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Quality Maintenance in Stored Grains and Seeds
Clyde M. Christensen and Richard A. Meronuck
University of Minnesota Press, 1986

Quality Maintenance in Stored Grains and Seeds was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Storage molds are a major cause of quality loss in grains and seeds held in farm bins and tanks, in commercial elevators and warehouses, and in barge and ship transport. The damage done by these storage molds is at first invisible, but later shows up as caking, mustiness, total spoilage of part or all of the grain, and heating - sometimes to the temperature of ignition. The authors, both of whom have had extensive first-hand field and laboratory experience with these grain storage fungi and the problems they cause, summarize in readable and readily understandable form the basic principles and specific practices to be followed in order to minimize such losses.

Chapters are devoted to grain grades and quality; storage fungi; conditions that promote or prevent loss in quality; spoilage in barge and ship transport; mycotoxins (toxic compounds produced by fungi growing in grains and feeds) and mycotoxicoses (the diseases caused in animals that consume such toxic products); insects, mites, and storage fungi, quality control; and identification of storage fungi as an aid in evaluation of grain condition and storability.

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Quantum Measurement
Beyond Paradox
Richard A. Healey
University of Minnesota Press, 1998
Together with relativity theory, quantum mechanics stands as the conceptual foundation of modern physics. It forms the basis by which we understand the minute workings of the subatomic world. But at its core lies a paradox: standard conceptions of quantum mechanics imply that many of the actual measurements whose results we take to support and verify quantum mechanical theory can have no definite outcomes. Some quantity such as position or momentum is always indefinite on a quantum system; and if an indefinite quantity is measured, the macroscopic state of the measuring apparatus that is supposed to record the outcome instead becomes indefinite itself. In Quantum Measurement, editors Richard A. Healey and Geoffrey Hellman marshal the resources of leading physicists and philosophers of science, skillfully joining their insights and ingenuity to yield some of the most innovative and altogether promising thought to date on this enigmatic issue. Throughout this authoritative volume, these authors explore the subtle and varied ways in which quantum mechanics informs the conditions, indeed the very process, of quantum measurement. The latest work on decoherence phenomena is combined with sophisticated modal interpretations, suggesting that definite values might be systematically attributed to a limited class of quantum observables while gauging the correspondent impact of environmental interactions on quantum interference terms. What emerges from this careful synthesis is a theoretically powerful and energetic new approach to the measurement dilemma, one that furthers our conceptual understanding of the fundamental interconnections between micro- and macroscopic systems, and that strives, ultimately, to describe and define within a unified quantum mechanical framework the breadth of our physical reality. Contributors: Guido Bacciagaluppi, Jeffrey Bub, Rob Clifton, Michael Dickson, Dennis Dieks, Andrew Elby, Anthony J. Leggett, Bradley Monton, Abner Shimony, William Unruh, Pieter Vermaas. Richard A. Healey is professor of philosophy at the University of Arizona. Geoffrey Hellman is professor of philosophy at the University of Minnesota. ISBN 0-8166-3065-8 Cloth/jacket $39.95
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The Quay Brothers
Into a Metaphysical Playroom
Suzanne Buchan
University of Minnesota Press, 2010
This work is the first thorough analysis of the creative oeuvre of the Quay Brothers. Known for their animation shorts that rely on puppetry, miniatures, and stop-motion techniques, their fiercely idiosyncratic films are fertile fields for Suzanne Buchan's engaging descriptions and provocative insights into the Quays' art-and into the art of independent puppet animation.

Buchan's aesthetic investigation stems from extensive access to the Quay Brothers' artistic practices and work, which spans animation and live-action film, stage design and illustration. She also draws on a long acquaintance with them and on interviews with collaborators essential to their productions, as well as archival sources. Discussions of their films' literary origins, space, puppets, montage, and the often-overlooked world of sound and music in animation shed new light on the expressive world that the Quay Brothers generate out of their materials to create the poetic alchemy of their films.

At once a biography of the Quays' artistic trajectory and a detailed examination of one of their best-known films, Street of Crocodiles, this book goes further and provides interdisciplinary methodologies and tools for the analysis of animation.
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Queer Constellations
Subcultural Space In The Wake Of The City
Dianne Chisholm
University of Minnesota Press, 2004

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Queer Game Studies
Bonnie Ruberg
University of Minnesota Press, 2017

Video games have developed into a rich, growing field at many top universities, but they have rarely been considered from a queer perspective. Immersion in new worlds, video games seem to offer the perfect opportunity to explore the alterity that queer culture longs for, but often sexism and discrimination in gamer culture steal the spotlight. Queer Game Studies provides a welcome corrective, revealing the capacious albeit underappreciated communities that are making, playing, and studying queer games.

These in-depth, diverse, and accessible essays use queerness to challenge the ideas that have dominated gaming discussions. Demonstrating the centrality of LGBTQ issues to the gamer world, they establish an alternative lens for examining this increasingly important culture. Queer Game Studies covers important subjects such as the representation of queer bodies, the casual misogyny prevalent in video games, the need for greater diversity in gamer culture, and reading popular games like Bayonetta, Mass Effect, and Metal Gear Solid from a queer perspective. 

Perfect for both everyday readers and instructors looking to add diversity to their courses, Queer Game Studies is the ideal introduction to the vast and vibrant realm of queer gaming. 

Contributors: Leigh Alexander; Gregory L. Bagnall, U of Rhode Island; Hanna Brady; Mattie Brice; Derek Burrill, U of California, Riverside; Edmond Y. Chang, U of Oregon; Naomi M. Clark; Katherine Cross, CUNY; Kim d’Amazing, Royal Melbourne Institute of Technology; Aubrey Gabel, U of California, Berkeley; Christopher Goetz, U of Iowa; Jack Halberstam, U of Southern California; Todd Harper, U of Baltimore; Larissa Hjorth, Royal Melbourne Institute of Technology; Chelsea Howe; Jesper Juul, Royal Danish Academy of Fine Arts; merritt kopas; Colleen Macklin, Parsons School of Design; Amanda Phillips, Georgetown U; Gabriela T. Richard, Pennsylvania State U; Toni Rocca; Sarah Schoemann, Georgia Institute of Technology; Kathryn Bond Stockton, U of Utah; Zoya Street, U of Lancaster; Peter Wonica; Robert Yang, Parsons School of Design; Jordan Youngblood, Eastern Connecticut State U.

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Queer Migrations
Sexuality, U.S. Citizenship, and Border Crossings
Eithne Luibheid
University of Minnesota Press, 2005
Emmigration from Latin America and Asia has influenced every aspect of social, political, economic, and cultural life in the United States over the last quarter century. Within the vast scholarship on this wave of immigration, however, little attention has been paid to queer immigrants of color. Focusing particularly on migration from Mexico, Cuba, El Salvador, and the Philippines, Queer Migrations brings together scholars of immigration, citizenship, sexuality, race, and ethnicity to provide analyses of the norms, institutions, and discourses that affect queer immigrants of color, also providing ethnographic studies of how these newcomers have transformed established immigrant communities in Miami, San Francisco, and New York.
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A Queer Mother For The Nation
The State And Gabriela Mistral
Licia Fiol-Matta
University of Minnesota Press, 2002

Chilean writer Gabriela Mistral (1889-1957), the first Latin American to win theNobel Prize for Literature, was a poetic idol for generations of Latin Americans who viewed her as Womanhood incarnate, the national schoolteacher-mother. How this distinctly masculine woman who never gave birth came to occupy this role, and what Mistral’s image, poetry, and life have to say about the relations-and realities-of race, gender, and sexual politics in her time, are the questions Licia Fiol-Matta pursues in this book, recreating the story of a woman whose misrepresentation is at least as intriguing, and as instructive, as her fame.

A Queer Mother for the Nation weaves a nuanced understanding of how Mistral cooperated with authority and fashioned herself as the figure of Motherhood in collaboration with the state. Drawing on Mistral’s little-known political and social essays, her correspondence and photographs, Fiol-Matta reconstructs Mistral’s relationship to state politics. Her work questions the notion of queer bodies as outlaws, and insists on the many ways in which queer subjects have participated in and sustained the normative discourses they seem to rebel against

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Queer Networks
Ray Johnson's Correspondence Art
Miriam Kienle
University of Minnesota Press, 2023

How the queer correspondence art of Ray Johnson disrupted art world conventions and anticipated today’s highly networked culture


Once regarded as “New York’s most famous unknown artist,” Ray Johnson was a highly visible outlier in the art world, his mail art practice reflecting the changing social relations and politics of queer communities in the 1960s. A vital contribution to the growing scholarship on this enigmatic artist, Queer Networks analyzes how Johnson’s practice sought to undermine the dominant mechanisms of the art market and gallery system in favor of unconventional social connections.

 

Utilizing the postal service as his primary means of producing and circulating art, Johnson cultivated an international community of friends and collaborators through which he advanced his idiosyncratic body of work. Applying both queer theory and network studies, Miriam Kienle explores how Johnson’s radical correspondence art established new modes of connectivity that fostered queer sensibilities and ran counter to the conventional methods by which artists were expected to develop their reputation.

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     

While Johnson was significantly involved with the Pop, conceptual, and neo-Dada art movements, Queer Networks crucially underscores his resistance to traditional art historical systems of categorization and their emphasis on individual mastery. Highlighting his alternative modes of community building and playful antagonism toward art world protocols, Kienle demonstrates how Ray Johnson’s correspondence art offers new ways of envisioning togetherness in today’s highly commodified and deeply networked world.

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Queer Noises
Male and Female Homosexuality in Twentieth-Century Music
John Gill
University of Minnesota Press, 1995

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Queer Optimism
Lyric Personhood and Other Felicitous Persuasions
Michael D. Snediker
University of Minnesota Press, 2008

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Queer Ricans
Cultures and Sexualities in the Diaspora
Lawrence La Fountain-Stokes
University of Minnesota Press, 2009
Exploring cultural expressions of Puerto Rican queer migration from the Caribbean to New York, Philadelphia, Chicago, and San Francisco, Lawrence La Fountain-Stokes analyzes how artists have portrayed their lives and the discrimination they have faced in both Puerto Rico and the United States.

Highlighting cultural and political resistance within Puerto Rico’s gay, lesbian, bisexual, and transgender subcultures, La Fountain-Stokes pays close attention to differences of gender, historical moment, and generation, arguing that Puerto Rican queer identity changes over time and is experienced in very different ways. He traces an arc from 1960s Puerto Rico and the writings of Luis Rafael Sánchez to New York City in the 1970s and 1980s (Manuel Ramos Otero), Philadelphia and New Jersey in the 1980s and 1990s (Luz María Umpierre and Frances Negrón-Muntaner), and Chicago (Rose Troche) and San Francisco (Erika López) in the 1990s, culminating with a discussion of Arthur Avilés and Elizabeth Marrero’s recent dance-theater work in the Bronx.

Proposing a radical new conceptualization of Puerto Rican migration, this work reveals how sexuality has shaped and defined the Puerto Rican experience in the United States.
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Queer Silence
On Disability and Rhetorical Absence
J. Logan Smilges
University of Minnesota Press, 2022

Championing the liberatory potential of silence to address the fraught disability politics of queerness

In queer culture, silence has been equated with voicelessness, complicity, and even death. Queer Silence insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words.

Queer Silence begins by historicizing silence’s negative reputation, beginning with the ways homophile activists rejected medical models pathologizing homosexuality as a disability, resulting in the silencing of disability itself. This silencing was redoubled by HIV/AIDS activism’s demand for “out, loud, and proud” rhetorical activities that saw silence as capitulation.

Reading a range of cultural artifacts whose relative silence has failed to attract queer attachment, from anonymous profiles on Grindr to ex-gays to belated gender transitions to disability performance art, Smilges argues for silence’s critical role in serving the needs of queers who are never named as such. Queer Silence urges queer activists and queer studies scholars to reconcile with their own ableism by acknowledging the liberatory potential of silence, a mode of engagement that disattached queers use every day for resistance, sociality, and survival.

Cover alt text: Background detail of a painting on canvas shows a partial view of the upper body and face of a figure, bearded and naked; title in painted script.

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Queer Twin Cities
Twin Cities GLBT Oral History Project
University of Minnesota Press, 2010
The Twin Cities is home to one of the largest and most vital GLBT populations in the nation-and one of the highest percentages of gay residents in the country. Drawn from the pioneering work of the Twin Cities GLBT Oral History Project-a collective organization of students, scholars, and activists devoted to documenting and interpreting the lives of GLBT people in Minneapolis and St. Paul-Queer Twin Cities is a uniquely critical collection of essays on Minnesota's vibrant queer communities, past and present.
 
A rich blend of oral history, archival research, and ethnography, Queer Twin Cities uses sexuality to chart connections between people's lives in Minnesota. Topics range from turn-of-the-century Minneapolis amid moral reform-including the highly publicized William Williams murder trial and efforts to police Bridge Square, aka "skid row"-to northern Minnesota and the importance of male companionship among lumber workers, and to postwar life, when the increased visibility of queer life went hand in hand with increased regulation, repression, and violence. Other essays present a portrait of early queer spaces in the Twin Cities, such as Kirmser's Bar, the Viking Room, and the Persian Palms, and the proliferation of establishments like the Dugout and the 19 Bar. Exploring the activism of GLBT/Two-Spirit indigenous people, the antipornography movements of the 1980s, and the role of gay men in the gentrification of Minneapolis neighborhoods, this volume brings the history of queer life and politics in the Twin Cities into fascinating focus.
 
Engaging and revelatory, Queer Twin Cities offers a critical analysis of local history and community and fills a glaring omission in the culture and history of Minnesota, looking not only to a remarkable past, but to our collective future.
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Queering Colonial Natal
Indigeneity and the Violence of Belonging in Southern Africa
T. J. Tallie
University of Minnesota Press, 2019

How were indigenous social practices deemed queer and aberrant by colonial forces?


In Queering Colonial Natal, T.J. Tallie travels to colonial Natalestablished by the British in 1843, today South Africa’s KwaZulu-Natal provinceto show how settler regimes “queered” indigenous practices. Defining them as threats to the normative order they sought to impose, they did so by delimiting Zulu polygamy; restricting alcohol access, clothing, and even friendship; and assigning only Europeans to government schools. 

Using queer and critical indigenous theory, this book critically assesses Natal (where settlers were to remain a minority) in the context of the global settler colonial project in the nineteenth century to yield a new and engaging synthesis. Tallie explores the settler colonial history of Natal’s white settlers and how they sought to establish laws and rules for both whites and Africans based on European mores of sexuality and gender. At the same time, colonial archives reveal that many African and Indian people challenged such civilizational claims. 

Ultimately Tallie argues that the violent collisions between Africans, Indians, and Europeans in Natal shaped the conceptions of race and gender that bolstered each group’s claim to authority. 

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Questing Fictions
Latin America’s Family Romance
Djelal KadirForeword by Terry Cochran
University of Minnesota Press, 1986

Questing Fictions was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Questing Fictions analyzes twentieth-century Latin American fiction in the light of contemporary literary theory. Djelal Kadir examines key works by several writers—including Jorges Luis Borges, Octavio Paz, Lezama Lima, Alejo Carpentier, Juan Rulfo, and Carlos Fuentes—and demonstrates how these writers are obliged to invent their own reality and how their successors inevitably must continue that inventive tradition. In a larger sense, Kadir describes how works of literature originate and, in turn, generate other literary works.

Aiming at the specific nature of discourse written from the perspective of non-European cultures, Questing Fictions identifies and focuses on the predicament of writers caught between the cultural domination of Europe and the need to strive for cultural autonomy. Kadir explains that this predicament is shared by all Latin American authors and may well characterize all recently emergent literatures. He traces the problems of continuity and rupture within the Latin American tradition and addresses, as well, deeper questions of narrative and narration. In the process, Kadir reveals the interrelatedness of the continent's principal fables and shows their relationship to the larger Western tradition. Finally, Questing Fictions posits that Latin American narratives cannot escape the the quest for an identity that they can never fully attain.
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Questioning African Cinema
Conversations With Filmmakers
Nwachukwu Frank Ukadike
University of Minnesota Press, 2002
The most comprehensive account available of filmmaking in Africa today. Diverse in their art, paradoxically more celebrated abroad than they are at home, African filmmakers eke out their visions against a backdrop of complex historical, social, economic, and political practices. The richness of their accomplishments emerges with compelling clarity in this book, in which African filmmakers speak candidly about their work. Featuring interviews with key personalities from twelve nations, Questioning African Cinema provides the most extensive, comprehensive account ever given of the origins, practice, and implications of filmmaking in Africa. Speaking with pioneers Med Hondo, Souleymane Cissé, and Kwaw Ansah; renowned feature filmmakers Djibril Mambéty, Haile Gerima, and Safi Faye; and award-winning younger filmmakers Idrissa Ouedraogo, Cheick Oumar Sissoko, and Jean-Pierre Bekolo, N. Frank Ukadike identifies trends and individual practices even as he surveys the evolution of African cinema and addresses the politics and problems of seeing Africa through an African lens. Situating the unique achievement of each filmmaker within the geographic, historical, social, and political context of African cinema, he also explores questions about acting, distribution and exhibition, history, theory and criticism, video-based television production, and television's relationship to independent film. N. Frank Ukadike is associate professor of film and of African and African diaspora studies at Tulane University.
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Questions of Form
Logic and Analytic Proposition from Kant to Carnap
Joelle ProustTranslated by Anastasios Albert Brenner
University of Minnesota Press, 1989

Questions of Form was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In Questions on Form, Joelle Proust traces the concept of the analytic proposition from Kant's development of the notion down to its place in the work of Rudolf Carnap, a founder of logical empiricism and a key figure in contemporary analytic philosophy. Using a method known in France as topique comparative,she provides a rigorous exposition of analyticity, situating it within four major philosophical systems—those of Kant, Bolzano, Frege, and Carnap—and clearly delineating its development from one system to the next.

Proust takes as her point of departure Kant's distinction between analytic and synthetic judgments. Though she makes clear that Kant drew on Locke, Hume, and Leibniz, she argues that his notion of analyticity was innovative, not simply an elaboration of something already found in their work. She shows that the analytic proposition unexpectedly (given its modest status in Kant) came to play an important part in efforts to convert problems considered "transcendental" into questions of belonging to formal logic.

Ultimately, her comparison of their systems reveals that the concept of the analytic, however specific its rile in each, remains linked to a foundationalist strategy—in effect, to the transcendentalist questions Kant used when he reinterpreted the findings of his empiricist predecessors. Hence, this book's provocative claim: today's so-called logical empiricism owes much more to Kant's notion of science than to Hume's.

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Questions Of Modernity
Timothy Mitchell
University of Minnesota Press, 2000

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The Quiet Violence of Empire
How USAID Waged Counterinsurgency in Afghanistan
Wesley Attewell
University of Minnesota Press, 2023

How the U.S. empire-state transformed post-1945 Afghanistan into a key site for reimagining development
 

Established in 1961 by President Kennedy, the United States Agency for International Development (USAID) is often viewed as an extension of the security state, playing a constant role on the ground in Afghanistan since the early sixties. The Quiet Violence of Empire traces USAID’s long and bloody history of development work in the region, revealing an empirically rich account of the transnational entanglements of imperialism and racial capitalism.

Wesley Attewell carefully analyzes three chronological moments of development as counterinsurgency in action: the Helmand Valley Project, the Soviet–Afghan conflict, and the post-9/11 occupation in Afghanistan. These case studies expose how USAID’s very public commitment to bringing seemingly inclusionary forms of self-help, technical assistance, and market development to Afghanistan has been undergirded by longer-standing infrastructures of race war and racial management. Attewell exposes how one of the net effects of USAID’s development mission to Afghanistan has been to constrain the life chances of Afghan beneficiaries while simultaneously diverting development capital back to U.S. contractors, deftly underscoring the notion of development as a form of slow violence.

The Quiet Violence of Empire asks the critical question: how might we refuse the ruse of USAID and its endlessly deferred promise of development? Thinking relationally across the fields of human geography, global studies, and critical ethnic studies, it uncovers the explicitly racial underpinnings of international development theory and praxis.

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