The story of the people of the Alabama River system

Four streams make up the Alabama River system, the Coosa, Tallapoosa, Cahaba, and Alabama. Together they flow for more than 900 miles, through some of the most historic regions of the state. This book looks at the way these streams have shaped the lives of the people who lived along them, and how, in turn, people have used the rivers to their own ends.

This is the story of the people of the Alabama River system: the Indians, traders, steamboatmen, passengers, slaves, loggers, "deadheaders", divers, river rats, fishermen, industrial giants, factory workers, business boosters, environmentalists, and those who simply love the rivers because of something that seems to have been a part of them from the first time they saw the water flowing. This is a book for and about these people. They, and the rivers, are the main characters in the story.

A fascinating time capsule, this classic guide captures Alabama at a critical moment in its history between the Great Depression and World War II and its aftermath.

The WPA guide to Alabama provides a unique snapshot of 1930s Alabama life and culture. Like the other state guides in the WPA's American Guide Series, it features essays on history, economy, people, folkways, education, and other characteristics of the state, as well as general information about the towns and cities. Fifteen suggested automobile tours encourage visitors and residents to explore every corner of the state, from the Gulf Coast to the Black Belt and the Tennessee Valley, from bayous to farmlands to mountain gorges.

When it was first published in 1941, the guide went far to dispel the myth of an Alabama consisting only of cotton fields, magnolias, and plantation houses by highlighting the vibrant university life in Tuscaloosa, the modern industrial activity in Birmingham, the informality of politics in Montgomery, the cultural diversity in Alabama's port city, Mobile, and the small town life in Huntsville before it became home to the space industry. The book includes a calendar of annual events, census data, and a wealth of information useful to the traveling public of the time and enlightening to readers today. The guide lists radio stations, buses, railroads, and highways as they existed before the advent of television, interstates, and malls.

Harvey Jackson's fascinating introduction assesses the guide as a historical document and recounts the involved and sometimes controversial process by which it was researched and written. Project directors struggled to make the guide palatable to its public while still addressing such issues as poverty and race relations and recognizing the state's diversity and its rich folk culture. The result makes for compelling reading for general readers and historians alike.

How a grassroots movement led primarily by women shaped Alabama’s environmental consciousness.

A Movement of the People: The Roots of Environmental Education and Advocacy in Alabama is a detailed history of the Alabama Environmental Quality Association (AEQA). The AEQA helped to establish groundbreaking environmental protection and natural resource preservation policies for the state and the region and grew into one of the nation’s most progressive environmental education efforts.

The AEQA began in 1966 with the relatively simple political action agenda of cleaning up unsightly and unsanitary roadside trash. These inspired citizens collaborated with civic leaders to identify and remove illegal rural dumps and create more regulated landfills statewide. Eventually they became involved in the “Keep America Beautiful” campaign and with the US Public Health Service in its attempt to rid the state of the yellow-fever mosquito vector, Aedes aegypti, which breeds in standing, fetid water. The acme of these early efforts was the passage of Alabama’s Solid Waste Disposal Law of 1969, one of the nation’s first such bills.

The AEQA’s dedicated staff and supporters spearheaded other environmental projects, many of which remain active today, such as recycling programs with industry giants throughout the Southeast and the founding of the Bartram Trail Conference, a multistate initiative to identify and preserve the path that Quaker botanist William Bartram took through the territory before its formation into states.

Using recorded interviews with Martha McInnis, executive vice president of the AEQA, and full access to a meticulously preserved archive of the organization’s papers and artifacts, Katie Lamar Jackson relates this previously untold story of remarkable “citizen activism.” A Movementof the People is a valuable account of the organization’s growth and advancement, both economically and societally, which serves as a blueprint for successful civic activism and grassroots organizing.

A good poem is, to borrow from Wallace Stevens, a “poem of the mind in the act of finding / What will suffice” (“Of Modern Poetry”), a poem of the mind that both thinks and feels
 
Acts of Mind grew out of interviews conducted by the author for Poetry Miscellany. The aim of which was to help develop a method for talking about the work of contemporary poets.
 
The poets whose views appear in this volume represent a fair cross-section of the more important tendencies and impulses to be found in contemporary poetry and poetics.
 

On Sunday, March 7, 1965, Martin Luther King Jr. and six hundred followers set out on foot from Selma, Alabama, bound for Montgomery to demand greater voting rights for African Americans. As they crossed the city’s Edmund Pettus Bridge, state and local policemen savagely set on the marchers with tear gas and billy clubs, an event now known as “Bloody Sunday” that would become one of the most iconic in American history.
 
King’s informal headquarters in Selma was the home of Dr. Sullivan and Richie Jean Sherrod Jackson and their young daughter, Jawana. The House by the Side of the Road is Richie Jean’s firsthand account of the private meetings King and his lieutenants, including Ralph David Abernathy and John Lewis, held in the haven of the Jackson home.
 
Sullivan Jackson was an African American dentist in Selma and a prominent supporter of the civil rights movement. Richie Jean was a close childhood friend of King’s wife, Coretta Scott King, a native of nearby Marion, Alabama. Richie Jean’s fascinating account narrates how, in the fraught months of 1965 that preceded the Voting Rights March, King and his inner circle held planning sessions and met with Assistant Attorney General John Doar to negotiate strategies for the event.
 
Just eight days after Bloody Sunday, President Lyndon Johnson made a televised addressed to a joint session of Congress on Monday, March 15. Jackson relates the intimate scene of King and his lieutenants watching as Johnson called the nation to dedicate itself to equal rights for all and ending his address with the words: “We shall overcome.” Five months later, Congress passed the 1965 Voting Rights Act on August 6.
 
The major motion picture Selma now commemorates the fiftieth anniversary of Bloody Sunday and the 1965 Voting Rights Act. In it, Niecy Nash and Kent Faulcon star as Sullivan and Richie Jean Jackson among a cast including Oprah Winfrey, Tom Wilkinson, and Cuba Gooding Jr. A gripping primary source, The House by the Side of the Road illuminates the private story whose public outcomes electrified the world and changed the course of American history.

Jacobi's groundbreaking osteology study uncovers the history of the Tipu Maya of Belize and their subsequent contact with the Spanish conquistadores and missionaries.

Two cultures collided at Tipu, Belize, in the 1600s: that of the native Maya and that of the Spanish missionaries, who arrived with an agenda of religious subjugation and, ultimately, political control. Combining historical documentation with the results of an archaeological exploration of a Tipu cemetery, Keith Jacobi provides an account of the meshing of these two cultures and the assimilation of Catholic practices by the Tipu.

In particular, Jacobi focuses on the dental remains recovered at this site. A tooth may be the last tangible evidence of a living creature, so teeth can reveal information about an individual's health, diet, cosmetic alteration, trauma, and genetic structure. From the genetic structure the researcher can learn information about an individual's relationship to others in a particular population and between populations.

Jacobi's research reveals how these European and Spanish Catholic practices were assimilated by the Tipu Maya and enables the first description of the prevalent attitudes toward death and burial customs. Through this study of Tipu Maya dentition changes through time, Jacobi sheds light on Spanish intermarriage, Maya familial relationships, and the Tipu genetic affinity with other prehistoric, historic, and modern Maya.

A collaborative life history of Priscilla Freeman Jacobs, From Princess to Chief tells the story of the first female chief (from 1986 to 2005) of the state-recognized Waccamaw Siouan Indian Tribe of North Carolina. 

 

In From Princess to Chief, Priscilla Freeman Jacobs and Patricia Barker Lerch detail Jacobs’s birth and childhood, coming of age, education, young adulthood, marriage and family, Indian activism, and spiritual life. Jacobs is descended from a family of Indian leaders whose activism dates back to the early twentieth century. Her ancestors pressured the local county and state governments to fund their Indian schools, led the drive for the Waccamaw Sioux to be recognized as Indians in state and federal legislation, and finally succeeded in opening the long-awaited Indian schools in the 1930s. 

 

Jacobs’s lasting legacies to her community include the many initiatives on which she collaborated with her father, Clifton Freeman, including the acquisition of common land for the tribe, initiation of a tribal board of directors, incorporation of a development association, and the establishment of a day care and many other social and educational programs. In the 1970s Jacobs served on the North Carolina Commission of Indian Affairs and was active in the Coalition of Eastern Native Americans.

 

Introducing the powwow as a way for young people to learn about the traditions of Indian people throughout the state of North Carolina, Jacobs taught many children how to dance and wear Indian regalia with pride and dignity. Throughout her life, Jacobs has worked hard to preserve the traditional customs of her people and to teach others about the folk culture that shaped and molded her as a person.

 

Told from the point of view of an eyewitness to the community’s effort to win federal recognition in 1950 and their lives since, From Princess to Chief helps preserve the story of Jacobs’s Indian community.

The author considers James’s work from The Bostonians to The Awkward Age – from 1883 to 1889 – a period in which James was resident in London and searching for material to replace the “international theme.” Jacobson considers this context in relation to the emergence of a mass market and sees James’s major fiction of this period as an attempt to exploit the conventions of popular fiction in an analysis of his society’s assumptions. James’s work at this time must also be viewed as an artist’s effort to secure popular attention and acceptance.

In the Persian Gulf War, Americans of all races fought in integrated units under the leadership of the first African-American to serve as chairman of the Joint Chiefs of Staff. Indeed, the United States armed forces of the 1990s are arguably the most integrated institution in American society. But it was not always so.

Attempts to answer difficult questions about battle tactics employed by the United States Army

Weapons improved rapidly after the Civil War, raising difficult questions about the battle tactics employed by the United States Army. The most fundamental problem was the dominance of the tactical defensive, when defenders protected by fieldworks could deliver deadly fire from rifles and artillery against attackers advancing in close-ordered lines. The vulnerability of these offensive forces as they crossed the so-called "deadly ground" in front of defensive positions was even greater with the improvement of armaments after the Civil War.

In Immersive Words, Michelle Jarenski demonstrates that the contemporary challenge that visual images and virtual environments in cinema and photography, on the web, and in video games pose to reading and writing are not uniquely contemporary developments but equally exercised the imaginations, anxieties, and works of nineteenth-century authors.
 
The middle of the nineteenth century witnessed the emergence of numerous visual technologies and techniques: the daguerreotype, immersive exhibition spaces such as cycloramas and panoramas, mechanized tourism, and large-scale exhibitions and spectacles such as the World’s Fair. In closely argued chapters devoted to these four visual forms, Jarenski demonstrates that the popularity of these novelties catalyzed a shift by authors of the period beyond narratives that merely described images to ones that invoked aesthetic experiences.
 
Jarenski describes how Herman Melville adapts the aesthetic of the daguerreotype through his use of dramatic point-of-view and unexpected shifts that disorient readers. Frederick Douglass is shown to appropriate a panoramic aesthetic that severs spatial and temporal narratives from standard expectations. Jarenski traces how Nathaniel Hawthorne’s The Marble Faun found success as a travel guide to Rome, though intended as a work of serious fiction. Finally, Sarah Orne Jewett is shown to simulate the interactivity of the World Columbian Exposition to promote racialized and gendered forms of aesthetic communication. These techniques and strategies drawn from visual forms blur the just-so boundary critics and theorists have traditionally drawn between text and image.
 
In the mid-nineteenth century, the national identity of the United States remained fluid and hinged upon matters of gender, sexuality, and, crucially, race. Authors both reflected that evolving identity and contributed to its ongoing evolution. In demonstrating how the aesthetic and visual technologies of the nineteenth century changed the fundamental aesthetics of American literature, the importance of Immersive Words goes far beyond literary criticism.

Richard Jefferies—an Archaic specialist—comprehensively addresses the approximately 7,000 years of the prehistory of eastern North America, termed the Archaic Period by archaeologists. Jefferies centers his research on a 380-mile section of the Lower Ohio River Valley, an area rife with both temporary and long-term Archaic sites. He covers the duration of the Holocene and provides a compendium of knowledge of the era, including innovative research strategies and results. Presenting these data from a cultural-ecological perspective emphasizing the relationships between hunter-gatherers and the environments in which they lived, Jefferies integrates current research strategies with emerging theories that are beginning to look at culture history in creative ways

Representing the synthesis of approximately ten years of archaeological research along the central Tombigbee River, this book offers new theoretical and interpretive contributions to the study of human activity in the Tombigbee River Valley from 1000 B.C. to A.D. 1450. The authors have devised a new taxonomic approach that allows them to portray cultures as they gathered momentum and peaked in their potential as social, economic, and political structures. The data acquired for this study are from the massive cultural resource management program that accompanied the construction of the Tennessee-Tombigbee Waterway.

The Middle Horizon period (A.D. 600–1000) was a time of sweeping cultural change in the Andes. Archaeologists have long associated this period with the expansion of the Wari (Huari) and Tiwanaku (Tiahuanaco) states in the south-central Andes and the Pacific coasts of contemporary Peru and Chile.
 
Tenahaha and the Wari State contains a series of essays that challenge current beliefs about the Wari state and suggest a reassessment of this pivotal era in Andean history. In this collection, a picture emerges of Wari power projected across the region’s rugged and formidable topography less as a conquering empire than as a source of ideas, styles, and material culture voluntarily adopted by neighboring peoples.
 
Much of the previous fieldwork on Wari history took place in the Wari heartland and in Wari strongholds, not areas where Wari power and influence were equivocal. In Tenahaha and the Wari State, editors Justin Jennings and Willy Yépez Álvarez set out to test whether current theories of the Wari state as a cohesive empire were accurate or simply reflective of the bias inherent in studying Wari culture in its most concentrated centers. The essays in this collection examine instead life in the Cotahuasi Valley, an area into which Wari influence expanded during the Middle Horizon period.
 
Drawing on ten years of exhaustive field work both at the ceremonial site of Tenahaha and in the surrounding valley, Jennings and Yépez Álvarez posit that Cotahuasinos at Tenahaha had little contact with the Wari state. Their excavations and survey in the area tell the story of a region in flux rather than of a people conquered by Wari. In a time of uncertainty, they adopted Wari ideas and culture as ways to cope with change.

During the 1880s a massive scientific effort was launched by the Smithsonian Institution to discover who had built the prehistoric burial mounds found throughout the United States. Arkansaw Mounds tells the story of this exploration and of Edward Palmer, one of the nineteenth century’s greatest natural historians and archaeologists, who was recruited to lead the research project. Arkansas was unusually rich in prehistoric remains, especially mounds, and became a major focus of the study. Palmer and his team of researchers discovered that the mounds had been built by the ancestors of the historic North American Indians, shattering the then-popular theory that a lost non-Indian race had built them.

In The Productive Tension of Hawthorne’s Art, Claudia D. Johnson identifies and explores the tension between Nathaniel Hawthorne’s concepts of art and morality by describing its sources, plotting its manifestations, and suggesting how the opposing elements of this tension are finally reconciled.
 
Hawthorne’s major works, including his short fiction, exhibit a profound conflict between eighteenth-century views of an orderly, balanced, and static universe on the one hand and nineteenth-century conceptions of a universe in constant flux on the other. Johnson argues that Hawthorne, though he did not identify with any organized church, found in theology the myths that allowed him to negotiate a bridge between these two opposed views of the world and to forge the social, psychological, and aesthetic values that inform his art.

This book discusses words used in the Southeast and how they have changed
during the 20th century. It also describes how the lexicon varies according
to the speaker's age, race, education, sex, and place of residence
(urban versus rural; coastal versus piedmont versus mountain). Data collected
in the 1930s as part of the Linguistic Atlas of the Middle and South Atlantic
States project were compared with data collected in 1990 from similar speakers
in the same communities.

The results show that region was the most important
factor in differentiating dialects in the 1930s but that it is the least
important element in the 1990s, with age, education, race, and age all
showing about the same influence on the use of vocabulary. An appendix
contains a tally of the responses given by 78 speakers to 150 questions
about vocabulary items, along with speakers' commentary. Results
from the 1930s may be compared to those from 1990, making this a treasure
trove for anyone interested in regional terms or in how our speech is changing
as the South moves from an agricultural economy through industrialization
and into the information age.

 

Although Oscar W. Underwood was considered a titan of his age, few American political figures have suffered such neglect as he. Except for his candidacy for the Democratic nomination in 1924, his political career is largely forgotten even in Alabama. The one place in which Underwood is well remembered is in the folklore of Congress, where he is widely regarded as a great party leader who had mastered the rules perhaps as thoroughly as any member of Congress. This mastery, together with steady work, personal magnetism, and a willingness to compromise, made him effective as chairman of the Ways and Means Committee in formulating a majority program after the Democrats seized control of the House in 1910. Pat Harrison, Underwood's lieutenant as minority leader, referred to Underwood as the "greatest natural parliamentarian, the greatest leader of a law-making body that I ever saw."

--from the Preface to Oscar W. Underwood: A Political Biography

Ten scholars whose specialties range from ethnohistory to remote sensing and lithic analysis to bioarchaeology chronicle changes in the way prehistory in the Southeast has been studied since the 19th century. Each brings to the task the particular perspective of his or her own subdiscipline in this multifaceted overview of the history of archaeology in a region that has had an important but variable role in the overall development of North American archaeology.

Some of the specialties discussed in this book were traditionally relegated to appendixes or ignored completely in site reports more than 20 years old. Today, most are integral parts of such reports, but this integration has been hard won. Other specialties have been and will continue to be of central concern to archaeologists. Each chapter details the way changes in method can be related to changes in theory by reviewing major landmarks in the literature. As a consequence, the reader can compare the development of each subdiscipline.

As the first book of this kind to deal specifically with the region, it be will valuable to archaeologists everywhere. The general reader will find the book of interest because the development of southeastern archaeology reflects trends in the development of social science as a whole.

Contributors include:

Jay K. Johnson, David S. Brose, Jon L. Gibson, Maria O. Smith, Patricia K. Galloway, Elizabeth J. Reitz, Kristen J. Gremillion, Ronald L. Bishop, Veletta Canouts, and W. Fredrick Limp

 

All the money spent by the United States space program is not spent looking at the stars. NASA is composed of a vast and varied network of scientists across the academic spectrum involved in research and development programs that have wide application on planet Earth. Several of the leaders in the field of remote sensing and archaeology were recently brought together for a NASA-funded workshop in Biloxi, Mississippi. The workshop was organized specifically to show these archaeologists and cultural resource managers how close we are to being able to “see” under the dirt in order to know where to excavate before ever putting a shovel in the ground. As the book that resulted from this workshop demonstrates, this fantasy is quickly becoming a reality.

In this volume, eleven archaeologists reveal how the broad application of remote sensing, and especially geophysical techniques, is altering the usual conduct of dirt archaeology. Using case studies that both succeeded and failed, they offer a comprehensive guide to remote sensing techniques on archaeological sites throughout North America. Because this new technology is advancing on a daily basis, the book is accompanied by a CD intended for periodic update that provides additional data and illustrations.

 

with contributions by: R. Berle Clay, Lawrence B. Conyers, Rinita A. Dalan, Marco Giardino, Thomas J. Green, Michael L. Hargrave, Bryan S. Haley, Jay K. Johnson, Kenneth L. Kvamme, J. J. Lockhart, Lewis Somers

My Father’s War tells the compelling story of a unit of Buffalo Soldiers and their white commander fighting on the Italian front during World War II.

 

The 92nd Division of the Fifth Army was the only African American infantry division to see combat in Europe during 1944 and 1945, suffering more than 3,200 casualties. Members of this unit, known as Buffalo Soldiers, endured racial violence on the home front and experienced racism abroad. Engaged in combat for nine months, they were under the command of southern white infantry officers like their captain, Eugene E. Johnston. 

 

Carolyn Ross Johnston draws on her father’s account of the war and her extensive interviews with other veterans of the 92nd Division to describe the experiences of a naïve southern white officer and his segregated unit on an intimate level. During the war, the protocol that required the assignment of southern white officers to command black units, both in Europe and in the Pacific theater, was often problematic, but Johnston seemed more successful than most, earning the trust and respect of his men at the same time that he learned to trust and respect them. Gene Johnston and the African American soldiers were transformed by the war and upon their return helped transform the nation.

A Dan Josselyn Memorial Publication

This reissue of Charles Jones’s classic investigations of the Mound Builders will be an invaluable resource for archaeologists today
 
Long a classic of southeastern archaeology, Charles Jones’s Antiquities of the Southern Indians was a groundbreaking work that linked historic tribes with prehistoric “antiquities.” Published in 1873, it predated the work of Cyrus Thomas and Clarence Moore and remains a rich resource for modern scholars.
 
Jones was a pioneer of archaeology who not only excavated important sites but also related his findings to other sites, to contemporary Indians, and to artifacts from other areas. His work covers all of the southeastern states, from Virginia to Louisiana, and is noted for its insights into the De Soto expedition and the history of the Creek Indians.
 
Best known for refuting the popular myth of the Mound Builders, Jones proposed a connection between living Native Americans of the 1800s and the prehistoric peoples who had created the Southeast’s large earthen mounds. His early research and culture comparisons led to the eventual demise of the Mound Builder myth.
 
For this reissue of Jones’s book, a new introduction by Frank Schnell places Jones’s work in the context of his times and relates it to current research in the Southeast. An engagingly written work enhanced by numerous maps and engravings, Antiquities of the Southern Indians will serve today’s scholars and fascinate all readers interested in the region’s prehistory.
 

An exploration of the nuclear arms race and the dangers arising with the advent of “limited warfare”

After the development of the atomic bomb in 1945, Americans became engaged in a "new kind of war" against totalitarianism. Enemies and objectives slipped out of focus, causing political and military aims to mesh as a struggle to contain communism both at home and abroad encompassed civilians as well as soldiers. In matters relating to Vietnam, Central America, and the nuclear arms race, the domestic and foreign dimensions of each issue became inseparable. Policymakers in Washington had to formulate strategies dictated by "limited war" in their search for peace.

Contributors to this volume demonstrate the multifaceted nature of modern warfare. Robert H. Ferrell establishes the importance of studying military history in understanding the post-World War II era. On Vietnam, Colonel Harry G. Summers, Jr., gives an intriguing argument regarding the U. S. Army; George C. Herring examines how America's decisions in 1954 assured deepened involvement; and Captain Mark Clodfelter uncovers new evidence concerning "Linebacker I." On the home front, Robert F. Burk analyzes the impact of the Cold War on the battle for racial justice; Charles DeBenedetti puts forth a challenging interpretation of the antiwar movement; and James C. Schneider provides perspective on the relationship between the Vietnam War and the Great Society. On Central America, two writers downplay communism in explaining the region's troubles. Ralph Lee Woodward, Jr., fits the Nicaraguan revolution in the long span of history, and Thomas M. Leonard shows how the Reagan administration forced Costa Rica to side with the United States's anti-Sandinista policy. Finally, on nuclear strategy, Donald M. Snow offers a thought-provoking assessment of the "star wars" program, and Daniel S. Papp recommends measures to promote understanding among the superpowers.

These essays demonstrate that the making of foreign policy is immensely complicated, not subject to easy solution or to simple explanation. Despite these complexities, the central objective of policymakers remained clear: to safeguard what was perceived as the national interest.

A landmark volume that explores the interconnected nature of technologies and rhetorical practice
 
Rhetorical Machines addresses new approaches to studying computational processes within the growing field of digital rhetoric. While computational code is often seen as value-neutral and mechanical, this volume explores the underlying, and often unexamined, modes of persuasion this code engages. In so doing, it argues that computation is in fact rife with the values of those who create it and thus has powerful ethical and moral implications. From Socrates’s critique of writing in Plato’s Phaedrus to emerging new media and internet culture, the scholars assembled here provide insight into how computation and rhetoric work together to produce social and cultural effects.
 
This multidisciplinary volume features contributions from scholar-practitioners across the fields of rhetoric, computer science, and writing studies. It is divided into four main sections: “Emergent Machines” examines how technologies and algorithms are framed and entangled in rhetorical processes, “Operational Codes” explores how computational processes are used to achieve rhetorical ends, “Ethical Decisions and Moral Protocols” considers the ethical implications involved in designing software and that software’s impact on computational culture, and the final section includes two scholars’ responses to the preceding chapters. Three of the sections are prefaced by brief conversations with chatbots (autonomous computational agents) addressing some of the primary questions raised in each section.
 
At the heart of these essays is a call for emerging and established scholars in a vast array of fields to reach interdisciplinary understandings of human-machine interactions. This innovative work will be valuable to scholars and students in a variety of disciplines, including but not limited to rhetoric, computer science, writing studies, and the digital humanities.

A timely new novel evocative of the biblical story of the beheading of John the Baptist by a major American writer.

Hugh Helton, a prosperous attorney in a progressive town, has married his brother's ex-wife, Nora. As Hugh negotiates his relationships with his new spouse, her daughter, Jean, and parish priest Father John Riley, Nora’s growing hate for the church into which they were all born and from which they have all lapsed drives her to desperate acts of deceit and manipulation.

Father Riley himself wrestles with his own sense of purpose and mission. But when Nora attempts to discredit him as an authority figure in the minds of both her husband and their community, she uses her devoted daughter as the springboard for a series of accusations against the priest that has catastrophic results for all involved.

Grappling with issues of faith, trust, family loyalty, child molestation, and scandal in the Catholic Church, Herod’s Wife is a timely exploration of subjects from today's headlines. It illuminates the isolation and search for meaning of characters young and old, innocent and experienced, in a rapidly changing and bewildering southern landscape. Madison Smartt Bell, author of All Soul's Rising, writes, “The main plot revolves around a mother pressuring a child to express her will in a more concrete way than she would or could herself—so that the child ultimately commits acts which are both criminal and morally horrifying. . . . [Herod’s Wife] is a morality play set in contemporary conditions, with its eye on eternal verities.”

Madison Jones is the author of 10 previous novels, including An Exile and A Cry of Absence. He has won the T. S. Eliot Award from the Ingersoll Foundation, the Michael Shaara Award from the United States Civil War Center, and the Harper Lee Award.

Jones has a lyrical mind and meanders through memory and imagination in his poems, fusing them and making them work to surprise the reader with intriguing and challenging images. The collection builds beautifully, each section nurturing the others, and all of it displays Jones’s fine talent—keenly intelligent, human, and compassionate. His quick, splendid sense of humor surprises the reader, playing one image off another that is seemingly unrelated to the first, yet achieving a sense of rightness in poem after poem.

Imagine a world where the American government signed a conservation act to "restore all indigenous flora and fauna to the Great Plains," which means suddenly the Great Plains are Indian again. Now fast-forward fourteen years to a bowling alley deep in the Indian Territories. People that bowling alley with characters named LP Deal, Cat Stand, Mary Boy, Courtney Peltdowne, Back Iron, Denim Horse, Naitche, and give them a chance to find a treaty signed under duress by General Sherman, which effectively gives all of the Americas back to the Indians, only hide that treaty in a stolen pipe, put it in a locker, and flush the key down the toilet. Ask LP Deal and the rest what they will trade to get that key back--maybe, everything.

The Fast Red Road—A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion—of aliens, ghosts, telekinesis, and water-pistol violence—where television offers redemption, and "the Indian always gets it up the ass."

Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers "Dukestyle." "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe—a group of radicals to which Cline belonged.

Pidgin's search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west—a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor's Griever, The Fast Red Road—A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past—the texture of the road—can and must be changed.

Pyschological anthropology is a vital area of contemporary social science, and one of the field's most important and innovative thinkers is Melford E. Spiro. This volume brings together sixteen essays that review Spiro's theoretical insights and extend them into new areas. The essays center on several general problems: In what ways is it meaningful to speak of a social act as having "functions"? What elements and processes of human personality are universal, and why? What is the relationship between religion and personality? Why? What are the pyschological underpinnings of social manipulation?

This rare find--a journal of a young backwoods woman--provides a unique picture of rural life in southwestern Alabama early in the 20th century.

"I am a little Alabama girl living on the frontier where the wild animals is plentiful," wrote May Jordan in 1912. During the hunting season her father traveled Washington County buying furs, and May--already 23--accompanied him on two of these trips, cooking meals, helping out with the business, and recording their experiences.

May's diary of these trips from December 1912 to March 1914 describes the routine of the fur trade and provides a vivid portrait of wilderness travel and social customs. Through May's eyes, readers can experience the sights and sounds of pine forests and swamps, the difficulty of wading through waist-deep mud, and the neighborliness of the people living in this isolated area. May also shares both the solace of religious faith and her love of laughter as reflected in the jokes she records.

Elisa Moore Baldwin provides an introduction that traces Jordan family history and describes economic, social, and political conditions during the period. Baldwin also includes annotations based on court records, census rolls, and other primary sources and photographs of many of the characters in May's narrative to provide a vivid picture of the times. Because few first-person accounts exist of the life of poor whites, this diary will be invaluable to students of southern and women's history; no comparable work exists for this part of Alabama during this era. May's journal takes us to another world and teaches us about the lively human spirit in the face of hardship and loneliness.
 

Provides a new understanding of the recurrent rhetorical need to employ conservative rhetoric in support of a radical cause

The Women’s Social and Political Union, the militant branch of the English women’s suffrage movement, turned to arson, bombing, and widespread property destruction as a strategy to achieve suffrage for women. Because of its comparative rarity, terrorist violence by reform (as opposed to revolutionary) movements is underexplored, as is the discursive rhetoric that accompanies this violence. Largely because of the moral stance that drives such movements, the need to justify violence is greater for the reformist than for the revolutionary terrorist. The burden of rhetorical justification falls even more heavily on women utilizing violence, an option generally perceived as open only to men.

The militant suffragettes justified their turn to limited terrorism by arguing that their violence was part of a “just war.” Appropriating the rhetoric of a just war in defense of reformist violence allowed the suffragettes to exercise a traditional rhetorical vision for the sake of radical action. The concept of a just war allowed a spinning out of a fantasy of heroes, of a gallant band fighting against the odds. It challenged the imagination of the public to extend to women a heroic vision usually reserved for men and to accept the new expectations inherent in that vision. By incorporating the concept of a just war into their rhetoric, the WSPU leaders took the most conventional justification that Western tradition provides for the use of violence and adapted it to meet their unique circumstance as women using violence for political reform.

This study challenges the common view that the suffragettes’ use of military metaphors, their vilification of the government, and their violent attacks on property were signs of hysteria and self-destruction. Instead, what emerges is a picture of a deliberate, if controversial, strategy of violence supported by a rhetorical defense of unusual power and consistency.
 

Beginning with their battle against the forces of Ponce de Leon, the Calusa Indians of southwest Florida entered a dark period of European invasion and native resistance, which changed the nature and course of life on the North American continent.

 

Song of the Tides is a work of anthropological fiction that is set during the period of the Spanish entrada into southwest Florida and their encounters with the Calusa. Relying on letters and memoirs, especially those of explorer Pedro Menendez de Aviles, shipwrecked captive Escalante Fontaneda, and the Jesuit priest Juan Rogel, Joseph has woven a tale of vivid historical detail and compelling human drama. Working with Calusa scholars, the author has created a superbly written account of the clash of two proud and dominant cultures. Told through the voice of Aesha, daughter of the great Calusa chief Caalus, as well as those of other political and spiritual leaders, the fictional narrative spans half a century of conflict with Spanish soldiers and Jesuits, infighting between bands, struggle to preserve their culture, and eventual defeat of the Spanish through wit and deceit.

Laurent Joubert was an important figure in the medical world of the French Renaissance. Born in 1529, he became a doctor at age 29 and shortly thereafter was appointed personal physician to Catherine de Medici and later became physician to three French monarchs. Joubert was an educator as well as a physician, and he wrote several works of medical literature, including his most controversial work, Erreurs populaires. While the work focuses on popular misconceptions concerning medicine and physicians in France in the 1500s, it also represents a wealth of information on the social, economic, political, and religious worldviews that framed and thus supported the development and conduct of medical science.

Gregory de Rocher’s skill as a translator brings this highly readable and very funny book to life. Many topics central to Joubert’s thesis in the 1500s remain contemporary themes in the popular and scholarly literature of the 1980s.

Translation from French of an essay on the nature and character of human laughter

Until its translation, Treatise on Laughter remained accessible solely to readers of French for nearly four centuries. Joubert’s treatise offers a curious and stimulating experience: the sensation of moving through another epistemology.

His theory was composed during a period of great turmoil in the history of France when the human race was becoming much more aware of the organic structure of man and nature. He begins with the immediately observable phenomena before penetrating into the more hidden aspects of one of the most admirable of human acts, amirables accions de l’homme, laughter. Joubert is keenly aware of the difficulty of his subject matter. Rather than discouraging him, however, this becomes an incentive, making the study of such a formidable mystery more enticing.

His ideas can appear quaint, and many of his beliefs can make us smile. Yet our smile may well disappear when we wonder which of today’s accepted ideas might seem laughable half a millennium hence.

A post-cyber “Pilgrim’s Progress.

Was is half-poem, half-narrative, a nomadic history whose main character is the fleetingness of information itself. The novel’s title figure, the word was, marks that instant of utterance outside the present; neither past nor future but rather the interstitial space of any telling. Like Ariel in flight, Was takes place before you can say ‘come’ and ‘go,'" slipping away before you can "breath twice and cry ‘so, so."

The nomadic lovers here, as any lovers, attempt to linger in the afterglow of what was, but it slips away like mist. Story begets story as if without author, events gathering into one another, as much memory as dream, their locales literally moving across the face of the globe. Continent to continent, from hemisphere to hemisphere, synaptic episodes strobe across the earth’s surface like thunderstorms seen from a satellite. Yet in these brief flashes a memorable and deeply moving procession of characters passes in vignette: lovers and children, parents and refugees, sailors, missionaries, clowns, mourners, forlorn warriors, sweet singers.

Was is a brilliant new work by the author of afternoon, a story which the New York Times calls "the granddaddy of hypertext fictions"and the Toronto Globe and Mail describes as being "to the hypertext interactive novel what the Gutenberg bible is to publishing."

Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.

 

 

Contributors
Penny Farfan / Victor Holtcamp / Lisa Jackson-Schebetta / Richard
L. Poole / Bill Rauch / Thomas Robson / Marlis Schweitzer / Virginia
Scott / Christine Woodworth

Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The purpose of MATC is to unite people and organizations in their region with an interest in theatre and to promote the growth and development of all forms of theatre.

THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS

From published reviews

“This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.”—CHOICE

“International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . an excellent addition for academic, university, and large public libraries.”—Magazines for Libraries, 6th Edition

Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.