A forgotten account, written in the immediate aftermath of World War II, which vividly portrays the valor, sacrifice, suffering, and liberation of the defenders of Bataan and Corregidor through the eyes of one survivor.

The personal memoir of Colonel David L. Hardee, first drafted at sea from April-May 1945 following his liberation from Japanese captivity, is a thorough treatment of his time in the Philippines. A career infantry officer, Hardee fought during the Battle of Bataan as executive officer of the Provisional Air Corps Regiment. Captured in April 1942 after the American surrender on Bataan, Hardee survived the Bataan Death March and proceeded to endure a series of squalid prison camps. A debilitating hernia left Hardee too ill to travel to Japan in 1944, making him one of the few lieutenant colonels to remain in the Philippines and subsequently survive the war. As a primary account written almost immediately after his liberation, Hardee’s memoir is fresh, vivid, and devoid of decades of faded memories or contemporary influences associated with memoirs written years after an experience. This once-forgotten memoir has been carefully edited, illustrated and annotated to unlock the true depths of Hardee’s experience as a soldier, prisoner, and liberated survivor of the Pacific War.

Spanning three decades and a host of subjects, E. M. Forster’s radio broadcasts for the BBC were a major contribution to British cultural history, yet today they are rarely acknowledged by scholars of his life and work. But in their day they reached a larger audience than his fiction and established him as a household figure not only in Britain but also in the farthest reaches of its Empire.

As a frequent contributor to the BBC, Forster generally adhered to literary topics but did not shy away from social commentary. This book offers a new appreciation of his vitality and public importance through seventy annotated broadcasts that present him not only as a literary critic but also as a political activist, an advocate for India, and a wary yet cooperative ally of a colonialist government during World War II.

Gathering material either not in print or, if recast as essays, widely scattered, The BBC Talks of E. M. Forster reveals aspects of Forster’s intellect that have been given short shrift in previous studies. Nearly half the scripts date from 1941 to 1945 and provide an eyewitness account of war from a distinguished perspective. Forster comments on how the arts gallantly survived the blitz—even taking his listeners to the theater as bombing threats loom—and in other cases protests government interference in private life or the limits on free expression caused by the wartime paper shortage.

In these scripts, Forster casts a cosmopolitan eye on contemporary literature from James Joyce to John Steinbeck and provides early exposure for young writers and composers. He also enlarges the scope of European art by pairing Jane Austen or C. S. Lewis with Indian writers and offers pointed comments on contemporary literati such as Aldous Huxley and T. S. Eliot. Annotations to each piece identify Forster’s references and trace his revisions from script to broadcast, while the book’s introduction places his emergence as a distinctive radio voice within the historical, creative, and institutional contexts of broadcasting in his day.

This significant body of writing, too long overlooked, traces Forster’s evolution from novelist to adroit cultural critic and shows how a man who was never comfortable with machines played an important role in shaping a new medium. The BBC Talks of E. M. Forster situates Forster as one of the most poignant voices of the twentieth century as it offers new insight into a nation transfigured by war.

The 1992 presidential election campaign showed just how deep were the divisions within the Republican party.  In Beautiful Losers, Samuel Francis argues that the victory of the Democratic party marks not only the end of the Reagan-Bush era, but the failure of the American conservatism.

Dorothy Canfield Fisher, the prolific author of more than forty books, including translations, juveniles, and nonfiction, as well as novels and short-story collections, was one of the most popular and engaging American writers of the first half of the twentieth century. Although her work has been unduly neglected for several decades, it is currently enjoying a revival of critical attention. This colorful collection ranges in subject from New Englanders to the Basques of France to the struggles of African Americans to gain equal rights. Through her stories, many of which received literary awards, Fisher examined the complexities of modern life in the United States and abroad.

In addition to her writing, Fisher had a lifelong involvement in charitable work and social causes--so much so that Eleanor Roosevelt called her one of the most influential women of her time. As one of the earliest and most assertive members of the Book-of-the-Month Club selection committee, Fisher helped define literary taste in America for more than two decades. Mark J. Madigan discusses Fisher's extraordinary life and work in an Introduction and Afterword.

Because of Fisher's rare ability to distinguish enduring concerns from merely topical issues, her work will provide lasting pleasure for generations of readers to come.

Mark McGwire, Ozzie Smith, Lou Brock. These famous Cardinals are known by baseball fans around the world. But who and what were the predecessors of these modern-day players and their team? In Before They Were Cardinals, Jon David Cash examines the infancy of major-league baseball in St. Louis during the last quarter of the nineteenth century. His in-depth analysis begins with an exploration of the factors that motivated civic leaders to form the city's first major-league ball club. Cash delves into the economic trade rivalry between Chicago and St. Louis and examines how St. Louis's attempt to compete with Chicago led to the formation of the St. Louis Brown Stockings in 1875. He then explains why, three years later, despite its initial success, St. Louis baseball quickly vanished from the big-league map.

St. Louis baseball was revived with the arrival of German immigrant saloon owner Chris Von der Ahe. Cash explains how Von der Ahe, originally only interested in concession rights, purchased a controlling interest in the Brown Stockings. His riveting account follows the team after Von der Ahe's purchase, from the formation of the American Association, to its merger in 1891 with the rival National League. He chronicles Von der Ahe's monetary downturn, and the club's decline as well, following the merger.

Before They Were Cardinals provides vivid portraits of the ball players and the participants involved in the baseball war between the National League and the American Association. Cash points out significant differences, such as Sunday games and beer sales, between the two Leagues. In addition, excerpts taken from Chicago and St. Louis newspapers make the on-field contests and off-field rivalries come alive. Cash concludes this lively historical narrative with an appendix that traces the issue of race in baseball during this period.

The excesses of modern-day baseball—players jumping contracts or holding out for more money, gambling on games, and drinking to excess; owners stealing players and breaking agreements—were all present in the nineteenth-century sport. Players were seen then, as they are now, as an embodiment of their community. This timely treatment of a fascinating period in St. Louis baseball history will appeal to both baseball aficionados and those who want to understand the history of baseball itself.

Despite their prevailing image and stereotype, southern women have often gone "beyond convention," living on their own terms within a society that revered tradition and compliance. Spanning the colonial era to the mid-twentieth century, Beyond Image and Convention documents women from widely varied social, economic, religious, and ethnic backgrounds who acted outside the accepted gender boundaries of their day.

Reflecting the quality and breadth of current scholarship in the field of southern women's history, this collection of essays relies upon previously untapped documentary evidence and, in the process, crafts provocative new interpretations of our collective past. The essays explore the historical experience of black and white southern women across nearly three centuries, including a white woman's sexual misconduct in colonial North Carolina, one slave woman's successful attempt to carve out an autonomous existence in southwestern Virginia, an ex-slave's fight for freedom in postbellum Missouri, and the civil rights activism of two white southern women—Sarah Patton Boyle of Virginia and Alice Norwood Spearman of South Carolina.

Breaking new ground in the study of women's history, Beyond Image and Convention provides valuable insights for both specialists and general readers.

In this groundbreaking work, Linda A. Westervelt defines an important yet previously unidentified and therefore unnamed type of novel, the altersroman, or age novel. Fictions focusing on a protagonist's confrontation with mortality toward the end of middle age are likely to become ever more prominent in a Western world in which the average age of the population increases and more people reach late middle age and old age.

Working from a diverse sample of modern literature, Westervelt analyzes the variety of responses to the life evaluation. Some characters achieve a level of affirmation that allows renewal, redirection, or simply peace, while others confront feelings of disgust or despair that so little time is left them. Her altersromane are books about seeking wisdom, though not everyone of this age becomes wise. The use of the term altersroman highlights the fact that the altersroman is a classification comparable to but also clearly distinguishable from the bildungsroman, wherein characters make the transition from youth to adulthood. Westervelt contrasts her older protagonists' characteristics with the equivalent characteristics in the bildungsroman through an examination of Don Quixote, part 2, as well as six American novels: The Ambassadors, by Henry James; The Professor's House, by Willa Cather; The Mansion, by William Faulkner; The Angle of Repose, by Wallace Stegner; A Book of Common Prayer, by Joan Didion; and Jazz, by Toni Morrison. These seven works, though remarkably different, share the common features of the altersroman. Westervelt articulates the traits clearly, rests them on the psychological literature, and then shows in depth how the characteristics of the altersroman can enrich and more deeply inform our reading of a significant subset of modern literature that previously went unheralded. Readers can use Westervelt's analysis to identify altersromane in literature other than their own, and she begins this process by identifying exemplars written in other languages.

Beyond Innocence, or the Altersroman in Modern Fiction introduces readers to the altersroman as a tool for classification and analysis and demonstrates the power and utility of that tool. It offers a meaningful and enriching complement to the more established category of the bildungsroman.

Why hasn’t democracy been embraced worldwide as the best form of government?
           
            Aesthetic critics of democracy such as Carlyle and Nietzsche have argued that modern democracy, by removing the hierarchical institutions that once elevated society’s character, turns citizens into bland, mediocre souls. Joel A. Johnson now offers a rebuttal to these critics, drawing surprising inspiration from American literary classics.

            Addressing the question from a new perspective, Johnson takes a fresh look at the worth of liberal democracy in these uncertain times and tackles head-on the thorny question of cultural development. Examining the novels of James Fenimore Cooper, Mark Twain, and William Dean Howells, he shows that through their fiction we can gain a better appreciation of the rich detail of everyday life, making the debate relevant to contemporary discussions of liberal democracy.

            Johnson focuses on an issue that liberals have inadequately addressed: whether people tend to develop fully as individuals under liberal democracy when such a regime does little formally to encourage their development. He argues that, though the liberal fear of state-guided culture is well founded, it should not prevent us from evaluating liberalism’s effect on individual flourishing. By extending the debate over the worthiness of liberal democracy to include democracy’s effect on individual development, he contends that the democratic experience is much fuller than the aristocratic one and thus expands the faculties of its citizens.

            Critics of American democracy such as John Rawls have sought to transform it into a social or egalitarian democracy in the European style. Johnson shows that neither the debate between Rawls and his communitarian critics nor the ongoing discussion of the globalization of American values adequately addresses the fundamental critique of democratic culture advanced by the aesthetic critics. Johnson’s cogent analysis reaches out to those readers who are ready for a more comprehensive evaluation of liberal democracy, offering new insight into the relationship between the state and the individual while blazing new trails in the intersection of politics and literature.

Merton M. Sealts, Jr., a long-respected scholar and teacher of Emerson and Melville, has written, "I shall never tire of such writers, nor absorb all that they have to teach." This new collection of Sealts's essays reflects his many years of classroom experience and ongoing scholarship since his retirement in 1982. Most of these essays were originally delivered as public lectures before diverse audiences beyond the classroom; others first appeared in study pamphlets and as chapters of books.

These lucid essays, though varied in subject, have the commonality of an emphasis on teaching. The first essay, entitled "Emerson as Teacher," demonstrates how Emerson "provoked and inspired and educated his students--and his students' students."

In the most recently written essays Sealts deals with four of Emerson's contemporaries--Whitman, Thoreau, Hawthorne, and Melville--who responded variously to Emerson's teachings. A common thread among these four essays is each author's distinctive use of first-person narration.

Teachers of literature at every level will greatly benefit from these highly readable discussions, which illustrate practical strategies for reading and teaching literary works. Included in the appendixes are questions for the study of Melville's Bartleby, Benito Cereno, and Billy Budd, Sailor, which are also treated in individual essays.

In the last two decades, biographies have grown in popularity, often eclipsing the novel in sales and accessibility to specialists and the general public alike. Widely regarded as a distinctly modern form, today's biographies are marked by their willingness to "tell all" or to pursue overt political aims. But how new, how unprecedented, are today's biographies? Biographical Passages addresses this important question by juxtaposing Victorian and Modernist biography from diverse perspectives.

Challenging the view that modern biographies are radically different from the straitlaced and ponderous Victorian tomes, Joe Law and Linda K. Hughes illustrate that continuities in biographical practice do exist, proving, for example, that the "tell-all" biography is not the exclusive preserve of the twentieth century. Enlisting the talents of such acclaimed biographers and scholars as P. N. Furbank and Michael Holroyd, Biographical Passages is a true exploration of the art and craft of biography. Essays on the usefulness of biography in approaching late Victorian artists provide a detailed scrutiny of modern biography across disciplines and from a rich array of vantage points. Additional essays on E. M. Forster and the relations between England and India analyze the role of cultural difference in biography.

Law and Hughes conclude Biographical Passages with an epilogue in tribute to a scholar whose work is closely connected to all the essays in this collection—Mary Lago. Widely known for her important contributions to studies of late Victorian and Edwardian literature, art, music, and Anglo-Indian relations, Lago is the author of biographies of Christina Herringham and E. M. Forster.

Despite the participation of African American women in all aspects of home-front activity during World War II, advertisements, recruitment posters, and newsreels portrayed largely white women as army nurses, defense plant workers, concerned mothers, and steadfast wives. This sea of white faces left for posterity images such as Rosie the Riveter, obscuring the contributions that African American women made to the war effort. In Bitter Fruit, Maureen Honey corrects this distorted picture of women's roles in World War II by collecting photos, essays, fiction, and poetry by and about black women from the four leading African American periodicals of the war period: Negro Digest, The Crisis, Opportunity, and Negro Story.

Mostly appearing for the first time since their original publication, the materials in Bitter Fruit feature black women operating technical machinery, working in army uniforms, entertaining audiences, and pursuing a college education. The articles praise the women's accomplishments as pioneers working toward racial equality; the fiction and poetry depict female characters in roles other than domestic servants and give voice to the bitterness arising from discrimination that many women felt. With these various images, Honey masterfully presents the roots of the postwar civil rights movement and the leading roles black women played in it.

Containing works from eighty writers, this anthology includes forty African American women authors, most of whose work has not been published since the war. Of particular note are poems and short stories anthologized for the first time, including Ann Petry's first story, Octavia Wynbush's last work of fiction, and three poems by Harlem Renaissance writer Georgia Douglas Johnson. Uniting these various writers was their desire to write in the midst of a worldwide military conflict with dramatic potential for ending segregation and opening doors for women at home.

Traditional anthologies of African American literature jump from the Harlem Renaissance to the 1960s with little or no reference to the decades between those periods. Bitter Fruit not only illuminates the literature of these decades but also presents an image of black women as community activists that undercuts gender stereotypes of the era. As Honey concludes in her introduction, "African American women found an empowered voice during the war, one that anticipates the fruit of their wartime effort to break silence, to challenge limits, and to change forever the terms of their lives."

For more than twenty years, Claude Salhani traveled throughout the volatile Middle East as a photojournalist and reporter in search of the region's biggest stories. Wars, terrorist acts, demonstrations by religious extremists, and the flight of refugees were among the events he witnessed. "I have seen much through my lens . . . the most terrible cruelties, the most horrible suffering—and the most improbable and moving acts of love and generosity. I have been warmly received by kings, prime ministers, and secretaries of state. I have been shot at, kidnapped, and rifle-butted," writes Salhani in the prologue of this fascinating account.

From exclusive travels with former U.S. Secretary of State Henry Kissinger to intimate moments with combatants in the battle for Beirut to the forbidden world of drug smugglers in Lebanon, to the Iranian Revolution, and finally to the rise of Desert Storm, Salhani transports readers behind the scenes of many groundbreaking news stories. He proves that behind the front-page story we see, an equally intriguing tale is often hidden—that of the difficult, bizarre, even comical circumstances in which news is obtained.

Offering insight into the potent mixture of journalism and warfare, Black September to Desert Storm shares with readers an extraordinary journey into the headline-grabbing sagas that have plagued the Middle East in the last three decades. Salhani's "behind-the-lens" perspective will appeal to students of journalism and the Middle East, as well as anyone simply fascinated by the trials that many journalists undergo to capture "The Story."

A union organizer returns to her hometown and her high school sweetheart, only to discover unexpected peril. A middle-aged man walks to meet his wife at work one day and loses her forever. A young writer's stage fright destroys her work and her marriage but offers her a new life. In Blue Money, Susan Hubbard creates a world in which the most ordinary things can be magical, and the most ordinary people can be extraordinary.

"Selling the House" is the enchanting story of Marianne, a young housewife whose life is altered forever by a mysterious stranger. He suddenly appears on her doorstep one morning, offers to buy her home, quotes poetry, and just as suddenly disappears. Marianne soon discovers, however, that the stranger wants more than her house—he wants her. Although she does not accept the man's proposition, Marianne has been changed by it. His words echo throughout her life. "If she sometimes had trouble sleeping, if she spent more time reading poetry or staring out the window . . . well, those were small aberrations in an otherwise quite satisfactory life."

Strangers appear and disappear in Blue Money. Shoes charm and cure. A soiled shirt conjures conscience, and a clean one promises new identity. Hubbard brilliantly weaves these fantastic elements into the fabric of her fiction.

Women's relationships with men—whether they be fathers, lovers, or strangers—are a prominent theme of Hubbard's collection. "What Friends Are For" captures this theme at its most humorous and bizarre in the strange mishaps of two young girls trying to rid their lives of the stepfathers they despise. When their plan fails miserably, the girls are forced to accept the unwanted men, but not without finding brief comfort in the humor of their failure. "Then I start laughing too--a laugh I've never laughed before, like some exotic bird, high and shrill and free—and now [we're] laughing so hard that the voices outside fade away entirely."

Praised by Ploughshares as "an assured storyteller and a complex narrative stylist," Hubbard excels at writing spare yet powerfully evocative prose. Haunting in its suspense and subtle grace, Blue Money celebrates Hubbard's marvelous ability to explore the power of imagination.

The most bitter guerrilla conflict in American history raged along the Kansas-Missouri border from 1856 to 1865, making that frontier the first battleground in the struggle over slavery. That fiercely contested boundary represented the most explosive political fault line in the United States, and its bitter divisions foreshadowed an entire nation torn asunder. Jeremy Neely now examines the significance of the border war on both sides of the Kansas-Missouri line and offers a comparative, cross-border analysis of its origins, meanings, and consequences.

A narrative history of the border war and its impact on citizens of both states, The Border between Them recounts the exploits of John Brown, William Quantrill, and other notorious guerrillas, but it also uncovers the stories of everyday people who lived through that conflict. Examining the frontier period to the close of the nineteenth century, Neely frames the guerrilla conflict within the larger story of the developing West and squares that violent period with the more peaceful—though never tranquil—periods that preceded and followed it.

Focusing on the countryside south of the big bend in the Missouri River, an area where there was no natural boundary separating the states, Neely examines three border counties in each state that together illustrate both sectional division and national reunion. He draws on the letters and diaries of ordinary citizens—as well as newspaper accounts, election results, and census data—to illuminate the complex strands that helped bind Kansas and Missouri together in post–Civil War America. He shows how people on both sides of the line were already linked by common racial attitudes, farming practices, and ambivalence toward railroad expansion; he then tells how emancipation, industrialization, and immigration eventually eroded wartime divisions and facilitated the reconciliation of old foes from each state.

Today the “border war” survives in the form of interstate rivalries between collegiate Tigers and Jayhawks, allowing Neely to consider the limits of that reconciliation and the enduring power of identities forged in wartime. The Border between Them is a compelling account of the terrible first act of the American Civil War and its enduring legacy for the conflict’s veterans, victims, and survivors, as well as subsequent generations.

      At the turn of the twentieth century, the Kansas City Star was a trust-busting newspaper acclaimed for its crusading progressive spirit; fifty years later it was a busted trust, targeted in the most important antitrust action ever brought against an American daily. Now Harry Haskell tells the tale of the Star’s rise and decline against the richly textured backdrop of Kansas City—the story of how a newspaper and a city grew together and ultimately grew apart.

Boss-Busters and Sin Hounds takes readers into the city room and executive offices of one of the most respected American newspapers, whose influence extended beyond its own community to international affairs. Re-creating life at the Star from the inside, the book traces the shifting fortunes of a great newspaper and the compelling “power of purpose” it exerted from the birth of the progressive movement in the 1880s to the 1950s.

            This fascinating tale—with underlying themes of sin and redemption, high-minded ideals and gutter politics—is populated by a cast of larger-than-life characters, ranging from power brokers to presidents and including such Kansas City notables as Tom Pendergast, J. C. Nichols, and Frank Walsh. But at heart this is the story of three men with contrasting personalities and agendas who shaped the newspaper over more than three-quarters of a century: William Rockhill Nelson, among the last of the great “personal” editors from journalism’s golden age; the scholarly Henry J. Haskell, who led the Star to its peak of influence in the 1930s and ’40s; and Roy A. Roberts, who went on to combine the roles of newspaper publisher and political kingmaker.

Along the way, Haskell recounts such milestones as the Star’s role in the City Beautiful movement that helped transform America’s urban centers; the nation’s entry into two global wars; a bold but ill-starred experiment in employee ownership; and the paper’s on-again, off-again battle with Boss Pendergast’s legendary political machine. And he brings into focus issues that remain timely today, from social and political reform to the very role of newspapers in a democracy, while also drawing parallels with recent American history—disillusionment with liberalism, the hijacking of the GOP by the far right, America’s go-it-alone attitude—that are as alarming as they are instructive. 

As Haskell shows, the evolution of American journalism from crusading newspapers to pawns of corporate culture was already under way in the early 1900s and was substantially complete by midcentury. Boss-Busters and Sin Hounds chronicles the glory days of an illustrious newspaper as it opens new windows on a city’s history.

"The host had brought out a pair of boxing gloves and asked the president if any of his friends would like to indulge in the Australian sport of boxing kangaroos. Once the president of the United States had selected me, there was almost no way out, unless I ran home to tell my mother."

In Boxing the Kangaroo: A Reporter's Memoir, Robert J. Donovan shares many exciting events that highlighted his stellar journalistic career. As an investigative reporter during five presidential administrations, Donovan has had many "insider" experiences. His memoir delightfully humanizes each of the five presidents he reported on: Truman, Eisenhower, Kennedy, Johnson, and Nixon.

Donovan began his career working as a night copyboy for the Buffalo Courier-Express, earning seven dollars a week. In 1937, he got a job as a reporter for the New York Herald Tribune, where he worked for many years. By 1942 the Herald Tribune had assigned Donovan to cover City Hall and the lively activities of Fiorello La Guardia. After his service in World War II he returned to the Herald Tribune to cover the man from Missouri who followed FDR. Ultimately, Donovan served as chief of the New York Herald Tribune Washington bureau and the Los Angeles Times Washington bureau.

Donovan traveled across the country with Harry S. Truman during his "Give 'Em Hell, Harry" campaign. He covered Dwight D. Eisenhower's election, about which he says there was never a doubt--Ike, the war hero, mesmerized the country. He was a personal friend of John F. Kennedy, having written about the President's PT-109 heroics in World War II, and was on the scene the day Kennedy was assassinated: "The drama in the second press bus, in which I rode in the presidential motorcade in Dallas, is unforgettable. `Why has the motorcade stopped?' a reporter asked as we drew near the Texas School Book Depository. . . . `I heard a shot,' another said. A voice in the rear contradicted him. `That was a motorcycle backfiring.'" Donovan would find out shortly before the rest of the world that, in fact, it was not a motorcycle backfiring, but the firing of an assassin's bullet that killed the nation's thirty-fifth president.

Boxing the Kangaroo is one of the best "I was there" accounts of American history. This fascinating book will appeal to journalists, American history buffs, and the general reader alike.

When she was 54, Lisa Knopp’s weight dropped to a number on the scale that she hadn’t seen since seventh grade. The severe food restricting that left her thin and sick when she was 15 and 25 had returned. This time, she was determined to understand the causes of her malady and how she could heal from a condition that is caused by a tangle of genetic, biological, familial, psychological, cultural, and spiritual factors. This compelling memoir, at once a food and illness narrative, explores the forces that cause eating disorders and disordered eating, including the link between those conditions in women, middle-aged and older, and the fear of aging and ageism.

Winner of the 2017 Nebraska Book Award for Memoir

2017 Choice Outstanding Academic Title

First written in 1937 and never before published, Bridging Two Eras is the fascinating autobiography of Emily Newell Blair, a remarkable woman who successfully reconciled a productive public life with the traditional values of a housewife and mother.

Because Blair's life essentially spanned two eras, from the end of the nineteenth century through the middle of the twentieth, she thought of herself as a bridge builder. A dedicated feminist, she wanted her autobiography to help women understand what life was like during that transition time. She had moved from being a conventional, middle-class, midwestern wife and mother to becoming an acclaimed author, a nationally known feminist, and vice chairman of the Democratic National Committee only two years after women gained the right to vote. She felt that her story could encourage women to take their rightful places in public life.

Bridging Two Eras is divided into two parts. Book I is a charming evocation of life in southwest Missouri in the closing decades of the nineteenth century. It offers great insight into family relationships, class structure, and social attitudes typical of much of small-town America. Book II addresses Blair's public career and follows her progress as professional writer, suffrage activist, and partisan politician. Included are acute judgments of leading political figures, fascinating vignettes of the suffrage movement, an insider's view of the workings of the national Democratic Party in the 1920s and 1930s, and a valuable outlook on Missouri politics during the first third of the twentieth century.

Perceptive and introspective, Blair captivates her readers as she traces her own evolution. With candor, she explains her conflicts between family and career, acknowledging the difficulties and tensions she faced in pursuing a public life. Delightfully written, Bridging Two Eras provides valuable insight into all the possibilities, as well as the limitations, life then held for an American woman.

“It all began with the bite of a mosquito. Yes, with a bite of this pesky, but seemingly so innocuous little insect that had been sucking her blood. Not just one, but hundreds had punctured her arms and legs with red marks which later swelled to small welts. Who would ever have thought that our family's life would become derailed, that its tightly woven fabric would eventually fray and break—all from the bite of a mosquito?”

The Buffalo River in northwest Arkansas is one of the longest free-flowing, undammed rivers west of the Mississippi—and one of the most beautiful waterways on earth. Almost lost to development, it proved to be the perfect testing ground for a young boy almost lost to mediocrity.

Middle-schooler Ben is struggling with learning challenges that have left him resentful and underachieving. His father, middle-ager Todd, wants to help his son gain self-confidence but is searching for his own identity. For twelve adventure-filled days on the river—all 125 miles of her navigable course, from Ponca to the White River—father and son discover the formative, curative, and redemptive powers of nature.

Leaving video games and cell phones behind isn’t easy for kids these days, but in the great outdoors parents and youngsters can connect in unimaginable ways. The Buffalo, Ben, and Me shares such a connection in an adventure story set on a wild river. It is a captivating tale featuring a host of colorful characters and enlivened by photos that reflect the essence of the wilderness.

But deeper than that, it is the story of crossing a threshold from dream to possibility—of one man’s search for meaning in his life and his efforts to motivate his son, blending love of family with love of nature in a tale of transformation. It tells how a rebellious teen and a bored banker conspired to buck a system keyed to predictability, and how a wild river inspired both to a better use of their lives. “This trip hit me as hard as it did Ben,” writes Parnell, “as a wake-up call to life, to what is important, to what is not.”

The trip down the Buffalo was one that even Ben admits changed his life in more ways than one, as he later went on to earn a master of science degree specializing in stream ecology. For any reader who loves the outdoors—and especially those seeking to connect with their children—The Buffalo, Ben, and Me is essential reading that reminds us of possibilities to be had in facing life head-on as it raises awareness of the need to protect the Ozarks’ water resources and heritage.

"There was never a moment in our lives that we were not reminded that our father was the finest, bravest, most gallant, and best-looking man who ever lived and that he was destined for unimaginable glory. This we took for granted. Being our father’s children was a special influence in all our lives, but the greatest, most pervasive, and most interesting influence in my life was Ma."

The Button Box is the loving memoir of Beatrice Ayer Patton (1886–1953), the wife of one of the greatest military figures in history, General George S. Patton, Jr. Written by the Pattons’ daughter, Ruth Ellen, the book covers Beatrice’s life from her youth in a wealthy New England family until her death, with an emphasis on her years of marriage to George Patton. A supportive and loving wife, Beatrice was accomplished in her own right as an equestrian, musician, lecturer, sailor, and internationally published author. Courageous and adventurous, Beatrice played a significant role in her husband’s life. Without her, General Patton might never have reached his own level of success.