A  journey to Alaska’s remote roadless villages, during a time of great historical transition, brings us this enduring portrait of a place and its people. Alutiiq, Yup’ik, Inupiaq, and Athabascan subjects reveal themselves as entirely contemporary individuals with deep longings and connection to the land and to their past. Tom Kizzia’s account of his travels off the Alaska road system, first published in 1991, has endured with a sterling reputation for its thoughtful, poetic, unflinching engagement with the complexity of Alaska’s rural communities. Wake of the Unseen Object is now considered some of the finest nonfiction writing about Alaska. This new edition includes an updated introduction by the author, looking at what remains the same after thirty years and what is different—both in Alaska, and in the expectations placed on a reporter visiting from another world.

The poems of Water the Rocks Make commit into words the turbulence of emotion and thought stirred up by life’s events: family trauma, psychiatric instability, the legal system, the death of a loved one, identity, cultural displacement, work, loss, creativity, and through everything, love.
 
Set primarily in Alaska, where author David McElroy has lived most of his life, the real action in these poems is in thought—the mind coming to terms (words) with consciousness, the mixing and rendering of reality and imagination. McElroy delves down the many rapid turns toward meaning through these contemplations on personification of a long-tailed boat in Asia; Adam tasked with naming the creatures; synthesizing the agony of accident, disease, and death; Descartes musing about an oilfield bridge; the excitement of sensual love; or the history and creativity emerging from a landfill.
 
There is sadness here, but through the rigorous manipulation of imagery, rhythm, and sound, Water the Rocks Make strives to “…contribute their daily/ details in our remarkable trick of happiness…to rise from the mulch/ of dreams like seedling teak goofy with life/ and floppy leaves.”
 

The Whales, They Give Themselves is an intimate life history of Harry Brower, Sr. (1924-1992), an Inupiaq whaling captain, artisan, and community leader from Barrow, Alaska. In a life that spanned the profound cultural and economic changes of the twentieth century, Brower's vast knowledge of the natural world made him an essential contributor to the Native and scientific communities of the North. His desire to share his insights with future generations resulted in a series of conversations with friend and oral historian Karen Brewster, who weaves Harry's stories with cultural and historical background into this innovative and collaborative oral biography.

Brower was deeply committed to Native culture, and his life history is a moving expression of the Inupiaq way of life. He was also influential in traditionally non-Native arenas in which Native and non-Native values sometimes collided. Acting as a mediator between Inupiaq whalers and non-Native scientists, Brower communicated a vast understanding of bowhead whales and whaling that became the basis for a scientific research program and helped protect Inupiaq subsistence whaling. He was a central architect of the Arctic Slope Regional Corporation boundaries, and served for over twenty years as a consultant to scientists at the Naval Arctic Research Laboratory. Brower's role in this collaborative research serves as one of the earliest and best examples of how scientists and Native experts can work together to advance knowledge. Such approaches are now promoted by researchers around the world.

The Whales, They Give Themselves not only conveys Brower's life story, but also is a cross-cultural journey of wisdom and friendship. Whereas academic oral historians once strove to erase the presence of the interviewer in the name of objectivity, Brewster recognizes the influence her specific relationship with Brower had on the way he narrated his life. This volume is a major contribution to our understanding of northern peoples, and a testament to the immense value of collaborative oral history.

By the thousands they came, the gold-seekers of 1897, pouring through Alaska's White and Chilkoot passes on their way to the Klondike and to fortune. Fast behind them came the entrepreneurs, the bunco artists, and before long, the engineers and financiers whose driving ambition was to build a railway through the White Pass's rocky precipices. This is the epic northern adventure of the men who rushed for gold, the workers who toiled in winter storms and thaw-time muck, carving the grade and laying rail, and the ingenious characters who dreamed, schemed, promoted, and finally built the White Pass and Yukon Railway.

In 1941, Anna Harker is attacked by an ax-wielding assailant in the gold-bearing ridges bordering the Alaska Range. It is this moment of savagery that propels the people of Wild Rivers, Wild Rose.

Anna’s lover, Wade Daniels, learns of the deaths of Anna’s husband and their worker, and he rushes to the hills to look for Anna and hunt the murderer. As she lies dying on the tundra, Anna relives the major events of her Alaska life while searching her memories for what could have led to the violence. And, decades later, an outsider named Billie Sutherland steps into a community still haunted by the murders. Plagued by her own ghosts, Billie delves into the past, opening old wounds.

In this gripping novel by Sarah Birdsall, lives are laid bare and secrets ring out in the resonant Alaska Range foothills.

"The itinerant nurses traveled by dog team and later by bush plane, experienced dangers and hardships their stateside colleagues could scarcely comprehend.... For the most part they matched the rigors of the environment with a dauntless spirit." So read a 1954 report on the women nurses who lived and worked in rural Alaska in the first half of the twentieth century. They traveled by dog team, river boat, or sea-going vessel to isolated communities with extreme weather conditions and poor sanitation. In the days before antibiotics, they encountered epidemics of diphtheria and typhoid, as well as the enduring presence of tuberculosis in all its forms.

With a Dauntless Spirit compiles a unique collection of journals, letters, and memoirs that give immediacy and vitality to the lives of these women. They ventured with a sense of duty and compassion to deliver much-needed medical services before the technical, medical, and social changes brought to Alaska by World War II and later by statehood. Despite physical hardships and emotional isolation, the spirit of these women is reflected in the adventurous, dramatic, and even joyous tone of their narratives. The arctic tests the character of many newcomers, and the nurses recount the very personal challenges that demanded choices and actions that ran contrary to their earlier socialization. Their personal sagas also have significant historical dimensions. They depict the major cultural encounters of their era that were to have such a profound impact on Alaska's future-with Native peoples, prospectors, aviation pioneers, and arctic explorers.

This collection was selected from personal and archival sources by Alaska nurse educators and historians, who provide background and commentary, a brief biography of each person, and historical photos and maps of the nurses' lives and work. With a Dauntless Spirit is a readable and engrossing account that makes an important and overdue contribution to Alaska history and women's history.

In With the Wind and the Waves, psychologist Ray M. Droby tells a story of treatment and learning, drawing on experiences ranging from an ocean journey he took on the Bering Sea while serving in a Alaska Native community to his clinical work as a psychologist in rural Alaska. Like negotiating an ocean, Droby moves “with the wind and the waves” while working with substance abuse disorders and mental health issues superimposed on intergenerational trauma and internalized oppression. He captures positive momentum in work aimed at facilitating self-determination with Alaska Natives and their communities while discouraging historical dependency and colonizing patterns of thinking and doing for mental health workers. Sensitive to the history of non-Native outsiders imposing their own culture on Native land, Droby presents here principles, combined with cultural and therapy considerations, that are designed to help people avoid replicating this history of harm. Recognizing the strengths of Alaska Natives and their communities, and the stages of change human individuals and communities undergo, Droby shows how to exercise a nonjudgmental presence as a mental health worker in rural Alaska.