A SCHOLARLY BOOK REPOSITORY55 start with I start with I
On May 18, 1862, Henry Willis Wells wrote a letter to his mother telling her in clear terms, “I am fighting for the Union.” Since August 1861, when he joined the US Navy as a master’s mate he never wavered in his loyalty. He wrote to his family frequently that he considered military service a necessary and patriotic duty, and the career that ensued was a dramatic one, astutely and articulately documented by Wells in more than 200 letters home, leaving an invaluable account of daily life in the Union Navy.
Wells joined the navy shortly after the war began, initially on board the Cambridge, attached to the North Atlantic Blockading Squadron, which patrolled the waters of the Chesapeake Bay. He witnessed the Battle of Hampton Roads and the fight between the ironclads CSS Virginia and the USS Monitor. Next, the Cambridge assisted in the blockade of Wilmington, North Carolina. In one instance, the warship chased the schooner J. W. Pindar ashore during her attempt to run the blockade, and Confederate forces captured Henry’s boarding party. After a short prison stay in the infamous Libby Prison in Richmond, his Confederate captors paroled Henry. He travelled back to Brookline, and soon thereafter the Navy Department assigned him to the gunboat Ceres, which operated on the sounds and rivers of North Carolina, protecting army positions ashore. Henry was on board during the Confederate attempt to capture Washington, North Carolina. During this April 1863 attack, Henry was instrumental in the town’s defense, commanding a naval battery ashore during the latter part of the fight.
His exceptional service gained him a transfer to a larger warship, the USS Montgomery, again on the blockade of Wilmington. Later the service assigned him to the Gem of the Sea, part of the East Gulf Blockading Squadron. Through his hard work and professionalism, he finally earned his first command. In September 1864, he became the commanding officer of the Rosalie, a sloop used as a tender to the local warships. Later he commanded the schooner Annie, also a tender. At the end of December 1864, however, the Annie suffered a massive explosion, killing all hands, including Wells. He was twenty-three years old when his life and career ended tragically. Wells’s letters document both his considerable achievements and his frustrations. His challenges, triumphs, and disappointments are rendered with candor. I Am Fighting for the Union is a vital and deeply personal account of a momentous chapter in the history of the Civil War and its navies.
I The People: The Rhetoric of Conservative Populism in the United States examines a variety of texts—ranging from speeches and campaign advertisements to news reports and political pamphlets—to outline the populist character of conservatism in the United States. Paul Elliott Johnson focuses on key inflection points in the development of populist conservatism, including its manifestation in the racially charged presidential election of 1964, its consolidation at the height of Ronald Reagan’s reelection campaign in 1984, and its character in successive moments that saw its fortunes wax and wane, including 1994, the Obama era, and the rise of Donald J. Trump. theorizing conservative populism as a rhetorical form, Johnson advances scholarship about populism away from a binary ideological framework while offering a useful lens for contextualizing scholarship on American conservatism. I The People emphasizes that the populist roots of conservative hegemony exercise a powerful constraining force on conservative intellectuals, whose power to shape and control the movement to which they belong is circumscribed by the form of its public-facing appeals.
The study also reframes scholarly understandings of the conservative tradition’s seeming multiplicity, especially the tendency to suggest an abiding conservative unease regarding capitalism, showing how racist hostility underwrote a compromise with an increasingly economized understanding of humanity. Johnson also contests the narrative that conservatives learned to practice identity politics from social progressives. From the beginning, conservatism’s public vernacular was a white and masculine identity politics reliant on a rhetoric of victimhood, whether critiquing the liberal Cold War consensus or President Barack Obama.
Europe's expansion into the New World during the 16th, 17th, and 18th centuries was a story of power alignment and cultural transmission as well as dramatic individual effort. Spain had her conquistadores, France her coureurs de bois, and England her sea dogs. Isolated from the authority of home governments, tempted by the abundance of gold, fur, and fish in the New World, these adventurers so vital to national policies of expansion developed their own personal creeds of conquest and colonization. Their individual exploits not only represent a humanistic theme essential in Europe's movement westward but heighten the analyses of cultural institutions of the era. It is within such a multidisciplinary light that one can experience the Gulf Coast adventures of Pierre LeMoyne d'Iberville.
“Ich Kuss Die Hand”: The Letters of H. L. Mencken to Gretchen Hood relates an episode in Mencken's life that has received only passing mention from his biographers. Gretchen Hood's acquaintance with the journalistic life of Washington formed a bond with Mencken, who thought of himself, first and foremost, as an inveterate newspaperman (they playfully entertained the idea of starting their own Washington newspaper), and she had a ready appreciation for his performances as a connoisseur of the Washington political spectacle. Mencken, the amateur musician and music buff, respected her talent and professional background.
His letters indicate that he found in her an intelligent, witty, and charming respondent to his characteristic traits of personality and style. She both flattered his ego and challenged him to exhibit his celebrated manner at its best. On her part, Hood was not simply awestruck by Mencken's attentions but met them with her independent verve. “Nothing scared me,” she later said of her attitude; “ready to take on all comers.” Mencken liked to refer to her as “a licensed outlaw,” a designation that captures his impression of her and describes as well the fashionable unconventionality, which fueled the Mencken vogue.
Mencken wrote Hood over two hundred letters, and she must have written him about the same number. For much of the time they corresponded, they exchanged several letters every month, sometimes as many as four or five a week. As their communications blossomed into a four-year friendship, personal meetings soon supplemented the flow of letters.
Erickson examines the work of Marianne Moore in order to provide some consistently successful strategies for understanding her poetry
This study demonstrates that Moore’s voice is arguably the strongest female voice in twentieth century American literature and her poetic voice could hold its own in the company of the best of the other modernists. Unlike many current scholars, Erickson examines closely the texts of Moore’s poems themselves, allowing the poet’s own voice to speak clearly. The study also explores Moore’s obsession with time, her preoccupation with the visual, her interest in the forms of Hebrew verse and her “susceptibility to happiness,” an outlook at some odds with the twentieth century’s fascination with the “romance of failure.”
Imagining Legality argues that images of law suggested by television and film are as numerous as they are various, and that they give rise to a potent and pervasive imaginative life of the law. The media’s projections of the legal system remind us not only of the way law lives in our imagination but also of the contingencies of our own legal and social arrangements.
Contributors to Imagining Legality are less interested in the accuracy of the portrayals of law in film and television than in exploring the conditions of law’s representation, circulation, and consumption in those media. In the same way that legal scholars have taken on the disciplinary perspectives of history, economics, sociology, anthropology, and psychology in relation to the law, these writers bring historical, sociological, and cultural analysis, as well as legal theory, to aid in the understanding of law and popular culture.
Offering fascinating examples from the works of diverse writers and thinkers such as Benjamin Franklin, Frederick Douglass, Mark Twain, W. E. B. Du Bois, Elizabeth Cady Stanton, and Harriet Shelton Dover, Kristin Johnson traces the history of Americans’ complicated faith in science and the various triumphs and tragedies that faith has inspired. Imagining Progress reveals many of the complex factors involved in the polarized state of contemporary American attitudes toward science, scientists, public health, medicine, and science policy.
Humankind has always wrestled with the existence of suffering, how to respond to suffering, whom to care for, and in what ways. For two centuries, many American ministers, physicians, and scientists believed that an omnipotent and omniscient God created the world such that people might relieve suffering through ingenuity and learning. Others responded to the new worldview introduced by the scientific revolution as a threat to the divine order. In Imagining Progress, Johnson traces the history of Americans’ evolving relationship with science and religion at “one of its most dramatic places”—the bedsides of dying children. It’s here, in the crucible of parental despair, that she illuminates diverging assumptions about God, nature, and history.
From Cotton Mather’s campaign for smallpox inoculation to battles over teaching evolution in the 1920s, Johnson adroitly weaves an interdisciplinary history of medicine, science, theology, and activism. She follows a wide cast of characters from across theological, scientific, and political spectrums. What emerges is a kaleidoscopic portrait of diverse, often contradictory hopes and anxieties inspired by new theories of nature and human existence. Johnson also discerns a problematic pattern of invoking science both to ameliorate the suffering of some children while ignoring the suffering of others.
The middle of the nineteenth century witnessed the emergence of numerous visual technologies and techniques: the daguerreotype, immersive exhibition spaces such as cycloramas and panoramas, mechanized tourism, and large-scale exhibitions and spectacles such as the World’s Fair. In closely argued chapters devoted to these four visual forms, Jarenski demonstrates that the popularity of these novelties catalyzed a shift by authors of the period beyond narratives that merely described images to ones that invoked aesthetic experiences.
Jarenski describes how Herman Melville adapts the aesthetic of the daguerreotype through his use of dramatic point-of-view and unexpected shifts that disorient readers. Frederick Douglass is shown to appropriate a panoramic aesthetic that severs spatial and temporal narratives from standard expectations. Jarenski traces how Nathaniel Hawthorne’s The Marble Faun found success as a travel guide to Rome, though intended as a work of serious fiction. Finally, Sarah Orne Jewett is shown to simulate the interactivity of the World Columbian Exposition to promote racialized and gendered forms of aesthetic communication. These techniques and strategies drawn from visual forms blur the just-so boundary critics and theorists have traditionally drawn between text and image.
In the mid-nineteenth century, the national identity of the United States remained fluid and hinged upon matters of gender, sexuality, and, crucially, race. Authors both reflected that evolving identity and contributed to its ongoing evolution. In demonstrating how the aesthetic and visual technologies of the nineteenth century changed the fundamental aesthetics of American literature, the importance of Immersive Words goes far beyond literary criticism.
A Vietnam War combat memoir from the perspective of an artilleryman
Impact Zone documents Marine First Lieutenant James S. Brown's intense battle experiences, including those at Khe Sanh and Con Thien, throughout his thirteen months of service on the DMZ during 1967-68. This high-action account also reflects Brown's growing belief that the Vietnam War was mis-fought due to the unproductive political leadership of President Johnson and his administration. Brown's naiveté developed into hardening skepticism and cynicism as he faced the harsh realities of war, though he still managed to retain a sense of honor, pride, and patriotism for his country.
Impact Zone is a distinctive book on the Vietnam War because it is told from the perspective of an artilleryman, and the increasingly dangerous events gain momentum as they progress from one adventure to the next. Impact Zone is not only an important historical document of the Vietnam conflict, but also a moving record of the personal and emotional costs of war.
In Imperfect Fit, Fisher focuses on the role of fracturing, ruptures, and breakages in many traditional ties between art and poetry, as well as the resulting use of collage and assemblage by practitioners of those arts. Fisher addresses, among other subjects, destruction as a signifier in twentieth-century art; the poetic employment of bureaucratic vocabularies and “business speak”; and the roles of public performance and memory loss in the fashioning of human knowledge and art.
Commonplace notions of coherence, logic, and truth are reimagined and deconstructed in this study, and Fisher concludes by suggesting that contemporary culture offers a particularly robust opportunity—and even necessity—to engage in the production of art as a pragmatic act. Scholars of art, poetry, and aesthetics will be engaged and challenged by this insightful work.
Stone served in Africa with his wife and successfully learned the Yoruba language. He was an intelligent, self-reflective, and reliable observer, making his works important sources of information on Yoruba society before the intervention of European colonialism. In Africa's Forest and Jungle is a rare account of West African culture, made all the more complete by the additional journal entries, letters, and photographs collected in this edition.
Scholars of public administration have historically too often been disdainful towards politics in the field, viewing political activities and interests as opportunities for corruption, mismanagement, and skewed priorities. Supporters of this anti-political stance have become even more strident in recent years, many of them advancing scientific models for the study and practice of public administration and governance.
The position of the pharmacist in the structure of health care in the United States evolved during the middle half of the 19th century, roughly from the founding of the Philadelphia College of Pharmacy in 1821 to the passage of meaningful pharmaceutical legislation in the 1870s. Higby examines the professional life of William Procter, Jr., generally regarded as the “Father of American Pharmacy,” and follows the development of American pharmacy through four decades of Procter’s professional commitment to the field.
Details the abolition of the slave trade in the Atlantic World to the 1860s
Throughout the nineteenth century, very few people in Spain campaigned to stop the slave trade and did even less to abolish slavery. Even when some supported abolition, the reasons that moved them were not always humanitarian, liberal, or egalitarian. How abolitionist ideas were received, shaped, and transformed during this period has been ripe for study. Jesús Sanjurjo’s In the Blood of Our Brothers: Abolitionism and the End of the Slave Trade in Spain’s Atlantic Empire, 1800–1870 provides a comprehensive theory of the history, the politics, and the economics of the persistence and growth of the slave trade in the Spanish empire even as other countries moved toward abolition.
Sanjurjo privileges the central role that British activists and diplomats played in advancing the abolitionist cause in Spain. In so doing, he brings to attention the complex and uneven development of abolitionist and antiabolitionist discourses in Spain’s public life, from the beginning of the nineteenth century to the end of the transatlantic trade. His delineation of the ideological and political tension between Spanish liberalism and imperialism is crucial to formulating a fuller explanation of the reasons for the failure of anti–slave trade initiatives from 1811 to the 1860s. Slave trade was tied to the notion of inviolable property rights, and slavery persisted and peaked following three successful liberal revolutions in Spain.
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These gutsy and post feminist stories will elicit the shock of recognition from women and may reveal to men something about the further regions of the female psyche. By turns graphic and funny, these urban tales present characters who are teetering on the edge. Indifferent or absent lovers, too much alcohol, too many cigarettes, obsession, paranoia, a desire that is always fresh in spite of the facts—this is the macabre landscape of these very unusual and unrestrained works.
In "Reading Sontag," Addonizio invades and recasts Susan Sontag's essay "The Pornographic Imagination" while describing a monumentally failed relationship. In "The Gift," a woman finds a dildo on the street and is magically transformed into a man.These are fictions to prepare us for the real millennium.
Though the war on terrorism is said to have generated unprecedented military situations, arguments for the Patriot Act and military tribunals following 9/11 resemble many historical claims for restricting civil liberties, more often than not in the name of necessity.
Marouf Hasian Jr. examines the major legal cases that show how various generations have represented the need for military tribunals, and how officials historically have applied the term “necessity.” George Washington cited the necessity of martial discipline in executing the British operative Major André. Tribunals tried and convicted more than 200 Sioux warriors during the Dakota Wars. President Lincoln suspended habeas corpus for many civilian and military prisoners during the Civil War. Twentieth Century military and civilian leaders selectively drafted their own codes, leading to the execution of German saboteurs during World War II. Further, General MacArthur’s tribunal to investigate the wartime activities of Japanese General Yamashita raised the specter of “victor’s justice,” anticipating the outcry that attended the Nuremberg trials.
In those cases as in current debates about the prosecution of terrorists, Hasian argues that the past is often cited selectively, neglecting historical contexts and the controversies these cases engendered.
In this extensive study of how southern Jews in the United States responded to the Nazi persecution of European Jews, Dan J. Puckett recounts the divisions between Alabama Jews in the early 1930s. As awareness of the horrors of the Holocaust spread, Jews across Alabama from different backgrounds and from Reform, Conservative, and Orthodox traditions worked to bridge their internal divisions in order to mount efforts to save Jewish lives in Europe. Only by leveraging their collective strength were Alabama’s Jews able to sway the opinions of newspaper editors, Christian groups, and the general public as well as lobby local, state, and national political leaders.
Puckett’s comprehensive analysis is enlivened and illustrated by true stories that will fascinate all readers of southern history. One such story concerns the Altneuschule Torah of Prague and describes how the Nazis, during their brutal occupation of Czechoslovakia, confiscated 1,564 Torahs and sacred Judaic objects from communities throughout Bohemia and Moravia as exhibits in a planned museum to the extinct Jewish race. Recovered after the war by the Czech Memorial Scrolls Trust, the Altneuschule Torah was acquired in 1982 by the Orthodox congregation Ahavas Chesed of Mobile. Ahavas Chesed re-consecrated the scroll as an Alabama memorial to Czech Jews who perished in Nazi death camps.
In the Shadow of Hitler illustrates how Alabama’s Jews, in seeking to influence the national and international well-being of Jews, were changed, emerging from the war period with close cultural and religious cooperation that continues today.
This absorbing and insightful biography illuminates the life of the controversial champion of Social Gospel in early-20th-century America.
Radical religious and political leader Harry F. Ward started life quietly enough in a family of Methodist shopkeepers and butchers in London. But his relentless pursuit of social justice would lead him to the United States and a long career of religious activism. Ward served as professor of Christian ethics at the Union Theological Seminary and chairman of the board of the American Civil Liberties Union for two decades. He also became a leader in labor groups, Protestant activist organizations, and New York intellectual circles.
David Duke builds his comprehensive story of this fiery leader from extensive archival sources, including FBI files and private correspondence, sermons, class notes, and other unpublished material. Duke skillfully charts Ward's rise from an idealistic Methodist minister in a Chicago stockyard parish to a prominent national religious leader and influential political figure. Ultimately, Ward's lifelong attempt to synthesize the beliefs of Jesus and Marx and his role as an admirer of the Soviet Union put him on a collision course with McCarthyism in Cold War America. Viewed by some as a prophet and by others as a heretic, traitor, and communist, Ward became increasingly marginalized as he stubbornly maintained his radical positions. Even in his own circle, he went from being a figure of unquestioned integrity who eloquently spoke his convictions to a tragically short-sighted idealogue whose unwavering pro-Soviet agenda blinded him to the horrors of Stalinist oppression.
Harry Ward's long, colorful career intersected nearly every intellectual current in American culture for more than a half century. This biography will be important for scholars of American religious history, students of liberalism and politics, social Christians, and general readers who enjoy a compelling tour into the private and public lives of notable figures of history.
"What is the 'meaning' of names like Coosa and Tallapoosa? Who named the Alabama and Tombigbee and Tennessee rivers? How are Cheaha and Conecuh and Talladega pronounced? How did Opelika and Tuscaloosa get their names? Questions like these, which are asked by laymen as well as by historians, geographers, and students of the English language, can be answered only by study of the origins and history of the Indian names that dot the map of Alabama.—from the Foreword
Originally published by Professor Read in 1937, this volume was revised, updated, and annotated in 1984 by James B. McMillan and remains the single best compedium on the topic.
Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as “Native Americans” complete the broader narrative of America as a refuge to the world’s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose American history has been not of immigration but of colonization.
Monika Siebert’s Indians Playing Indian first identifies this phenomenon as multicultural misrecognition, explains its sources in North American colonial history and in the political mandates of multiculturalism, and describes its consequences for contemporary indigenous cultural production. It then explores the responses of indigenous artists who take advantage of the ongoing popular interest in Native American culture and art while offering narratives of the political histories of their nations in order to resist multicultural incorporation.
Each chapter of Indians Playing Indian showcases a different medium of contemporary indigenous art—museum exhibition, cinema, digital fine art, sculpture, multimedia installation, and literary fiction—and explores specific rhetorical strategies artists deploy to forestall multicultural misrecognition and recover political meanings of indigeneity. The sites and artists discussed include the National Museum of the American Indian in Washington, DC; filmmakers at Inuit Isuma Productions; digital artists/photographers Dugan Aguilar, Pamela Shields, and Hulleah Tsinhnahjinnie; sculptor Jimmie Durham; and novelist LeAnne Howe.
The innovative fictions in Infinite Constellations showcase the voices and visions of 30 remarkable writers, both new and established, from the global majority: Native American/First Nation writers, South Asian writers, East Asian writers, Black American writers, Latinx writers, and Caribbean and Middle Eastern writers. These are visions both familiar and strange, but always rooted in the mystery of human relationships, the deep honoring of memory, and the rootedness to place and the centering of culture.
The writers in this anthology mirror, instruct, bind and unbind, myth-make and myth-invert, transform and transmute, make us belly-laugh or hum our understanding, gasp or whisper gently, and remember that sometimes we need to holler and fight as we grieve. Any dangers herein, imagined or observed in poem and story, transport us: moving from latent to extant, then unleashed.
This work does not presume; it presents and blossoms, creating a constellation of appearances, a symphony of belonging.
“In collecting this work,” note editors Khadijah Queen and K. Ibura, “we felt humbled by the love threaded throughout the voices speaking to us in stories and poems that vault beyond expectation and settle in our consciousness as an expansion of what’s possible when we tend to one another with intention. We felt lifted, held aloft in these arrangements of language. We hope that as you read each story and poem, you will find the same sense of empowerment and celebration that we know has sustained us over countless generations, and in their beauty and humor and intelligence and complexity, continue to enrich us still.”
CONTRIBUTORS
George Abraham / Kenzie Allen / Shreya lla Anasuya / Thea Anderson / Wendy Chin-Tanner / Alton Melvar M. Depanas / Yohanca Delgado / Jennifer Elise Foerster / Aerik Francis / André O. Hoilette / Brian K. Hudson / K. Ibura / Pedro Iniguez / Ruth Ellen Kocher / Ra’Niqua Lee / Tonya Liburd / Kenji C. Liu / Shalewa Mackall / Lucien Darjeun Meadows / Melanie Merle / Juan J. Morales / Thirii Myo Kyaw Myint / Cindy Juyound Ok / Daniel José Older / Soham Patel / Lynn C. Pitts/ Khadijah Queen / Sheree Renée Thomas / Sarah Sophia Yanni / dg nanouk okpik / shakirah peterson
Alan Singer’s riveting new novel, The Inquisitor’s Tongue, reimagines the Spanish Inquisition as a world in which spiritual horrors and acts of violence are the birth pangs of otherwise unimaginable identities.
This book tells Alabama’s history in a conversational style with an unapologetically subjective approach. Accessible to general readers and students alike, it recounts the history and politics of a state known for its colorful past, told by one of the state’s most noted historians and educators, whose family came to the territory before statehood. A native and resident Alabamian, Harvey Jackson has spent a lifetime discovering and trying to understand his state. Expressing deep love for its people and culture, he is no less critical of its shortcomings.
Inside Alabama, as the title implies, gives Jackson’s insider perspective on the events and conditions that shaped modern-day Alabama. With humor and candor, he explores the state’s cultural, political, and economic development from prehistoric times to the dawning of the new millennium. Mound-builders, Hernando de Soto, William Bartram, Red Sticks, Andy Jackson, Bourbon Democrats, suffragettes, New Dealers, Hugo Black, Martin Luther King Jr., George Wallace, Rosa Parks all play colorful parts in this popular history. By focusing on state politics as the most accessible and tangible expression of these shaping forces, Jackson organizes the fourteen chapters chronologically, artfully explaining why the past is so important today.
In 1881, Joseph Camp, an elderly and self-trained Methodist minister from Talladega County in eastern Alabama, was brought by his family to Bryce Hospital, an insane asylum in Tuscaloosa, where he remained for over five months. Camp, misled by relatives concerning the purpose of the trip, was shocked and angered at his loss of freedom and his treatment in the hospital. After his release, he composed an account of his stay and published it at his own expense, providing a rare glimpse of 19th century mental health care from a patient’s viewpoint. Camp’s account reveals his naive trust in others, but also a sharp and retentive memory. Camp is remarkably accurate in his account of the details of his treatment and the operation and staff of the hospital, although his emotional assessments reflect his unhappiness with his situation. Adding to the importance of Camp’s account is the fact that in the 19th century Bryce was considered a remarkably humane institution focused on recovery. Camp provides a glimpse into how treatment for the insane felt to the recipient.
This is the first volume comprehensively to explore the dynamics of political interest groups in the twelve southern states – the types of group, lobbyists and lobbying tactics, state regulation of lobbying activity, and the power they exert in the individual states. The authors bring a new dimension to the study of southern politics, which traditionally has emphasized electoral politics and the politics of race, and their work underscores the pivotal, and at times controlling, role played by interest groups.
In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of sequential narrative. He explores numerous examples of self-interrupting composition, starting with Friedrich Schlegel's inaugural theory and practice of the fragment as an assertion of the autonomy of words, and their freedom from rule-governed hierarchies.
Bruns opens the book with a short history of the fragment as a distinctive feature of literary modernism in works from Gertrude Stein to Paul Celan to present-day authors. The study progresses to the later work of Maurice Blanchot and Samuel Beckett, and argues, controversially, that Blanchot's writings on the fragment during the 1950s and early 1960s helped to inspire Beckett’s turn toward paratactic prose.
The study also extends to works of poetry, examining the radically paratactic arrangements of two contemporary British poets, J. H. Prynne and John Wilkinson, focusing chiefly on their most recent, and arguably most abstruse, works. Bruns also offers a close study of the poetry and poetics of Charles Bernstein.
Interruptions concludes with two chapters about James Joyce. First, Bruns tackles the language of Finnegans Wake, namely the break-up of words themselves, its reassembly into puns, neologisms, nonsense, and even random strings of letters. Second, Bruns highlights the experience of mirrors in Joyce’s fiction, particularly in Dubliners, Portrait of the Artist as a Young Man, and Ulysses, where mirrored reflections invariably serve as interruptions, discontinuities, or metaphorical displacements and proliferations of self-identity.
In this melancholy novel about a man on the brink of suicide, Stanley Crawford allows readers to question what it really means to be close to a person. Intimacy follows an unnamed narrator planning his own death. His preparations become a trigger and occasion for him to revisit key moments in his life and his material possessions, which are the solid artifacts from his life’s journey.
As sparrows in flight might form a single arrow, the life of the narrator comes into focus as a collage of fleeting events and images. Readers gain insights into tiny moments that slowly build into a picture of a man who seems to have very little, aside from material possessions, to lose.
The narrative pulls the reader along a trail of digressions—about running shoes, about the symbolism of rings—that lead down a proverbial rabbit hole until we realize the narrator’s intentions. Despite our lack of concrete knowledge about the narrator’s life, he allows us to share his thought processes: how every thought leads to the next, how memories seep upward when he picks up a particular T-shirt, or when he glimpses his car keys. And alongside our growing understanding of the narrator comes a recognition of our own thought processes: how we, like him, relate to our bodies; how we, too, cannot break away from the constant motion of our thoughts.
Intimacy is a brief, intense novel charged with the heightened sense of closeness that comes from watching a man’s last hours. It illuminates how brief snapshots of memory can trace the outline of an entire life.
In these essays, Scroggins reviews the legacy of Louis Zukofsky, delineates the exceptional influence of the Black Mountain poets, and provides close readings of a wealth of examples of poetic works from poets who have carried the modernist legacy into contemporary poetry. He traces with an insider’s keen observation the careers of many of the most dynamic, innovative, and celebrated poets of the past half-century, among them Ian Hamilton Finlay, Ronald Johnson, Rae Armantrout, Harryette Mullen, and Anne Carson.
In a concluding pair of essays, Scroggins situates his own practice within the broad currents he has described. He reflects on his own aesthetics as a contemporary poet and, drawing on his extensive study and writing about Louis Zukofsky, examines the practical and theoretical challenges of literary biography.
While the core of these essays is the interpretation of poetry, Scroggins also offers clear aesthetic evaluations of the successes and failures of the poetries he examines. Scroggins engages with complex and challenging works, and yet his highly accessible descriptions and criticisms avoid theoretical entanglements and specialized jargon. Intricate Thicket yields subtle and multifaceted insights to experts and newcomers alike.
This guidebook of historic iron-production sites is designed to give the reader a factual and illuminating look at the people and events that shaped Birmingham into one of America’s leading steel centers. Iron & Steel is heavily illustrated with both color and historical black-and-white photographs. It can be used while visiting parks or read as a coherent volume before or after a visit.
The book contains chapters devoted to the larger preserved sites open to the public, such as Sloss Furnaces National Historic Landmark and Tannehill Ironworks Historical State Park. It also highlights lesser-known, yet still accessible, sites such as Blocton Coke Ovens Park. The work provides easy-to-follow maps for every site as well as driving directions to the more remote locations, giving visitors easy access to all the notable iron and steel sites in Jefferson, Shelby, Tuscaloosa, and Bibb counties. Each chapter also includes a variety of historical information, with accompanying photographs, in order to present the reader with a detailed and comprehensive account of the Birmingham Iron and Steel District.
Featured sites include: Tannehill Ironworks Historical State Park; Shelby Ironworks Park; Billy Gould Coke Ovens Park; Brierfield Ironworks Historical State Park; Oxmoor Furnace Site; Irondale Furnace Park; Helena Rolling Mill Site; Red Mountain Park, Iron Ore Mines; Lewisburg Coke Ovens Park; Sloss Furnaces National Historic Landmark; Ruffner Mountain Nature Center; Blocton Coke Ovens Park; and Vulcan Park and Museum.
These stories convey a powerful, convincing sense of the bewilderment and excitement of sexual desires. Mazza describes a world that resembles a shopping mall gone mad, populated by ordinary, normal people behaving in ways that mock the very concept of normality. By describing these lives with an acute sense of the absurd, Mazza produces a dark, sometimes hilarious comedy that undercuts the shaky compromise of the consensus we call reality.
This revealing biography of Isaac Harby sheds much light on the beginnings of Reform Judaism and the economic and cultural rise and fall of Charleston during this period.
The influential role Tichenor played in shaping both the Baptist denomination and southern culture
Isaac Taylor Tichenor worked as a Confederate chaplain, a mining executive, and as president of the Agricultural and Mechanical College of Alabama (now Auburn University). He also served as corresponding secretary for the Home Mission Board of the Southern Baptist Convention in Atlanta from 1882 until 1899. In these capacities Tichenor developed the New South ideas that were incorporated into every aspect of his work and ultimately influenced many areas of southern life, including business, education, religion, and culture.
In Isaac Taylor Tichenor: The Creation of the Baptist New South, Michael E. Williams Sr. provides a comprehensive analysis of Tichenor’s life, examining the overall impact of his life and work. This volume also documents the methodologies Tichenor used to rally Southern Baptist support around its struggling Home Mission Board, which defined the makeup of the Southern Baptist Convention and defended the territory of the convention.
Tichenor was highly influential in forming a uniquely southern mindset prior to and at the turn of the century. Williams contends that Tichenor’s role in shaping Southern Baptists as they became the largest denomination in the South was crucial in determining their identity both the identities of the region and the SBC.
In The Island Called Paradise, Philip D. Beidler shares his personal discovery of the vast, rich, and astonishing history of the island of Cuba and the interrelatedness of Cuba and the US.
Cuba first entered Beidler’s consciousness in the early 1960s when he watched with mesmerized anxiety the televised reports of the Cuban missile crisis, a conflict that reduced a multifaceted, centuries-old history between North America and Cuba to the stark duotones of Cold War politics. Fifty years later, when Beidler traveled to the US’s island neighbor, he found a Cuba unlike the nation portrayed in truculent political rhetoric or in the easy preconceptions of US popular culture. Instead he found an entrancing people and landscape with deep historical connections to the US and a dazzling culture that overwhelmed his creative spirit.
In twelve original essays, Beidler reintroduces to English-speaking readers many of the central figures, both real and literary, of Cuban and Cuban-American history. Meet Cecilia Valdés, the young mixed-race heroine of a 1839 novel that takes readers to the poor streets and sumptuous salons of Spanish colonial Cuba, and Narciso López, a real-life Venezuelan adventurer and filibustero who attempted to foment a Cuban uprising against Spain. Both would have been familiar figures to nineteenth-century Americans. Beidler also visits the twentieth-century lives of “the two Ernestos” (Ernest Hemingway and Che Guevara), and the pop-culture Cuban icon Ricky Ricardo.
A country not with one history but multiple layers of history, Cuba becomes a fertile island for Beidler’s exploration. Art, he argues, perpetually crosses walls erected by politics, history, and nationality. At its core, The Island Called Paradise renews and refreshes our knowledge of an older Atlantic world even as we begin to envision a future in which the old bonds between our nations may be restored.
This comprehensive study of the historical archaeology of the Caribbean provides sociopolitical context for the ongoing development of national identities.
Long before the founding of Jamestown in 1607, there were Spanish forts, bustling towns, sugar plantations, and sea trade flourishing in the Caribbean. While richer nations, particularly the United States, may view the Caribbean today as merely a place for sun and fun, the island colonies were at one time far more important and lucrative to their European empire countries than their North American counterparts. From the 15th to the 19th centuries, as competing colonial powers vied with each other for military and economic advantage in the Western Hemisphere, events in the Caribbean directly influenced the American mainland.
This is one rationale for the close study of historical archaeology in the Caribbean. Another is the growing recognition of how archaeological research can support the defining of national identities for the islands, many of them young independent states struggling to establish themselves economically and politically. By looking at cases in the French West Indies, specifically on Guadeloupe, in the Dutch Antilles and Aruba, in the British Bahamas, on Montserrat and St. Eustatius, on Barbados, and the within the U.S. Virgin Islands, the contributors to Island Lives have produced a broad overview of Caribbean historical archaeology.
Island Lives makes clear that historical archaeology in the Caribbean will continue to grow and diversify due to the interest Caribbean peoples have in recording, preserving, and promoting their culture and heritage; the value it adds to their "heritage tourism"; and the connection it has to African American history and archaeology. In addition, the contributors point to the future by suggesting different trajectories that historical archaeology and its practitioners may take in the Caribbean arena. In so doing, they elucidate the problems and issues faced worldwide by researchers working in colonial and post-colonial societies.
Paul Farnsworth is Associate Professor of Anthropology at Louisiana State University.
By February 1862 Confederate forces in Kentucky and Tennessee were falling back in disorder. Fort Henry on the Tennessee River and Fort Donelson on the Cumberland River fell to combined land and naval forces under Brigadier General Ulysses S. Grant and Flag Officer Andrew H. Foote. These losses necessitated the abandonment of the Rebel stronghold of Columbus, Kentucky. The entire upper Mississippi Valley lay open to Federal invasion. Toward that end, a new Union army under Major General John Pope began organizing at Commerce, Missouri.
Confederate Major General John P. McCown was sent to plug the breach by fortifying Island No. 10, a one-mile-long island positioned in a bend in the Mississippi River that straddled the boundaries of Tennessee, Missouri, and Kentucky. Pope's army had to be held in check long enough for the main Confederate force, under generals Albert Sidney Johnston and P. G. T. Beauregard, to concentrate and launch a counterattack against Grant's advancing army.
The ensuing campaign at Island No. 10 created the first extensive siege of the Civil War. The ultimate capture of the garrison resulted in a new army command for Pope in Virginia. As for the Confederates, the campaign pointed to a faulty western strategy. Simply to concede the rivers and their adjoining cities to the Federal navy was politically unacceptable. Garrison after garrison was captured, however, in the attempt to defend the rivers to the last extremity. Between February 1862 and July 1863 the Confederates lost 64,400 troops, some nine divisions, in defending the rivers. This strategy was a significant contributing factor for Confederate defeat in the West.
Jessica Lee Richardson’s debut collection It Had Been Planned and There Were Guides teems with double magic—families of spiders, monsters in triplicate, and panels of bleacher-sitting grandfathers (who live in a diaphragm!) cohabitate with a starker, more familiar kind of strange in a hyper real and living tapestry of teenage porn stars, lovelorn factory workers, and art world auctioneers. From a woman who awakes from a short kidnapping with an unquenchable need for risk to a concrete boat ride gone off the rails, from Los Angeles to the Bronx, from the Midwest to North Korea, these stories explore the absurd in real spaces and the real in absurd spaces, seeking a way into something else entirely.
Here, environments participate in agency, and voice compels movement forward, through, and in. Richly patterned language refuses singularity and the finger trap of the binary, seeking permeability in its reflection, a soft net to catch collective echoes. The collection begins and ends with stories that literalize descent and ascent, bookending the mirrored shape of the book’s arrangement as a vision of an inverted arc. The shape of story is literalized. We slide down from a mountaintop all the way to the inside of a womb and back, slipping on slopes unmarked by signs, catching stunning glimpses along the way. The journey along the track of desire might be frightening if it weren’t for all the water, if it weren’t for the bounce of the ride.
This history of Alabama's coal miners documents the struggle not
only between labor and management but also between interracial unionism
and white supremacy.
Much of Alabama's labor history is written in its coal
fields. This book records the critical contribution that District 20 of
the United Mine Workers of America played in the state's labor movement
through its strong stands on such issues as child labor, public education,
and inter-racial unions.
Standing at the cutting edge of social and political
history, these essays cover five periods over a century of union activity:
the emergence of a militant labor force during mining's formative years;
the World War I era, when mine operators tried to divide black and white
labor; the increasing role of the state in labor relations during the interwar
years; rapid changes in the union between 1942 and 1975; and the 1977-79
strike, the largest in the United Mine Workers' history.
Through historic
photographs and depictions of living and working conditions, contributors
Edwin L. Brown, Colin J. Davis, Daniel Letwin, Brian M. Kelly, Peter Alexander,
Glenn Feldman, and Robert H. Woodrum portray the world that miners, both
black and white, made. In a state where racial segregation was the norm,
even the earliest District 20 contract proposals demanded equal pay for
equal work regardless of color. It Is Union and Liberty shows that the
UMW in Alabama stands apart from perceptions of southern trade unionism
as exclusionary and racially fragmented. It sheds light on an important
segment of the state's labor history and is a testament to District 20
on its centennial celebration.
Edwin Brown is Associate
Professor in the Center for Labor Education and Research and Colin Davis is Associate Professor in the Department of History, both at
the University of Alabama at Birmingham.
With the 11 stories in this long-awaited collectiong, Mary Ward Brown once again offers her devoted fans a palette of new literary pleasures. The hallmarks of her style, so finely wrought in the award-winning Tongues of Flame (1986)—the fully realized characters, her deep sensitivity, a defining sense of place and time—are back in all their richness to involve and enchant the reader.
All but one of the stories are set in Alabama. They deal with dramatic turning points in the lives of characters who happen to be southerners, many jaxtaposed between Old South sensibility and manners and New South modernity and expectations. Among these is a new widow who is not consoled by well-meaning, proselytizing Christians; a middle-aged waitress in love with the town “catch”; a bedridden belle dependent upon her black nurse; a “special” young man in a newspaper shop; a young faculty wife who attempts generosity with a lower-class neighbor; and a lawyer caught in the dilemma of race issues. Through their diverse voices, Brown proves herself a graceful and gifted storyteller who writes with an authoritative pen, inventing and inhabiting the worlds of her set of characters with insight, compassion, and wit.
Most of the stories in It Wasn't All Dancing have appeared previously in prominent national magazines and literary journals, including the Atlantic Monthly, Grand Street, and Threepenny Review. This fine collection should appeal to a wide audience among writers, literature scholars, and general readers alike.
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