla (Bishop’s Hill) in Sweden until his murder in Illinois by a crazed follower in 1850. He was an untutored but brilliant charismatic leader, who by sheer insolence and self-confidence defied both the Swedish state church and the secular government and persuaded some twelve hundred of his wheat flour customers to throw in their lot with him. The essence of his teaching was that anyone who so desired could receive the grace of God in such rich measure that he would instantly be freed of sin and live in angelic innocence from then on. This doctrine was an imperfectly understood version of Methodist perfectionism, held without Wesleyan safeguards, and it doomed his followers to civil war against the Lutheran church.
Jansson went north to Hälsingland in Sweden to sell wheat flour, but his deeper intention was to hold large religious services in the farmyards of followers. On three occasions he and his followers burned all the allegedly heretical books written by such men as Luther, Nohrborg, and Arndt, singing hymns while the flames "destroyed the works of the Devil." Jansson was jailed six times, and six times he was freed. After his last trial, as he was being escorted to jail, he escaped and later arranged passage to America. His disciples followed him in a series of Atlantic crossings during 1847–49 and settled the utopian colony of Bishop Hill, 150 miles west of Chicago. They built impressive buildings, plowed the virgin prairie, and began some successful industry making wagons and weaving rugs.
Two fateful events spelled the doom of this utopian dream. The first, the cholera epidemic of 1849,killed over two hundred of the colonists. The other was the arrival of John Root, who subsequently married Jansson’s cousin, Charlotte, and who, after a series of altercations with Jansson over Charlotte, shot him to death in Cambridge, Illinois. The colony did not long survive without its Prophet, and ten years later the utopian dream ended. Today Bishop Hill remains little changed from a century ago—a colorful memory of American beginnings, a vivid reminder of its fascinating past.
Dr. Elmen’s book tells for the first time the life story of a folk hero, Eric Jansson. The Bishop Hill Colony was clearly the lengthened shadow of this extraordinary man. Students of utopian colonies, teachers and students of American history and religious movements will find here a definitive account of this piece of the American past. Any reader interested in the American Dream will enjoy this account of a vanished people who thought they could find somewhere on earth a great, good place, and who had to learn after much suffering that one cannot express in waking reality the character of man in his dreams.
WINNER, Russell P. Strange Memorial Book of the Year Award from the Illinois State Historical Society, 2013!
University Press Books for Public and Secondary Schools, 2013 edition
Although he was Abraham and Mary Lincoln’s oldest and last surviving son, the details of Robert T. Lincoln’s life are misunderstood by some and unknown to many others. Nearly half a century after the last biography about Abraham Lincoln’s son was published, historian and author Jason Emerson illuminates the life of this remarkable man and his achievements in Giant in the Shadows: The Life of Robert T. Lincoln. Emerson, after nearly ten years of research, draws upon previously unavailable materials to offer the first truly definitive biography of the famous lawyer, businessman, and statesman who, much more than merely the son of America’s most famous president, made his own indelible mark on one of the most progressive and dynamic eras in United States history.
Born in a boardinghouse but passing his last days at ease on a lavish country estate, Robert Lincoln played many roles during his lifetime. As a president’s son, a Union soldier, an ambassador to Great Britain, and a U.S. secretary of war, Lincoln was indisputably a titan of his age. Much like his father, he became one of the nation’s most respected and influential men, building a successful law practice in the city of Chicago, serving shrewdly as president of the Pullman Car Company, and at one time even being considered as a candidate for the U.S. presidency.
Along the way he bore witness to some of the most dramatic moments in America’s history, including Robert E. Lee’s surrender at Appomattox Courthouse; the advent of the railroad, telephone, electrical, and automobile industries; the circumstances surrounding the assassinations of three presidents of the United States; and the momentous presidential election of 1912. Giant in the Shadows also reveals Robert T. Lincoln’s complex relationships with his famous parents and includes previously unpublished insights into their personalities. Emerson reveals new details about Robert’s role as his father’s confidant during the brutal years of the Civil War and his reaction to his father’s murder; his prosecution of the thieves who attempted to steal his father’s body in 1876 and the extraordinary measures he took to ensure it would never happen again; as well as details about the painful decision to have his mother committed to a mental facility. In addition Emerson explores the relationship between Robert and his children, and exposes the actual story of his stewardship of the Lincoln legacy—including what he and his wife really destroyed and what was preserved. Emerson also delves into the true reason Robert is not buried in the Lincoln tomb in Springfield but instead was interred at Arlington National Cemetery.
Meticulously researched, full of never-before-seen photographs and new insight into historical events, Giant in the Shadows is the missing chapter of the Lincoln family story. Emerson’s riveting work is more than simply a biography; it is a tale of American achievement in the Gilded Age and the endurance of the Lincoln legacy.
The book that inspired the popular Concise Lincoln Library series
In April 1831, on a flatboat grounded on the Rutledge milldam below the town of New Salem, Abraham Lincoln worked to pry the boat loose, directed the crew, and ran into the village to borrow an auger to bore a hole in the end hanging over the dam, causing the water to drain and the boat to float free. Seventeen years later, while traveling home from a round of political speeches, Lincoln witnessed another similar occurrence. For the rest of his journey, he considered how to construct a device to free stranded boats from shallow waters.
In this first thorough examination of Abraham Lincoln’s mechanical mind, Jason Emerson brings forth the complete story of Lincoln’s invention and patent as more than mere historical footnote. Emerson shows how, when, where, and why Lincoln developed his invention; how his penchant for inventions and innovation was part of his larger political belief in internal improvements and free labor principles; how his interest in the topic led him to try his hand at scholarly lecturing; and how Lincoln, as president, encouraged and even contributed to the creation of new weapons for the Union during the Civil War.
Lincoln the Inventor delves into the ramifications of Lincoln’s intellectual curiosity and inventiveness, both as a civilian and as president, and considers how they allow a fresh insight into his overall character and contributed in no small way to his greatness. By understanding Lincoln the inventor, we better understand Lincoln the man.
In Lincoln the Inventor, Jason Emerson offers the first treatment of Abraham Lincoln’s invention of a device to buoy vessels over shoals and its subsequent patent as more than mere historical footnote.
In this book, Emerson shows how, when, where, and why Lincoln created his invention; how his penchant for inventions and inventiveness was part of his larger political belief in internal improvements and free labor principles; how his interest in the topic led him to try his hand at scholarly lecturing; and how Lincoln, as president, encouraged and even contributed to the creation of new weapons for the Union during the Civil War.
During his extensive research, Emerson also uncovered previously unknown correspondence between Lincoln’s son, Robert, and his presidential secretary, John Nicolay, which revealed the existence of a previously unknown draft of Abraham Lincoln’s lecture “Discoveries and Inventions.” Emerson not only examines the creation, delivery, and legacy of this lecture, but also reveals for the first time how Robert Lincoln owned this unknown version, how he lost and later tried to find it, the indifference with which Robert and Nicolay both held the lecture, and their decision to give it as little attention as possible when publishing President Lincoln’s collected works.
The story of Lincoln’s invention extends beyond a boat journey, the whittling of some wood, and a trip to the Patent Office; the invention had ramifications for Lincoln’s life from the day his flatboat got stuck in 1831 until the day he died in 1865. Besides giving a complete examination of this important—and little known—aspect of Lincoln’s life, Lincoln the Inventor delves into the ramifications of Lincoln’s intellectual curiosity and inventiveness, both as a civilian and as president, and considers how it allows a fresh insight into his overall character and contributed in no small way to his greatness. Lincoln the Inventor is a fresh contribution to the field of Lincoln studies about a topic long neglected. By understanding Lincoln the inventor, we better understand Lincoln the man.WINNER, Russell P. Strange Memorial Book of the Year Award from the Illinois State Historical Society, 2007!
University Press Books for Public and Secondary Schools 2013 edition
In 2005, historian Jason Emerson discovered a steamer trunk formerly owned by Robert Todd Lincoln's lawyer and stowed in an attic for forty years. The trunk contained a rare find: twenty-five letters pertaining to Mary Todd Lincoln's life and insanity case, letters assumed long destroyed by the Lincoln family. Mary wrote twenty of the letters herself, more than half from the insane asylum to which her son Robert had her committed, and many in the months and years after.
The Madness of Mary Lincoln is the first examination of Mary Lincoln’s mental illness based on the lost letters, and the first new interpretation of the insanity case in twenty years. This compelling story of the purported insanity of one of America’s most tragic first ladies provides new and previously unpublished materials, including the psychiatric diagnosis of Mary’s mental illness and her lost will.
Emerson charts Mary Lincoln’s mental illness throughout her life and describes how a predisposition to psychiatric illness and a life of mental and emotional trauma led to her commitment to the asylum. The first to state unequivocally that Mary Lincoln suffered from bipolar disorder, Emerson offers a psychiatric perspective on the insanity case based on consultations with psychiatrist experts.
This book reveals Abraham Lincoln’s understanding of his wife’s mental illness and the degree to which he helped keep her stable. It also traces Mary’s life after her husband’s assassination, including her severe depression and physical ailments, the harsh public criticism she endured, the Old Clothes Scandal, and the death of her son Tad.
The Madness of Mary Lincoln is the story not only of Mary, but also of Robert. It details how he dealt with his mother’s increasing irrationality and why it embarrassed his Victorian sensibilities; it explains the reasons he had his mother committed, his response to her suicide attempt, and her plot to murder him. It also shows why and how he ultimately agreed to her release from the asylum eight months early, and what their relationship was like until Mary’s death.
This historical page-turner provides readers for the first time with the lost letters that historians had been in search of for eighty years.
Refiguring Rhetorical Education: Women Teaching African American, Native American, and Chicano/a Students, 1865-1911 examines the work of five female teachers who challenged gendered and cultural expectations to create teaching practices that met the civic and cultural needs of their students.
The volume analyzes Lydia Maria Child’s The Freedmen’s Book, a post–Civil War educational textbook for newly freed slaves; Zitkala Ša’s autobiographical essays published in the Atlantic Monthly in 1900 that questioned the work of off-reservation boarding schools for Native American students; and Jovita Idar, Marta Peña, and Leonor Villegas de Magnón’s contributions to the Spanish-language newspaper La Crónica in 1910 and 1911—contributions that offered language and cultural instruction their readers could not receive in Texas public schools.
Author Jessica Enoch explores the possibilities and limitations of rhetorical education by focusing on the challenges that Child, Zitkala Ša, Idar, Peña, and Villegas made to dominant educational practices. Each of these teachers transformed their seemingly apolitical occupation into a site of resistance, revising debilitating educational methods to advance culture-based and politicized teachings that empowered their students to rise above their subjugated positions.
Refiguring Rhetorical Education considers how race, culture, power, and language are both implicit and explicit in discussions of rhetorical education for marginalized students and includes six major tenets to guide present-day pedagogies for civic engagement.
Combining anecdotal evidence (the personal stories of rhetoric and composition teachers) with hard data, Theresa Enos offers documentation for what many have long suspected to be true: lower-division writing courses in colleges and universities are staffed primarily by women who receive minimal pay, little prestige, and lessened job security in comparison to their male counterparts. Male writing faculty, however, also are affected by factors such as low salaries because of the undervaluation of a field considered feminized. As Enos notes in her preface: "The rhetoric of our institutional lives is connected especially to the negotiations of gender roles in rhetoric and composition."
Enos describes and classifies narratives gathered from surveys, interviews, and campus visits and interweaves these narratives with statistical data gathered from national surveys that show gendered experiences in the profession. Enos discusses the ways in which these experiences affect the working conditions of writing teachers and administrators in various programs at different types of institutions.
Enos points out that fields in which women excel—and are acknowledged—receive less prestige than other fields. On the university level, those genres in which women have demonstrated competence are not taken as seriously as those dominated by men. In practical terms, academia affords more glory for teaching literature than for teaching rhetoric and composition.
Within the field of rhetoric and composition, however, Enos finds it difficult to determine why the accomplishments of women receive less credit than those of men. She speculates as to whether it is part of the larger pattern in society—and in academia—to value men more than women or something in the field itself that keeps women from real power, even though women make up the majority of composition and rhetoric teachers.
Enos provides fascinating personal histories of composition and rhetoric teachers whose work has been largely disregarded. She also provides information about writing programs, teaching, administrative responsibilities, ranks among teachers, ages, salary, tenure status, distribution of research, service responsibilities, records of publication, and promotion and tenure guidelines.
This third edition of Jon Ericson’s Notes and Comments on Robert’s Rules updates all references and page numbers to the tenth edition of Robert’s Rules of Order Newly Revised, published in 2000. Ericson’s guide to the authoritative parliamentary resource clarifies many of the concepts and rules that intimidate or confuse the members of organizations who use it, stressing that they have a choice in—and may, in fact, modify—the rules by which they are bound.
Ericson begins with the Order of Precedence, which he defines as the key concept in understanding and utilizing parliamentary procedure. He then uses a question-and-answer format in which a logical progression of essential parliamentary questions is explicitly answered, with a rationale for each rule. Throughout, he provides specific page references to Robert’s Rules. Through these three elements, he makes classic doctrine intelligible and workable, leading the reader step-by-step through the rules and their applications and, in the process, encouraging people to feel more positive about parliamentary procedure and their ability to use it.
“Far too many members, armed—or more accurately disarmed—with a misconception of parliamentary procedure, choose to spend a lifetime wondering what is going on and lamenting or blaming others when things fail to go their way,” writes Ericson in the Introduction. “Understanding parliamentary procedure also allows a person to have more fun—not just the fun of socializing outside the business meeting—but the fun of performing in the public arena.”
A popular, concise, and clear handbook, Notes and Comments on Robert’s Rules emphasizes the simple machinery of the system, relates its concepts to the procedures most commonly used in meetings and conventions, and encourages members to obtain and study, rather than shy away from Robert’s Rules of Order Newly Revised. This new edition also expands the number of question-and-answer sections and surveys the research in and commentary on the field since 1991. A laminated, removable card featuring simplified charts of parliamentary motions serves as an additional resource and is included with the volume.
Thousands of debaters at all levels have relied on this practical guide for reference and instruction in argumentation and communication since it was first published in 1961. Now in a third, fully revised edition featuring restructured chapters, updated examples, and the addition of parliamentary debate as a form, The Debater’s Guide continues to be the leading handbook for helping both novice and advanced students develop the skills necessary to successfully apply the basic principles of debate.
Cutting through theory with clear explanations and specific applications, this compact volume with a broad scope offers students and teachers no-frills assistance in resolving the major problem faced by debaters: the need to present arguments forcefully and cogently while reacting effectively to criticism. Readers are advised on matters from budgeting time in a debate to speaking in outline form through a well-organized series of explanations, specific examples, and graphic presentations related to both policy and value issues.
Beginning with a clear explication of basic principles, The Debater’s Guide presents chronologically the steps of building a debate case, reviews the strategy of planning for refutation and defense, and offers sound advice on presenting the case in oral discourse. Expanded contents pages and effective use of subheadings allow for quick reference to any particular aspect of debate, making it an excellent classroom text as well as a valuable, hands-on tool during actual debates. A glossary of key terms used in debate complements the volume.
This volume explores Abraham Lincoln’s ties to the American West, bringing together a variety of scholars and experts who offer a look at the sixteenth president’s legacy in the territory beyond the Mississippi River. Included in this collection are an examination of Lincoln’s opposition to the Mexican War; a discussion of antislavery politics as applied to the West; perspectives on Lincoln’s views on the Thirteenth Amendment and his reluctance to admit Nevada to the Union; a look at the impact of the Radical Republicans on Lincoln’s patronage and appointments; and discussion of Lincoln’s favorable treatment of New Mexico and Arizona in an effort to garner their loyalty to the Union. Also analyzed is “The Tribe of Abraham”—Lincoln’s less-than-competent appointments in Washington Territory—and the ways in which Lincoln’s political friends in the Western Territories influenced his western policies. Other essays look at Lincoln’s dealings with the Mormons of Utah, who supported the president in exchange for his tolerance, and Native Americans, whose relations with the government suffered as the president’s attention was consumed by the Civil War. Loaded with a wealth of information, Lincoln Looks West explores yet another dimension to this dynamic leader and to the history of the American West.
This study by Phillip Eubanks challenges traditional accounts of metaphor and significantly expands theories of "conceptual" metaphor by examining Trade Is War metaphor as it occurs in concrete discourse.
Although scholarly interest in metaphor as an aesthetic, linguistic, and cognitive phenomenon has long endured, Eubanks is among the first to consider metaphor in its sociohistorical role. Questioning major accounts of metaphor from Aristotle to the present, Eubanks argues that metaphor is not just influenced by but actually is constituted by its concrete operation.
Far-reaching in its implications for our understanding of metaphor, Eubanks’s premise enables us to see metaphor as a sweeping rhetorical entity even as it accounts for the more localized operations of metaphor of interest to linguists, philosophers of language, and cognitive scientists. Providing a new model of metaphoric functioning, Eubanks reconsiders the most promising account of metaphor to date, the notion of "conceptual metaphor.”
Eubanks focuses on the conceptual metaphor Trade Is War—a metaphor found wherever people discuss business and commerce—to develop his rhetorical model of metaphor. He analyzes Trade Is War as it occurs in the print news media, on television discussion shows, in academic works, in popular nonfiction and novels, in historic economic commentary, and in focus group talk. While these examples do reveal a rich variety in the make-up of Trade Is War, much more than mere variety is at stake.
Trade Is War is implicated in an extended and rhetorically complex conversation with other metaphors and literal concepts: trade is peace, Trade Is a Game, Trade Is Friendship, Trade is a Journey, and Markets Are Containers. The recognition and analysis of this constituting conversation furthers a reevaluation theory. What also emerges, however, is a valuable portrait of the discourse of trade itself, a discourse that depends importantly upon a responsive interchange of metaphors.
First published in 1932, this was the first thoroughly researched biography of Mary Lincoln ever written, and it remains the most balanced and complete work on this controversial First Lady. Author W. A. Evans challenges the disparaging views of Mary Lincoln that were generally accepted at the time, offering a comprehensive and informed look at a woman whose physical and mental health problems have often been misconstrued or overlooked by other biographers. Evans conducted extensive research, interviewing Mrs. Lincoln’s family members, seeking advice and assistance from numerous Lincoln scholars and historians, scouring thousands of pages of contemporary newspapers and primary resources, reviewing correspondence Mary wrote during her stay at Bellevue Place sanitarium, and consulting with several medical experts. The result of all this research is an objective and detailed portrait of Mrs. Lincoln and her influence on her husband that still has a great deal of historical value for readers today.
A new foreword by Jason Emerson, author of The Madness of Mary Lincoln, provides biographical information on Evans and background on the origins of the book and its reception and influence. Finally back in print, this classic biography is essential reading for all with an interest in the Lincoln family.
Eynat-Confino goes beyond the usual consideration of Craig’s purported theories of the actor, scenery, and the scene painter to get at the heart of Craig’s idea of theater.
She draws not only on the research of contemporary Craig scholars but on material hitherto unavailable—his writings and daybooks and the writings of friends. She ties Craig’s encounter with Isadora Duncan to a decisive modification in his notion of movement. To have an instrument more controllable than the actor, he invented the über-marionette, a giant puppet. Craig also invented the “Scene,” a kinetic stage, the “screens” that brought him worldwide fame were simply an adaptation of this concept.
Eynat-Confino argues that a scenario Craig wrote in 1905, here published for the first time, reveals a theosophical system like that of Blake, a system that was the main force motivating Craig’s artistic quest. In her final chapter, she carefully examines the psychological, aesthetic, and circumstantial factors that kept Craig from completing his work to bring “friendliness—humor—love—ease—peace” to the world.
Winner, 2018 MLA Aldo and Jeanne Scaglione Prize for a Translation of a Scholarly Study of Literature
It is increasingly well documented that western rhetoric’s journey from pagan Athens to the medieval academies of Christian Europe was significantly influenced by the intellectual thought of the Muslim Near East. Lahcen Elyazghi Ezzaher contributes to the contemporary chronicling of this influence in Three Arabic Treatises on Aristotle’s Rhetoric: The Commentaries of al-Farabi, Avicenna, and Averroes, offering English translations of three landmark medieval Arabic commentaries on Aristotle's famous rhetorical treatise together in one volume for the first time. Elegant and practical, Elyazghi Ezzaher’s translations give English-speaking scholars and students of rhetoric access to key medieval Arabic rhetorical texts while elucidating the unique and important contribution of those texts to the revival of European interest in the rhetoric and logic of Aristotle, which in turn influenced the rise of universities and the shaping of Western intellectual life.
With a focus on Book I of Aristotle’s Rhetoric, the commentaries ofal-Farabi, Avicenna, and Averroes translated by Elyazghi Ezzaher are paramount examples of an extensive Arabic-Muslim tradition of textual commentary while also serving as rich corollaries to the medieval Greek and Latin rhetorical commentaries produced in Europe. Elyazghi Ezzaher’s translations are each accompanied by insightful scholarly introductions and notes that contextualize—both historically and culturally—these immensely significant works while highlighting a comparative, multidisciplinary approach to rhetorical scholarship that offers new perspectives on one of the field’s foundational texts.
A remarkable addition to rhetorical studies, Three Arabic Treatises on Aristotle’s Rhetoric: The Commentaries of al-Farabi, Avicenna, and Averroes not only provides vibrant English translations of essential medieval Arabic rhetorical texts but also challenges scholars and students of rhetoric to consider their own historical, cultural, and linguistic relationships to the texts and objects they study.
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