This collection of new and selected poems by the former poet laureate of Alaska, Tom Sexton, opens a door on the essence of life in Alaska and Maine. Sexton divides his year between the two states, and he captures here the small but powerful sensual details of day-to-day life in these contrasting, yet similar, environs. His carefully crafted verse distills the birch and aspen, lynx and ptarmigan, and the snow on high peaks. Through his poems we thrill to experience encounters with the wild, the seasons, and the sublime landscape.
“His language is clear, without tricks or fancy moves, yet his directness is powerful, and the effects are human”—Paul Zimmer, Georgia Review
Changing Paths: Travels and Meditations in Alaska’s Arctic Wilderness is an autobiographical exploration of author Bill Sherwonit’s relationship with the Alaska wilderness. Written in three parts, it first describes Sherwonit’s introduction to the Brooks Range and his years as an exploration geologist. Taking a step back, the author then takes us into the past to explore his childhood roots in rural Connecticut and his recognition of wild nature as a refuge. He concludes with his emergence as a nature writer and wilderness advocate.
An engrossing, fascinating, and eye-opening tale of one man’s life and of wilderness conceptions, this vivid description of an area of Alaska that few people get to experience is authentic and enlightening. It is an extraordinary contribution to the literature of place from one of Alaska’s most accomplished nature writers.
Masks are an ancient tradition of the Alutiiq people on the southern coast of Alaska. Alutiiq artists carved the masks from wood or bark into images of ancestors, animal spirits, and other mythological forces; these extraordinary creations have been an essential tool for communicating with the spirit world and have played an important role in dances and hunting festivities for centuries. Giinaquq—Like a Face presents thirty-three full-color images of these fantastic and eye-catching masks, which have been preserved for more than a century as part of the Pinart Collection in a small French museum.
These masks, collected in 1871 by a young French scholar of indigenous cultures, are presented for the first time in their complete cultural context, celebrating the rich history of the Alutiiq people and their artistic traditions. In addition to the stunning photographs, Giinaquq—Like a Face includes an informative text in three languages—English, Alutiiq, and French—in order to provide a cross-cultural understanding of the masks’ traditional meaning and use.
This captivating and revealing book will be an essential resource for anyone interested in indigenous art and culture.
There are some twenty-five words for “snow” in the Inupiaq language. Each word denotes a different kind of snow—fresh powder snow, hard pack, soft snow, very wet snow, or just snow. Such fine distinction is reasonable, for over the centuries, Natives of the Arctic have had to rely on their knowledge of the snow to survive. Now Matthew Sturm has prepared an educational children’s book designed to teach a new generation of Arctic residents the importance of Arctic snow cover. Fully illustrated to demonstrate the cycle of the snow cover, Apun covers each phase of the “snow year.” Geared towards grades 3–4, this is a must read for elementary science classes.
There are some twenty-five words for “snow” in the Inupiaq language. Each word denotes a different kind of snow—fresh powder snow, hard pack, soft snow, very wet snow, or just snow. Such fine distinction is reasonable, for over the centuries, Natives of the Arctic have had to rely on their knowledge of the snow to survive. Now Matthew Sturm has prepared an educational children’s book designed to teach a new generation of Arctic residents the importance of Arctic snow cover. Fully illustrated to demonstrate the cycle of the snow cover, Apun covers each phase of the “snow year.” Geared towards grades 3–4, this is a must read for elementary science classes.
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