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Wings Over Illinois
Gene Abney
Southern Illinois University Press, 2007
Wings over Illinois recounts World War II veteran Arthur Abney’s illustrious aviation career, effectively documenting a span in our own nation’s history from the vantage of the skies. Abney describes a lifetime of experience, from his time as an eager young pilot with the Flying Egyptians to his tour of service during World War II, his years with the Illinois Department of Aeronautics, American Airlines, and the Southern Illinois University Aviation Management and Flight program.
Abney introduces readers to hangar flying—exciting end-of-day flight tales told in the hangar—with sixty stories provided by military and civilian airmen from across the country. Included are such accounts as a 1943 bombing squadron assignment over Saipan in a typhoon, an engine freeze on takeoff during a solo training flight, a white-knuckle Bermuda Triangle flight, and a power failure on a homebuilt aircraft. Complementing Abney’s own experiences, these stories offer insights into the split-second decision making necessary to resolve problems in the air.
In this fascinating autobiography Abney takes readers on a journey through nearly seven decades of a life in aviation.
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The Flesh Between Us
Tory Adkisson
Southern Illinois University Press, 2021
Eroticism cut from classical mythology, ritual, and intimacy
 
In The Flesh Between Us the speaker explores our connections to each other, whether they be lovely or painful, static or constantly shifting, or, above all, unavoidable and necessary. Intensely and unapologetically homoerotic in content and theme, The Flesh Between Us sensuously conducts the meetings between strangers, between lovers, between friends and family, between eater and eaten, between the soul and the body that contains it. Pushing the boundaries of what has been traditionally acceptable for gay and erotic content and themes, the poems adapt persona, Greek mythology, Judaism, and classic poetic forms to interrogate the speaker’s relationship to god and faith, to love and sex, to mother and father. 
 
Stark and mythical, the imagery draws from the language of animals and nature. Episodes of kink tangle with creatures of forests and lore. In this tumult, the lines of poetry keep a sense of boundary and distance by the seeming incompatibility of their subjects: daybreak and dissection, human and insect, worship and reality. The touch of irreconcilable bodies, in Adkisson’s language, intimates the precise moment of love. The idea of love moves viscerally through rib, lung, throat, and mouth. The poems show how flesh opens in so many ways, in prayers, in bleeds, in ruts. The flesh, opened, begins to swell. If there is guilt in this, Adkisson’s poems refuse the placid satisfaction of confession. Whatever attachments the reader dares to draw must be made with blade or tongue. The reader must commit to the potential violence narrated by these poems.
 
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On Broadway
Art and Commerce on the Great White Way
Steven Adler
Southern Illinois University Press, 2004

At a critical, transitional moment in the history of Broadway—and, by extension, of American theatre itself—former Broadway stage manager Steven Adlerenlists insider perspectives from sixty-six practitioners and artists to chronicle the recent past and glimpse the near future of the Great White Way. From marquee names to behind-the-scenes power brokers, Adler has assembled a distinctly knowledgeable cast of theatre’s elite, including Stephen Sondheim, Arthur Laurents, Des McAnuff, Frank Rich, Robin Wagner, Rocco Landesman, Robert Longbottom, Todd Haimes, Bernard Gersten, and Alan Eisenberg.

On Broadway: Art and Commerce on the Great White Way spotlights the differing vantage points of performers, artists, writers, managers, producers, critics, lawyers, theatre owners, union leaders, city planners, and other influential players. Each details his or her firsthand account of the creative and economic forces that have wrought extraordinary changes in the way Broadway theatre is conceived, produced, marketed, and executed. Once the paramount site of American theatre, Broadway today is becoming a tourist-driven, family-friendly, middle-class entertainment oasis in Midtown, an enterprise inextricably bound to the larger mosaic of national and international professional theatre.

Accounting for this transformation and presaging Broadway’s identity for the twenty-first century, Adler and his interviewees assess the impact of the advent of corporate producers, the ascendance of not-for-profit theatres on Broadway, and the growing interdependence between regional and Broadway productions. Also critiqued are the important roles of the radical urban redevelopment staged in Times Square and the changing demographics and appetites of contemporary theatre audiences in New York and around the globe.

Actors and administrators, performers and producers, theatre students and theatregoers will all benefit from the perceptive insights in this authoritative account of theatre making for the new millennium.

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Rough Magic
Making Theatre at the Royal Shakespeare Company
Steven Adler
Southern Illinois University Press, 2001

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world’s most compelling performances and influential productions of the last forty years, including Marat/Sade, A Midsummer Night’s Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

Rough Magic provides a thorough analysis of the many strands of theatrical activity on both sides of the footlights that coalesce in the artistic vigor of the Royal Shakespeare Company. Adler traces the company’s evolution from its origins in 1879 as a week-long festival presented by Stratford-upon-Avon as a birthday homage to its native son, to its current incarnation as one of the world’s most distinguished institutional theatres. He probes the aspirations and achievements of the RSC’s four successive artistic directors: Peter Hall, Trevor Nunn, Terry Hands, and Adrian Noble. He offers a comprehensive view of the design and aesthetics of the RSC’s five theatres in Stratford and London, and explores the intricate process of crafting a repertoire at home and on tour that responds to the needs of the artists as well as the demands of the box office.

Vivid illustrations, personal observation, research, and dozens of interviews with current and former members of the Royal Shakespeare Company unite to produce Rough Magic.

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Thomas De Quincey
British Rhetoric's Romantic Turn
Lois Peters Agnew
Southern Illinois University Press, 2012

This wide-ranging volume gives proper attention to the views on rhetoric and style set forth by British literary figure Thomas De Quincey (1785–1859), whose contributions to the history of rhetoric are often overlooked. Lois Peters Agnew presents an overview of this theorist’s life and provides cultural context for his time and place, with particular emphasis on the significance of his rhetoric as both an alternative strain of rhetorical history and a previously unrealized example of rhetoric’s transformation in nineteenth-century Britain. 

Agnew presents an extensive discussion of De Quincey’s ideas on rhetoric, his theory and practice of conversation, his theory of style and its role in achieving rhetoric’s dialogic potential, and his strategic use of humor and irony in such works as Confessions of an English Opium Eater. Synthesizing previous treatments of De Quincey’s rhetoric and connecting his unusual perspectives on language to the biographical details of his life, Agnew helps readers understand his intellectual development while bringing to light the cultural contexts that prompted radical changes in the ways nineteenth-century British intellectuals conceived of the role of language and the imagination in public and private discourse.

Agnew presents an alternative vision of rhetoric that departs from many common assumptions about rhetoric’s civic purpose and offers insights into the topic of rhetoric and technological change. The result is an accessible and thorough explanation of De Quincey’s complex ideas on rhetoric and the first work to fully show the reach of his ideas across multiple texts written during his lifetime.

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Muse
Susan Aizenberg
Southern Illinois University Press, 2002

Muse, the first full-length collection from poet Susan Aizenberg, brings together poems of personal history, elegy, and the complex lives of artists, writers, and “ordinary” people, in an exploration of the relationship between art and life, esthetics and ethics. She is sharp-eyed in purpose, trying to understand “what love is” in a continual shifting between loss and knowledge. While “there is no other world than this one” for Aizenberg, nevertheless she finds a world of affirmation. Aizenberg sings elegant blues, keeps a perfect balance between elaboration and restraint with formal skill that is both impressive and consoling, reminding us that poetry is a form of intelligence in which music creates a world full of mystery and depth.

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Millennial Teeth
Dan Albergotti
Southern Illinois University Press, 2014

Both bleak and bewildering, Millennial Teeth, the visceral new collection by poet Dan Albergotti, maps a contradictory journey filled with longing and dread, cynicism and hope. A heady mix of traditional forms and more experimental verse, Albergotti’s volume lures readers inexorably into the poet’s obsessions with mystery, doubt, ephemerality, and silence.

The poetry in Millennial Teeth will feel both refreshingly new and strangely familiar to Albergotti’s audience. Some poems pay direct tribute to such literary luminaries as Wallace Stevens and Philip Larkin, while others give nods to icons of pop culture, from Radiohead to Roman Polanski. The narrator muses on the resurrection of Christina the Astonishing, the works of Coleridge, and the mindless duties of minor players in Shakespeare’s Hamlet.

Yet these familiar faces are not our friends; they are juxtaposed with the heartbreaking apocalypses, both natural and man-made, that have plagued the world since the first plane flew into the World Trade Center. A reluctant witness to such events, the narrator of these poems attempts to navigate his own personal crises, including the mental illness and dementia of loved ones and the inability to connect with others, from the darkness of a personal orbit far from the sun. As he vehemently rejects the notions of religious succor, immortality, and the passive acceptance of fate, he simultaneously yearns to be proven wrong. Yet despite his trials, Albergotti’s narrator maintains a gallows humor and wry insight that balance his despair.

A riveting exploration of the all-too-human struggle between faith and doubt, skepticism and obsession, Millennial Teeth has both heart and bite in plenty.

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Changing the Subject in English Class
Discourse and the Constructions of Desires
Marshall W Alcorn
Southern Illinois University Press, 2002

Drawing on the theoretical work of Jacques Lacan, Marshall W. Alcorn Jr. formulates a systematic explanation of the function and value of desire in writing instruction.

Alcorn argues that in changing the subject matter of writing instruction in order to change student opinions, composition instructors have come to adopt an insufficiently complex understanding of subjectivity. This oversimplification hinders attempts to foster cultural change. Alcorn proposes an alternative mode of instruction that makes effective use of students’ knowledge and desire. The resulting freedom in expression—personal as well as political—engenders the recognition, circulation, and elaboration of desire necessary for both human communication and effective politics.

Responding to James Berlin’s reconception of praxis in the classroom, Theresa Ebert’s espousal of disciplined instructions, and Lester Faigley’s introduction of a postmodern theory of subjectivity, Alcorn follows both Lacan and Slavoj Žižek in insisting desire be given free voice and serious recognition. In composition as in politics, desire is the ground of agency. Competing expressions of desire should generate a dialectic in social-epistemic discourse that encourages enlightenment over cynicism and social development over authoritarian demands.

With clarity and personal voice, Alcorn explains how discourse is rooted in primitive psychological functions of desire and responds to complex cultural needs. In its theoretical scope this book describes a new pedagogy that links thought to emotion and the personal to the social.

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The Voices of Hope
Poems, Stories, and Drawings by the Children of La Esperanza, Guatemala
Carolyn Alessio
Southern Illinois University Press, 2003

Collected and translated by Carolyn Alessio, this bilingual anthology of poems, stories, memories, and philosophies was written and illustrated by the children of La Esperanza, Guatemala. Drawing upon the fortitude of their mothers, who began hand-sewing crafts to sell in the United States in order to survive the hardships of this war-torn impoverished country, Alessio’s students, aged four to sixteen, reveal amazing survival skills, fertile imaginations, and dreams of attaining better lives. The resulting work is a collection of poems and drawings that are terse, funny, sometimes sad, but always humanly, gloriously alive.

As Alessio explains, “At first, I thought I might be imagining the echoes of magical realism, but as I continued to read the students’ writing and study their drawings, I found similar themes. Witches killed children who didn’t respect the spirits; women abused by their husbands sought refuge in trees with magical doors. People who didn’t have money or jobs lived on the road and in forests, where they alternately fought and partied with the animals.”  

The volume features a foreword from Luis Alberto Urrea,author of Across the Wire: Life and Hard Times on the Mexican Border and By the Lake of Sleeping Children: The Secret Life of the Mexican Border.

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Union Heartland
The Midwestern Home Front during the Civil War
Ginette Aley
Southern Illinois University Press, 2013
The Civil War has historically been viewed somewhat simplistically as a battle between the North and the South. Southern historians have broadened this viewpoint by revealing the “many Souths” that made up the Confederacy, but the “North” has remained largely undifferentiated as a geopolitical term. In this welcome collection, seven Civil War scholars offer a unique regional perspective on the Civil War by examining how a specific group of Northerners—Midwesterners, known as Westerners and Middle Westerners during the 1860s—experienced the war on the home front.
 
Much of the intensifying political and ideological turmoil of the 1850s played out in the Midwest and instilled in its people a powerful sense of connection to this important drama. The 1850 federal Fugitive Slave Law and highly visible efforts to recapture former bondsmen and women who had escaped; underground railroad “stations” and supporters throughout the region; publication of Ohioan Harriet Beecher Stowe’s widely-influential and best-selling Uncle Tom’s Cabin; the controversial Kansas-Nebraska Act of 1854; the murderous abolitionist John Brown, who gained notoriety and hero status attacking proslavery advocates in Kansas; the emergence of the Republican Party and Illinoisan Abraham Lincoln—all placed the Midwest at the center of the rising sectional tensions.
 
From the exploitation of Confederate prisoners in Ohio to wartime college enrollment in Michigan, these essays reveal how Midwestern men, women, families, and communities became engaged in myriad war-related activities and support. Agriculture figures prominently in the collection, with several scholars examining the agricultural power of the region and the impact of the war on farming, farm families, and farm women. Contributors also consider student debates and reactions to questions of patriotism, the effect of the war on military families’ relationships, issues of women’s loyalty and deference to male authority, as well as the treatment of political dissent and dissenters.
 
Bringing together an assortment of home front topics from a variety of fresh perspectives, this collection offers a view of the Civil War that is unabashedly Midwestern.
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Poindexter of Washington
A Study in Progressive Politics
Howard W Allen
Southern Illinois University Press, 1981

In this study of Miles Poindexter, Insurgent Republican turned conservative, Howard W. Allen reaches beyond the traditional bounds of biography to present a history of the United States Congress during the Progressive era and the early years after World War I.

A congressman (1909–13)and a senator (1913–23), Miles Poindexter of Washington State was an outspoken, progressive reformer before World War I. He struggled to protect “the people” from “special interests,” particularly defending the in­terest of his section against eastern “colonialism.” A man with a penchant for absolute positions, Poindexter became caught up in the emotionalism of the Insurgent Republican revolt. At one time or another he championed Socialists, the IWW, the strik­ing textile workers in Lawrence, Massachusetts—all unlikely causes for a middle-class lawyer from Spokane.

Regarding foreign policy, Poindexter was an uncompromis­ing nationalist who, with Theodore Roosevelt, declared himself a member of the Progressive party in 1912.

After 1917 Poindexter actively tried to suppress opponents of the war. Following the war his targets were “Bolshevists” and other radicals. He also developed intense hostility toward So­cialists, the IWW, and organized labor, fearing radicalism and labor. Reversing his former position, he allied himself with the eastern businessmen and regular Republicans in the Senate. Campaigning for the presidency in 1920, he appealed without success to the most conservative members of the party. He was defeated b a progressive Democrat in his 1922 bid for reelection to the Senate.

Allen examines the traditional sources—archival collections, newspaper files, and congressional reports. When he combines this material with a quantitative analysis of roll-call votes throughout Senator Poindexter’s years in Congress, he creates a remarkably useful method never before attempted in political biography.

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In the Solitude of My Soul
The Diary of Genevieve Breton, 1867-1871
James Smith Allen
Southern Illinois University Press, 1994

Originally published to glowing reviews and literary prizes in France in 1985, this revealing diary not only recounts the moving and tragic relationship of its author, Geneviève Bréton, with the rising young nineteenth-century artist Henri Regnault, it also serves as a valuable historical document concerning the social, cultural, and political life of the French Second Empire.

The young Geneviève Bréton began her journal in 1867 as a consolation for the death of her eldest brother, Antoine. She met Regnault soon after on a trip to Rome. Throughout the next four years of their relationship, Bréton eloquently describes the personal, cultural, and political turbulence that affected her life. Writing against the backdrop of France’s fateful conflict with Prussia and the hardships and dangers of the siege of Paris and the Commune, Bréton, with innate candor and lyricism, creates a text that beautifully illuminates French art, literature, family life, society, and politics of the time. Her poignant account of her love for and engagement to Regnault reveals special insight into the life and mind of an extraordinary, though little known, literary talent. At Regnault’s death in 1871 during the Franco–Prussian War, the expression of her anguish is as much testimony to the political and cultural disorder of the time as it is to her own personal tragedy.

Following Bréton’s own instructions that she left before her death in 1918, this English version of the diary reincorporates material that was deleted from the French edition. Graced by rare photographs of the Bréton family as well as Regnault’s paintings, the book contains a touching foreword by the author’s granddaughter, Daphné Doublet-Vaudoyer. In its first English translation, it is a book for lovers of French life and culture, as well as students of French history; literature, and art.

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It Happened in Southern Illinois
John W. Allen
Southern Illinois University Press, 1968

In this collection of articles describing the people, places, and folkways of southern Illinois, John W. Allen provides entertaining and informative glimpses into the region’s past. Included here are sketches of the early pioneering days when wolves were literally chased from the door, stories about the many Indian artifacts discovered among the rolling hills and valleys of the area, and articles pertaining to the strategic role the region played during the Civil War. Allen also describes the activities of such infamous outlaws as Samuel Mason and the Harpe brothers as well as the famous Illinois-born heroes “Bat” Masterson, “Wild Bill” Hickok, and Wyatt Earp.

In his warm and friendly style, Allen reminisces about the self-sufficient and satisfying rural life of a previous generation with its oxcarts, pie suppers, threshing machines, kerosene lamps, and blacksmith shops. Any reader interested in southern Illinois and its history will delight in this collection of stories from John W. Allen’s popular newspaper column, “It Happened in Southern Illinois.”

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Legends and Lore of Southern Illinois
John W. Allen
Southern Illinois University Press, 1963

In the 1950s and ‘60s, John W. Allen told the people of southern Illinois about themselves—about their region, its history, and its folkways—in his series of newspaper articles, “It Happened in Southern Illinois.” Each installment of the series depicted a single item of interest—a town, a building, an enterprise, a person, an event, a custom. Originally published in 1963, Legends & Lore of Southern Illinois brings together a selection of these articles preserving a valuable body of significant local history and cultural lore.

During territorial times and early statehood, southern Illinois was the most populous and most influential part of the state. But the advent of the steamboat and the building of the National Road made the lands to the west and north more easily accessible, and the later settlers struck out for the more expansive and fertile prairies. The effect of this movement was to isolate that section of the state known as Egypt and halt its development, creating what Allen termed “an historical eddy.” Bypassed as it was by the main current of westward expansion and economic growth, its culture changed very slowly. Methods, practices, and the tools of the pioneer continued in use for a long time. The improved highways and better means of communication of the twentieth century brought a marked change upon the region, and daily life no longer differed materially from that of other areas.

Against such a cultural and historical backdrop, Mr. Allen wrote these sketches of the people of southern Illinois—of their folkways and beliefs, their endeavors, successes, failures, and tragedies, and of the land to which they came. There are stories here of slaves and their masters, criminals, wandering peddlers, politicians, law courts and vigilantes, and of boat races on the rivers. Allen also looks at the region’s earlier history, describing American Indian ruins, monuments, and artifacts as well as the native population’s encounters with European settlers.

Many of the vestiges of the region’s past culture have all but disappeared, surviving only in museums and in the written record. This new paperback edition of Legends & Lore of Southern Illinois brings that past culture to life again in Allen’s descriptive, engaging style.

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Imagination Transformed
The Evolution of the Female Character in Keat's Poetry
Karla Alwes
Southern Illinois University Press, 1993

From the mortal maidens of 1817 to the omnipotent goddesses of 1819, Keats uses successive female characters as symbols portraying the salvation and destruction, the passion and fear that the imagination elicits. Karla Alwes traces the change in these female figures—multidimensional and mysteriously protean—and shows that they do more than comprise a symbol of the female as a romantic lover. They are the gauge of Keats’s search for identity. As Keats’s poetry changes with experience, from celebration to denial of the earth, the females change from meek to threatening to a final maternal and conciliatory figure.

Keats consistently maintained a strict dichotomy between the flesh-and-blood women he referred to in his letters and the created females of his poetry, in the same way that he rigorously sought to abandon the real for the ideal in his poetry. In her study of Keats’s poetry, Alwes dramatizes the poet’s struggle to come to terms with his two consummate ideals—women and poetry. She demonstrates how his female characters, serving as lovers, guides, and nemeses to the male heroes of the poems, embody not only the hope but also the disappointment that the poet discovers as he strives to reconcile feminine and masculine creativity. Alwes also shows how the myths of Apollo, which Keats integrated into his poetry as early as February 1815, point up his contradictory need for, yet fear of, the feminine. She argues that Keats’s attempt to overcome this fear, impossible to do by concentrating solely on Apollo as a metaphor for the imagination, resulted in his eventual use of maternal goddesses as poetic symbols.

The goddess Moneta in "The Fall of Hyperion" reclaims the power of the maternal earth to represent the final stage in the development of the female. In combining the wisdom of the Apollonian realm with the compassion of the feminine earth, Moneta is more powerful than Apollo and able to show the poet who does not recognize both realms that he is only a "dreamer," one who "venoms all his days, / Bearing more woe than all his sins deserve."

Because of Moneta’s admonishment, Keats becomes the poet capable of creating "To Autumn." In this final ode, Keats taps the transcendent power inherent in the temporal beauty of the earth. His imagination, once attempting to leave the earth, now goes beyond the Apollonian ideal into the realm of salvation—the human heart—that connects him to the earth. And because of his poetic reconciliation between heaven and earth, Keats is ultimately able to portray an earthly timelessness in which "summer has o’er-brimmed" the bees’ "clammy cells," making for "warm days [that] will never cease."

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Hijra
Hala Alyan
Southern Illinois University Press, 2016
In her third poetry collection, Hijra, Hala Alyan creates poems of migration and flight reflecting and bearing witness to the haunting particulars in her transnational journey as well as those of her mother, her aunts, and the female ancestors in Gaza and Syria.
 
The reader sees war, diaspora, and immigration, and hears the marginalized voices of women of color. The poems use lyrical diction and striking imagery to evoke the weight of an emotional and visceral journey. They grow and build in length and form, reflecting the gains the women in the poems make in re-creating selfhood through endurance and strength.
 
In prose, narrative, and confessional-style poems, Alyan reflects on how physical space is refashioned, transmitted, and remembered. Her voice is distinct, fresh, relevant, and welcoming.
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20th-Century Italian Women Writers
The Feminine Experience
Alba Amoia
Southern Illinois University Press, 1996

As an international scholar and resident of Italy who has observed and shared the experiences of Italian women for the past twenty years, Alba Amoia has positioned herself perfectly to report to English-speaking audiences the great range and variety of writing produced by twentieth-century Italian women. Her personal contact with many of the authors she discusses lends further immediacy to her study.

Rather than focusing exclusively on contemporary living authors, Amoia discusses writers from the early part of the twentieth century as well, linking them with later writers spanning twentieth-century Italy’s literary movements and political, social, and economic developments. Yet the connections and contradictions that bind and divide these women are only beginning to be established because Italy is still a splintered country in which perceptions of Italian women as a historical group have only begun to crystallize. While feminine voices resound on the Italian literary scene, only recently has feminine authority made itself felt in the professional and institutional worlds.

The eleven writers in this volume criticize the female role in Italian society, externalize women’s unconscious needs, and offer unusual examples of feminine creativity. Amoia provides a critical treatment of each author, incorporating the accepted opinion of Italian and other critics. She isolates recurrent and fundamental themes in each author’s literary career: linguistic repression by males, personal frustration in the realm of "householditude," and disorientation within Italy’s unbalanced institutions and hierarchies still strongly anchored in archaic structures.

Amoia begins her discussion with two illustrious predecessors of Italy’s contemporary women writers: the 1926 Nobel Prize winner Grazia Deledda and the premier literary feminist Sibilla Aleramo. Continuing in chronological order, Amoia discusses Gianna Manzini, Lalla Romano, Elsa Morante, Natalia Ginzburg, Rosetta Loy, and Dacia Maraini. Amoia concludes her exploration of Italian women writers with three journalists: Matilde Serao, Oriana Fallaci, and Camilla Cederna.

Essentially, Amoia has provided a collection of succinct and accessible monographs featuring pertinent biographical information and extensive bibliographies. She discusses each author’s most representative works, seeking to give readers both a sense of these women as writers and an understanding of their significance in the male-dominated literary scene.

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Documentary Dilemmas
Frederick Wiseman's Titicut Follies
Carolyn Anderson
Southern Illinois University Press, 1991

A case history of the only American film under court-imposed restrictions for reasons other than obscenity or national security.

Titicut Follies is an excoriating depiction of conditions in the Massachusetts Correctional Institution at Bridgewater, a prison-hospital for the criminally insane. The Commonwealth of Massachusetts took Wiseman to court, seeking to prevent the exhibition of Titicut Follies soon after its release in 1967.

This account of the Titicut Follies case is based on ten years of research and relies on interviews, journalistic accounts, and especially on the legal record, including the Commonwealth v. Wiseman transcript, to describe the entire process of independent documentary filmmaking. The trials of Titicut Follies raise crucial questions about the relation of social documentary to its subjects and audiences.

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Richard Selzer and the Rhetoric of Surgery
Charles M. Anderson
Southern Illinois University Press, 1989

Anderson provides the context from which Selzer’s writing grows and a concept of language adequate to his purposes and accomplishments. He takes a careful look at Selzer’s writing to demonstrate that these abstract considerations do tell us why a surgeon would write. The works Anderson examines are "Jonah and the Whale" (an important early short story) and the first three essays in Mortal Lessons. These examples show the reader exactly how the symbols of literature interact directly with the world and the everyday communications of both writer and reader. According to Anderson, Mortal Lessons is also Selzer’s most artistic statement of his own sense of why and how he became a writer.

Selzer’s books include Rituals of Surgery, Mortal Lessons, Confessions of a Knife, Letters to a Young Doctor, and Taking the World in for Repairs.

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Shadowed Cocktails
The Plays of Philip Barry from Paris Bound to The Philadelphia Story
Donald R. Anderson
Southern Illinois University Press, 2010
An important and prolific playwright, Philip Barry wrote hit plays such as The Philadelphia Story and Holiday. However, he has been largely forgotten and no book-length analysis of his work has appeared in more than forty years. With this book, Donald R. Anderson rescues the playwright from obscurity.           
Although Barry’s successes were with comedies of manners, he also wrote dramatic and experimental works. Anderson analyzes all of Barry’s plays (twenty-one in total) and questions the traditional characterization of the American playwright’s work. He begins with Barry’s early plays concerning intergenerational tensions and lessons learned from the Great War. Subsequent chapters explore Barry’s preoccupation with fidelity and infidelity, his struggles with his Catholic beliefs, and his investigations into sources of evil and despair. Anderson also looks at the plays of the late 1930s and the 1940s, including the posthumously produced Second Threshold. One chapter is devoted to Barry’s synergistic relationship with Katharine Hepburn: her role in lifting the playwright out of a mid-1930s slump and his role in rescuing her from the label of “box-office poison” with both The Philadelphia Story and the World War II drama Without Love.
Anderson places Barry within the context of his times but also shows him drawing on past influences and anticipating theatrical developments of the latter part of the twentieth century. Part cultural history, part literary analysis, Shadowed Cocktails is sure to revitalize interest in this remarkable American author.
and his role in rescuing her from the label of 'box-office poison' with both The Philadelphia Story and the World War II drama Without Love.
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The Reality of Illusion
An Ecological Approach to Cognitive Film Theory
Joseph D Anderson
Southern Illinois University Press, 1998
Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science. Anderson’s primary argument is that motion picture viewers mentally process the projected images and sounds of a movie according to the same perceptual rules used in response to visual and aural stimuli in the world outside the theater. To process everyday events in the world, the human mind is equipped with capacities developed through millions of years of evolution. In this context, Anderson builds a metatheory influenced by the writings of J. J. and Eleanor Gibson and employs it to explore motion picture comprehension as a subset of general human comprehension and perception, focusing his ecological approach to film on the analysis of cinema’s true substance: illusion.

Anderson investigates how viewers, with their mental capacities designed for survival, respond to particular aspects of filmic structure—continuity, diegesis, character development, and narrative—and examines the ways in which rules of visual and aural processing are recognized and exploited by filmmakers. He uses Orson Welles’s Citizen Kane to disassemble and redefine the contemporary concept of character identification; he addresses continuity in a shot-by-shot analysis of images from Casablanca; and he uses a wide range of research studies, such as Harry F. Harlow’s work with infant rhesus monkeys, to describe how motion pictures become a substitute or surrogate reality for an audience. By examining the human capacity for play and the inherent potential for illusion, Anderson considers the reasons viewers find movies so enthralling, so emotionally powerful, and so remarkably real.

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Moving Image Theory
Ecological Considerations
Joseph D Anderson
Southern Illinois University Press, 2007
Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions about cinema, Moving Image Theory: Ecological Considerations looks at film through its communication properties rather than its social or political implications. Drawing on the tenets of James J. Gibson’s ecological theory of visual perception, the fifteen essays and forty-one illustrations gathered here by editors Joseph D. Anderson and Barbara Fisher Anderson offer a new understanding of how moving images are seen and understood.
Focusing on a more straightforward perception of the world and cinema in an attempt to move film theory closer to reality, Moving Image Theory proposes that we should first understand how cinema communicates information about the representation of the three-dimensional world through properties of image and sound.
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Style as Argument
Contemporary American Nonfiction
Wayne (Chris) Anderson
Southern Illinois University Press, 1987

Taking the position that style has a value in its own right, that language forms a major component of the story a nonfiction writer has to tell, Anderson analyzes the work of America’s foremost practitioners of New Journalism—Tom Wolfe, Truman Capote, Norman Mailer, and Joan Didion.

Anderson does for nonfiction what insightful critics have long been doing for fiction and poetry. His approach is rhetorical, and his message is that the rhetoric of Wolfe, Capote, Mailer, and Didion is a direct response to the problem of trying to convey to a general audience the sublime, inexplicable, or private and intuitive experiences that conventional rhetoric cannot evoke.

The emphasis in this book is on style, not genre, and the analysis characterizes the distinctive styles of four American writers, showing how the richness and complexity of their prose discloses an important argument about the value of language itself. Their prose is complex, nuanced, layered, affecting, always aware of itself as style. This self-consciousness, Anderson contends, prepares the reader to regard style as argument, a “tacit but powerful statement about the value of form as form, style as style.”

[more]

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Creating the Self in the Contemporary American Theatre
Robert J Andreach
Southern Illinois University Press, 1998

Combining his skills as both a professional reviewer of theatre and a literary critic, Robert J. Andreach finds himself in a unique position to provide coherence to what most observers perceive as an unrelated welter of contemporary theatrical experiences. Exploring the theatre from the 1960s to the present, he shows the various ways in which the contemporary American theatre creates a personal, theatrical, and national self.

Andreach argues that the contemporary American theatre creates multiple selves that reflect and give voice to the many communities within our multicultural society. These selves are fragmented and enclaved, however, which makes necessary a counter movement that seeks, through interaction among the various parts, to heal the divisions within, between, and among them.

In his examination of the contemporary theatre, Andreach demonstrates that the plays and the performance art of the feminist, African-American, Hispanic-American, Asian-American, and Native American theatres are equal to the works created within the dominant Eurocentric culture.

He then turns to comparable works created within the culture of what performance artist Karen Finley calls the "one male god," works that reflect the breakup of an old order. He discusses the experimental theatre, which turns to the imagination to reveal the nature of the self, and concludes with an examination of recent American works, pointing out in each either the presence or absence of resolution within the divisions of self.

[more]

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Looking for Lincoln in Illinois
Lincoln and Mormon Country
Bryon C. Andreasen
Southern Illinois University Press, 2015
Winner, ISHS Superior Achievement Award, 2016

Although they inhabited different political, social, and cultural arenas, Abraham Lincoln and the pioneer generation of Latter-day Saints, or Mormons, shared the same nineteenth-century world. Bryon C. Andreasen’s Looking for Lincoln in Illinois: Lincoln and Mormon Country relates more than thirty fascinating and surprising stories that show how the lives of Lincoln and the Mormons intersected.

This richly illustrated and carefully researched book expands on some of the storyboards found on the Looking for Lincoln Story Trail, from the Mormon capital of Nauvoo to the state capital of Springfield. Created by the Looking for Lincoln Heritage Coalition, this trail consists of wayside exhibits posted in sites of significance to Lincoln’s life and career across fifty-two communities in Illinois. The book’s keyed maps, historic photos, and descriptions of battles, Mormon expeditions, and events at inns, federal buildings, and even Lincoln’s first Illinois log cabin connect the stories to their physical locations.

Exploring the intriguing question of whether Lincoln and Mormon founder Joseph Smith ever met, the book reveals that they traveled the same routes and likely stayed at the same inns. The book also includes colorful and engaging looks at key figures such as Brigham Young, various Mormon apostles, and more. Anyone inspired by Lincoln, as well as Mormon and Illinois history enthusiasts, will appreciate this look back at a long-past, but not forgotten, landscape. 
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Looking for Lincoln in Illinois
Lincoln's Springfield
Bryon C. Andreasen
Southern Illinois University Press, 2015

Winner, ISHS Certificate of Excellence Award, 2016

Presenting fifty Abraham Lincoln stories—some familiar and beloved, some fresh and unexpected—Looking for Lincoln in Illinois: Lincoln’s Springfield is a carefully researched, richly illustrated guide to the Springfield, Illinois, locations on the Looking for Lincoln Story Trail. Created by the Looking for Lincoln Heritage Coalition, this trail consists of more than two hundred illustrated storyboards posted at sites of significance to Lincoln’s life and career across fifty-two communities in Illinois. The storyboards connect Lincoln-related tales to the geographical locations where they occurred, giving visitors, and now readers, a tour of the social and cultural landscape of Lincoln’s nineteenth-century world while revealing the very human Lincoln known by friends and associates.

This book celebrates the trail as a rich historical resource, featuring the original storyboards produced for Springfield and including twelve additional stories and more than 150 illustrations. Engaging stories in the book bring Lincoln’s Springfield to life: Lincoln created controversy with his Temperance Address, which he delivered in a church on Fourth Street in February 1842. He unexpectedly married Mary Todd in her sister’s home on the edge of Springfield later that year. The Lincolns’ sons used to harness dogs and cats to small wagons and drive them around the dirt streets of town. When Lincoln visited his dentist, he applied his own chloroform, because the practice of analgesia was not yet common. He reportedly played the ball game Fives in a downtown alley while waiting for news of his presidential nomination. And boxing heavyweight champion John C. Heenan visited the presidential candidate in October 1860. Through texts, historic photographs and images, and maps, including one keyed to the story locations in downtown Springfield, readers of this fascinating volume are invited to imagine social and cultural landscapes that have been lost in time.

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The Language Book
Bruce Andrews
Southern Illinois University Press, 1984

“Ok murky in alter all end, unpredictable day, with rainshine any degree night, the sun kin warm and hot. Enough stone or other jugs lineup of whatever is In Through Out That’s light as much as known Differences evanesce Like, where and/or what on the equator might be french or spanish Longitude and latitude, yep yep sure Americana.”—Larry Eigner, commentary on a selection from Ger­trude Stein’s Tender Buttons

This selection of essays and poetry from the first three volumes of L=A=N=G=U=A=G=E magazine dis­cusses a “spectrum of writing that places its attention primarily on language and ways of making meaning, that takes for granted neither vocabulary, grammar, process, shape, syntax, program, nor sub­ject matter.” (Bernstein and Andrews) The various writers shun labels, slogans, or catch-phrases; their exploration of the ways that meanings and values are re­vealed through the written word is in­tended to open the field of poetic activity, not close it.

The common thread of these essays is the multitude and scope of words’ refer­ential powers—denotative, connotative, and associational; and studying these powers is ultimately a social and political activity as well as an aesthetic one.

[more]

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The Critical Turn
Rhetoric and Philosophy in Postmodern Discourse
Ian Angus
Southern Illinois University Press, 1992

Concerned with criticizing representational theories of knowledge by developing alternative concepts of knowing and communicating, Ian Angus and Lenore Langsdorf bring together eight essays that are united by a common theme: the convergence of philosophy and rhetoric.

In the first chapter, Angus and Langsdorf illustrate the centrality of critical reasoning to the nature of questioning itself, arguing that human inquiry has entered a "new situation" where "the convictions and orientations that have traditionally marked the separation of rhetoric and philosophy—the concern for truth and the focus on persuasion—have begun to converge on a new space that can be defined through the central term discourse."In these essays, this convergence of rhetoric and philosophy is addressed as it presents itself to a variety of interests that transcend the traditional boundaries of these fields.

The two editors, Raymie E. McKerrow, Michael J. Hyde and Craig R. Smith, James W. Hikins and Kenneth S. Zagacki, Calvin O. Schrag and David James Miller, and Richard L. Lanigan map this new space, recognizing that such mapping "simultaneously constitutes the territory mapped."

[more]

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Mask Characterization
An Acting Process
Libby Appel
Southern Illinois University Press, 1982

Behind the mask, Appel notes, the stu­dent is free to create a personality; paradox­ically, because the mask hides the self, it en­ables the student to probe more deeply into himself.

“This book describes, defines, and dis­cusses the mask characterization process, providing the theory behind the exercises and the step-by-step procedure in the organ­ic development of the character from the masks,” Appel notes. The manual is divided into two parts: “The Instructor’s Guide” and “The Actor’s Guide.” There is also an intro­ductory chapter, “The Class Structure,” which explains mask characterization pro­cedures in the classroom, and a sample class schedule may be found in the back of the manual.

This book adds a new dimension to actor training and learning. It is essential to aspir­ing actors seeking new ways to create honest dramatic characterizations.

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Shakespeare's Women
A Playscript for Performance and Analysis
Libby Appel
Southern Illinois University Press, 1986

Serves both as a script for performance and as a text for high school and college theater and English classes.

This self-contained script brings together different scenes from Shake­speare’s plays to portray women “in all their infinite variety.” Two narrators, a man and a woman, introduce and com­ment on these scenes, weaving together the different characters and situations.

This book combines literary and theat­rical techniques in examining Shake­speare’s women. Its promptbook format provides clear, helpful stage directions on pages facing each of the scenes. Also help­ful are concise glosses and footnotes to define difficult words and phrases plus a commentary to explain each scene in its dramatic context.

Other features include sheet music for each song in the play, a bibliography on the topic of women in Shakespeare’s plays, and suggestions for directors who wish to stage the play.

[more]

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The Bitch is Back
Wicked Women in Literature
Sarah Appleton
Southern Illinois University Press, 2001

Although the “bitch” has always commanded a prominent spot in popular culture—television, movies, art—she virtually disappeared from the work of the second wave of feminist writers in the late 1960s and early 1970s. Now, announces Sarah Appleton Aguiar, the bitch is back, returned once more to cultural center stage in the world of serious literature.

Feminist writers such as Mary Gordon and Alice Walker, to name only two, felt obligated to subvert literary misrepresentations of females as dimensionless, to refute preconceptions of objectified characters, and, of paramount importance, to create memorable women full of complexity and character. They wanted to create a subjective reality for their protagonists. And they succeeded admirably.

But along the road to subjectivity, that vital woman, empowered with anger, with ruthless survival instincts—the bitch—was banished from the pages of feminist fiction. The village gossips, calculating gold-diggers, merciless backstabbers, sinful sirens, evil stepmothers, deadly daughters, twisted sisters, hags, bags, and crones—all had vanished from the fiction written by women. Ubiquitous in other forms of media, the bitch was noticeably absent from the feminist literary canon.

Aguiar, however, points to indications in contemporary culture that the season of the bitch is fast approaching. Contemporary feminist writers and theorists are making substantial reevaluations of the archetypal bitch. Focusing on the traits and the types of guises usually associated with this vital character, Aguiar discusses such characters as Zenia in Margaret Atwood’s The Robber Bride, Ruth Patchett in Fay Weldon’s The Life and Loves of a She-Devil, Sula in Toni Morrison’s Sula, and Ginny in Jane Smiley’s A Thousand Acres.

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Junius Brutus Booth
Theatrical Prometheus
Stephen M. Archer
Southern Illinois University Press, 1992

In this, the first thoroughly researched scholarly biography of British actor Junius Brutus Booth, Stephen M. Archer reveals Booth to have been an artist of considerable range and a man of sensitivity and intellect. Archer provides a clear account of Booth’s professional and personal life and places him in relationship to his contemporaries, particularly Edmund Kean and William Charles Macready.
 

From 1817 to 1852 Junius Brutus Booth toured throughout North America, enjoying a reputation as the most distinguished Shakespearean tragedian on the American continent. Still, he yearned for success on the British stage, a goal he never attained. His public image as a drunken, dangerous lunatic obscured a private life filled with the richness of a close and loyal family.

The worldwide fame assured for the Booth family of actors by John Wilkes Booth’s bone-shattering leap from the President’s box had eluded Junius Brutus Booth throughout his lifelong exile in America. But from that event until today, no American family of actors has stimulated such scrutiny as the Booths.

Eight years of research, pursuing Booth from Amsterdam to San Francisco, has resulted in an accurate, fascinating narrative that both records and illuminates the actor’s life.
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Breaking into Baseball
Women and the National Pastime
Jean Hastings Ardell
Southern Illinois University Press, 2005

While baseball is traditionally perceived as a game to be played, enjoyed, and reported from a masculine perspective, it has long been beloved among women—more so than any other spectator sport. Breaking into Baseball: Women and the National Pastime upends baseball’s accepted history to at last reveal just how involved women are, and have always been, in the American game.

Through provocative interviews and deft research, Jean Hastings Ardell devotes a detailed chapter to each of the seven ways women participate in the game—from the stands as fans, on the field as professionals or as amateur players, behind the plate as umpires, in the front office as executives, in the press box as sportswriters and reporters, or in the shadows as Baseball Annies. From these revelatory vantage points, Ardell invites overdue appreciation for the affinity and talent women bring to baseball at all levels and shows us our national game anew.

From its ancient origins in spring fertility rituals through contemporary marketing efforts geared toward an ever-increasing female fan base, baseball has always had a feminine side, and generations of women have sought—and been sought after—to participate in the sport, even when doing so meant challenging the cultural mores of their era. In that regard, women have been breaking into baseball from the very beginning. But recent decades have witnessed great strides in legitimizing women’s roles on the diamond as players and umpires as well as in vital management and media roles. In her thoughtfully organized and engagingly written survey, Ardell offers a chance for sports enthusiasts and historians of both genders to better appreciate the storied and complex relationship women have so long shared with the game and to glimpse the future of women in baseball.

Breaking into Baseball is augmented by twenty-four illustrations and a foreword from Ila Borders, the first woman to play more than three seasons of men’s professional baseball.

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Jeppe of the Hill and Other Comedies by Ludvig Holberg
Gerald S. Argetsinger
Southern Illinois University Press, 1990

These eight comedies comprise the most extensive collection of Ludvig Holberg plays ever offered in the English language.

The translators’ general introductions establish a cultural context for the comedies and break new ground in understanding the importance of Holberg’s comic aesthetic. Argetsinger’s extensive experience in theatre and Rossel’s preeminence as a Scandinavian Studies scholar assure that the translations are not only accurate but stage-worthy.

The collection opens with The Political Tinker, the first Danish play to be produced in the new Danish Theatre, and ends with The Burial of Danish Comedy, literally the funeral service for the bankrupt theatre. Three more of Holberg’s renowned character comedies follow, Jean de France, Jeppe of the Hill, and Erasmus Montanus, along with his literary satire Ulysses von Ithacia. The final two plays demonstrate his ability to write shorter comic works, The Christmas Party, a scathing comedy of manners, and Pernille’s Brief Experience as a Lady, a situation comedy that satirizes the practice of baby-switching.

[more]

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Oriana Fallaci
The Woman and the Myth
Santo L Arico
Southern Illinois University Press, 1998

Internationally acclaimed as a journalist, war correspondent, interviewer, and novelist, Oriana Fallaci’s public persona reached almost mythic proportions. It is a myth Fallaci herself created, according to Santo L. Aricò, who probes the psychological forces that motivated one of the twentieth century’s most famous and successful women writers.

Using his own extensive interviews with the writer, Aricò maps out Fallaci’s journey through life, paying particular attention to her ongoing and painstaking attempts to establish her own mythical status. He first examines her career as a literary journalist, emphasizing the high quality of her writing. From there, he concentrates on how Fallaci’s personal image began to emerge in her writings, as well as the way in which, through her powerful narratives, she catapulted herself into the public eye as her own main character.

[more]

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Communication Ethics in Dark Times
Hannah Arendt's Rhetoric of Warning and Hope
Ronald C. Arnett
Southern Illinois University Press, 2013

Renowned in the disciplines of political theory and philosophy, Hannah Arendt’s searing critiques of modernity continue to resonate in other fields of thought decades after she wrote them. In Communication Ethics in Dark Times: Hannah Arendt’s Rhetoric of Warning and Hope, author Ronald C. Arnett offers a groundbreaking examination of fifteen of Arendt’s major scholarly works, considering the German writer’s contributions to the areas of rhetoric and communication ethics for the first time.  

Arnett focuses on Arendt’s use of the phrase “dark times” to describe the mistakes of modernity, defined by Arendt as the post-Enlightenment social conditions, discourses, and processes ruled by principles of efficiency, progress, and individual autonomy. These principles, Arendt argues, have led humanity down a path of folly, banality, and hubris. Throughout his interpretive evaluation, Arnett illuminates the implications of Arendt’s persistent metaphor of “dark times” and engages the question, How might communication ethics counter the tenets of dark times and their consequences? A compelling study of Hannah Arendt’s most noteworthy works and their connections to the fields of rhetoric and communication ethics, Communication Ethics in Dark Times provides an illuminating introduction for students and scholars of communication ethics and rhetoric, and a tool with which experts may discover new insights, connections, and applications to these fields.

Top Book Award for Philosophy of Communication Ethics by Communication Ethics Division of the National Communication Association, 2013

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Dialogic Education
Conversation About Ideas and Between Persons
Ronald C. Arnett
Southern Illinois University Press, 1993
Examining undergraduate education from the point of view of a philosopher of communication, Ronald C. Arnett takes a positive view of higher education during a time when education is being assailed as seldom before. Arnett responds to this criticism with convincing support of the academy reinforced by his personal experiences as well as those of others scholars and teachers.
Arnett's book is an invitation to converse about higher education as well as a reminder of the potential for dialogue between teacher and student, dialogue that the author defines as a "willingness to enter conversation about ideas," to maintain relationships through differences, and to ask value questions. Arnett see education as more than the dispensing of information. He emphasizes the importance of character development as well as the the development of relationships between students and teachers. Arnett stresses the importance of honesty and integrity in students, teachers, and administrators, and he insists that education should focus more on the good of the entire school than on the individual. Arnett does not offer this book as the truth about education nor as a "how to teach" manual. Rather, he regards it as an attempt to understand education from a communication perspective and as a reminder of the positive and constructive aspects of teaching. The book is based on Arnett's belief that educators who care about ideas and people not only improve education but also benefit the community.
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Dialogic Confession
Bonhoeffer's Rhetoric of Responsibility
Ronald C. Arnett
Southern Illinois University Press, 2005

In this landmark volume of contemporary communication theory, Ronald C. Arnett applies the metaphor of dialogic confession—which enables historical moments to be addressed from a confessed standpoint and through a communicative lens—to the works of German theologian Dietrich Bonhoeffer, who pointed to an era of postmodern difference with his notion of "a world come of age." Arnett’s interpretations of Bonhoeffer’s life and scholarship in contention with Nazi dominance offer implications for a dialogic confession that engages the complexity of postmodern narrative contention.

Rooted in classical theory, the field of communication ethics is abstract and arguably outmoded. In Dialogic Confession: Bonhoeffer’s Rhetoric of Responsibility, Arnett locates cross-cultural and comparative anchors that not only bring legitimacy and relevance to the field but also develop a conceptual framework that will advance and inspire future scholarship.

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Communication and Community
Implications of Martin Buber's Dialogue
Ronald C. Arnett
Southern Illinois University Press, 1986

Martin Buber’s work suggests that real life begins with two individ­uals engaged in dialogue, not just taking care of one’s own needs as described in social Darwinism.

Arnett argues that the end of the age of abundance demands that we give up the communica­tive strategies of the past and seek to work together in the midst of limited resources and an uncertain future. Today’s situa­tion calls for an unwavering commitment to Buber’s “narrow ridge” concern for both self and community.

Arnett illustrates the narrow ridge definition of interpersonal communication with rich ex­amples. His vignettes demon­strate effective and ineffective approaches to human communi­ty. An effective approach, he makes clear, incorporates not only openness to others’ points of view but also a willingness to be persuaded.

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Communication Ethics and Tenacious Hope
Contemporary Implications of the Scottish Enlightenment
Ronald C. Arnett
Southern Illinois University Press, 2022
WINNER, 2022 National Communication Association Top Single-Author Book of the Year in the Communication Ethics Division!

Tenacious hope, the heart of a just and free society 
 
During the Enlightenment, Scottish intellectuals and administrators met the demands of profit and progress while shepherding concerns for self and other, individual and community, and family and work. Communication Ethics and Tenacious Hope captures the “unity of contraries,” offering the Scottish Enlightenment as an exemplar of tenacious hope countering the excesses of individualism. Ronald C. Arnett reveals two stories: the struggle between optimism and tenacious hope, and optimism’s ultimate triumph in the exclusion of difference and the reification of progress as an ultimate good. 
 
In chapters that detail the legacies of Lord Provost George Drummond, Adam Smith, David Hume, Thomas Reid, George Campbell, Adam Ferguson, and Sir Walter Scott, Arnett highlights the problematic nature of optimism and the ethical agency of tenacious hope. Arnett illustrates the creative union of education and administration, the ability to accept doubt within systems of knowledge and imagination, and an abiding connection to local soil. As principles of progress, free will, and capitalism swept Europe, proponents of optimism envisioned a world of consumerism and absolutes. In contrast, practitioners of tenacious hope embraced uncertainty and compassion as pragmatic necessities.
 
This work continues Arnett’s scholarship, articulating the vital importance of communication ethics. Those seeking to discern and support a temporal sense of the good in this historical moment will find in this timely work the means to pursue, hold, and nourish tenacious hope. This insightful theorization of the Scottish Enlightenment distills the substance of a just and free society for meeting dangerous and uncertain times. 
 
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Levinas's Rhetorical Demand
The Unending Obligation of Communication Ethics
Ronald C. Arnett
Southern Illinois University Press, 2017

Distinguished Book Award, Philosophy of Communication Division, National Communication Association, 2017

Top Book Award, Communication Ethics Division, National Communication Association, 2017

Philosopher Emmanuel Levinas’s ethics as first philosophy explicates a human obligation and responsibility to and for the Other that is an unending and imperfect commitment. In Levinas’s Rhetorical Demand: The Unending Obligation of Communication Ethics, Ronald C. Arnett underscores the profundity of Levinas’s insights for communication ethics.

Arnett outlines communication ethics as a primordial call of responsibility central to Levinas’s writing and mission, analyzing it through a Levinasian lens with examination of social artifacts ranging from the Heidegger-Cassirer debate to Rupert Murdoch’s News of the World story concerning illicit possession of information.

Levinas’s Rhetorical Demand offers an account of Levinas’s project and the pragmatic implications of attending to a call of responsibility to and for the Other. This book yields a rich and nuanced understanding of Levinas’s work, revealing the practical importance of his insights, and including a discussion of related theorists and thinkers.
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Participatory Composition
Video Culture, Writing, and Electracy
Sarah J. Arroyo
Southern Illinois University Press, 2013

Like. Share. Comment. Subscribe. Embed. Upload. Check in. The commands of the modern online world relentlessly prompt participation and encourage collaboration, connecting people in ways not possible even five years ago. This connectedness no doubt influences college writing courses in both form and content, creating possibilities for investigating new forms of writing and student participation. In this innovative volume, Sarah J. Arroyo argues for a “participatory composition,” inspired by the culture of online video sharing and framed by theorist Gregory Ulmer’s concept of electracy.

Electracy, according to Ulmer, “is to digital media what literacy is to alphabetic writing.” Although electracy can be compared to digital literacy, it is not something shut on and off with the power buttons on computers or mobile devices. Rather, electracy encompasses the cultural, institutional, pedagogical, and ideological implications inherent in the transition from a culture of print literacy to a culture saturated with electronic media, regardless of the presence of actual machines.

Arroyo explores the apparatus of electracy in many of its manifestations while focusing on the participatory practices found in online video culture, particularly on YouTube. Chapters are devoted to questions of subjectivity, definition, authorship, and pedagogy. Utilizing theory and incorporating practical examples from YouTube, classrooms, and other social sites, Arroyo presents accessible and practical approaches for writing instruction. Additionally, she outlines the concept of participatory composition by highlighting how it manifests in online video culture, offers student examples of engagement with the concept, and advocates participatory approaches throughout the book.

Arroyo presents accessible and practical possibilities for teaching and learning that will benefit scholars of rhetoric and composition, media studies, and anyone interested in the cultural and instructional implications of the digital age. 

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Imagining Wild Bill
James Butler Hickok in War, Media, and Memory
Paul Ashdown
Southern Illinois University Press, 2020
Wild Bill’s ever-evolving legend

When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive.

Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West.

Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota.

American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
 
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Man on Spikes
Eliot Asinof
Southern Illinois University Press, 1998

Selected as one of baseball literature's Golden Dozen by Roger Kahn, Man on Spikes is an uncompromisingly realistic novel about a baseball player who struggles through sixteen years of personal crises and professional ordeals before finally appearing in a major league game. In a preface to this new edition, Eliot Asinof reveals the longsuffering ballplayer and friend upon which the novel is based.

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The Next New Madrid Earthquake
A Survival Guide for the Midwest
William Atkinson
Southern Illinois University Press, 1989

Scientists who specialize in the study of Mississippi Valley earthquakes say that the region is overdue for a powerful tremor that will cause major damage and undoubtedly some casualties.

The inevitability of a future quake and the lack of preparation by both individuals and communities provided the impetus for this book. Atkinson brings together applicable information from many disciplines: history, geology and seismology, engineering, zoology, politics and community planning, economics, environmental science, sociology, and psychology and mental health to provide the most comprehensive perspective to date of the myriad impacts of a major earthquake on the Mississippi Valley.

Atkinson addresses such basic questions as "What, actually, are earthquakes? How do they occur? Where are they likely to occur? Can they be predicted, perhaps even prevented?" He also addresses those steps that individuals can take to improve their chances for survival both during and after an earthquake.

[more]


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