When E. Franklin Frazier was elected the first black president of the American Sociological Association in 1948, he was established as the leading American scholar on the black family and was also recognized as a leading theorist on the dynamics of social change and race relations. By 1948 his lengthy list of publications included over fifty articles and four major books, including the acclaimed Negro Family in the United States. Frazier was known for his thorough scholarship and his mastery of skills in both history and sociology.

With the publication of Bourgeoisie Noire in 1955 (translated in 1957 as Black Bourgeoisie), Frazier apparently set out on a different track, one in which he employed his skills in a critical analysis of the black middle class. The book met with mixed reviews and harsh criticism from the black middle and professional class. Yet Frazier stood solidly by his argument that the black middle class was marked by conspicuous consumption, wish fulfillment, and a world of make-believe. While Frazier published four additional books after 1948, Black Bourgeoisie remained by far his most controversial.

Given his status in American sociology, there has been surprisingly little study of Frazier's work. In E. Franklin Frazier and Black Bourgeoisie, a group of distinguished scholars remedies that lack, focusing on his often-scorned Black Bourgeoisie.

This in-depth look at Frazier's controversial publication is relevant to the growing concerns about racism, problems in our cities, the limitations of affirmative action, and the promise of self-help.

Eagles on Their Buttons is a fascinating examination of the Fifth Regiment of Infantry, United States Colored Troops—the Union Army's first black regiment from Ohio. Although the Fifth USCT was one of more than 150 regiments of black troops making up more than 10 percent of the Union Army at the end of the war, it was unique. The majority of USCT regiments were made up of freed men who viewed the army as an escape from slavery and a chance to take up arms against their former masters. The men serving in the 5th USCT, however, were freemen who were raised in a northern state and saw serving in the army both as a way to gain equal rights under the law and as an opportunity to prove their worth as men.

Because historians have written little on this subject, many Americans believe that African Americans simply received their freedom with the Emancipation Proclamation. They know nothing about the struggles these courageous people endured to gain their independence. Now, by incorporating personal documents, letters, diaries, and official records, Eagles on Their Buttons sheds important new light on this unfamiliar aspect of the Civil War. Versalle Washington shows what caused the soldiers in the Fifth USCT to join their regiment, what sort of men they were, and how they fought and lived as African American soldiers under white officers. He discusses the regiment's service, addressing its role in the siege of Petersburg, the battle of Chapin's Farm, and the capture of Fort Fisher and the port of Wilmington. Washington also looks at what effects the soldiers' service had in terms of societal changes following the Civil War.

Eagles on Their Buttons is a fresh contribution to Civil War scholarship and will be welcomed by professional historians and amateur Civil War buffs alike.

This book is part of the University of Missouri Press' Shades of Blue and Gray series.

This study traces the shaping presence of cultural interactions, arguing that American literature has become a hybridization of Eastern and Western literary traditions. Cultural exchanges between the East and West began in the early decades of the nineteenth century as American transcendentalists explored Eastern philosophies and arts. Hakutani examines this influence through the works of Emerson, Thoreau, and Whitman. He further demonstrates the East-West exchange through discussions of the interactions by modernists such as Yone Noguchi, Yeats, Pound, Camus, and Kerouac.

Finally, he argues that African American literature, represented by Richard Wright, Ralph Ellison, Alice Walker, Toni Morrison, and James Emanuel, is postmodern. Their works exhibit their concerted efforts to abolish marginality and extend referentiality, exemplifying the postmodern East-West crossroads of cultures. A fuller understanding of their work is gained by situating them within this cultural conversation. The writings of Wright, for example, take on their full significance only when they are read, not as part of a national literature, but as an index to an evolving literature of cultural exchanges.

When the United States entered the Second World War, eighteen-year-old enlistees were routinely assigned temporary duties and not sent into battle until they turned nineteen. But as the fighting dragged on, America was eventually forced to draft younger men into combat to replace wounded troops—and following the Battle of the Bulge, more than 300,000 eighteen-year-olds were sent as replacements to the army’s decimated divisions.

In The Eighteen-Year-Old Replacement, Richard Kingsbury brings an often-overlooked perspective to the annals of World War II. Torn from an ordinary teenager’s life in the Midwest, young Dick was drafted six weeks after D-Day and rushed with other eighteen-year-olds to the Siegfried Line to bolster Patton’s 94th Infantry Division. His reminiscence provides a moving, diarylike account of what he endured both physically and emotionally—and tells how he went from boyhood to manhood almost overnight.

In prose that is both succinct and evocative, Kingsbury recounts his experiences as a rifleman during the final bloody battles in Germany, giving readers a real feel for what combat was like for a raw recruit. He recalls his first night in a foxhole on the front line and the “unbelievable luxury” of sleeping in a barn’s hayloft. He relives freezing cold at the Bulge, which permanently damaged his legs, and the pounding of enemy artillery during Patton’s breakthrough of the German West Wall, which affected his hearing for life.

More poignantly, Kingsbury shares his anxieties over killing—as well as the distinct possibility of being killed as Wehrmacht tanks mercilessly blasted individual foxholes at Bannholz Woods. He vividly recalls Patton’s attack on Ludwigshafen, on the west bank of the Rhine, where he took a German bullet in his chest—and where three of the six newly arrived eighteen-year-olds were killed.

Interspersed with the accounts of battle are letters between Dick and Mary Jo, his sweetheart back home, capturing the blossoming of romance that transcended both distance and bloodshed. His book casts a new light on war—and courtship—in an era when boys were rushed from the home front to the front lines. By showing how crucial the contribution of these young men was to the war effort, this book gives the eighteen-year-old replacements the recognition they have long deserved.

Elizabeth Barrett Browning believed that "Christ's religion is essentially poetry—poetry glorified." In Elizabeth Barrett Browning's Spiritual Progress, Linda M. Lewis studies Browning's religion as poetry, her poetry as religion. The book interprets Browning's literary life as an arduous spiritual quest—the successive stages being a rejection of Promethean pride for Christ-like humility, affirmation of the gospels of suffering and of work, internalization of the doctrine of Apocalypse, and ascent to divine love and truth.

Lewis follows this religious crusade from the poet's childhood to her posthumous Last Poems--including such topics as her Bible reading, her introduction to the Greek church fathers and the English Protestant reformers, the theological debates in which she participated, her quarrel with the theology of Paradise Lost, and her scandalous involvement in mesmerism and Swedenborgianism. Using insights from contemporary feminist thought, Lewis argues that Browning's religious assumptions and insights range from the conventional to the iconoclastic and that women's spirituality is, for Browning as well as for other Victorian women writers, separate from orthodox patriarchy. Lewis demonstrates that Browning's political and social ideology--often labeled inconsistent and illogical—really makes sense in light of this spiritual quest, which leads her to confront her God "face to face."

Elizabeth Barrett Browning's Spiritual Progress examines not only Browning's most admired works, such as Sonnets from the Portuguese and Aurora Leigh, but also her large body of political works and her important early poems—The Seraphim and A Drama of Exile. This intertextual book compares Browning's ideology to that of feminists such as Margaret Fuller, Harriet Martineau, and Florence Nightingale; influential conservatives such as Thomas Carlyle; and those most esteemed of Victorian poets, Alfred Lord Tennyson and Robert Browning.

Concluding with an examination of religion as a central focus of Victorian women poets, Lewis clarifies the ways in which Browning differs from Christina Rossetti, Felicia Hemans, Dora Greenwell, Jean Ingelow, and Mary Howitt. Elizabeth Barrett Browning's Spiritual Progress maintains that Browning's peculiar face-to-face struggle with the patristic and poetic tradition—as well as with God—sets her work apart.  

Of all the great ballplayers to wear Yankee pinstripes, Elston Howard was among the proudest. Remarkable temperament and courage made him the Jackie Robinson of baseball's most storied franchise. No Yankee carried himself with more dignity. No Yankee had greater respect for his teammates or love for his wife and family. And no one loved being a Yankee more than Elston Howard.

In Elston and Me, Howard's widow, Arlene, and coauthor Ralph Wimbish recall the life of the first black to play baseball for the New York Yankees. Howard, who played fourteen major-league seasons, was signed by the Yankees in 1950, but the reluctance of the Yankee organization to break the color barrier held Howard back from the major leagues until 1955 when he was twenty-six years old.

By 1961, the year he batted .348 for the Yankees, Elston had become the everyday catcher. Voted the American League's Most Valuable Player in 1963, Howard was a three-time Gold Glove winner, and his fielding average of the same year remains one of the highest among catchers in major-league history.

In 1967, with the Yankee dynasty in decay, Elston was traded to the Boston Red Sox, although Yankee management had promised him that he would finish his career in pinstripes. After contemplating retirement, he moved to Boston late that season and helped the Red Sox win the "Impossible Dream" pennant. After one more season with the Red Sox, he returned to the Yankees as the first black coach in the American League. Howard died at the age of fifty-one without fulfilling his dream of becoming baseball's first black manager.

Beginning with Howard's early years as a St. Louis teenager, the book relates his encounters with racism and his love of baseball. He began his professional career for the legendary Negro League team the Kansas City Monarchs. His three decades with the New York Yankees include numerous anecdotes about fellow Yankee legends such as Mickey Mantle, Whitey Ford, and Yogi Berra. With countless personal moments and never-before- published photographs and clippings from family albums, Elston and Me is the touching story of one of baseball's great players.

Ralph Waldo Emerson is universally recognized as one of America's most influential authors and thinkers.  Before achieving eminence as lecturer, essayist, and poet, though, he was a Unitaarian preacher.  Emerson in His Sermons is the first major study of the sermons since the publication of The Complete Sermons of Ralph Waldo Emerson.  Susan Roberson examines Emerson's ministerial career from 1826 to 1832, shedding new light on those early, crucial years in Emerson's personal and intellectual development.

Treating the sermons extensively as an autobiographical text, Roberson establishes that Emerson's years in the pulpit were pivotal and that his sermons are key texts in revealing the essential development of his thought.  Central to Roberson's explication of the sermons is Emerson's conception of self-reliance, his invention of a new hero for a new age, and his merging of his own identity with that heroic idea.

Roberson focuses on Emerson's reaction to what was perhaps the most signifcant event in his personal life:  the death of his young wife, Ellen, of tuberculosis in 1831, after only sixteen months of marriage.  Roberson's correlation of the sermons written during that time with the complexity of Emerson's emotional and intellectual response to the tragedy of Ellen's illness and death is the most detailed and sophisticated treatment of that material to date.

Roberson understands Emerson's emergence from the ministry as his rejection of ready-made institutions and sytems of thought.  Through her careful readings of the sermons, Roberson finds that Emerson's objective was less the translation of his life into writing than the translation of his life through writing.  By considering the sermons in this way, Roberson is able to enrich our understanding of the private and passionte impulses of this seminal thinker.

Emerson in His Sermons offers the first real look at how the sermons fit into Emerson's own development and will have a far-reaching impact on Emerson scholarship.  Anyone concerned with the cultural and religious history of America will find this book invaluable.

Everyone knows that Emerson was a moralist, but what does that really mean? In an attempt to answer that question, Gustaaf Van Cromphout provides in Emerson's Ethics a detailed and philosophically grounded discussion of Emerson's moral thought. In this first comprehensive study of Emerson's ethics in the broader context of ethical theory, Van Cromphout explores Emerson's answers to what he considered the basic question facing any thinking human being: "How should I live?"

Van Cromphout begins by examining Emerson's college essays on ethics—essays that reflect his response to the moral thought prevailing in his intellectual environment. He then discusses the mature Emerson's attempt to establish ethics on a surer foundation than the religion inherited from his forebears, showing that Emerson was influenced significantly by Kant's moral thought.

He goes on to examine Emerson's search for a morally competent self in an age when the very notion of "self" was under serious threat. The ethical dimension of Emerson's politics and his theories of friendship and love, as well as the quest for a life worth living in the modern world, are also addressed. The last chapters are devoted to nature and literature. Van Cromphout explores Emerson's understanding of nature as a focus of ethical responsibility, and he examines the corruptibility of language, the ethics of self- expression, and the moral responsibilities of writers toward their audiences. Emerson believed that ethics permeated every aspect of human life. By examining Emerson's understanding of ethics and his contribution to ethical thought, Emerson's Ethics shows one of the truly great minds in American culture confronting issues of fundamental relevance to all human beings. Filling an important gap in Emerson studies, this book will appeal not only to readers interested in Emerson and his significance in American thought and literature but also to readers concerned with ethics and, more generally, with the interrelations of literature and philosophy.

  In this provocative study, Christopher Windolph analyzes Emersonian naturalism from the standpoint of nonlinearity, offering new ways of reading and thinking about Emerson’s stance toward naturalism and the influence of science on his thought. Drawing on ideas in perspective theory, architecture, and nonlinear dynamics to argue that Emerson’s natural philosophy follows from his analysis of the development of organic forms, Windolph breaks new ground in Emerson studies by exploring how considerations of shape and the act of seeing underpin all of Emerson’s theories about nature.

            Bringing to his study a focused attention to the history of Western science and philosophy, Windolph reexamines Emerson’s understanding of how the act of seeing occurs and of the eye’s ability to see through appearances to organizing principles, showing how Emerson’s naturalism extends beyond the narrow confines of traditional linear science. Through extensive readings of Emerson’s journals, essays, and lectures, Windolph shows that Emerson was an empirical idealist who integrated a scientific approach to nature with an exploration of nonlinear principles, revealing him to be more prescient in his writings about certain recent developments in scientific thought than has been realized.

            This work makes a major contribution to the ongoing study of Emerson and science, expanding Emerson’s role as a major American philosopher while rebutting those who see him primarily as a rhetorician or poetic propagandist. Emerson’s Nonlinear Nature opens new ways of thinking about Emerson’s work in its nineteenth-century contexts, reassesses his reception in twentieth-century criticism, and makes a strong case for his continuing relevance in the century ahead.

      Sarah Bernhardt, Sir Henry Irving, Edwin Booth . . . there was a time when they all played Kansas City. From star-studded engagements at ornate opera houses to risqué shows in Fourth Street honky-tonks, Kansas City was a cow town that wanted to civilize itself through the performing arts. And because it was a railway hub in the heyday of trouping, it opened its doors to America’s traveling performers.

            This book chronicles the “first golden age” of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I. Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Felicia Londré has gleaned long-lost nuggets of theater life—both the legitimate stage and popular fare—to create a fascinating account of a city and its theater culture.

            The Enchanted Years of the Stage is brimming with forgotten stories and historical illustrations that offer a new perspective on both the history of American theater and the humor and pathos of performers’ lives. It tells how James O’Neill once chased a messenger boy for ruining a big scene, while Louis James played practical jokes on fellow actors in the middle of Shakespeare performances; how police kept watch over the burlesque girls at the Folly to make sure their act wouldn’t reach the level of indecency allowed in St. Louis; how Orth Stein shot the manager of the Theatre Comique; and how Eddie Foy played his death scene in Kansas City—by dying there. Throughout the book, sidebars of Latchaw’s writing reflect the style and spirit of this bygone era.

            Offering a richer view of American theater than have accounts centered on New York, Londré’s book also yields a wealth of new insights into the social and political fabric of an emerging metropolis and testifies to the importance of the arts in the growth and reputation of a great city. By conveying the richness and complexity of road shows in Kansas City—a microcosm of the burgeoning national stage—she gives us a key piece in the mosaic that was American theater in a neglected but unforgettable era.

The English civil wars loom large in seventeenth-century history and literature. This period, which culminated in the execution of a king, the dismantling of the Established Church, the inauguration of a commonwealth, and the assumption of rule by a lord protector, was one of profound change and disequilibrium. Focusing on writers as major as Milton, Marvell, Herrick, and Vaughan, and as misunderstood as Fane, Overton, and the poet Eliza, the fifteen essays in this collection discuss not only the representation of the civil wars but also the ways in which the civil wars were anticipated, refigured, and refracted in the century's literary imagination.

Although all of the essays are historically grounded and critically based, they vary widely in their historical perspectives and critical techniques, as well as in their scope and area of concentration. Six of the essays are on Royalist literary figures, six are on figures traditionally associated with the Parliamentarian side of the civil wars, two consider both, and the remaining essay examines how Royalist writers refashioned a puritan literary trope.

Unified through the contributors' concentration on "moderate" voices and their recurrent concerns with the ambiguities of literary response, The English Civil Wars in the Literary Imagination provides an important understanding of the English civil wars' manifold and sometimes indirect presence in the literature of the period.

In Epic of the Dispossessed, Robert D. Hamner offers an insightful, well-researched analysis of Omeros, the masterful epic poem by 1992 Nobel Laureate Derek Walcott. Rich and various, Omeros is an innovative extension of the epic tradition. Despite Walcott's insistence that he violates the formulaþhe notes his autobiographical presence in the poem and the absence of classical heroic figures and epic battlesþthe poem incorporates fragments of all the definitive characteristics of the genre. Hamner establishes that through its self-reflexive textuality, Omeros complements the time-honored tradition of the epic by giving voice to the marginalized peoples of the New World.

Hamner briefly explains his perception of the epic tradition and its viability in contemporary literature. He examines Walcott's writing career and traces his development of devices, themes, techniques, and a narrative style essential to epic poetry. Although Walcott could not have fully anticipated Omeros, a retrospective view of his writing reveals the consistent accumulation of the skills and broad scope required for such an undertaking. Hamner attempts also to show that Walcott has incorporated into his personal style not only the more obvious aspects of his formal education but also uniquely West Indian cultural material and forms of expression.

Hamner describes Omeros as an epic of the dispossessed because each of its protagonists is a castaway in one sense or another. Regardless of whether their ancestry is traced to the classical Mediterranean, Europe, Africa, or confined to the Americas, they are transplanted individuals whose separate quests all center on the fundamental human need to strike roots in a place where one belongs.

Walcott's vivid, lyrical verse is visually compelling and aurally appealing. He is, however, a richly complex, allusive writer dealing with a wide range of profound human problems. Given the exciting climate of postcolonial and postmodern criticism, Walcott offers students and scholars unparalleled opportunities for challenging, creatively interpretive insights. Epic of the Dispossessed will be a valuable companion to the work that may prove to be Walcott's crowning achievement. The fresh and original Omeros stands on its own merits; nevertheless, it deserves to be examined in light of both Western tradition and its Caribbean context.

This is the first book to interpret the African dimension of contemporary Hispanic literature.

Equatorial Guinea, a former Spanish colony, is the only African country in which Spanish is an official language and which has a tradition of literature in Spanish. This is a study of the literature produced by the nation’s writers from 2007 to 2013. Since its independence in 1968, Equatorial Guinea has been ruled by dictators under whom ethnic differences have been exacerbated, poverty and violence have increased, and critical voices have been silenced. The result has been an exodus of intellectuals—including writers who express their national and exile experiences in their poems, plays, short stories, and novels. The writers discussed include Juan Tomás Ávila Laurel, Donato Ndongo-Bidyogo, and Guillermina Mekuy, among others.

This important new work is a major analysis of the foundation of Eric Voegelin's political science. Barry Cooper maintains that the writings Voegelin undertook in the 1940s provide the groundwork for the brilliant book that is one of his best known, The New Science of Politics. At the time of that book's publication, however, few were aware of the enormous knowledge and accomplished scholarship that lay behind its illuminating, although sometimes baffling, formulations.

By focusing on several of the key chapters in Voegelin's eight- volume History of Political Ideas, especially the studies of Bodin, Vico, and Schelling, Cooper shows how those studies provide the basis for Voegelin's thought. Investigating Voegelin's study of Oriental influences on Western political "ideas," especially Mongol constitutional law, and his study of Toynbee, Cooper seeks to demonstrate the vast range of materials Voegelin used.

Cooper contends that, as with other great thinkers, political crisis, specifically the world war of 1939-1945, stimulated Voegelin's intellectual and spiritual achievement. He provides an analysis of Voegelin's immediate concern with the course of World War II, his ability to understand those dramatic events in a large context, and his ability to provide an insightful account of the causes, the significance, and the consequences of the spiritual and political disorder that was evident all around him.

In Eric Voegelin and the Foundations of Modern Political Science, Cooper makes the connection between Voegelin's political writings of the 1940s and the meditative interpretations that began to appear with the publication of Anamnesis and with the later volumes of Order and History much more intelligible than does any existing discussion of Voegelin. Scholars in intellectual history and political science will benefit enormously from this valuable new addition to Voegelin studies.

  Although some critics of Eric Voegelin’s later work have faulted his failure to deal with the historical Jesus and to address the implications of Christianity for social and political life, the recent publication of Voegelin’s History of Political Ideas has allowed a more complete assessment of his position regarding the Christian political order. This book addresses that criticism through an analysis of Voegelin’s early work.

            In Eric Voegelin and the Problem of Christian Political Order, Jeffrey C. Herndon analyzes the development of Voegelin’s thought regarding the origins of Christianity in the person of Jesus, the development of the church in the works of Paul, and the relationship between an immanent institutional order symbolizing the divine presence and the struggle for social and political order. Focusing on the tension between a spiritual phenomenon based on Pauline faith and the institutionalization of that experience in the church, Herndon offers one of the first examinations of the relationship of the History of Political Ideas to Voegelin’s larger body of work.

            In his wide-ranging study, Herndon explores Voegelin’s examination of the problem of Christian political order from the inception of Christianity through the Great Reformation. He also presents a clarification of Voegelin’s theory of civilizational foundation and of Voegelin’s philosophy of history with regard to Christianity and Western political order.

            Herndon addresses not only the nagging problem in Voegelin scholarship regarding his relationship with the historical Jesus but also the “Pauline compromises with the world” that enabled Christianity to become the instrument by which the West was civilized. He also shows that Voegelin’s interpretation of the historical pressures released by the Great Reformation is important to an understanding of his later work regarding the negative effect of Christian symbols in the creation of ideological disorder.

            Eric Voegelin and the Problem of Christian Political Order clarifies issues in Voegelin studies regarding the intersection between political theory and Christian concerns, addressing the relation of religious experience to the public sphere of political life in the West and helping to explain Voegelin’s contention that the death of the spirit is the price of progress. It offers scholars a perspective heretofore lacking in Voegelin scholarship and a clearer view of Voegelin’s understanding of the Christian dispensation and its influence on the course of Western development, history, and philosophy.

By the time Eric Voegelin fled Hitler’s regime and made his way to the United States in 1938, he had already written four books criticizing Nazi racism, establishing what would be the focus of his life’s work: to account for the endemic political violence of the twentieth century. One of the most original political philosophers of the period, Voegelin has largely avoided ideological labels or categorizations of his work. Because of this, however, and because no one work or volume of his can do justice to his overall project, his work has been seen as difficult to approach.
 
Drawing from the University of Missouri Press’s thirty-four-volume edition of The Collected Works of Eric Voegelin (1990-2009), Charles Embry and Glenn Hughes have assembled a selection of representative works of Voegelin, satisfying a longstanding need for a single volume that can serve as a general introduction to Voegelin’s philosophy. The collection includes writings that demonstrate the range and creativity of Voegelin’s thought as it developed from 1956 until his death in 1985 in his search for the history of order in human society.
 
The Reader begins with excerpts from Autobiographical Reflections (1973), which include an orienting mixture of biographical information, philosophical motivations, and the scope of Voegelin’s project. It reflects key periods of Voegelin’s philosophical development, pivoting on his flight from the Gestapo.
 
The next section focuses on Voegelin’s understanding of the contemporary need to re-ground political science in a non-positivistic, post-Weberian outlook and method. It begins with Voegelin’s historical survey of science and scientism, followed by his explanation of what political science now requires in his introduction to The New Science of Politics. Also included are two essays that exemplify the practice of this “new science.” Voegelin started his academic career as a political scientist, and these early essays indicate his wide philosophical vision.
 
Voegelin recognized that a fully responsible “new science of politics” would require the development of a philosophy of history. This led to the writing of his magnum opus, the five-volume Order and History (1956–1985). This section of the Reader includes his introductions to volumes 1, 2 and 4 and his most essential accounts of the theoretical requirements and historical scope of a philosophy of history adequate to present-day scholarship and historical discoveries.
 
In the course of his career, Voegelin came to understand that political science, political philosophy, and philosophy of history must have as their theoretical nucleus a sound philosophical anthropology based on an accurate philosophy of human consciousness. The next set of writings consists of one late lecture and four late essays that exemplify how Voegelin recovers the wisdom of classical philosophy and the Western religious tradition while criticizing modern misrepresentations of consciousness. The result is Voegelin’s contemporary accounts of the nature of reason, the challenge of truly rational discussion, and the search for divine origins and the life of the human spirit.
 
During his philosophical journey, Voegelin addressed the historical situatedness of human existence, explicating the historicity of human consciousness in a manner that gave full due to the challenges of acknowledging both human immersion in the story of history and the ability of consciousness to arrive at philosophically valid truths about existence that are transhistorical. The essays in this final section present the culmination of his philosophical meditation on history, consciousness, and reality.
 
 

     For more than a decade, The Graying of America has helped thousands of middle-aged and senior citizens find their way through the thickets and thorns of growing old. Now greatly revised and expanded to include information gleaned from studies of the past five years, this third edition has been retitled to stress its ongoing purpose: conveying a wealth of commonsense information for general readers in nontechnical language.

            The book is a storehouse of concise, useful information on the effects of aging on health, the mind, and behavior. Its 588 entries (including 172 new and 150 substantially revised) cover a broad spectrum of topics—from adjusting to retirement to grandparenting, sleep disorders to Alzheimer’s disease. All are directed to the average reader; all stress successful aging and how to accomplish it.

New entries cover such topics as the incidence and causes of frailty, the cognitive benefits of diversified activity, and findings of the Women’s Health Initiative. There is new information on matters like the effects of untreated hearing impairment on spouses and the impact of insufficient exposure to sunlight on sleep, plus new insight into what to look for in searching for a quality nursing home for a loved one.

Also included are results of recent studies on interventions that help to reduce age-related declines in mental and physical health, among them revelations that reports on age-related declines in memory have been skewed by testing errors. And with memory a concern for seniors fearful of declining mental agility, the book tells how to bypass memory problems—such as how to remember where you parked your car—and how physical exercise and challenging mental games can help reduce the risk of dementia. Other “how to avoid” entries offer ways to protect against eye fatigue in computer use, hip fractures when falling, and back injuries while lifting heavy objects.

No other book is so specifically geared to the challenges of how to reduce or even eliminate many of the problems associated with growing old. Aging in the Twenty-First Century can help seniors come to grips with their own aging process—and help younger adults understand what is happening to older family members.

Although she died cruelly at Auschwitz at the age of twenty-nine, Etty Hillesum left a lasting legacy of mystical thought in her letters and diaries. Hillesum was a complex and powerful witness to the openness of the human spirit to the call of God, even under the most harrowing circumstances. Her life was as much shaped by Hitler’s regime as was that of philosopher Eric Voegelin, and as Meins Coetsier reveals, her thought lends itself to interpretation from a uniquely Voegelinian perspective.

Etty Hillesum and the Flow of Presence analyzes the life and writings of Hillesum from the standpoint of Voegelin’s views on consciousness—especially his philosophy of luminous participation in the transcendent ground of being. Through a careful reading of her letters and diaries, Coetsier reveals the inner development of Hillesum’s mystically grounded resistance to Nazism as he guides readers through the symbolism of her spiritual journey, making effective use of Voegelin’s analytics of experience and symbolization to trace her path to spiritual truth.

Intertwining the lives, works, and visions of these two mystical thinkers, Coetsier demonstrates his mastery of both Voegelin’s philosophy and Hillesum’s Dutch-language materials. He shows how mystical attunement to the “flow of presence”—Voegelin’s designation for human responsiveness to the divine—is the key to the development of Hillesum’s life and writings. He displays a special affinity for the suffering and grace-filled transformation that she underwent as she approached the end of her life and gained insight into the ultimate purpose of each individual’s contribution to the well-being and maintenance of the human spirit.

Retrieving one of the lesser-known but most compelling figures of the Holocaust, Etty Hillesum and the Flow of Presence is an original contribution to both Voegelin and Hillesum scholarship that reflects these writers’ strong valuation of the human person. It presents Hillesum’s life and work in an original and provocative context, shedding new light on her experiences and their symbolizations while further broadening the application of Voegelin’s thought

     One need only look at the front pages of newspapers over the past few years to see that something has changed. Stories are more personal, more inclusive, less distant from readers’ experiences. Once called the first draft of history, news has become more of an anecdotal companion. The evidence is telling: stories use more unofficial sources than ever before; the “inverted pyramid” form of news writing is barely practiced; and, especially after 9/11, tragedy has become more humanized.

            Scanning the crowded media landscape, Michele Weldon—a journalist passionate about her profession—takes a fresh look at how newspapers have carved out a narrative niche that reflects society’s fascination with personal stories and readers’ demands for diversity in content. Comparing some 850 stories, story approaches, and unofficial sourcing in twenty American newspapers for eight dates in 2001 and 2004—a total of 160 front pages—she shows a shift toward features over hard news, along with an increase in anecdotal or humanistic approaches to all stories.

            Everyman News offers a provocative look at why American newspapers have become story papers, with their content and style saying as much about our culture as they do about the journalists and the readers. Weldon shows that a variety of forces both inside and outside journalism—blogs, citizen journalism, newsroom diversity, and other factors—have converged to remake the front page, and she unveils the content of “everyman news” as a commodity apart from the mode of delivery. Her assessment also incorporates more than fifty interviews with people connected to journalism about what these changes mean—revealing that not everyone in the industry believes they are for the better.

            Is everyman news perhaps right for its time, or is it merely a symptom of what Weldon calls “Chicken Little journalism”? Weighing in on such matters as the New York Times’s “Portraits of Grief” series and the dangers of the blogosphere, she invites readers to make their own calls in this original and important contribution to the study of media. Everyman News is a book that will contribute to our understanding of newspapers in the new century—must reading for professionals and an eye-opener for anyone trying to comprehend the significant shifts in today’s front pages.

“Danger was all that thrilled him,” Dick Byrd’s mother once remarked, and from his first pioneering aviation adventures in Greenland in 1925, through his daring flights to the top and bottom of the world and across the Atlantic, Richard E. Byrd dominated the American consciousness during the tumultuous decades between the world wars. He was revered more than Charles Lindbergh, deliberately exploiting the public’s hunger for vicarious adventure. Yet some suspected him of being a poseur, and a handful reviled him as a charlatan who claimed great deeds he never really accomplished.

Then he overreached himself, foolishly choosing to endure a blizzard-lashed six-month polar night alone at an advance weather observation post more than one hundred long miles down a massive Antarctic ice shelf. His ordeal proved soul-shattering, his rescue one of the great epics of polar history. As his star began to wane, enemies grew bolder, and he struggled to maintain his popularity and political influence, while polar exploration became progressively bureaucratized and militarized. Yet he chose to return again and again to the beautiful, hateful, haunted secret land at the bottom of the earth, claiming, not without justification, that he was “Mayor of this place.”

Lisle A. Rose has delved into Byrd’s recently available papers together with those of his supporters and detractors to present the first complete, balanced biography of one of recent history’s most dynamic figures. Explorer covers the breadth of Byrd’s astonishing life, from the early days of naval aviation through his years of political activism to his final efforts to dominate Washington’s growing interest in Antarctica.   Rose recounts with particular care Byrd’s two privately mounted South Polar expeditions, bringing to bear new research that adds considerable depth to what we already know. He offers views of Byrd’s adventures that challenge earlier criticism of him—including the controversy over his claim to being the first to have flown over the North Pole in 1926—and shows that the critics’ arguments do not always mesh with historical evidence.

Throughout this compelling narrative, Rose offers a balanced view of an ambitious individual who was willing to exaggerate but always adhered to his principles—a man with a vision of himself and the world that inspired others, who cultivated the rich and famous, and who used his notoriety to espouse causes such as world peace. Explorer paints a vivid picture of a brilliant but flawed egoist, offering the definitive biography of the man and armchair adventure of the highest order.