Southern Spain, and in particular Andalucia, is hope to many common garden plants, including daffodils, lavenders, and shrubs. At the same time, it is one of the most florally diverse regions in the world. This book covers that spectrum, from the commonplace to the astonishing.

Drawing on more than fifteen years of fieldwork in the region, Tony Hall details over five hundred different species in this volume, presenting all essential botanical information alongside more than six hundred photographs and distribution maps.  No one interested in the plants of this region will be able to forego this book.

Woody Plants of Western African Forests is an illustrated guide to the identification of 2200 trees, lianes and shrubs found in the forests of West Africa, from Senegal to Ghana. This is all the woody plants and more than 80% of the higher plants in the forests of this region, known to biogeographers as Upper Guinea. This represents 5% of all flowering plant genera in the world—1% of the species — so the book is relevant to anyone interested in tropical plants, especially but not only in the forests of tropical Africa.

Laid out as keys and with short descriptions of each species, it contains over 5,600 photographs, line drawings and maps. And, while many guides only offer hints to naming plants when they are not in flower, here the authors have based identification on leaves, bark, shoots, scent ,taste and other characters easily observed at most times.

Funded by the European Union, through its ECOSYN project (based at Wageningen University), which supports forest biodiversity and management in Upper Guinea, this magnificent, beautiful book is an indispensable reference for everyone committed to the conservation and sustainable development of Africa’s forest.

The mid-eighteenth to mid-nineteenth century was a time of illustrious achievements in the world of botanical art. Artists who once sought to please the whims of wealthy patrons were turning to scientists for inspiration, and they now had access to countless new botanical specimens thanks to prolific explorers and plant hunters. One of the best botanical artists and most knowledgeable natural historians of this era was James Sowerby (1757–1822). Talented and prolific, his crowning achievement was Sowerby's Botany, a thirty-six volume work on the botany of England that contained 2,592 hand-colored botanical engravings. Despite Sowerby’s place in the pantheon of botanical artists, no full biography of the artist exists. Paul Henderson remedies this with a thoroughly researched and wholly fascinating look at Sowerby’s life and legacy.

Henderson explores Sowerby’s artistic achievements as well as his place at the center of a thriving network of artists and scientists. Sowerby worked closely with key botanists of the time, influencing the likes of Sir Joseph Banks and James Smith, as well as Dawson Turner, James Dickson, Aylmer Lambert, and William Woodville. He also contributed illustrations to the earliest volumes of The Botanical Magazine (later known as Curtis's Botanical Magazine). Specimens from his collection round out the holdings of museums around the world, and he has become the paterfamilias of a talented line of botanical and natural science illustrators.

Henderson’s Sowerby’s Botany is beautifully illustrated with Sowerby’s artwork and includes extracts from letters, manuscripts, and natural history publications. It is a fascinating story of an influential artist working at the intersections of art and nature at a time of unprecedented scientific enlightenment.

A checklist of 486 species, in 143 genera, with entries listed alphabetically and sorted by state, collector and number. The list brings together the results of an examination of some 4,200 Northeastern Brazilian Compositae specimens; and is the fourth title to be published in the current series. The introductory text is presented in both English and Portuguese languages.