Accolades to Erica Taylor for Figler: My Imaginary Friend. Taylor takes her readers on a journey of self-realization as a child comes to ultimately discover that the wonderful abilities possessed by Figler, the beloved imaginary friend, are talents (he/she) also possesses. The whimsical illustrations draw readers into the main character’s journey of self-discovery.  This book offers a delightful poetic read inspiring young readers to dare to imagine and reach for the impossible.
Jeanine Wood - Distance Learning Coordinator Northeast Arkansas Education Cooperative Walnut Ridge, Arkansas

Firefighter and Paramedic Burnout was the first comprehensive book dealing with the recognition and treatment of burnout among firefighter and paramedic personnel. Today, this standard still serves to provide readers with a system of identification of early warning signs of excessive stress, its personal and social consequences, and interventions that have been proven to assist firefighters and their family members to return to a state of health and productivity.

 
"Norris Norman has picked a very difficult subject for his book and has done wonders with it.  There is probably no more obscure part of the history of Arkansas than the period in which this book is situated, namely, the second decade of the nineteenth century. Mr. Norman makes it come alive in a very convincing way.  His main character, a French/Indian mixed-blood or metis, is carefully crafted and is ideally positioned to tell the tale of the New Madrid earthquake, the early White settlers of a newly-American Arkansas, and the daily lives of Indians and Europeans alike..."

-- Hon. Morris S. Arnold, author of Unequal Laws Unto a Savage Race: European Legal Traditions in Arkansas 1686-1836

Each of the twelve chapters represents a rung on the ladder of dynamic narrative development.  Beginning with the most basic plot outline, Ellis leads readers through exercises and discussions of elements that build a story into a memorable reading or listening experience.  The chapters include many topics of interest to all writers, regardless of medium, but some will speak most potently to those writing either fiction or personal narrative. Chapters include Characterization, Point of View, Emotion, Context, Imagery, and Connection [with the reader].  Herself a leading professional storyteller, Ellis also includes a chapter especially for those who plan to craft stories for oral performance.

The Boo Baby girl tires of the boring life of a baby, crawling around, getting up, falling down, walking around the coffee table, falling down . . . she aims for more so she climbs out the window—miraculously, as soon as she is out the window she can walk, run, climb, and talk like a grownup.  So she heads out to seek her fortune.

The first adventure she has is rescuing Bootsie, The Cattle-hearding Chiahuahua.  Bootsie has been kicked by a cow and is bleeding. Boo has some band aids in her pack – this pack will be like Bill Lepp’s magical Swiss Army Knife, containing everything from sophisticated medical supplies, to lasers, to time machines, and, of course her pacifier, which she affectionately calls her “suckie.”

She saves Bootsie, who is bilingual. He thanks her in Spanish: “Muchas Gracias mi muchacha.” She does not understand so not only do they have adventures for the rest of the book but he teaches her some fun Spanish phrases like: NO TOQUEZ NADA (Don’t Touch!) if someone is bothering them. Their main job is to face ghosts, and monsters, demons: boogies, the boo hag, banshees, and . . .