Nadia moves between the competing perspectives of two survivors of the 1990s Balkan Wars who have escaped to London, only to discover that the war has followed them there. Nadia is a young refugee who just wants to forget the past—until Iggy starts temping at her London office. Afraid he may be a sniper from the war she fled, Nadia starts seeing threats everywhere, alongside unsettling visions of her lost girlfriend, Sanja. As her volatile connection with Iggy unravels, Nadia is forced to face the ethically shaky choices she made to escape the war, her survivor guilt, and her disavowed queer sexuality.
Christine Evans's novel takes us to the recent past of a war that broke apart a European country and that presciently foreshadowed the rise of ethno-nationalism in the West. Tense, suspenseful, and mordantly funny, Nadia tracks the complex ways in which a past marked by political violence can shadow and disrupt the present.
For decades, we’ve been warned that video killed the radio star, and, more recently, that social media has replaced reading. Nerdfighteria, a first-of-its-kind online literary community with nearly three million members, challenges these assumptions. It is the brainchild of brothers Hank and John Green, who provide literary themed programming on their website and YouTube channel, including video clips from John, a best-selling author most famous for his young adult book, The Fault in Our Stars. These clips not only give fans personal insights into his works and the writing process writ large, they also provide unique access to the author, inspiring fans to create their own fan art and make connections with one another.
In the twenty-first century, reading and watching videos are related activities that allow people to engage with authors and other readers. Whether they turn to The Fault in Our Stars or titles by lesser-known authors, Nerdfighters are readers. Incorporating thousands of testimonials about what they read and why, Jennifer Burek Pierce not only sheds light on this particular online community, she also reveals what it tells us about the changing nature of reading in the digital age. In Nerdfighteria, we find a community who shows us that being online doesn’t mean disinterest in books.
In this reflective account of life in the tropics, Alexander Skutch offers readers both his observations and his interpretations of what he has experienced. In the many chapters about birds and their behavior, he describes a dove that defends its nest with rare courage, castlebuilders who create elaborate nests of interlaced twigs, oropendolas that cluster long woven pouches in high treetops, and an exceptionally graceful hummingbird who fails to pay for its nectar by pollinating the flowers that yield it. Skutch also describes curious plants and their flowers, including a birthwort that holds its pollinating flies captive and fern fronds that twine high up trunks in the rain forest.
With penetrating clarity, Skutch considers the significance of all this restless activity: he examines the origins of beauty and our ability to appreciate it, the foundations of tropical splendor, the factors that help us feel close to nature or alienated from it, and the possibility of consciousness and emotion in animals. He also addresses the quandary of the biologist contemplating painful experiments on animals rather than learning by direct observation, and he asserts that our capacity to care for the world around us is the truest criterion of our evolutionary advancement.
Skutch brings a thoughtful, unequaled voice to the description of the world he has grown to know and understand, a world considered forbidding by most northerners and still largely unexplored.
Nearly 30 million acres of the Northern Forest stretch across New York, Vermont, New Hampshire, and Maine. Within this broad area live roughly a million residents whose lives are intimately associated with the forest ecosystem and whose individual stories are closely linked to the region’s cultural and environmental history. The fourteen engaging essays in Nature and Culture in the Northern Forest effectively explore the relationships among place, work, and community in this complex landscape. Together they serve as a stimulating introduction to the interdisciplinary study of this unique region.
Each of the four sections views through a different lens the interconnections between place and people. The essayists in “Encounters” have their hiking boots on as they focus on personal encounters with flora and fauna of the region. The energizing accounts in “Teaching and Learning” question our assumptions about education and scholarship by proposing invigorating collaborations between teachers and students in ways determined by the land itself, not by the abstractions of pedagogy. With the freshness of Thoreau’s irreverence, the authors in “Rethinking Place” look at key figures in the forest’s literary and cultural development to help us think about the affiliations between place and citizenship. In “Nature as Commodity,” three essayists consider the ways that writers from the nineteenth and early twentieth centuries thought about nature as a product and, thus, how their conclusions bear on the contemporary retailing of place.
The writers in Nature and Culture in the Northern Forest reveal the rich affinities between a specific place and the literature, thought, and other cultural expressions it has nurtured. Their insightful and stimulating connections exemplify adventurous bioregional thinking that encompasses both natural and cultural realities while staying rooted in the particular landscape of some of the Northeast’s wildest forests and oldest settlements.
In 1925 Earl May began broadcasting KMA Radio-960 from Shenandoah, Iowa, to boost his fledgling seed business. The station aired practical information designed to help with the day-to-day activity in midwestern farmhouse kitchens. Before long KMA was a trusted friend throughout the wide listening area, offering inspiration, companionship, and all manners of domestic counsel. Hosting the daily radio programs—Home Hour, the Stitch and Chat Club, and the KMA Party Line—and the live cooking demonstrations that drew thousands to the KMA auditorium was a changing roster of personable, lively women who quickly became known as the KMA Radio Homemakers.
Now, in Neighboring on the Air, we can hear the voices of the KMA homemakers and sample their philosophy and—best of all—cooking. Through recipes, biographies, and household advice we get to know such enduring women as "The Little Minister," the Reverend Edythe Stirlen, and Leanna Driftmier and the whole Kitchen-Klatter family, part of the longest-running homemaker program in the history of radio. Learn how to make Sour Cream Apple Pie from "The Farmer's Wife," Florence Falk; Varnished Chicken from the first long-term KMA Radio Homemaker, Jessie Young; and E.E.E. Missouri Dessert (nobody can remember what the "E.E.E." stands for) from the indomitable host of the Edith Hansen Kitchen Club. This endearing scrapbook of people, places, and foods charts the continuing adventure of the KMA homemakers as they broadcast into the 1990s. Neighboring on the Air is an enchanting piece of Americana. Anyone interested in cooking, cultural history, or the Midwest will want to own and use this book.
Chicagoan Helen Price, a dying woman, recounts her life while driving toward an oncology appointment. She attempts to take her own life, survives, then dies under tragic circumstances.
In death, Helen bequeaths the family home to her only son, gay playwright Norman Price. Father to an adopted Chinese child, and recently broken up with his partner, Norman’s life is in crisis. Helen also bequeaths a series of tapes to Nate Feldman, a Vietnam draft dodger ensconced in the far reaches of Canada, and the son of Helen’s former boss, Theodore Feldman. Nate’s return to America to claim the tapes occasions confronting a history of animus between father and son, but also the nature of the relationship between Helen Price and Theodore Feldman.
Told from moving cars, the journeys of Norman Price and Nate Feldman converge toward unexpected mysteries and revelations that uncover not so much lies as understandings of life that no longer hold under the scrutiny of the present
A writer of wide experience, Ruth Suckow nevertheless remained focused on small-town life; one could even call her the Jane Austen of small-town America. Many of her characters were the “sparrows of Iowa,” ordinary folks whom she made extraordinary by writing about them. In her 1942 novel about the little community of New Hope, written during the desperate days of World War II, life is marked by unusual optimism, openness, mutual care, trust, communal spirit, democracy, and above all light.
Life in New Hope recaptures a feeling of youth that would seem overly idealistic if it were not for Suckow's unflinching realism. As seen through the eyes of its Edenic main characters—Clarence Miller, son of the town's banker and chief booster, and Delight Greenwood, daughter of the Congregational minister who serves New Hope during the two years of the novel—the town itself is the protagonist. Death, crime, and heartbreak intervene, but a sense of freedom and possibility, “where all were to share equally in the boundlessness of light and hope,” always illuminates the town. This sunlit novel, with its blend of romance and reality, reintroduces a regional writer whom H. L. Mencken called “unquestionably the most remarkable woman …writing stories in the republic.”
Carrine Gafkjen was, as her daughter remembers, at once the most liberated and unliberated of women. If she had considered the subject at all she would have thought it a waste of time. She firmly believed in destiny; what fate planned for her she dealt with head-on.
In the early 1900s the twenty-five-year-old Gafkjen boarded a train from Minneapolis to claim a homestead for herself on the western North Dakota prairies. She lived alone in her claim shack, barred her door at night against the coyotes, existed on potatoes and salt, and walked five miles to the nearest creek to wash her clothes. A decade later she had, by her own ingenuity, doubled her landholdings and became a secure women of property. Then, at an age when most other women would have been declared spinsters, Carrine Gafkjen married Sever Berg and had six children.
Nothing to Do but Stay tells the story of this uncommon woman with warmth and good humor. It gives testimony to the lasting spirit of our pioneer heritage and, in these uncertain times, to the staying power of family and tradition. This book will appeal to all those with an interest in the settlement of the West, the history of the Great Plains, women's studies, and the perseverance of the early-twentieth-century farmers.
The first collection of critical essays to focus specifically on the fiction produced by American novelists of the Depression era, The Novel and the American Left contributes substantially to the newly emerging emphasis on twentieth-century American literary radicalism. Recent studies have recovered this body of work and redefined in historical and theoretical terms its vibrant contribution to American letters. Casey consolidates and expands this field of study by providing a more specific consideration of individual novels and novelists, many of which are reaching new contemporary audiences through reprints.
The Novel and the American Left focuses exclusively on left-leaning fiction of the Depression era, lending visibility and increased critical validity to these works and showing the various ways in which they contributed not only to theorizations of the Left but also to debates about the content and form of American fiction. In theoretical terms, the collection as a whole contributes to the larger reconceptualization of American modernity currently under way. More pragmatically, individual essays suggest specific authors, texts, and approaches to teachers and scholars seeking to broaden and/or complicate more traditional “American modernism” syllabi and research agendas.
The selected essays take up, among others, such “hard-core"” leftist writers as Mike Gold and Myra Page, who were associated with the Communist Party; the popular novels of James M. Cain and Kenneth Fearing, whose works were made into successful films; and critically acclaimed but nonetheless “lost” novelists such as Josephine Johnson, whose Now in November (Pulitzer Prize, 1936) anticipates and complicates the more popular agrarian mythos of Steinbeck’s The Grapes of Wrath.
This volume will be of interest not only to literary specialists but also to historians, social scientists, and those interested in American cultural studies.
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