Although most Americans associate earthquakes with California, the tremors that shook the Mississippi valley in southeast Missouri from December 16, 1811, through February 7, 1812, are among the most violent quakes to hit the North American continent in recorded history. Collectively known as the New Madrid earthquakes, these quakes affected more than 1 million square miles. By comparison, the 1906 San Francisco earthquake affected only 60,000 square miles, less than one-sixteenth the area of the New Madrid earthquakes.
Scientists believe that each of the three greatest tremors would have measured more than 8.0 on the Richter scale, had that measuring device been in place in 1811. Vibrations were felt from the Rocky Mountains to the Atlantic coast and from Mexico to Canada. The quake zone was in constant movement during this period. Five towns in three states disappeared, islands vanished in the Mississippi River, lakes formed where there had been none before, and the river flowed backward for a brief period.
Providing eyewitness accounts from people both on the land and on the river, Bagnall captures the fears of the residents through their tales about the smells and dark vapors that filled the air, the cries of the people, the bawling of animals, and the constant roar of the river and its collapsing banks. On Shaky Ground also traces the history of the founding of New Madrid and considers the impact of the earthquakes on population and land in southeast Missouri. Predictions for future earthquakes along the New Madrid fault, as well as instructions on preparing for and surviving a quake, are also included.
Informative, clearly written, and well illustrated, On Shaky Ground will be of interest to all general readers, especially those interested in earthquakes or Missouri history.
The first critical evaluation of Greene's novels since his death in 1991, Graham Greene's Fictions: The Virtues of Extremity is a reconsideration of the author's major literary achievements, as well as a recasting of his overall worldview. Hitherto, most criticism of Greene's fiction has forced him into the constricting category of the "Catholic novelist," consequently flattening the peaks and valleys of his uncompromising vision of life. Graham Greene's Fictions is Cates Baldridge's response to this critical disservice—an exploration that ignores the conventional preconceptions about Greene's fiction and reveals him to be one of the leading British novelists of the twentieth century.
More than a general assessment, Graham Greene's Fictions offers a fresh interpretation of familiar texts and attempts to discover within Greene's work a structure of thought that has not yet been seen with sufficient clarity. Each chapter focuses on a major aspect of Greene's vision as expressed through his novels. Greene's caustic attitude toward middle-class orthodoxies and his critiques of the three reigning ideologies of his time--Christianity, Marxism, and liberalism—are just two of the areas that Baldridge explores. Although five of Greene's novels are singled out for extensive evaluation—Brighton Rock, The Power and the Glory, The Heart of the Matter, The Comedians, and The Honorary Consul—what Baldridge attempts is nothing less than a comprehensive re-imagination of "Greeneland's" fictional topography.
Written for both the scholar and the general audience, this innovative study successfully captures the attention of all readers whether it is the first or the fifty-first work of Greene criticism one has read.
On January 2, 1932, near Springfield, Missouri, ten poorly armed law enforcement officers set out to arrest two local farm boys for auto theft. A few minutes later, six of the officers lay dead and three were wounded, setting a record that stands to this day for the greatest number of police officers killed in one incident in the history of the United States. This is the story of how it happened and of the unlikely people whose lives were forever changed.
The two killers, Jennings and Harry Young, were from a peaceful, tiny community named Brookline in central Greene County, Missouri. The "massacre" itself took place at the quiet orderly farm home of the J. D. Young family. Paul and Mary Barrett trace the personalities of those involved in the incident, describe the events of the fateful day, and examine the aftermath of the killings, detailing what was called "the greatest man hunt in the history of Texas," which culminated in the brothers' deaths in Houston.
Robert Frost stood at the intersection of nineteenth-century romanticism and twentieth-century modernism and made both his own. Frost adapted the genteel values and techniques of nineteenth-century poetry, but Barron argues that it was his commitment to realism that gave him popular as well as scholarly appeal and created his enduring legacy. This highly researched consideration of Frost investigates early innovative poetry that was published in popular magazines from 1894 to 1915 and reveals a voice of dissent that anticipated “The New Poetry” – a voice that would come to dominate American poetry as few others have.
From the Iowa Writers Workshop to the halls of Congress and the National Endowment for the Arts, from the world of literary magazines and writers' conferences to the bizarre realm of the late-twentieth-century American English department, Literary Luxuries takes the reader on a guided tour of American literary life in our time--and the forces threatening its existence.
Joe David Bellamy has been a significant figure on the literary scene during the last three decades; as a "literary Everyman," he offers in Literary Luxuries a distinctive and valuable perspective on the culture wars, on education and the imagination, on particular writers and major literary and aesthetic movements, on the role of government in fostering cultural development, and on the day-to-day strife of the writer's life in the United States.
As director of the literature program of the National Endowment for the Arts, Bellamy had the unenviable task of trying to persuade Congress and ordinary citizens that American literature is worthy of support, and in Literary Luxuries he continues that debate and helps us to understand its implications: "Literature is our national treasury of language and style and our best reckoning about human life, as it is lived in this time and place."
Part memoir, part critique, part impassioned defense of American literary culture and the values it espouses and struggles to uphold, Literary Luxuries offers unforgettable commentary on the literary life in the United States during the last decades of the twentieth century as described from the perspective of one of its key participants.
Controversial, flamboyant, contentious, brilliant--Thomas Hart Benton (1889-1975) was certainly all of those. Few American artists have stirred so much love and hatred as he did in a career that lasted almost seventy years. Although his painting aroused much controversy, perhaps equally as much was created by his words, for his piercing wit, profane sarcasms, and insightful condemnations were fired off without restraint. In this fiery and provocative autobiography, Benton presents an intriguing records of American art and society during his lifetime.
The first installment of this work was published in 1937, but Benton continued his life story in chapters added to editions published in 1951 and 1968. This new edition includes seventy-six drawings that add much to his narrative, plus a foreword discussing Benton's place in American art and an afterword covering his career after 1968, both written by art historian Matthew Baigell.
Although Benton is most famous as a regionalist painter and muralist, his complex and fascinating career brought him into contact with many of the most important artists and thinkers of the century, including Jackson Pollock, Grant Wood, Julian Huxley, Felix Frankfurter, Eugene Debbs, John Reed, and Harry Truman. While living in New York and on Martha's Vineyard in the 1920s and 1930s, Benton often associated with leading intellectuals and radicals. However, when his evolving principles of art led him away from an interest in Marxism, he was bitterly attacked by many of his former friends, and his account of that time reveals strikingly the fierce critical battles he faced in trying to establish his own artistic vision.
Critics on the Left were not his only opponents, however, and equally revealing are his responses to the moral condemnations heaped on his murals done for the states of Indiana and Missouri and on his realistic nudes of the late 1930s.
Throughout his account, from descriptions of his boyhood in southwest Missouri, his travels, and his career to discussions of specific works of art and other artists, Benton portrays people and events as vividly in words as he does in his paintings.
Why a Gazette? When one stops to think about it, Times or News is easy to understand, but why do some newspapers have strange names such as Jimplecute or Bazoo? And not to be picayune, but why Picayune?
Word sleuth Jim Bernhard stopped to consider such questions and began a quest that resulted in the only book-length account of the history of newspaper titles. Cataloging names from the most common to the most bizarre, Porcupine, Picayune, & Post explores the history and etymology of newspapers’ names—names that, by their very peculiarity, cry out for explanation.
Bernhard focuses on printed general-interest English-language dailies and weeklies, from the Choteau (Montana) Acantha to the Moab (Utah) Zephyr, with everything in between—including the Gondolier of Venice, Florida, and the Iconoclast of Crawford, Texas. He explains why there are more Heralds, Journals, Posts, and Tribunes than you can shake a typestick at. He also goes beyond America’s borders to consider such oddities as the Banbury Cake in England and the Gawler Bunyip in Australia.
As Bernhard shows, the reasons for newspaper names vary: sometimes their origins are political or historical, sometimes personal or simply whimsical. Many names have lost their original purposes over time but were chosen with care to symbolize a philosophy or mission or else were created by word association with the paper’s location or community role.
This book is bursting with little-known facts that will delight anyone who picks up a daily paper: how the Oil City Derrick in Pennsylvania got its name from a seventeenth-century English hangman, why a Londoner printed a newspaper on calico and named it the Handkerchief, and what meaning lurks behind the Unterrified Democrat of Linn, Missouri. There’s even a chapter on noteworthy fictional newspapers, from Superman’s Daily Planet to Lake Wobegon’s Herald-Star.
With the naming of newspapers fast becoming a lost art, Porcupine, Picayune, & Post tells what’s behind the banners we see each day but probably never stop to think about. Thanks to Bernhard, we may never see them in the same way again.
Slaves and Slaveholders in Bermuda, 1616-1782, offers a fresh perspective on the complex relationship between racism and slavery in the often overlooked second-oldest English colony in the New World. As the first blacks were brought onto the islands not specifically for slave labor, but for their expertise as pearl divers and cultivators of West Indies plants, Bermuda's racial history began to unfold much differently from that of the Caribbean islands or of the North American mainland.
Bermuda's history records the arrival of the first blacks, the first English law passed to control the behavior of the "Negroes," and the creation of ninety-nine-year indentures for black and Indian servants. When the inevitable reality of slavery took hold in Bermuda, slaveholders realized that they, like their slaves, were not free. Slavery dictated and strained the relationships between whites and blacks, but in this smallest of English colonies it differed from slavery elsewhere because of the uniquely close master-slave relations created by Bermuda's size and maritime economy.
At only twenty-one square miles in area, Bermuda saw slaves and slaveholders working and living closer together than in other societies. The emphasis on maritime pursuits offered slaves a degree of autonomy and a sense of identity unequaled in other English colonies. This groundbreaking history of Bermuda's slavery reveals fewer runaways, less-violent rebellions, and relatively milder punishments for offending slaves.
Bernhard delves into the origins of Bermuda's slavery, its peculiar nature, and its effects on blacks and whites. The study is based on archival research drawn from wills and inventories, laws and court cases, governors' reports and council minutes. Intended as an introduction to both the history of the islands and the rich sources for further research, this book will prove invaluable to scholars of slavery, as well as those interested in historical archaeology, anthropology, maritime history, and colonial history.
You could find out anything at Jim's, and Larry and I liked to be in the know. Information (not gossip) was passed back and forth constantly. Did you hear about the four couples engaged in "wife- swapping" in town? The mechanics and gas pumpers at Jim's could fill you in. Were you interested in the last time the Baptist minister beat his wife? Who your cute French teacher slept with a couple nights ago? Jim's had the answers. The place held another attraction for me: if you were under twenty-one and wanting some liquor for Friday night, Jim's son, Jimmy the Bomb, just out of the Marine Corps, had no problem picking up a bottle or two for you at the liquor store on the east side of town.
Set mainly in the Midwest, these tales are inhabited by ordinary, decent people who, often to their surprise, find joy and meaning under difficult circumstances. Many of the stories depict isolated moments of perfection in a world that routinely forces its imperfections on us. A teenager wrestles with guilt over an accident he caused in “Perfection in Bad Axe.” In “A Knight Pursued,” a young prosecuting attorney confronts on the same day his first autopsy and his wife’s unexpected desire to have a baby. A devout, hardworking business owner is drawn into a lawsuit that threatens his marriage and leads him to question his most deeply felt principles. “Center of Gravity” finds a middle-aged law professor overcome by his chaotic life and searching for a degree of peace. These are the finely developed characters of Bernthal’s stories—people we recognize, but who never seem overly familiar. Interesting, substantial, and utterly engrossing, each one could be just like any one of us, an ordinary Jane or Joe, trying to maintain or find order in a life sometimes filled with disorder.
Do Americans, in all their cultural diversity, share any fundamental consensus? Does such a consensus, or anything else, make America exceptional in the modern world?
Since 1960 most historians have answered no--except perhaps for the current nostalgia for the Eisenhower years (the "Ozzie and Harriet" years of popular recollection) of middle-class American prosperity.
In Republic of the Dispossessed social historian Rowland Berthoff maintains not only that there was--and still is--a middle-class consensus and that America is exceptional in it but that it goes back some five hundred years. The consensus stems from all those European peasants and artisans who, from 1600 to 1950, fled dispossession in the Old World. They brought with them basic social values that acted as a template for middle-class American values. To consider modern American society as exceptional--that is, as distinctive and different from any contemporary European pattern of thought--is therefore, in Berthoff's theory, not at all the "illogical absurdity" that current conventional wisdom makes it.
The Berthoff thesis, as he develops it in these ten essays from throughout the course of his career, is well worth a second look by those within and beyond the field of social history. It suggests that the ideal--both peasant and classical republican-- of maintaining a balance between personal liberty and communal equality has long inspired American reaction to the drastic modern changes of industrialization, urbanization, and immigration.
Observing that most Americans still see themselves as independent, basically equal, middle-class citizens, Berthoff explains the current apprehension among Americans that at the end of the twentieth century they are once again being dispossessed-- thus, the current emphasis on "traditional values." Because that problem is the same that worried their European ancestors as much as five hundred years ago, Berthoff argues, the time has come to face the question head-on.
Examining works by Toni Morrison, Paule Marshall, Faith Ringgold, and Betye Saar, this innovative book frames black women's aesthetic sensibilities across art forms. Investigating the relationship between vernacular folk culture and formal expression, this study establishes how each of the four artists engaged the identity issues of the 1960s and used folklore as a strategy for crossing borders in the works they created during the following two decades.
As a dynamic, open-ended process, folklore historically has enabled African-descended people to establish differential identity, resist dominance, and affirm group solidarity. This book documents the use of expressive forms of folklore in the fiction of Morrison and Marshall and the use of material forms of folklore in the visual representations of Ringgold and Saar. Offering a conceptual paradigm of a folk aesthetic to designate the practices these women use to revise and reverse meanings—especially meanings imposed on images such as Aunt Jemima and Sambo—Crossing Borders through Folklore explains how these artists locate sites of intervention and reconnection. From these sites, in keeping with the descriptive and prescriptive formulations for art during the sixties, Morrison, Marshall, Ringgold, and Saar articulate new dimensions of consciousness and creatively theorize identity.
Crossing Borders through Folklore is a significant and creative contribution to scholarship in both established and still- emerging fields. This volume also demonstrates how recent theorizing across scholarly disciplines has created elastic metaphors that can be used to clarify a number of issues. Because of its interdisciplinary approach, this study will appeal to students and scholars in many fields, including African American literature, art history, women's studies, diaspora studies, and cultural studies.
Metaphor theory, observes John Bird, is like Mark Twain: both seem simple upon first introduction. Now, in the most complete study to date of Twain’s use of figurative language, a veteran Twain scholar tackles the core of his writing and explores it with theoretical approaches that have rarely been applied to Twain, providing new insights into how he imagined his world—and the singular ways in which he expressed himself.
From “The Jumping Frog” to the late dream narratives, Bird considers Twain’s metaphoric construction over his complete career and especially sheds new light on his central texts: Roughing It; The Adventures of Tom Sawyer; Adventures of Huckleberry Finn; A Connecticut Yankee in King Arthur’s Court; Pudd’nhead Wilson; and No. 44,The Mysterious Stranger. He reconsiders “Old Times on the Mississippi” as the most purely metaphorical of Twain’s writings, goes on to look at how Twain used metaphor and talked about it in a variety of works and genres, and even argues that Clemens’s pseudonym is not so much an alter ego as a metaphorized self.
By offering insight into how Twain handled figurative language during the composing process, Bird reveals not only hidden facets of his artistry but also new aspects of works that we think we know well—including some entirely new ideas regarding Huck Finn that draw on the recent discovery of the first half of the manuscript. In addition to dealing with issues currently central to Twain studies, such as race and gender, he also links metaphor to humor and dream theory to further illuminate topics central to his work.
More than a study of Twain’s language, the book delves into the psychological aspects of metaphor to reveal the writer’s attitudes and thoughts, showing how using metaphor as a guide to Twain reveals much about his composition process. Applying the insights of metaphor theorists such as Roman Jakobson and Colin M. Turbayne, Bird offers readers not only new insights into Twain but also an introduction to this interdisciplinary field.
In lively prose, Mark Twain and Metaphor provides a vital way to read Twain’s entire corpus, allowing readers to better appreciate his style, humor, and obsession with dreams. It opens new ground and makes old ground fresh again, offering ways to see and resee this essential American writer.
First written in 1937 and never before published, Bridging Two Eras is the fascinating autobiography of Emily Newell Blair, a remarkable woman who successfully reconciled a productive public life with the traditional values of a housewife and mother.
Because Blair's life essentially spanned two eras, from the end of the nineteenth century through the middle of the twentieth, she thought of herself as a bridge builder. A dedicated feminist, she wanted her autobiography to help women understand what life was like during that transition time. She had moved from being a conventional, middle-class, midwestern wife and mother to becoming an acclaimed author, a nationally known feminist, and vice chairman of the Democratic National Committee only two years after women gained the right to vote. She felt that her story could encourage women to take their rightful places in public life.
Bridging Two Eras is divided into two parts. Book I is a charming evocation of life in southwest Missouri in the closing decades of the nineteenth century. It offers great insight into family relationships, class structure, and social attitudes typical of much of small-town America. Book II addresses Blair's public career and follows her progress as professional writer, suffrage activist, and partisan politician. Included are acute judgments of leading political figures, fascinating vignettes of the suffrage movement, an insider's view of the workings of the national Democratic Party in the 1920s and 1930s, and a valuable outlook on Missouri politics during the first third of the twentieth century.
Perceptive and introspective, Blair captivates her readers as she traces her own evolution. With candor, she explains her conflicts between family and career, acknowledging the difficulties and tensions she faced in pursuing a public life. Delightfully written, Bridging Two Eras provides valuable insight into all the possibilities, as well as the limitations, life then held for an American woman.
Newspapers and magazines have been steadily shrinking, and more and more former subscribers have gone to digital and internet sources for the news. Yet it has become increasingly clear that “short takes” don’t satisfy many readers, who still long for nuanced, long form journalism. By providing examples of classic magazine articles by professional writers, all of whom are graduates of the Missouri School of Journalism, this book fulfills the need for more sophisticated, thought-provoking essays that will resonate with both the general reader and students.
The book is divided into three broad categories: profiles, first person journalism, and personal memoirs, and includes the original articles as well as a “postscript” by the writers in which they discuss what they’ve learned about writing, journalism, and the business of getting published. Useful for students and instructors in writing programs, the book also appeals to writers interested in both the art and the craft of successful writing.
Among postimpressionist painters, Van Gogh, Seurat, Cézanne, and Gauguin produced a remarkable body of work that responded to a cultural and spiritual crisis in the avant-garde world—influences that pushed them toward an increasing reliance on science, literature, and occultism. In Revelation of Modernism, renowned art historian Albert Boime reappraises specific works by these masters from a perspective more appreciative of the individuals’ inner conflicts, offering the art world a new understanding of a period fraught with apocalyptic fears and existential anxieties.
Building on the seminal observations of Sven Lövgren from a half-century ago, Boime rejects popular notions of “art for art’s sake” and rethinks an entire movement to suggest that history, rather than expressive urge, is the driving force that shapes art. He reconsiders familiar masterpieces from a fresh perspective, situating the art in the contexts of history both real and speculative, of contemporary philosophy, and of science to depict modernism as a development that ultimately failed.
Boime expands on what we think we know about these figures and produces startling new revelations about their work. From the political history of Seurat’s Parade de cirque to the astronomical foundations of Van Gogh’s Starry Night, he draws analogies between literary sources and social, personal, and political strategies that have eluded most art historians. He offers a richer and more complex vision of Cézanne, considering the artist as an Old Testament figure in search of the Promised Landscape. And he provides a particularly detailed look at Gauguin—on whom Boime has never previously published—that takes a closer look at the artist’s The Vision after the Sermon and its allusions to Eliphas Lévi’s writings, sheds light on the sources for From whence do we come? and offers new thoughts about Gauguin’s various self-portraits.
Boime’s latest contribution further testifies to his status as one of our most important living art historians. As entertaining as it is eloquent, Revelation of Modernism is a bold and groundbreaking work that should be required reading for all who wish to understand the contradictory origins and development of modernism and its role in history.
Readers of fine novels cherish the opportunity to hear their favorite novelists speak directly, without commentary or interpretation, about how their lives and concerns drive their fiction writing. For twenty years The Missouri Review has brought these readers some of the most compelling and thought- provoking literary interviews in print. In this collection of fifteen in-depth interviews with contemporary novelists, the authors discuss the style and themes of their work, their writing habits, their cultural and social backgrounds, and larger aesthetic issues with refreshing insight about themselves and their art.
Originally conducted for the American Audio Prose Library, the interviews were then edited for publication in The Missouri Review. Here they are reproduced with an introduction and with a brief biographical and bibliographical headnote for each writer. These candid interviews with some of our favorite novelists are sure to delight all readers.
Authors Interviewed in This Volume:Robert Stone
Jamaica Kincaid
Jim Harrison
Tom McGuane
Louise Erdrich and Michael Dorris
John Edgar Wideman
Robb Forman Dew
Rosellen Brown
Peter Matthiessen
Scott Turow
Margaret Walker
Linda Hogan
Robert Olen Butler
Jessica Hagedorn
Larry Brown
Originally published in 1945 as They Seek a City, this classic was revised and expanded in 1966 to include chapters on Marcus Garvey, the Black Muslims, Malcolm X, and the racial disturbances in Detroit, Chicago, and Watts. Filled with stories about real men and women who sought a new life in the North, Anyplace But Here depicts the theme of hope, undercut by disappointment, and hope renewed as it details the African American's search for a home.
Ralph Waldo Emerson, the magus of of American Transcendentalism, was an inveterate keeper of journals and notebooks, which he used as source and proving ground for his poems, lectures, and essays. This is the second in a three-volume edition that brings twelve of Emerson's topical notebooks and four other notebooks into print for the first time. These notebooks were Emerson's repositories for anecdotes, quotations, reminiscences, drafts of his poems, outlines for lectures, and observations on everything from daily life to profound cultural and philosophical issues.
Among the highlights of the five notebooks in Volume 2, "Orientalist" provides an unusual opportunity to view closely Emerson's adaptation of Eastern thought.The forty-five sermons collected in Volume 3 were composed and first delivered between October 1830 and November 1831. During that time Emerson's first wife, Ellen Tucker Emerson, died of tuberculosis, a loss that deeply affected Emerson.
Transcribed and edited from manuscripts in Harvard's University's Houghton Library, the sermons are presented in a clear text approximating as nearly as possible the original version delivered to Emerson's congregation. As well as the detailed chronology, explanatory footnotes, and textual endnotes found in previous volumes, this one contains a comprehensive index.
Early in his career, John Updike announced his affinity with the Christian existentialism of Soren Kierkegaard, Paul Tillich, Karl Barth, and others. Because of this, many of Updike's critics have interpreted his work from within a Christian existentialist context. Yet Kierkegaard and Barth provide Updike with much more than a mere context, for their dialectical thinking serves as the springboard for Updike's own unique dialectical vision, a complex matrix of ethical precepts, theological beliefs, and aesthetic principles that governs nearly all of his literary output. Nowhere else in his immense corpus is this vision more clearly and thoroughly expressed than in his four Rabbit novels, which were gathered into the single volume Rabbit Angstrom in 1995. However, because Updike's critics have chosen to read the Rabbit novels as discrete, freestanding texts, they have by and large failed to extract the precepts of this private vision.
In John Updike's Rabbit Tetralogy, Marshall Boswell redresses this imbalance by treating the Rabbit tetralogy as a single, unified "mega-novel." He demonstrates that, taken together as a single work, the four discrete sections of the tetralogy not only provide a coherent and complete articulation of Updike's unique existential vision but also compose a unified work of remarkable formal complexity. Boswell brings to Updike's work the concept of "mastered irony," a term coined by Kierkegaard to describe the presentation of two legitimate but contradictory sides of an issue. In the Rabbit novels, these issues range from adultery to drug addiction, from race to redemption, with each issue examined through the refracting lens of Updike's own ironic method. Boswell shows that although each of the four individual Rabbit novels confirms this dialectical strategy in a unique way, the completed tetralogy comprises an additional series of dialectical pairs that sustain, rather than resolve, thematic and formal tension. Ultimately, the structure of the finished "mega-novel" echoes the work's thematic rationale.
To help readers who are interested in a particular Rabbit novel, Boswell devotes a chapter to each individual section of the tetralogy. At the same time, he treats each novel as an integral part of the more comprehensive whole. Honoring the full complexity of Updike's provocative thinking without losing sight of the tetralogy's popular appeal, John Updike's Rabbit Tetralogy makes a valuable addition to the study of Updike's work.
The story of Spain during World War II has largely been viewed as the story of dictator Francisco Franco’s foreign diplomacy in the aftermath of civil war. Wayne H. Bowen now goes behind the scenes of fascism to reveal less-studied dimensions of Spanish history. By examining the conflicts within the Franco regime and the daily lives of Spaniards, he has written the first book-length assessment of the regime’s formative years and the struggle of its citizens to survive.
Bowen argues that the emphasis of previous scholars on Spain’s foreign affairs is misplaced—that even the most pro-Axis elements of Franco’s regime were more concerned with domestic politics, the potential for civil unrest, and poverty than with events in Europe. Synthesizing a wide range of Spanish-language scholarship and recently declassified government documents, Bowen reveals how Franco’s government stumbled in the face of world war, inexperienced leaders, contradictory political ideology, and a divided populace. His book tells the dramatic story of a six-year argument among the general, the politicians, and the clerics on nothing less than what should be the nature of the new Spain, touching on issues as diverse as whether the monarchy should be restored and how women should dress.
Examining the effects of World War II years on key facets of Spanish life—Catholicism, the economy, women, leisure, culture, opposition to Franco, and domestic politics—Bowen explores a wide range of topics: the grinding poverty following the civil war, exacerbated by poor economic decisions; restrictions on employment for women versus the relative autonomy enjoyed by female members of the Falange; the efforts of the Church to recover from near decimation; and methods of repression practiced by the regime against leftists, separatists, and Freemasons. He also shows that the lives of most Spaniards remained apolitical and centered on work, family, and leisure marked by the popularity of American movies and the resurgence of loyalty to regional sports teams.
Unlike other studies that have focused exclusively on Spain’s foreign affairs during the Second World War, Bowen’s work stresses the importance of the home front not only in keeping Spain out of the war but also in keeping Franco in power. He shows that in spite of internal problems and external distractions, Franco’s government managed to achieve its goals of state survival and internal peace. As the only single-volume survey of this era available in English, Spain during World War II is a masterful synthesis that offers a much-needed alternative view of the Franco regime during crucial times as it provides a testament to the Spanish people’s will to survive.
Using recently declassified documents from Spain and the United States, personal interviews, and unpublished and published Spanish, German, British, and U.S. records, Spaniards and Nazi Germany makes a significant contribution to the understanding of Hispano-German relations during the 1930s and 1940s. This study shows that Naziphiles within the Spanish Falange, Spain's fascist party, made a concerted effort to bring their nation into World War II, and that only the indecisiveness of dictator Francisco Franco and diplomatic mistakes by the Nazis prevented them from succeeding.
Bowen demonstrates that while Spain was neutral in World War II, its policies clearly favored the Axis, at least in the early stages of the war. Franco, who had emerged victorious from the Spanish Civil War in 1939 largely because of support from Adolf Hitler and Benito Mussolini, even carefully considered entering World War II on the side of Nazi Germany.
By the late 1930s, members of the Falange saw World War II as a revolutionary opportunity, a chance to lead Spain into a new age as a partner with Nazi Germany and Fascist Italy at the head of a New Europe of social justice and authoritarian regimes. By the end of 1939, a significant minority of pro- Nazi Spaniards were unhappy that Spain had not entered the war and remade itself to fit better into Hitler's New Order. Bowen argues that support for Nazi Germany in Spain and among Spanish communities throughout Europe was both wide and deep, and that this enthusiasm for the Third Reich and the New Order it promised to bring lasted until the end of the war. Despite statements of neutrality by the Spanish government, the Franco regime was well aware of this collaboration by Spanish citizens as late as 1944-1945 and did little to stop it. Had Hitler been more interested in bringing Spain into his empire, or exploiting the pro-Nazi sentiments of these thousands of Spaniards, he might have replaced Franco with someone more willing to support his interests even as late as 1943.
Spaniards and Nazi Germany presents many possibilities for what might have been a far different outcome of World War II in Europe. It shows that even without the full support of the Spanish or German governments, pro-Nazi Spaniards, even if they did not quite bring Spain into the war, added to the strength of the Third Reich by serving in its armies, working in its factories, and promoting its ideas to other nations.
Hugh M. Hefner’s legacy of enduring free speech and free press values is embodied in the Hugh M. Hefner First Amendment Awards, established in 1979, which honor leading First Amendment scholars and advocates. Hefner also had a lifelong interest in film censorship issues and supported teaching about them at the University of Southern California for 20 years. His deep commitment to these values was confirmed when the author was granted unrestricted access to over 3,000 personal scrapbooks, which Hefner had kept in order to track free speech and press issues during his lifetime.
The format of the book is an homage to the in-depth conversational interviews Hefner pioneered as the editor and publisher of Playboy magazine. Stuart Brotman conducted in-person conversations with eight persons who in their lifetimes have come to represent a “greatest generation” of free speech and free press scholars and advocates. Notably, these conversations include:
Geoffrey R. Stone
Floyd Abrams
Nadine Strossen
Burt Neuborne
David D. Cole
Lucy A. Dalglish
Bob Corn-Revere
Rick Jewell
A writer perhaps best known for the revolutionary works Black Boy and Native Son, Richard Wright also worked as a journalist during one of the most explosive periods of the 20th century. From 1937 to 1938, Wright turned out more than two hundred articles for the Daily Worker, the newspaper that served as the voice of the American Communist Party. Byline, Richard Wright assembles more than one hundred of those articles plus two of Wright’s essays from New Masses, revealing to readers the early work of an American icon.
As both reporter and Harlem bureau chief, Wright covered most of the major and minor events, personalities, and issues percolating through the local, national, and global scenes in the late 1930s. Because the Daily Worker wasn’t a mainstream paper, editors gave Wright free rein to cover the stories he wanted, and he tackled issues that no one else covered. Although his peers criticized his journalistic writing, these articles offer revealing portraits of Depression-era America rendered in solid, vivid prose.
Featuring Earle V. Bryant’s informative, detailed introduction and commentary contextualizing the compiled articles, Byline, Richard Wright provides insight into the man before he achieved fame as a novelist, short story writer, and internationally recognized voice of social protest. This collection opens new territory in Wright studies, and fans of Wright’s novels will delight in discovering the lost material of this literary great.
Rebel against Injustice, a carefully crafted biography of Frank P. O'Hare (1877-1960), socialist, political activist, editor, and husband of prominent radical Kate Richards O'Hare, is the first study of a much-neglected but important figure of the American Left whose contributions are often referred to, in passing, in many other works.
Abandoned by his father at the age of four, O'Hare grew up in the Kerry Patch slum of St. Louis. Although he began his career in business, O'Hare turned to socialism with the sublime dream of bringing about a better world. While attending a school for Socialist organizers, he met Kate Richards, and the young couple forged a personal and professional partnership. Settling in Oklahoma, the O'Hares helped build a strong grassroots movement through grueling lecture tours and colorful camp meetings. In 1911, Frank, his wife, and their four children moved to St. Louis, where they transformed the National Rip-Saw into a popular Socialist monthly magazine. It was there that Frank found his niche as a Socialist impresario, editing the writings and arranging the tours of his "stars," Kate O'Hare and Eugene Debs.
A series of calamities, including the breakup of his marriage, brought Frank O'Hare near the edge of despair in the mid-1920s. Divorcing and remarrying, he made a new life in St. Louis. Plunging back into radical activism, he worked for the Federated Press syndicate. During the last twenty years of his life, O'Hare wrote for the St. Louis Post-Dispatch, worked as a business consultant, and continued his involvement as a community activist in St. Louis. Although Frank O'Hare has long been dismissed as a lost soul without Kate Richards O'Hare, Rebel against Injustice shows that he continued to be a presence in St. Louis and never stopped his fight against injustice. In 1958, a Teamster newspaper referred to O'Hare as "one of the truly great men of St. Louis--possibly the ONLY one."
Based upon a close study of the largely untapped Frank P. O'Hare papers, this well-written biography will enlighten readers about the organizational choices behind the success of American Socialism, while shedding new light on the lives and activities of many prominent American radicals.
"Could you love me so much that if the whole world turned against us, & we were obliged to live alone, given up by society you could live entirely in me? Could I ever become all the world to you?" --John Miller to Sally McDowell, February 21, 1855
"At last I come to tell you that I am yours. And I pray God to bless us not only in each other but to each other, and to grant us His favor and protection in the important step we are about to take.
If even to this hour I have fears and misgivings, and am disturbed by doubts and anxieties you must forgive me. They grow out of a condition of things as painful as it is unalterable, and out of an anxious temper which is, I think, like dear little Allie's ticklishness "constitutional." They are entirely without justification in anything I know or believe of you for I have the very fullest trust in your affection, and every confidence in your high and honorable character. But the cloud that rests upon the past with me does obscure the present to us both and looks portentous for the future. Yet you must take me with it all. Perhaps I may by and by prove to be something else than a burden to you; and at any rate, my affection is of some value to you, isn't it?" --Sally McDowell to John Miller, April 30, 1855
"If You Love That Lady Don't Marry Her" is a fascinating collection of almost five hundred letters between John Miller (1819-1895) and Sally Campbell Preston McDowell (1821-1895). Their correspondence began in early August 1854 and continued until their marriage in November 1856. The oldest daughter of the late Governor James McDowell of Virginia, Sally McDowell owned and managed Colalto, the family plantation. She was considered part of the South's social and political elite. John Miller, a widower with two young children, was a Presbyterian minister in Philadelphia. Son of Samuel Miller, a founder of Princeton Theological Seminary, he was one of the North's most prominent clergymen.
McDowell and Miller literally fell in love by mail, but one major obstacle blocked their marriage: Sally McDowell was a divorced woman. She had been wed to Governor Francis Thomas of Maryland, but his jealousy and cruelty soon drove her from Annapolis. Although an 1846 legislative divorce freed her to remarry legally, it was not socially acceptable to do so, especially not to "a man of the cloth." So when Miller and McDowell announced their plan to marry, social pressure cost him his pulpit and made her the object of extreme criticism from family members and friends. Although Miller was initially determined to wed despite any opposition, he eventually settled for a long-term engagement to preserve McDowell's social position.
Apart from a few brief visits, Miller and McDowell's relationship depended entirely upon letters. Begun in carefully guarded terms, these letters soon evolved into intimate explorations of their deepening love, their respective gender roles, the problems created by divorce, and religious and familial obligations. McDowell provides the unusual feminist perspective of a divorced woman in mid-nineteenth-century America. As she probes her own inner world, her correspondence with Miller becomes a healing experience through which she gradually surmounts the limitations she experiences as a woman, her depression and the fears resulting from her first marriage, and the stigma of divorce. Ultimately her self- revelations lead to their marriage in November 1856, which lasted until their deaths a week apart almost forty years later.
Because of their unique situation, Miller and McDowell committed to paper the private thoughts and feelings that most couples would have expressed in person. Although their personal relationship forms the principal subject of these letters, the couple also discussed such issues as the growing sectional tensions, national and state politics and politicians, literary figures, church meetings and personages, slave management and behavior, and family and community values and attitudes. Eloquently written, these letters offer a unique window on American society on the eve of the Civil War. They also reveal important information about gender roles and relationship in nineteenth-century America. Because no other book like this exists in print, readers everywhere will welcome "If You Love That Lady Don't Marry Her."
By visiting the sites, gathering local historical accounts, interviewing local citizens, and photographing remaining artifacts, Bullard has done a masterful job in providing the answers to why these vibrant social centers came to be and why they faded.
German immigrants came to America for two main reasons: to seek opportunities in the New World, and to avoid political and economic problems in Europe. In German Settlement in Missouri, Robyn Burnett and Ken Luebbering demonstrate the crucial role that the German immigrants and their descendants played in the settlement and development of Missouri's architectural, political, religious, economic, and social landscape. Relying heavily on unpublished memoirs, letters, diaries, and official records, the authors provide important new narratives and firsthand commentary from the immigrants themselves.
Between 1800 and 1919, more than 7 million people came to the United States from German-speaking lands. The German immigrants established towns as they moved up the Missouri River into the frontier, resuming their traditional ways as they settled. As a result, the culture of the frontier changed dramatically. The Germans farmed differently from their American neighbors. They started vineyards and wineries, published German-language newspapers, and entered Missouri politics.
The decades following the Civil War brought the golden age of German culture in the state. The populations of many small towns were entirely German, and traditions from the homeland thrived. German-language schools, publications, and church services were common. As the German businesses in St. Louis and other towns flourished, the immigrants and their descendants prospered. The loyalty of the Missouri Germans was tested in World War I, and the anti-immigrant sentiment during the war and the period of prohibition after it dealt serious blows to their culture. However, German traditions had already found their way into mainstream American life.
Informative and clearly written, German Settlement in Missouri will be of interest to all readers, especially those interested in ethnic history.
For most people, a diagnosis of cystic fibrosis means the certainty of a life ended too soon. But for twin girls with the disease, what began as a family’s stubborn determination grew into a miracle.
The tragedy of CF has been touchingly recounted in such books as Frank Deford’s Alex: The Life of a Child, but The Power of Two is the first book to portray the symbiotic relationship between twins who share this life-threatening disease through adulthood. Isabel Stenzel Byrnes and Anabel Stenzel tell of their lifelong struggle to pursue normal lives with cystic fibrosis while grappling with the realization that they will die young. Their story reflects the physical and emotional challenges of a particularly aggressive form of CF and tells how the twins’ bicultural heritage—Japanese and German—influenced the way they coped with these challenges.
Born in 1972, seventeen years before scientists discovered the genetic mutation that causes CF, Isabel and Anabel endured the daily regimen of chest percussion, frequent doctor visits, and lengthy hospitalizations. But they tell how, in the face of innumerable setbacks, their deep-seated dependence on each other allowed them to survive long enough to reap the benefits of the miraculous lung transplants that marked a crossroads in their lives: “We have an old life—one of growing up with chronic illness—and a new life—one of opportunities and gifts we have never imagined before.” In this memoir, they pay tribute to the people who shaped their experience.
The Power of Two is an honest and gripping portrayal of day-to-day health care, the impact of chronic illness on marriage and family, and the importance of a support network to continuing survival. It conveys an important message to both popular and professional readers as it addresses key psychosocial issues in chronic illness throughout the sufferer’s lifespan and illuminates the human side of advances in biotechnology.
Even as gene therapy and stem cell research increase the chances for eradicating CF, this stirring account portrays its effects on one family that refused to give up. These two remarkable sisters have much to teach about the power of perseverance—and about the ultimate power of hope.
For most people, a diagnosis of cystic fibrosis means the certainty of a life ended too soon. But for Isabel Stenzel Byrnes and Anabel Stenzel, twin girls with the disease, what began as a family’s stubborn determination grew into a miracle.
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