The Manuscript Poems of A.E. Housman was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Poetry lovers everywhere, and devotees of A. E. Housman in particular, will recognize a major literary event in the publication of this volume, for it makes available for the first time some 800 lines of hitherto unpublished poetry by the well-loved author of A Shropshire Lad. This is a significant addition to the Housman treasury because the English poet published a total of only 2216 lines of poetry during his lifetime.

Dr. Haber has drawn the material for this volume from the four Housman notebooks in the Library of Congress, where they were deposited in 1940, four years after the poet's death. In an introductory section the editor describes the notebooks themselves and tells in detail the fascinating story of how the manuscripts—erased, canceled and glued fast to mounting sheets — were preserved and deciphered. The notebooks, dated from 1890 to 1925, contain the most valuable manuscript remains of Housman's poetic writings.

Among the newly published complete poems are some that Dr. Haber believes should be ranked with Housman's outstanding work. In the material that shows the poet's revisions of his own writings, the reader is afforded an intimate glimpse into the creative processes of a poetic genius, a privilege that will be especially appreciated by students and critics. Many explanatory notes are appended to show how Housman's poetry matured from first draft, through final copy, to the printed page.

Cinema has been undergoing a profound technological shift: celluloid film is being replaced by digital media in the production, distribution, and reception of moving images. Concerned with the debate surrounding digital cinema’s ontology and the interrelationship between cinema cultures, From Light to Byte investigates the very idea of change as it is expressed in the current technological transition. Markos Hadjioannou asks what is different in the way digital movies depict the world and engage with the individual and how we might best address the issue of technological shift within media archaeologies.

Hadjioannou turns to the technical basis of the image as his first point of departure, considering the creative and perceptual activities of moviemakers and viewers. Grounded in film history, film theory, and philosophy, he explores how the digital configures its engagement with reality and the individual while simultaneously replaying and destabilizing celluloid’s own structures. He observes that, where film’s photographic foundation encourages an existential association between individual and reality, digital representations are graphic renditions of mathematical codes whose causal relations are more difficult to trace.

Throughout this work Hadjioannou examines how the two technologies set themselves up with reference to reality, physicality, spatiality, and temporality, and he concludes that the question concerning digital cinema is ultimately one of ethical implications—a question, that is, of the individual’s ability to respond to the image of the world.

Even after the 2008 financial crisis, neoliberalism has been able to advance its program of privatization and deregulation. The Uberfication of the University analyzes the emergence of the sharing economy—an economy that has little to do with sharing access to good and services and everything to do with selling this access—and the companies behind it: LinkedIn, Uber, and Airbnb. In this society, we all are encouraged to become microentrepreneurs of the self, acting as if we are our own precarious freelance enterprises at a time when we are being steadily deprived of employment rights, public services, and welfare support. The book considers the contemporary university, itself subject to such entrepreneurial practices, as one polemical site for the affirmative disruption of this model.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Describing and assessing feminist inroads into the state

Feminists walk the halls of power. Governance Feminism: An Introduction shows how some feminists and feminist ideas—but by no means all—have entered into state and state-like power in recent years. Being a feminist can qualify you for a job in the United Nations, the World Bank, the International Criminal Court, the local prosecutor’s office, or the child welfare bureaucracy. Feminists have built institutions and participate in governance.

The authors argue that governance feminism is institutionally diverse and globally distributed. It emerges from grassroots activism as well as statutes and treaties, as crime control and as immanent bureaucracy. Conflicts among feminists—global North and South; left, center, and right—emerge as struggles over governance. This volume collects examples from the United States, Israel, India, and from transnational human rights law.

Governance feminism poses new challenges for feminists: How shall we assess our successes and failures? What responsibility do we shoulder for the outcomes of our work? For the compromises and strange bedfellows we took on along the way?  

Can feminism foster a critique of its own successes? This volume offers a pathway to critical engagement with these pressing and significant questions.

An interdisciplinary, multifaceted look at feminist engagements with governance across the global North and global South

Governance Feminism: Notes from the Field brings together nineteen chapters from leading feminist scholars and activists to critically describe and assess contemporary feminist engagements with state and state-like power. Gathering examples from North America, South America, Europe, Asia, and the Middle East, it complements and expands on the companion volume Governance Feminism: An Introduction. Its chapters argue that governance feminism (GF) is institutionally diverse and globally distributed—emerging from traditional sites of state power as well as from various forms of governance and operating at the grassroots level, in the private sector, in civil society, and in international relations.  

The book begins by confronting the key role that crime and punishment play in GFeminist projects. Here, contributors explore the ideological and political conditions under which this branch of GF became so robust and rethink the carceral turn. Other chapters speak to another face of GFeminism: feminists finding, in mundane and seemingly unspectacular bureaucratic tools, leverage to bring about change in policy and governance practices. Several contributions highlight the political, strategic, and ethical challenges that feminists and LGBT activists must negotiate to play on the governmental field. The book concludes with a focus on feminist interventions in postcolonial legal and political orders, looking at new policy spaces opened up by conflict, postconflict, and occupation.

Providing a clear, cross-cutting, critical lens through which to map developments in feminist governance around the world, Governance Feminism: Notes from the Field makes sense of the costs and benefits of current feminist realities to reimagine feminist futures. 

Contributors: Libby Adler, Northeastern U; Aziza Ahmed, Northeastern U; Elizabeth Bernstein, Barnard College; Amy J. Cohen, Ohio State U; Karen Engle, U of Texas at Austin; Jacob Gersen, Harvard U; Leigh Goodmark, U of Maryland; Aeyal Gross, Tel Aviv U; Aya Gruber, U of Colorado, Boulder; Janet Halley, Harvard U; Rema Hammami, Birzeit U, Palestine; Vanja Hamzić, U of London; Isabel Cristina Jaramillo-Sierra; Prabha Kotiswaran, King’s College London; Maleiha Malik, King’s College London; Vasuki Nesiah, New York U; Dianne Otto, Melbourne Law School; Helen Reece; Darren Rosenblum, Pace U; Jeannie Suk Gersen, Harvard U; Mariana Valverde, U of Toronto.

In seemingly exhaustive arguments about identity as a category of analysis, we have made a critical error—one that Michael Hames-García sets out to correct in this revisionary look at the making and meaning of social identities. We have asked how separate identities—of race, class, ethnicity, gender, and sexuality—come to intersect. Instead, Hames-García proposes, we should begin by understanding such social identities as mutually constituting one another.

Grounded in both theoretical and political practices—in the lived realities of people’s experience—Identity Complex reinvigorates identity as a key concept and as a tool for the pursuit of social justice. Hames-García draws on a wide range of examples to show that social identities are central to how exploitation works, such as debates about the desirability of sexual minority identities in postcolonial contexts, questions about the reality of race, and the nature of the U.S. prison crisis.

Unless we understand precisely how identities take shape in relation to each other and within contexts of oppression, he contends, we will never be able to eradicate discrimination and social inequality. By analyzing the social interdependence of identities, Hames-García seeks to enable the creation of deep connections of solidarity across differences.

Voices From an Empire was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The literature of the various regions of Lusophone Africa has received relatively little critical attention compared with that which has been focused on the work of writers in the English- and French- speaking countries of Africa. With the profound changes which are occurring in the social and political structures of Lusophone Africa, there is particular need for the comprehensive look at Afro-Protuguese literature which this account provides.

Professor Hamilton traces the development of this literature in the broad perspective of it social, cultural, and aesthetic context. He discusses the whole of the Afro-Portuguese literary phenomenon, as it occurs on the Cape Verde archipelago, in Guinea-Bissau, on the Guinea Gulf islands of Sao Tome and Principe, in Angola, and in Mozambique.

In an introduction he discusses some basic questions about Afro-Protuguese literature, among them, the matter of a definition of this body of writing, the implications of the concept of negritude, the role of Portugal and Brazil in Afro-Portuguese literature, and the social and cultural significance of the dominant literary themes found in the various regions of Lusophone Africa. Because he sees the regionalist movement in Angola as the most significant in terms of a neo-African orientation, he begins the book with an extensive study of the literature of that country. Many examples of afro-Portuguese poetry are given, both in the original language and in the English translation. There is a bibliography, and a map shows the African regions of study.

Rachael Hanel’s name was inscribed on a gravestone when she was eleven years old. Yet this wasn’t at all unusual in her world: her father was a gravedigger in the small Minnesota town of Waseca, and death was her family’s business. Her parents were forty-two years old and in good health when they erected their gravestone—Rachael’s name was simply a branch on the sprawling family tree etched on the back of the stone. As she puts it: I grew up in cemeteries.



And you don’t grow up in cemeteries—surrounded by headstones and stories, questions, curiosity—without becoming an adept and sensitive observer of death and loss as experienced by the people in this small town. For Rachael Hanel, wandering among tombstones, reading the names, and wondering about the townsfolk and their lives, death was, in many ways, beautiful and mysterious. Death and mourning: these she understood. But when Rachael’s father—Digger O’Dell—passes away suddenly when she is fifteen, she and her family are abruptly and harshly transformed from bystanders to participants. And for the first time, Rachael realizes that death and grief are very different.

At times heartbreaking and at others gently humorous and uplifting, We’ll Be the Last Ones to Let You Down presents the unique, moving perspective of a gravedigger’s daughter and her lifelong relationship with death and grief. But it is also a masterful meditation on the living elements of our cemeteries: our neighbors, friends, and families—the very histories of our towns and cities—and how these things come together in the eyes of a young girl whose childhood is suffused with both death and the wonder of the living.

Economy and Society in Baroque Portugal, 1668–1703 was first published in 1981. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The late seventeenth century in Portugal was a period of apparent calm, and few historians have given it much attention. Portugal's Golden Age of worldwide expansion had made sixteenth-century Lisbon a great commercial center, but other European nations with more advanced economies surpassed Portugal's achievement, and during the seventeenth century agricultural, economic, and political problems all contributed to Portugal's decline. In 1668, at the conclusion of a long war with Spain to restore Portuguese sovereignty, Pedro II began a reign of 38 years, first as regent for a feckless brother ad after 1683 as king. The history of Portugal during his reign is the subject of this book.

Carl A. Hanson looks at this relatively unexamined era and finds, behind the facade of baroque calm, subtle but dramatic shifts in the socio-economic foundations of the age. In an effort to cope with economic depression Pedro's government hearkened to enthusiastic reports of Colbert's mercantile policies in France, and tried to encourage the expansion of domestic manufacturing. Linked to these efforts were attempts to curb the inquisitorial persecution of New Christian merchants. Hanson explores the motives of anti-Semitism, greed and class warfare that underlay the persecution and describes the efforts of an eloquent Jesuit, Father Antonio Vieira, to protect the New Christians from the worst excesses of the Inquisition.

The triumph of the Inquisition, and thus of the established social order, and the failure of Portugal's experiment in mercantilism coincided with a new wave of commodity-borne prosperity. After 1690, increased exports of Brazilian gold, tobacco, hides, and sugar, and of Port wine changed Portugal's economic status. With the signing of the Anglo- Portuguese treaty of Methuen in 1703, Portugal entered a gilded—if not golden—age. Yet, as Hanson makes clear, the new prosperity was deceptive, for Portugal was to slip into increasingly dependent relationships with the more advanced economies — especially England's—which absorbed great quantities of Luso-Atlantic commodities in exchange for its own manufactures. And, at home, the victorious social order, no longer threatened by a mercantile class, was to find security under an increasingly absolutist government. The reign of Pedro II is significant, then, as a period of transition when, for the first time, the foundations of the old order were threatened. The baroque facade survived but the edifice itself had begun to crumble.

In the 1990s, a boom in autobiographical novels and memoirs about incest emerged, making incest one of the hottest topics to connect daytime TV talk shows, the self-help industry, and the literary publishing circuit. In Everybody's Family Romance, Gillian Harkins places this proliferation of incest literature at the center of transformations in the political and economic climate of the late twentieth century.

Harkins's interdisciplinary approach reveals how women's narratives about incest were co-opted by-and yet retained resistant strains against-the cultural logics of the neoliberal state. Across chapters examining legal cases on recovered memory, popular journalism, and novels and memoirs by Dorothy Allison, Carolivia Herron, Kathryn Harrison, and Sapphire, Harkins demonstrates that incest narratives look backward into the past. In these accounts, images of incest forge links between U.S. chattel slavery and the distributive impasses of the welfare state and between decades-distant childhoods and emergent memories of the present.

In contrast to recent claims that incest narratives eclipse broader frameworks of political and economic power, Harkins argues that their emergence exposes changing structural relations between the family and the nation and, in doing so, transforms the analyses of American familial sexual violence.

Kant on Causality, Freedom, and Objectivity was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Kant's account of causation is central to his views on objective truth and freedom. The Second Analogy of Experience, in the Critique of Pure Reason,where he provides his defense of the causal principle, has long been the focus of intense philosophical research. In the past twenty years, there have been two major periods of interest in Kantian themes, The first coincided with a general turn away from positivism by analytic philosophers, and resulted in a fruitful interchange between Kant scholars and those who applied Kantian ideas to contemporary philosophical problems. In recent years, a new surge of interest in Kant's work occurred along with the developing controversy over realism generated by the work of Dummett and Putnam. Scholars now appreciate the extent to which the Kantian causal principle is illuminated by the philosopher's argument that his transcendental idealism supports an empirical realism. And in turn, Kant's views on objectivity, causation, and freedom are especially relevant to the philosophical concerns raised by the new debate over realism.

The eight papers in this book are drawn from two conferences that honored Lewis White Beck, an influential Kant scholar. Together with the introductory essay by the editors, they show the continuing relevance of Kant's analysis for the present-day philosophy of causation.

A Concordance to Finnegans Wake was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This concordance, the first full-scale work dealing with the language of James Joyce's last period, provides a finding-list and analytical index for his last work, Finnegans Wake. There are three parts: the first consisting of a complete alphabetical index to the vocabulary of Finnegans Wake,the second comprising a list of syllabifications (showing the inner parts of compound words), and the third providing a list of some 10,000 English words suggested by Joycean distortions.

The primary word-index, similar in most respects to those which have already been published for Joyce's Ulysses and Stephen Hero, list in alphabetical order all of the 63,924 different words which make up the vocabulary of Finnegans Wake and provides page-line references for every occurrence of all but a small handful of the most common English words. Except for punctuation marks, every typographical unit in the book is accounted for, and each is listed just as it appears in the text.

The second on syllabification lists in alphabetical order the inner parts of over 10,000 complex words in Finnegans Wake which are built up out of simpler elements and which would be impossible to find from the primary index alone.

In the last section, called "Overtones," the aim is to list the English words suggested by Joyce's puns and distortions. Much information gleaned from the Joycean research of the past decade is gathered together here.

The Unremarkable Wordsworth was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

William Wordsworth was attacked by the critics of his time for imposing unremarkable sights and sentiments on his audience. In this book's title essay, an exemplary reading of the Westminster Bridge sonnet, Geoffrey Hartman shows how Wordsworth's "unremarkable phrases" attain their curious vigor. Drawing upon the propositions of semiological analysis—that signs are not signs unless they become perceptible, through the contrast between "marked" and "unmarked"—Hartman, in a deft and sensitive analysis, is able to play these notions of marking and the unremarkable off against each other. Wordsworth, in the end, overcomes both his critics and the science of signs: his quiet sonnet—with its muted or near-absent signs—is itself, as epitaph for an era, a faithful sign of the times.

Hartman's capacity to open up a dialogue between contemporary theory and Wordsworth's poetry informs all of these essays, written since the 1964 publication of Wordsworth's Poetry, a book that marked an epoch in the study of that poet and of Romantic poetry in general. In the years since then, the nature of literary study has changed dramatically, and Hartman has been a leader in the turn to theoretical modes of interpretation. The fifteen essays in The Unremarkable Wordsworth draw upon a wide range of contemporary theoretical approaches, from psychoanalysis to structuralism, from deconstruction to phenomenology. Yet, as Donald Marshall points out in his foreword, "Wordsworth remains so much the focus of this book that 'critical method' is strangely transmuted." For Hartman, reading and thinking are inseparable; he has an uncanny power to convey in an intensified form the poet's own consciousness, not under the rubric of "intertextuality" but because he "has ears to hear."

Geoffrey H. Hartman is Karl Young Professor of English and Comparative Literature at Yale University. His most recent book is Easy Pieces. Donald G. Marshall is a professor of English at the University of Iowa.

A critical investigation into the use of psychotropic drugs to pacify and control inmates and other captives in the vast U.S. prison, military, and welfare systems

For at least four decades, U.S. prisons and jails have aggressively turned to psychotropic drugs—antidepressants, antipsychotics, sedatives, and tranquilizers—to silence inmates, whether or not they have been diagnosed with mental illnesses. In Silent Cells, Anthony Ryan Hatch demonstrates that the pervasive use of psychotropic drugs has not only defined and enabled mass incarceration but has also become central to other forms of captivity, including foster homes, military and immigrant detention centers, and nursing homes. 

Silent Cells shows how, in shockingly large numbers, federal, state, and local governments and government-authorized private agencies pacify people with drugs, uncovering patterns of institutional violence that threaten basic human and civil rights. Drawing on publicly available records, Hatch unearths the coercive ways that psychotropics serve to manufacture compliance and docility, practices hidden behind layers of state secrecy, medical complicity, and corporate profiteering.

Psychotropics, Hatch shows, are integral to “technocorrectional” policies devised to minimize public costs and increase the private profitability of mass captivity while guaranteeing public safety and national security. This broad indictment of psychotropics is therefore animated by a radical counterfactual question: would incarceration on the scale practiced in the United States even be possible without psychotropics?

Ibsen's Drama was first published in 1979. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

"A dramatist for all seasons" Einar Haugen calls Henrik Ibsen in this series of lectures given in honor of the 150th anniversary of the Norwegian playwright's birth. Using a modified version of the communications model developed by linguist Roman Jakobson, Haugen provides a readable, succinct analysis of Ibsen's thinking and dramaturgy. He examines the ways in which Ibsen the author communicated with his nineteenth-century audience and is able, still, to move and inform playgoers today.

Haugen brings to this work a lifetime of familiarity with Ibsen in Norwegian and in translation, and he draws upon his own experience as a theatergoer and as an observer of student and audience reaction to the plays. Ibsen's Drama will bring pleasure and a deeper understanding of the playwright to students and playgoers alike.

Einar Haugen is Victor S. Thomas Professor of Scandinavian and Linguistics, emeritus, at Harvard University. He is author, editor, or translator of many books and articles in linguistics, literature, and immigrant history, notably The Norwegian Language in America (1953), The Scandinavian Languages (1976), and Land of the Free (1978).

The essays in Small Tech investigate the cultural impact of digital tools and provide fresh perspectives on mobile technologies such as iPods, digital cameras, and PDAs and software functions like cut, copy, and paste and WYSIWYG. Together they advance new thinking about digital environments. 

Contributors: Wendy Warren Austin, Edinboro U; Jim Bizzocchi, Simon Fraser U; Collin Gifford Brooke, Syracuse U; Paul Cesarini, Bowling Green State U; Veronique Chance, U of London; Johanna Drucker, U of Virginia; Jenny Edbauer, Penn State U; Robert A. Emmons Jr., Rutgers U; Johndan Johnson-Eilola, Clarkson U; Richard Kahn, UCLA; Douglas Kellner, UCLA; Karla Saari Kitalong, U of Central Florida; Steve Mann, U of Toronto; Lev Manovich, U of California, San Diego; Adrian Miles, RMIT U; Jason Nolan, Ryerson U; Julian Oliver; Mark Paterson, U of the West of England, Bristol; Isabel Pedersen, Ryerson U; Michael Pennell, U of Rhode Island; Joanna Castner Post, U of Central Arkansas; Teri Rueb, Rhode Island School of Design; James J. Sosnoski; Lance State, Fordham U; Jason Swarts, North Carolina State U; Barry Wellman, U of Toronto; Sean D. Williams, Clemson U; Jeremy Yuille, RMIT U.

Byron Hawk is assistant professor of English at George Mason University.

David M. Rieder is assistant professor of English at North Carolina State University.

Ollie Oviedo is associate professor of English at Eastern New Mexico University.

A bold philosophical investigation into technology and the limits of the human

A daring, original work of philosophical speculation, Neurotechnology and the End of Finitude mounts a sustained investigation into the possibility that human beings may technologically overcome the transcendental limits of possible experience and envisages what such a transition would look like. Focusing on emergent neurotechnologies, which establish a direct channel of communication between brain and machine, Michael Haworth argues that such technologies intervene at the border between interiority and exteriority, offering the promise of immediacy and the possibility of the mind directly affecting the outside world or even other minds. 

Through detailed, targeted readings of Kant, Freud, Heidegger, Croce, Jung, and Derrida, Haworth explores the effect of this transformation on human creativity and our relationships with others. He pursues these questions across four distinct but interrelated spheres: the act of artistic creation and the potential for a technologically enabled coincidence of idea and object; the possibility of humanity achieving the infinite creativity that Kant attributed only to God; the relationship between the psyche and the external world in Freudian psychoanalysis and Jungian analytical psychology; and the viability and impact of techno-telepathic communication. 

Addressing readers interested in contemporary continental philosophy and philosophy of technology, media and communications, and science and technology studies, Neurotechnology and the End of Finitude critically envisions a plausible posthuman future.

A telling look at today’s “reverse” migration of white, middle-class expats from north to south, through the lens of one South American city

Even as the “migration crisis” from the Global South to the Global North rages on, another, lower-key and yet important migration has been gathering pace in recent years—that of mostly white, middle-class people moving in the opposite direction. Gringolandia is that rare book to consider this phenomenon in all its complexity.

Matthew Hayes focuses on North Americans relocating to Cuenca, Ecuador, the country’s third-largest city and a UNESCO World Heritage Site. Many began relocating there after the 2008 economic crisis. Most are self-professed “economic refugees” who sought offshore retirement, affordable medical care, and/or a lower–cost location. Others, however, sought adventure marked by relocation to an unfamiliar cultural environment and to experience personal growth through travel, illustrative of contemporary cultures of aging. These life projects are often motivated by a desire to escape economic and political conditions in North America. 

Regardless of their individual motivations, Hayes argues, such North–South migrants remain embedded in unequal and unfair global social relations. He explores the repercussions on the host country—from rising prices for land and rent to the reproduction of colonial patterns of domination and subordination. In Ecuador, heritage preservation and tourism development reflect the interests and culture of European-descendent landowning elites, who have most to benefit from the new North–South migration. In the process, they participate in transnational gentrification that marginalizes popular traditions and nonwhite mestizo and indigenous informal workers. The contrast between the migration experiences of North Americans in Ecuador and those of Ecuadorians or others from such regions of the Global South in North America and Europe demonstrates that, in fact, what we face is not so much a global “migration crisis” but a crisis of global social justice.

Dubious Alliance was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The formation of the Democratic-Farmer-Labor party of Minnesota took place in a context of intense factional struggle that lasted from the death of Governor Floyd B. Olson in 1936 to the election of Hubert Humphrey to the U.S. Senate in 1948. Dubious Alliance, the first full account of this critical chapter in the state's political history, has wider significance not only because many of the leading figures in the story have played a role in national politics, but also because it deals with issues—chief among them, the origins of Cold War liberalism— that matter far beyond the boundaries of a single state.

John Haynes follows the struggle from its inception to the postwar battle within the new DFL between Popular Front adherents and anti-Communist liberals led by Minneapolis Mayor Hubert Humphrey. He makes clear that the struggle with the Popular Front was the formative political experience of Humphrey's generation; those who fought with him, and who became active in national politics—Orville Freeman, Eugene McCarthy, Walter Mondale, Donald Fraser—did not seriously question Cold War foreign policy till well into the Vietnam era.

Thorough and dispassionate, this book will help today's readers better understand the DFL's birth and the struggle that surrounded it—complex events long obscured by Cold War fears and political myth-making.

John Earl Haynes is a historian by training—he earned his Ph.D. at the University of Minnesota—and also a specialist in tax policy. He was an adviser to Governor Wendell Anderson and later served as a congressional aide to Anderson and to Representative Martin Sabo. Haynes is now Director of Tax and Credit Analysis for the state of Minnesota.

Today’s American cities and suburbs are the sites of “thick injustice”—unjust power relations that are deeply and densely concentrated as well as opaque and seemingly intractable. Thick injustice is hard to see, to assign responsibility for, and to change.

Identifying these often invisible and intransigent problems, this volume addresses foundational questions about what justice requires in the contemporary metropolis. Essays focus on inequality within and among cities and suburbs; articulate principles for planning, redevelopment, and urban political leadership; and analyze the connection between metropolitan justice and institutional design. In a world that is progressively more urbanized, and yet no clearer on issues of fairness and equality, this book points the way to a metropolis in which social justice figures prominently in any definition of success.

Contributors: Susan S. Fainstein, Harvard U; Richard Thompson Ford, Stanford U; Gerald Frug, Harvard U; Loren King, Wilfrid Laurier U; Margaret Kohn, U of Toronto; Stephen Macedo, Princeton U; Douglas W. Rae, Yale U; Clarence N. Stone, George Washington U; Margaret Weir, U of California, Berkeley; Thad Williamson, U of Richmond.

Mustering out of the U.S. army in 1919, Harry Haywood stepped into a battle that was to last the rest of his life. Within months, he found himself in the middle of one of the bloodiest race riots in U.S. history and realized that he’d been fighting the wrong war—the real enemy was right here at home. This book is Haywood’s eloquent account of coming of age as a black man in twentieth-century America and of his political awakening in the Communist Party.

For all its cultural and historical interest, Harry Haywood’s story is also noteworthy for its considerable narrative drama. The son of parents born into slavery, Haywood tells how he grew up in Omaha, Nebraska, found his first job as a shoeshine boy in Minneapolis, then went on to work as a waiter on trains and in restaurants in Chicago. After fighting in France during the war, he studied how to make revolutions in Moscow during the 1920s, led the Communist Party’s move into the Deep South in 1931, helped to organize the campaign to free the Scottsboro Boys, worked with the Sharecroppers’ Union, supported protests in Chicago against Mussolini’s invasion of Ethiopia, fought with the International Brigades in Spain, served in the Merchant Marines during World War II, and continued to fight for the right of self-determination for the Afro-American nation in the United States until his death in 1985.

This new edition of his classic autobiography, Black Bolshevik, introduces American readers to the little-known story of a brilliant thinker, writer, and activist whose life encapsulates the struggle for freedom against all odds of the New Negro generation that came of age during and after World War I.

The Welfare State and Beyond was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The welfare state emerged in a number of industrialized countries after the First World War as a middle ground between capitalism and socialism. The aim of architects of the welfare state was to abolish the injustices and hardships that accompanied capitalism and to do so without wholesale social or economic revolution. Establishment of the welfare state created something close to euphoria among many observers; it was, it seemed, the answer to many, if not all, troubling social questions. But it eventually became obvious that this type of society was not immune to problems.

In The Welfare State and Beyond Gunnar Heckscher examines four Nordic countries—Denmark, Finland, Norway, and Sweden—not to either criticize or defend the welfare state but to shed some light on a number of questions: Has the welfare state achieved what it attempted? Are the results generally held to be satisfactory? What important problems remain unsolved and what types of solutions have been proposed? Although Heckscher has been associated with the Conservative party in Sweden, his objective, clear-eyed analysis cites both the accomplishments of the welfare state and the troubling problems that still await resolution.

John A. Johnson was first published in 1949. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The first native-born governor of Minnesota, and the only Democrat to have been elected to that office three times, was also the first Minnesotan to have a presidential nomination within his grasp.

This study of a man who was, perhaps, the state's most beloved chief executive is a warm, fast-moving personal biography and an engrossing piece of political history.

The issues, personalities, shifting political currents, and party cleavages, state and national, of the early 1900s live again in the full recounting of the political campaigns of that era. One chapter is devoted to the 1908 Democratic National Convention at which Johnson's name was place in nomination for the presidency—the convention which chose William Jennings Bryan as its standard-bearer for the third and last time.

Johnson was a man of buoyant spirit and great personal charm, and the story of his life again dramatizes the American tradition that by force of character a man can lift himself from the humblest beginnings. At the time of his death in 1909 the warships in New York harbor dropped their flags to half-mast, and hundreds of memorial services were held throughout the nation. Many believed that, had he lived, Johnson would have won the presidential nomination and election in 1912.

Allen Tate - American Writers 39 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This volume constitutes the final, general report of the comprehensive research conducted by the Upper Midwest Economic Study, a joint undertaking of the Upper Midwest Research and Development Council and the University of Minnesota. The authors present a detailed analysis of the economy of the Upper Midwest, the region coincident with the Ninth Federal Reserve District, which includes Montana, North Dakota, South Dakota, Minnesota, twenty-six counties in northwestern Wisconsin, and Michigan’s Upper Peninsula. 

The present study analyzes the region’s past economic growth, its current structure, and possible future development. The region’s initial economic growth was based upon its natural resources—land, forest, and minerals. Today productivity growth is increasing more rapidly than demand in most of these sectors. Hence, total employment opportunities in resource-based industries are declining. Future employment growth generally must be based on the region’s advantage in human resources. This is the challenge for economic growth in the Upper Midwest. The same challenge exists on a nation-wide basis, but the severity of transition away from natural resources industries is greater in the Upper Midwest because of its above-average reliance on such industries. 

The authors analyze economic change in the region from 1950 to 1960 and possible future development through 1975, with projections of employment, income, population, and migration for 1975. The projections, based on an assumption of no new action to facilitate economic growth in the region, serve mainly as a departure point for the analysis of regional policy and action.

Sweden was first published in 1939. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Believing the journalists have done both the United States and Sweden a disservice in playing up Sweden as a democratic utopia and overemphasizing the importance of cooperatives, the author presents the facts as they appear to a Swedish publicist with a profound knowledge of the government and problems of his country.

To the English-reading public he now offers this succinct yet comprehensive survey of Swedish government and the essentials of its historical background. He has succeeded in presenting at the same time much of the spirit and the life of the Swedish people and their politics.

The aspects of Swedish life which Professor Herlitz treats are very little understood in foreign countries and should be taken into account by anyone who aspires to know the Sweden of today. His opening review of the historical development of the Swedish constitution may be studied with profit by all who are interested in government.

Of particular timeliness is his account of the rise of the Socialist party to dominance and his explanation of why many people see in the present government (with its majority coalition) the beginning of dictatorship.

After describing the organization and work of the riksdag and its relations to the government, he surveys public administration and civil service in Sweden. His chapter on "The Service-State" covers numerous topics of current interest, such as government monopolies, social legislation, relief problems, old-age pensions, and farm adjustment.

The book is an amplification of a series of lectures delivered by Professor Herlitz in the United States in the spring of 1938 in connection with the Swedish Tercentenary celebration.

Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music and movement erupt from within more linear narrative frameworks. The representational strategies found in these films are often formulaic, repeating familiar story lines and stereotypical depictions of race, gender, and class. Yet she finds the musical moment contains a powerful disruptive potential.

Dreams of Difference, Songs of the Same investigates the tension and the fusion of difference and repetition in films to ask, How does the musical moment work? Herzog looks at an eclectic mix of works, including the Soundie and Scopitone jukebox films, the musicals of French director Jacques Demy, the synchronized swimming spectacles of Esther Williams, and an apocalyptic musical by Taiwanese director Tsai Ming-liang. Several refrains circulate among these texts: their reliance on clichés, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history.

Drawing on the philosophical work of Gilles Deleuze, she explores all of these dissonances as productive forces, and in doing so demonstrates the transformative power of the unexpected.

Excavations at Tel Michal, Israel was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The archaeological site known today as Tel Michal lies north of Tel Aviv on Israel's coastal plain, high on a barren windswept cliff overlooking the Mediterranean. Lacking the arable soil that might have encouraged permanent settlement - most of the region is covered with sand dunes - Tel Michael was probably a maritime station for military or commercial use during its period of occupation, which extended intermittently from the Canaanite Period (Middle Bronze Age II, about 2000 B.C.) through the Early Arab Period (ninth century A.D.). The site's archaeological remains are not confined to a single ancient tel or mound but are dispersed over five hills, where, despite severe erosion, seventeen strata have been excavated, yielding particularly rich and extensive finds in the Persian period.

The excavations at Tel Michal were conducted over a period of four summers, from 1977 through 1980, by a consortium that included Tel Aviv University and the University of Minnesota. As the first phase in a much broader regional project, Tel Michal drew together a multinational group of scholars and students in a cooperative, interdisciplinary effort like that pioneered in Greek archaeology by the Minnesota Messenia Expedition. Experts in traditional archaeological fields—pottery, architecture, numismatics—were joined by geologists, metallurgists, botanists, zoologists, and materials scientists; 43 of these participants have contributed to this full report of the excavations.

The book first traces the historical geography and settlement patterns of Tel Michal and its environs, then covers the stratigraphy and architecture of its settlements during the Bronze and Iron ages and the Persian, Hellenistic, and Arab periods. Included in this historical section are chapters on pottery and on special finds like the Iran Age winepresses, the Persian cemetery, and the Roman fortress. Subsequent chapters deal with the region's geology and its botanical and skeletal remains; with computerized, petrographic, and chemical modes of analysis; and with metal and flint objects, numismatics, and small finds like seals, glass artifacts, beads and pendants. Illustrated throughout with line drawings and tables, by photographs of the excavation site and many of the artifacts found there.

Border Writing was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Until recently, literary theory has been grounded in the histories of English, French, German, and Spanish literature. The terms and models for the production of literature and its function in culture and society were decided in Western Europe, and any deviations were immediately marginalized. This Eurocentric view has been widely attached by postmodern, feminist, and postcolonial political practices.

Drawing on a variety of critical and theoretical sources, D. Emily Hicks employs the concept of border writing to consider the complexities of contemporary Latin American writing. With its emphasis on the multiplicity of languages and the problems of translation, border writing connotes a perspective that is no longer determined by neat distinctions. Hicks combines Deleuze and Guattari's notion of "deterritorialization" (the geographic, linguistic, or cultural displacement from one's own country, language, or native culture) with a holographic metaphor in provocative readings of Latin America writers, including Gabriel Garcia Marquez, Luisa Valenzuela, and Julio Cortazar. The result is a volume that forces the reader to consider the development of literature in terms of strategies and tactics that contribute to the production of meaning in culturally complex and politically repressive societies.

D. Emily Hicks is associate professor of English and comparative literature and a member of the Latin American studies faculty at San Diego State University. Neil Larsen is associate professor of Spanish and Latin American literature at Northeastern University and the author of Modernism and Hegemony: A Materialist Critique of Aesthetic Agencies (Minnesota, 1990).

James Gould Cozzens - American Writers 58 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Populist Revolt was first published in 1931. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

When The Populist Revolt was originally published, the New York Times critic called it "far and away the best account of populism that we have—and one not likely to be replaced." That prophecy proved right; the book has not been replaced, and historians and critics agree that it is the definitive work on its subject. Now it is made available once more, after being out of print for some time.

This is a history of the Farmers' Alliance and the People's Party, under whose banners a great crusade for farm relief was waged in the 1880's and 1890's. As important as the chronicle of the political movement itself is the detailed picture which Professor Hicks gives of the conditions which set the stage for this agrarian revolt. He describes the inequities and malpractices which beset both the new settlers of the West and the poverty-ridden whites and Negroes of the South following the Civil War.

The story of Populism itself is a lively one, people with such picturesque leaders as "Pitchfork" Ben Tillman of South Carolina, "Sockless" Jerry Simpson and Mary Elizabeth Lease—the "Patrick Henry in petticoats"—of Kansas, "Bloody Bridles" Waite of Colorado, Thomas E. Watson of Georgia, Dr. C. W. Macune of Texas, James B. Weaver of Iowa, and Ignatius Donnelly of Minnesota.

In these pages, Professor Hicks has, as Frederic L. Paxson pointed out, "presented the case for Populism better than the Populists themselves could do it." Henry Steele Commanger calls the book a "thorough, scholarly, sympathetic and spirited history of the entire Populist movement."

Konduru was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This is a detailed anthropological description and analysis of life in Konduru, a village in the central part of southern India about one hundred miles south of Hyderabad. The study is based on field work done by Professor Hiebert over a period of several years when he lived in the village, spoke its language, Telugu, and became closely acquainted with the people and their culture.

After sketching the geographic and historical setting of the village, Professor Hiebert describes and discusses the social structure, including the societal categories, the various castes, the social groups including family, patrilineage, associations, and communities, and hamlets, villages, and towns in the region. There are chapters on status and power, networks of interpersonal relationships, panchayats (the system of justice), and rituals. Finally, the author discusses changes which are taking place in the society and culture of Konduru and presents his conclusions. He points out that this study of Konduru illustrates the importance of the village within the social order but at the same time demonstrates that the village cannot be understood apart from the other social groups in which its members are involved and interrelated, and that these relationships are neither static nor simple. But, as he concludes, the village is, for the individual, the concrete expression of his society.

The book is illustrated with photographs, maps, and drawings. E. Adamson Hoebel, Regents' professor of anthropology at the University of Minnesota, writes a foreword.