BiblioVault

Judge Frank Johnson and Human Rights in Alabama

Tinsley E. Yarbrough

University of Alabama Press, 1981

Judge Frank M. Johnson, Jr., Chief Judge of the United States District Court for the Middle District of Alabama until his elevation to the Court of Appeals for the Fifth Circuit in 1979, was perhaps President Dwight D. Eisenhower’s most significant appointment to a lower court. His selection to the bench in 1955 followed by only a few months the Supreme Court’s historic decision in Brown vs. Board of Education.

During Judge Johnson’s tenure, his court invalidated segregation and other forms of racial discrimination in Alabama’s transportation facilities, voter registration processes, school and colleges, administrative agencies, system of jury selection, prisons, mental institutions, political parties, and government grant programs. In fact, most of the state’s major racial crises were resolved in his courtroom. However, his impact on human rights policy in Alabama was not confined to a racial context. Among other significant developments, the Middle District Court ordered reapportionment of the state’s governing bodies and invalidated its grossly inequitable property tax systems.

Judge Johnson’s decisions made him one of the most widely respected and controversial trial judges in the country. Until recently, however, his name was anathema to many white Alabamians, and he and his family were subject to ostracism, threats, violence, and verbal abuse.

Yarbrough examines Judge Johnson’s life through the end of the Wallace era and the Judge’s appointment to the Fifth Circuit Court. More broadly, the book is a history of modern human rights reform in Alabama, cast in the biographical idiom. For, in a real sense, the history of the reform and of Judge Johnson’s judicial career have been synonymous.

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Archaeology of Southern Urban Landscapes

Amy L Young

University of Alabama Press, 2000

Groundbreaking essays in urban archaeology highlight the impact of towns and cities on the southern landscape

The rapid growth and development of urban areas in the South have resulted in an increase in the number of urban archaeology projects required by federal and state agencies. These projects provide opportunities not only to investigate marginal areas between the town and countryside but also to recover information long buried beneath the earliest urban structures. Such projects have also created a need for a one-volume update on archaeology as it is practiced in the urban areas of the southeastern United States.

Archaeology of Southern Urban Landscapes will assist practitioners and scholars in the burgeoning fields of urban and landscape archaeology by treating the South as a distinctive social, geographic, and material entity and by focusing on the urban South rather than the stereotypical South of rural plantations. The case studies in this volume span the entire southeastern United States, from Annapolis to New Orleans and from colonial times to the 19th century. The authors address questions involving the function of cities, interregional diversity, the evolution of the urban landscape, and the impact of the urban landscape on southern culture. By identifying the relationship between southern culture and the South's urban landscapes, this book will help us understand the built landscape of the past and predict future growth in the region.

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Headwaters

A Journey on Alabama Rivers

Beth Maynor Young

University of Alabama Press, 2009

A breathtaking portrait of Alabama rivers

From their primal seepages in the Appalachian highlands or along the broad Chunnenuggee Hills, Alabama’s rivers carve through the rocky uplands and down the Fall Line rapids, then ease across the coastal plain to their eventual confluence with the Gulf of Mexico.

Beth Maynor Young’s 155 full-color photographs constitute art through a lens; the colors, the light, and the angles all converge for a tender praise of her subject. Her stunning visuals are supported by tantalizing captions and introductory text from John C. Hall, a master field trip leader. Together, they tell a proud story of the native beauty and complexity of these Alabama watercourses that shepherd fully 20% of the nation’s fresh water to sea.

The intimate close-up of verdant mosses or pebbled beaches pulls one into their space just as surely as does a sweeping scene of a watershed valley or a sparkling sunset over water. We all become eager listeners and observers on this guided “paddle to the Gulf,” drinking in the peace, delight, and beauty offered by the experience. At the end, we know we won’t be the same as before beginning the journey.

In addition to being a celebration of their richness, Headwaters serves as a call to greater stewardship of these riverine resources. Conservation sidebars describe the current efforts in this direction and encourage further study and protection. This book tells us, in glorious color and instructive word, why we’ll always treasure these wonderful rivers.

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Mayas in Postwar Guatemala

Harvest of Violence Revisited

Kevin Young

University of Alabama Press, 2009

Like the original Harvest of Violence, published in 1988, this volume reveals how the contemporary Mayas contend with crime, political violence, internal community power struggles, and the broader impact of transnational economic and political policies in Guatemala. However, this work, informed by long-term ethnographic fieldwork in Mayan communities and commitment to conducting research in Mayan languages, places current anthropological analyses in relation to Mayan political activism and key Mayan intellectuals’ research and criticism. Illustrating specifically how Mayas in this post-war period conceive of their social and political place in Guatemala, Mayas working in factories, fields, and markets, and participating in local, community-level politics provide critiques of the government, the Maya movement, and the general state of insecurity and social and political violence that they continue to face on a daily basis. Their critical assessments and efforts to improve political, social, and economic conditions illustrate their resiliency and positive, nonviolent solutions to Guatemala’s ongoing problems that deserve serious consideration by Guatemalan and US policy makers, international non-government organizations, peace activists, and even academics studying politics, social agency, and the survival of indigenous people.

CONTRIBUTORS

Abigail E. Adams / José Oscar Barrera Nuñez / Peter Benson / Barbara Bocek / Jennifer L. Burrell / Robert M. Carmack / Monica DeHart / Edward F. Fischer / Liliana Goldín / Walter E. Little / Judith M. Maxwell / J. Jailey Philpot-Munson / Brenda Rosenbaum / Timothy J. Smith / David Stoll

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Get a Shot of Rhythm and Blues

The Arthur Alexander Story

Richard Younger

University of Alabama Press, 2000

The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan.

Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music influenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fledgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs.

Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to
the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later.

In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.

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Real to Reel

Lidia Yuknavitch

University of Alabama Press, 2003

With an intelligence that scalds every pretense and surface, Lidia Yuknavitch's camera pans across subjects as varied as Keanu Reeves and Siberian prison laborers. She zooms in on drug addiction, crime, sex of all flavors, trauma, torture, rock and roll, and art, all the while revealing untried angles and alien shapes. She traces the inner lives of characters teetering on edges-death, birth, love, understanding-but never flinching at the spectacle of their violent descent. This collection represents a verbal cinematographer at her best as she captivates the reader with a prose style that is mesmerizing and fluid, deep and dangerous.

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