Tennesseans at War, 1812–1815 by Tom Kanon tells the often forgotten story of the central role citizens and soldiers from Tennessee played in the Creek War in Alabama and War of 1812.

Although frequently discussed as separate military conflicts, the War of 1812 against Great Britain and the Creek War against Native Americans in the territory that would become Alabama were part of the same forceful projection of growing American power. Success in both wars won for America security against attack from abroad and vast tracks of new land in “the Old Southwest.” In Tennesseans at War, 1812–1815, Tom Kanon explains the role Tennesseans played in these changes and how they remade the south.

Because it was a landlocked frontier state, Tennessee’s economy and security depended heavily upon the river systems that traversed the region; some, like the Tennessee River, flowed south out of the state and into Native American lands. Tennesseans of the period perceived that gaining mastery of these waterways formed an urgent part of their economic survival and stability.

The culmination of fifteen years’ research, Kanon’s work draws on state archives, primary sources, and eyewitness accounts, bringing the information in these materials together for first time. Not only does he narrate the military campaigns at the heart of the young nation’s expansion, but he also deftly recalls the economic and social pressures and opportunities that encouraged large numbers of Tennesseans to leave home and fight. He expertly weaves these themes into a cohesive narrative that culminates in the vivid military victories of the War of 1812, the Creek War, and the legendary Battle of New Orleans—the victory that catapulted Tennessee’s citizen-soldier Andrew Jackson to the presidency.

Expounding on the social roles and conditions of women, slaves, minorities, and Native Americans in Tennessee, Kanon also brings into focus the key idea of the “home front” in the minds of Tennesseans doing battle in Alabama and beyond. Kanon shows how the goal of creating, strengthening, and maintaining an ordered society permeated the choices and actions of the American elites on the frontiers of the young nation.

Much more than a history of Tennesseans or the battles they fought in Alabama, Tennesseans at War, 1812–1815, is the gripping story of a pivotal turning point in the history of the young American republic.

Jewish Continuity in America presents an overview of a life's work by a preeminent scholar and brings new insight to the challenge of American Jewish continuity.

Jews have historically lived within a paradox of faith and fear: faith that they are an eternal people and fear that their generation may be the last. In the United States, the Jewish community has faced to a heightened degree the enduring question of identity and assimilation: How does the Jewish community in this free, open, pluralistic society discover or create factors-both ideological and existential-that make group survival beneficial to the larger society and rewarding to the individual Jew?

Abraham J. Karp's Jewish Continuity in America focuses on the three major sources of American Judaism's continuing vitality: the synagogue, the rabbinate, and Jewish religious pluralism. Particularly illuminating is Karp's examination of the coexistence and unity-in-diversity of American religious Jewry's three divisions-Orthodox, Reform, and Conservative-and of how this Jewish religious pluralism fits into the larger picture of American religious pluralism.

Informing the larger enterprise through sharp and full delineation of discrete endeavors, the essays collected in Jewish Continuity in America-some already acknowledged as classics, some appearing here for the first time-describe creative individual and communal responses to the challenge of Jewish survival. As the title suggests, this book argues that continuity in a free and open society demands a high order of creativity, a creativity that, to be viable, must be anchored in institutions wholly pledged to continuity.

 

This collection—derived from many impulses but unified through one distinctive sensibility—contains passionate subversive acts of language, oblique takes on American life, outbursts of comic genius, long meditations on the cruelty of contemporary customs, and funny, disturbing glimpses of daily life. Reality is rendered pitilessly real, and fantasy bares its teeth.

 

At once playful and devastatingly serious, the works in this collection employ a variety of forms—genres, anti-genres, fantasies, games—while highlighting the dangers and delights of contemporary life: Hollywood, tsunamis, war, the art world, AIDS, ambition, weapons of mass destruction, family values, perverse sexualities, urban violence, small change and big bucks, are all used to chum the waters of imagination and truth.

The first work of fiction ever to hide a hippopotamus

Saw is a milestone novel of the seventies. For the first time what has come to be recognized as a common modern neurosis, astronaut angst, gets full play in the fictional universe. For the first time anywhere in the history of fiction, in one of the most passionate encounters ever written, Eileen mates with a Sphere. Solid geometry finally has a face. The Cylinder is a nemesis, and its terrifying accomplishments rill on like a nightmare for this astronaut. This is a work of science fiction, geometric fiction, irrefutable fact, and gourmand fantasies.

Steve Katz, whose Swanny's Way won the American Award in fiction in 1995 was acclaimed for this novel by the New York Times Book Review as a "...witty fantasist who can homogenize pop detritus, campy slang and halluncination to achieve inspired chaos."

Keegan and Carlson, combined, have spent over 45 years conducting archaeological research in the Caribbean, directing projects in Trinidad, Grenada, St. Lucia, Puerto Rico, the Dominican Republic, Haiti, Cuba, Jamaica, Grand Cayman, the Turks & Caicos Islands, and throughout the Bahamas. Walking hundreds of miles of beaches, working without shade in the Caribbean sun, diving in refreshing and pristine waters, and studying the people and natural environment around them has given them insights into the lifeways of the people who lived in the Caribbean before the arrival of Christopher Columbus. Sadly, harsh treatment extinguished the culture that we today call Taíno or Arawak.

In an effort to repay their debt to the past and the present, the authors have focused on the relationship between the Taínos of the past (revealed through archaeological investigations) and the present natural history of the islands.  Bringing the past to life and highlighting commonalities between past and present, they emphasize Taíno words and beliefs about their worldview and culture.

This tale of youth and the immutable forces of society arrayed against its innocence and optimism has been called the best football novel in years.

I died exactly the way I lived.” So begins the astonishing story of C. P. (Corinthians Phillipians) McKay, a star football player and passionate student who loves poetry. C. P. is a young man who appears to have everything going for him. But his downfall begins when he receives a scholarship to a major university. There, he finds his dream blocked from all directions by a ruthless coach, an unethical university president, and a cynical professor as he attempts to play the game he loves, satisfy his desire for knowledge, and guard his integrity.

Said to rival John Grisham’s A Time to Kill among debut novels, The Forever Season was first published by St. Martin’s Press in 1995. Bookpage proclaimed, “It is so much more than a sports story. . . . As understated and as clearly written as the better work of Erskine Caldwell. And as shocking!” The Chattanooga Free Press described it as “a fast-paced, funny and poignant look at coming of age [with] vivid characters [and] well-drawn witty prose [that] will engage readers who don’t know a clip from a couplet.”

In The Forever Season, Don Keith writes with a concise, hard-edged pen about a subject he knows well—the South, its trailer park culture, and its passion for gridiron glory—while exploring universal themes of fumbling youth and innocence lost.

 

Jim Crow Guide documents the system of legally imposed American apartheid that prevailed during what Stetson Kennedy calls "the long century from Emancipation to the Overcoming." The mock guidebook covers every area of activity where the tentacles of Jim Crow reached. From the texts of state statutes, municipal ordinances, federal regulations, and judicial rulings, Kennedy exhumes the legalistic skeleton of Jim Crow in a work of permanent value for scholars and of exceptional appeal for general readers.

Using thorough and stark statistics, Kennedy describes a South emerging from World War II, coming to grips with the racism and feudalism that had held it back for generations. He includes an all-out Who’s Who, based on his own undercover investigations, of the "hate-mongers, race-racketeers, and terrorists who swore that apartheid must go on forever." The first paperback edition brings to a new generation of readers Kennedy’s searing profile of Dixie before the civil rights movement.

Stetson Kennedy’s infiltration and exposure of the KKK.

A lavishly illustrated overview of the life and work of realist painter Dale Kennington, featuring more than eighty-five of her most renowned works.

Grandeur of the Everyday is the first full-length volume dedicated to the life and work of Dale Kennington—an accomplished master of contemporary American realism. Kennington’s works often hold a strange familiarity, even for those coming to her work for the first time. Her paintings are at once familiar and yet defy specificity of place, clear and lucid while also dense in content. These effects derive from her unique ability to capture the essence of everyday living, the ordinary “in between” moments we often overlook in our day-to-day habits and transactions.

Kennington referred to her paintings as “merged memories.” Combining elements of photography, memory, and imagination, Kennington’s art is an entrancing blend of contemporary and magical realism, with themes ranging from loneliness to community and culture, from class and race relations to the juxtaposition of private and public life. Rather than study the spectacular, she concentrated on commonplace moments of human interaction, inviting observers of her paintings to ponder their significance and to complete their implicit narratives. Often relying on local subjects for her paintings—barbershops, bars, restaurants, gospel concerts, motel rooms, nursing homes—she presented a diversity of local experience.

Grandeur of the Everyday is a treasure trove of her most accomplished creations and includes more than eighty-five examples of both Kennington’s easel paintings on canvas and her freestanding wooden folding screens. The volume also offers an original interview with the artist conducted by Kristen Miller Zohn, an introduction by art historian Daniel White, and a critical essay by the director of the Wiregrass Museum of Art, Rebecca Brantley.

Kessler supplies both the biography of a legend and an explanation of why that legend has endured.

Sacagawea is one of the most renowned figures of the American West. A member of the Shoshone tribe, she was captured by the Hidatsas as a child and eventually became one of the wives of a French fur trader, Toussaint Charbonneau. In 1805 Charbonneau joined Lewis and Clark as the expedition's interpreter. Sacagawea was the only woman to participate in this important mission, and some claim that she served as a guide when the expedition reached the upper Missouri River and the mountainous region.

Although much has been written about the historical importance of Sacagawea in connection with the expedition, no one has explored why her story has endured so successfully in Euro-American culture. In an examination of representative texts (including histories, works of fiction, plays, films, and the visual arts) from 1805 to the present, Kessler charts the evolution and transformation of the legend over two centuries and demonstrates that Sacagawea has persisted as a Euro-American legend because her story exemplified critical elements of America's foundation myths-especially the concept of manifest destiny. Kessler also shows how the Sacagawea legend was flexible within its mythic framework and was used to address cultural issues specific to different time periods, including suffrage for women, taboos against miscegenation, and modern feminism.

 

The Southwestern Indian Polytechnic Institute (SIPI) is a selfdescribed National American Indian Community College in Albuquerque, New Mexico. SIPI is operated by the Bureau of Indian Affairs, an agency of the U.S. government that has overseen and managed the relationship between the government and American Indian tribes for almost two hundred years. Students at SIPI are registered members of federally recognized American Indian tribes from throughout the contiguous United States and Alaska.

A fascinatingly hybridized institution, SIPI attempts to meld two conflicting institutional models—a tribally controlled college or university and a Bureau of Indian Affairs’ Indian school—with their unique corporate cultures, rules, and philosophies. Students attempt to cope with the institution and successfully make their way through it by using (consciously or not) an array of metaphorical representations of the school. Students who used discourses of discipline and control compared SIPI to a BIA boarding school, a high school, or a prison, and focused on the school’s restrictive policies drawn from the BIA model. Those who used discourses of family and haven emphasized the emotional connection built between students and other members of the SIPI community following the TCU model. Speakers who used discourses of agency and selfreliance asserted that students can define their own experiences at SIPI. Through a series of interviews, this volume examines the ways in which students attempt to accommodate this variety of conflicts and presents an innovative and enlightening look into the contemporary state of American Indian educational institutions.

Encounters with American Ethnic Cultures represents a cultural approach to understanding ethnic diversity in the Philadelphia metropolitan area.

Thirteen chapters, each using an ethnographic field methodology, explore such ethnic experience as the "invisible" (WASPS and African-Americans); "self-chosen" (Welsh-American, Irish-American, and Ukrainian-American); "gender-related" (the Lubovitcher); "religious" (Jewish, Native American, Greek-American, and Puerto Rican); and "dislocated" (Cambodians and the homeless). Ethnographic fieldwork focuses an insider's view on the meaning of ethnic experience in the lives of participants in the research. This volume examines the role and function of various ethnic endeavors in the preservation and maintenance of ethnic identity by contemporary Americans.

This five part volume includes:
 

Introduction: Ethnic Culture Analysis—A Course of Study, Jane C. Goodale and Philip L. Kilbride
 

Methodology, Elizabeth R. Ameisen and Carolyn G. Friedman

Part I. Black and WASP in American Cultural Experience: The Invisible Ones
 

Exclusivity in an Ethnic Elite: Racial Prejudice as Boundary Maintenance, Elizabeth R. Ameisen
 

Africans and African-Americans: An Ethnohistorical View and Symbolic Analysis of Food Habits, Carolyn G. Friedman

Part II. Self-Chosen Ethnicity

Unique Americans: The Welsh-American Ethnic Group in the Philadelphia Area, Lorraine Murray
 

Irish-Americans and Irish Dance: Self-Chosen Ethnicity, Erin McGauley Hebard
 

Art and Identity: Ukrainian-American Ethnicity, Jennifer Krier

Part III. Interpretations of Gender and Ethnicity: The Lubavitcher Experience
 

Equality Does Not Mean Sameness: The Role of Women within the Lubavitcher Marriage, Philip Baldinger
 

Strategies for Strength: Women and Personal Empowerment in Lubavitcher Hasidism, Gita Srinivasan

Part IV. Ethnicity and Religion: The Persistence of Collective Representations
 

Our Lives Revolve around the Holidays: Holidays in the Transmission of Jewish Ethnicity, Anna Dahlem
 

Fayetteville or Raleigh? An Analysis of an American Indian Baptist Church, Beth Batten
 

Issues in Greek Orthodoxy That Define and Maintain Greek-American Ethnicity, Karen L. Belsley
 

Es como si fuera la casa de uno: The Role of the Community Church in Maintaining Puerto Rican Ethnicity, Monica Schoch-Spana

Part V. Dislocation and Ethnicity

Cambodian Marriage: Marriage and How it is Changing among Cambodian Refugees in Philadelphia, Rebecca C. Popenoe
 

Ethnic Expression in a Jewish Street Person, Andrew Millstein

Conclusion, Philip L. Kilbride and Jane C. Goodale

The prehistoric agricultural systems of the New World provided the foundations for a diverse set of complex social developments ranging from the puebloan societies of the American Southwest to the archaic state polities of Mesoamerica and the Andean region. From the tropical forests of Central America to the arid environments or northern New Mexico, Native American farmers made use of a distinctive set of cultigens and cropping systems that supported—with varying degrees of success—growing populations and expanding economies. Lacking most domesticated animals, so important to the mixed agricultural systems of the Old World, Precolumbian farmers developed intensive and resilient systems of agricultural production. These systems supported large societies of people who altered the landscapes they inhabited and generated a unique archaeological record of the evolution of farming in the New World.

A Dan Josselyn Memorial Publication

Detailed reconstruction of the waxing and waning of political fortunes among the chiefly elites at an important center of the prehistoric world

At the time the first Europeans arrived in the New World, thousands of earthen platform mounds dotted the landscape of eastern North America. Only a few of the mound sites have survived the ravages of time and the devastation of pilferers; one of these valuable monuments is Etowah, located near Cartersville in northern Georgia. Over a period of more than 100 years, excavations of the site’s six mounds, and in particular Mound C, have yielded a wealth of artifacts, including marble statues, copper embossed plates, ceremonial items, and personal adornments. These objects indicate an extensive trading network between Mississippian centers and confirm contact with Spanish conquistadores near Etowah in the mid-1500s.

Adam King has analyzed the architecture and artifacts of Etowah and deduced its vital role in the prehistory of the area. He advances a plausible historical sequence and a model for the ancient town's complex political structure. The chiefdom society relied upon institutional social ranking, permanent political offices, religious ideology, a redistribution of goods and services, and the willing support of the constituent population. King reveals strategies used by the paramount chiefs to maintain their sources of power and to control changes in the social organization. Elite alliances did not necessarily involve the extreme asymmetry of political domination and tribute extraction. King's use of ceramic assemblages recovered from Etowah to determine the occupation history and the construction sequence of public facilities (mounds and plazas) at the center is significant.

This fresh interpretation of the Etowah site places it in a contemporary social and political context with other Mississippian cultures. It is a one-volume sourcebook for the Etowah polity and its neighbors and will, therefore, command an eager audience of scholars and generalists.

A timely, comprehensive reevaluation of the Southeastern Ceremonial Complex.

One of the most venerable concepts in Southeastern archaeology is that of the Southern Cult. The idea has its roots in the intensely productive decade (archaeologically) of the 1930s and is fundamentally tied to yet another venerable concept—Mississippian culture. The last comprehensive study of the melding of these two concepts into the term Southeastern Ceremonial Complex (SECC) is more than two decades old, yet our understanding of the objects, themes, and artistic styles associated with the SECC have changed a great deal. New primary data have come to light that bear directly on the complex, requiring a thorough reanalysis of both concepts and dating. Recent publications have ignited many debates about the dating and the nature of the SECC.

This work presents new data and new ideas on the temporal and social contexts, artistic styles, and symbolic themes included in the complex. It also demonstrates that engraved shell gorgets, along with other SECC materials, were
produced before A.D. 1400.

Matthew Kirkpatrick’s debut, Light without Heat, is an inventive, surprising collection of short stories full of odd, marginal characters rendered with surreal humor and lyrical, often beautiful language.

 

Formally playful, these stories take the shape of biographies, instructions, glossaries, and diagrams, all ultimately in the service of depicting characters with emotional intensity.

 

Stories in the collection explore the flawed nature of memory, workplace malaise, the isolation of home, and the last throes of ending love. No two stories in Light without Heat are the same, yet all of them work toward sharing human experience in new, innovative ways.

Gertrude Stein is recognized as an iconic and canonical literary modernist. In Gertrude Stein and the Reinvention of Rhetoric, Sharon J. Kirsch broadens our understanding of Stein’s influence to include her impact on the field of rhetoric.
 
For humanities scholars as well as popular audiences, the relationship between rhetoric and literature remains vexed, in part due to rhetoric’s contemporary affiliation with composition, which makes it separate from, if not subordinate to, the study of literature. Gertrude Stein recognized no such separation, and this disciplinary policing of the study of English has diminished our understanding of her work, Kirsch argues. Stein’s career unfolded at the crossroads of literary composition and rhetorical theory, a site where she alternately challenged, satirized, and reinvented the five classical canons of rhetoric—invention, arrangement, style, memory, and delivery—even as she invented new trajectories of literary experimentation.
 
Kirsch follows Stein from her days studying composition and philosophy at Harvard through her expatriate years in France, fame in the 1930s, and experience of the Second World War. She frames Stein’s explorations of language as an inventive poetics that reconceived practices and theories of rhetorical invention during a period that saw the rise of literary studies and the decline of rhetorical studies. Through careful readings of canonical and lesser-known works, Kirsch offers a convincing critical portrait of Stein as a Sophistic provocateur who reinvented the canons by making a productive mess of canonical rhetoric and modernist categories of thought.
 
Readers will find much of interest in Gertrude Stein and the Reinvention of Rhetoric. Kirsch offers myriad insights to scholars of Stein, to those interested in the interdisciplinary intersections of literature, rhetoric, and philosophy, as well as to scholars and students in the field of rhetoric and communication studies. Positioning Stein as a major twentieth-century rhetorical theorist is particularly timely given increasing interest in historical and theoretical resonances between rhetoric and poetics and given the continued lack of recognition for women theorists in rhetorical studies.

Twain scholar Michael J. Kiskis opens this fascinating new exploration of Twain with the observation that most readers have no idea that Samuel Clemens was the father of four and that he lived through the deaths of three of his children as well as his wife. In Mark Twain at Home: How Family Shaped Twain’s Fiction, Kiskis persuasively argues that not only was Mark Twain not, as many believe, “antidomestic,” but rather that home and family were the muse and core message of his writing.
 
Mark Twain was the child of a loveless marriage and a homelife over which hovered the constant specter of violence. Informed by his difficult childhood, orthodox readings of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn frame these canonical literary figures as nostalgic—autobiographical fables of heroic individualists slipping the bonds of domestic life.
 
Kiskis, however, presents a wealth of biographical details about Samuel Clemens and his family that reinterpret Twain’s work as a robust affirmation of domestic spheres of life. Among Kiskis’s themes are that, as the nineteenth century witnessed high rates of orphanhood and childhood mortality, Clemens’s work often depicted unmoored children seeking not escape from home but rather seeking the redemption and safety available only in familial structures. Similarly, Mark Twain at Home demonstrates that, following the birth of his first daughter, Twain began to exhibit in his writing an anxiety with social ills, notably those that affected children.
 
In vigorous and accessible descriptions of Twain’s life as it became reflected in his prose, Kiskis offers a compelling and fresh understanding of this work of this iconic American author. 

Fosters a holistic understanding of the roles of Maya heroic figures as cornerstones of cultural identity and political resistance and power
 
In the sixteenth century, Q’eqchi’ Maya leader Aj Poop B’atz’ changed the course of Q’eqchi’ history by welcoming Spanish invaders to his community in peace to protect his people from almost certain violence. Today, he is revered as a powerful symbol of Q’eqchi’ identity. Aj Poop B’atz’ is only one of many indigenous heroes who has been recognized by Maya in Mexico and Guatemala throughout centuries of subjugation, oppression, and state-sponsored violence.
 
Faces of Resistance: Maya Heroes, Power, and Identity explores the importance of heroes through the analyses of heroic figures, some controversial and alternative, from the Maya area. Contributors examine stories of hero figures as a primary way through which Maya preserve public memory, fortify their identities, and legitimize their place in their country’s historical and political landscape. Leading anthropologists, linguists, historians, and others incorporate ethnographic, ethnohistoric, and archival material into their chapters, resulting in a uniquely interdisciplinary book for scholars as well as students.
 
The essays offer the first critical survey of the broad significance of these figures and their stories and the ways that they have been appropriated by national governments to impose repressive political agendas. Related themes include the role of heroic figures in the Maya resurgence movement in Guatemala, contemporary Maya concepts of “hero,” and why some assert that all contemporary Maya are heroes.

The River Gods is a novel in fragments, a mix of fact and fiction, in which various inhabitants of the area around what is now Northampton, Massachusetts, from the eleventh century through the 1990s, speak of their lives and of the community, a place haunted by the pervasive melancholy of extinguished desire.

Each of the voices--including a character named Brian Kiteley and his family, the original Native American inhabitants, the actor Richard Burton, Sojourner Truth, Richard Nixon, Ludwig Wittgenstein, Jonathan Edwards, and many nameless others--ruminate on a past that is startlingly present and tangible. The main character, though, is the world of Northampton, irrevocably woven into the fabric of Western history, yet still grounded by the everyday concerns of health, money, food, love, and family. It is a novel of voices, the living and the dead, that illuminate the passage of time.

Charts the progress and failure of Colombian President Andrés Pastrana’s efforts to bring an end to sixty years of civil war.

The civil war in Colombia has waxed and waned for almost sixty years with shifting goals, programs, and tactics among the contending parties and with bursts of appalling violence punctuated by uneasy truces, cease-fires, and attempts at reconciliation. Varieties of Marxism, the economics of narco-trafficking, peasant land hunger, poverty, and oppression mix together in a toxic stew that has claimed uncounted lives of (most often) peasants, conscript soldiers, and people who just got in the way.

Hope for resolution of this conflict is usually confined to dreamers and millenialists of various persuasions, but occasionally an attempt is made at a breakthrough in the military stalemate between the government and the Marxist groups. One of the most promising such attempts was made by new Colombian President Andrés Pastrana at a time when the main rebel groups seemed receptive to serious dialogue. This book is an account of that effort at peace, accompanied at the outset by domestic and international support and hope, and yet doomed like so many others to eventual failure.

Through interviews with many of the actors in this drama, as well as an understanding of the various interest groups and economic forces at work in Colombia, Dr. Kline charts the progress and ultimate failure of this effort, and thereby hopes to increase understanding of the causes of its lack of success. The importance of the resolution of the conflict to the region and to ordinary citizens of this troubled land cannot be
overstated.

Studies the complex constraints and trade-offs the second administration of Colombian President Uribe (2006–2010) encountered as it attempted to resolve that nation’s violent Marxist insurrection and to have a more efficient judicial system

Fighting Monsters in the Abyss offers a deeply insightful analysis of the efforts by the second administration of Colombian President Álvaro Uribe Vélez (2006–2010) to resolve a decades-long Marxist insurgency in one of Latin America’s most important nations. Continuing work from his prior books about earlier Colombian presidents and yet written as a stand-alone study, Colombia expert Harvey F. Kline illuminates the surprising successes and setbacks in Uribe’s response to this existential threat.
 
In State Building and Conflict Resolution in Colombia, 1986–1994, Kline documented and explained the limited successes of Presidents Virgilio Barco and César Gaviria in putting down the revolutionaries while also confronting challenges from drug dealers and paramilitary groups. The following president Andrés Pastrana then boldly changed course and attempted resolution through negotiations, an effort whose failure Kline examines in Chronicle of a Failure Foretold. In his third book, Showing Teeth to the Dragons, Kline shows how in his first term President Álvaro Uribe Vélez more successfully quelled the insurrection through a combination of negotiated demobilization of paramilitary groups and using US backing to mount more effective military campaigns.
 
Kline opens Fighting Monsters in the Abyss with a recap of Colombia’s complex political history, the development of Marxist rebels and paramilitary groups and their respective relationships to the narcotics trade, and the attempts of successive Colombian presidents to resolve the crisis. Kline next examines the ability of the Colombian government to reimpose rule in rebel-controlled territories as well as the challenges of administering justice. He recounts the difficulties in the enforcement of the landmark Law of Justice and Peace as well as two significant government scandals, that of the “false positives” (“falsos positivos”) in which innocent civilians were killed by the military to inflate the body counts of dead insurgents and a second scandal related to illegal wiretapping.
 
In tracing Uribe’s choices, strategies, successes, and failures, Kline also uses the example of Colombia to explore a dimension quite unique in the literature about state building: what happens when some members of a government resort to breaking rules or betraying their societies’ values in well-intentioned efforts to build a stronger state?

 Explores the first administration of Colombian President Álvaro Uribe Vélez, which marked a decisive break in a seemingly endless cycle of civil war in Colombia

Kline argues that the first administration of Colombian President Álvaro Uribe Vélez marks a decisive break in a seemingly endless cycle of civil war. Not only were the levels of homicide and kidnapping dramatically reduced, but the state took the offensive against the insurgents, strengthening the armed forces which in turn demonstrated clear support for the president's policy.

The civil war in Colombia has waxed and waned for sixty years, with shifting goals, programs, and tactics among the contending parties. Bursts of appalling violence are punctuated by uneasy truces, cease-fires, and attempts at reconciliation. Varieties of Marxism, the economics of narco-trafficking, peasant land hunger, poverty, and oppression mix together in a toxic stew that has claimed the uncounted lives of peasants, conscript soldiers, and those who simply got in the way.

Kline believes that the changes of the President, although dramatic, are not necessarily permanent. He discusses what challenges must be overcome for the permanent reduction of organized violence in this war-torn nation.

This work is a state-of-the-art, data-rich study of excavations undertaken at the Moundville site in west central Alabama, one of the largest and most complex of the mound sites of pre-contact North America. Despite the site's importance and sustained attention by researchers, until now it has lacked a comprehensive analysis of its modern excavations. Richly documented by maps, artifact photo-graphs, profiles of strata, and inventories of materials found, the present work explores one expression of social complexity; the significance of Moundville’s monumental architecture, including its earthen mounds; the pole-frame architecture that once occupied the summits of these mounds; and the associated middens that reveal the culture of Moundville’s elites.

 

This book supplies a survey of important materials recovered in more than a decade of recent excavations of seven mounds and related areas under the author’s direction, as part of a long-term archaeological project consisting of new field work at the Mississippian political and ceremonial center of Moundville.

 

Visitors to Moundville are immediately impressed with its monumentality. The expansiveness and grandness of that landscape are, of course, deliberate features that have a story to tell and this archaeological project reveals Moundville’s monumentality and its significance to the people whose capital town it was.

 

Exactly how the social and political power symbolized by mound building was distributed is a question central to this work. It seems critical to ask to what extent this monumental landscape was the product of a chief’s ability to recruit and direct the labor of large groups of political subordinates, most of whom were presumably non-kin. At the onset of the present project, speculations regarding the paired orders of mounds and the timing of the formal structuring of space at Moundville were already suggested but were in need of further testing, confirmation, and refinement. The work reported in this volume is largely devoted to filling in such evidence and refining those initial insights. An excellent chapter by H. Edwin Jackson and Susan L. Scott, "Zooarchaeology of Mounds Q, G, E, F, and R," compliments this research.

 

Miles of Stare explores the problem of nineteenth-century American literary vision: the strange conflation of visible reality and poetic language that emerges repeatedly in the metaphors and literary creations of American transcendentalists.

The strangeness of nineteenth-century poetic vision is exemplified most famously by Emerson’s transparent eyeball. That disembodied, omniscient seer is able to shed its body and transcend sight paradoxically in order to see—not to create—poetic language “manifest” on the American landscape. In Miles of Stare, Michelle Kohler explores the question of why, given American transcendentalism’s anti-empiricism, the movement’s central trope becomes an eye purged of imagination. And why, furthermore, she asks, despite its insistent empiricism, is this notorious eye also so decidedly not an eye? What are the ethics of casting a boldly equivocal metaphor as the source of a national literature amidst a national landscape fraught with slavery, genocide, poverty, and war?

Miles of Stare explores these questions first by tracing the historical emergence of the metaphor of poetic vision as the transcendentalists assimilated European precedents and wrestled with America’s troubling rhetoric of manifest destiny and national identity. These questions are central to the work of many nineteenth-century authors writing in the wake of transcendentalism, and Kohler offers examples from the writings of Douglass, Hawthorne, Dickinson, Howells, and Jewett that form a cascade of new visual metaphors that address the irreconcilable contradictions within the transcendentalist metaphor and pursue their own efforts to produce an American literature. Douglass’s doomed witness to slavery, Hawthorne’s reluctantly omniscient narrator, and Dickinson’s empty “miles of Stare” variously skewer the authority of Emerson’s all-seeing poetic eyeball while attributing new authority to the limitations that mark their own literary gazes.

Tracing this metaphorical conflict across genres from the 1830s through the 1880s, Miles of Stare illuminates the divergent, contentious fates of American literary vision as nineteenth-century writers wrestle with the commanding conflation of vision and language that lies at the center of American transcendentalism—and at the core of American national identity.

Crucial changes occurred during the years following the Civil War as blacks manifested their desire to live as independently as possible and to reject every social relation reminiscent of slavery. This classic study of the history of post-slave societies helped to initiate historiographic trends that remain central to the study of emancipation.

Analyses of big datasets signal important directions for the archaeology of religion in the Archaic to Mississippian Native North America

Across North America, huge data accumulations derived from decades of cultural resource management studies, combined with old museum collections, provide archaeologists with unparalleled opportunities to explore new questions about the lives of ancient native peoples. For many years the topics of technology, economy, and political organization have received the most research attention, while ritual, religion, and symbolic expression have largely been ignored. This was often the case because researchers considered such topics beyond reach of their methods and data.

In Archaeology and Ancient Religion in the American Midcontinent, editors Brad H. Koldehoff and Timothy R. Pauketat and their contributors demonstrate that this notion is outdated through their analyses of a series of large datasets from the midcontinent, ranging from tiny charred seeds to the cosmic alignments of mounds, they consider new questions about the religious practices and lives of native peoples. At the core of this volume are case studies that explore religious practices from the Cahokia area and surrounding Illinois uplands. Additional chapters explore these topics using data collected from sites and landscapes scattered along the Mississippi and Ohio River valleys.

This innovative work facilitates a greater appreciation for, and understanding of, ancient native religious practices, especially their seamless connections to everyday life and livelihood. The contributors do not advocate for a reduced emphasis on technology, economy, and political organization; rather, they recommend expanding the scope of such studies to include considerations of how religious practices shaped the locations of sites, the character of artifacts, and the content and arrangement of sites and features. They also highlight analytical approaches that are applicable to archaeological datasets from across the Americas and beyond.

A reshaping of traditional understandings of Costa Rica and its national identity
 
The Saints of Progress: A History of Coffee, Migration, and Costa Rican National Identity chronicles the development of the Tarrazú Valley, a historically remote—although internationally celebrated—coffee-growing region. Carmen Kordick’s work traces the development of this region from the early nineteenth century to the first decades of the twenty-first century to consider the nation-building process from the margins, while also questioning traditional scholarly works that have reproduced, rather than deconstructed, Costa Rica’s exceptionalist national mythology, which hail Costa Rica as Central America’s “white,” democratic, nonviolent, and egalitarian republic.
 
In this compelling political, economic, and lived history, Kordick suggests that Costa Rica’s exceptionalist and egalitarian mythology emerged during the Cold War, as revolution, civil war, military dictatorship, and state violence plagued much of Central America. From the vantage point of Costa Rica’s premier coffee-producing region, she examines local, national, and transnational processes. This deeply textured narrative details the inauguration of coffee capitalism, which heightened existing class divisions; a successful armed revolt against the national government, which forged the current political regime; and the onset of massive out-migration to the United States.
 
Kordick’s research incorporates more than one hundred oral histories and thousands of archival sources gathered in both Costa Rica and the United States to produce a human history of Costa Rica’s past. Her work on the recent past profiles the experiences of migrants in the United States, mostly in New Jersey, where many undocumented Costa Ricans find low-paid work in the restaurant and landscaping sectors. The result is a fine-grained examination of Tarrazú’s development from the 1820s to the present that reshapes traditional understandings of Costa Rica and its national past.

An English translation from one of Latin America’s most distinguished poets.
 
José Kozer is one of the most influential contemporary Cuban poets working today. A key figure in the neobaroque movement within contemporary Latin American poetry, he is one of only three Cubans to ever win the Pablo Neruda Prize given by the Neruda Foundation in Chile. He is the author of close to ninety books, including Este judío de números y letras, Bajo este cien, La garza sin sombras, Carece de causa, and Y del esparto la invariabilidad. Kozer is also noteworthy as a key poet of the Cuban diaspora, having left Cuba in 1960 and residing ever since in the United States.

Of Such a Nature/Índole is a bilingual edition translated into English by Peter Boyle. In addition, Boyle provides an extensive introduction placing Kozer’s work in a critical context.

The Spanish word “índole” can be translated as: “a type,” “a sort,” or “that sort of thing.” The title, Índole, therefore suggests that the poems gathered in this collection, are all instances of specific types of situations, things, or experiences. Kozer has gathered a collection of poems about everyday life—cleaning one’s dentures, a woman leaning over a bowl of oatmeal, a salamander glimpsed while eating breakfast—but always with death not far away.

Of Such a Nature/Índole is a remarkable collection of poems published in Cuba in 2012, covering such materials as Kozer’s Jewish heritage, his Cuban childhood and ongoing connection to the Island, Buddhist and East Asian traditions of spiritual practice, his everyday life in Florida with Guadalupe, ageing, illness, and the shadow of death. Irony and humor are there as well, and to read these poems is to be in the presence of the full seriousness of poetry and its playfulness, its ability to undercut all pretensions.

A landmark collection of previously unpublished interviews with Reform rabbis concerning their roles in the civil rights movement.

In 1966, a young rabbinical student named P. Allen Krause conducted interviews with twelve Reform rabbis from southern congregations concerning their thoughts, principles, and activities as they related to the civil rights movement. Perhaps because he was a young seminary student or more likely because the interviewees were promised an embargo of twenty-five years before the interviews would be released to the public, the rabbis were extremely candid about their opinions on and their own involvement with what was still an incendiary subject. Now, in To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement, their stories help elucidate a pivotal moment in time.
 
After a distinguished rabbinical career, Krause wrote introductions to and annotated the interviews. When Krause succumbed to cancer in 2012, Mark K. Bauman edited the manuscripts further and wrote additional introductions with the assistance of Stephen Krause, the rabbi’s son. The result is a unique volume offering insights into these rabbis’ perceptions and roles in their own words and with more depth and nuance than hitherto available. This exploration into the lives of these teachers and civic leaders is supported by important contextual information on the local communities and other rabbis, with such background information forming the basis of a demographic profile of the Reform rabbis working in the South.
 
The twelve rabbis whom Krause interviewed served in Alabama, Georgia, Louisiana, Mississippi, Tennessee, and Virginia, and the substance and scope of their discussions cover some of the most crucial periods in the civil rights movement. Although some have provided accounts that appeared elsewhere or have written about their experiences themselves, several new voices appear here, suggesting that more southern rabbis were active than previously thought. These men functioned within a harsh environment: rabbis’ homes, synagogues, and Jewish community centers were bombed; one rabbi, who had been beaten and threatened, carried a pistol to protect himself and his family. The views and actions of these men followed a spectrum from gradualism to activism; while several of the rabbis opposed the evils of the separate and unequal system, others made peace with it or found reasons to justify inaction. Additionally, their approaches differed from their activist colleagues in the North even more than from each other.
 
Within these pages, readers learn about the attitudes of the rabbis toward each other, toward their congregants, toward national Jewish organizations, and toward local leaders of black and white and Protestant and Catholic groups. Theirs are dramatic stories of frustration, cooperation, and conflict.

In A Universal Theory of Pottery Production, award-winning archaeologist Richard A. Krause presents an ethnographic account of pottery production based on archaeological evidence.
 
Krause posits that the careful study of an archaeological site’s ceramics can be used to formulate a step-and-stage theory of pottery production for the area. Krause’s work suggests that by comparing the results of inquiries conducted at different sites and for different times, archaeologists may be able to create a general ethnographic theory of pottery production.
 
Krause demonstrates this process through a comprehensive analysis of potsherds from the highly stratified Puerto Rican site of Paso del Indio. He first provides a comprehensive explanation of the archaeological concepts of attribute, mode, feature, association, site, analysis, and classification. Using these seven concepts, he categorizes the production and decorative techniques in the Paso del Indio site. Krause then applies the concept of “focal form vessels” to the site’s largest fragments to test his step-and-stage theory of production against the evidence they provide. Finally, he assigns the ceramics at Paso del Indio to previously discussed potting traditions.
 
Unlike other books on the subject that use statistical methods to frame basic archaeological concepts, Krause approaches these topics from the perspective of epistemology and the explicatory practices of empirical science. In A Universal Theory of Pottery Production Krause offers much of interest to North American, Caribbean, and South American archaeologists interested in the manufacture, decoration, and classification of prehistoric pottery, as well as for archaeologists interested in archaeological theory.

This work fills a tremendous gap in our available knowledge in a fundamental area of Civil War studies, that of basic quotidian information on the weather in the theater of operations in the vicinity of Washington, DC, and Richmond, Virginia. Krick adds to the daily records kept by amateur meteorologists in these two locations. Anecdotal descriptions of weather found in contemporary soldiers’ dairies and correspondence combines these scattered records into a chronology of weather information that also includes daybreak and sunset times for each day. The information in Civil War Weather in Virginia is indispensable for students of the Civil War in the vital northern Virginia/Maryland theater of operations, and of the effects of weather on military history in general.

A fiction of the city as a chorus of voices, an entity that is both one and many
 
Marream Krollos’s Big City is astructurally innovative work of prose composed of vignettes, verse, dialogues, monologues, and short stories. Alone, they are fragments, but together they offer a glimpse of the human condition and form a harmonized narrative of desire, loneliness, and beauty. Through language that builds, destroys, and violates, Krollos maps the geography of our contemporary condition, a haunting meditation on human togetherness and isolation.
 
Krollos plays with the tension between the voice of the lonely “I” produced by the urban experience and the polyphony of the city itself. A city is a chorus and a collection of traces; it is a way of being with others and the concretization of the social divisions that keep people apart. As a lifelong city dweller, Krollos is obsessed with the way that cities shape our experiences of the world, our ideas about inside and outside and self and other.
 
By mapping the emotional highs and lows of particular (though often anonymous) beings, the book creates a geography of the urban consciousness. The sensation of reading this lyric work of fiction is akin to how one experiences an attentive walk in an unknown city: one becomes attuned to the tenor of its many voices, how the languages lift and flourish, and how the micro and macro became integrally linked.

F. Scott Fitzgerald’s The Great Gatsby occupies a preeminent place in American letters. Scholars have argued that Jay Gatsby is, in fact, the embodiment of American cultural and social aspiration. Though The Great Gatsby has been studied in detail since its publication, both readers and scholars have continued to speculate about Fitzgerald’s sources of inspiration.
 
The essays in F. Scott Fitzgerald at Work examine fresh facts that illuminate the experiences and source materials upon which Fitzgerald based this quintessentially American masterpiece. They confirm author Horst Kruse’s view that Fitzgerald’s flights of fancy, even at their most spectacular, are firmly grounded in biographical experience as well as in the social, literary, and philosophical circumstances of his era.
 
In the first essay, Kruse reconstructs the life story of the individual who allegedly inspired the character of Jay Gatsby: Max von Gerlach. Kruse recounts his journeys to various archives and libraries in the United States as well as in Germany to unearth new facts about the genesis of the Gatsby characters. In another journey, readers travel with Kruse to Long Island to explore its physical and moral geography in relation to Fitzgerald, specifically the role of certain elite Long Island families in the advancement of the “science of eugenics” movement. The final two essays take Kruse across the globe to various destinations to consider the broader place of The Great Gatsby in American and international intellectual history.
 
Replete with fascinating discoveries and insights, F. Scott Fitzgerald at Work both corrects previous assumptions about The Great Gatsby and deepens our appreciation and understanding of Fitzgerald‘s imagination.

 

Taking a biographical approach to his subject, Peter Kurtz describes three phases of the life of the William Badger, a sailing ship with a long and exemplary life on the sea: first as a merchant ship carrying raw materials and goods between New England, the US South, and Europe; second as a whaling ship; and finally as a supply ship providing coal and stores for the North Atlantic Blockading Squadron in Beaufort, North Carolina, during the Civil War.

 

Kurtz begins Bluejackets in the Blubber Room by exploring early American shipbuilding and shipbuilders in the Piscataqua region of Maine and New Hampshire and the kinds of raw materials harvested and used in making the wooden sailing ships of the time. After its construction, the Badger became part of the key economic trade between New England, the US South, and Europe. The ship carried raw materials such as timber from New England to New Orleans and subsequently cotton from New Orleans to Spain and Liverpool, England. Using ship logs, sailors’ accounts, and other primary sources, Kurtz delves into both the people and the economics of this critical “cotton triangle” trade.

 

Following service as a merchant ship, the Badger became a whaling ship, carrying its New England–based crew as far as the South Pacific. Kurtz presents a colorful story of life aboard a whaling ship and in the whaling towns ranging from Lynn, Massachusetts, to Cape Leeuwin, Australia. Finally, Kurtz describes the last phase of the Badger’s life as a key player as a supply ship in the Union Navy’s blockade effort. Although not the most dramatic duty a sailor could have, blockade supply nevertheless was critical to the United States’ prosecution of the Civil War and eventual victory. Kurtz examines the decision-making involved in procuring such ships and their crew, notably “refugees” and escaped slaves known as “contrabands.”