From the Anglo-American woman who makes a spectacle of herself trying to be Cuban in Miami to the estranged son leading his father on a hostile hike in New Mexico, Valeri's characters carry a heavy load of desire and anger. Proud, loud, and hungry for whatever comes next, each person desperately searches for an understanding that lessens his or her burden. The saints here are pure only in their anger, desperation, and desire to be loved, holy only in their quest to keep going.

These stories grow through subtle shifts—the bad becomes not so bad, the worst livable. It is the saintly moments of unexpected understanding that shape the collection: one gigolo's lover picks up another at a bus stop and they agree on his worthlessness, the love-worn man reminds the newly divorced woman of her physical power, the estranged son shelters his father from an unexpected storm.

Valeri navigates the reader through the bones and scars of those who ache with wanting something else and become a little older and a little wiser for it. The Kind of Things Saints Do is a collection of human imperfections and missed connections that grows into a kaleidoscope of aspiration and hope.

This challenging collection of problems is organized into seven carefully crafted, thoughtful chapters on the Sun and the nature of the solar system; the motion of the planets; the Sun, Earth, and Moon; the sky as observed from the rotating, revolving Earth; other planets, their satellites, their rings; asteroids, comets, and meteoroids; and the radiations and telescopes. From question 1, "List characteristics of the solar system that are major clues in devising a hypothesis of its origin and evolution," through question 924, "Give a brief list of the contributions of radio and radar technologies in lunar and planetary astronomy," the problems range in difficulty from ones requiring only simple knowledge to ones requiring significant understanding and analysis. Many of the answers, in turn, illuminate the questions by providing basic explanations of the concepts involved.

Pioneer 10 and 11 are now halfway to the edge of the solar system. All beginning and advanced students of astronomy and their instructors as well as all dedicated amateurs can join James Van Allen on this journey by exploring the questions and answers in this stimulating book.

Early in 1958, instruments on the space satellites Explorer I and Explorer III revealed the presence of radiation belts, enormous populations of energetic particles trapped in the magnetic field of the earth. Originally published in 1983 but long out of print until now, Origins of Magnetospheric Physics tells the story of this dramatic and hugely transformative period in scientific and Cold War history. Writing in an accessible style and drawing on personal journals, correspondence, published papers, and the recollections of colleagues, James Van Allen documents a trail-blazing era in space history

Chicago has served as touchstone and muse to generations of writers and artists defined by their relationship to the city’s history, lore, inhabitants, landmarks, joys and sorrows, pride and shame. The poetic conversations inspired by Chicago have long been a vital part of America’s literary landscape, from Carl Sandburg and Gwendolyn Brooks to experimental writers and today’s slam poets. The one hundred contributors to this vibrant collection take their materials and their inspirations from the city itself in a way that continues this energetic dialogue.

The cultural, ethnic, and aesthetic diversity in this gathering of poems springs from a variety of viewpoints, styles, and voices as multifaceted and energetic as the city itself. Cristin O’Keefe Aptowicz: “I want to eat / in a city smart enough to know that if you / are going to have that heart attack, you might / as well have the pleasure of knowing // you’ve really earned it”; Renny Golden: “In the heat of May 1937, my grandfather / sits in the spring grass of an industrial park / with hundreds of striking steelworkers”; Joey Nicoletti: “The wind pulls a muscle / as fans yell the vine off the outfield wall, / mustard-stained shirts, hot dog smiles, and all.”

The combined energies of these poems reveal the mystery and beauty that is Second City, the City by the Lake, New Gotham, Paris on the Prairie, the Windy City, the Heart of America, and Sandburg’s iconic City of the Big Shoulders.

Back in print at last in a third edition, the classic Forest and Shade Trees of Iowa now has a wealth of full-color photographs and updated, reorganized information that will please both new and returning readers.

 

Part 1 of this guide focuses on identification, with user-friendly keys to both summer and winter trees and illustrated descriptions of more than one hundred common species. The trees are arranged according to similarities in foliage; each entry includes a large scan of a leafy branch along with two or three smaller photos of buds, flowers, fruits, and winter twigs. The text contains a description of the species, its geographical distribution, and notes on how to distinguish it from similar species. Part 2 is divided into conifers and flowering trees and includes all trees native to Iowa, trees that are widely planted, invasive species, some less commonly planted trees, and tall native shrubs that might be mistaken for trees. The authors provide information about the natural history of individual trees, their ecological requirements, pests and diseases that affect them, and their usefulness for such different purposes as windbreaks, landscaping, wildlife plantings, fuel, lumber, and food. Following these two main parts, three shorter sections describe the planting and care of trees, Iowa’s forest communities, and good places to see trees in the state; a glossary and a bibliography are also included.

 

A complete guide to Iowa’s trees, both native and introduced, full of hundreds of color photos, this new edition of Forest and Shade Trees of Iowa will be immensely useful to arborists, foresters, horticulturists, landscape architects, gardeners, and all Iowans and midwesterners who appreciate the beauty and value of trees and want to learn more about them.

Shrubs and vines, often literally overshadowed by trees, also receive much less attention than their taller neighbors, and yet they are very important elements of the region’s natural landscape. A guide to these interesting and useful plants, this book identifies all 150 shrubs and vines native to Iowa, along with frequently seen naturalized ones. Here you’ll find the widely distributed buttonbush, the distinctive pagoda dogwoods, sumacs with their striking fall foliage, the adaptable ninebark, the attractive grape honeysuckle, the many species of Rubus and wild grapes that provide food for birds and animals, willows with their graceful promise of spring, and the diverse viburnums.

Like trees, shrubs and vines are woody plants that are easy to observe year round. The first part of this book will help you identify them. Illustrated keys take you through the identification process one step at time; these are followed by images and descriptions of all but the rarest species. Noted naturalists Peter van der Linden and Donald Farrar also provide information about each species’ distribution, ecology, and uses. Summer and winter features are covered separately to facilitate identification at these two very different times of year.

Chapters about the culture and natural history of shrubs and vines explain why the plants grow where they do in nature and show how to use them effectively in outdoor spaces. Plants native to Iowa have much to offer to the landscaper: winter hardiness, resistance to drought and climatic extremes, and food and shelter for native wildlife and pollinators. Many natives are ornamental as well, providing attractive flowers, bright autumn displays, and colorful stems or fruits in winter. The authors offer tips for selecting, planting, and caring for these plants effectively. With native plants, you can create a landscape that is sustainable, authentic to place, and satisfying to you.

Iowa and midwestern arborists, conservationists, horticulturists, landscape architects, gardeners, and all those who appreciate the beauty and value of native plants will find Shrubs and Vines of Iowa immensely useful. 

Whether sitting in a boat with a rod and reel trying to outwit a largemouth bass or watching bluntnose minnows dart among the rocks of a sparkling stream, many people are attracted to fish. Hundreds of species can be found in the ponds, lakes, rivers, and streams of the Upper Midwest, from the beautifully colored orangethroat darter to the prehistoric-looking shovelnose sturgeon. This much-needed addition to Iowa’s popular series of laminated guides—the twenty-eighth in the series—describes twenty-nine fish species, including some of the most sought after game fish like bluegill and largemouth bass, as well as less common species like logperch and the snakelike American eel.

Terry VanDeWalle includes a thorough description of each species, and covers the Upper Midwest states of Kansas, Illinois, South Dakota, North Dakota, Iowa, Missouri, Indiana, Michigan, Minnesota, Ohio, Nebraska, and Wisconsin. 

The careful descriptions and habitat and diet information in Fish inYour Pocket—enhanced with superb photographs by underwater photographer Garold Sneegas—make it extremely useful for anglers and naturalists alike. 
 

Frogs and toads have become canaries in the coal mine when it comes to conservation, as the discovery of malformed frogs has brought increased attention to global habitat loss, declining biodiversity, and environmental pollution. Midwestern species of frogs and toads—already declining due to habitat loss from agriculture—have been greatly affected by this worldwide phenomenon. VanDeWalle includes a complete description of each species along with distinguishing characteristics for three subspecies, information about range and habitat preferences, diet, types of calls, and breeding season.

From the rare and docile massasauga, which relies on camouflage to remain unnoticed, to the more familiar bullsnake, which defends itself by hissing loudly and vibrating its tail from an S-shaped striking position, to the eastern racer, often seen crawling at more than three miles an hour during daytime, snakes are beautiful animals with habits both fascinating and beneficial to humans. Their relatives the lizards, most of which are more easily seen and identified, exhibit similarly fascinating behavior. This colorful addition to our series of laminated guides informs both amateur and professional herpetologists about twenty-seven species of snakes and six species of lizards in the Upper Midwest states of Minnesota, Wisconsin, Illinois, Indiana, Michigan, Ohio, South Dakota, North Dakota, Kansas, Nebraska, Iowa, and Missouri.

 Terry VanDeWalle provides a complete description of each species, both adult and young, as well as distinguishing characteristics for thirty-two subspecies of snakes and two subspecies of lizards: length, color, head and neck patterns, scales, and so on. Also included is information about habitat preferences: forests, wet meadows, and sand prairies, for example. Most helpful for identifying snakes and lizards in the field are his comparisons of similar species and his comprehensive key.

 Superb photographs by Suzanne Collins of adult and, when needed for identification, young snakes and lizards make this guide the perfect companion for hikers in all kinds of environments whenever a snake ripples across your path or a lizard darts into the underbrush.

2006 Iowa Poetry Prize winner

“If everyone decided to call themselves a girl / that word would stop.” In this award-winning volume of authoritative and assertive poems, Sarah Vap embarks on an emotional journey to the land of America’s female children. Questioning, contradicting, radically and restlessly demanding acceptance, she searches for a way to move from serious girlhood to womanly love. Demonstrating the seriousness of female childhood—which is as dangerous and profound as war, economics, and history, that is, as manhood, in her view—Vap reveals the extremes of self-doubt and self-righteousness inherent in being a contemporary American girl.
“When we’re overcome / by everything we think we love—then by morning / we’re adults.” Just as the oil of American spikenard may provide relief from childhood, so does Sarah Vap provide the kind of holy and extravagant love and honor that can relieve the growing pains of “everyone’s little girl.”

Set in the summer of 1979, when America was running out of gas, The Lines tells the story of a family of four—the mother, the father, the girl, and the boy—in the first months of a marital separation. Through alternating perspectives, we follow the family as they explore new territory, new living arrangements, and new complications. The mother returns to school. The father moves into an apartment. The girl squares off with her mother, while the boy struggles to make sense of the world. The Lines explores the way we are all tied to one another, and how all experience offers the possibility of love and connection as much as loss and change.

Many Americans are hungry, while others struggle to find healthy foods. What are communities doing to address this problem, and what should they be doing? Good Food, Strong Communities shares ideas and stories about efforts to improve food security in large urban areas of the United States by strengthening community food systems. It draws on five years of collaboration between a research team comprised of the University of Wisconsin, Growing Power, and the Michael Fields Agricultural Institute, and more than thirty organizations on the front lines of this work in Boston, Chicago, Detroit, Milwaukee, Minnesota, Los Angeles, Madison, and Cedar Rapids. Here, activists and scholars talk about what’s working and what still needs to be done to ensure that everyone has access to readily available, affordable, appropriate, and acceptable food.

The approach begins by laying out the basic principles of food security and food justice in light of the diversity of food system practices and innovations in America’s cities. The contributing authors address land access for urban agriculture, debates over city farming, new possibilities in food processing, and the marketing of healthy food. They put these basic elements—land, production, processing, and marketing—in the context of municipal policy, education, and food justice and sovereignty, particularly for people of color. While the path of a food product from its producer to its consumer may seem straightforward on the surface, the apparent simplicity hides the complex logistical—and value-laden—factors that create and maintain a food system. This book helps readers understand how a food system functions and how individual and community initiatives can lessen the problems associated with an industrialized food system. 

In 1937 and 1938, Ernest Hemingway made four trips to Spain to cover its civil war for the North American News Alliance wire service and to help create the pro-Republican documentary film The Spanish Earth. Hemingway’s Second War is the first book-length scholarly work devoted to this subject.

As the world enters a new century, as it embarks on new wars and sees new developments in the waging of war, reconsiderations of the last century’s legacy of warfare are necessary to our understanding of the current world order. In Soldiers Once and Still, Alex Vernon looks back through the twentieth century in order to confront issues of self and community in veterans’ literature, exploring how war and the military have shaped the identities of Ernest Hemingway, James Salter, and Tim O’Brien, three of the twentieth century’s most respected authors. Vernon specifically explores the various ways war and the military, through both cultural and personal experience, have affected social and gender identities and dynamics in each author’s work.

Hemingway, Salter, and O’Brien form the core of Soldiers Once and Still because each represents a different warring generation of twentieth-century America: World War I with Hemingway, World War II and Korea with Salter, and Vietnam with O’Brien. Each author also represents a different literary voice of the twentieth century, from modern to mid-century to postmodern, and each presents a different battlefield experience: Hemingway as noncombatant, Salter as air force fighter pilot, and O’Brien as army grunt.

War’s pervasive influence on the individual means that, for veterans-turned-writers like Hemingway, Salter, and O’Brien, the war experience infiltrates their entire body of writing—their works can be seen not only as war literature but also as veterans’ literature. As such, their entire postwar oeuvre, regardless of whether an individual work explicitly addresses the war or the military, is open to Vernon’s exploration of war, society, gender, and literary history.

Vernon’s own experiences as a soldier, a veteran, a writer, and a critic inform this enlightening critique of American literature, offering students and scholars of American literature and war studies an invaluable tool for understanding war’s effects on the veteran writer and his society.

Perhaps no one would be more shocked at the steady rise of his literary reputation—on a truly global scale—Than Edgar Allan Poe himself. Poe's literary reputation has climbed steadily since his death in 1849.

In Poe Abroad, Lois Vines has brought together a collection of essays that document the American writer's influence on the diverse literatures—and writers—of the world. Over twenty scholars demonstrate how and why Poe has significantly influenced many of the major literary figures of the last 150 years.

Part One includes studies of Poe's popularity among general readers, his influence on literary movements, and his reputation as a poet, fiction writer, and literary critic. Part Two presents analyses of the role Poe played in the literary development of specific writers representing many different cultures.

Poe Abroad commemorates the 150th anniversary of Poe's death and celebrates his worldwide impact, beginning with the first literal translation of Poe into a foreign language, “The Gold-Bug”into French in 1845. Charles Baudelaire translated another Poe tale in 1848 and four years later wrote an essay that would make Poe a well-known author in Europe even before he achieved recognition in America.

Poe died knowing only that some of his stories had been translated into French. He probably never would have imagined that his work would be admired and imitated as far away as Japan, China, and India or would have a lasting influence on writers such as Baudelaire, August Strindberg, Franz Kafka, Jorge Luis Borges, Julio Cortázar, and Tanizaki Junichiro.

As we approach the sesquicentennial of his death, Poe Abroad brings together a timely one-volume assessment of Poe's influence throughout the world.

Focusing on the Plains territory of east central South Dakota as well as the Great Lakes lumber-producing region of Wisconsin's Chippewa Valley, John Vogel carefully and thoroughly examines the pattern and process by which lumber reached South Dakota. The Great Dakota Boom of 1878 to 1887 and the Laird, Norton Lumber Company of Winona, Minnesota, provide the basis for his engrossing book.

The westward expansion of the railroad and the continuing settlement of the Great Plains in the late nineteenth century allowed the lumber companies of Minnesota and Wisconsin to send their boards and beams and fenceposts and millwork to a market characterized by great demand and small supply. Laird, Norton followed settlers across southern Dakota as they arrived on the trains. The eastern portions of Dakota were settled first, and thus early lumberyards were found there; as settlement moved west, so did the lumberyards. Beyond its all-important function of distribution, the railroad forced Laird, Norton to alter the very structure of its operation. Experimenting with nearly complete vertical integration, the company pioneered organizational models that would serve significant purposes as frontier America—a republic of wood—solidified itself economically and culturally.

Karen Volkman’s award-winning collection Spar has as its central form a highly compressed, musical variant of the prose poem. Volkman develops a new lyric density that marries the immediacy of image-centered poetry to the rhythmic resources of prose. Her first poem begins, “Someone was searching for a Form of Fire,” and this wild urge to seek form—and thus definition—in the most uncontainable of elements propels the book forward; each poem maps the mind’s evolving positions in response to its variable and perilous encounters. Sometimes the encounter is romantic or purely carnal, a sensual landscape of human relations. At other times, nature itself has an almost humanly emotional connection to the speaker. While very much a living voice, the poems’ speaker is not a consistent self but a mutable figure buffeted by tenderness, terror, irony, or lust into elaborate evasions, exclamations, verbal hijinks, and lyric flights. As its title suggests, Spar embodies both resistance and aspiration, while its epigraphs further emphasize the simultaneous allure and danger of the unknown within the sensual and material worlds and in the mind itself.

From popular culture to politics to classic novels, quintessentially American texts take their inspiration from the idea of infinity. In the extraordinary literary century inaugurated by Ralph Waldo Emerson, the lyric too seemed to encounter possibilities as limitless as the U.S. imagination. This raises the question: What happens when boundlessness is more than just a figure of speech? Exploring new horizons is one thing, but actually looking at the horizon itself is something altogether different. In this carefully crafted analysis, James von der Heydt shines a new light on the lyric craft of Emily Dickinson, Robert Frost, Elizabeth Bishop, and James Merrill and considers how their seascape-vision redefines poetry's purpose.

Emerson famously freed U.S. literature from its past and opened it up to vastness; in the following century, a succession of brilliant, rigorous poets took the philosophical challenges of such freedom all too seriously. Facing the unmarked horizon, Emersonian poets capture—and are captured by—a stark, astringent version of human beauty. Their uncompromising visions of limitlessness reclaim infinity's proper legacy—and give American poetry its edge. Von der Heydt's book recovers the mystery of their world.

In the summer of 1903, just before he turned twenty-four, Wallace Stevens joined a six-week hunting expedition to the wilderness of British Columbia. The adventure profoundly influenced his conceptions of language and silence, his symbolic geography, and his sensibilities toward wild nature as nonhuman “other.” The rugged western mountains came to represent that promontory of experience—“green's green apogee”—against which Stevens would measure the reality of all his later perceptions and conceptions and by which he would judge the purpose and value of works of the human imagination. Notations of the Wild views his poetry as a radical reimagining of the nature/culture dialectic and a reinstatement of its forgotten term—Nature.

Gyorgyi Voros focuses on three governing metaphors in Stevens' poems—Nature as house, Nature as body, and Nature as self. She argues that Stevens' youthful wilderness experience yielded his primary subject—the relationship between human beings and nonhuman nature—and that it spurred his shift from a romantic to a phenomenological understanding of nature. Most important, it prompted him to reject his culture's narrow humanism in favor of a singular vision that in today's terms would he deemed ecological.