Newcomers to the Southwest usually find that their favorite landscape plants aren't suited to the hot, dry climate. Many authors offer advice on adapting plants to the desert; now Mary Irish tells how gardeners can better adapt themselves to the challenge.
Drawing on her experience with public horticulture in the Phoenix metropolitan area, Irish explores the vexations and delights of desert gardening. She offers practical advice on plants and gardening practices for anyone who lives in the Southwest, from El Paso to Palm Springs, Tucson to Las Vegas.
Irish encourages readers who may be new to the desert—or desert dwellers who may be new to gardening—to stop struggling against heat, aridity, and poor soils and instead learn to use and appreciate the wonderful and well-adapted plants native to the desert. She shares information and anecdotes about trees, shrubs, perennials, agaves, cacti, and other plants that make gardening in the Southwest a unique experience, and provides further information about plants from other desert regions that will easily adapt to the Southwest. In addition to descriptions of plants, Irish also offers tips on planting, watering, pruning, and propagation.
For anyone who has struggled to maintain a patch of green or blanched at their water bill after unproductive irrigation, the answer to an attractive landscape may be as close as the desert around you. And for anyone who has bought a catalog guide to desert plants and not known which to choose, this book can set you on the right path. Mary Irish shows how to take heart in available plants of adaptable beauty in a book to enjoy while waiting for the next planting cycle.
In 1979, toward the end of the Cold War era, Nicaragua's Sandinista movement emerged on the world stage claiming to represent a new form of socialism. Gendered Scenarios of Revolution is a historical ethnography of Sandinista state formation from the perspective of El Tule-a peasant village that was itself thrust onto a national and international stage as a "model" Sandinista community. This book follows the villagers´ story as they joined the Sandinista movement, performed revolution before a world audience, and grappled with the lessons of this experience in the neoliberal aftermath.
Employing an approach that combines political economy and cultural analysis, Montoya argues that the Sandinistas collapsed gender contradictions into class ones, and that as the Contra War exacerbated political and economic crises in the country, the Sandinistas increasingly ruled by mandate as vanguard party instead of creating the participatory democracy that they professed to work toward. In El Tule this meant that even though the Sandinistas created new roles and possibilities for women and men, over time they upheld pre-revolutionary patriarchal social structures. Yet in showing how the revolution created opportunities for Tuleños to assert their agency and advance their interests, even against the Sandinistas´ own interests, this book offers a reinterpretation of the revolution´s supposed failure.
Examining this community’s experience in the Sandinista and post-Sandinista periods offers perspective on both processes of revolutionary transformation and their legacies in the neoliberal era. Gendered Scenarios of Revolution will engage graduate and undergraduate students and scholars in anthropology, sociology, history, and women’s and gender studies, and appeal to anyone interested in modern revolution and its aftermath.
The vast Texas borderland is a place divided, a land of legends and lies, sanctification and sinfulness, history and amnesia, haunted by the ghosts of the oppressed and the forgotten, who still stir beneath the parched fields and shimmering blacktops. It is a realm filled with scorpion eaters and mescal drinkers, cowboys and Indians, Anglos and Chicanos, spirit horses and beat-up pickups, brujos and putas, aching passion and seething rage, apparitions of the Virgin and bodies in the Rio Grande.
In his first collection of short fiction, award-winning poet, editor, and anthologist Ray Gonzalez powerfully evokes both the mystery and the reality of the El Paso border country where he came to manhood.
Here, in a riverbed filled with junked cars and old bones, a young boy is given a dark vision of a fiery future. Under the stones of the Alamo, amid the gift shops and tour buses, the wraiths of fallen soldiers cry out to be remembered. By an ancient burial site at the bottom of a hidden canyon, two lovers come face to face with their own dreams and fears.
In these stories, Ray Gonzalez is a literary alchemist, blending contemporary culture with ancient tradition to give a new voice to the peoples of the border.
The Spanish Empire was a complex web of places and peoples. Through an expansive range of essays that look at Africa, the Americas, Asia, the Caribbean, and the Pacific, this volume brings a broad range of regions into conversation. The contributors focus on nuanced, comparative exploration of the processes and practices of creating, maintaining, and transforming cultural place making within pluralistic Spanish colonial communities.
The Global Spanish Empire argues that patterned variability is necessary in reconstructing Indigenous cultural persistence in colonial settings. The volume’s eleven case studies include regions often neglected in the archaeology of Spanish colonialism. The time span under investigation is extensive as well, transcending the entirety of the Spanish Empire, from early impacts in West Africa to Texas during the 1800s. The contributors examine the making of a social place within a social or physical landscape. They discuss the appearance of hybrid material culture, the incorporation of foreign goods into local material traditions, the continuation of local traditions, and archaeological evidence of opportunistic social climbing. In some cases, these changes in material culture are ways to maintain aspects of traditional culture rather than signifiers of new cultural practices.
The Global Spanish Empire tackles broad questions about Indigenous cultural persistence, pluralism, and place making using a global comparative perspective grounded in the shared experience of Spanish colonialism.
Contributors
Stephen Acabado
Grace Barretto-Tesoro
James M. Bayman
Christine D. Beaule
Christopher R. DeCorse
Boyd M. Dixon
John G. Douglass
William R. Fowler
Martin Gibbs
Corinne L. Hofman
Hannah G. Hoover
Stacie M. King
Kevin Lane
Laura Matthew
Sandra Montón-Subías
Natalia Moragas Segura
Michelle M. Pigott
Christopher B. Rodning
David Roe
Roberto Valcárcel Rojas
Steve A. Tomka
Jorge Ulloa Hung
Juliet Wiersema
In Alberto Álvaro Ríos’s new picaresque novel, momentous adventure and quiet connection brings twenty people to life in a small town in northern Mexico. A Good Map of All Things is home to characters whose lives are interwoven but whose stories are their own, adding warmth and humor to this continually surprising communal narrative. The stories take place in the mid-twentieth century, in the high desert near the border—a stretch of land generally referred to as the Pimería Alta—an ancient passage through the desert that connected the territory of Tucson in the north and Guaymas and Hermosillo in the south. The United States is off in the distance, a little difficult to see, and, in the middle of the century, not the only thing to think about. Mexico City is somewhere to the south, but nobody can say where and nobody has ever seen it.
Ríos has created a whimsical yet familiar town, where brightly unique characters love fiercely and nurture those around them. The people in A Good Map of All Things have secrets and fears, successes and happiness, winters and summers. They are people who do not make the news, but who are living their lives for the long haul, without lotteries or easy answers or particular luck. Theirs is the everyday, with its small but meaningful joy. Whether your heart belongs to a small town in Mexico or a bustling metropolis, Alberto Álvaro Ríos has crafted a book that is overflowing with comfort, warmth, and the familiar embrace of a tightly woven community.
Two brothers, Tsaiyah-dzehshi, whose name means First One, and Hamahshu-dzehshi, Next One, are chosen for an important mission. They are sent on a westward trek to the home of the Shiwana, the Rain and Snow Spirits, to ask them to bring the gift of water to the village again. The brothers cross deserts and mountains on an arduous journey until they are finally stopped short by a treacherous canyon filled with molten lava.
The Good Rainbow Road tells how the brothers overcome this last challenge and continue on to their destination. Written in the tradition of Native American oral storytelling and accompanied by colorful illustrations from celebrated Native artist Michael Lacapa, it brings the powers of language, memory, and imagery to a tale that will captivate children ages seven and up.
As Simon Ortiz writes, "The Good Rainbow Road is located in the Native American world, but it is not limited to that world. Even considering humankind's many ethnic and racial differences, we are all part of each other as people and the rest of all Creation, and our stories join us together." This is the foundation of The Good Rainbow Road, and on that road young readers will broaden their understanding of humanity's common bonds.
The Good Rainbow Road is presented in Keres, the language of Acoma Pueblo and six other Pueblo communities in New Mexico, and in English, with an additional Spanish translation in the back of the book.
Dawn Prince-Hughes is an extraordinary researcher. She does not experiment or measure but instead sits on a wooden bench for hours each day, watching captive gorillas through the enclosure where other visitors average five-second stops. Her patience is rewarded with astounding observations—she watches gorillas make and use tools, bury a dead crow, give birth, and comfort and care for each other.
In Gorillas among Us, Prince-Hughes has compressed years of gorilla observation into a composite diary chronicling the days of one gorilla family. She creates a blended portrait of both peoples—gorilla and human. The entries capture significant observations, which often prompt brief discussions of gorillas’ captivity, diet, communication, aesthetic preferences, social behavior, and play. Several chapters end with thought-provoking meditations on human values. The final section, “More about Gorillas,” provides a concise, accessible introduction to gorilla natural history.
This book will delight and move anyone with an interest in animals, and it also makes a significant contribution to the scarce literature on captive gorillas. Prince-Hughes's observations of tool use by gorillas will interest scientists, and even a casual reader will come away with a new sense of the power of observation. The author hopes to change the way we look at animals in the wild and in captivity, and laments that zoo visitors pause so briefly in front of the gorilla enclosure, rushing on with their assumptions unchanged, without really seeing the gorillas.
By turns opinionated and descriptive, quirky and authoritative, Prince-Hughes draws us into the family life of captive gorillas and into a consideration of our own culture. Readers will learn something new about gorillas and themselves on every page of this poignant story. The book testifies to the potential for interspecies compassion and the love that one person can find in a family of gorillas.
Early descriptions of the Great Plains often focus on a vast, grassy expanse that was either burnt or burning. The scene continued to burn until the land was plowed under or grazed away and broken by innumerable roads and towns. Yet, where the original landscape has persisted, so has fire, and where people have sought to restore something of that original setting, they have had to reinstate fire. This has required the persistence or creation of a fire culture, which in turn inspired schools of science and art that make the Great Plains today a regional hearth for American fire.
Volume 5 of To the Last Smoke introduces a region that once lay at the geographic heart of American fire, and today promises to reclaim something of that heritage. After all these years, the Great Plains continue to bear witness to how fires can shape contemporary life, and vice versa. In this collection of essays, Stephen J. Pyne explores how this once most regularly and widely burned province of North America, composed of various subregions and peoples, has been shaped by the flames contained within it and what fire, both tame and feral, might mean for the future of its landscapes.
Included in this volume:
Few places in the world can claim such a diversity of species as the Gulf of California (Sea of Cortez), with its 6,000 recorded animal species estimated to be half the number actually living in its waters. So rich are the Gulf's water that over a half-million tons of seafood are taken from them annually—and this figure does not count the wasted by-catch, which would triple or quadruple that tonnage. This timely book provides a benchmark for understanding the Gulf's extraordinary diversity, how it is threatened, and in what ways it is—or should be—protected.
In spite of its dazzling richness, most of the Gulf's coastline now harbors but a pale shadow of the diversity that existed just a half-century ago. Recommendations based on sound, careful science must guide Mexico in moving forward to protect the Gulf of California.
This edited volume contains contributions by twenty-four Gulf of California experts, from both sides of the U.S.-Mexico border. From the origins of the Gulf to its physical and chemical characteristics, from urgently needed conservation alternatives for fisheries and the entire Gulf ecosystem to information about its invertebrates, fishes, cetaceans, and sea turtles, this thought-provoking book provides new insights and clear paths to achieve sustainable use solidly based on robust science. The interdisciplinary, international cooperation involved in creating this much-needed collection provides a model for achieving success in answering critically important questions about a precious but rapidly disappearing ecological treasure.
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