A powerful guide to seeking justice from corporations who commit human rights and environmental atrocities.

Multinational enterprises, or MNEs, can contribute to economic prosperity and social development in the countries where they operate. At the same time, their activities may directly or indirectly cause harm to humans and to the environment. Historically, MNEs have rarely been held accountable for their involvement in human rights abuses and environmental damage. In recent years, however, activists have sought to hold parent companies directly liable for the harm caused by their group’s activities. They have also strategically used litigation to trigger corporate accountability reforms at international, regional, and national levels.

Focusing on Europe, this book evaluates the extent to which litigation against MNEs has been effective in achieving access to justice and corporate accountability, particularly in civil-law countries. It also considers whether ongoing regulatory developments, such as the adoption of mandatory human rights due diligence norms and the negotiations for a business and human rights treaty, can contribute to the realization of access to justice and corporate accountability in the future.

Employing adulthood as a category of historical analysis.

Who gets to be an adult—and who decides? This book argues that consideration of age is a crucial element in scholarship that addresses power and inequality. Exploring how concepts of adulthood have changed over time in Britain and the United States from 1350 to the present day, the essays collected here engage with the intersectional identities of gender, race, class, sexuality, and disability, and ask how these affect understandings of adulthood.
 

Apuleius’ literary and philosophical fortune has been considerable since antiquity, mostly through the reception of The Golden Ass. The aim of this collection of essays is to highlight a few major aspects of this afterlife, from the High Middle Ages to early Romanticism, in the fields of literature, linguistics and philology, within a wide geographical scope.

The volume gathers the proceedings of an international conference held in March 2016 at the Warburg Institute in London, in association with the Institute of Classical Studies. It includes both diachronic overviews and specific case-studies. A first series of papers focuses on The Golden Ass and its historical and geographical diffusion, from High Medieval Europe to early modern Mexico. The oriental connections of the book are also taken into account. The second part of the book examines the textual and visual destiny of Psyche’s story from the Apuleian fabula to allegorical retellings, in poetical or philosophical books and on stage. As the third series of essays indicates, the fortunes of the book led many ancient and early modern writers and translators to use it as a canonical model for reflections about the status of fiction. It also became, mostly around the beginning of the fifteenth century, a major linguistic and stylistic reference for lexicographers and neo-Latin writers. The last papers of the book deal with Renaissance polemics about "‘Apuleianism" and the role of editors and commentators.

This is the sixth and last of the volumes in the series of ‘Afterlives’ of the Classics, which is being produced jointly by the Institute of Classical Studies and the Warburg Institute.

A collection of essays on the topical concept of agon in Greek literature.

The papers collected in this volume are offered by colleagues and former students in honor of Chris Carey, emeritus professor of Greek at University College London. The multifaceted topic of the agon, or contest of word, and its varying representations in Greek literature aptly corresponds to the outstanding variety of Carey’s research interests, which include the works of Homer, lyric poetry, drama, law, rhetoric, and historiography. This volume sets out to reflect on facets of the agon across these literary genres and the pivotal role of competition in ancient Greek thought. It aims to explore the wide range of agonal dynamics, and their generic and cultural value, as well as stimulating fresh discussions under a broad spectrum of theoretical and methodological approaches.

A revisionist history of anti-communism in Britain during the early Cold War.
 
The Cold War produced in many countries a form of political repression and societal paranoia which often infected governmental and civic institutions. In the West, the driving catalyst for the phenomenon was anti-communism. While much has been written on the post-war American red scare commonly known as McCarthyism, the domestic British response to the “red menace” during the early Cold War has until now received little attention. Anti-communism in Britain During the Early Cold War is the first book to examine how British Cold War anti-communism transpired and manifested as McCarthyism raged across the Atlantic.

Drawing from a wealth of archival material, this book demonstrates that while policymakers and politicians in Britain sought to differentiate their anti-communist initiatives from the “witch hunt hysteria” occurring in the United States, they were often keen to conduct—albeit less publicly—their own hunts as well. Through analyzing how domestic anti-communism exhibited itself in state policies, political rhetoric, party politics, and the trade union movement, Matthew Gerth argues that an overreaction to the communist threat occurred. In striking detail, this book describes a nation at war with a specific political ideology and its willingness to use a variety of measures to either disrupt or eradicate its influence.

An examination of Austrian writer Arthur Schnitzler’s reception in Great Britain.
 
The “amoral voice” of fin-de-siècle Vienna, Arthur Schnitzler (1862–1931) was one of the major figures of European modernist literature. Throughout his lifetime and after his death, his writing enjoyed substantial domestic and international success, yet the arrival of his dramatic works in Great Britain was plagued by false starts, short runs, and inconsistencies. Only with Tom Stoppard’s adaptations of Das weite Land and Liebelei, as Undiscovered Country and Dalliance respectively, were Schnitzler’s plays finally produced at the National Theatre.

This fascinating book studies the history of Schnitzler’s reception in Great Britain to unearth evidence of power in transcultural and translingual migrations. Surveying the field from the end of the nineteenth century to the present day, Nicole Robertson’s analysis of published translations, critical reviews, correspondence, and unpublished drafts provides expansive insight into the process of translating from page to stage. This book presents exhaustive and detailed scholarship on a fascinating, if far from smooth, journey, raising fundamental questions about the nature of authorship.