Ted Lambert is regarded as one of the premier Alaska artists, a true pioneer. Born in 1905, and raised in the Chicago area, Lambert moved to Alaska in 1925 and went to work as a miner near McCarthy. He held several jobs, predominantly working at a copper mine and mushing dogs—first for adventure, and then as a mail carrier.

Lambert left Alaska in 1931 to study art for a year at the American Academy of Art in Chicago, then moved to Seattle, where he began a mentorship under Eustace Ziegler, with whom he traveled throughout Alaska and painted. Eventually Lambert settled down in Fairbanks, where he stayed for twenty years and solidified his reputation as a painter and an artist.

But in 1960 he disappeared from the remote cabin he was living in at Bristol Bay. No trace of his body was ever found, but among the effects rescued from his last home was a memoir of his early days in Alaska. Presented here and never before published, these memoirs reveal Lambert to be a keen and intelligent observer and relay the adventure story of a young man who would become one of Alaska’s most important artists.

With Common Interior Alaska Cryptogams, Gary A. Laursen and Rodney Seppelt offer the first field guide to cryptogams of the Denali National Park and Preserve. Useful to both lay and professional investigators, this fully illustrated compendium covers mushroom fungi, lichenized fungi, lichenicolous fungi, slime molds, mosses, and liverworts. This field guide to commonly seen cryptogams will provide a basis for understanding their vast diversity of taxa, speciation, edibility, relative abundance, and utility, as well as the ecological roles played by these organisms.

Sámi culture has undergone powerful changes recently.  Traditions have been integrated with contemporary influences and perspectives.  New kinds of Sámi participation and activism have evolved including innovative politics, informative media, expressive art and literature.

 

Accommodating internal and external changes is nothing novel to the Sámi.  The dialogue between what is traditional and what is modern is a natural part of their development towards the maintenance of Sámi cultural distinctness.

Rooted in the harsh, yet beautiful landscape of Alaska, this collection of poems is at once comforting and disquieting, permeated with wisdom, darkness, and resilience. Taken together, the poems form a powerful narrative, as Julie Hungiville LeMay relates a personal story of the recurrence of cancer and interweaves it with an account of her son’s struggle with addiction. In a world of so much pain, her poems ask, how can we find meaning? The answer, often, is nature: among “spruce branches that whisper” and “the yellow joy / of warblers.” Half-found poems that contain lines from John Muir's essays are arranged throughout the book like touchstones, while other poems invoke the spirit of Wordsworth. LeMay’s voice is precise and clear, her lines musical and sonically rich, making this ambitious, wide-ranging book one that readers won’t soon forget.
 

When winter rain washes away Mary’s chances for a sledding day, she thinks there is no hope for excitement. But with a little imagination and a brimming pantry she soon finds herself caught up in a colorful journey.  Together with her father she relives five Alaska adventures, each uniquely inspired by a jar in her pantry. From salmon to blueberries, each lively tale introduces young readers to Mary’s homeland and invites them to learn about how different places can produce different foods.

Featuring brilliant collages from artists Nobu Koch and Clarissa Rizal, Mary’s Wild Winter Feast is a celebration of food, family, and finding fun in unexpected places.

In Jack London’s lifetime, Burning Daylight was one of his best-selling books, yet it has been largely out of print for decades. Now the novel is being brought back for a new generation of readers to discover.

The story features one of London’s most engaging larger-than-life protagonists, Elam Harnish, a prospector with John Henry–like strength and a thirst for gold-plated wealth. Harnish, the “Burning Daylight” of the title, eventually strikes it rich through his talent in the mines—and at the poker table. But he ultimately makes the biggest gamble of his life when he decides to trade it all for the golden-haired love of his life.

While the novel moves from Alaska to the Sonoma Valley and later into the wilds of Wall Street, it’s the vivid descriptions of the Gold Rush–era Klondike that shine. London takes readers on journeys deep into mines and across the frozen North via sled dog. He captures the competitive spirit of the time and the endless hope that the big score is just one dig away. London weaves in progressive views on sustainability and land use, and also timeless lessons about the real riches in life.

This new edition presents London’s text in full and features a new afterword from University of Alaska Fairbanks professor Eric Heyne. Heyne situates the novel within London’s life and writings and looks at some of the sources that may have inspired him. The re-emergence of Burning Daylight will allow London’s fans to fill in an important spot on their bookshelf and rediscover a long–lost work.

Every winter, willow ptarmigan birds put on new feathery coats, softly white and perfect for hiding in snow. In the spring they take on a spotted brown more suited to nesting. This is just one of the captivating changes that take place in the Far North as animals adjust to the changing seasons. Gone Again Ptarmigan allows readers to be wilderness explorers. Following the course of a year, readers learn how the birds change their plumage, forage, and evade predators, crossing paths with many of the other creatures sharing their land. With lively acrylic illustrations and an author’s note at the end to extend learning, Gone Again Ptarmigan is a beautiful introduction to the adaptable animals of the wild North. 

It’s easy to find joy in a playful, agile creature that enjoys sliding on its belly. River otters are among the most adorable, charismatic animals in North America, and with a territory that spans the continent, they’re a far-reaching favorite. Ollie’s First Year is a lively wildlife adventure that captures the wonder and delight elicited by the playful otter.

The book follows Ollie the Otter through a year of new experiences, from swimming lessons to foraging practice, and through capers with his littermates. His budding knowledge of the world is put to the test when he is separated from his family and must travel through the forest alone. Luckily, a joyful reunion with his family awaits.

Longtime children’s book author Jonathan London and well-known Alaska illustrator Jon Van Zyle team up again to bring Ollie’s story to life with vibrant illustrations and text perfect for ages two to six. Notes about otter biology and habitat along with tips for keeping their environment safe will not only teach younger readers about wildlife but inspire them to protect it as well.

All over the world, salmon populations are in trouble, as overfishing and habitat loss have combined to put the once-great Atlantic and Pacific Northwest runs at serious risk. Alaska, however, stands out as a rare success story: its salmon populations remain strong and healthy, the result of years of careful management and conservation programs that are rooted in a shared understanding of the importance of the fish to the life, culture, and history of the state.

Made of Salmon brings together more than fifty diverse Alaska voices to celebrate the salmon and its place in Alaska life. A mix of words and images, the book interweaves longer works by some of Alaska’s finest writers with shorter, more anecdotal accounts and stunning photographs of Alaskans fishing for, catching, preserving, and eating salmon throughout the state. A love letter to a fish that has been central to Alaska life for centuries, Made of Salmon is a reminder of the stakes of this great, ongoing conservation battle.

Originating from a series of workshops held at the Alaska Forum of the Fourth International Polar Year, this interdisciplinary volume addresses a host of current concerns regarding the ecology and rapid transformation of the arctic. Concentrating on the most important linked social-ecological systems, including fresh water, marine resources, and oil and gas development, this volume explores opportunities for sustainable development from a variety of perspectives, among them social sciences, natural and applied sciences, and the arts. Individual chapters highlight expressions of climate change in dance, music, and film, as well as from an indigenous knowledge–based perspective.

For years, tour guide Daniel Lum has brought visitors as well as his children out to the remote corners of Barrow, Alaska, one of the northernmost cities in the world, to witness polar bears and walrus on the dark, sandy beaches. Over time, snapping pictures for tourists and shooting photographs of his own, he has been a first-hand witness to the profound environmental changes taking place as his homeland shifts and disappears before his eyes. 

As arguments over climate change rage in more temperate locales, Nuvuk, the Northernmost is a poignant snapshot of life in a town where these changes are impossible to overlook. Lum’s vivid photographs of wildlife, such as whales, polar bears, and birds, offer rare close-ups of animals few ever see. In addition, Lum provides vivid descriptions and pictures of daily life in and around Barrow, offering a compelling insider’s introduction to living on the tip of the world. With Lum as a capable guide, Nuvuk, the Northernmost is a chance to see a rare world before it changes forever.