Why can’t a Quechua speaker wear pants? Anna M. Babel uses this question to open an analysis of language and social structure at the border of eastern and western, highland and lowland Bolivia. Through an exploration of categories such as political affiliation, ethnic identity, style of dress, and history of migration, she describes the ways that people understand themselves and others as Quechua speakers, Spanish speakers, or something in between.
 
Between the Andes and the Amazon is ethnography in storytelling form, a rigorous yet sensitive exploration of how people understand themselves and others as members of social groups through the words and languages they use.
 
Drawing on fifteen years of ethnographic research, Babel offers a close examination of how people produce oppositions, even as they might position themselves “in between” those categories. These oppositions form the raw material of the social system that people accept as “normal” or “the way things are.” Meaning-making happens through language use and language play, Babel explains, and the practice of using Spanish versus Quechua is a claim to an identity or a social position. Babel gives personal perspectives on what it is like to live in this community, focusing on her own experiences and those of her key consultants. Between the Andes and the Amazon opens new ways of thinking about what it means to be a speaker of an indigenous or colonial language—or a mix of both.

Sand, Wind, and War records the work, travels and adventures of one of the last of the great British explorers, a man who served in both world wars and carved out a special niche in science through his studies of desert sands.
 
Ralph Alger Bagnold was born in 1896 into a military family and educated as an engineer. Posted to Egypt in 1926, he was one of a group of officers who adapted Model T Fords to desert travel and in 1932 made the first east-west crossing—6,000 miles—of the Libyan desert. Bagnold established such a name for himself that in World War II he was again posted to Egypt where he founded and trained the Long Range Desert Group that was to confound the German and Italian armies.
 
Bagnold’s fascination with the desert included curiosity over the formation of dunes, and beginning in 1935 he conducted wind tunnel experiments with sand that led to the book The Physics of Blown Sand and Desert Dunes. Eventually, he was to see his findings called on by NASA to interpret data on the sands of Mars. He devoted subsequent research to particle flow in fluids, and also served as a consultant to Middle Eastern governments concerned with the interference of sand flow in oil drilling.

Sand, Wind, and War is the life story of a man who not only helped shape events in one part of the world but also contributed to our understanding of it. It is a significant benchmark not only in the history of science, but also in the annals of adventure.
 

The origin stories of the O’odham (Pima) Indians of Arizona are renowned for their beauty and complexity but have been collected in only a handful of books. This volume—the third full O’odham telling of ancientness to appear in print—brings together dozens of stories collected in 1927 by anthropologist Ruth Benedict during her only visit to the Pimas. Never before published, they helped inspire Benedict to write her groundbreaking book Patterns of Culture.

The Pimas represented a way of life that Benedict at first called “Dionysian” after hearing the stories, narratives, songs, and oratory collected from various tellers during her three-month stay. The oral literature concerns the creation of the world and its transformations over time, the creation of the O’odham people, and other cultural traditions. Featuring a pair of man-gods, a female monster born of woman, and a conquest of Pimas by Pimas, they serve to mark the O’odham as a people distinct from their neighbors near and far.

The present volume contains more stories than any other source of Pima tales, plus more of the songs and orations that accompanied a telling. It includes “The Rafter,” a host of ancillary stories, numerous Coyote tales, and additional speeches tied to the narratives of ancientness. One long story, “The Feud,” found only in this collection, shows similarities to the Maya Popol Vuh.

Donald Bahr, a preeminent authority on the O’odham, has not only clarified the text but has also written an introduction that provides the background to the collection and analyzes Benedict’s probable reasons for never having published it. He has also included a previously unpublished text by Benedict, “Figures of Speech among the Pima.” O’odham Creation and Related Events represents an invaluable sourcebook of a people’s oral literature as well as a tribute to a singular scholar’s dedication and vision.

Piman shamanism is based on the belief that morality and some forms of sickness are interrelated. The shaman, or medicine man, has a dual role in the Piman Indian culture. He is the guardian of the Pimans’ health and their consciousness of cultural identity.
 
This definitive study of shamanic theory and practice was developed through a four-person collaboration: three Tohono O’odham Indians—a shaman, a translator, and a trained linguist—and a non-Indian explicator. It provides an in-depth examination of the Piman philosophy of sickness as well as an introduction to the world view of an entire people.
 
Using the most highly developed techniques of modern ethnolinguistics, anthropologist Bahr investigates the culturally based concept of staying sickness. He conducted extensive discussions in the Piman language with shaman Gregorio. The native informant theorized at length about the cause of staying sickness, the dúajida (divination), and ritual prayers. The translator and the linguist analyzed the content and style of Gregorio’s discussions. Texts in the Piman language of Gregorio’s discussions are included, as well as literal and idiomatic English translations.
 
American Anthropologist cites “the infinite care with which each utterance has been analyzed” and “the richness of cultural expression captured in the texts themselves and in their explanation. To read Piman Shamanism and Staying Sickness is to become familiar with the unique properties of Piman thinking and modes of expression: abstract, elliptical, contracted, and yet filled with a rich and natural imagery.”

The arrival of Anglo settlers in the 1870s marked the beginning of major vegetation changes in southeastern Arizona, including an increase in woody plants in rangelands, the degradation of riparian wetlands, and the spread of non-native plants. While many of these changes have already been linked to human land-use through comparative photographs and historic descriptions, it has long been presumed that changes in the region's climate have also contributed to vegetation change.

Geographer Conrad Bahre now challenges the view that these vegetation changes are due to climatic change. Correlating his own field research with archival records and photographs, Bahre demonstrates that most of the changes follow some type of human disturbance, such as cattle grazing, fuelwood cutting, wildfire suppression, agriculture, and road construction. Indeed, all available evidence suggests that Anglo settlement brought unprecedented changes to the land.

Vegetation change in the American West has long been an issue of concern. This careful scrutiny of one corner of that region—one of the most ecologically diverse areas of the United States—shows how poorly understood is the relationship between human activities and vegetation. More important, it introduces new techniques for differentiating between natural and anthropogenic factors effecting vegetation change that can be used to help ecologists understand vegetation dynamics worldwide.

Mexican communities in the United States faced more than unemployment during the Great Depression. Discrimination against Mexican nationals and similar prejudices against Mexican Americans led the communities to seek help from Mexican consulates, which in most cases rose to their defense.
 
Los Angeles’s consulate was confronted with the country’s largest concentration of Mexican Americans, for whom the consuls often assumed a position of community leadership. Whether helping the unemployed secure repatriation and relief or intervening in labor disputes, consuls uniquely adapted their roles in international diplomacy to the demands of local affairs.

"...highly entertaining and provides a valuable picture of the New Mexico frontier." —Journal of the West

"An unusual story of an American pioneer woman who used a needle, skillet, or gun, as needed, and who tended the dying during frontier wars or outbreaks of equally deadly diseases."  —The Old Bookaroos

"For vivid descriptions of pioneer life in southeastern New Mexico, no work of history or fiction can match Eve Ball's dramatic story of Barbara Jones and her family...Anyone who picks it up will be reluctant to stop reading... "Few western historians have made such expert use of oral history as Mrs. Ball. Colloquial language adds color; and carefully drawn sketches of the family, their acquaintances, and the major figures in Lincoln County provide a degree of intimacy seldom found in historical works. That the resulting tale is believable and deeply moving demonstrates just how effective these techniques can be." —Southwestern Historical Quarterly

"Chief Victorio of the Warm Springs Apache has recounted the turbulent life of his people between 1876 and 1886. This eyewitness account . . . recalls not only the hunger, pursuit, and strife of those years, but also the thoughts, feelings, and culture of the hunted tribe. Recommended as general reading."—Library Journal

"This volume contains a great deal of interesting information."—Journal of the West

"The Apache point of view [is] presented with great clarity."—Books of the Southwest

"A valuable addition to the southwestern frontier shelf and long will be drawn upon and used."—Journal of Arizona History

"A genuine contribution to the story of the Apache wars, and a very readable book as well."—Westerners Brand Book

"Shining through every page is the unquenchable spirit that was the Apache. Inured, indeed trained, to suffering, Apaches stood strong beside Victorio, Nana, and finally Geronimo in a vain attempt to maintain those things they held more dear than life itself—freedom, homeland, dignity as human beings. A warm and vital people, the Apaches had, and have, a great deal to offer."—Arizona and the West 

As the Mexican American student population in U.S. public schools climbs to over 8 million, the establishment of policies that promote equity and respect have never been more crucial. In Mexican Americans and Education, Estela Godinez Ballón provides an overview of the relationship between Mexican Americans and all levels of U.S. public schooling.

Mexican Americans and Education begins with a brief overview of historical educational conditions that have impacted the experiences and opportunities of Mexican American students, and moves into an examination of major contemporary institutional barriers to academic success, including segregation, high-stakes testing, and curriculum tracking. Ballón also explores the status of Mexican American students in higher education and introduces theories and pedagogies that aim to understand and improve school conditions. Through her extensive examination of the major issues impacting Mexican American students, Ballón provides a broad introduction to an increasingly relevant topic.

Ballón uses understandable and accessible language to examine institutional and ideological factors that have negatively impacted Mexican Americans’ public school experiences, while also focusing on their strengths and possibilities for future action. This unique overview serves as a foundation for both education and Chicana/o studies courses, as well as in teacher and professional development.

The story of Fray Marcos and the Seven Cities of Cíbola was a favorite of Adolph Bandelier (1840–1914). Bandelier’s combination of methodological sophistication and control of the archival data makes the Marcos de Niza paper important, not only as a landmark in Southwestern ethnohistory, but as a work of scholarship in its own rights, with insights on Cabeza de Vaca, Marcos, and early Southwestern exploration that are still valid today.

The shift from mobile hunting and gathering to more sedentary, usually agricultural, lifeways was one of the most significant milestones in the prehistory of humanity. This transformation was spurred by an alignment of social and ecological forces, pressures, and adaptations, and it took place in broadly comparable ways in many prehistoric settings.

Based on a Society for American Archaeology symposium and subsequent Amerind Advanced Seminar in 2006, Becoming Villagers examines this transformation at various places and times across the globe by focusing not on the origins of agriculture and village life but rather on their consequences. The goal of the volume is to identify regularities in the ways that societies developed in the centuries and millennia following a transition to village life. Using cases that range from China to Bolivia and from the Near East to the American Southwest, leading archaeologists situate their specific areas of specialization in a broad comparative context.

They consider the forces acting to divide and fragment early villages and the social technologies and practices by which those obstacles were, in some cases, overcome. Finally, the volume examines the long-term historical trajectories of these early village societies.

This transformative collection makes a powerful case for a renewed and invigorated archaeological focus on large-scale comparative studies. It will be an essential read for anyone interested not only in early village societies but also in the ways in which archaeology relates to anthropology, other social sciences, and history.

CONTENTS:

1. “Becoming Villagers: The Evolution of Early Village Societies,” Matthew S. Bandy and Jake R. Fox
2. “Population Growth, Village Fissioning, and Alternative Early Village Trajectories,” Matthew S. Bandy
3. “A Scale Model of Seven Hundred Years of Farming Settlements in Southwestern Colorado,” Timothy A. Kohler and Mark D. Varien
4. “‘Great Expectations,’ or the Inevitable Collapse of the Early Neolithic in the Near East,” Nigel Goring-Morris and Anna Belfer-Cohen
5. “‘Ritualization’ in Early Village Society: The Case of the Lake Titicaca Basin Formative,” Amanda B. Cohen
6. “The Sacred and the Secular Revisited: The Essential Tensions of Early Village Society in the Southeastern United States,” Thomas Pluckhahn
7. “Substantial Structures, Few People, and the Question of Early Villages in the Mimbres Region of the North American Southwest,” Patricia A. Gilman
8. “Sea Changes in Stable Communities: What Do Small Changes in Practices at Catalhoyuk and Chiripa Imply about Community Making?” Christine A. Hastorf
9. “The Emergence of Early Villages in the American Southwest: Cultural Issues and Historical Perspectives,” Richard H. Wilshusen and James M. Potter
10. “A Persistent Early Village Settlement System on the Bolivian Southern Altiplano,” Jake R. Fox
11. “First Towns in the Americas: Searching for Agriculture, Population Growth, and Other Enabling Conditions,” John E. Clark, Jon L. Gibson, and James Zeidler
12. “The Evolution of Early Yangshao Period Village Organization in the Middle Reaches of Northern China's Yellow River Valley,” Christian E. Peterson and Gideon Shelach

Russell J. Barber and Frances F. Berdan have created the ultimate guide for anyone doing cross-cultural and/or document-driven research. Presenting the essentials of primary-source methodology, The Emperor's Mirror includes nine chapters on paleography, calendrics, source and quantitative analysis, and the visual interpretation of artifacts such as pictographs, illustrations, and maps.

As an introduction to ethnohistory, this book clearly defines terminology and provides practical and accessible examples, effectively integrating the concerns of historians and anthropologists as well as addressing the needs of anyone using primary sources for research in any academic field. A leading theme throughout the book is the importance of a researcher's awareness of the inherent biases of documents while doing research on another culture. Documents are the result of people interpreting reality through the filter of their own experience, personality, and culture.

Barber and Berdan's reality mediation model shows students how to analyze documents to detect the implicit biases or subtexts inherent in primary-source materials. Students and scholars working with primary sources will particularly appreciate the case studies that Barber and Berdan use to illustrate the practical implications of using each methodology. These case studies not only apply method to actual research but also are fascinating in their own right: they range from a discussion of the debate over Tupinamba cannibalism to the illustration of Nahuatl, Spanish, and hybrid place names of Tlaxcala, Mexico.

George Carpenter Barker's first major research project was field work in Tucson, Arizona on the function of language in a situation of culture contact. The results of his doctoral dissertation, "Social Functions of Language in a Mexican-American Community." The data and conclusions presented in his dissertation showed his perceptiveness in cross-cultural situations.

He conducted additional field work on the social functions of language in cross-cultural situations in Tucson in 1947-48. This work centered around interviews with Mexican-American youths. Barker's quiet friendliness and understanding won the confidence of boys who were operating at the fringes, and who were his informants for this Pachuco study.

As you wind your way up the Catalina Highway, it doesn’t matter whether you’re a first-time visitor or a native Tucsonan; you know you’re on the way to someplace special.

The Santa Catalina Mountains first captivated Tony Zimmerman on a 1937 hunting trip. Regard for the alpine beauty must have been in his genes—he was the son of Swiss German immigrants—and by 1940 the Tucson schoolteacher had begun taking his family to Mount Lemmon to spend the summer. Back then, the road up the mountain was a rough two-track dirt road from Oracle, and Summerhaven was nothing but a sleepy cluster of summer cabins. But Tony Zimmerman was to help change all of that.

The Road to Mount Lemmon is a beguiling memoir of the Catalina Mountains told by the daughter of one of the pioneers in the life and development of Mount Lemmon’s communities. Mary Ellen Barnes tells how her father Tony resigned from teaching in 1943 to devote his career to the development of this mountain oasis. He not only sold real estate for long time landowner Randolph Jenks, he even bought the village’s tiny two-room store, installing a sawmill to build a larger store, and built the Mount Lemmon Inn. And as she spins Tony’s personal saga, she also gives readers a glimpse of the Catalinas before Tucson became a boom town, recalling idyllic adventures in wild country and the cowboys, rangers, ranchers, and loggers who worked there.

Barnes tells Tony’s story as if sharing it with family, evoking her father’s personality on every page. The Road to Mount Lemmon is an intimate view of a mountain community over the course of nearly sixty years—a view that few people have shared but one all can appreciate.

This research guide was first conceived to fulfill multiple needs of the research team of the Documentary Relations of the Southwest (DRSW) project at the Arizona State Museum. In performing research tasks, it became evident that reference material was scattered throughout scores of books and monographs. A single complete source book was simply not available. Hence, the editors of the DRSW project compiled this guide. The territory under study comprises all of northern Mexico in colonial times.

Will Croft Barnes (1858–1937) first came to Arizona as a cavalryman and went on to become a rancher, state legislator, and conservationist. From 1905 to 1935, his travels throughout the state, largely on horseback, enabled him to gather the anecdotes and geographical information that came to constitute Arizona Place Names.

For this first toponymic encyclopedia of Arizona, Barnes compiled information from published histories, federal and state government documents, and reminiscences of "old timers, Indians, Mexicans, cowboys, sheep-herders, historians, any and everybody who had a story to tell as to the origin and meaning of Arizona names." The result is a book chock full of oddments, humor, and now-forgotten lore, which belongs on the night table as well as in the glove compartment.

Barnes' original Arizona Place Names has become a booklover's favorite and is much in demand. The University of Arizona Press is pleased to reissue this classic of Arizoniana, which remains as useful and timeless as it was more than half a century ago.

"In this handsome volume, the author discusses the region from geologic times until its withdrawal by an act of Congress as our first 'national park' in 1872. . . .This is an exceptionally fine book, a noteworthy blending of scholarly and popular history. Bartlett knows his subject well, both as a student and as an outdoorsman." —Pacific Northwest Quarterly

"A timely work; its 'mission' is to make the reader wish 'to have seen Yellowstone before the people came.' The author must be commended for writing a scholarly book with appeal for a popular audience." —Journal of American History

"A joy for the recreational reader and a solid reference for scholarly researchers . . .The author has been both energetic and fortunate in gathering material from a rich variety of original accounts and later writings, and he has used them skillfully." —Western Historical Quarterly

"A detailed, well documented history of the extablishment (in 1872), growth, and maturation of Yellowstone National Park . . . America's (and the world's) first national park." —Wildlife Book Review

"Without question the best and most thought-provoking volume on America's first national park that has been written in the last half-century." —Journal of the West

"Broad ranging, informative, thoughtful, and simply fun to read." —Western Historical Quarterly

"...written in warm and human terms. It documents that good can triumph over greed, that man himself can overcome his tendency toward exploitation and follow his better self toward conservation and concern." --USA Today

When many scholars are asked about early human settlement in the Americas, they might point to a handful of archaeological sites as evidence. Yet the process was not a simple one, and today there is no consistent argument favoring a particular scenario for the peopling of the New World.

This book approaches the human settlement of the Americas from a biogeographical perspective in order to provide a better understanding of the mechanisms and consequences of this unique event. It considers many of the questions that continue to surround the peopling of the Western Hemisphere, focusing not on sites, dates, and artifacts but rather on theories and models that attempt to explain how the colonization occurred.

Unlike other studies, this book draws on a wide range of disciplines—archaeology, human genetics and osteology, linguistics, ethnology, and ecology—to present the big picture of this migration. Its wide-ranging content considers who the Pleistocene settlers were and where they came from, their likely routes of migration, and the ecological role of these pioneers and the consequences of colonization. Comprehensive in both geographic and topical coverage, the contributions include an explanation of how the first inhabitants could have spread across North America within several centuries, the most comprehensive review of new mitochondrial DNA and Y-chromosome data relating to the colonization, and a critique of recent linguistic theories.

Although the authors lean toward a conservative rather than an extreme chronology, this volume goes beyond the simplistic emphasis on dating that has dominated the debate so far to a concern with late Pleistocene forager adaptations and how foragers may have coped with a wide range of environmental and ecological factors. It offers researchers in this exciting field the most complete summary of current knowledge and provides non-specialists and general readers with new answers to the questions surrounding the origins of the first Americans.

A new frontier in our solar system opened with the discovery of the Kuiper Belt and the extensive population of icy bodies orbiting beyond Neptune. Today the study of all of these bodies, collectively referred to as trans-Neptunian objects, reveals them to be frozen time capsules from the earliest epochs of solar system formation. This new volume in the Space Science Series, with one hundred contributing authors, offers the most detailed and up-to-date picture of our solar system’s farthest frontier. Our understanding of trans-Neptunian objects is rapidly evolving and currently constitutes one of the most active research fields in planetary sciences. The Solar System Beyond Neptune brings the reader to the forefront of our current understanding and points the way to further advancement in the field, making it an indispensable resource for researchers and students in planetary science.

Deep in the heart of the Sonoran Desert lies an oasis of ebony mountains, golden poppies, stately saguaros—and the organ pipe cactus, "a prickly octopus turned on its head."

A terrain where one learns to pay attention to the details: the tracks of a sidewinder in the sand, the tiny eggs of a cactus wren, the flash of a vermilion flycatcher against the azure sky.

Organ Pipe Cactus National Monument lies in southwestern Arizona on the Mexican border. It is an isolated park that for Carol Ann Bassett has long been a place of solitude—a silent refuge where she often camped out alone to capture the natural rhythms of the desert. Photographer Michael Hyatt hiked through Organ Pipe to visually document its subtle beauty in the Ajo Mountains and the valley of the Ajo, and at Quitobaquito, a rare desert oasis.

Few visitors may brave Organ Pipe during summer, when the temperature can reach 120 degrees, but for Bassett and Hyatt the searing heat is but a harbinger of rain, when normally dry arroyos surge with rust-colored water and desert tarantulas come out to mate. Bassett introduces readers to Organ Pipe’s cultural heritage as well: Spanish missionaries, Anglo settlers, and the Tohono O’odham and the Hia Ced O’odham people who still travel there to gather cactus fruit during Hasan Bakmasad, "saguaro moon." She also considers the changes taking place throughout the park, including the onrush of immigrants passing through in search of better lives in the United States.

This small, lyrical book is a sensitive reflection on the heart of the Sonoran Desert. It reminds us of the beauty to be found in unexpected places—and of our intimate connection with the wild.

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.

In stories ranging from subtle creation myths to derisive, off-color tales, the Kalapalo Indians of central Brazil demonstrate a fascination with deception and its many functions. In myths about tricksters and dupes, they explore the ambiguity of human experience, showing how important to human understanding is a sense of illusion, paradox, and contradiction.

Ellen Basso's new study of these stories considers their relationship to other kinds of Kalapalo activities involving deception and features a unique collection of South American Indian narratives translated directly from performances by master storytellers in their original Carib language. Combining an ethnopoetic, performance-focused approach to storytelling with an action-oriented psychology, Basso arrives at an ethnographic understanding of Kalapalo trickster myths and Kalapalo ideas about deception.

The commentary on the translations considers matters of theme, discourse, narrative progression, and performance context. The dialogical, interactive nature of Kalapalo storytelling, the development of characters through their conversations with one another, and the many ways storytelling and ordinary life enrich one another are examined to reveal the complex psychology of trickster myths and the special tricksterish quality of day-to-day Kalapalo behavior.

Seven essays, collected here for the first time, define some of the central concerns of linguistic anthropology through the close study of Western Apache, a language of astonishing complexity. All of the essays have been revised for this anthology. Basso, a major authority in the field of linguistic anthropology, has drawn on fieldwork at the village of Cibecue, whose residents speak a dialect of Western Apache that is spoken nowhere else. He shows how intricacies of language—place names, metaphor, uses of silence—help a people define their very existence, so that, in the words of one Apache woman, "If we lose our language, we will lose our breath; then we will die and blow away like leaves." His essays amply demonstrate that, while Apache language and culture are changing in response to modernization, they remain intricate, vital and unique. These essays illustrate not only the complexity of a particular cultural world as it has emerged to one observer over a protracted period of intensive fieldwork, but also the natural movement from the study of grammatical categories to that of language use and on to the study of the conceptual system underlying it. Each essay addresses a significant theoretical problem; taken together they constitute a microcosm of the anthropological understanding of language.

CONTENTS
The Western Apache Classificatory Verb System: A Semantic Analysis
Semantic Aspects of Linguistic Acculturation
A Western Apache Writing System: The Symbols of Silas John
"Wise Words" of the Western Apache: Metaphor and Semantic Theory
"To Give Up on Words": Silence in Western Apache Culture
"Stalking With Stories": Names, Places, and Moral Narratives among the Western Apache
"Speaking with Names": Language and Landscapes among the Western Apache

An ethnographic contribution describing the beliefs and ideas associated with witchcraft as shared "knowledge" that the Apaches have about their universe. Uncovers the types of interpersonal relationships with which witchcraft accusations are regularly associated and posits explanations for these associations.

This volume grew out of a symposium held at the Annual Meeting of the American Anthropological Association in November 1969 at New Orleans, Louisiana. The "Apachean Symposium" was designed to provide an opportunity for scholars engaged in research on southern Athapaskan cultures to report upon their findings, and wherever possible, to link them to known fact and existing theory. The diverse work presented here will add significantly to the knowledge about Apachean cultures, and each of contributions also pertains directly to wider spheres of anthropological concern.

This collection of essays interrogates the most contested social, political, and aesthetic concept in Chicana/o cultural studies—resistance.

If Chicana/o culture was born of resistance amid assimilation and nationalistic forces, how has it evolved into the twenty-first century? This groundbreaking volume redresses the central idea of resistance in Chicana/o visual cultural expression through nine clustered discussions, each coordinating scholarly, critical, curatorial, and historical contextualizations alongside artist statements and interviews. Landmark artistic works—illustrations, paintings, sculpture, photography, film, and television—anchor each section. Contributors include David Avalos, Mel Casas, Ester Hernández, Nicholas Herrera, Luis Jiménez, Ellen Landis, Yolanda López, Richard Lou, Delilah Montoya, Laura Pérez, Lourdes Portillo, Luis Tapia, Chuy Treviño, Willie Varela, Kathy Vargas, René Yañez, Yvonne Yarbro-Bejarano, and more. Cara a cara, face-to-face, encounters across the collection reveal the varied richness of resistant strategies, movidas, as they position crucial terms of debate surrounding resistance, including subversion, oppression, affirmation, and identification.

The essays in the collection represent a wide array of perspectives on Chicana/o visual culture. Editors Scott L. Baugh and Víctor A. Sorell have curated a dialog among the many voices, creating an important new volume that redefines the role of resistance in Chicana/o visual arts and cultural expression.

Laura Méndez de Cuenca—poet, teacher, editor, writer, and feminist—dared to bypass the cultural traditions of her time.

In the early 1870s, when conservative religious thought permeated all aspects of Mexican life, she was one of very few women to gain admission to an extraordinary constellation of male poets, playwrights, and novelists, who were also the publicists and statesmen of the time. She entered this world through her poetry, intellect, curiosity, assertiveness, but her personal life was fraught with tragedy: she had a child out of wedlock by poet Manuel Acuña, who killed himself shortly thereafter. She later married another poet, Agustín Fidencio Cuenca, and had seven other children. All but two of her children died, as did Agustín.

As a penniless young widow facing social rejection, Laura became a teacher and an important force in Mexico’s burgeoning educational reform program. She moved abroad—first to San Francisco, then St. Louis, then Berlin. In these places where she was not known and women had begun to move confidently in the public sphere, she could walk freely, observe, mingle, make friends across many circles, learn, think, and express her opinions. She wrote primarily for a Mexican public and always returned to Mexico because it was her country’s future that she strove to create.

Now, for the first time in English, Mílada Bazant shares with us the trajectory of a leading Mexican thinker who applied the power of the pen to human feeling, suffering, striving, and achievement.

Challenging Colonial Narratives demonstrates that the traditional colonial dichotomy may reflect an artifice of the colonial discourse rather than the lived reality of the past. Matthew A. Beaudoin makes a striking case that comparative research can unsettle many deeply held assumptions and offer a rapprochement of the conventional scholarly separation of colonial and historical archaeology.

To create a conceptual bridge between disparate dialogues, Beaudoin examines multigenerational nineteenth-century Mohawk and settler sites in southern Ontario, Canada. He demonstrates that few obvious differences exist and calls for more nuanced interpretive frameworks. Using conventional categories, methodologies, and interpretative processes from Indigenous and settler archaeologies, Beaudoin encourages archaeologists and scholars to focus on the different or similar aspects among sites to better understand the nineteenth-century life of contemporaneous Indigenous and settler peoples.

Beaudoin posits that the archaeological record represents people’s navigation through the social and political constraints of their time. Their actions, he maintains, were undertaken within the understood present, the remembered past, and perceived future possibilities. Deconstructing existing paradigms in colonial and postcolonial theories, Matthew A. Beaudoin establishes a new, dynamic discourse on identity formation and politics within the power relations created by colonization that will be useful to archaeologists in the academy as well as in cultural resource management.

Angel was born in Arizona and is part of the in-crowd. She likes clubbing, dancing, and going to car shows. Betzayra is from Mexico City and, despite polio-related disabilities, is the confident group leader of the Mexican girls. Arturo is also from Mexico City; he dresses more fashionably than most other boys and is taunted by the Chicanos. Evelyn was born in Arizona, but her mother was from Mexico and she hangs out with Mexican kids because she thinks they’re nicer than Chicanos. How these and some two dozen other young Latinas and Latinos interact forms the basis of a penetrating new study of identity formation among Mexican-origin border youths, taking readers directly into their world to reveal the labyrinth they navigate to shape their identities.

For Latina/o adolescents who already find life challenging, the borderland is a place that presents continual affirmations of and contradictions about identity—questions of who is more Mexican than American or vice versa. This book analyzes the construction of Mexicana/o and Chicana/o identities through a four-year ethnographic study in a representative American high school. It reveals how identity politics impacts young people’s forms of communication and the cultural spaces they occupy in the school setting. By showing how identities are created and directly influenced by the complexities of geopolitics and sociocultural influences, it stresses the largely unexplored divisions among youths whose identities are located along a wide continuum of “Mexicanness.”

Through in-depth interviews and focus groups with both Mexicana/o and Chicana/o students, Cynthia Bejarano explores such topics as the creation of distinct styles that reinforce differences between the two groups; the use of language to further distinguish themselves from one another; and social stratification perpetuated by internal colonialism and the “Othering” process. These and other issues are shown to complicate how Latinas/os ethnically identify as Mexicanas/os or Chicanas/os and help explain how they get to this point.

In contrast to research that views identity as a reflection of immigration or educational experiences, this study embraces border theory to frame the complex and conflicted relations of adolescents as a result of their identity-making processes. This intimate glimpse into their lives provides valuable information about the diversity among youths and their constant efforts to create, define, and shape their identities according to cultural and social structures.

If it can be said that Native culture is hidden behind the facade of mainstream America, there is a facet of that culture hidden even to many Native Americans. One of today's generation of outstanding Native writers, Esther Belin is an urban Indian. Raised in the city, she speaks with an entirely different voice from that of her reservation kindred as she expresses herself on subjects of urban alienation, racism, sexism, substance abuse, and cultural estrangement.

In this bold new collection of poems, Belin presents a startling vision of urban California—particularly Los Angeles—contrasted with Navajo life in the Four Corners region. She presents aspects of Diné life and history not normally seen by readers accustomed to accounts written by Navajos brought up on the reservation.

Her work reveals a difference in experience but a similarity in outlook. Belin's poems put familiar cultural forms in a new context, as Coyote "struts down east 14th / feeling good / looking good / feeling the brown." Her character Ruby dramatizes the gritty reality of a Native woman's life ("I laugh / sit / smoke a Virginia Slim / and talk to the spirits"). Her use of Diné language and poignant descriptions of family life will remind some of Joy Harjo's work, but with every turn of the page, readers will know that Belin is making her own mark on Native American literature.

From the Belly of My Beauty is also a ceremony of affirmation and renewal for those Native Americans affected by the Federal Indian Relocation Program of the 1950s and '60s, with its attempts to "assimilate" them into the American mainstream. They have survived by remembering who they were and where they came from. And they have survived so that they might bear witness, as Esther Belin so powerfully does. Belin holds American culture accountable for failing to treat its indigenous peoples with respect, but speaks for the ability of Native culture to survive and provide hope, even for mixed-blood or urban Indians. She is living proof that Native culture thrives wherever its people are found.

One of our generation’s most important literary voices, Esther G. Belin was raised in the Los Angeles area as part of the legacy following the federally run Indian relocation policy. Her parents completed the Special Navajo Five-Year Program that operated from 1946 to 1961 at Sherman Institute in Riverside, California. Drawing from this experience, her poetry, activism, and multimedia work speaks to larger issues of urban Indian identity, acceptance, adaptation, and cultural estrangement.

In this long-anticipated collection, Belin daringly maps the poetics of womanhood, the body, institution, family, and love. Depicting the personal and the political, Of Cartography is an exploration of identity through language. With poems ranging from prose to typographic and linguistic illustrations, this distinctive collection pushes the boundaries of traditional poetic form.

Marking territory and position according to the Diné cardinal points, Of Cartography demands much from the reader, gives meaning to abstraction, and demonstrates the challenges of identity politics.
 

Many know that the removal and relocation of Indigenous peoples from traditional lands is a part of the United States’ colonial past, but few know that—in an expansive corner of northeastern Arizona—the saga continues. The 1974 Settlement Act officially divided a reservation established almost a century earlier between the Diné (Navajo) and the Hopi, and legally granted the contested land to the Hopi. To date, the U.S. government has relocated between 12,000 and 14,000 Diné from Hopi Partitioned Lands, and the Diné—both there and elsewhere—continue to live with the legacy of this relocation.

Bitter Water presents the narratives of four Diné women who have resisted removal but who have watched as their communities and lifeways have changed dramatically. The book, based on 25 hours of filmed personal testimony, features the women’s candid discussions of their efforts to carry on a traditional way of life in a contemporary world that includes relocation and partitioned lands; encroaching Western values and culture; and devastating mineral extraction and development in the Black Mesa region of Arizona. Though their accounts are framed by insightful writings by both Benally and Diné historian Jennifer Nez Denetdale, Benally lets the stories of the four women elders speak for themselves.

Scholars, media, and other outsiders have all told their versions of this story, but this is the first book that centers on the stories of women who have lived it—in their own words in Navajo as well as the English translation. The result is a living history of a contested cultural landscape and the unique worldview of women determined to maintain their traditions and lifeways, which are so intimately connected to the land. This book is more than a collection of stories, poetry, and prose. It is a chronicle of resistance as spoken from the hearts of those who have lived it.

Cities are often thought to be separate from nature, but recent trends in ecocriticism demand that we consider them as part of the total environment. This new collection of essays sharpens the focus on the nature of cities by exploring the facets of an urban ecocriticism, by reminding city dwellers of their place in ecosystems, and by emphasizing the importance of this connection in understanding urban life and culture.

The editors—both raised in small towns but now living in major urban areas—are especially concerned with the sociopolitical construction of all environments, both natural and manmade. Following an opening interview with Andrew Ross exploring the general parameters of urban ecocriticism, they present essays that explore urban nature writing, city parks, urban "wilderness," ecofeminism and the city, and urban space. The volume includes contributions on topics as wide-ranging as the urban poetry of English writers from Donne to Gay, the manufactured wildness of a gambling casino, and the marketing of cosmetics to urban women by idealizing Third World "naturalness." These essays seek to reconceive nature and its cultural representations in ways that contribute to understanding the contemporary cityscape. They explore the theoretical issues that arise when one attempts to adopt and adapt an environmental perspective for analyzing urban life.

The Nature of Cities offers the ecological component often missing from cultural analyses of the city and the urban perspective often lacking in environmental approaches to contemporary culture. By bridging the historical gap between environmentalism, cultural studies, and urban experience, the book makes a statement of lasting importance to the development of the ecocritical movement. 

On the high desert plateau of northern Mexico, outsiders have taken refuge from the secular world. Here three Anglo communities of Mormons and Mennonites have ordered their lives around male supremacy, rigid religious duty, and a rejection of modern technology and culture. In so doing, they have successfully adapted to this harsh desert environment.

Janet Bennion has lived and worked among these people, and in this book she introduces a new paradigm—"desert patriarchy"—to explain their way of life. This perspective sheds light not only on these particular communities but also on the role of the desert environment in the development and maintenance of fundamentalist ideology in other parts of the United States and around the globe.

Making new connections between the arid environment, opposition to technology, and gender ideology, Bennion shows that it is the interplay of the desert and the unique social traditions and gender dynamics embedded in Anglo patriarchal fundamentalism that accounts for the successful longevity of the Mexican colonies. Her model defines the process by which male supremacy, female autonomous networking, and religious fundamentalism all facilitate successful adaptation to the environment.

More than a theoretical analysis, Desert Patriarchy provides an intimate glimpse into the daily lives of these people, showing how they have taken refuge in the desert to escape religious persecution, the forced secular education of their children, and economic and political marginalization. It particularly sheds light on the ironic autonomy of women within a patriarchal system, showing how fundamentalist women in Chihuahua are finding numerous creative ways to access power and satisfaction in a society structured to subordinate and even degrade them.

Desert Patriarchy richly expands the literature on nontraditional religious movements as it enhances our understanding of how environment can shape society. It offers unique insights into women's status in patriarchal communities and provides a new way of looking at similar communities worldwide.

Sometimes the losses of childhood can be recovered only in the flight of the dragonfly.

Native American children have long been subject to removal from their homes for placement in residential schools and, more recently, in foster or adoptive homes. The governments of both the United States and Canada, having reduced Native nations to the legal status of dependent children, historically have asserted a surrogate parentalism over Native children themselves.

Children of the Dragonfly is the first anthology to document this struggle for cultural survival on both sides of the U.S.-Canadian border. Through autobiography and interviews, fiction and traditional tales, official transcripts and poetry, these voices— Seneca, Cherokee, Mohawk, Navajo, and many others— weave powerful accounts of struggle and loss into a moving testimony to perseverance and survival. Invoking the dragonfly spirit of Zuni legend who helps children restore a way of life that has been taken from them, the anthology explores the breadth of the conflict about Native childhood.

Included are works of contemporary authors Sherman Alexie, Joy Harjo, Luci Tapahonso, and others; classic writers Zitkala-Sa and E. Pauline Johnson; and contributions from twenty important new writers as well. They take readers from the boarding school movement of the 1870s to the Sixties Scoop in Canada and the Indian Child Welfare Act of 1978 in the United States. They also spotlight the tragic consequences of racist practices such as the suppression of Indian identity in government schools and the campaign against Indian childbearing through involuntary sterilization.

CONTENTS
Part 1. Traditional Stories and Lives
Severt Young Bear (Lakota) and R. D. Theisz, To Say "Child"
Zitkala-Sa (Yankton Sioux), The Toad and the Boy
Delia Oshogay (Chippewa), Oshkikwe's Baby
Michele Dean Stock (Seneca), The Seven Dancers
Mary Ulmer Chiltoskey (Cherokee), Goldilocks Thereafter
Marietta Brady (Navajo), Two Stories
Part 2. Boarding and Residential Schools
Embe (Marianna Burgess), from Stiya: or, a Carlisle Indian Girl at Home
Black Bear (Blackfeet), Who Am I?
E. Pauline Johnson (Mohawk), As It Was in the Beginning
Lee Maracle (Stoh:lo), Black Robes
Gordon D. Henry, Jr. (White Earth Chippewa), The Prisoner of Haiku
Luci Tapahonso (Navajo), The Snakeman
Joy Harjo (Muskogee), The Woman Who Fell from the Sky
Part 3. Child Welfare and Health Services
Problems That American Indian Families Face in Raising Their Children, United States Senate, April 8 and 9, 1974
Mary TallMountain (Athabaskan), Five Poems
Virginia Woolfclan, Missing Sister
Lela Northcross Wakely (Potawatomi/Kickapoo), Indian Health
Sherman Alexie (Spokane/Coeur d'Alene), from Indian Killer
Milton Lee (Cheyenne River Sioux) and Jamie Lee, The Search for Indian
Part 4. Children of the Dragonfly
Peter Cuch (Ute), I Wonder What the Car Looked Like
S. L. Wilde (Anishnaabe), A Letter to My Grandmother
Eric Gansworth (Onondaga), It Goes Something Like This
Kimberly Roppolo (Cherokee/Choctaw/Creek), Breeds and Outlaws
Phil Young (Cherokee) and Robert Bensen, Wetumka
Lawrence Sampson (Delaware/Eastern Band Cherokee), The Long Road Home
Beverley McKiver (Ojibway), When the Heron Speaks
Joyce carlEtta Mandrake (White Earth Chippewa), Memory Lane Is the Next Street Over
Alan Michelson (Mohawk), Lost Tribe
Patricia Aqiimuk Paul (Inupiaq), The Connection
Terry Trevor (Cherokee/Delaware/Seneca), Pushing up the Sky
Annalee Lucia Bensen (Mohegan/Cherokee), Two Dragonfly Dream Songs

"For persons with a special interest in succulents, and cacti in particular, this book is a must. Others will find the volume of value not only as a means of naming these highly specialized plants but as a source of information on the structure and distribution of the various species."—American Scientist

"Of tremendous value to the professional botanist and ecologist, and with layman English and careful instructions, the work provides the amateur botanist insight into a fascinating family."—Garden Journal

"For the general desert lover as well as the botanist."—Books of the Southwest

 

A wealth of firsthand information combined with major sources provides an understanding of desert zoogeography and evolution.

Part I: Zoogeography of Southwestern Nearctic Mollusks
Integrates and evaluates information of interest to students of variation, evolution, zoogeography, and ecology of the fauna of the arid Southwest.

Part II: Annotated Check List of Recent Arizona Mollusks
Treatment of 173 valid species and 46 recognized subspecies gives nomenclature, type localities, distribution in Arizona, occurrence elsewhere in the Southwestern Molluscan Province, general Recent distribution, presence or absence in Late Cenozoic deposits, and synonymy.

Long frequented by pirates and haunted by pariahs, Baja California has become a favorite destination for whale watchers, hikers, and scuba divers. For Bruce Berger it has been more. In Almost an Island, he takes readers beyond the Baja of guidebooks and offers a wildly entertaining look at the real Baja California.

Eight hundred miles long, Baja California is the remotest region of the Sonoran desert, a land of volcanic cliffs, glistening beaches, fantastical boojum trees, and some of the greatest primitive murals in the Western Hemisphere. In Almost an Island, Berger recounts tales from his three decades in this extraordinary place, enriching his account with the peninsula's history, its politics, and its probable future—rendering a striking panorama of this land so close to the United States, so famous, and so little known.

Readers will meet a cast of characters as eccentric as the place itself: Brandy, who ranges the desert in a sand buggy while breathing from an oxygen tank; Katie, the chanteuse; nuns illegally raising pigs. They will encounter the tourist madness of a total eclipse, the story of the heir to an oasis, a musical Mata Hari, rare pronghorn antelope, and a pet tarantula. In prose as glittering as this desert engulfed by the sea, Almost an Island is a fascinating journey into the human heart of a spectacular land.

Winner of the 1990 Western States Book Award for Creative Nonfiction,The Telling Distance evokes the yearning expanses of our southwestern deserts and finds them full of sensuous marvels, erratic life forms, eccentric fellow travelers, dry humor, and surprise. In prose that revels in paradox, it reveals desert distances to be doubly telling: they both magnify our spirit and have incomparable tales to tell.

On October 7, 1962, Bruce Berger and three friends embarked on what may have been the last trip taken through the Colorado River's Glen Canyon before the floodgates were closed at Glen Canyon Dam and Lake Powell began to fill. After thirty years, one can grieve for what was lost and then, like Berger, take another look around.

The Southwest Berger sees is an unusual, even odd, place, with inhabitants that are just as strange. In this collection of essays he introduces us to people and places that define a region and a way of life. We meet eccentric desert dwellers like Cactus Pete, who claimed to have mapped the mountains of Venus long before NASA penetrated its clouds. We chart the canals of Phoenix, which have created a Martian landscape out of an irrigation system dating back to the ancient Hohokam; stay at a "wigwam" motel in Holbrook, whose kitsch appeals even to Hopis; and dim our lights for the International Dark-Sky Association's efforts to keep night skies safe for astronomy.

Focusing on the interaction of people with the environment, Berger reveals an original vision of the Southwest that encompasses both city and wilderness. In a concluding essay centering on the sale of his mother's estate in Phoenix, he concedes that "our intention to leave the desert alone has resulted, unwittingly, in loss after loss, simply by our being here." Sometimes there are losses—a canyon, a house—but Berger attunes us to the prodigies of change.

Popular music compels, it entertains, and it has the power to attract and move audiences. With that in mind, the editors of Indigenous Pop showcase the contributions of American Indian musicians to popular forms of music, including jazz, blues, country-western, rock and roll, reggae, punk, and hip hop.

From Joe Shunatona and the United States Indian Reservation Orchestra to Jim Pepper, from Buffy Saint-Marie to Robbie Robertson, from Joy Harjo to Lila Downs, Indigenous Pop vividly addresses the importance of Native musicians and popular musical genres, establishing their origins and discussing what they represent.

Arranged both chronologically and according to popular generic forms, the book gives Indigenous pop a broad new meaning. In addition to examining the transitive influences of popular music on Indigenous expressive forms, the contributors also show ways that various genres have been shaped by what some have called the “Red Roots” of American-originated musical styles. This recognition of mutual influence extends into the ways of understanding how music provides methodologies for living and survival.

Each in-depth essay in the volume zeros in on a single genre and in so doing exposes the extraordinary whole of Native music. This book showcases the range of musical genres to which Native musicians have contributed and the unique ways in which their engagement advances the struggle for justice and continues age-old traditions of creative expression.

Uranus occupies a unique niche in the history of western thought; for while the planets from Mercury to Saturn had been known since pre-antiquity, Uranus was the first to be discovered, in 1781, through scientific investigation. Contemporary investigation of Uranus culminated in the Voyager 2 encounter in 1986. The results of that achievement, as well of concurrent research on the planet, are reviewed by 84 international authorities in this massive volume. Because Uranus' remoteness has prevented its being studied as intensively by earth-based observation as have other members of the solar system, most of what is known about the planet—its magnetic field and magnetosphere and satellites—were learned from the Voyager data, which is viewed here from a variety of perspectives. While the book is intended to serve as a comprehensive review, it also reports a substantial amount of original research results not previously published.

While small communities in Third World countries usually seem at the mercy of central governments and foreign capitalists, local activists can help exploited peoples correct environmental abuses and social injustices and seize control of their own destinies.

Kicking Off the Bootstraps is a powerful case history of such an effort. It describes a grassroots activist movement that emerged in the Puerto Rican community of Salinas to counter the poverty and economic dependence experienced by its citizens in the wake of "Operation Bootstrap," a post-World War II industrial development program. Déborah Berman Santana examines the efforts of the community to develop its own economic strategy based primarily on environmentally and socially responsible uses of local natural and human resources.

Berman Santana shows how local activists are seeking to empower the Salinas community to make decisions concerning economic development. She evaluates present-day efforts to develop positive alternatives, examining the motivations of the activists, the nature of their projects, their efforts to mobilize the community, their dealings with government and other organizations, and the obstacles they face. In a closing chapter, she addresses the potential roles of community leaders, outside activists, local businesses, and government in actualizing these alternatives.

A testimony to one community's efforts to determine its own future, Kicking Off the Bootstraps deals with real issues such as control over productive resources, quality of life, and environmental health. It also extends an examination of community-directed activism to an exploration of policy implications for sustainable development. While this concept is often too vague to be applied to real strategies, the Salinas experience provides a clear idea of what sustainable development can—and should—mean in actual practice.

George W. P. Hunt was a highly colorful Arizona politician. A territorial representative and seven-time Arizona state governor, Hunt joined Woodrow Wilson in making the Democratic Party the party of Progressive reform. This political biography follows Hunt through his years in the territorial legislature, and then as governor. Author David R. Berman’s well-researched and detailed work features Hunt’s battles to stem the powers of large corporations, democratize the political system, defend labor rights, reform the prison system, abolish the death penalty, and protect Arizona’s interests in the Colorado River. He had a special concern for the down and out. He found the "forgotten man" long before Franklin Roosevelt.

Hunt was proof that style and physical appearance neither guarantee nor preclude political success, for the three-hundred-pound man of odd dress and bumbling speech had a political career that spanned the state’s Populism of the 1890s to the 1930s New Deal. Driven by causes, he was very active in public office but took little pleasure in doing the job. Called names by opponents and embarrassed by his lack of formal education, Hunt sometimes showed rage, self-pity, and bitterness at what he saw as betrayals and conspiracies against him.

The author assesses Hunt’s successes and failings as a political leader and take-charge governor struggling to produce results in a political system hostile to executive authority. Berman offers a nuanced look at Arizona’s first governor, providing an important new understanding of Arizona’s complex political history.

As contemporary Native Americans assert the legacy of their ancestors, there is increasing debate among archaeologists over the methods and theories used to reconstruct prehistoric identity and the movement of social groups. This is especially problematic with respect to the emergence of southwestern tribes, which involved shifting populations and identities over the course of more than a thousand years.

Wesley Bernardini now draws on an unconventional source, Hopi traditional knowledge, to show how hypotheses that are developed from oral tradition can stimulate new and productive ways to think about the archaeological record. Focusing on insights that oral tradition has to offer about general processes of prehistoric migration and identity formation, he describes how each Hopi clan acquired its particular identity from the experiences it accumulated on its unique migration pathway. This pattern of “serial migration” by small social groups often saw the formation of villages by clans that briefly came together and then moved off again independently, producing considerable social diversity both within and among villages.

Using Anderson Mesa and Homol’ovi as case studies, Bernardini presents architectural and demographic data suggesting that the fourteenth century occupation of these regions was characterized by population flux and diversity consistent with the serial migration model. He offers an analysis of rock art motifs—focusing on those used as clan symbols—to evaluate the diversity of group identities, then presents a compositional analysis of Jeddito Yellow Ware pottery to evaluate the diversity of these groups’ eventual migration destinations.

Evidence supporting serial migration greatly complicates existing notions of links between ancient and modern social groups, with important implications for the implementation of the Native American Graves Protection and Repatriation Act. Bernardini’s work clearly demonstrates that studies of cultural affiliation must take into account the fluid nature of population movements and identity in the prehistoric landscape. It takes a decisive step toward better understanding the major demographic change that occurred on the Colorado Plateau from 1275 to 1400 and presents a strategy for improving the reconstruction of cultural identity in the past.

Archaeologists have often used the term ideology to vaguely refer to a “realm of ideas.” Scholars from Marx to Zizek have developed a sharper concept, arguing that ideology works by representing—or misrepresenting—power relations through concealment, enhancement, or transformation of real social relations between groups. Ideologies in Archaeology examines the role of ideology in this latter sense as it pertains to both the practice and the content of archaeological studies. While ideas like reflexive archaeology and multivocality have generated some recent interest, this book is the first work to address in any detail the mutual relationship between ideologies of the past and present ideological conditions producing archaeological knowledge.

Contributors to this volume focus on elements of life in past societies that “went without saying” and that concealed different forms of power as obvious and unquestionable. From the use of burial rites as political theater in Iron Age Germany to the intersection of economics and elite power in Mississippian mound building, the contributors uncover complex manipulations of power that have often gone unrecognized. They show that Occam’s razor—the tendency to favor simpler explanations—is sometimes just an excuse to avoid dealing with the historical world in its full complexity.

Jean-Paul Demoule’s concluding chapter echoes this sentiment and moreover brings a continental European perspective to the preceding case studies. In addition to situating this volume in a wider history of archaeological currents, Demoule identifies the institutional and cultural factors that may account for the current direction in North American archaeology. He also offers a defense of archaeology in an era of scientific relativism, which leads him to reflect on the responsibilities of archaeologists.

Includes contributions by: Susan M. Alt, Bettina Arnold, Uzi Baram, Reinhard Bernbeck, Matthew David Cochran, Jean-Paul Demoule, Kurt A. Jordan, Susan Kus, Vicente Lull, Christopher N. Matthews, Randall H. McGuire, Rafael Micó, Cristina Rihuete Herrada, Paul Mullins, Sue Novinger, Susan Pollock, Victor Raharijaona, Roberto Risch, Kathleen Sterling, Ruth M. Van Dyke, and LouAnn Wurst

Over the past thirty years, late Quaternary environments in the arid interior of western North America have been revealed by a unique source of fossils: well-preserved fragments of plants and animals accumulated locally by packrats and quite often encased, amberlike, in large masses of crystallized urine. These packrat middens are ubiquitous in caves and rock crevices throughout the arid West, where they can lie preserved for tens of thousands of years. More than a thousand of these deposits have been dated and analyzed, and middens have supplanted pollen records as a touchstone for studying vegetation dynamics and climatic change in radiocarbon time (the last 40,000 years). Now, similar deposits made by other mammals like hyraxes are being reported from other parts of the world.

This book brings together the findings and views of many of the researchers investigating fossil middens in the United States, Mexico, Africa, the Middle East, and Australia. The contributions serve to open a forum for methodological concerns, update the fossil record of various geographic regions, introduce new applications, and display the vast potential for fossil midden analysis in arid regions worldwide. The findings presented here will serve to foster regional research and to promote general studies devoted to global climate change. Included in the text are more than two hundred charts, photographs, and maps.

The revolutionary discovery of thousands of confirmed and candidate planets beyond the solar system brings forth the most fundamental
question: How do planets and their host stars form and evolve? Protostars and Planets VI brings together more than 250 contributing authors at the forefront of their field, conveying the latest results in this research area and establishing a new foundation for advancing our understanding of stellar and planetary formation.

Continuing the tradition of the Protostars and Planets series, this latest volume uniquely integrates the cross-disciplinary aspects of this broad field. Covering an extremely wide range of scales, from the formation of large clouds in our Milky Way galaxy down to small chondrules in our solar system, Protostars and Planets VI takes an encompassing view with the goal of not only highlighting what we know but, most importantly, emphasizing the frontiers of what we do not know.

As a vehicle for propelling forward new discoveries on stars, planets, and their origins, this latest volume in the Space Science Series is an indispensable resource for both current scientists and new students in astronomy, astrophysics, planetary science, and the study of meteorites.
 

Marquis Bey’s debut collection, Them Goon Rules, is an un-rulebook, a long-form essayistic sermon that meditates on how Blackness and nonnormative gender impact and remix everything we claim to know.

A series of essays that reads like a critical memoir, this work queries the function and implications of politicized Blackness, Black feminism, and queerness. Bey binds together his personal experiences with social justice work at the New York–based Audre Lorde Project, growing up in Philly, and rigorous explorations of the iconoclasm of theorists of Black studies and Black feminism. Bey’s voice recalibrates itself playfully on a dime, creating a collection that tarries in both academic and nonacademic realms.

Fashioning fugitive Blackness and feminism around a line from Lil’ Wayne’s “A Millie,” Them Goon Rules is a work of “auto-theory” that insists on radical modes of thought and being as a refrain and a hook that is unapologetic, rigorously thoughtful, and uncompromising.

"Bierhorst offers access to more than primary texts here: he maps a way of reading and the necessary apparatus for that reading (including pronunciation guides, reminding us they are oral performances)." —World Literature Today

"This comparative application of the epic poetry tradition to Amerind literature is a scholarly success.... this book is a most noteworthy item in the field of American Indian studies, and is not to be missed by any serious devotee." --Library Journal

"Biehorst's introductions and notes are brilliant, thorough, and an important contribution to the scholarship on these works. His new translation of the Quetzalcoatl is also excellent." --Choice

One of the great documents of colonial Mexico, the Codex Chimalpopoca chronicles the rise of Aztec civilization and preserves the mythology on which it was based. Its two complementary texts, Annals of Cuauhtitlan and Legend of the Suns, record the pre-Cortésian history of the Valley of Mexico together with firsthand versions of that region's myths.

Of particular interest are the stories of the hero-god Quetzalcoatl, for which the Chimalpopoca is the premier source. John Bierhorst's work is the first major scholarship on the Codex Chimalpopoca in more than forty years. His is the first edition in English and the first in any language to include the complete text of the Legend of the Suns. The precise, readable translation not only contributes to the study of Aztec history and literature but also makes the codex an indispensable reference for Aztec cultural topics, including land tenure, statecraft, the role of women, the tribute system, warfare, and human sacrifice.

The Lenape, or Delaware, are an Eastern Algonquian people who originally lived in what is now the greater New York and Philadelphia metropolitan region and have since been dispersed across North America. While the Lenape have long attracted the attention of historians, ethnographers, and linguists, their oral literature has remained unexamined, and Lenape stories have been scattered and largely unpublished.

This catalog of Lenape mythology, featuring synopses of all known Lenape tales, was assembled by folklorist John Bierhorst from historical sources and from material collected by linguists and ethnographers—a difficult task in light of both the paucity of research done on Lenape mythology and the fragmentation of traditional Lenape culture over the past three centuries.

Bierhorst here offers an unprecedented guide to the Lenape corpus with supporting texts. Part one of the "Guide" presents a thematic summary of the folkloric tale types and motifs found throughout the texts; part two presents a synopsis of each of the 218 Lenape narratives on record; part three lists stories of uncertain origin; and part four compares types and motifs occurring in Lenape myths with those found in myths of neighboring Algonquian and Iroquoian cultures.

In the "Texts" section of the book, Bierhorst presents previously unpublished stories collected in the early twentieth century by ethnographers M. R. Harrington and Truman Michelson. Included are two versions of the Lenape trickster cycle, narratives accounting for dance origins, Lenape views of Europeans, and tales of such traditional figures as Mother Corn and the little man of the woods called Wemategunis.

By gathering every available example of Lenape mythology, Bierhorst has produced a work that will long stand as a definitive reference. Perhaps more important, it restores to the land in which the Lenape once thrived a long-missing piece of its Native literary heritage.

"I want to talk about my tragic story, because if I don't, it will get into my mind and get into my dream and make me crazy."

When the Navajos were taken from their land by the federal government in the 1860s, thousands lost their lives on the infamous Long Walk, while those who eluded capture lived in constant fear. These men and women are now dead, but their story lives on in the collective memory of their tribe.

Gus Bighorse lived through that period of his people's history, and his account of it—recalled by his daughter Tiana and retold in her father's voice—provides authentic glimpses into Navajo life and values of a century ago. Born around 1846, Gus was orphaned at sixteen when his parents were killed by soldiers, and he went into hiding with other Navajos banded together under chiefs like Manuelito. Over the coming years, he was to see members of his tribe take refuge in Canyon de Chelly, endure the Long Walk from Fort Defiance to Bosque Redondo in 1864, and go into hiding at Navajo Mountain. Gus himself was the leader of one of Manuelito's bands who fought against Kit Carson's troops.

After the Navajos were allowed to return to their land, Gus took up the life of a horseman, only to see his beloved animals decimated in a government stock reduction program.

"I know some people died of their tragic story," says Gus. "They think about it and think about how many relatives they lost. Their parents got shot. They get into shock. That is what kills them. That is why we warriors have to talk to each other. We wake ourselves up, get out of the shock. And that is why I tell my kids what happened, so it won't be forgot." Throughout his narrative, he makes clear those human qualities that for the Navajos define what it is to be a warrior: vision, compassion, courage, and endurance.

Befitting the oral tradition of her people, Tiana Bighorse draws on her memory to tell her father's story. In doing so, she ensures that a new generation of Navajos will know how the courage of their ancestors enabled their people to have their reservation today: "They paid for our land with their lives." Following the text is a chronology of Navajo history, with highlights of Gus Bighorse's life placed in the context of historical events.

In 1981, more than a thousand civilians around El Mozote, El Salvador, were slaughtered by the country’s U.S.-trained army. The story was covered—and soon forgotten—by the international news media. In the first edition of The El Mozote Massacre, anthropologist Leigh Binford successfully restores a social identity to the massacre victims through his dissection of Third World human rights reporting and a rich ethnographic and personal account of El Mozote–area residents prior to the massacre.

Almost two decades later, the consequences of the massacre continue to reverberate through the country’s legal and socioeconomic systems. The El Mozote Massacre, 2nd Edition brings together new evidence to address reconstruction, historical memory, and human rights issues resulting from what may be the largest massacre in modern Latin American history.

With a multitude of additions, including three new chapters, an extended chronology, discussion of the hearing and ruling of the Inter-American Court of Human Rights in 2012, and evidence gathered throughout half a dozen field trips made by the author, Binford presents a current perspective on the effects of this tragic moment in history. Thanks to geographically expanded fieldwork, Binford offers critical discussion of postwar social, economic, religious, and social justice in El Mozote, and adds important new regional, national, and global contexts.

The El Mozote Massacre, 2nd Edition maintains the crucial presence of the massacre in human rights discussions for El Salvador, Latin America, and the world.

This sourcebook brought together our knowledge about asteroids, based on a gather during the week of March 8-11, 1988 with move than 160 scientists from 14 countries who gathered in Tucson for the Asteroids II conference.

Asteroids II is not a sequel, per se, to the 1979 book Asteroids. It offered a fresh treatment intended to stand on its own as a complete description of the current understanding of the field. It was published in December 1989. The work showcased a large international collaboration, a sign of an active and growing discipline.

In 1933 the United States Office of Indian Affairs began a major reform of Indian policy, organizing tribal governments under the provisions of the Indian Reorganization Act and turning over the administration of reservations to these new bodies. Organizing the Lakota considers the implementation of this act among the Lakota (Western Sioux or Teton Dakota) from 1933 through 1945.

Biolsi pays particular attention to the administrative means by which the OIA retained the power to design and implement tribal "self-government" as well as the power to control the flow of critical resources—rations, relief employment, credit—to the reservations. He also shows how this imbalance of power between the tribes and the federal bureaucracy influenced politics on the reservations, and argues that the crisis of authority faced by the Lakota tribal governments among their own would-be constituents—most dramatically demonstrated by the 1973 Wounded Knee occupation—is a direct result of their disempowerment by the United States.

In 1969 Vine Deloria, Jr., in his controversial book Custer Died for Your Sins, criticized the anthropological community for its impersonal dissection of living Native American cultures. Twenty-five years later, anthropologists have become more sensitive to Native American concerns, and Indian people have become more active in fighting for accurate representations of their cultures. In this collection of essays, Indian and non-Indian scholars examine how the relationship between anthropology and Indians has changed over that quarter-century and show how controversial this issue remains. Practitioners of cultural anthropology, archaeology, education, and history provide multiple lenses through which to view how Deloria's message has been interpreted or misinterpreted. Among the contributions are comments on Deloria's criticisms, thoughts on the reburial issue, and views on the ethnographic study of specific peoples. A final contribution by Deloria himself puts the issue of anthropologist/Indian interaction in the context of the century's end.

CONTENTS
Introduction: What's Changed, What Hasn't, Thomas Biolsi & Larry J. Zimmerman
Part One--Deloria Writes Back
Vine Deloria, Jr., in American Historiography, Herbert T. Hoover
Growing Up on Deloria: The Impact of His Work on a New Generation of Anthropologists, Elizabeth S. Grobsmith
Educating an Anthro: The Influence of Vine Deloria, Jr., Murray L. Wax
Part Two--Archaeology and American Indians
Why Have Archaeologists Thought That the Real Indians Were Dead and What Can We Do about It?, Randall H. McGuire
Anthropology and Responses to the Reburial Issue, Larry J. Zimmerman
Part Three-Ethnography and Colonialism
Here Come the Anthros, Cecil King
Beyond Ethics: Science, Friendship and Privacy, Marilyn Bentz
The Anthropological Construction of Indians: Haviland Scudder Mekeel and the Search for the Primitive in Lakota Country, Thomas Biolsi
Informant as Critic: Conducting Research on a Dispute between Iroquoianist Scholars and Traditional Iroquois, Gail Landsman
The End of Anthropology (at Hopi)?, Peter Whiteley
Conclusion: Anthros, Indians and Planetary Reality, Vine Deloria, Jr.

"Fourteen ninety-something, / something happened / and no one can pick it out of the lineup . . . "

In words drawn from urban and Navajo perspectives, Sherwin Bitsui articulates the challenge a Native American person faces in reconciling his or her inherited history of lore and spirit with the coldness of postmodern civilization.

Shapeshift is a collection of startling new poetry that explores the tensions between the worlds of nature and man. Through brief, imagistic poems interspersed with evocative longer narratives, it offers powerful perceptions of American culture and politics and their lack of spiritual grounding. Linking story, history, and voice, Shapeshift is laced with interweaving images—the gravitational pull of a fishbowl, the scent of burning hair, the trickle of motor oil from a harpooned log—that speak to the rich diversity of contemporary Diné writing.

"Tonight, I draw a raven's wing inside a circle
measured a half second
before it expands into a hand.
I wrap its worn grip over our feet
As we thrash against pine needles inside the earthen pot."

With complexities of tone that shift between disconnectedness and wholeness, irony and sincerity, Bitsui demonstrates a balance of excitement and intellect rarely found in a debut volume. As deft as it is daring, Shapeshift teases the mind and stirs the imagination.

Big Water explores four centuries of the overlapping histories of Brazil, Argentina, and Paraguay (the Triple Frontier), and the colonies that preceded them. Examining an important area that includes some of the first national parks established in Latin America and one of the world’s largest hydroelectric dams, this transnational approach illustrates how these three nation-states have interacted over time.
 
From the Jesuit reductions in the seventeenth century to the flows of capital and goods accelerated by contemporary trade agreements, the Triple Frontier region has proven fundamental to the development of Brazil, Argentina, and Paraguay, as well as to the Southern Cone and South America itself. Although historians from each of these three countries have tended to construct narratives that stop at their respective borders, the contributors call for a reinterpretation that goes beyond the material and conceptual boundaries of the Triple Frontier. In offering a transnational approach, Big Water helps transcend nation-centered blind spots and approach new understandings of how space and society have developed throughout Latin America.
 
These essays complicate traditional frontier histories and balance the excessive weight previously given to empires, nations, and territorial expansion. Overcoming stagnant comparisons between national cases, the research explores regional identity beyond border and geopolitical divides. Thus, Big Water focuses on the uniquely overlapping character of the Triple Frontier and emphasizes a perspective usually left at the periphery of national histories.

Contributors
 
Shawn Michael Austin
Jacob Blanc
Bridget María Chesterton
Christine Folch
Zephyr Frank
Frederico Freitas
Michael Kenneth Huner
Evaldo Mendes da Silva
Eunice Sueli Nodari
Graciela Silvestri
Guillermo Wilde
Daryle Williams

In his second book of narrative, lyric poetry, Richard Blanco explores the familiar, unsettling journey for home and connections, those anxious musings about other lives: “Should I live here? Could I live here?” Whether the exotic (“I’m struck with Maltese fever …I dream of buying a little Maltese farm…) or merely different (“Today, home is a cottage with morning in the yawn of an open window…”), he examines the restlessness that threatens from merely staying put, the fear of too many places and too little time.

The words are redolent with his Cuban heritage: Marina making mole sauce; Tía Ida bitter over the revolution, missing the sisters who fled to Miami; his father, especially, “his hair once as black as the black of his oxfords…” Yet this is a volume for all who have longed for enveloping arms and words, and for that sanctuary called home. “So much of my life spent like this-suspended, moving toward unknown places and names or returning to those I know, corresponding with the paradox of crossing, being nowhere yet here.” Blanco embraces juxtaposition. There is the Cuban Blanco, the American Richard, the engineer by day, the poet by heart, the rhythms of Spanish, the percussion of English, the first-world professional, the immigrant, the gay man, the straight world. There is the ennui behind the question: why cannot I not just live where I live? Too, there is the precious, fleeting relief when he can write "…I am, for a moment, not afraid of being no more than what I hear and see, no more than this:..." It is what we all hope for, too.

William Randolph Hearst's collection of Navajo textiles is one of the most complete gatherings of nineteenth-century Navajo weaving in the world. Comprising dozens of Classic Period serapes, chief blankets, Germantown eyedazzlers, and turn-of-the-century rugs, the 185-piece collection was donated to the Los Angeles County Museum of Natural History in 1942 but for the next forty years was known only to a handful of scholars. Hearst began acquiring textiles from the Fred Harvey Company after viewing an exhibit of Indian artifacts.

Over four decades he amassed a collection spanning more than a century of Navajo weaving and including nearly every major type produced from 1800 to 1920. Hearst's passion for American Indian artifacts was so strong that he had originally visualized his now-famous castle in San Simeon as a showplace for his Navajo textile collection. At a time when the Harvey Company was itself influencing the development of Indian handcrafts by opening up the tourist market, Hearst contributed to this influence by expressing his own artistic preference for rare and unusual pieces.

This catalogue raisonné, featuring nearly 200 illustrations, provides the general public with the first look at this important collection. Nancy Blomberg's narrative introduces the reader to the history of Navajo weaving and documents Hearst's role in its development. The heart of the book provides a detailed analysis of each textile: fibers, yarn types, dyes, and designs. Navajo Textiles thus constitutes an invaluable reference for scholars and collectors and will be enjoyed by anyone who appreciates these beautiful creations from the Navajo loom.

Far to the south of Arizona’s sprawling metropolises, a rolling savanna of grass, oak, and mesquite rises above the surrounding deserts. The Sonoita Plain is a basin of a thousand square miles bracketed by mountains, a land once the domain of cowboys that is now more and more the focus of exurban development. These southwestern grasslands are both typical of and distinct from those of the Great Plains—similarly shaped by drought, grazing, and fire, but with a different flora and fauna, and the product of a different human history.

The Appleton-Whittell Research Ranch is a tract of 8,000 acres on the Sonoita Plain that was established in 1968 by the Appleton family and that is now part of the sanctuary system of the National Audubon Society. To all appearances, it is an ordinary piece of land, but for the last 35 years it has been treated in an extraordinary way—by leaving it alone. No grazing to influence grass production. No dam building to hold back flash floods. No pest control. No fire-fighting. By employing such non-action, might we gain a glimpse of what this land was like hundreds, even thousands, of years ago?

Through essays and photographs focusing on the Sanctuary and surrounding area, this book reveals the complex ecology and unique aesthetics of its grasslands and savannas. Carl and Jane Bock and Stephen Strom share a passion for the remarkable beauty found here, and in their book they describe its environment, biodiversity, and human history. People have dominated the world’s grasslands and savannas for so long that today we have no clear idea what these lands might be like without us. By understanding the lessons of the Sonoita Plain, we might gain such insight—and, more important, discover approaches to protecting the very things that attract us to such lands in the first place.

The past twenty-five years have seen enormous changes in Native America. One of the most profound expressions of change has been within the Mashantucket Pequot Tribal Nation. The Nation has overcome significant hurdles to establish itself as a potent cultural and economic force highlighted by the Mashantucket Pequot Museum and Research Center and Foxwoods, the largest casino in the Western Hemisphere. In Casino and Museum, John J. Bodinger de Uriarte sees these two main commercial structures of the reservation as mutually supporting industries generating both material and symbolic capital.

To some degree, both institutions offer Native representations yet create different strategies for attracting and engaging visitors. While the casino is crucial as an economic generator, the museum has an important role as the space for authentic Mashantucket Pequot images and narratives. The book’s focus is on how the casino and the museum successfully deploy different strategies to take control of the tribe’s identity, image, and cultural agency.

Photographs in the book provide a view of Mashantucket, allowing the reader to study the spaces of the book’s central arguments. They are a key methodology of the project and offer a non-textual opportunity to navigate the sites as well as one finely focused way to work through the representation and formation of the Native American photographic subject—the powerful popular imagining of Native Americans. Casino and Museum presents a unique understanding of the prodigious role that representation plays in the contemporary poetics and politics of Native America. It is essential reading for scholars of Native American studies, museum studies, cultural studies, and photography.

Masaya, a provincial capital of Nicaragua, cultivates an aggressively traditional identity that contrasts with Managua’s urban modernity. In 2001 the city was officially designated Capital of Nicaraguan Folklore, yet residents have engaged in a vibrant folk revival since at least the 1960s. This book documents the creative innovations of Masaya’s performing artists.

The first extended study in English of Nicaraguan festival arts, Unmasking Class, Gender, and Sexuality in Nicaraguan Festival is an ethnographically and historically grounded inquiry into three festival enactments during the Somoza, Sandinista, and Neoliberal periods: the carnivalesque torovenado masquerades, the transvestite Negras marimba dances, and the wagon pilgrimage to Popoyuapa. Through a series of interlinked essays, Katherine Borland shows that these enactments constitute a people’s theater, articulating a range of perspectives on the homegrown and the global; on class, race, and ethnicity; on gender and sexuality; and on religious sensibilities.

Borland’s book is a case study of how the oppositional power of popular culture resides in the process of cultural negotiation itself as communities deploy cherished traditions to assert their difference from the nation and the world. It addresses both the gendered dimensions of a particular festival masquerade and the ways in which sexuality is managed in traditional festival transvestism. It demonstrates how performativity and theatricality interact to negotiate certain crucial realities in a festival complex. By showing how one locale negotiates, incorporates, and resists globally circulating ideas, identities, and material objects, it makes a major contribution to studies of ritual and festival in Latin America.

Byron Cummings, known to students and colleagues as “The Dean,” had a profound influence on the archaeology of Arizona and Utah during its early development. An explorer, archaeologist, anthropologist, teacher, museum director, university administrator, and state parks commissioner, Cummings was involved in many important discoveries in the American Southwest over the first half of the twentieth century and was a pioneer in the education of generations of archaeologists and anthropologists.

This book presents the first comprehensive examination of Cummings’ life, offering readers a greater understanding of his trailblazing work. Todd Bostwick elucidates Cummings’ many intellectual and cultural contributions, investigates the controversies in which he was embroiled, and describes his battles to wrest control of Arizona archaeology from eastern institutions that had long dominated Southwest archaeology.

Cummings saw the Southwest as an American wilderness where the story of cultural development revealed by the archaeologist and anthropologist was as important as it was in Europe. Bostwick’s meticulous account of his life reflects his great reverence for the region and pays tribute to a man whose dedication, mentoring, and friendship have forever sealed his place as The Dean.

High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail.

Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made.

Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy.

Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.

Racial and religious groups have played a key role in shaping the American West, yet scholars have for the most part ignored how race and religion have influenced regional identity. In this collection, eleven contributors explore the intersections of race, religion, and region to show how they transformed the West. From the Punjabi Mexican Americans of California to the European American shamans of Arizona to the Mexican Chinese of the borderlands, historical meanings of race in the American West are complex and are further complicated by religious identities.

This book moves beyond familiar stereotypes to achieve a more nuanced understanding of race while also showing how ethnicity formed in conjunction with religious and regional identity. The chapters demonstrate how religion shaped cultural encounters, contributed to the construction of racial identities, and served as a motivating factor in the lives of historical actors. The opening chapters document how religion fostered community in Los Angeles in the first half of the twentieth century. The second section examines how physical encounters—such as those involving Chinese immigrants, Hermanos Penitentes, and Pueblo dancers—shaped religious and racial encounters in the West. The final essays investigate racial and religious identity among the Latter-day Saints and southern California Muslims. As these contributions clearly show, race, religion, and region are as critical as gender, sexuality, and class in understanding the melting pot that is the West. By depicting the West as a unique site for understanding race and religion, they open a new window on how we view all of America.

Two hundred years after the first asteroid was discovered, asteroids can no longer be considered mere points of light in the sky. Spacecraft missions, advanced Earth-based observation techniques, and state-of-the-art numerical models are continually revealing the detailed shapes, structures, geological properties, and orbital characteristics of these smaller denizens of our solar system. This volume brings together the latest information obtained by spacecraft combined with astronomical observations and theoretical modeling, to present our best current understanding of asteroids and the clues they reveal for the origin an,d evolution of the solar system.

This collective knowledge, prepared by a team of more than one hundred international authorities on asteroids, includes new insights into asteroid-meteorite connections, possible relationships with comets, and the hazards posed by asteroids colliding with Earth. The book's contents include reports on surveys based on remote observation and summaries of physical properties; results of in situ exploration; studies of dynamical, collisional, cosmochemical, and weathering evolutionary processes; and discussions of asteroid families and the relationships between asteroids and other solar system bodies. Two previous Space Science Series volumes have established standards for research into asteroids. Asteroids III carries that tradition forward in a book that will stand as the definitive source on its subject for the next decade.

From the author of the widely acclaimed Woman in Levi’s, this colorful autobiography follows a year in the lives of the lone woman rancher, her students, and their families in 1930s rural Southern Arizona.

The widely acclaimed autobiography of a lone woman rancher and country school teacher--the life she lived on the land she loved.

Studies of the Spanish conquest in the Americas traditionally have explained European-Indian encounters in terms of such factors as geography, timing, and the charisma of individual conquistadores. Yet by reconsidering this history from the perspective of gender roles and relations, we see that gender ideology was a key ingredient in the glue that held the conquest together and in turn shaped indigenous behavior toward the conquerors. This book tells the hidden story of women during the missionization of California. It shows what it was like for women to live and work on that frontier—and how race, religion, age, and ethnicity shaped female experiences. It explores the suppression of women's experiences and cultural resistance to domination, and reveals the many codes of silence regarding the use of force at the missions, the treatment of women, indigenous ceremonies, sexuality, and dreams.

Virginia Bouvier has combed a vast array of sources— including mission records, journals of explorers and missionaries, novels of chivalry, and oral histories— and has discovered that female participation in the colonization of California was greater and earlier than most historians have recognized. Viewing the conquest through the prism of gender, Bouvier gives new meaning to the settling of new lands and attempts to convert indigenous peoples. By analyzing the participation of women— both Hispanic and Indian— in the maintenance of or resistance to the mission system, Bouvier restores them to the narrative of the conquest, colonization, and evangelization of California. And by bringing these voices into the chorus of history, she creates new harmonies and dissonances that alter and enhance our understanding of both the experience and meaning of conquest.

Published in 1986, Blue Desert was Charles Bowden’s third book-length work and takes place almost entirely in Arizona, revealing Bowden’s growing and intense preoccupation with the state and what it represented as a symbol of America’s “New West.”

Bowden presents a view of the Southwest that measures how rapid growth takes its toll on the land. Writing with a reporter’s objectivity and a desert rat’s passion, Bowden offers us his trademarked craft and wit to take us into the streets as well as the desert to depict not a fragile environment but the unavoidable reality of abuse, exploitation, and human cruelty. Blue Desert shows us the darker side of development—where “the land always makes promises of aching beauty and the people always fail the land”—and defies us to ignore it.

In a thoughtful new foreword, Francisco Cantú writes, “In Blue Desert, we follow Bowden in the processes of becoming. We see the version of Bowden that he would likely most want us to remember—someone who did their best to be an honest witness, someone who was haunted by modernity and his place in it, someone who grappled with his demons by gazing deeply into the desert.” Blue Desert is a critical piece in the oeuvre of Charles Bowden, and it continues to remind readers of the cruelty and beauty of the world around us.

The Santa Catalina Mountains north of Tucson—whose summit is called Frog Mountain by the Tohono O’odham—offers up to the citizens of the basins below a wilderness in their own backyard.

When it was first published in 1987, Frog Mountain Blues documented the creeping sprawl of new development up the Catalinas’ foothills. Today, that development is fully visible, but Charles Bowden’s prescience of the urgency to preserve and protect a sacred recreational space remains as vivid as ever. Accompanied by Jack W. Dykinga’s photographs from the original work, this book continues to convey the natural beauty of the Catalinas and warns readers that this unique wilderness could easily be lost.

As Alison Hawthorne Deming writes in the new foreword, “Frog Mountain Blues continues to be an important book for learning to read this place through the eyes of experience and history, and Bowden remains a sobering voice for facing our failures in protecting what we love in this time of global destruction, for taking seriously the power of language to set ourselves right again with the enormous task of living with purpose and presence and care on the land.”

When people get together around southern Arizona, there's a good chance that somebody will say, "That reminds me of the time I flew with Ike Russell. . . . " A backcountry pilot famous for his jaunts into the wildest, most remote regions of the borderlands, Alexander "Ike" Russell has become something of a legend since his death in 1980, and the stories surrounding his flights never fail to amaze.

This book combines biography and oral history by offering a wide range of anecdotes and remembrances about Ike by friends and family. Many describe the great adventures and gut-wrenching close calls that have become enshrined in local folklore as classic "Ike Russell stories," in all their hair-raising and hilarious splendor.

Russell was an easterner who moved to Arizona for his health and got his pilot's license in 1948—despite suffering from a respiratory disorder that would have kept other men firmly anchored to the ground. Over the years he flew scientists and other scholars to remote field locations in Mexico's Gulf of California and Sierra Madre Occidental that otherwise might not have been investigated. He often landed on short and dangerous airstrips and never seemed to mind running out of gas, getting caught without provisions, or attempting night landings in unlighted terrain. He took along a teapot wherever he went—and wherever he stopped, his first priority was to brew a quick cup.

Backcountry Pilot is the story of a larger-than-life adventurer, with those who knew Ike sharing tales tall and true about his famous exploits, brushes with fate, and sometimes narrow escapes from the jaws of disaster. It includes reminiscences by such scientists and friends as botanist Richard Felger, whom Ike frequently flew down to Seriland; ethnohistorian Bernard Fontana, whom Ike took to Tarahumara country; and paleoecologist Paul Martin, who talked Ike into a nine-month trip through Africa over totally unfamiliar terrain. A concluding chapter by Thomas Bowen offers a brief biographical sketch of Russell.

Ike Russell was a central figure for a generation of people who studied the southwestern desert and who helped others see it as a biological treasure rather than a wasteland. More than a highly skilled bush pilot, he was an extraordinary human being who touched the lives of everyone he met. For those who never got the chance, Backcountry Pilot secures Ike Russell's legacy in the desert skies.