The original book on the renowned Freedom quilters of Gee's Bend

In December of 1965, the year of the Selma-to-Montgomery march, a white Episcopal priest driving through a desperately poor, primarily black section of Wilcox County found himself at a great bend of the Alabama River. He noticed a cabin clothesline from which were hanging three magnificent quilts unlike any he had ever seen. They were of strong, bold colors in original, op-art patterns—the same art style then fashionable in New York City and other cultural centers. An idea was born and within weeks took on life, in the form of the Freedom Quilting Bee, a handcraft cooperative of black women artisans who would become acclaimed throughout the nation.

Critical studies of the range of King’s public discourse as forms of sermonic rhetoric

The nine essays in this volume offer critical studies of the range of King’s public discourse as forms of sermonic rhetoric. They focus on five diverse and relative short examples from King’s body of work: “Death of Evil on the Seashore,” “Letter from Birmingham Jail,” “I Have a Dream,” “A Time to Break Silence,” and “I’ve Been to the Mountaintop.”
 
Taken collectively, these five works span both the duration of King’s career as a public advocate but also represent the broad scope of his efforts to craft and project a persuasive vision a beloved community that persists through time.

A collection of reminiscences captures the private life of a great American writer.
 
Thomas Wolfe’s life may seem to be an open book. A life that, after all, was the source for his best-known works, including the novels Look Homeward, Angel and Of Time and the River, as well as his numerous short stories and dramas. Since his death in 1938, scholars and admirers of Wolfe have relied largely on these texts to understand the man himself.
 
Thomas Wolfe Remembered provides something new: a rich, multifaceted portrait painted by those who knew him (casually or intimately), loved him (or didn’t), and saw, heard, and experienced the literary (and literal) giant. This volume gathers in one place for the first time dozens of reminiscences by friends, family members, colleagues, and casual acquaintances, adding color and fine details to the self-portrait the author created in his novels.
 
Wolfe found plenty to challenge and frustrate him throughout his life, from his boyhood in Asheville, North Carolina, to his education at the University of North Carolina and Harvard University, through his time in New York and Europe, his travels through the American West, and his death in Baltimore. He experienced two distracted parents in a loveless marriage, the premature death of a beloved brother, a minor stutter, and the difficulties of controlling a mercurial temper. Yet Wolfe’s exuberance, perceptiveness, memory, and compulsion to record virtually all that he experienced made for an extravagance of material that sometimes angered the people whose lives he used as source material.
 
Editors Mark Canada and Nami Montgomery have collected dozens of remembrances, many unpublished or long forgotten, including pieces from Julia Wolfe, Margaret Roberts, Frederick Koch, Maxwell Perkins, Elizabeth Nowell, Edward Aswell, and Martha Dodd. Some are endearing, others are disturbing, and many are comical. All provide glimpses into the vibrant, haunted, boyish, paranoid, disheveled, courteous, captivating, infuriating, and altogether fascinating giant who was Thomas Wolfe.

Lost City, Found Pyramid delves into the fascinating world of sensational “pseudoarchaeology,” from perennial discoveries of lost pyramids or civilizations to contemporary ghost-hunting and reality TV. It examines how nonscientific pursuit of myths and legends warps both public perceptions of archaeology and of human history itself.
 
A collection of twelve engaging and insightful essays, Lost City, Found Pyramid does far more than argue for the simple debunking of false archaeology. Rather, it brings into focus the value of understanding how and why pseudoarchaeology captures the public imagination. By comprehending pseudoarchaeology’s appeal as a media product, cultural practice, and communication strategy, archaeologists can enhance and enliven how they communicate about real archaeology in the classroom and in the public arena.
 
The first part of Lost City, Found Pyramid provides numerous case studies. Some examine the work of well-intentioned romantics who project onto actual archaeological data whimsical interpretative frameworks or quixotic “proofs” that confirm legends, such as that of the Lost White City of Honduras, or other alternative claims. Other case studies lay bare how false claims may inadvertently lead to the perpetuation of ethnic stereotypes, economic exploitation, political adventurism, and a misunderstanding of science.
 
Offering much of interest to scholars and students of archaeology, archaeology buffs, as well as policy-makers involved in the discovery, curation, and care of archaeological sites and relics, Lost City, Found Pyramid provides an invaluable corrective and hopeful strategy for engaging the public’s curiosity with the compelling world of archaeological discovery.
 

In this rich and dynamic work, David Carey Jr. provides a new perspective on contemporary Guatemalan history by allowing the indigenous peoples to speak for themselves.

Combining the methodologies of anthropology and history, Carey uses both oral interviews and meticulous archival research to construct a history of the last 130 years in Guatemala from the perspective of present-day Mayan people. His research took place over five years, including intensive language study, four summers of fieldwork, and a year-long residence in Comalapa, during which he conducted most of the 414 interviews. By casting a wide net for his interviews—from tiny hamlets to bustling Guatemala City—Carey gained insight into more than a single community or a single group of Maya.

The Maya-Kaqchikel record their history through oral tradition; thus, few written accounts exist. Comparing the Kaqchikel point of view to that of the western scholars and Ladinos who have written most of the history texts, Carey reveals the people and events important to the Maya, which have been virtually written out of the national history.

A motto of the Guatemalan organization Maya Decinio para el Pueblo Indigena (Maya Decade for the Indigenous People) is that people who do not know their past cannot build a future. By elucidating what the Kaqchikel think of their own past, Carey also illuminates the value of non-Western theoretical and methodological approaches that can be applied to the history of other peoples. Valuable to historians, anthropologists, archaeologists, or anyone interested in Mayan and Latin American studies, this book will inform as well as enchant.

 

In Creekside, dedicated archaeologist Meg Harrington guides her students in a race against time to protect the legacy of the past before bulldozers rip it to shreds.

The setting is a Kentucky pasture slated for development—the construction of the new Creekside subdivision. Once, that same beautiful stretch of land was home to three generations who experienced love, loss, and tragedy in their log cabin beside the creek. It was here during the late 18th century that Estelle Mullins struggled to build her home on the dangerous frontier.

In Meg’s 21st-century world of archaeology we read about excavation techniques, daily experiences at a dig, tight construction deadlines, the use of heavy equipment, report writing, artifact analysis, damage from looters and collectors, and the reality of site destruction in the path of modern development. The depiction of Estelle’s frontier life includes Kentucky’s early Euro-American settlement of the Cumberland Gap, encounters with Shawnee defending their land, Protestant fragmentation, the rise of religious fundamentalism, the immigrant stampede down the Ohio River, and the persistent issue of class-based land ownership.

The two partially interwoven story lines link artifact and place, ancestors and descendants, the present and the past, and inspire us to explore the personal connections between them all in fresh and vital ways.

Contributors
William Andrefsky Jr. / Andrew P. Bradbury / Philip J. Carr / CarolynConklin /

D. Randall Cooper / Jason L.Edmonds / Jay D. Franklin / Albert C.Goodyear III /

Joel Hardison / Lucinda M. Langston / D. Shane Miller / George H.Odell /

Charlotte D. Pevny / Tara L. Potts /Sarah E. Price / Douglas Sain / Sarah C.Sherwood /

Ashley M. Smallwood /Paul Thacker

Ancient human groups in the Eastern Woodlands of North America were long viewed as homogeneous and stable hunter-gatherers, changing little until the late prehistoric period when Mesoamerican influences were thought to have stimulated important economic and social developments. The authors in this volume offer new, contrary evidence to dispute this earlier assumption, and their studies demonstrate the vigor and complexity of prehistoric peoples in the North American Midwest and Midsouth. These peoples gathered at favored places along midcontinental streams to harvest mussels and other wild foods and to inter their dead in the shell mounds that had resulted from their riverside activities. They created a highly successful, pre-maize agricultural system beginning more than 4,000 years ago, established far-flung trade networks, and explored and mined the world's longest cave—the Mammoth Cave System in Kentucky.
 

Contributors include:
Kenneth C. Carstens, Cheryl Ann Munson, Guy Prentice, Kenneth B. Tankersley, Philip J. DiBlasi, Mary C. Kennedy, Jan Marie Hemberger, Gail E. Wagner, Christine K. Hensley, Valerie A. Haskins, Nicholas P. Herrmann, Mary Lucas Powell, Cheryl Claassen, David H. Dye, and Patty Jo Watson
 

Documentary photography aims to capture the material reality of life. In Rhetorical Exposures, Christopher Carter demonstrates how the creation and display of documentary photographs—often now called “imagetexts”—both invite analysis and raise persistent questions about the political and social causes for the bleak scenes of poverty and distress captured on film.
 
Carter’s carefully reasoned monograph examines both formal qualities of composition and the historical contexts of the production and display of documentary photographs. In Rhetorical Exposures, Carter explores Jacob Riis’s heartrending photos of Manhattan’s poor in late nineteenth-century New York, Walker Evans’s iconic images of tenant farmers in west Alabama, Ted Streshinsky’s images of 1960s social movements, Camilo José Vergara’s photographic landscapes of urban dereliction in the 1970s, and Chandra McCormick’s portraits of New Orleans’s Ninth Ward scarred by Hurricane Katrina.
 
While not ascribing specifically political or Marxist intentions to the photographers discussed, Carter frames his arguments in a class-based dialectic that addresses material want as an ineluctable result of social inequality. Carter argues that social documentary photography has the powerful capacity to disrupt complacent habits of viewing and to prompt viewers to confront injustice. Though photography may induce socially disruptive experiences, it remains vulnerable to the same power dynamics it subverts. Therefore, Carter offers a “rhetoric of exposure” that outlines how such social documentary images can be treated as highly tensioned rhetorical objects. His framework enables the analysis of photographs as heterogeneous records of the interaction of social classes and expressions of specific built environments. Rhetorical Exposures also discusses how photographs interact with oral and print media and relate to creations as diverse as public memorials, murals, and graphic novels.
 
As the creation and dissemination of new media continues to evolve in an environment of increasing anxiety about growing financial inequality, Rhetorical Exposures offers a very apt and timely discussion of the ways social documentary photography is created, employed, and understood.

On February 19, 1945, the 4th and 5th Marine Divisions stormed ashore from a naval support force. Among them was green young lieutenant Pat Caruso who became de facto company commander when the five officers ranking him were killed or wounded. He led his rapidly diminishing force steadily forward for the next few days, when a day’s gains were measured in yards. Caruso was eventually wounded himself and was evacuated. Realizing that the heroism of his comrades would be lost by the decimation of his unit, Caruso latched onto any paper he could find and filled every blank space with his memory of the fighting. This edition has a new foreword and index, boasts nine new photographs, and a map of the action. It resumes its place as a classic account of the experience of being in close, direct, and constant contact with a determined enemy at close quarters. Many did not survive; those who did were changed forever.

Clarence Cason belonged to that restless generation of southern intellectuals who, between the world wars, questioned the South's stubborn traditionalism, even as they tried to explain and defend its distinctiveness. From his professorial perch at The University of Alabama, Cason wrote polished essays for leading national publications while contributing weekly editorials for newspaper readers. As a journalist in academia, he cultivated a broad audience for his eloquent though tentative observations about the "character" of a region that seemed to be a separate province of the nation.

In 1935, Cason collected his thoughts in a small book of essays titled 90° in the Shade. In it, he declared that climate and the relaxation afforded by field and stream had given southerners excellent reasons for their notoriously slow pace of life. Still, he wrote, "there is much work that ought to be done below the Potomac." Cason captured the pathos of race relations and other persistent problems and declared that the abominable practice of lynching would end when the best people of the South risked their personal and commercial standing to denounce it. Just days before the book's publication, however, Cason shot himself in his campus office. He left no explanation, but apparently he feared angry reaction from fellow citizens to his mild criticisms and gentle suggestions for change.

The University of Alabama Press brought the book back into print in 1983. This new edition of Cason's classic features an introduction by journalist and UA professor H. Bailey Thomson, allowing yet another generation the enjoyment of Cason's perceptive writing, not so much for any remedy he proposed but rather for the open-minded and loving way in which he addressed the region's tragic experience.

As both a verb and a noun, the word voice has many meanings and functions on multiple levels, a phenomenon that is remarkably analogous to the practice of dramaturgy. Thus, the topic title Voice of the Dramaturg allows for the requisite flexibility and provides a unifying theme for the third volume of Theatre Symposium. This volume of the proceedings from the June 1994 joint meeting of the Southeastern Theatre Conference and the Literary Managers and Dramaturgs in Atlanta, Georgia, addresses the question, What is Dramaturgy? Part I includes the contributions of the six symposium participants and concludes with the roundtable discussion by panelists. Part II is composed of refereed papers. These papers range from the highly theoretical to the practical and pedagogical. They reflect the diversity of what dramaturgy means in contemporary theatre.

Since the 1960s, hostility and mistrust toward the U.S. government has risen precipitously. At the same time, the field of public administration has wrestled with its own crisis of legitimacy. What is at the root of current antigovernment sentiment? Conventionally, two explanations for this problem persist. Some see it primarily in moral terms, a deficit of Constitutional or democratic values in government. Others emphasize government’s performance failures and managerial inefficiency.

 

Thomas J. Catlaw departs from both explanations in this groundbreaking study and demonstrates that the current crisis of government originates in the uncritical manner in which we have accepted the idea of “the People.” He contends that this unifying, foundational concept—and the notion of political representation it entails—have failed. While illuminating some of our most pressing social and political problems, Catlaw shows how the idea of the People, far from serving to unify, relies in fact on a distinctive logic of exclusion. True political power is the power to determine what constitutes the normal, natural life of the electorate. Today, the exclusionary practices that once made up or fabricated the People are increasingly contested. In turn, government and political power now appear more invasive, less legitimate, and our shared reality appears more fragmented and disconnected.

 

In order to address this crisis and reinvigorate democracy, Catlaw argues, we must accept as bankrupt the premise of the People and the idea of representation itself. Fabricating the People boldly proposes post-representational governance that reframes the practice of modern democracy and reinvents the role of public administration.

Relying on extensive archival research and on sixty interviews with
fiddlers and their families and friends, Cauthen tells the rich, full story
of old-time fiddling in Alabama.

Writing of life in the Alabama Territory in the late 1700s,
A. J. Pickett, the state's first historian, noted that the country abounded
in fiddlers, of high and low degree. After the defeat of the Creek Indians
at the Battle of Horseshoe Bend in 1813, the number of fiddlers swelled
as settlers from the southern states surrounding Alabama claimed the land.
The music they played was based on tunes brought from Ireland, Scotland,
and England, but in Alabama they developed their own southern accent as
their songs became the music of celebration and relaxation for the state's
pioneers. Early in the 20th century such music began to be called "old-time
fiddling," to distinguish it from the popular music of the day, and the
term is still used to distinguish that style from more modern bluegrass
and country fiddle styles.

In With Fiddle and Well-Rosined Bow, Cauthen focuses
on old-time fiddling in Alabama from the settlement of the state through
World War II. Cauthen shows the effects of events, inventions, ethnic groups,
and individuals upon fiddlers' styles and what they played. Cauthen gives
due weight to the "modest masters of fiddle and bow" who were stars only
to their families and communities. The fiddlers themselves tell why they
play, how they learned without formal instruction and written music, and
how they acquired their instruments and repertoires. Cauthen also tells
the stories of "brag" fiddlers such as D.Dix Hollis, Y. Z. Hamilton, Charlie
Stripling, "Fiddling" Tom Freeman,"Monkey" Brown, and the Johnson Brothers
whose reputations spread beyond their communities through commercial recordings
and fiddling contests. Described in vivid detail are the old-style square
dances, Fourth of July barbeques and other celebrations, and fiddlers'
conventions that fiddler shave reigned over throughout the state's history.

A neat and lavish, if constricting, childhood in the lush landscapes of North Carolina. Summers at a calm, remote beach house. A proper and religiously influenced prep school in Washington. Years at Bryn Mawr, an impulsive study trip to Paris, further education at Yale, married life, and divorced life. These are the settings for Mary Ann Caws’s passionate memoir, in which she recounts the highs and lows of her journey through life. Marked by complicated relationships and a passion for learning, Caws’s story is one that resonates not only with writers like herself, but with all who have struggled with determining their path within the surrounding world.

Caws writes of her formal, stylish parents, her rebellious and deeply admired sister, and her artistic grandmother, whom she respected and idolized more than anyone else. She describes her marriage and subsequent divorce, her bouts with therapy, her children, and her growth as a student and writer. Throughout the memoir is evidence of her love for writing, teaching, art, and poetry as well as her deep respect for the people in her life that ultimately guided her into her career.

Mary Ann Caws describes Southern society and her own life with fondness, nostalgia, and a tinge of honest criticism. The carefully selected details and delicate balance of sentiment and fact bring readers into the fascinating, complicated, and all-too-real world of Caws’s—and our own—past.

 

An important historical account of Tuskegee University’s significant advances in health care, which affected millions of lives worldwide.

Alabama’s celebrated, historically black Tuskegee University is most commonly associated with its founding president, Booker T. Washington, the scientific innovator George Washington Carver, or the renowned Tuskegee Airmen. Although the university’s accomplishments and devotion to social issues are well known, its work in medical research and health care has received little acknowledgment. Tuskegee has been fulfilling Washington’s vision of “healthy minds and bodies” since its inception in 1881. In To Raise Up the Man Farthest Down, Dana R. Chandler and Edith Powell document Tuskegee University’s medical and public health history with rich archival data and never-before-published photographs. Chandler and Powell especially highlight the important but largely unsung role that Tuskegee University researchers played in the eradication of polio, and they add new dimension and context to the fascinating story of the HeLa cell line that has been brought to the public’s attention by popular media.

Tuskegee University was on the forefront in providing local farmers the benefits of agrarian research. The university helped create the massive Agricultural Extension System managed today by land grant universities throughout the United States. Tuskegee established the first baccalaureate nursing program in the state and was also home to Alabama’s first hospital for African Americans. Washington hired Alabama’s first female licensed physician as a resident physician at Tuskegee. Most notably, Tuskegee was the site of a remarkable development in American biochemistry history: its microbiology laboratory was the only one relied upon by the National Foundation for Infantile Paralysis (the organization known today as the March of Dimes) to produce the HeLa cell cultures employed in the national field trials for the Salk and Sabin polio vaccines. Chandler and Powell are also interested in correcting a long-held but false historical perception that Tuskegee University was the location for the shameful and infamous US Public Health Service study of untreated syphilis.

Meticulously researched, this book is filled with previously undocumented information taken directly from the vast Tuskegee University archives. Readers will gain a new appreciation for how Tuskegee’s people and institutions have influenced community health, food science, and national medical life throughout the twentieth century.

Examines how religious belief reshaped concepts of gender during the New South period that took place from 1877 to 1915 in ways that continue to manifest today

Modernity remade much of the world in the late nineteenth and early twentieth centuries and was nowhere more transformational than in the American South. In the wake of the Civil War, the region not only formed new legal, financial, and social structures, but citizens of the South also faced disorienting uncertainty about personal identity and even gender itself. Ye That Are Men Now Serve Him traces the changes in southern gender roles during the New South period of 1877–1915 and demonstrates that religion is the key to perceiving how constructions of gender changed.
 
The Civil War cleaved southerners from the culture they had developed organically during antebellum decades, raising questions that went to the very heart of selfhood: What does it mean to be a man? How does a good woman behave? Unmoored from traditional anchors of gender, family, and race, southerners sought guidance from familiar sources: scripture and their churches. In Ye That Are Men Now Serve Him, Colin Chapell traces how concepts of gender evolved within the majority Baptist and Methodist denominations as compared to the more fluid and innovative Holiness movement.
 
Grounded in expansive research into the archives of the Southern Baptist Convention; Methodist Episcopal Church, South; and the Holiness movement, Chapell’s writing is also enlivened by a rich trove of primary sources: diaries, sermons, personal correspondence, published works, and unpublished memoirs. Chapell artfully contrasts the majority Baptist and Methodist view of gender with the relatively radical approaches of the emerging Holiness movement, thereby bringing into focus how subtle differences in belief gave rise to significantly different ideas of gender roles.
 
Scholars have explored class, race, and politics as factors that contributed to contemporary southern identity, and Chapell restores theology to its intuitive place at the center of southern identity. Probing and illuminating, Ye That Are Men Now Serve Him offers much of interest to scholars and readers of the South, southern history, and religion.

Advocates of higher education have long contended that universities should operate above the crude material negotiations of economics and politics. Such arguments, ignore the historical reality that the American university system emerged through, and in service to, a capitalist political economy that unevenly combines corporate, state, and civil interests.

 

As the corporatization of U.S. universities becomes nearly impossible to deny, the common response from many academics has been a superior stand against the contamination of the professional ideal by tainted corporate interests. Inside the Teaching Machine proposes a correction to this view through the lens of historical materialism.

 

Chaput argues that the U.S. public research university has always been a vital component of the capitalist political economy. While conventional narratives of public higher education emphasize civic preparation and upward mobility, Chaput demonstrates that supposedly egalitarian policies like the Morrill Land-Grant Act and the G.I. Bill served the changing interests of capitalism much as education, creating a professional class that supports the capitalist political economy. Chaput also focuses on the relationship between American universities and globalization, showing how the trend toward professionalization contributes to the production of surplus value, and the ways that the American university model circulates outside the United States. Chaput concludes by advocating rhetorical strategies for the professional who opposes the capitalist logic of the global university system, proposing concrete options for engaging and redirecting globalization within the university system.

Winner of the Elizabeth Agee Prize in American Literature

Since his death in Alabama in 1992, the work of American writer Richard Yates has enjoyed a renaissance, culminating in director Sam Mendes’s adaption of the novel Revolutionary Road (starring Leonardo DiCaprio and Kate Winslet). Dismembering the American Dream is the first book-length critical study of Yates’s fiction.
 
Kate Charlton-Jones argues that to read Yates’s tales of disordered lives is to uncover not misery, though the lives he describes are sad ones, but a profound, enriching, and humorous understanding of human weakness and vulnerability. Yates’s narratives absorb his readers so entirely, mirroring their own emotional highs and lows with such skill, that reading becomes recognition. Yates demonstrates his ability to tease powerful human drama out of the most ordinary, quotidian moments. At the same time, Yates’s fiction displays an object lesson in the art of fine prose writing, so it is no surprise that many early fans of Yates were also established writers.
 
Charlton-Jones explores how Yates extends the realist form and investigates three main recurring themes of his fiction: observations about performative behavior, which are at the heart of all his fictions; his conception of the writer’s role in society; and how he envisages the development of social and sexual relationships. Furthermore, Charlton-Jones illustrates how Yates incorporates some of the concerns and methods of postmodernist writers but how, nevertheless, he resists their ontological challenges.
 
Drawing on the author’s personal papers and with a foreword by DeWitt Henry and an afterword by Richard Yates’s daughter Monica, Dismembering the American Dream provides an extended critical examination of the often neglected but important work of this gifted and accomplished author. 

Alexandra Chasin’s remarkable stories employ forms as diverse as cryptograms (in "ELENA=AGAIN") and sentence diagrams (in "Toward a Grammar of Guilt") to display her interest in fiction as al form constituted by print on the page, every bit as much as poetry.

In "They Come From Mars," the words are arrayed on the page like troops, embodying the xenophobic image of invading armies of immigrant and illegal aliens that animates the narrative. One story incorporates personal ads ("Lynette, Your Uniqueness"), another is organized alphabetically ("2 Alphabets"), while another leaves sentences unfinished ("Composer and I"). A number of stories take metafictional turns, calling attention to the process of writing itself. The last piece in the collection plays with genre distinctions, including an index of first lines and a general index. Set in New York, New England, Paris, and Morocco, these tales are narrated by men and women, old and young, gay, straight, and bisexual; one narrator is not a person at all, but a work of art. Each of these deft, playful, and sometimes anarchic fictions is different from the others,
yet all are the unmistakable offspring of the same wildly inventive imagination.

This volume of new essays provides the first book-length critical assessment of the fiction of America's best-known contemporary writer of Native American heritage.

Louise Erdrich is arguably the most prolific and prominent contemporary writer of American Indian descent in North America today. Her novels and short stories have won great critical acclaim and are widely taught in American and world literature courses.

This collection of original ssays focuses on Erdrich's writings rooted in the Chippewa experience. Premier scholars of Native American literature investigate narrative structure, signs of ethnicity, the notions of luck and chance in Erdrich's narrative cosmology, her use of hunting metaphors, her efforts to counter stereotypes of American Indian women, her use of comedy in exploring American Indians' tragic past, her intentions underlying the process of revision in Love Medicine, and other subjects. 

Including a variety of theoretical approaches, this book provides a comprehensive examination of Erdrich's work, making it more accessible to new readers and richer to those already familiar with her work.

 

Focuses criticism upon the writings of Kenneth Burke

Extensions of the Burkeian System constitutes one of the first projects to meet the requirements Burke has established for his operation benchmark. This volume its origins in the scholarly contributions of Kenneth Burke. All of the authors of the chapters in this volume adopt stances that defer to Burke’s initial contributions, ultimately casting their work as extensions of ideas and claims posited by Burke. Yet, all of the authors also make significant departures from positions Burke has articulated. The range of these reactions varies tremendously. Several of the authors cast their positions as augmentations. They offer supplements to Burke's claims that constitute logical additions to Burke's initial observations, but even these authors provide adjustments to the Burkeian system that make a difference in how the system is per­ceived and understood. Other essays are cast in a more challenging mode, arguing explicitly for alternative viewpoints. Displeased with Burke's analysis at a given point for one reason or another, they posit positions different than those advanced by Burke.
 

“The autobiography of J. L. Chestnut is the story of Selma’s first black lawyer and prodigal son, but it is also part of the history of the race, sweeping biblically from enslavement by segregation to freedom to the ambitious aftermath of redemption.”  —New York Times Book Review
 
Born in Selma in 1930, J. L. Chestnut left home to study law at Howard University in Washington, DC. Returning to Selma, Chestnut was the town’s first and only African American attorney in the late 1950s. As the turbulent struggle for civil rights spread across the South, Chestnut became an active and ardent promoter of social and legal equality in his hometown. A key player on the local and state fronts, Chestnut accrued deep insights into the racial tensions in his community and deftly opened paths toward a more equitable future.
 
Though intimately involved in many events that took place in Selma, Chestnut was nevertheless often identified in history books simply as “a local attorney.” Black in Selma reveals his powerful yet little-known story.
 
In the 2014 film Selma, director Ava DuVernay takes audiences to the climactic confrontation between civil rights advocates and the state’s security forces of March 1965. Readers looking for a deeper understanding of the events that preceded that epic moment, as well as how racial integration unfolded in Selma in the decades that followed, will find Chestnut’s story and memories both a vital primary source and an inspiration.

Explores how two language systems inform and cross-fertilize the author’s work
 

As the writer, director, producer, and cinematographer of almost all her 30 films, videos, and shorts, Abigail Child has been recognized as a major and influential practitioner of experimental cinema since the early 1970s. Hallmarks of her style are the appropriation and reassembly of found footage and fragments from disparate visual sources, ranging from industrial films and documentaries to home movies, vacation photography, and snippets of old B movies.

The resulting collages and montages are cinematic narratives that have been consistently praised for their beauty and sense of wonder and delight in the purely visual. At the same time, Child's films are noted for their incisive political commentary on issues such as gender and sexuality, class, voyeurism, poverty, and the subversive nature of propaganda.

In the essays of This Is Called Moving, Child draws on her long career as a practicing poet as well as a filmmaker to explore how these two language systems inform and cross-fertilize her work. For Child, poetry and film are both potent means of representation, and by examining the parallels between them—words and frames, lines and shots, stanzas and scenes—she discovers how the two art forms re-construct and re-present social meaning, both private and collective.

Winner of FC2’s Ronald Sukenick Innovative Fiction Prize

A grand tour of the edges of our lives, where glory and significance riot against the logic of living and the pall of tragedy.

The Making Sense of Things is a collection of twelve stories that pulse with memory, magic, and myth—all our favorite ways of trying to make sense of things.

Readers are treated to vivid and unforgettable characters. A fiercely independent woman puts the man who loves her to unconscionable tests, never guessing that arson, suicide, and canine obesity will yield a magical kind of happiness. A honeymooner in Venice, addled by fever and second thoughts, commits by dumb error a double murder. A brisk lawyer founders when a car wreck claims his son and ex-wife, then discovers that the desperation of grief is a kind of hope.

Landscape is a powerful factor in the operation of memory because of the associations narrators make between the local landscape and the events of the stories they tell. Ancestors and mythological events often become fixed in a specific landscape and act as timeless reference points.

In conventional anthropological literature, "landscape" is the term applied to the meaning local people bestow on their cultural and physical surroundings. In this work, the authors explore the cultural and physical landscapes an individual or cultural group has constructed to define the origins or beginnings of that cultural group as revealed through shared or traditional memory. The cultural landscapes of origins in diverse sites throughout the Americas are investigated through multidisciplinary research, not only to reveal the belief system and mythologies but also to place these origin beliefs in context and relationship to each other. In a continual interaction between the past, present, and future, time is subordinate to place, and history, as defined in Western academic terms, does not exist.

The marriage of narrative and the computer dates back to the 1980s, with the hypertext experiments of luminaries such as Judy Malloy and Michael Joyce. What has been variously called "hypertext fiction," "literary hypertext," and "hyperfiction" has surely surrendered any claim to newness in the 21st century.

 

David Ciccoricco establishes the category of "network fiction" as distinguishable from other forms of hypertext and cybertext: network fictions are narrative texts in digitally networked environments that make use of hypertext technology in order to create emergent and recombinant narratives. Though they both pre-date and post-date the World Wide Web, they share with it an aesthetic drive that exploits the networking potential of digital composition and foregrounds notions of narrative recurrence and return.

 

Ciccoricco analyzes innovative developments in network fiction from first-generation writers Michael Joyce (Twilight, a symphony, 1997) and Stuart Moulthrop (Victory Garden, 1991) through Judd Morrissey’s The Jew's Daughter (2000), an acclaimed example of digital literature in its latter instantiations on the Web. Each investigation demonstrates not only what the digital environment might mean for narrative theory but also the ability of network fictions to sustain a mode of reading that might, arguably, be called "literary." The movement in the arts away from representation and toward simulation, away from the dynamics of reading and interpretation and toward the dynamics of interaction and play, has indeed led to exaggerated or alarmist claims of the endangerment of the literary arts. At the same time, some have simply doubted that the conceptual and discursive intricacy of print fiction can migrate to new media. Against these claims, Reading Network Fiction attests to the verbal complexity and conceptual depth of a body of writing created for the surface of the screen.

On Captivity is the first translation into English of Del Cautiverio, Manuel Ciges Aparicio’s account of his imprisonment in the notorious La Cabaña fortress in Havana during the Cuban War of Independence (1895–98).

 

Ciges enlisted in the Spanish army in 1893 at the age of twenty. He served in Africa and then in Cuba, where he opposed Spanish General Valeriano Weyler’s policies in Cuba as well as the war itself. Ciges soon found himself imprisoned and facing execution for treason as punishment for an article critical of Weyler’s conducting of the war that was intercepted by Spanish authorities before it could be published in the pro-Cuban Parisian paper L’Intransigeant.

 

First published in book form in 1903, Ciges’s account includes detailed observations concerning prison organization, perceptions of political events and personalities of the time, as well as graphic descriptions of the daily life of the men confined in the infamous prison. Ciges is the only one of the so-called Generation of 1898—writers considered to have been deeply marked by el desastre (the loss of the colonies)—who was in Cuba during the war years. His witness to events there, colored by his stance as a freethinker and political skeptic, constitutes a significant historical document. Following his release from prison, Ciges returned to Spain where he resumed his career as an activist journalist and also earned acclaim as a translator and novelist. In time, his political allegiances shifted from socialism to liberal republicanism. He was acting as provincial governor of Avila when he was killed by unidentified assassins on August 4, 1936—eighteen days after the Falangist uprising against the Second Republic.

 

Explores efforts to restrict and expand notions of US citizenship as they relate specifically to the US-Mexico border and Latina/o identity

Borders and citizenship go hand in hand. Borders define a nation as a territorial entity and create the parameters for national belonging. But the relationship between borders and citizenship breeds perpetual anxiety over the purported sanctity of the border, the security of a nation, and the integrity of civic identity.

In The Border Crossed Us, Josue David Cisneros addresses these themes as they relate to the US-Mexico border, arguing that issues ranging from the Mexican-American War of 1846–1848 to contemporary debates about Latina/o immigration and border security are negotiated rhetorically through public discourse. He explores these rhetorical battles through case studies of specific Latina/o struggles for civil rights and citizenship, including debates about Mexican American citizenship in the 1849 California Constitutional Convention, 1960s Chicana/o civil rights movements, and modern-day immigrant activism.

Cisneros posits that borders—both geographic and civic—have crossed and recrossed Latina/o communities throughout history (the book’s title derives from the popular activist chant, “We didn’t cross the border; the border crossed us!”) and that Latina/os in the United States have long contributed to, struggled with, and sought to cross or challenge the borders of belonging, including race, culture, language, and gender.

The Border Crossed Us illuminates the enduring significance and evolution of US borders and citizenship, and provides programmatic and theoretical suggestions for the continued study of these critical issues.

A comprehensive and essential field reference, Beliefs and Rituals in Archaic Eastern North America reveals the spiritual landscape in the American Archaic period

Beliefs and Rituals in Archaic Eastern North America describes, illustrates, and offers nondogmatic interpretations of rituals and beliefs in Archaic America. In compiling a wealth of detailed entries, author Cheryl Claassen has created both an exhaustive reference as well as an opening into new archaeological taxonomies, connections, and understandings of Native American culture.
 
The material is presented in an introductory essay about Archaic rituals followed by two sections of entries that incorporate reports and articles discussing archaeological sites; studies of relevant practices of ritual and belief; data related to geologic features, artifact attributes, and burial settings; ethnographies; and pilgrimages to specific sites. Claassen’s work focuses on the American Archaic period (marked by the end of the Ice Age approximately 11,000 years ago) and a geographic area bounded by the edge of the Great Plains, Newfoundland, and southern Florida. This period and region share specific beliefs and practices such as human sacrifice, dirt mound burial, and oyster shell middens.
 
This interpretive guide serves as a platform for new interpretations and theories on this period. For example, Claassen connects rituals to topographic features and posits the Pleistocene-Holocene transition as a major stimulus to Archaic beliefs. She also expands the interpretation of existing data previously understood in economic or environmental terms to include how this same data may also reveal spiritual and symbolic practices. Similarly, Claassen interprets Archaic culture in terms of human agency and social constraint, bringing ritual acts into focus as drivers of social transformation and ethnogenesis.
 
Richly annotated and cross-referenced for ease of use, Beliefs and Rituals in Archaic Eastern North America will benefit scholars and students of archaeology and Native American culture. Claassen’s overview of the archaeological record should encourage the development of original archaeological and historical connections and patterns. Such an approach, Claassen suggests, may reveal patterns of influence extending from early eastern Americans to the Aztec and Maya.

"This is a book that anyone interested in South Carolina history, the emergence of the New South, and the southern press, so important to the regional culture, will find valuable. Clark has researched all the important manuscript collections and a wide variety of other sources. He also writes in a style that is lucid and imaginative." —Journal of Southern History

An exploration of the ways a particular religious tradition and a distinct social context have interacted over a 300-year period, including the unique story of the oldest and largest African American Calvinist community in America

The South Carolina low country has long been regarded—not only in popular imagination and paperback novels but also by respected scholars—as a region dominated by what earlier historians called “a cavalier spirit” and by what later historians have simply described as “a wholehearted devotion to amusement and the neglect of religion and intellectual pursuits.” Such images of the low country have been powerful interpreters of the region because they have had some foundation in social and cultural realities. It is a thesis of this study, however, that there has been a strong Calvinist community in the Carolina low country since its establishment as a British colony and that this community (including in its membership both whites and after the 1740s significant numbers of African Americans) contradicts many of the images of the "received version" of the region. Rather than a devotion to amusement and a neglect of religion and intellectual interests, this community has been marked throughout most of its history by its disciplined religious life, its intellectual pursuits, and its work ethic.
 

1993 Choice Outstanding Academic Book, sponsored by Choice Magazine.

The De Soto expedition was the first major encounter of Europeans with North American Indians in the eastern half of the United States. De Soto and his army of over 600 men, including 200 cavalry, spent four years traveling through what is now Florida, Georgia, Alabama, North and South Carolina, Tennessee, Mississippi, Louisiana, Arkansas, and Texas. For anthropologists, archaeologists, and historians the surviving De Soto chronicles are valued for the unique ethnological information they contain. These documents, available here in a two volume set, are the only detailed eyewitness records of the most advanced native civilization in North America—the Mississippian culture—a culture that vanished in the wake of European contact.


 

1993 Choice Outstanding Academic Book, sponsored by Choice Magazine.

The De Soto expedition was the first major encounter of Europeans with North American Indians in the eastern half of the United States. De Soto and his army of over 600 men, including 200 cavalry, spent four years traveling through what is now Florida, Georgia, Alabama, North and South Carolina, Tennessee, Mississippi, Louisiana, Arkansas, and Texas. For anthropologists, archaeologists, and historians the surviving De Soto chronicles are valued for the unique ethnological information they contain. These documents, available here in a two volume set, are the only detailed eyewitness records of the most advanced native civilization in North America—the Mississippian culture—a culture that vanished in the wake of European contact.


 

1993 Choice Outstanding Academic Book, sponsored by Choice Magazine.

The De Soto expedition was the first major encounter of Europeans with North American Indians in the eastern half of the United States. De Soto and his army of over 600 men, including 200 cavalry, spent four years traveling through what is now Florida, Georgia, Alabama, North and South Carolina, Tennessee, Mississippi, Louisiana, Arkansas, and Texas. For anthropologists, archaeologists, and historians the surviving De Soto chronicles are valued for the unique ethnological information they contain. These documents, available here in a two volume set, are the only detailed eyewitness records of the most advanced native civilization in North America—the Mississippian culture—a culture that vanished in the wake of European contact.


 

An examination of the American fascination with conspiracy and the distrust it sows

The recent popularity of The DaVinci Code and The Matrix trilogy exemplifies the fascination Americans have with conspiracy-driven subjects. Though scholars have suggested that in modern times the JFK assassination initiated an industry of conspiracy (i.e., Vietnam and the Pentagon Papers, Area 51, Iran-Contra Affair), Samuel Chase Coale reminds us in this book that conspiracy is foundational in American culture—from the apocalyptic Biblical narratives in early Calvinist households to the fear of Mormon, Catholic, Jewish, and immigrant populations in the 19th century. 

Coale argues that contemporary culture—a landscape characterized by doubt, ambiguity, fragmentation, information overload, and mistrust—has fostered a radical skepticism so pervasive that the tendency to envision or construct conspiracies often provides the best explanation for the chaos that surrounds us.

Conspiracy as embodied in narrative form provides a fertile field for explorations of the anxiety lying at the heart of the postmodern experience. Thomas Pynchon's The Crying of Lot 49, Don DeLillo's Underworld, Toni Morrison's Jazz and Paradise, Joan Didion's Democracy, Tim O'Brien's In the Lake of the Woods, and Paul Auster's New York City Trilogy are some of the texts Coale examines for their representations of isolated individuals at the center of massive, anonymous master plots that lay beyond their control. These narratives remind us that our historical sense of national identity has often been based on the demonizing of others and that American fiction arose and still flourishes with apocalyptic visions.

 

A Marine’s highly personal memoir reliving the hellish days of a pivotal conflict of the Vietnam War

Con Thien, located only two miles from the demilitarized zone dividing North and South Vietnam, was a United States Marine Corps firebase that was the scene of fierce combat for months on end during 1967. Staving off attacks and ambushes while suffering from ineffectual leadership from Washington as well as media onslaughts, courageous American Marines protected this crucial piece of land at all costs. They would hold Con Thien, but many paid the ultimate price. By the end of the war, more than 1,400 Marines had died and more than 9,000 sustained injuries defending the “Hill of Angels.”
 
For eight months, James P. Coan’s five-tank platoon was assigned to Con Thien while attached to various Marine infantry battalions. A novice second lieutenant at the time, the author kept a diary recording the thoughts, fears, and frustrations that accompanied his life on “The Hill.” Time in the Barrel: A Marine’s Account of the Battle for Con Thien offers an authentic firsthand account of the daily nightmare that was Con Thien. An enticing and fascinating read featuring authentic depictions of combat, it allows readers to fully grasp the enormity of the fierce struggle for Con Thien.
 
The defenders of Con Thien were bombarded with hundreds of rounds of incoming rockets, mortars, and artillery that pounded the beleaguered outpost daily. Monsoon downpours turned the red laterite clay soil into a morass of oozing mud, flooded bunkers and trenches, and made Con Thien a living hell. .Being at Con Thien came to be ruefully referred to by the Marines stationed there as "time in the barrel” because they were targets as easy as fish in a barrel.
 
More than a retelling of military movements, Coan’s engrossing narratives focus on the sheer sacrifice and misery of one Marine’s experience in Vietnam. Through his eyes, we experience the abysmal conditions the Marines endured, from monsoon rainstorms to the constant threat of impending attack. Climatic moments in history are captured through the rare, personal perspective of one particularly astute and observant participant.

From Quarry to Cornfield provides an innovative model for examining the technology of hoe production and its contribution to the agriculture of Mississippian communities.

Lithic specialist Charles Cobb examines the political economy in Mississippian communities through a case study of raw material procurement and hoe production and usage at the Mill Creek site on Dillow Ridge in southwest Illinois. Cobb outlines the day-to-day activities in a Mississippian chiefdom village that flourished from about A.D. 1250 to 1500. In so doing, he provides a fascinating window into the specialized tasks of a variety of "day laborers" whose contribution to the community rested on their production of stone hoes necessary in the task of feeding the village. Overlooked in most previous studies, the skills and creativity of the makers of the hoes used in village farming provide a basis for broader analysis of the technology of hoe use in Mississippian times.

Although Cobb's work focuses on Mill Creek, his findings at this site are representative of the agricultural practices of Mississippian communities throughout the eastern United States. The theoretical underpinnings of Cobb's study make a clear case for a reexamination of the accepted definition of chiefdom, the mobilization of surplus labor, and issues of power, history, and agency in Mississippian times. In a well-crafted piece of writing, Cobb distinguishes himself as one of the leaders in the study of lithic technology. From Quarry to Cornfield will find a well-deserved place in the ongoing discussions of power and production in the Mississippian political economy.

Explores the impact of European colonization on Native American and Pacific Islander technology and culture

This is the first comprehensive analysis of the partial replacement of flaked stone and ground stone traditions by metal tools in the Americas during the Contact Era. It examines the functional, symbolic, and economic consequences of that replacement on the lifeways of native populations, even as lithic technologies persisted well after the landing of Columbus. Ranging across North America and to Hawai'i, the studies show that, even with wide access to metal objects, Native Americans continued to produce certain stone tool types—perhaps because they were still the best implements for a task or because they represented a deep commitment to a traditional practice.

Chapters are ordered in terms of relative degree of European contact, beginning with groups that experienced brief episodes of interaction, such as the Wichita-French meeting on the Arkansas River, and ending with societies that were heavily influenced by colonization, such as the Potawatomi of Illinois. Because the anthology draws comparisons between the persistence of stone tools and the continuity of other indigenous crafts, it presents holistic models that can be used to explain the larger consequences of the Contact Era.

Marvin T. Smith, of Valdosta State University has stated that, “after reading this volume, no archaeologist will ever see the replacement of lithic technology by metal tools as a simple matter of replacement of technologically inferior stone tools with their superior metal counterparts. This is cutting-edge scholarship in the area of contact period studies.”


 

Opens a candid window into the life of a writer and teacher who overcame years of addiction and serious health problems as his voice, artistic vision, and sense of self evolved and matured

In this audacious memoir, William Cobb reveals the tumultuous creative life of a distinguished practitioner of southern and Alabama storytelling. As poignant and inspiring as his own fiction, Captain Billy’s Troopers traces Cobb’s early life, education, and struggles with alcohol and the debilitating condition normal pressure hydrocephalus (NPH).
 
Like a curving river, the broad sweep of Cobb’s turbulent life includes both startling cataracts and desultory eddies, leading sometimes into shadows or opening into unexpected sunlight. With unsentimental clarity, Cobb recounts coming of age in his native Demopolis in the churning middle years of the twentieth century. It’s there he has his first tantalizing tastes of alcohol and begins to drink habitually. Readers then travel with Cobb to Livingston University (now the University of West Alabama) and then on to Vanderbilt University. Along the way, readers relish his first experiences of love and success as a writer, leading to a career as a professor of writing at Alabama College (now the University of Montevallo) in 1963.
 
From there Cobb’s struggles with alcohol and depression lead to elongated years of tumbling creative output and the collapse of his marriage. The summer of 1984 found Cobb in rehab, the first step in his path to recovery. His unflinching memoir narrates both the milestones and telling details of his intense therapy and years in Alcoholics Anonymous (AA). In the sober thirty years since, Cobb has published a string of critically praised novels and a prize-winning collection of short stories. The capstone of his comeback was winning the Harper Lee Award in 2007 for distinguished fiction writing.
 
In 2000, shortly after retiring, Cobb developed NPH, which upset his sense of balance and triggered dementia symptoms and other maladies. Nine years later in 2009, brain surgery brought Cobb a dramatic recovery, which began the third act in his writing career. Vital, honest, and entertaining, Captain Billy’s Troopers captures the life of an Alabama original.

 

Anna Spector was born in 1905 in Korsun, a Ukrainian town on the Ros River, eighty miles south of Kiev. Held by Poland until 1768 and annexed by the Tsar in 1793 Korsun and its fluid ethnic population were characteristic of the Pale of Settlement in Eastern Europe: comprised of Ukrainians, Cossacks, Jews and other groups living uneasily together in relationships punctuated by violence. Anna’s father left Korsun in 1912 to immigrate to America, and Anna left in 1919, having lived through the Great War, the Bolshevik Revolution, and part of the ensuing civil war, as well as several episodes of more or less organized pogroms—deadly anti-Jewish riots begun by various invading military detachments during the Russian Civil War and joined by some of Korsun’s peasants.

 

In the early 1990s Anna met Lawrence A. Coben, a medical doctor seeking information about the shtetls to recapture a sense of his own heritage. Anna had near-perfect recall of her daily life as a girl and young woman in the last days in one of those historic but doomed communities. Her rare account, the product of some 300 interviews, is valuable because most personal memoirs of ghetto life are written by men. Also, very often, Christian neighbors appear in ghetto accounts as a stolid peasant mass assembled on market days, as destructive mobs, or as an arrogant and distant collection of government officials and nobility. Anna’s story is exceptionally rich in a sense of the Korsun Christians as friends, neighbors, and individuals.

 

Although the Jewish communities in Eastern Europe are now virtually gone, less than 100 years ago they counted a population of millions. The firsthand records we have from that lost world are therefore important, and this view from the underrecorded lives of women and the young is particularly welcome.  

 

A classic political philosophy text, available again

The revival of political philosophy has frequently assumed that a theory of human well-being and fulfillment is necessary, preoccupied with questions of epistemology and technical conceptual analysis. In instances where the nature of the human good is considered, the paradigm of autonomous individualism customarily dominates. In Character, Community, and Politics, Cochran moves away from these prevailing ideas to develop a communal theory of political order, helping to redefine a number of fundamental, but often neglected, ideas. Chief among them are commitment, community, responsibility, and character—concepts Cochran develops through discussions of authority, freedom, pluralism, and the common good.

Drawing on a wide variety of fields, such as philosophy, ethics, literature, moral theology, and sociology, the author renews these concepts to outline a theory of human life and political order distinct from sclerotic categories such as conservatism, socialism, radicalism, or Marxism.

A readable, exciting chronicle of the men and ships that ran federal naval blockades during the Civil War

Within four weeks of the fall of Fort Sumter, President Abraham Lincoln had declared a blockade of over four thousand miles of Confederate coastline, from Cape Henry in Virginia to the Mexican border. In response, professional runners, lured by both profits and patriotism, built faster, sleeker, low-profile ships and piloted them through the ever-thickening Northern cordon. The tonnage they imported, including items ranging from straight pins to marine engines, sustained the South throughout the conflict. This exciting chronicle of the men and ships that ran federal naval blockades during the Civil War also provides an overall assessment of the blockades conception, effectiveness, and impact on the Southern populace.

Cockrell writes lyrically about flying and about the emotional and intellectual satisfaction enjoyed by those who fly

Within days of Saddam Hussein’s invasion of Kuwait, the far reaching arm of American airpower sprang into action. The skyscapes of the North Atlantic, Europe, and the Mediterranean became laced with the contrails of great jets flowing day and night toward the Persian Gulf. From the skies, manpower and material poured onto the bleak sands under the ominous clouds of the gathering storm, and in only a few weeks the size of the effort eclipsed that of the Berlin Airlift.

In March 1942, a desperate period for the allies in World War II, John Steinbeck published his propaganda novel The Moon is Down­—the story of ruthless invaders who overrun a militarily helpless country.  Throughout the novel, Steinbeck underscored both the fatal weakness of the “invincible” unnamed aggressors and the inherent power of the human values shard by the “conquered” people.

The Moon is Down created an immediate sensation among American literary critics; fierce debate erupted over Steinbeck’s uncommonly sympathetic portrayal of the enemy and the novel’s power as a vehicle for propaganda.  Fifty years later, Coers continues the debate, relying heavily on unpublished letters and personal interviews with the lawyers, book dealers, actors, publishers, and housewives associated with the resistance movements in Western Europe.  Clandestine translations of The Moon Is Down quickly appeared and were widely circulated under the noses of the Gestapo.   Coers documents the fate of Steinbeck’s novel in the hands of World War II resistance fighters and deepens our appreciation of Steinbeck’s unique ability to express the feelings of oppressed peoples.

Multidisciplinary essays examinig the historical and cultural history of the Sephardic experience in the Americas, from pre-expulsion Spain to the modern era, as recounted by some of the most outstanding interpreters of the field.

In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway’s story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind.

 Many of the chapters are pointillistic glimpses of violence--bullfights, a botched execution, the fleeting thoughts of the wounded on the battlefield. Others reach back into childhood. Still others adopt the wry, mannered voice of English aristocracy. Though critics have often read these chapters as secondary asides to the longer stories that constitute the commercial collection, Cohen argues that not only do the vignettes merit consideration as a unit unto themselves, but that they exhibit a plethora of styles and narrative gambits that show Hemingway at his most versatile.

The final section examines in detail the individual chapters of in our time, their historical origins, their drafts, themes, and styles. The result is an account of what is arguably Hemingway’s most crucial formative period. 
 

Homicidal insanity has remained a vexation to both the psychiatric and legal professions despite the panorama of scientific and social change during the past 200 years. The predominant opinion today among psychiatrists is that no correlation exists between dangerousness and specific mental disorders. But for generation after generation, psychiatrists have reported cases of insane homicide that were clinically similar. Although psychiatric theory changed and psychiatric nosology was inconsistent, the mental phenomena psychiatrists identified in such cases remained the same. The central thesis of Homicidal Insanity is that as psychiatric theory changed, psychiatrists regarded these phenomena variously as symptoms of mental disease or the disease in itself. It is possible to trace these phenomena throughout the history of Anglo-American psychiatric theory and practice. A secondary thesis of the book is that psychiatrists have used these phenomena as predictors and markers in the practical matters of preventing insane homicide and of testifying in the courts to defend the irresponsible and expose the culpable.

Elizabeth Tyler Coleman was a great-granddaughter of President John Tyler and a graduate of the University of Alabama and of Swarthmore College. She was the first female faculty member in the English Department at the University of Alabama, where she taught from 1927 to 1962.

Reading eight major contemporary authors through the lens of chaos theory, Conte offers new and original interpretations of works that have been the subject of much critical debate

Design and Debris discusses the relationship between order and disorder in the works of John Hawkes, Harry Mathews, John Barth, Gilbert Sorrentino, Robert Coover, Thomas Pynchon, Kathy Acker, and Don DeLillo. In analyzing their work, Joseph Conte brings to bear a unique approach adapted from scientific thought: chaos theory. His chief concern is illuminating those works whose narrative structures locate order hidden in disorder (whose authors Conte terms “proceduralists”), and those whose structures reflect the opposite, disorder emerging from states of order (whose authors Conte calls “disruptors”).
 
Documenting the paradigm shift from modernism, in which artists attempted to impose order on a disordered world, to postmodernism, in which the artist portrays the process of “orderly disorder,” Conte shows how the shift has led to postmodern artists' embrace of science in their treatment of complex ideas. Detailing how chaos theory interpenetrates disciplines as varied as economics, politics, biology, and cognitive science, he suggests a second paradigm shift: from modernist specialization to postmodern pluralism. In such a pluralistic world, the novel is freed from the purely literary and engages in a greater degree of interactivity-between literature and science, and between author and reader. Thus, Conte concludes, contemporary literature is a literature of flux and flexibility.
 

Focuses on the development of village social structure within a broad geographic and temporal framework, recognizing border areas as particularly dynamic contexts of social change

The last prehistoric cultures to inhabit the Middle Ohio Valley  (ca. A.D. 1000–1650) are referred to as Fort Ancient societies, which exhibited a wide variety of Mississippian period characteristics. What is less well-known and little understood are the social processes by which Mississippian characteristics spread to Fort Ancient communities. Through a comprehensive study of SunWatch, one of the few thoroughly excavated Fort Ancient settlements, the author focuses on the development of village social structure within a broad geographic and temporal framework, recognizing border areas as particularly dynamic contexts of social change. As a fundamental study of social patterning of Fort Ancient villages, this work reveals the interrelationships of small social units in culture change and social structure development and provides a full reconsideration of the Mississippian dimensions of Fort Ancient societies and a model for future investigations of larger patterning in the lateprehistory of the region.

The definitive description of the last Confederate invasion of the Union in 1864. The Civil War was in its fourth year, and the Union’s victory was not at all certain. The Lincoln administration seemed weak as the autumn election approached. Lee’s army remained strong in Virginia while Johnston’s forces feinted and dodged in north Georgia to shield Atlanta. The Union army and navy grew in strength, but Confederate forces continued to fight tenaciously.

Amid an air of stalemate, the Confederates planned a bold move to strike at Washington, DC and capture or scatter Lincoln and his cabinet. In command of the operation was the colorful and unpredictable Jubal “Old Jube” Anderson Early, brought in to replace the fallen Stonewall Jackson. Less well known than the bloodier Antietam and Gettysburg, Early's campaign, Cooling argues, had greater significance.

In addition to the persnickety bachelor Anderson, this account introduces many colorful participants, including railroad president John W. Garrett, the politically influential Blair family, and Elizabeth “Aunt Betty” Thomas, a free Black woman, who was said to have saved Lincoln’s life by shouting at him: “Get down, you fool!” when he came under fire at Fort Stevens. Exciting and comprehensive, Civil War scholars and readers will delight in this masterful account.
 

Deep inside the soul of Cuba are the campesinos—the men and women who have always worked the countryside across the length and breadth of Cuba, away from cities, towns, and often villages. Resilient, resourceful, and proud, campesinos are the heart and soul of Cuba. The fruit of years of travel among Cuba’s less-known and little-explored rural communities, Campesinos: Inside the Soul of Cuba is a collection of loving and intimate photographs by world-renowned photographers Chip Cooper and Julio Larramendi documenting people and places from every corner of the island nation, many never seen by Cubans themselves let alone visitors from abroad.
 
Into the center of this world traveled two photographers to document these extraordinary people. One, Julio Larramendi, was born in Cuba and has spent his whole life there. The other, Chip Cooper, came to visit for the first time from his native Alabama more than a decade ago. Together, Cooper and Larramendi have captured the light, sounds, and spirit of the campesino landscape and the humble and determined people who inhabit it, ways of living that have not changed, in many instances, for a century or more. From green tobacco fields and winding roads to the faces, both stern and smiling, of children and their close-knit families, Cooper and Larramendi have captured in this landmark volume the rhythms and traditions of contemporary rural Cuban life in ways never before documented.

Emerging from a School of American Research, this work reviews the general status of archaeological knowledge in 9 key regions of the Southwest to examine broader questions of cultural development, which affected the Southwest as a whole, and to consider an overall conceptual model of the prehistoric Southwest after the advent of sedentism.

 

Nine essays that provide detailed information about the early geological exploration of the southeastern United States

Originally presented under the aegis of the Geological Society of America, these essays cover observations and studies made between 1796 and the 1850s. Each essay includes fascinating biographic sketches of the author, a bibliography, and an index.

Interweaving history, myth, rumor, and news, this first novel explores what it means to grow up as a girl in a culture of girl-killers

In Everyday Psychokillers spectacular violence is the idiom of everyday life, a lurid extravaganza in which all those around the narrator seem vicarious participants. And at its center are the interchangeable young girls, thrilling to know themselves the object of so much desire and terror.

The narrative interweaves history, myth, rumor, and news with the experiences of a young girl living in the flatness of South Florida. Like Grace Paley's narrators, she is pensive and eager, hungry for experience but restrained. Into the sphere of her regard come a Ted Bundy reject, the God Osiris, a Caribbean slave turned pirate, a circus performer living in a box, broken horses, a Seminole chief in a swamp, and a murderous babysitter. What these preposterously commonplace figures all know is that murder is identity: "Of course what matters really is the psychokiller, what he's done, what he threatens to do. Of course to be the lucky one you have to be abducted in the first place. Without him, you wouldn't exist."

Everyday Psychokillers reaches to the edge of the psychoanalytical and jolts the reader back to daily life. The reader becomes the killer, the watcher, the person on the verge, hiding behind an everyday face.

Heart of Palms is a clear-eyed memoir of Peace Corps service in the rural Panamanian village of Tranquilla through the eyes of a young American woman trained as a community forester.

In the storied fifty-year history of the US Peace Corps, Heart of Palms is the first Peace Corps memoir set in Panama, the slender isthmus that connects two continents and two oceans. In her memoir, Meredith Cornett transports readers to the remote village of Tranquilla, where dugout canoes are the mainstay of daily transportation, life and nature are permeated by witchcraft, and a restful night’s sleep may be disturbed by a raiding phalanx of army ants.

Cornett is sent to help counter the rapid deforestation that is destroying the ecosystem and livelihoods of the Panama Canal watershed region. Her first chapters chronicle her arrival and struggles not only with the social issues of language, loneliness, and insecurity, but also with the tragicomic basics of mastering open-fire cookery and intrusions by insects and poisonous snakes. As she grows to understand the region and its people, her keen eye discerns the overwhelming scope of her task. Unable to plant trees faster than they are lost, she writes with moving clarity about her sense of powerlessness.

Combating deforestation leads Cornett into an equally fierce battle against her own feelings of fear and isolation. Her journey to Panama becomes a parallel journey into herself. In this way, Heart of Palms is much more than a record of her Peace Corps service; it is also a moving environmental coming-of-age story and nuanced meditation on one village’s relationship to nature. When she returns home two years later, Cornett brings with her both skills and experience and a remarkable, newfound sense of confidence and mission.

Writing with rueful, self-deprecating humor, Cornett lets us ride along with her on a wave of naïve optimism, a wave that breaks not only on fear and intimidation, but also on tedium and isolation. Heart of Palms offers a bracing alternative to the romantic idealism common to Peace Corps memoirs and will be valued as a welcome addition to writing about the Peace Corps and environmental service.

All Alabama elections are colorful, but the 1986 gubernatorial contest may trump them all for its sheer strangeness
 
With the retirement of an aging and ill George Wallace, both the issues and candidates contending for the office were able to set the course of Alabama politics for generations to follow. Whereas the Wallace regimes were particular to Alabama, and the gubernatorial campaign was conducted in a partial vacuum with his absence, Alabama also experienced a wave of partisan realignment. A once solidly Democratic South was undergoing a tectonic political shift as white voters in large numbers abandoned their traditional Democratic political home for the revived Republicans, a party shaped in many respects by the Wallace presidential bids of 1968 and 1972 and the Reagan revolution of the 1980s.
 
Alabama's own Democratic Party contributed to this massive shift with self-destructive campaign behavior that disgusted many of its traditional voters who wound up staying home or voting for a little-known Republican. From the gubernatorial election of 1986 came the shaky balance between the two parties that exists today.
 
After Wallace recollects and analyzes how these shifts occurred, citing extensive newspaper coverage from the time as well as personal observations and poll data collected by the authors. This volume is certain to be a valuable work for any political scientist, especially those with an interest in Alabama or southern politics.

 

This collection of essays explores how drama can teach political principles and entertain at the same time.

Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays
presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country.

What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.

This thoughtful, engaging collection showcases the best nonfiction prose produced by one of the nation's most observant and incisive writers.

This collection of warm, heartfelt essays from award-winning novelist Vicki Covington chronicles the multitude of "in between" moments in the writer's life. These are her stolen moments in between the writing of four novels-Gathering Home, Bird of Paradise, Night Ride Home, and The Last Hotel for Women; in between coauthoring the edgy memoir Cleaving: The Story of a Marriage with her husband Dennis Covington; in between raising two daughters; in between her husband's struggle with cancer and the author's own heart attack; in between a life full of trials and triumphs, disappointments and celebrations - moments that, as Covington demonstrates here, are always rich and revealing.

In the title essay, the author questions why all seven middle-class women who live on her street confess at a neighborhood cookout that in the past 48 hours each of them has cried. In "A Southern Thanksgiving," Covington reflects on the "family dance" that is Thanksgiving in the South: "In the North they put their crazy family members in institutions, but in the South we put them in the living room for everyone to enjoy." In "My Mother's Brain," the author recounts the onset of Alzheimer's in her mother and how, with the spread of the disease, an untapped vein of love is revealed.

Some of these essays were written as weekly newspaper columns for the Birmingham News. Others were written for specific literary occasions, such as the First Annual Eudora Welty Symposium. They are divided into six thematic sections: "Girls and Women," "Neighborhood," "Death," "The South," "Spiritual Matters," and "Writing."

Throughout, as Covington casts her candid, attentive eye on a situation, confusion yields to comprehension, fear flourishes into faith, and anger flows into understanding. In memorializing the small moments of her life, she finds that they are far from peripheral; indeed, they are central to a life full of value and meaning.

The eight case studies in this book -- each a synthesis of available knowledge about the origins of agriculture in a specific region of the globe -- enable scholars in diverse disciplines to examine humanity's transition to agricultural societies. Contributors include: Gary W. Crawford, Robin W. Dennell, and Jack R. Harlan.

Auburn University possesses a rich and storied past as well as an esprit de corps that is the envy of its rivals. Dwayne Cox’s The Village on the Plain traces the school’s history in fascinating detail from its origins as a private college through its emergence as a nationally recognized land-grant university.

Founded before the Civil War to provide a classical education, Auburn became the state’s land-grant college after the cessation of hostilities. This infused the school with a vision of the reborn South as a commercial and industrial power. By the 1880s, the applied sciences were at the core of Auburn’s growth and strength. Like most southern universities, Auburn never enjoyed financial abundance, and scarcity intensified internal debates over investments in liberal arts or science. Modest state funding for higher education also complicated Auburn’s rise. It became a source of competition with the University of Alabama. This rivalry was most intense between 1908 and 1948. The two schools did not meet on the gridiron but blocked and tackled one another in the legislature over the division of state funds.

On the idyllic plains of Lee County, Alabama, Auburn developed a unique, sometimes introspective culture, which is true of many universities founded far from urban centers. Long Auburn’s head archivist, Cox describes this culture with an insider’s insights and shows how it shaped the school's history and community.

Auburn University’s history is that of a small private college that rose to the challenges of convulsive state and national events, not only to survive but to emerge more vibrant and thriving. Offering much to students of higher education and Alabama history, as well as readers affiliated with Auburn University, The Village on the Plain tells the story of this complex and fascinating institution.
 

A classic resource on the struggle for dominance in southern North America during the colonial period

This volume recounts the clashes and intrigues that played out over the landscape of the Old Southwest and across six decades as the Spanish, French, British, and ultimately Americans vied for control. Rivalry began soon after initial discovery, mapping, and exploration as the world powers, particularly England and France, competed for control of the lucrative fur trade in the Mississippi valley. The French attempted to establish trade networks stretching from the Atlantic Ocean inland to the Mississippi River and northward from ports on the Gulf of Mexico to the Ohio River. But they found the British already entrenched there.

Verner Crane guides us through this multinational struggle and navigates the border wars and diplomatic intrigues that played crucial roles in the settlement of the South by Euro-Americans. In his new introduction, Steven Hahn places the work in the context of its time, sketches its publication history, and provides biographical information on Crane.

Addresses the relationships between what modern-day experts say to each other and to their constituencies

Technical Knowledge in American Culture addresses the relationships between what modern-day experts say to each other and to their constituencies and whether what they say and do relates to the larger culture, society, and era. These essays challenge the social impact model by looking at science, technology, and medicine not as social activities but as intellectual activities.

Intimacy is the story of an unnamed narrator ruminating on suicide. He reflects on the origins and significance of his material possessions, and on the seemingly inconsequential moments in his life, while he prepares to carry out his plans.

In this melancholy novel about a man on the brink of suicide, Stanley Crawford allows readers to question what it really means to be close to a person. Intimacy follows an unnamed narrator planning his own death. His preparations become a trigger and occasion for him to revisit key moments in his life and his material possessions, which are the solid artifacts from his life’s journey.
 
As sparrows in flight might form a single arrow, the life of the narrator comes into focus as a collage of fleeting events and images. Readers gain insights into tiny moments that slowly build into a picture of a man who seems to have very little, aside from material possessions, to lose.
 
The narrative pulls the reader along a trail of digressions—about running shoes, about the symbolism of rings—that lead down a proverbial rabbit hole until we realize the narrator’s intentions. Despite our lack of concrete knowledge about the narrator’s life, he allows us to share his thought processes: how every thought leads to the next, how memories seep upward when he picks up a particular T-shirt, or when he glimpses his car keys. And alongside our growing understanding of the narrator comes a recognition of our own thought processes: how we, like him, relate to our bodies; how we, too, cannot break away from the constant motion of our thoughts.
 
Intimacy is a brief, intense novel charged with the heightened sense of closeness that comes from watching a man’s last hours. It illuminates how brief snapshots of memory can trace the outline of an entire life.

Seed is the story of Bill Starr’s final days. Childless but with a lifetime’s worth of possessions and a nearly infinite web of extended family, Bill endeavors to empty his house completely before he dies by summoning distant relatives to claim their inheritance. Many of his letters go unanswered, but those who do appear show up only to find that their reward is often much less valuable than they might expect.
 
What they get instead are Bill’s memories, made vivid by each item from the past, memories that are more exotic and curious than the lives currently lived by his young relatives.
 
Accompanied by his housekeeper, Ramona, and his young gardener, Jonathan, Bill is a somewhat cantankerous, wildly intelligent, and often forgetful man who recalls and speaks to his passed wife, often thinking that she's not dead. His unwillingness to recognize what has happened to her and to give away his only possession of any value, a 1937 Pierce-Arrow automobile that they bought together, becomes the measure of his grief and of his love in this profoundly funny novel that faces death and love sincerely.

In the decades immediately following the Civil War, the United States expanded rapidly. As the nation grew, so too did federal law, moving into areas of citizens’ lives previously regulated by local custom and state and territorial statutes.

In Mormons and Cowboys, Moonshiners and Klansmen, Cresswell uses then moves beyond a case-study approach to illuminate larger questions including the evolution of the American criminal justice system, the relationship of the South and the West to the rest of the nation, the workings of the 19th-century American bureaucracy, and conflict of the local, state, and federal governments. Out of the efforts of early federal marshals came the modern federal justice system, with its firm policy guidelines, its Federal Bureau of Investigation, and its broader powers over the country as a whole.