A playfully postmodern novel exploring questions of identity from a major Swiss writer.
 
A man walks out of a bar and is later found dead at the wheel of his car. On the basis of a few overheard remarks and his own observations, the narrator of this novel imagines the story of this stranger, or rather two alternative stories based on two identities the narrator has invented for him, one under the name of Enderlin, the other under the name Gantenbein.
 

A fast-paced and action-packed dystopian novel, addressing the nature of power, the limits of rationality, and the dominance of fear.

In a world on the brink of totalitarian rule, one man rises from the shadows to ignite a revolution and becomes the unlikely leader of a war of resistance that will shake the very foundations of power. General Firebrand, an unsocial and recovered alcoholic, considered a pariah by society, rises up against the country’s fascist regime. In this guerrilla war, Firebrand garners support from the unlikeliest allies. Beasts and birds of the jungle join the struggle. Spirits of historical figures from past wars and fictional characters with supernatural abilities lend their strength to the cause. As a devastating secret is revealed that moves Firebrand to the core, the battle for liberation takes on new dimensions, exposing the fragility of rationality and the weight of historical wrongs committed in the name of a supposedly humane ideology.
 
With zany, irreverent prose and a breakneck pace, General Firebrand and His Red Atlas is an explosive debut novel that challenges conventional wisdom and explores the complexities of courage, doubt, and the pursuit of justice in a world dominated by fear.

A ground-breaking new collection of queer poetry from a leading contemporary Korean poet.
 
Kim Hyun’s Glory Hole is the first Korean queer poetry collection. Featuring gay teens, elders, cats, caterpillars, robots, and other unexpected characters, Kim’s fifty-one eccentric poems trace themes of love, sexual desire, abandonment, destitution, and death. In recounting the splendid yet tragic journeys of his speakers, Kim defies meaningful sense-making. His poems are a mishmash of dystopian sci-fi and pornography, storytelling and poetry, fictive references, and real figures. They are not embellished with elegant imagery; in fact, they are antithetical to it, opting instead for incoherent tense, unidiomatic expressions, and never-ending puns. After all, like LGBTQ+ people in many cultures, Korean queers live in this site of violence. Bewilderment, deliberately, is Kim Hyun’s form. Glory Hole invites readers into a very queer world.

The Golden Horde is a definitive work on the Italian revolutionary movements of the 1960s and ’70s.

An anthology of texts and fragments woven together with an original commentary, The Golden Horde widens our understanding of the full complexity and richness of radical thought and practice in Italy during the 1960s and ’70s. The book covers the generational turbulence of Italy’s postwar period, the transformations of Italian capitalism, the new analyses by worker-focused intellectuals, the student movement of 1968, the Hot Autumn of 1969, the extra-parliamentary groups of the early 1970s, the Red Brigades, the formation of a radical women’s movement, the development of Autonomia, and the build-up to the watershed moment of the spontaneous political movement of 1977. Far from being merely a handbook of political history, The Golden Horde also sheds light on two decades of Italian culture, including the newspapers, songs, journals, festivals, comics, and philosophy that these movements produced. The book features writings by Sergio Bologna, Umberto Eco, Elvio Fachinelli, Lea Melandri, Danilo Montaldi, Toni Negri, Raniero Panzieri, Franco Piperno, Rossana Rossanda, Paolo Virno, and others, as well as an in-depth introduction by translator Richard Braude outlining the work’s composition and development.
 

One of Germany’s greatest living writers offers up an analysis (and samples) of his failed projects.
 
“My dear fellow artists, whether writers, actors, painters, film-makers, singers, sculptors, or composers, why are you so reluctant to talk about your minor or major failures?” With that question, Hans Magnus Enzensberger—the most senior among Germany’s great writers—begins his amusing ruminations on his favorite projects that never saw the light of day. There is enlightenment in every embarrassing episode, he argues, and while artists tend to forget their successes quickly, the memory of a project that came to nothing stays in the mind for years, if not decades. Triumphs hold no lessons for us, but fiascos can extend our understanding, giving insight into the conditions of production, conventions, and practices of the industries concerned, and helping novices to assess the snares and minefields in the industry of their choice. What’s more, Enzensberger argues, flops have a therapeutic effect: They can cure, or at least alleviate, the vocational illnesses of authors, be it the loss of control or megalomania. In Gone but Not Forgotten, Enzensberger looks back at his uncompleted experiments not just in the world of books but also in cinema, theater, opera, and journal publishing, and shares with us a “store of ideas” teeming with sketches of still-possible projects. He also reflects on the likely reasons for these big and small defeats. Interspersed among his ruminations are excerpts from those experiments, giving readers a taste of what we missed. Together, the pieces in this volume build a remarkable picture of a versatile genius’s range of work over more than half a century and make us reflect on the very nature of success and failure by which we measure our lives.