Takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere of Puerto Rico and Hispaniola

Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the important questions of identity and personhood of the cemí icons and their human “owners” and the implications of cemí gift-giving and gift-taking that sustains a complex web of relationships between caciques (chiefs) of Puerto Rico and Hispaniola.

 

Oliver provides a careful analysis of the four major forms of cemís—three-pointed stones, large stone heads, stone collars, and elbow stones—as well as face masks, which provide an interesting contrast to the stone heads. He finds evidence for his interpretation of human and cemí interactions from a critical review of 16th-century Spanish ethnohistoric documents, especially the Relación Acerca de las Antigüedades de los Indios written by Friar Ramón Pané in 1497–1498 under orders from Christopher Columbus. Buttressed by examples of native resistance and syncretism, the volume discusses the iconoclastic conflicts and the relationship between the icons and the human beings. Focusing on this and on the various contexts in which the relationships were enacted, Oliver reveals how the cemís were central to the exercise of native political power. Such cemís were considered a direct threat to the hegemony of the Spanish conquerors, as these potent objects were seen as allies in the native resistance to the onslaught of Christendom with its icons of saints and virgins.

 

Examines the authority a ruling elite exercised over the surrounding countryside through a complex of social, political, and religious symbolism

This study uses the theoretical concepts of agency, power, and ideology to explore the development of cultural complexity within the hierarchically organized Cahokia Middle Mississippian society of the American Bottom from the 11th to the 13th centuries. By scrutinizing the available archaeological settlement and symbolic evidence, Emerson demonstrates that many sites previously identified as farmsteads were actually nodal centers with specialized political, religious, and economic functions integrated into a centralized administrative organization. These centers consolidated the symbolism of such 'artifacts of power' as figurines, ritual vessels, and sacred plants into a rural cult that marked the expropriation of the cosmos as part of the increasing power of the Cahokian rulers.

During the height of Cahokian centralized power, it is argued, the elites had convinced their subjects that they ruled both the physical and the spiritual worlds. Emerson concludes that Cahokian complexity differs significantly in degree and form from previously studied Eastern Woodlands chiefdoms and opens new discussion about the role of rural support for the Cahokian ceremonial center.

 

A Dan Josselyn Memorial Publication

Provides a comprehensive collection of Moorehead's investigations of the nation's largest prehistoric mound center

Covering almost fourteen square kilometers in Illinois, Cahokia Mounds State Historic Site is the largest prehistoric mound center in North America and has been designated a World Heritage Site by the United Nations. Built between A.D. 1050 and 1350, Cahokia originally contained the remains of over 100 earthen mounds that were used as places for Native American rituals, homes of chiefs, or elite tombs. Earlier scientists debated whether the mounds were part of the natural landscape, and many were destroyed by urban and industrial development

This book is a report of archaeological investigations conducted at Cahokia from 1921 to 1927 by Warren K. Moorehead, who confirmed that the mounds were built by indigenous peoples and who worked to assure preservation of the site. The volume includes Moorehead's final 1929 report along with portions of two preliminary reports, covering both Cahokia and several surrounding mound groups.

John Kelly's introduction to the book sets Moorehead's investigations in the context of other work conducted at Cahokia prior to the 1920s and afterwards. Kelly reviews Moorehead's work, which employed 19th-century excavation techniques combined with contemporary analytical methods, and explains how Moorehead contended with local social and political pressures.

Moorehead's work represented important excavations at a time when little other similar work was being done in the Midwest. The reissue of his findings gives us a glimpse into an important archaeological effort and helps us better appreciate the prehistoric legacy that he helped preserve.

Critical new discoveries and archaeological patterns increase understanding of early Mississippian culture and society

The reasons for the rise and fall of early cities and ceremonial centers around the world have been sought for centuries. In the United States, Cahokia has been the focus of intense archaeological work to explain its mysteries. Cahokia was the first and exponentially the largest of the Mississippian centers that appeared across the Midwest and Southeast after AD 1000. Located near present-day East St. Louis, Illinois, the central complex of Cahokia spanned more than 12 square kilometers and encompassed more than 120 earthen mounds.

As one of the foremost experts on Cahokia, Susan M. Alt addresses long-standing considerations of eastern Woodlands archaeology—the beginnings, character, and ending of Mississippian culture (AD 1050–1600)—from a novel theoretical and empirical vantage point. Through this case study on farmers’ immigration and resettling, Alt’s narrative reanalyzes the relationship between administration and diversity, incorporating critical new discoveries and archaeological patterns from outside of Cahokia.

Alt examines the cultural landscape of the Cahokia flood plain and the layout of one extraordinary upland site, Grossman, as an administrative settlement where local farmers might have seen or participated in Cahokian rituals and ceremonies involving a web of ancestors, powers, and places. Alt argues that a farming district outside the center provides definitive evidences of the attempted centralized administration of a rural hinterland.

The first and only single-volume collection of Larry Eigner’s most significant poems, gathering in one place the most celebrated of the several thousand poems that constitute his remarkable life’s work

Larry Eigner began writing poetry at age eight and was first published at age nine. Revered by poets and artists across a broad spectrum of generations and schools, Eigner’s remarkably moving poetry was created through enormous effort: because of severe physical disabilities, he produced his texts by typing with only one index finger and thumb on a 1940 Royal manual typewriter, creating a body of work that is unparalleled in its originality.
 
Calligraphy Typewriters showcases the most celebrated of Eigner's several thousand poems, which are an important part of the Black Mountain/Projectivist movement that began in the 1950s and which remain a primary inspiration for many younger writers, including those in the Language movement that began in the 1970s. In its two sections—Swampscott and Berkeley, named for the two locales where Eigner lived and worked—the volume traces his fantastic perception of the ordinary and his zeal for language. Eigner’s use of visual space, metaphor, and description provide fascinating insights into both his own life and the world that surrounded him. This volume maintains the distinctive visual spacing of his original typescripts, reminders of his method, aesthetic sensibility, and creative ability to compose on the typewriter.
 
A collection that reimagines the ordinary, Calligraphy Typewriters is the definitive selection of Eigner’s poems, and will serve well not only poets and students of poetry, but readers and writers of every vein.

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Discusses an important yet often misunderstood topic in American History

Camp Chase was a major Union POW camp and also served at various times as a Union military training facility and as quarters for Union soldiers who had been taken prisoner by the Confederacy and released on parole or exchanged. As such, this careful, thorough, and objective examination of the history and administration of the camp will be of true significance in the literature on the Civil War.

Deep inside the soul of Cuba are the campesinos—the men and women who have always worked the countryside across the length and breadth of Cuba, away from cities, towns, and often villages. Resilient, resourceful, and proud, campesinos are the heart and soul of Cuba. The fruit of years of travel among Cuba’s less-known and little-explored rural communities, Campesinos: Inside the Soul of Cuba is a collection of loving and intimate photographs by world-renowned photographers Chip Cooper and Julio Larramendi documenting people and places from every corner of the island nation, many never seen by Cubans themselves let alone visitors from abroad.
 
Into the center of this world traveled two photographers to document these extraordinary people. One, Julio Larramendi, was born in Cuba and has spent his whole life there. The other, Chip Cooper, came to visit for the first time from his native Alabama more than a decade ago. Together, Cooper and Larramendi have captured the light, sounds, and spirit of the campesino landscape and the humble and determined people who inhabit it, ways of living that have not changed, in many instances, for a century or more. From green tobacco fields and winding roads to the faces, both stern and smiling, of children and their close-knit families, Cooper and Larramendi have captured in this landmark volume the rhythms and traditions of contemporary rural Cuban life in ways never before documented.

The first systematic analysis of American literature textbooks used by college instructors in the last century

Scholars have long noted the role that college literary anthologies play in the rising and falling reputations of American authors. Canons by Consensus examines this classroom fixture in detail to challenge and correct a number of assumptions about the development of the literary canon throughout the 20th century.

Joseph Csicsila analyzes more than 80 anthologies published since 1919 and traces not only the critical fortunes of individual authors, but also the treatment of entire genres and groupings of authors by race, region, gender, and formal approach. In doing so, he calls into question accusations of deliberate or inadvertent sexism and racism. Selections by anthology editors, Csicsila demonstrates, have always been governed far more by prevailing trends in academic criticism than by personal bias.

Academic anthologies are found to constitute a rich and often overlooked resource for studying American literature, as well as an irrefutable record of the academy’s changing literary tastes throughout the last century.

Opens a candid window into the life of a writer and teacher who overcame years of addiction and serious health problems as his voice, artistic vision, and sense of self evolved and matured

In this audacious memoir, William Cobb reveals the tumultuous creative life of a distinguished practitioner of southern and Alabama storytelling. As poignant and inspiring as his own fiction, Captain Billy’s Troopers traces Cobb’s early life, education, and struggles with alcohol and the debilitating condition normal pressure hydrocephalus (NPH).
 
Like a curving river, the broad sweep of Cobb’s turbulent life includes both startling cataracts and desultory eddies, leading sometimes into shadows or opening into unexpected sunlight. With unsentimental clarity, Cobb recounts coming of age in his native Demopolis in the churning middle years of the twentieth century. It’s there he has his first tantalizing tastes of alcohol and begins to drink habitually. Readers then travel with Cobb to Livingston University (now the University of West Alabama) and then on to Vanderbilt University. Along the way, readers relish his first experiences of love and success as a writer, leading to a career as a professor of writing at Alabama College (now the University of Montevallo) in 1963.
 
From there Cobb’s struggles with alcohol and depression lead to elongated years of tumbling creative output and the collapse of his marriage. The summer of 1984 found Cobb in rehab, the first step in his path to recovery. His unflinching memoir narrates both the milestones and telling details of his intense therapy and years in Alcoholics Anonymous (AA). In the sober thirty years since, Cobb has published a string of critically praised novels and a prize-winning collection of short stories. The capstone of his comeback was winning the Harper Lee Award in 2007 for distinguished fiction writing.
 
In 2000, shortly after retiring, Cobb developed NPH, which upset his sense of balance and triggered dementia symptoms and other maladies. Nine years later in 2009, brain surgery brought Cobb a dramatic recovery, which began the third act in his writing career. Vital, honest, and entertaining, Captain Billy’s Troopers captures the life of an Alabama original.

A study of Union prisoners in Confederate prisons

In Captives in Blue, Roger Pickenpaugh examines the ways the Confederate army contended with the growing prison population, the variations in the policies and practices of different Confederate prison camps, the effects these policies and practices had on Union prisoners, and the logistics of prisoner exchanges. He explores conditions that arose from conscious government policy decisions and conditions that were the product of local officials or unique local situations. He also considers how Confederate prisons and policies dealt with African American Union soldiers. Black soldiers held captive in Confederate prisons faced uncertain fates; many former slaves were returned to their former owners, while others faced harsh treatment in the camps. Drawing on prisoner diaries, Pickenpaugh provides compelling first-person accounts of life in prison camps often overlooked by scholars in the field.

This study of Union captives in Confederate prisons is a companion to Roger Pickenpaugh’s earlier groundbreaking book Captives in Gray: The Civil War Prisons of the Union and extends his examination of Civil War prisoner-of-war facilities into the Confederacy.

Contains contemporary reports from prisoners and witnesses humanize the grim realities of the POW camps

Perhaps no topic is more heated, and the sources more tendentious, than that of Civil War prisons and the treatment of prisoners of war (POWs). Partisans of each side, then and now, have vilified the other for maltreatment of their POWs, while seeking to excuse their own distressing record of prisoner of war camp mismanagement, brutality, and incompetence. It is only recently that historians have turned their attention to this contentious topic in an attempt to sort the wheat of truth from the chaff of partisan rancor.

Roger Pickenpaugh has previously studied a Union prison camp in careful detail (Camp Chase) and now turns his attention to the Union record in its entirety, to investigate variations between camps and overall prison policy and to determine as nearly as possible what actually happened in the admittedly over-crowded, under-supplied, and poorly-administered camps. He also attempts to determine what conditions resulted from conscious government policy or were the product of local officials and situations.

A companion to Pickenpaugh's Captives in Blue. 

A study of the multicultural, multilingual, and Creolized languages that characterize Caribbean discourse, especially as reflected in the language choices that preoccupy creative writers

Caribbean Literary Discourse opens the challenging world of language choices and literary experiments characteristic of the multicultural and multilingual Caribbean. In these societies, the language of the master— English in Jamaica and Barbados—overlies the Creole languages of the majority. As literary critics and as creative writers, Barbara Lalla, Jean D’Costa, and Velma Pollard engage historical, linguistic, and literary perspectives to investigate the literature bred by this complex history. They trace the rise of local languages and literatures within the English speaking Caribbean, especially as reflected in the language choices of creative writers.

The study engages two problems: first, the historical reality that standard metropolitan English established by British colonialists dominates official economic, cultural, and political affairs in these former colonies, contesting the development of vernacular, Creole, and pidgin dialects even among the region’s indigenous population; and second, the fact that literary discourse developed under such conditions has received scant attention.

Caribbean Literary Discourse explores the language choices that preoccupy creative writers in whose work vernacular discourse displays its multiplicity of origins, its elusive boundaries, and its most vexing issues. The authors address the degree to which language choice highlights political loyalties and tensions; the politics of identity, self-representation, and nationalism; the implications of code-switching—the ability to alternate deliberately between different languages, accents, or dialects—for identity in postcolonial society; the rich rhetorical and literary effects enabled by code-switching and the difficulties of acknowledging or teaching those ranges in traditional education systems; the longstanding interplay between oral and scribal culture; and the predominance of intertextuality in postcolonial and diasporic literature.

A high significant discussion of Caribbean archaeology and a fascinating introduction to paleodemography

According to the European chronicles, at the time of contact, the Greater Antilles were inhabited by the Taino or Arawak Indians, who were organized in hierarchical societies. Since its inception Caribbean archaeology has used population as an important variable in explaining many social, political, and economic processes such as migration, changes in subsistence systems, and the development of institutionalized social stratification.

In Caribbean Paleodemography, L. Antonio Curet argues that population has been used casually by Caribbean archaeologists and proposes more rigorous and promising ways in which demographic factors can be incorporated in our modeling of past human behavior. He analyzes a number of demographic issues in island archaeology at various levels of analysis, including inter- and intra-island migration, carrying capacity, population structures, variables in prehistory, cultural changes, and the relationship with material culture and social development. With this work, Curet brings together the diverse theories on Greater Antilles island populations and the social and political forces governing their growth and migration.

The fundamental mission of medicine is caring, and curing may be only one component of that broad mission

 

Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present

When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors.

In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.

A masterful study by a preeminent scholar that situates Cather as a visionary practitioner of literary modernism

Willa Cather is often pegged as a regionalist, a feminine and domestic writer, or a social realist. In Cather Among the Moderns, Janis P. Stout firmly situates Cather as a visionary practitioner of literary modernism, something other scholars have hinted at but rarely affirmed. Stout presents Cather on a large, dramatic stage among a sizable cast of characters and against a brightly lit social and historical backdrop, invoking numerous figures and instances from the broad movement in the arts and culture that we call modernism.

Early on, Stout addresses the matter of gender. The term “cross-dresser” has often been applied to Cather, but Stout sees Cather’s identity as fractured or ambiguous, a reading that links her firmly to early twentieth-century modernity. Later chapters take up topics of significance both to Cather and to twentieth-century American modernists, including shifting gender roles, World War I’s devastation of social and artistic norms, and strains in racial relations. She explores Cather’s links to a small group of modernists who, after the war, embraced life in New Mexico, a destination of choice for many artists, and which led to two of Cather’s most fully realized modernist novels, The Professor’s House and Death Comes for the Archbishop.

The last chapter addresses Cather’s place within modernism. Stout first places her in relation to Ezra Pound and T. S. Eliot with their shared ties to tradition even while making, sometimes startling, innovations in literary form, then showing parallels with William Faulkner with respect to economic disparity and social injustice.

 

Examines how architecture and other aspects of the built environment, such as hearths, burials, and earthen mounds, formed center places within the Cherokee cultural landscape

In Center Places and Cherokee Towns, Christopher B. Rodning opens a panoramic vista onto protohistoric Cherokee culture. He posits that Cherokee households and towns were anchored within their cultural and natural landscapes by built features that acted as “center places.”
 
Rodning investigates the period from just before the first Spanish contact with sixteenth-century Native American chiefdoms in La Florida through the development of formal trade relations between Native American societies and English and French colonial provinces in the American South during the late 1600s and 1700s. Rodning focuses particularly on the Coweeta Creek archaeological site in the upper Little Tennessee Valley in southwestern North Carolina and describes the ways in which elements of the built environment were manifestations of Cherokee senses of place.
 
Drawing on archaeological data, delving into primary documentary sources dating from the eighteenth century, and considering Cherokee myths and legends remembered and recorded during the nineteenth century, Rodning shows how the arrangement of public structures and household dwellings in Cherokee towns both shaped and were shaped by Cherokee culture. Center places at different scales served as points of attachment between Cherokee individuals and their communities as well as between their present and past. Rodning explores the ways in which Cherokee architecture and the built environment were sources of cultural stability in the aftermath of European contact, and how the course of European contact altered the landscape of Cherokee towns in the long run.
 
In this multi-faceted consideration of archaeology, ethnohistory, and recorded oral tradition, Rodning adeptly demonstrates the distinct ways that Cherokee identity was constructed through architecture and other material forms. Center Places and Cherokee Towns will have a broad appeal to students and scholars of southeastern archaeology, anthropology, Native American studies, prehistoric and protohistoric Cherokee culture, landscape archaeology, and ethnohistory.

 

Provides for the first time a complete and dispassionate history of the most discussed and least known agency in the history of the American Republic

In late 1974 the U.S. Senate Select Committee on the CIA, headed by Frank Church of Idaho, began collecting documents and materials to buttress the committee hearings on the CIA’s role and activities that were to begin in the fall of 1975. Among the materials prepared for the Church Committee is History of the Central Intelligence Agency, which was written by committee staff member Anne Karalekas.

This book reproduces the History, with an introduction by Leary that establishes the historical framework for the Church Committee hearings, and also includes ten relevant documents covering events from 1944 to 1981.

Alabama’s present constitution, adopted in 1901, is widely viewed as the source of many, if not most, of the state’s historic difficulties and inequities. Chief among these is a poorly funded school system, an imbalanced tax system that favors special business interests, legislated racism, and unchecked urban sprawl. Many citizens believe that, after 100 years of overburdening amendments and confusing addendums, the constitution urgently needs rewriting.

With this book, Bailey Thomson has assembled the best scholarship on the constitution, its history, and its implications for the future. Historian Harvey H. Jackson III details the degree to which the 1901 document was drafted as a legal tool to ensure white supremacy at the expense of poor whites and blacks, while Joe A. Sumners illustrates how the constitution ties the hands of elected civic leaders by handing authority for local decisions to state government in Montgomery. James W. Williams Jr. explores the impact of the state constitution on the beleaguered tax system and the three principal “revenue crises” it has engendered. Thomson’s own contribution explains how, in contrast to the previous failed attempts for constitutional change by past governors who appealed to their fellow power brokers, the current reform movement arose from the grassroots level.

As citizens and politicians in Alabama review the 1901 constitution for revision, as they navigate the pitfalls and opportunities inherent in change, it is incumbent that they inform themselves adequately on the controversies that have swirled around the constitution since its adoption. The future of Alabama’s government will depend upon it, as will the fortunes of Alabama’s business interests and the well-being of every citizen in the state for years to come.

A highly innovative study in which James B. Stoltman uses petrography to reveal previously undetectable evidence of cultural interaction among Hopewell societies of the Ohio Valley region and the contemporary peoples of the Southeast

Petrography is the microscopic examination of thin sections of pottery to determine their precise mineralogical composition. In this groundbreaking work, James B. Stoltman applies quantitative as well as qualitative methods to the petrography of Native American ceramics. As explained in Ceramic Petrography and Hopewell Interaction, by adapting refinements to the technique of petrography, Stoltman offers a powerful new set of tools that enables fact-based and rigorous identification of the composition and sources of pottery.
 
Stoltman’s subject is the cultural interaction among the Hopewell Interaction Sphere societies of the Ohio Valley region and contemporary peoples of the Southeast. Inferring social and commercial relationships between disparate communities by determining whether objects found in one settlement originated there or elsewhere is a foundational technique of archaeology. The technique, however, rests on the informed but necessarily imperfect visual inspection of objects by archaeologists. Petrography greatly amplifies archaeologists’ ability to determine objects’ provenance with greater precision and less guesswork.
 
Using petrography to study a vast quantity of pottery samples sourced from Hopewell communities, Stoltman is able for the first time to establish which items are local, which are local but atypical, and which originated elsewhere. Another exciting possibility with petrography is to further determine the home source of objects that came from afar. Thus, combining traditional qualitative techniques with a wealth of new quantitative data, Ceramic Petrography and Hopewell Interaction offers a map of social and trade relationships among communities within and beyond the Hopewell Interaction Sphere with much greater precision and confidence than in the past.
 
Ceramic Petrography and Hopewell Interaction provides a clear and concise explanation of petrographic methods, Stoltman’s findings about Hopewell and southeastern ceramics in various sites, and the fascinating discovery that visits to Hopewell centers by southeastern Native Americans were not only for trade purposes but more for such purposes as pilgrimages, vision- and power-questing, healing, and the acquisition of knowledge.

 

Fourteen experts examine the current state of Central Valley prehistoric research and provide an important touchstone for future archaeological study of the region

The Mississippi Valley region has long played a critical role in the development of American archaeology and continues to be widely known for the major research of the early 1950s. To bring the archaeological record up to date, fourteen Central Valley experts address diverse topics including the distribution of artifacts across the landscape, internal configurations of large fortified settlements, human-bone chemistry, and ceramic technology.

The authors demonstrate that much is to be learned from the rich and varied archaeological record of the region and that the methods and techniques used to study the record have changed dramatically over the past half century. Operating at the cutting edge of current research strategies, these archaeologists provide a fresh look at old problems in central Mississippi Valley research.

 

A classic political philosophy text, available again

The revival of political philosophy has frequently assumed that a theory of human well-being and fulfillment is necessary, preoccupied with questions of epistemology and technical conceptual analysis. In instances where the nature of the human good is considered, the paradigm of autonomous individualism customarily dominates. In Character, Community, and Politics, Cochran moves away from these prevailing ideas to develop a communal theory of political order, helping to redefine a number of fundamental, but often neglected, ideas. Chief among them are commitment, community, responsibility, and character—concepts Cochran develops through discussions of authority, freedom, pluralism, and the common good.

Drawing on a wide variety of fields, such as philosophy, ethics, literature, moral theology, and sociology, the author renews these concepts to outline a theory of human life and political order distinct from sclerotic categories such as conservatism, socialism, radicalism, or Marxism.

A compilation of selected papers presented at the 1989 Charles S. Pierce International Congress

Interest in Charles Sanders Peirce (1839-1914) is today worldwide. Ernest Nagel of Columbia University wrote in 1959 that "there is a fair consensus among historians of ideas that Charles Sanders Peirce remains the most original, versatile, and comprehensive philosophical mind this country has yet produced." The breadth of topics discussed in the present volume suggests that this is as true today as it was in 1959.

Papers concerning Peirce's philosophy of science were given at the Harvard Congress by representatives from Italy, France, Sweden, Finland, Korea, India, Denmark, Greece, Brazil, Belgium, Spain, Germany, and the United States. The Charles S. Peirce Sesquicentennial International Congress opened at Harvard University on September 5, 1989, and concluded on the 10th—Peirce's birthday. The Congress was host to approximately 450 scholars from 26 different nations. The present volume is a compilation of selected papers presented at that Congress.

The philosophy of science and its logic are themes in the work of Charles Peirce that have been of greatest interest to scholars. Peirce was himself a physical scientist. He worked as an assistant at the Harvard Astronomical Observatory from 1869 to 1872 and made a series of astronomical observations there from 1872 to 1875. Solon I. Bailey says of these observations, "The first attempt at the Harvard Observatory to determine the form of the Milky Way, or the galactic system, was made by Charles S. Peirce....The investigation was of a pioneer nature, founded on scant data."

Peirce also made major contributions in fields as diverse as mathematical logic and psychology. C. I. Lewis has remarked that "the head and font of mathematical logic are found in the calculus of propositional functions as developed by Peirce and Schroeder." Peirce subsequently invented, almost from whole cloth, semiotics - the science of the meaning of signs. Ogden and Richards, the British critics, say that "by far the most elaborate and determined attempt to give an account of signs and their meanings is that of the American logician C. S. Peirce, from whom William James took the idea and the term Pragmatism, and whose Algebra of Dyadic Relations was developed by Schroeder."

Riley propelled entomology from a collector’s parlor hobby of the nineteenth century to the serious study of insects in the Modern Age
 
This definitive biography is the first full account of a fascinating American scientist whose leadership created the modern science of entomology that recognizes both the essential role of insects in natural systems and their challenge to the agricultural food supply that sustains humankind. Charles Valentine Riley: Founder of Modern Entomology tells the story of how Riley (1843–1895), a young British immigrant to America—with classical schooling, only a smattering of natural history knowledge, and with talent in art and writing but no formal training in science—came to play a key role in the reorientation of entomology from the collection and arrangement of specimens to a scientific approach to insect evolution, diversity, ecology, and applied management of insect pests.
 
Drawing on Riley’s personal diaries, family records, correspondence, and publications, the authors trace Riley’s career as farm laborer, Chicago journalist, Missouri State Entomologist, chief federal entomologist, founder of the National Insect Collection, and initiator of the professional organization that became the Entomological Society of America. Also examined in detail are his spectacular campaigns against the Rocky Mountain Locust that stalled western migration in the 1870s, the Grape Phylloxera that threatened French vineyards in the 1870s and 80s, the Cotton Worm that devastated southern cotton fields after the Civil War, and the Cottony Cushion Scale that threatened the California citrus industry in the 1880s. The latter was defeated through importation of the Vedalia Beetle from Australia, the spectacular first example of biological control of an invasive insect pest by its introduced natural enemy.

A striking figure in appearance and deed, Riley combined scientific, literary, artistic, and managerial skills that enabled him to influence every aspect of entomology. A correspondent of Darwin and one of his most vocal American advocates, he discovered the famous example of mimicry of the Monarch butterfly by the Viceroy, and described the intricate coevolution of yucca moths and yuccas, a complex system that fascinates evolutionary scientists to this day. Whether applying evolutionary theory to pest control, promoting an American silk industry, developing improved spray technologies, or promoting applied entomology in state and federal government and to the public, Riley was the central figure in the formative years of the entomology profession. In addition to showcasing his own renderings of the insects he investigated, this comprehensive account provides fresh insight into the personal and public life of an ingenious, colorful, and controversial scientist, who aimed to discover, understand, and outsmart the insects.

A compelling critical investigation into Gilman’s conception of setting and place

Charlotte Perkins Gilman and a Woman’s Place in America is a pioneering collection that probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman’s place on its ear, this finely crafted essay collection studies Gilman’s writings and the manner in which they push back against societal norms and reject male-dominated confines of space.

The contributors present fascinating and innovative readings of some of Gilman’s most significant works. By examining the settings in “The Yellow Wallpaper” and Herland, for example, the volume analyzes Gilman’s construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home.
 
Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman’s narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman’s work that focus on the author’s own renouncement of her “natural” role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization.
 
Engaging, well-researched, and deftly written, the essays in this collection will appeal to scholars of Gilman, literature, and gender issues alike.

Considers Gilman’s place in American literary and social history by examining her relationships to other prominent intellectuals of her era

By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman believed and preached that no life is ever led in isolation; indeed, the cornerstone of her philosophy was the idea that “humanity is a relation.”
 
Gilman's highly public and combative stances as a critic and social activist brought her into contact and conflict with many of the major thinkers and writers of the period, including Mary Austin, Margaret Sanger, Ambrose Bierce, Grace Ellery Channing, Lester Ward, Inez Haynes Gillmore, William Randolph Hearst, Karen Horney, William Dean Howells, Catharine Beecher, George Bernard Shaw, and Owen Wister. Gilman wrote on subjects as wide ranging as birth control, eugenics, race, women's rights and suffrage, psychology, Marxism, and literary aesthetics. Her many contributions to social, intellectual, and literary life at the turn of the 20th century raised the bar for future discourse, but at great personal and professional cost.
 

 

Along the banks of the lower Chattahoochee River, the remains of ancient settlements are abundant, including archaeological sites produced by Native Americans between 900 and 350 years ago, and marked by the presence of large earthen mounds. Like similar monuments elsewhere in the Southeastern United States, the lower Chatta-hoochee River mounds have long attracted the attention of travelers, antiquarians, and archaeologists.

As objects from the mounds were unearthed, occasionally illustrated and discussed in print, attention became focused on the aesthetic qualities of the artifacts, the origins of the remains, and the possible relationship to the Creek Indians. Beginning in the 20th century, new concerns emerged as the developing science of archaeology was introduced to the region. As many of the sites became threatened or destroyed by reservoir construction, trained archaeologists initiated extensive excavations of the mounds.  Although classification of artifacts and sites into a chronological progression of cultures was the main objective of this effort, a second concern, sometimes more latent than manifest, was the reconstruction of a past way of life. Archaeologists hoped to achieve a better understanding of the sociopolitical organization of the peoples who built the mounds and of how those organizations changed through time. 

Contemporary archaeologists, while in agreement on many aspects of the ancient cultures, debate the causes, forms, and degrees of sociopolitical complexity in the ancient Southeast. Do the mounds mark the capitals of political territories? If so, what was the scale and scope of these ancient “provinces”? What manner of society constructed the mound settlements? What was the sociopolitical organization of these long-dead populations? How can archaeologists answer such queries with the mute and sometimes ordinary materials with which they work: pottery, stone tools, organic residues, and the strata of remnant settlements, buildings, and mounds?

An exploration of the elaborate relationship between farmers, aerial sprayers, agriculturalists, crop pests, chemicals, and the environment.

The controversies in the 1960s and 1970s that swirled around indiscriminate use of agricultural chemicals—their long-term ecological harm versus food production benefits—were sparked and clarified by biologist Rachel Carson’s Silent Spring (1962). This seminal publication challenged long-held assumptions concerning the industrial might of American agriculture while sounding an alarm for the damaging persistence of pesticides, especially chlorinated hydrocarbons such as DDT, in the larger environment.
 
In Chemical Lands: Pesticides, Aerial Spraying, and Health in North America’s Grasslands since 1945 David D. Vail shows, however, that a distinctly regional view of agricultural health evolved. His analysis reveals a particularly strong ethic in the North American grasslands where practitioners sought to understand and deploy insecticides and herbicides by designing local scientific experiments, engineering more precise aircraft sprayers, developing more narrowly specific chemicals, and planting targeted test crops. Their efforts to link the science of toxicology with environmental health reveal how the practitioners of pesticides evaluated potential hazards in the agricultural landscape while recognizing the production benefits of controlled spraying. 
 
Chemical Lands adds to a growing list of books on toxins in the American landscape. This study provides a unique Grasslands perspective of the Ag pilots, weed scientists, and farmers who struggled to navigate novel technologies for spray planes and in the development of new herbicides/insecticides while striving to manage and mitigate threats to human health and the environment.

Imagine a bookish man named Francis D., swimming at a public beach in Cape Cod, who drifts out beyond his depth. Imagine that he doesn't drown, that the tide carries him to a private cove where he is rescued by two mysterious young women named Charlotte and Emily. Imagine then that Francis leaves behind his former humdrum life-his formidable wife and teenage daughter-and embarks on a series of violent and erotic adventures, as dream-like as reels of film. Imagine at the same time that a man named Joshua Quartz is telling his silent wife, Genevieve, the story of Francis's adventures, that they have little other communication, that the story is a way of keeping contact between husband and wife alive. Imagine that at some point Genevieve tells her own story, within and without Joshua's account. Baumbach's characters make occasional connections, make love and war, in the disguises of metaphor. If the main action is dream-like or fantastic, the real world is always at the window looking in.

The recognition of child abuse as a troubling social and public health problem along with the documentation required by mandatory reporting laws have made possible the epidemiological investigation of risk factors association with child abuse. Child Abuse in the Deep South is a study of physical and sexual child abuse designed to measure the incidence of child abuse and neglect in the state of Alabama, identify the characteristics of confirmed abuse, and test the hypothesis that community size is a key, predictive variable in the surveillance, reporting, and caseworker determination of abuse. Child Abuse in the Deep South is based on a comprehensive review of more than seven thousand randomly selected narrative reports from the Alabama Central Registry.
 
A landmark finding in this study is that different combinations of cultural factors contribute to the physical and sexual abuse of black and white children in rural, small-town, and urban communities. The rates of abuse discovered and reported in small towns are revealed to be materially higher than those in rural or urbanized locations, especially for young white males, and the authors query whether this indicates higher rates of abuse or higher rates of reporting
 
Child Abuse in the Deep South provides a quantitative benchmark that investigators and policy-makers will find invaluable on the path to defining at-risk populations, effective interventions, and treatments.
 

From the respected author of one of the best books on World War II combat, comes an equally captivating saga of battle recovery, healing, and homecoming.

China Marine is the long-awaited sequel to E. B. Sledge’s critically acclaimed memoir, With the Old Breed at Peleliu and Okinawa. Picking up where his previous memoir leaves off, Sledge, a young marine in the First Division, traces his company’s movements and charts his own difficult passage to peace following his horrific experiences in the Pacific. He reflects on his duty in the ancient city of Peiping (now Beijing) and recounts the difficulty of returning to his hometown of Mobile, Alabama, and resuming civilian life haunted by the shadows of close combat.

Distinguished historians have praised Sledge’s first book as the definitive rifleman’s account of World War II, ranking it with the Civil War’s Red Badge of Courage and World War I’s All Quiet on the Western Front. Although With the Old Breed ends with the surrender of Japan, marines in the Pacific were still faced with the mission of disarming the immense Japanese forces on the Asian mainland and reestablishing order. For infantrymen so long engaged in the savage and surreal world of close combat, there remained the personal tasks of regaining normalcy and dealing with suppressed memories, fears, and guilt.

In China Marine, E. B. Sledge completes his story and provides emotional closure to the searing events detailed in his first memoir. He speaks frankly about the real costs of war, emotional and psychological as well as physical, and explains the lifetime loyalties that develop between men who face fear, loss, and horror together. That bond becomes one of the newfound treasures of life after battle.

With his hallmark style of simplicity, directness, and lack of sentimentality, "Sledgehammer" has given us yet another great document of war literature.

This volume of new essays provides the first book-length critical assessment of the fiction of America's best-known contemporary writer of Native American heritage.

Louise Erdrich is arguably the most prolific and prominent contemporary writer of American Indian descent in North America today. Her novels and short stories have won great critical acclaim and are widely taught in American and world literature courses.

This collection of original ssays focuses on Erdrich's writings rooted in the Chippewa experience. Premier scholars of Native American literature investigate narrative structure, signs of ethnicity, the notions of luck and chance in Erdrich's narrative cosmology, her use of hunting metaphors, her efforts to counter stereotypes of American Indian women, her use of comedy in exploring American Indians' tragic past, her intentions underlying the process of revision in Love Medicine, and other subjects. 

Including a variety of theoretical approaches, this book provides a comprehensive examination of Erdrich's work, making it more accessible to new readers and richer to those already familiar with her work.

 

This book reveals the conflicting meanings of power held by the federal government and the Chiricahua Apaches throughout their history of interaction. When Geronimo and Naiche, son of Cochise, surrendered in 1886, their wartime exploits came to an end, but their real battle for survival was only beginning. Throughout their captivity in Florida, Alabama, and Oklahoma, Naiche kept alive Chiricahua spiritual power by embodying it in his beautiful hide paintings of the Girl’s Puberty Ceremony—a ritual at the very heart of tribal cultural life and spiritual strength.

Explores the power and artistry of prophecy among the Mississippi Band of Choctaw Indians, who use predictions about the future to interpret the world around them

This book challenges the common assumption that American Indian prophecy was an anomaly of the 18th and 19th centuries that resulted from tribes across the continent reacting to the European invasion. Tom Mould’s study of the contemporary prophetic traditions of the Mississippi Band of Choctaw Indians reveals a much larger system of prophecy that continues today as a vibrant part of the oral tradition.
 
Mould shows that Choctaw prophecy is more than a prediction of the future; it is a way to unite the past, present, and future in a moral dialogue about how one should live. Choctaw prophecy, he argues, is stable and continuous; it is shared in verbal discourse, inviting negotiation on the individual level; and, because it is a tradition of all the people, it manifests itself through myriad visions with many themes. In homes, casinos, restaurants, laundromats, day care centers, and grocery stores, as well as in ceremonial and political situations, people discuss current events and put them into context with traditional stories that govern the culture. In short, recitation is widely used in everyday life as a way to interpret, validate, challenge, and create the world of the Choctaw speaker.
 
Choctaw Prophecy stands as a sound model for further study into the prophetic traditions of not only other American Indian tribes but also communities throughout the world. Weaving folklore and oral tradition with ethnography, this book will be useful to academic and public libraries as well as to scholars and students of southern Indians and the modern South.
 
 

"Joe Richardson's Christian Reconstruction is a solid addition to historical scholarship on the work of Yankee missionaries among the freedmen during the Civil War and Reconstruction. . . . Without question, this is the most comprehensive history of the American Missionary Association (AMA), and no one has uncovered as much detailed information on any other Northern aid society. Rich in detail and strongly recommended, the book argues that the AMA struggled to prepare the liberated slaves for civil and political equality by freeing them of the shackles of ignorance, superstition and sin.This book ought to be read by all those interested in Northern educational and social reformers in the Reconstruction South."
--The Journal of American History

"In an extraordinarily balanced study Richardson has synthesized a wealth of sources and research to produce a thoroughly convincing interpretation of the AMA and southern blacks. Besides exploring relations between the two, his main objective has been to assess the AMA's effectiveness in bringing blacks into the American mainstream. Because of his successful labors, we now have a much-needed comprehensive study of that most influential missionary organization. Whether addressing conflicts between the AMA and the US military over the treatment of contrabands, charges of racism among black and white missionaries, or the quality of association colleges, Richardson does not allow his obvious admiration for the AMA to interfere. . . . With bold logic and considerable subtlety Richardson has made an impressive contribution.
--The Journal of Southern History

Charts the progress and failure of Colombian President Andrés Pastrana’s efforts to bring an end to sixty years of civil war.

The civil war in Colombia has waxed and waned for almost sixty years with shifting goals, programs, and tactics among the contending parties and with bursts of appalling violence punctuated by uneasy truces, cease-fires, and attempts at reconciliation. Varieties of Marxism, the economics of narco-trafficking, peasant land hunger, poverty, and oppression mix together in a toxic stew that has claimed uncounted lives of (most often) peasants, conscript soldiers, and people who just got in the way.

Hope for resolution of this conflict is usually confined to dreamers and millenialists of various persuasions, but occasionally an attempt is made at a breakthrough in the military stalemate between the government and the Marxist groups. One of the most promising such attempts was made by new Colombian President Andrés Pastrana at a time when the main rebel groups seemed receptive to serious dialogue. This book is an account of that effort at peace, accompanied at the outset by domestic and international support and hope, and yet doomed like so many others to eventual failure.

Through interviews with many of the actors in this drama, as well as an understanding of the various interest groups and economic forces at work in Colombia, Dr. Kline charts the progress and ultimate failure of this effort, and thereby hopes to increase understanding of the causes of its lack of success. The importance of the resolution of the conflict to the region and to ordinary citizens of this troubled land cannot be
overstated.

The story of one of this country's major religious movements is told through the spiritual odyssey of one of its prominent spokesmen.

When Homer Hailey sparked controversy within Churches of Christ congregations over his stand on divorce and remarriage, he spoke to a movement already sundered. Historian David Edwin Harrell tells Hailey's story as a means of presenting the larger drama of faith and feuding within those churches.

A nondenominational movement of autonomous congregations, Churches of Christ have been among the fastest-growing religious bodies in the 20th century. Throughout the movement's history, church leaders debated issues ranging from missionary societies to the use of instrumental music in worship. Although some disagreements affected only the ties between congregations, others led to the creation of three distinct groups calling themselves Churches of Christ identified by their sociological and theological positions.

This book shows how the story of the Churches of Christ is reflected by Homer Hailey, a preacher, educator, and author whose life puts in perspective the personal journeys traveled by members in this century. Writing from the perspective of the non-institutional wing within the movement, Harrell avoids mainstream biases to describe the various dissenting views as fully and fairly as possible.

Combining institutional history and biography, Harrell's book is the first to bring the story of the Churches of Christ to century's end. It provides new insight into how this movement realigned itself and shows how one man's career reflected a century of spiritual growth and change for the church as a whole.

Circling Faith is a collection of essays by southern women that encompasses spirituality and the experience of winding through the religiously charged environment of the American South.

 

Mary Karr, in “Facing Altars,” describes how the consolation she found in poetry directed her to a similar solace in prayer. In “Chiaroscuro: Shimmer and Shadow,” Susan Cushman recounts how her dissatisfaction with a Presbyterian upbringing led her to hold her own worship services at home and eventually to join the Eastern Orthodox Church. “Magic” by Amy Blackmarr depicts a religious practice that occurs wholly outside of any formal setting—she recognizes places, such as a fishing shack in south Georgia, and things, such as crystal Cherokee earrings, as reminders that God exists everywhere and that a Great Comforter is always present. In “The Only Jews in Town,” Stella Suberman gives her account of growing up as a religious minority in Tennessee, connecting her story to a larger narrative of Eastern European Jews who moved away from the Northeast, often to found and run “Jew stores” in midwestern and southern towns.  Alice Walker, in an interview with Valerie Reiss titled “Alice Walker Calls God ‘Mama,’” relates her dynamic relationship with her God, which includes meditation and yoga, and explains how she views the role of faith in her work, including her novel The Color Purple.  These essays showcase the large spectrum of spirituality that abides in the South, as well as the equally large spectrum of individual women who hold these faiths.

 

 

Between A.D. 1000 and 1635, the inhabitants of southwestern Pennsylvania and portions of adjacent states—known to archaeologists as the Monongahela Culture or Tradition—began to reside regularly in ring-shaped village settlements. These circular settlements consisted of dwellings around a central plaza. A cross-cultural and cross-temporal review of archaeological, ethnohistorical, and ethnographic cases demonstrates that this settlement form appeared repeatedly and independently worldwide, including throughout portions of the Eastern Woodlands, among the Plains Indians, and in Central and South America.

 

Specific archaeological cases are drawn from Somerset County, Pennsylvania, that has the largest number of completely excavated Monongahela villages. Most of these villages, excavated in the 1930s as federal relief projects, were recently dated. Full analysis of the extensive excavations reveals not only the geometric architectural patterning of the villages, but enables an analysis of the social groupings, population estimates, and economic status of residents who inhabited the circular villages. Circular patterning can be revealed at less fully excavated archaeological sites. Focused test excavations can help confirm circular village plans without extensive and destructive excavations.

A discussion of the benefits and pitfalls of citizen science—scientific undertakings that make use of public participation and crowd-sourced data collection

James Wynn’s timely investigation highlights scientific studies grounded in publicly gathered data and probes the rhetoric these studies employ. Many of these endeavors, such as the widely used SETI@home project, simply draw on the processing power of participants’ home computers; others, like the protein-folding game FoldIt, ask users to take a more active role in solving scientific problems. In Citizen Science in the Digital Age: Rhetoric, Science, and Public Engagement, Wynn analyzes the discourse that enables these scientific ventures, as well as the difficulties that arise in communication between scientists and lay people and the potential for misuse of publicly gathered data.
 
Wynn puzzles out the intricacies of these exciting new research developments by focusing on various case studies. He explores the Safecast project, which originated from crowd-sourced mapping for Fukushima radiation dispersal, arguing that evolving technologies enable public volunteers to make concrete, sound, science-based arguments. Additionally, he considers the potential use of citizen science as a method of increasing the public’s identification with the scientific community, and contemplates how more collaborative rhetoric might deepen these opportunities for interaction and alignment. Furthermore, he examines ways in which the lived experience of volunteers may be integrated with expert scientific knowledge, and also how this same personal involvement can be used to further policy agendas.

Precious few texts explore the intersection of rhetoric, science, and the Internet. Citizen Science in the Digital Age fills this gap, offering a clear, intelligent overview of the topic intended for rhetoric and communication scholars as well as practitioners and administrators in a number of science-based disciplines. With the expanded availability of once inaccessible technologies and computing power to laypeople, the practice of citizen science will only continue to grow. This study offers insight into how—given prudent application and the clear articulation of common goals—citizen science might strengthen the relationships between scientists and laypeople.

Christopher McIlwain’s Civil War Alabama is a landmark book that sheds invigorating new light on the causes, the course, and the outcomes in Alabama of the nation’s greatest drama and trauma. Based on twenty years of exhaustive research that draws on a vast trove of primary sources such as letters, newspapers, and personal journals, Civil War Alabama presents compelling new explanations for how Alabama’s white citizens came to take up arms against the federal government.
 
A fledgling state at only forty years old, Alabama approached the 1860s with expanding populations of both whites and black slaves. They were locked together in a powerful yet fragile economic engine that produced and concentrated titanic wealth in the hands of a white elite. Perceiving themselves trapped between a mass of disenfranchised black slaves and the industrializing and increasingly abolitionist North, white Alabamians were led into secession and war by a charismatic cohort who claimed the imprimatur of biblical scripture, romanticized traditions of chivalry, and the military mantle of the American Revolution.
 
And yet, Alabama’s white citizens were not a monolith of one mind. McIlwain dispels the received wisdom of a white citizenry united behind a cadre of patriarchs and patriots. Providing a fresh and insightful synthesis of military events, economic factors such as inflation and shortages, politics and elections, the pivotal role of the legal profession, and the influence of the press, McIlwain’s Civil War Alabama illuminates the fissiparous state of white, antebellum Alabamians divided by class, geography, financial interests, and political loyalties.
 
Vital and compelling, Civil War Alabama will take its place among the definitive books about Alabama’s doomed Confederate experiment and legacy. Although he rigorously dismantles idealized myths about the South’s “Lost Cause,” McIlwain restores for contemporary readers the fervent struggles between Alabamians over their response to the epic crisis of their times.

This work fills a tremendous gap in our available knowledge in a fundamental area of Civil War studies, that of basic quotidian information on the weather in the theater of operations in the vicinity of Washington, DC, and Richmond, Virginia. Krick adds to the daily records kept by amateur meteorologists in these two locations. Anecdotal descriptions of weather found in contemporary soldiers’ dairies and correspondence combines these scattered records into a chronology of weather information that also includes daybreak and sunset times for each day. The information in Civil War Weather in Virginia is indispensable for students of the Civil War in the vital northern Virginia/Maryland theater of operations, and of the effects of weather on military history in general.

The Civilian Conservation Corps was one of the better known and most successful of the New Deal programs following the Great Depression.  The causes of the Great Depression have been addressed and debated from a variety of perspectives through the years.  However, the effects explained in terms of human suffering leave little room for debate. By March of 1933, there were more than 13.6 million unemployed, and more than 200,000 of them were wandering the country looking for work. Homes and families were fractured.  President Roosevelt proposed to put 500,000 unemployed men from cities and towns into the woods to plant trees, reduce fire hazards, clear streams, check erosion, and improve the park system all across America.  With unprecedented speed, national legislation was written, passed, and funded, creating a myriad of programs—referred to as alphabet projects—in hopes of generating useful work and necessary paychecks and creating a “great and lasting good” for the American public.

CCC projects in Alabama would initially employ 20,000 men with projects in all 13 state forests and seven state parks.  This volume traces in great detail the work projects, the camp living conditions, the daily lives of the enrollees, the administration and management challenges, and the lasting effects of this Neal Deal program in Alabama.  Through archives, government documents, and more than 125 interviews with former enrollees of the CCC, Pasquill has recounted the CCC program in Alabama and brought this humanitarian program to life in the Alabama countryside. It was a truly monumental win-win situation emerging from a national and international economic tragedy.

This potpourri of satire on language use in Western culture will trigger chuckles and guffaws from an eclectic readership
 
In The Clan of the Flapdragon and Other Adventures in Etymology by B. M. W. Schrapnel, Ph.D., the pseudonymous critic satirizes a variety of subjects in and out of academe. These adventurous essays include lampoons on writing, language, and literature, and the collection is a delightful spoof of much in contemporary culture—especially areas of intellectual pretension. Readers will be entertained by anachronistic allusions, improbable parodies, whimsical etymologies, tongue-in-cheek word play, and stunning purple prose—examples of just some of the liberties Schrapnel takes with the language.

Dr. Schrapnel includes a wide array of audience reactions in the form of bogus letters from fictional readers, confirming that language and literature are everyone’s business. He also offers an annual list of words that writers and speakers should use more often—a lexicographer’s equivalent to the endangered species list—and coins terms such as prufrockery and grendelish.
 

Food is essential to southern culture, and collard greens play a central role in the South’s culinary traditions. A feast to the famished, a reward to the strong, and a comfort to the weary, collards have long been held dear in the food-loving southern heart. In Collards: A Southern Tradition from Seed to Table, Edward H. Davis and John T. Morgan provide this emblematic and beloved vegetable the full-length survey its fascinating and complex history merits.
 
The book begins with collards’ obscure origins. Like a good detective story, the search for collards’ home country leads the authors both to Europe and West Africa, where they unravel a tale as surprising and complex as that of southern people themselves. Crossing back over the Atlantic, the authors traverse miles of American back roads, from Arkansas to Florida and from Virginia to Louisiana. They vividly recount visits to homes, gardens, grocers, farms, and restaurants where the many varieties of collards are honored, from the familiar green collards to the yellow cabbage collard and rare purple cultivars.
 
In uncovering the secrets of growing collards, the authors locate prize-winning patches of the plant, interview “seed savers,” and provide useful tips for kitchen gardeners. They also describe how collards made the leap from kitchen garden staple to highly valued commercial crop.
 
Collards captures the tastes, smells, and prize-winning recipes from the South’s premier collards festivals. They find collards at the homes of farmers, jazz musicians, governors, and steel workers. Kin to cabbage and broccoli but superior to both in nutritional value, collard greens transcend human divisions of black and white, rich and poor, sophisticated and rustic, and urban and rural.
 
Food trends may come and go, but collards are a tradition that southerners return to again and again. Richly illustrated in color, Collards demonstrates the abiding centrality of this green leafy vegetable to the foodways of the American South. In it, readers will rediscover an old friend.

Marianne Hauser's short fiction is a literary documentary of exile, the other-worldly travelogue of an imagination permanently displaced. These accounts of expatriates and lost children situate us in foreign realms, between the titillating intimacies of strangers and looming brutalities we can never quite see. In Hauser's fiction, expatriation is not a historical accident but a condition as essential to humans as breathing or speech. A young boy's suicide in "Heartlands Beat" or a child's vision of her piano teacher's corpse invoke the permanent dislocations that adulthood can never overcome. It is as though birth were, for Hauser, the great forced migration, an incomprehensible banishment from some homeland every child can remember. Her characters gaze in bewilderment at the crude and violent landscape that, through preposterous twistings, they have come to occupy, wondering how they could have ended so incongruously, unable to imagine any dwelling but here. Beautiful fabrications from the writer about whom Anais Nin remarked, "She deftly weaves the strange, the unknown, the unfamiliar, the perverse, into a fabric of human fallibilities that draws drama and farce close to us."

Zelda Sayre Fitzgerald has long been perceived as the tragic "other half" of the Scott and Zelda legend. Born in Montgomery, Alabama, the high-spirited tomboy turned flapper was talented in dance, painting, and writing but lived in the shadow of her husband's success. Her writing can be experienced on its own terms in Matthew Bruccoli's meticulously edited The Collected Writings of Zelda Fitzgerald.

The collection includes Zelda's only published novel, Save Me the Waltz, an autobiographical account of the Fitzgeralds' adventures in Paris and on the Riviera; her celebrated farce, Scandalabra; eleven short stories; twelve articles; and a selection of letters to her husband, written over the span of their marriage, that reveals the couple's loving and turbulent relationship.

Zelda Sayre Fitzgerald has long been an American cultural icon. The Collected Writings affirms her place as a writer and as a symbol not only of the Lost Generation but of all generations as she struggled to define herself through her art.

 

European imperialists began to dream of other kinds of wealth besides gold in the New World

Louis Booker Wright was a graduate of Wofford College, and was at various times a John Simon Guggenheim Fellow and a Benjamin Franklin Medalist, and he held honorary degrees from, among others, Princeton, Tulane, and California State University-Fulerton. He was the author of a number of books, including The Atlantic Frontier: Colonial American Civilization 1607-1763, Gold, Glory, and the Gospel: the Adventurous Lives of the Renaissance Explorers, Culture on the Moving Frontier, and The Dream of Prosperity in Colonial America. At the time of the preparation of this work he was Director of the Folger Shakespeare Library.

Explores how perceptions and depictions of the physical landscape both reflected and influenced the history of the British colonial Caribbean

In Colonizing Paradise, historian Jefferson Dillman charts the broad spectrum of sentiments that British citizens and travelers held regarding their colonial possessions in the West Indies. Myriad fine degrees of ambivalence separated extreme views of the region as an idyllic archipelago or a nest of Satanic entrapments. Dillman shows the manner in which these authentic or spontaneous depictions of the environment were shaped to form a narrative that undergirded Britain’s economic and political aims in the region.
 
Because British sentiments in the Caribbean located danger and evil not just in indigenous populations but in Spanish Catholics as well, Dillman’s work begins with the arrival of Spanish explorers and conquistadors. Colonizing Paradise spans the arrival of English ships and continues through the early nineteenth century and the colonial era. Dillman shows how colonial entrepreneurs, travelers, and settlers engaged in a disquieted dialogue with the landscape itself, a dialogue the examination of which sheds fresh light on the culture of the Anglophone colonial Caribbean.
 
Of particular note are the numerous mythical, metaphorical, and biblical lenses through which Caribbean landscapes were viewed, from early views of the Caribbean landscape as a New World paradise to later depictions of the landscape as a battleground between the forces of Christ and Satan. The ideal of an Edenic landscape persisted, but largely, Dillman argues, as one that needed to be wrested from the forces of darkness, principally through the work of colonization, planting, cataloguing, and a rational ordering of the environment.
 
Ultimately, although planters and their allies continued to promote pastoral and picturesque views of the Caribbean landscape, the goal of such narratives was to rationalize British rule as well as to mask and obscure emerging West Indian problems such as diseases, slavery, and rebellions. Colonizing Paradise offers much to readers interested in Caribbean, British, and colonial history.

An exciting addition to the ongoing debate about the place of regionalism in American literary history.

American regionalism has become a contested subject in literary studies alongside the ubiquitous triad of race, class, and gender. The Color of Democracy in Women's Regional Writing enters into the heart of an ongoing debate in the field about the significance of regional fiction at the end of the 19th century. Jean Griffith presents the innovative view that regional writing provided Edith Wharton, Ellen Glasgow, and Willa Cather with the means to explore social transformation in a form of fiction already closely associated with women readers and writers.

Griffith provides new readings of texts by these authors; she places them alongside the works of their contemporaries, including William Faulkner and Langston Hughes, to show regionalism's responses to the debate over who was capable of democratic participation and reading regionalism's changing mediations between natives and strangers as reflections of the changing face of democracy.

This insightful work enriches the current debate about whether regionalism critiques hierarchies or participates in nationalist and racist agendas and will be of great interest to those invested in regional writing or the works of these significant authors.

William March's debut novel, Company K, introduced him to the reading public as a gifted writer of modern fiction. Of that World War I classic, Graham Greene wrote: “It is the only war book I have read which has found a new form to fit the novelty of the protest. The prose is bare, lucid, without literary echoes.” After Company K, March brought his same unerring style to a cycle of novels and short stories—his “Pearl County” series—inspired in part by his childhood in the vicinity of Mobile, Alabama.

Come in at the Door is the first in March’s “Pearl County” collection, and it tells the story of Chester, a boy who lives with his withholding, widowed father, and Mitty, who keeps house and serves as a surrogate wife to Chester’s father and a mother to Chester. One morning before dawn, Mitty takes Chester to the Athlestan courthouse to watch the hanging of a man who’d killed “a grotesque, dwarflike creature” he thought had “laid a conjure” on him.
 
Throughout Chester’s rambunctious young manhood, the gruesome memory hovers just below the surface of his mind, recalled in detail only at his father’s death, when the book sweeps forward to its shattering denouement. A classic of Southern Gothic that illuminates family, class, race, and gender, Come in at the Door marks the homecoming of a Southern storyteller at the peak of his craft.

The worlds of three women and the men they love come together in this novel of war and hurricanes, loss and renewal. Christiane, or Nana, reliving the past in her eighties, her granddaughter Angela, working at a Biloxi casino in her twenties, and their teenage friend Cam, the daughter of a Vietnamese shrimper, form a deep connection. As they face heartbreak, their bonds nurture and sustain them. Ordinary people impacted by the shifts of history—Come Landfall is a southern story with a global sensibility.

The Gulf Coast serves as more than just a setting—it is a character unto itself. With casinos lining one side of the highway, antebellum homes along the other, and a Vietnamese neighborhood up the road, here the old South collides with the new. From households along this stretch of US 90, lineages and emotional connections stretch all over the world.

Inspired by true events, Roy Hoffman’s novel has its seeds in the saga of his uncle, Maj. Roy Robinton, US Marine Corps, a WWII prisoner of war in the Philippines who disappeared as captive on a Japanese “hellship.” His young bride, back home, was ground down, waiting.

Christiane returns in her mind to the man she married at twenty-one—Rosey, a flyer with the Army Air Corps who was in the Philippines at the outbreak of WWII. Angela meets Frank, an airman at Keesler Air Force base who is proudly patriotic, deeply religious, and a student of weather. Cam falls in love with Joe, a Biloxi cop, and her own tumultuous story begins to interweave with that of Angela’s and Nana’s. What’s taken from Nana, Angela, and Cam (and so many others when storms make their landfall), what’s given back, and what’s kept forever sit at the heart of this
intimate yet expansive novel.

World War I is widely considered “the Great War” and World War II, “the Good War.” Janis Stout thinks of them as two parts of a whole that continues to engage historians and literary scholars searching for an understanding of both the actual war experiences and the modern culture of grief they embody. In Coming Out of War: Poetry, Grieving, and the Culture of the World Wars Stout argues that poetry, of all the arts, most fully captures and conveys those cultural responses.

While probing the work of such well known war poets as Rupert Brooke, Wilfred Owen, and Randall Jarrell, Stout also highlights the impact of the wars on lesser studied, but equally compelling, sources such as the music of Charles Ives and Cole Porter, Aaron Copland and Irving Berlin. She challenges the commonplace belief that war poetry came only from the battlefield and was written only by men by examining the wartime writings of women poets such as Rose Macaulay, Marianne Moore, Elizabeth Bishop, and Gwendolyn Brooks. She also challenges the assumption that World War II did not produce poetry of distinction by studying the work of John Ciardi, Karl Shapiro, Louis Simpson, Robert Frost, and Wallace Stevens. While emphasizing aesthetic continuity between the wars, Stout stresses that the poetry that emerged from each displays a greater variety than is usually recognized.

A final chapter considers Benjamin Britten’s War Requiem as a culmination and embodiment of the anti-war tradition in 20th-century poetry and music, and speculates on the reasons why, despite their abundance and eloquence, these expressions of grief and opposition to war have effected so little change.

The Italian General Giulio Douhet reigns as one of the twentieth century’s foremost strategic air power theorists. As such scholars as Raymond Flugel have pointed out, Douhet’s theories were crucial at a pivotal pre-World War II Army Air Force institution, the Air Corps Tactical School.

The American East India Squadron was created in 1835 by the Navy Department to extend a measure of authority to a remote corner of the globe. Americans in distant areas frequently had to cope without a naval presence, and the establishment of a permanent naval station abroad usually reflected the government’s assumption that American commercial or strategic interests were sufficiently vital to justify more than occasional visits. The appearance of a regular squadron did not necessarily imply that it would actually do anything, but rather that it would be available if the need arose. 

This ecology of ethics seeks to balance the needs of the individual and those of the various levels of community.

As James A. Mackin, Jr., shows, both modernism and postmodernism have undermined the traditional foundations for ethics. Using an ecological model, however, Community over Chaos develops a common ground for ethical judgments about communication, thus countering the current theoretical climate of pessimistic cynicism toward the very possibility of ethics.

This theoretical pessimism is not merely an academic problem. The general public is becoming more and more disillusioned about the possibility of ethical communication. We are unable to teach principles of communicative ethics in our primary and secondary schools because we cannot agree on a common ground for those principles. Instead, we teach a narrow form of competence that is concerned primarily with short-term, individual success. Because our communities are built on our communicative practices, our inability to justify communicative ethics must ultimately lead to the disintegration of our communities.

Mackin's ecological model assumes that each of us is a communicative system operating within larger communicative systems that together form our communicative ecosystem. Virtues of the ecological approach are practical wisdom, based in fuzzy logic, and communicative openness and honesty.

Mackin recognizes the importance of both chaos and community in our communicative ecosystems. Chaos, as the source of originality and creativity, can contribute to growth and development; community provides the source of regularity and nurture that makes chaos endurable.

 

The comparative study of public policy once promised to make major contributions to our understanding of government. Much of that promise now appears unfulfilled. What accounts for this decline in intellectual fortunes and change in intellectual fashion? Comparing Public Bureaucracies seeks to understand why. One of the principal answers is that there is no readily accepted and dependent variable that would allow comparative public administration to conform to the usual canons of social research. In contrast, comparative public policy has a ready-made dependent variable in public expenditure.

Peters discusses four possible dependent variables for comparative public administration. The first is personnel—the number and type of people who work for government. Second, the number and type of organizations that form government can suggest a great deal about the structure of government. Third, the behavior of members is obviously important for understanding what actually happens in government—such as the extents to which bureaucracies approximate the budget-maximizing behavior posited by economists. Ginally, the relative power of civil servants in the policymaking process is a major factor in institutional politics in contemporary industrial societies.

The Complete Tales of Ketzia Gold is a lavishly poetic novel that draws upon the motifs of traditional German, Russian and Yiddish folklore and fairy stories to recount the visionary obsessions of a passionate young woman. The narrative moves freely through time and space, uniting Ketzia Gold's early childhood with her sexual awakenings, creating a dreamscape of haunting vividness. Marked by a logical illogic and disarmingly sane madness, this haunting and innovative fable creates an emotional landscape that's as impossible to escape as it is for young Ketzia to inhabit. Kate Bernheimer interweaves hypnotic imagery and everyday life, moving back and forth through time, piecing together the fragments of memory and imagination with an obsessive lyricism that recalls the poetic fictions of Carol Maso. Bernheimer's story is a rich tapestry, patterned with childhood longings and the luxuriant complexity of womanhood.

As a child, Lucy dreams of talking fairies and lives contentedly in the wooded suburbs of Boston; she grows up to be a successful animator of fairy-tale films. Or does she? She claims at moments to be a witch in the woods.

 

Like her sisters, who appeared in Bernheimer’s first two novels (The Complete Tales of Ketzia Gold and The Complete Tales of Merry Gold), Lucy has a secret, but she is unable to fasten onto anything but brightness. Novelist Donna Tartt writes, “Lucy’s particular brand of optimism, blind to its own shadow, is very American—she is innocence holding itself apart so fastidiously that it becomes its opposite.”

 

This novel is a perfect end to the Gold family series, and the perfect introduction, for new readers, to Bernheimer’s enchanting body of work.

This ground-breaking rhetorical analysis examines a 1987 Massachusetts law affecting infertility treatment and the cultural context that makes such a law possible

Elizabeth C. Britt uses a Massachusetts statute requiring insurance coverage for infertility as a lens through which the work of rhetoric in complex cultural processes can be better understood. Countering the commonsensical notion that mandatory insurance coverage functions primarily to relieve the problem of infertility, Britt argues instead that the coverage serves to expose its contours.

Britt finds that the mandate, operating as a technology of normalization, helps to identify the abnormal (the infertile) and to create procedures by which the abnormal can be subjected to reform. In its role in normalizing processes, the mandate is more successful when it sustains, rather than resolves, the distinction between the normal and the abnormal. This distinction is achieved in part by the rhetorical mechanism of the double bind. For the middle-class white women who are primarily served by the mandate, these double binds are created both by the desire for success, control, and order and by adherence to medical models that often frustrate these same desires. The resulting double binds help to create and sustain the tension between fertility and infertility, order and discontinuity, control and chaos, success and failure, tensions that are essential for the process of normalization to continue.

Britt uses extensive interviews with women undergoing fertility treatments to provide the foundation for her detailed analysis. While her study focuses on the example of infertility, it is also more broadly a commentary on the power of definition to frame experience, on the burdens and responsibilities of belonging to social collectives, and on the ability of rhetorical criticism to interrogate cultural formations.

A standard course book for students of linguistics.