BiblioVault

Stubborn Poetries

Poetic Facticity and the Avant-Garde

Peter Quartermain

University of Alabama Press, 2013

Stubborn Poetries is a study of poets whose work, because of its difficulty, apparent obduracy, or simple resistance to conventional explication, remains more-or-less firmly outside the canon.

The focus of the essays in Stubborn Poetries by Peter Quartermain is on nonmainstream poets--often unknown, unstudied, and neglected writers whose work bucks preconceived notions of what constitutes the avant-garde. “Canonical Strategies and the Question of Authority: T.S. Eliot and William Carlos Williams” opens the collection and sounds a central theme: Quartermain argues that Williams, especially in his early work, soughtnoncanonical status, in contrast to Eliot, who rapidly identified his work with a literary and critical establishment. As is well known, Eliot attracted early critical and academic attention; Williams did not. Williams’s insistence that the personal and individual constituted his sole authority is echoed again and again in the work of the writers examined in the subsequent essays.

In considering the question “What makes the poems the way they are?”most of the essays offer close readings (etymological, social, linguistic, and even political) of linguistically innovative twentieth-century poets. Linguistic innovation, as Marjorie Perloff and many other critics have shown, shows no reverence for national boundaries; two of the poets discussed are British (Basil Bunting and Richard Caddel) and two Canadian (Robin Blaser and Steve McCaffery). The last four essays in the book consider more general topics: the shape and nature of the book, the nature of poetic fact, the performance of the poem (is it possible to read a poem aloud well?), and--closing the book--an excursus (via the Greek myth of Io and the typography of Geofroy Tory) on the alphabet.

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The Objectivist Nexus

Essays in Cultural Poetics

Peter Quartermain

University of Alabama Press, 1999

"Objectivist" writers, conjoined through a variety of personal, ideological, and literary-historical links, have, from the late 1920s to the present, attracted emulation and suspicion. Representing a nonsymbolist, postimagist poetics and characterized by a historical, realist, antimythological worldview, Objectivists have retained their outsider status. Despite such status, however, the formal, intellectual, ideological, and ethical concerns of the Objectivist nexus have increasingly influenced poetry and poetics in the United States.

Thus, argue editors Rachel Blau DuPlessis and Peter Quartermain, the time has come for an anthology that unites essential works on Objectivist practices and presents Objectivist writing as an enlargement of the possibilities of poetry rather than as a determinable and definable literary movement. The authors' collective aim is to bring attention to this group of poets and to exemplify and specify cultural readings for poetic texts--readings alert to the material world, politics, society, and history, and readings concerned with the production, dissemination, and reception of poetic texts.

The contributors consider Basil Bunting, Lorine Niedecker, George Oppen, Carl Rakosi, Charles Reznikoff, and Louis Zukofsky within both their historical milieu and our own. The essays insist on poetry as a mode of thought; analyze and evaluate Objectivist politics; focus on the ethical, spiritual, and religious issues raised by certain Objectivist affiliations with Judaism; and explore the dissemination of poetic texts and the vagaries of Objectivist reception. Running throughout the book are two related threads: Objectivist writing as generally a practice aware of its own historical and social contingency and Objectivist writing as a site of complexity, contestation, interrogation, and disagreement.

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Infinite Constellations

An Anthology of Identity, Culture, and Speculative Conjunctions

Khadijah Queen

University of Alabama Press, 2023

A gathering of innovative, speculative fictions by writers of color, both established and emerging

The innovative fictions in Infinite Constellations showcase the voices and visions of 30 remarkable writers, both new and established, from the global majority: Native American/First Nation writers, South Asian writers, East Asian writers, Black American writers, Latinx writers, and Caribbean and Middle Eastern writers. These are visions both familiar and strange, but always rooted in the mystery of human relationships, the deep honoring of memory, and the rootedness to place and the centering of culture.

The writers in this anthology mirror, instruct, bind and unbind, myth-make and myth-invert, transform and transmute, make us belly-laugh or hum our understanding, gasp or whisper gently, and remember that sometimes we need to holler and fight as we grieve. Any dangers herein, imagined or observed in poem and story, transport us: moving from latent to extant, then unleashed.

This work does not presume; it presents and blossoms, creating a constellation of appearances, a symphony of belonging.

“In collecting this work,” note editors Khadijah Queen and K. Ibura, “we felt humbled by the love threaded throughout the voices speaking to us in stories and poems that vault beyond expectation and settle in our consciousness as an expansion of what’s possible when we tend to one another with intention. We felt lifted, held aloft in these arrangements of language. We hope that as you read each story and poem, you will find the same sense of empowerment and celebration that we know has sustained us over countless generations, and in their beauty and humor and intelligence and complexity, continue to enrich us still.”

CONTRIBUTORS
George Abraham / Kenzie Allen / Shreya lla Anasuya / Thea Anderson / Wendy Chin-Tanner / Alton Melvar M. Depanas / Yohanca Delgado / Jennifer Elise Foerster / Aerik Francis / André O. Hoilette / Brian K. Hudson / K. Ibura / Pedro Iniguez / Ruth Ellen Kocher / Ra’Niqua Lee / Tonya Liburd / Kenji C. Liu / Shalewa Mackall / Lucien Darjeun Meadows / Melanie Merle / Juan J. Morales / Thirii Myo Kyaw Myint / Cindy Juyound Ok / Daniel José Older / Soham Patel / Lynn C. Pitts/ Khadijah Queen / Sheree Renée Thomas / Sarah Sophia Yanni / dg nanouk okpik / shakirah peterson

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The Perfect Scout

A Soldier’s Memoir of the Great March to the Sea and the Campaign of the Carolinas

George W. Quimby

University of Alabama Press, 2018

A rare and dramatic first-person account by a Union scout who served General William Tecumseh Sherman on his “march to the sea”

After his father-in-law passed away, Stephen Murphy found, among the voluminous papers left behind, an ancestral memoir. Murphy quickly became fascinated with the recollections of George W. Quimby (1842–1926), a Union soldier and scout for General William Tecumseh Sherman.

Before Quimby became a part of Sherman’s March, he was held captive by Nathan Bedford Forrest’s troops in western Tennessee. He joined Sherman’s Army in Vicksburg, destroying railroads and bridges across Mississippi and Alabama on the way to Georgia. As the notorious march began, Quimby became a scout and no longer experienced war as his fellow soldiers did. Scouts moved ahead of the troops to anticipate opportunities and dangers. The rank and file were instructed to be seen and feared, while scouts were required to be invisible and stealthy. This memoir offers the rare perspective of a Union soldier who ventured into Confederate territory and sent intelligence to Sherman.

Written around 1901 in the wake of the Spanish American War, Quimby’s memoir shows no desire to settle old scores. He’s a natural storyteller, keeping his audience’s attention with tales of drunken frolics and narrow escapes, providing a memoir that reads more like an adventure novel. He gives a new twist to the familiar stories of Sherman’s March, reminding readers that while the Union soldiers faced few full-scale battles, the campaign was still quite dangerous.

More than a chronicle of day-to-day battles and marches, The Perfect Scout is more episodic and includes such additional elements as the story of how he met his wife and close encounters with the enemy. Offering a full picture of the war, Quimby writes not only about his adventures as one of Sherman’s scouts, but also about the suffering of the civilians caught in the war. He provides personal insight into some of the war’s historic events and paints a vivid picture of the devastation wreaked upon the South that includes destroyed crops and homes and a shattered economy. He also tells of the many acts of kindness he received from Southerners, including women and African Americans, who helped him and his fellow scouts by providing food, shelter, or information.

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