With the doubling of America’s territory that came with the Louisiana Purchase, American culture was remapped in the bargain. The region’s indigenous inhabitants had already been joined by Catholic missionaries, both French and Spanish, along with Africans brought as slaves to the Caribbean islands and North America; now all were met by a predominantly Protestant culture rushing westward.
New Territories, New Perspectives marks the first study to take the Louisiana Purchase as the focal point for considering the development of American religious history. The process of transforming the Louisiana Territory into U.S. territory meant shaping the space to conform to American cultural and religious identity, and this volume investigates continuities, disruptions, and changes relating to religion in this context.
The contributors ask what might happen to our understanding of religion in America if we look at it through the lens of this annexation. Initial chapters offer fresh perspectives on the new territory by those who settled it, primarily easterners, exploring such topics as the built environment of the region as seen in such settings as frontier camp meetings and communitarian societies, ideas of destiny amid the clash of cultural groups, and religiously significant aspects of African American life.
Subsequent essays take up the religious history of the region from the perspective of New Orleans and the Caribbean. They include an exploration of the roots of Pentecostalism in the mix of black and white cultures in the Mississippi Delta, the “vodou” link between New Orleans and Haiti, and the African-Creole performances of Mardi Gras Indians.
Together, these essays invite readers to consider intersecting histories that are too often neglected in our understanding of America’s religious development, particularly issues that stand apart from traditional histories of religion in the Midwest. By exploring the unexpected, they also promote different ways of thinking about American religious history as a whole.
Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity “the true and only turning point in history.” For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religion, science, and philosophy.
Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism. Primarily known through its inclusion in a French omnibus edition, ithas remained one of Camus’ least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine’s “second revelation” of the Christian faith.
Ronald Srigley’s translation of this seminal document helps illuminate these aspects of Camus’ work. His freestanding English edition exposes readers to an important part of Camus’ thought that is often overlooked by those concerned primarily with the book’s literary value and supersedes the extant McBride translation by retaining a greater degree of literalness.
Srigley has fully annotated Christian Metaphysics to include nearly all of Camus’ original citations and has tracked down many poorly identified sources. When Camus cites an ancient primary source, whether in French translation or in the original language, Srigley substitutes a standard English translation in the interest of making his edition accessible to a wider range of readers. His introduction places the text in the context of Camus’ better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books.
Arguing that Camus was one of the great critics of modernity through his attempt to disentangle the Greeks from the Christians, Srigley clearly demonstrates the place of Christian Metaphysics in Camus’ oeuvre. As the only stand-alone English version of this important work—and a long-overdue critical edition—his fluent translation is an essential benchmark in our understanding of Camus and his place in modern thought.
Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft—but already “playin’ hell” with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens’s writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years—and to challenge many long-standing views of Mark Twain’s place in the tradition of American humor.
Tracing the arc of Clemens’s career from self-described “unsanctified newspaper reporter” to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings—especially the travel letters from Hawaii and the letters chronicling Clemens’s trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career—even the virtually forgotten pieces from the San Francisco Morning Call in 1864—to reveal how Mark Twain’s humor was shaped by the sociocultural context and how it catered to his audience’s sensibilities while unpredictably transgressing its standards.
Caron reveals how Sam Clemens’s contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain’s cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens’s early work to the role of ritual clowns in traditional societies
Brimming with fresh insights into such benchmarks as “Our Fellow Savages of the Sandwich Islands” and “Jim Smiley and His Jumping Frog,” this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.
Mark McGwire, Ozzie Smith, Lou Brock. These famous Cardinals are known by baseball fans around the world. But who and what were the predecessors of these modern-day players and their team? In Before They Were Cardinals, Jon David Cash examines the infancy of major-league baseball in St. Louis during the last quarter of the nineteenth century. His in-depth analysis begins with an exploration of the factors that motivated civic leaders to form the city's first major-league ball club. Cash delves into the economic trade rivalry between Chicago and St. Louis and examines how St. Louis's attempt to compete with Chicago led to the formation of the St. Louis Brown Stockings in 1875. He then explains why, three years later, despite its initial success, St. Louis baseball quickly vanished from the big-league map.
St. Louis baseball was revived with the arrival of German immigrant saloon owner Chris Von der Ahe. Cash explains how Von der Ahe, originally only interested in concession rights, purchased a controlling interest in the Brown Stockings. His riveting account follows the team after Von der Ahe's purchase, from the formation of the American Association, to its merger in 1891 with the rival National League. He chronicles Von der Ahe's monetary downturn, and the club's decline as well, following the merger.
Before They Were Cardinals provides vivid portraits of the ball players and the participants involved in the baseball war between the National League and the American Association. Cash points out significant differences, such as Sunday games and beer sales, between the two Leagues. In addition, excerpts taken from Chicago and St. Louis newspapers make the on-field contests and off-field rivalries come alive. Cash concludes this lively historical narrative with an appendix that traces the issue of race in baseball during this period.
The excesses of modern-day baseball—players jumping contracts or holding out for more money, gambling on games, and drinking to excess; owners stealing players and breaking agreements—were all present in the nineteenth-century sport. Players were seen then, as they are now, as an embodiment of their community. This timely treatment of a fascinating period in St. Louis baseball history will appeal to both baseball aficionados and those who want to understand the history of baseball itself.
Although America’s founders may have been inspired by the political thought of ancient Greece and Rome, the United States is more often characterized by its devotion to the pursuit of commerce. Some have even said that a modern commercial republic such as the United States unavoidably lowers its moral horizon to little more than a concern with securing peace and prosperity so that commerce can flourish.
This expanded edition of Indians and Archaeology of Missouri gives an excellent introduction to the cultural development of Missouri’s Indians during the past twelve thousand years. Providing a new chapter on the Hunter Foragers of the Dalton period and substantial revision of other chapters to incorporate recent discoveries, the Chapmans present knowledge based upon decades of experience with archaeological excavations in an understandable and fascinating form.
The first edition of Indians and Archaeology of Missouri has been recognized in Missouri and nationally as one of the best books of its kind. The Missouri Historical Review called it “simply indispensable.” The Plains Anthropologist added similar praise: “Clearly written and exceptionally well illustrated…it is the answer to the amateur’s prayers.” Archaeology described it as “a boon to Missouri’s many amateur archaeologists, a useful source of information for professionals and interesting reading for the layman.”
The man called "Mr. Photojournalism" by the Washington Post here offers the most comprehensive book available on documentary photography, covering the history and ethics of the craft as well as practical issues for anyone with a serious interest in photography.
Although John C. Calhoun (1782-1850) remains one of the major figures in American political thought, many of his critics have tried to discredit him as merely a Southern partisan whose ideas were obsolete even during his lifetime. In Calhoun and Popular Rule, H. Lee Cheek, Jr., attempts to correct such misconceptions by presenting Calhoun as an original political thinker who devoted his life to the recovery of a "proper mode of popular rule." He argues that Calhoun had a coherent, systematic view of human nature and society and made a lasting contribution to the theory of constitutionalism and democracy.
Cheek suggests that Calhoun was not a political or philosophical aberration, but an authentic exponent of American constitutionalism. He contends that Calhoun's view of democracy forms part of a philosophy of humankind and politics that has relevance beyond the American experience. Although his idea of popular rule was original, it was also related to earlier attempts in America and elsewhere to limit the power of the majority and protect minority interests. According to Cheek, Calhoun stood in the American political tradition and attempted to rearticulate some of its central elements. He explains Calhoun's idea of the concurrent majority and examines how it has been presented by Calhoun's critics, as well as his followers.
As the first combined evaluation of Calhoun's most important treatises, The Disquisition and The Discourse, this work merges Calhoun's theoretical position with his endeavors to restore the need for popular rule. It also compares Calhoun's ideas with those of other great political thinkers such as Thomas Jefferson and James Madison--while explaining what is truly unique about Calhoun's political thought.
Calhoun's philosophy—his understanding of the need for ethical and political restraint and for institutional means for obtaining concurrence—is still relevant today, especially given the current growing ethnic and cultural conflict of the Western world. Scholars of government, American history, and political thought, as well as those interested in understanding "popular rule" and its theoretical and practical impact on modern American government, will find this groundbreaking work to be of great value.
In the making for almost a decade, the Dictionary of Missouri Biography is the most important reference work on Missouri biography to be published in the last half century. Written by nearly three hundred talented authors from around the country and edited by four of the leading authorities on Missouri history, this monumental work contains biographies of more than seven hundred individuals who have in some way made a contribution to the course of state and national history.
Covering all periods as well as all regions of the state, this remarkable volume illustrates the state's cultural, racial, and ethnic diversity. Although the men and women chosen for inclusion in this book came from many walks of life, all of them were either born in Missouri or through their lives touched the state in a significant way. Many of the people will be instantly recognizable, but others will be less well known. Each of them, however, achieved notoriety in some area of activity—politics, business, agriculture, the arts, entertainment, sports, education, military service, diplomacy, social reform, civic improvements, science, or religion.
Providing information on and insight into the lives, careers, personalities, and eras of all of the subjects, the book clearly presents the achievements of the featured individuals, as well as the richness of the state's heritage. Brief bibliographies after each entry direct the reader toward further research on a given subject.
Written in an easy-to-read and accessible style, the Dictionary of Missouri Biography will be an indispensable reference. Scholars, researchers, and the general reader will turn to this guide repeatedly to discover useful and reliable information about noteworthy Missourians. Every library, every school, every historian, and every Missouri family will want this important new work.
Drawing on original research in primary sources, this comprehensive study covers such topics as the Constitution of 1875, the impact of railroad expansion, the 1904 World's Fair, the Populist and Progressive movements, and World War I. It also deals with less familiar topics, such as the state's use of convict labor to save taxpayers money, the emergence of women's clubs, the arrival of moving pictures, and the terrible conditions under which coal miners worked and lived.
Research on the weekly newspapers of such towns as Edina, Bethany, Boonville, Mount Vernon, and Kennett provides a comparative regional and rural perspective on events that took place around the turn of the century, giving the reader a unique glimpse of what small-town life was like. The rapid growth of Missouri's cities is also discussed in detail. St. Louis's development as one of the nation's leading cities is fully recorded, as is the rise of smaller towns such as St. Joseph, Joplin, Springfield, and Sedalia. Kansas City's City Beautiful Movement and the rise of the Pendergast Machine are also treated.
Significant attention is given to World War I. The authors document Missourians' reliance on voluntarism to support the war effort, and they also explain how government officials mobilized the citizens of the state to support the war, especially Missourians of German ancestry. The book fully details the experiences of African Americans and women who lived in Missouri during the period.
This extensive and balanced coverage of Missouri as it moved into the twentieth century will be the authoritative volume on the subject for decades to come. Anyone with an interest in Missouri history will treasure this informative new resource.
In 1858, Cyprian Clamorgan wrote a brief but immensely readable book entitled The Colored Aristocracy of St. Louis. The grandson of a white voyageur and a mulatto woman, he was himself a member of the "colored aristocracy." In a setting where the vast majority of African Americans were slaves, and where those who were free generally lived in abject poverty, Clamorgan's "aristocrats" were exceptional people. Wealthy, educated, and articulate, these men and women occupied a "middle ground." Their material advantages removed them from the mass of African Americans, but their race barred them from membership in white society.
The Colored Aristocracy of St. Louis is both a serious analysis of the social and legal disabilities under which African Americans of all classes labored and a settling of old scores. Somewhat malicious, Clamorgan enjoyed pointing out the foibles of his friends and enemies, but his book had a serious message as well. "He endeavored to convince white Americans that race was not an absolute, that the black community was not a monolith, that class, education, and especially wealth, should count for something."
Despite its fascinating insights into antebellum St. Louis, Clamorgan's book has been virtually ignored since its initial publication. Using deeds, church records, court cases, and other primary sources, Winch reacquaints readers with this important book and establishes its place in the context of African American history. This annotated edition of The Colored Aristocracy of St. Louis includes an introductory essay on African Americans in St. Louis before the Civil War, as well as an account of the lives of the author and the members of his remarkable family—a family that was truly at the heart of the city's "colored aristocracy" for four generations.
A witty and perceptive commentary on race and class, The Colored Aristocracy of St. Louis is a remarkable story about a largely forgotten segment of nineteenth-century society. Scholars and general readers alike will appreciate Clamorgan's insights into one of antebellum America's most important communities.
Rarely has an individual's life been so inseparable from his writing as was Randolph Bourne's. His work reveals not only his political viewpoints but also his humanistic personality and the tumultuous era during which he lived. Forgotten Prophet carefully examines the intellect and personality of the "born essayist" who saw clearly both his century's potential for harmony and the danger that it faced from the lingering tides of nineteenth-century European nationalism.
Disfigured and hunchbacked, Bourne reacted to his disability not with bitterness or self-pity, but rather with an exuberant love for beauty and a compassion for humanity that created in him a longing for a truly cosmopolitan society—a "trans-national America" that would draw its strength from ethnic diversity and political pluralism. Nearly alone among American intellectuals, Bourne actively denounced involvement in World War I. He foresaw that, beyond the horrible cost in young lives, the war would bring in its wake the spiritual impoverishment of the nation and the disillusionment of its youth; it would strangle reform and social tolerance, exacerbate racism and nativism, and plant the seeds for further international instability. Although derided and largely ignored at the time they were written, Bourne's fearful predictions would all too quickly be confirmed in the dissolute frenzy of the jazz age, the turmoil of the 1930s, and the social chaos that brought about the rise of fascism in Europe and, soon, an even more destructive war.
Bourne did not live to witness this terrifying unfolding of events. His career as a social critic was brief but prolific. When he died in 1918 at the age of thirty-two, a victim of the flu epidemic, he had completed three books and more than a hundred essays. His first book, Youth and Life, is considered by some to be the original manifesto of the counterculture. From his earliest years as a writer, Bourne was identified as a voice for youth, idealism, and progress in human relations. Forgotten Prophet characterizes Bourne not just as a foreseer of this century's bloodshed but, equally important, as an apostle of hope—a champion of what was best, most truthful in the arts, in politics, and in the conduct of our daily lives.
From Abraham Lincoln’s stance on international slavery to George W. Bush’s incursions on the world stage, American presidents and other leaders have taken decisive actions to shape our country’s foreign policy. This new collection of essays provides analytical narratives of how and why policies were devised and implemented that would determine the place of the United States in the international arena from the 1860s to the present. Showing what individuals do—or choose not to do—is central to understanding diplomacy in peace and war.
These writings—by such prominent historians as Terry H. Anderson and Eugene P. Trani—examine presidents and other diplomats at their best and worst in the practice of statecraft. They take on issues ranging from America’s economic expansion abroad to the relations of democracies with authoritarian leaders and rogue nations to advocacy of such concepts as internationalism, unilateralism, nation building, and regime change. In so doing, they take readers on a virtual tour of American diplomatic history, tracing the ideas and actions of individuals in shaping our foreign policy, whether George F. Kennan as author of Soviet containment or Ronald Reagan as progenitor of “Star Wars.”
The essays range over a variety of scenarios to depict leaders coming to grips with real-world situations. They offer original views on such topics as American diplomacy toward Nicaragua, origins of U.S. attitudes toward Russia and the Soviet Union, FDR’s idiosyncratic approach to statecraft, and food diplomacy as practiced by LBJ and Richard Nixon. And in considering post–Cold War crises, they address Bill Clinton’s military interventions, George W. Bush’s war against Iraq, and the half-century background to the current nuclear standoff with Iran. Additional articles pay tribute to the outstanding career of Robert H. Ferrell as a scholar and teacher.
Throughout the volume, the authors seek to exemplify the scholarly standards of narrative diplomatic history espoused by Robert Ferrell—especially the notion that historians should attempt to explain fully the circumstances, opportunities, and pressures that influence foreign policy decisions while remembering that historical actors cannot with certainty predict the outcomes of their actions. Presidents, Diplomats, and Other Mortals is both a collection of compelling historical studies and an overarching case study of the role of individuals in foreign policy making and an insightful review of some of history’s most important moments. Taken together, these essays provide a fitting tribute to Ferrell, the trailblazing scholar in whose honor the book was written.
Although she died cruelly at Auschwitz at the age of twenty-nine, Etty Hillesum left a lasting legacy of mystical thought in her letters and diaries. Hillesum was a complex and powerful witness to the openness of the human spirit to the call of God, even under the most harrowing circumstances. Her life was as much shaped by Hitler’s regime as was that of philosopher Eric Voegelin, and as Meins Coetsier reveals, her thought lends itself to interpretation from a uniquely Voegelinian perspective.
Etty Hillesum and the Flow of Presence analyzes the life and writings of Hillesum from the standpoint of Voegelin’s views on consciousness—especially his philosophy of luminous participation in the transcendent ground of being. Through a careful reading of her letters and diaries, Coetsier reveals the inner development of Hillesum’s mystically grounded resistance to Nazism as he guides readers through the symbolism of her spiritual journey, making effective use of Voegelin’s analytics of experience and symbolization to trace her path to spiritual truth.
Intertwining the lives, works, and visions of these two mystical thinkers, Coetsier demonstrates his mastery of both Voegelin’s philosophy and Hillesum’s Dutch-language materials. He shows how mystical attunement to the “flow of presence”—Voegelin’s designation for human responsiveness to the divine—is the key to the development of Hillesum’s life and writings. He displays a special affinity for the suffering and grace-filled transformation that she underwent as she approached the end of her life and gained insight into the ultimate purpose of each individual’s contribution to the well-being and maintenance of the human spirit.
Retrieving one of the lesser-known but most compelling figures of the Holocaust, Etty Hillesum and the Flow of Presence is an original contribution to both Voegelin and Hillesum scholarship that reflects these writers’ strong valuation of the human person. It presents Hillesum’s life and work in an original and provocative context, shedding new light on her experiences and their symbolizations while further broadening the application of Voegelin’s thought
Anthony Collings found himself in his share of difficult situations in his thirty-four years as a newsman. Like being captured by AK-47–toting Syrians in Lebanon in 1981 while looking for missiles that threatened a new outbreak of hostilities with Israel, or being “detained” by the KGB in Moscow in 1967 during his first foreign posting for the Associated Press filing stories about Soviet dissidents.
Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity.
Collins views these controversial poems in a different light, as a literary work that is a product of European court culture. She shows that the Soledades are in essence a court masque, an elaborate theatrical genre that combines a variety of cultural forms and that unfolds in the mind of the reader. Collins maintains that far from serving as an example of "art for art's sake," the Soledades represent Góngora's bid to transform poetic language into a new kind of visionary discourse that allows readers to access secret truths invisible to the average member of the reading public.
Each of Collins's four chapters analyzes a different facet of the Soledades, offering readers varied means of approaching Góngora's great work and helping the audience read the poems with greater understanding and appreciation.
The Soledades, Góngora's Masque of the Imagination demystifies the daunting, hermetic language of the Soledades to make this masterpiece of imperial Spain accessible to a new, and wider, circle of modern readers. Collins's book transports readers to the court of Habsburg Spain, offering a window to court culture—art, music, alchemy, emblems, garden architecture—and revealing the remarkable beauty of one of Spain's greatest literary masterpieces. Interdisciplinary and cross-cultural in approach, this book will appeal to all Hispanists, including those interested in the current "New Baroque" vogue in Hispanic scholarship, as well as specialists in Renaissance and Baroque English and European literature.
Commager on Tocqueville is Henry Steele Commager's masterful interpretation of Alexis de Tocqueville's Democracy in America. Using Tocqueville's classic as a vehicle for discussing such contemporary issues as the environment, civil rights, and the military-industrial complex, Commager calls for a new vision of American leadership that trascends nationalism.
Scholars have long debated the meaning of the pursuit of happiness, yet have tended to define it narrowly, focusing on a single intellectual tradition, and on the use of the term within a single text, the Declaration of Independence. In this insightful volume, Carli Conklin considers the pursuit of happiness across a variety of intellectual traditions, and explores its usage in two key legal texts of the Founding Era, the Declaration and William Blackstone’s Commentaries on the Laws of England.
For Blackstone, the pursuit of happiness was a science of jurisprudence, by which his students could know, and then rightly apply, the first principles of the Common Law. For the founders, the pursuit of happiness was the individual right to pursue a life lived in harmony with the law of nature and a public duty to govern in accordance with that law. Both applications suggest we consider anew how the phrase, and its underlying legal philosophies, were understood in the founding era. With this work, Conklin makes important contributions to the fields of early American intellectual and legal history.
This comparative study of American state constitutions offers insightful overviews of the general and specific problems that have confronted America’s constitution writers since the founding. Each chapter reflects the constitutional history and theory of a single state, encompassing each document’s structure, content, and evolution.
The text is grounded in the model presented by constitutional scholar Donald S. Lutz in The Origins of American Constitutionalism so that even when a state has a relatively stable constitutional history, Lutz’s framework can be used to measure the evolving meaning of the document. With contributors drawn from state governments as well as academia, this is the first work to offer a framework by which state constitutions can be analyzed in relation to one another and to the federal Constitution.
The volume begins with chapters on the New England, Mid-Atlantic, Border, and Southern states. While regional similarities within and between the New England and Mid-Atlantic states are noteworthy, the colonial aspect of their history laid the foundation for national constitution-making. And while North and South moved in distinct directions, the Border states wrestled with conflicting constitutional traditions in the same way that they wrestled with their place in the Union.
Southern states that seceded are shown to have had a common set of problems in their constitutions, and the post–Civil War South emerged from that conflict with a constitutionalism that was defined for it by the war’s victors. These chapters reveal that constitutional self-definition, while not evident in all of the former Confederate states, has redeveloped in the South in the intervening 140 years.
Sections devoted to the Midwest, the Plains, the Mountain West, the Southwest, and the West reflect the special circumstances of states that arose from American expansion. Chapters describe how states of the Midwest, united by common roots in the Northwest Ordinance, wrote constitutions that were defined by that act’s parameters while reflecting the unique cultural and political realities of each state. Meanwhile, the Plains states developed a constitutionalism that was historically rooted in progressivism and populism, sometimes in the clash between these two ideologies.
Perhaps more than any other region, the Mountain West was defined by the physical landscape, and these chapters relate how those states were able to define their individual constitutional identities in spite of geography rather than because of it. And although western states borrowed heavily from those with much older constitutional traditions, the contributors reveal that they borrowed differently—and in different proportions—in order to craft constitutions that were uniquely adapted to their historical situation and peoples.
This work demonstrates the diversity of our governmental arrangements and provides a virtual introduction to the political culture of each—many offering stories of constitutional foundings that are rich with meaning. Although these fifty documents are defined in a federal context, state constitutions are necessary to complete the constitutionalism of the United States.
Douglas Wixson's introduction to this new edition of Conroy's classic provides biographical information on the aspects of Conroy's life that influenced his writings, explores the socialist movement of the 1930s, and examines the critical reaction to the novel, showing why The Disinherited has endured both as historical document and as fiction.
This important new work is a major analysis of the foundation of Eric Voegelin's political science. Barry Cooper maintains that the writings Voegelin undertook in the 1940s provide the groundwork for the brilliant book that is one of his best known, The New Science of Politics. At the time of that book's publication, however, few were aware of the enormous knowledge and accomplished scholarship that lay behind its illuminating, although sometimes baffling, formulations.
By focusing on several of the key chapters in Voegelin's eight- volume History of Political Ideas, especially the studies of Bodin, Vico, and Schelling, Cooper shows how those studies provide the basis for Voegelin's thought. Investigating Voegelin's study of Oriental influences on Western political "ideas," especially Mongol constitutional law, and his study of Toynbee, Cooper seeks to demonstrate the vast range of materials Voegelin used.
Cooper contends that, as with other great thinkers, political crisis, specifically the world war of 1939-1945, stimulated Voegelin's intellectual and spiritual achievement. He provides an analysis of Voegelin's immediate concern with the course of World War II, his ability to understand those dramatic events in a large context, and his ability to provide an insightful account of the causes, the significance, and the consequences of the spiritual and political disorder that was evident all around him.
In Eric Voegelin and the Foundations of Modern Political Science, Cooper makes the connection between Voegelin's political writings of the 1940s and the meditative interpretations that began to appear with the publication of Anamnesis and with the later volumes of Order and History much more intelligible than does any existing discussion of Voegelin. Scholars in intellectual history and political science will benefit enormously from this valuable new addition to Voegelin studies.
In New Political Religions, or an Analysis of Modern Terrorism, Barry Cooper applies the insights of Eric Voegelin to the phenomenon of modern terrorism. Cooper points out that the chief omission from most contemporary studies of terrorism is an analysis of the “spiritual motivation” that is central to the actions of terrorists today. When spiritual elements are discussed in conventional literature, they are grouped under the opaque term religion. A more conceptually adequate approach is provided by Voegelin’s political science and, in particular, by his Schellingian term pneumopathology—a disease of the spirit.
While terrorism has been used throughout the ages as a weapon in political struggles, there is an essential difference between groups who use these tactics for more of less rational political goals and those seeking more apocalyptic ends. Cooper argues that today's terrorists have a spiritual perversity that causes them to place greater significance on killing than on exploiting political grievances. He supports his assertion with an analysis of two groups that share the characteristics of a pneumopathological consciousness—Aum Shinrikyo, the terrorist organization that poisoned thousands of Tokyo subway riders in 1995, and Al-Qaeda, the group behind the infamous 9/11 killings.
Although his contributions to philosophy are revered and his writings have been collected, Eric Voegelin’s persona will inevitably fade with the memories of those who knew him. This book preserves the human element of Voegelin by capturing those valuable personal recollections.
Barry Cooper and Jodi Bruhn conducted intensive interviews with Voegelin’s wife, his closest friends, and his first-generation students—many of whom have since passed on—in order to bring to print everything important about his life and personality. American scholars will especially appreciate the glimpses provided by Voegelin’s German colleagues into his life in Munich, as well as the thoughts of his students in Vienna. Reflections of people such as Paul Caringella, Bruno Schlesinger, and Heinz Barazon capture Voegelin’s greatness and shortcomings alike and also shed new light on his philosophical quest for truth.
By descending progressively further into the past, the book takes readers deeper into the essence of Voegelin as reminiscences become more dramatic. Ranging widely from America back to Germany—with recollections of Gestapo intimidation and eventual emigration—the accounts interweave episodes of pathos, humor, fear, rivalry, and ambition. We witness Voegelin’s persistent and partly self-imposed communication problems and impatience with administrative duties, his respect for prudent political actors and public servants, and his genuine affection not only for his colleagues and best students but also for diligent secretaries and empathetic nurses. Through these recollections, key elements of his personality repeatedly emerge: his intelligence, optimism, and integrity, combined with an acute perception of the significance of his work.
This is the most revealing and comprehensive biographical work yet available on a man known to be captivating as a thinker—and now shown to be equally fascinating as a human being. His own publications attest to his mind and methods; Voegelin Recollected provides a deeper understanding of the man himself.
For much of his career, British political philosopher Michael Oakeshott was identified with Margaret Thatcher’s conservative policies. He has been called by some a guru to the Tories, while others have considered him one of the last proponents of British Idealism. Best known for such books as Experience and Its Modes and Rationalism in Politics, Oakeshott has been the subject of numerous studies, but always with an emphasis on his political thought.
After World War II more than one hundred books appeared that dealt with the experience of the Italian army in Russia, and particularly the terrible winter retreat of 1942-1943. Few Returned (I piu' non ritornano) is the only one of these that is still regularly reissued in Italy.
Eugenio Corti, who was a twenty-one-year-old second lieutenant at the time, found himself, together with 30,000 Italians and a smaller contingent of Germans, encircled on the banks of the River Don by enemy forces who far outnumbered them. To break out of this encirclement, these men undertook a desperate march across the snow, with constant engagements and in temperatures ranging from -20 to -30 degrees Fahrenheit. Whereas supplies were air-dropped to the Germans, the predicament of the Italians was far more difficult: lacking gasoline, they were compelled to abandon their vehicles and to proceed without heavy arms, equipment, ammunition, or provisions. Even the wounded had to be abandoned, though it was well known that the soldiers of the Red Army"enraged by the brutality of the German invasion"killed all the enemy wounded who fell into their hands. After twenty-eight days of encirclement, only 4,000 of the 30,000 Italians made it out of the pocket.
Why is it that Corti's book, which was first published in 1947, continues after fifty years to be reprinted in Italy? Because, as Mario Apollonio of the University of Milan said, when the book first appeared: "It is a chronicle . . . but it is much more than that: behind the physical reality, there is the truth" about man at his most tragic hour. Apollonio adds: "The power of the writing immediately transforms the document into drama"; the result is a "novel-poem-drama-history." The philosopher Benedetto Croce found in Corti's book "the not infrequent gleam of human goodness and nobility." Few Returned is a classic of war literature that succeeds in bringing home the full hatefulness of war.
Eugenio Corti began writing his diary at a military hospital immediately after being repatriated from the Russian front. When in September 1943 Italy found itself cut in two by the Armistice, Corti, loyal to his officer's oath, joined up with what remained of the Italian army in the south and with those few troops participated in driving the Germans off Italian soil, fighting at the side of the British Eighth and the American Fifth Armies.
In a time when most Americans never questioned the premise that women should be subordinate to men, and in a place where only white men enjoyed fully the rights and privileges of citizenship, many women learned how to negotiate societal boundaries and to claim a share of power for themselves in a male-dominated world.
Covering the early nineteenth through the early twentieth centuries, Negotiating Boundaries of Southern Womanhood describes the ways southern women found to advance their development and independence and establish their own identities in the context of a society that restricted their opportunities and personal freedom.
They confronted, cooperated with, and sometimes were co-opted by existing powers: the white and African American elite whose status was determined by wealth, family name, gender, race, skin color, or combinations thereof. Some women took action against established powers and, in so doing, strengthened their own communities; some bowed to the powers and went along to get along; some became the powers, using status to ensure their prosperity as well as their survival. All chose their actions based on the time and place in which they lived.
In these thought-provoking essays, the authors illustrate the complex intersections of race, class, and gender as they examine the ways in which southern women dealt with "the powers that be" and, in some instances, became those powers. Elitism, status, and class were always filtered through a prism of race and gender in the South, and women of both races played an important role in maintaining as well as challenging the hierarchies that existed.
Despite their prevailing image and stereotype, southern women have often gone "beyond convention," living on their own terms within a society that revered tradition and compliance. Spanning the colonial era to the mid-twentieth century, Beyond Image and Convention documents women from widely varied social, economic, religious, and ethnic backgrounds who acted outside the accepted gender boundaries of their day.
Reflecting the quality and breadth of current scholarship in the field of southern women's history, this collection of essays relies upon previously untapped documentary evidence and, in the process, crafts provocative new interpretations of our collective past. The essays explore the historical experience of black and white southern women across nearly three centuries, including a white woman's sexual misconduct in colonial North Carolina, one slave woman's successful attempt to carve out an autonomous existence in southwestern Virginia, an ex-slave's fight for freedom in postbellum Missouri, and the civil rights activism of two white southern women—Sarah Patton Boyle of Virginia and Alice Norwood Spearman of South Carolina.
Breaking new ground in the study of women's history, Beyond Image and Convention provides valuable insights for both specialists and general readers.
All of these essays attest to the importance of this late work in Twain’s canon, whether considering how Twain’s efforts at truth-telling are premeditated and shaped by his own experiences, tracing the biblical and religious influences that resonate in No. 44, or exploring the text’s psychological dimensions. Several address its importance as a culminating work in which Twain’s seemingly disjointed story lines coalesce in meaningful, albeit not always satisfactory, ways. An afterword by Alan Gribben traces the critical history of the “Mysterious Stranger” manuscripts and the contributions of previous critics. A wide-ranging critical introduction and a comprehensive bibliography on the last century of scholarship bracket the contributions.
Close inspection of this multidimensional novel shows how Twain evolved as a self-conscious thinker and humorist—and that he was a more conscious artist throughout his career than has been previously thought. Centenary Reflections deepens our understanding of one of Twain’s most misunderstood texts, confirming that the author of No. 44 was a pursuer of an elusive truth that was often as mysterious a stranger as Twain himself.
More than a military history, Cunningham’s account records the quest of black men, many of them former slaves, for inclusion in American society. Many came from the bottom of the socioeconomic order and found that as militiamen they could gain respect within their communities. And by marching in public ceremonies and organizing fund-raising activities to compensate for lack of financial support from the state, they also strengthened the ties that bound African American communities together.
Lester A. Walton was a well-known public figure in his day. An African American journalist, cultural critic, diplomat, and political activist, he was an adviser to presidents and industrialists in a career that spanned the first six decades of the twentieth century. He was a steadfast champion of democracy and lived to see the passage of major civil rights legislation. But one word best describes Walton today: forgotten.
Exploring the contours of this extraordinary life, Susan Curtis seeks to discover why our collective memory of Walton has failed. In a unique narrative of historical research, she recounts a fifteen-year journey, from the streets of Harlem and “The Ville” in St. Louis to scattered archives and obscure public records, as she uncovers the mysterious circumstances surrounding Walton’s disappearance from national consciousness. And despite numerous roadblocks and dead ends in her quest, she tells how she came to know this emblematic citizen of the American Century in surprising ways.
In this unconventional book—a postmodern ghost story, an unprecedented experiment in life-writing—Curtis shares her discoveries as a researcher. Relating her frustrating search through long-overlooked documents to discover this forgotten man, she offers insight into how America’s obsession with race has made Walton’s story unwelcome. She explores the treachery, duplicity, and archival accidents that transformed a man dedicated to the fulfillment of American democracy into a shadowy figure.
Combining anecdotal memories with the investigative instincts of the historian, Curtis embraces the subjectivity of her research to show that what a society forgets or suppresses is just as important as what it includes in its history. Colored Memories is a highly original work that not only introduces readers to a once-influential figure but also invites us to reconsider how we view, understand, and preserve the past.
By using Scott Joplin's life as a window onto American social and cultural development at the turn of the century, this biography dramatizes the role of one brilliant African American musician in defining the culture of a still-young nation.
On April 5, 1917, Three Plays for a Negro Theater by Ridgely Torrence opened at the Garden Theatre in New York City. This performance was a monumental event in American stage history. Not only was this the first dramatic production to portray African American life beyond the cliché, it was also the first production on Broadway to feature an all-black cast. The morning after the three plays were performed, newspapers were filled with praise for the cast, crew, and playwright. Audience member W. E. B. Du Bois declared the show "epoch making." Despite such early critical acclaim, Three Plays for a Negro Theater closed before the end of the month and received little attention thereafter.
Why was a nation, so fascinated with firsts, able to forget these black actors and this production so quickly? It is this question that Susan Curtis addresses in The First Black Actors on the Great White Way.
Set against the backdrop of transforming theater conventions in the early 1900s and the war in 1917, this important study relates the stories of the actors, stage artists, critics, and many others—black and white—involved in this groundbreaking production. Curtis explores in great depth both the progress in race relations that led to this production and the multifaceted reasons for its quick demise.
Three Plays for a Negro Theater opened on the eve of the United States' entrance into World War I. Curtis attributes the early closure of the three plays to this coincidence, but she does not settle for so simple an explanation. Rather, she investigates the heightened national self-consciousness that followed the United States' entry into the war. America was ready to "make the world safe for democracy," but it was not fully ready to accept democracy and equality in its own culture.
The First Black Actors on the Great White Way is not simply a study of African American theater and its entrance into American culture. By focusing on a single event at a critical moment in history, Curtis offers a unique glimpse into race relations in early-twentieth-century American society. The experience of these pioneering artists reveals an unexplored aspect of the painfully slow evolution of racial equality.
A remarkable story about people who waged an extraordinary campaign against racism, The First Black Actors on the Great White Way will be of special interest to scholars of American studies, race relations, and cultural history, as well as the general reader.
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