What is the "secret of Great Tartary"? What became of the Swedish clerk Carl Robsahm's original manuscript of his talks with Emanuel Swedenborg? What was Strindberg's reaction to Balzac's novel Seraphita?

These and other provocative questions are answered by Anders Hallengren in a selection of essays. Hallengren's research in various parts of the world brings to light records that were formerly thought to be lost. In addition, Hallengren traces routes of subtle influence that range from the experiences of Swedish soldiers captured in Russia to a chance encounter in a hotel in Charlotte Amalie, St. Thomas, in the Virgin Islands. Hallengren argues that these influences show the profound effect of Swedenborgian thought on celebrated and ordinary people, resulting not only in profound art but in a better world.

A unique and discursive history of gardens and their significance across a wide range of cultures, Gardens of Heaven and Earth explores the meanings behind our efforts to maintain, manipulate and ornament our environment. Drawing particular inspiration from the work of the eighteenth-century Swedish philosopher and mystic Emanuel Swedenborg, this book explores the symbolism of gardens and their use—by Swedenborg and by others—as a metaphor for a model of heaven.
 
Gardens of Heaven and Earth is a lyrical study that investigates the nature of experience, the limitations of language and ideas of the garden as both a relationship to be experienced and as a symbolic language to be read. Discussing gardens in relation to the life and writings of Emanuel Swedenborg, this short work brings a fresh perspective to the roles that gardens have played in delighting and sustaining the human condition throughout the ages.
 
This volume is augmented by three black-and white-illustrations and also contains a chronology of Swedenborg’s life and works, an inventory of Swedenborg’s own garden in Stockholm, a bibliography, and an index.

The General Index to Swedenborg’s Scripture Quotations contains a list of all citations and references to Scripture in the theological works of the eighteenth-century Swedish philosopher and mystic Emanuel Swedenborg, including allusions to passages where Swedenborg failed to name the book, chapter, or verse in question. The book is divided into three main sections: Old Testament, New Testament, and Non-Canonical Books.
 
This reference work is an important resource for anyone looking into Swedenborg’s biblical commentaries, including scholars and students from clergy and laity alike. Popularly known as “Searle’s Index” after Arthur Hodson Searle, the editor of the first English edition, this third edition has been completely revised, expanded, and typeset with a more accessible page design, a preface by G. P. Dawson, and helpful tables of abbreviations.

Imagine that you've just died. An angel appears in front of you, ready to guide you to the next life. You say to him, "I want to go to heaven." His reply, "OK, let's go!"

In this light-hearted tour of the afterlife, based on the writings of Swedish scientist-turned-seer Emanuel Swedenborg, Albrecht H. Gralle takes the reader on a tour of heaven, hell, and the spaces between. What is it like in heaven? What about hell? What happens to people who have suffered horribly in this life? How do we reconcile that suffering with the idea of an all-loving God? What happens to people who simply don't believe in anything beyond this world? What happens to the people who do? Is there sex in heaven? What about tea? 

During pauses in the tour, Gralle poses some hard-hitting questions about the nature of belief that speak directly to people who wonder how a modern, rational person can have faith in the absence of proof. The result is at once humorous and thought-provoking.

As a child, Grant Schnarr was haunted (as many children are) by a fear of the dark, a fear of the unknown, of monsters in his closet. But more than that, he was haunted by a real ghost—a dark presence that lingered in his family’s house, occasionally moving objects, making noises, or even appearing to unsuspecting family members and guests.

As an adult, Grant had almost forgotten about the ghost until a series of brushes with death began to awaken old memories. Over the course of several months, a series of “coincidences” led him to dig deeper and deeper into a long-buried family tragedy. Forced to confront his deepest fears, armed with the lessons he learned from the spiritual warriors in his life, he finally learns the truth on a dark night in the woods of Wisconsin.

Anyone who has suffered a loss or struggled with fears will relate to this real-life tale of facing your inner—and outer—demons, told from Grant’s uniquely Swedenborgian perspective.

The Grand Themeand Other Essays is a book of lyrical and critical essays that explores Anders Hallengren’s long-standing interest in the powerful legacy of his fellow countryman, Emanuel Swedenborg. The collection highlights Swedenborg’s diverse influence upon the fields of psychology, art, poetry, history, and music, variously describing Ralph Waldo Emerson and August Strindberg in Paris, court artists in Moscow, visionary composers in Stockholm, Surrealist poets in Mauritius, revolutionary heroes in Cuba, and Linneanists in Botany Bay.
 
The collection contains the following eight essays:
 
• “Verisimilitude and the Portrait of an Angel: On the Fortunes of a Swedish-Russian artist” (on painter Carl August Tholander)
• “The Grand Theme: A Journey in the Musical Universe” (on composer Tommie Haglund, music, and classical philosophy)
• “An Angle of Vision”(on Swedenborg’s clairvoyance)
• “The Heart of the Matter” (on Swedenborg’s influence on psychology)
• “In the Garden of God” (on Swedenborg’s and Carl Linnaeus’s influence in Australia)
• “Jardin des Plantes: The Most Important Place on Earth’” (on Swedenborg, Emerson, Strindberg, and Honoré de Balzac in Paris)
• “In the Shadow of Le Morne Brabant” (on Swedenborgianism in Mauritius)
• “The Oceanic Mind” (on Swedenborgianism in Cuba)

Minister Grant Schnarr draws together the voices of young people he has met and counseled to weave a fictional tale of love, fear, and hope.

Sixteen-year-old Nicole Bealart is a typical teenager, living in a world of homework, school plays, and her own imagination—a world turned upside-down when she is diagnosed with brain cancer. Her father, who never dealt with her mother’s death from lung cancer six years before, begins drinking heavily; she is left trying to care for herself and her younger brother, Luke, while juggling school and her growing fears about her own mortality. Seeking answers, she begins writing a journal that becomes a vehicle for her to communicate with her guardian angel. As she approaches the date of an operation that may either save her life or end it, her inner and outer worlds collide and combine to give her a new understanding of family, friendship, and life.