Come, step outside your human skin for just a little while.

Margo Tamez’s voice is that of the cicada and the cricket, the raven and the crane. In this volume of poetry, she shows us that the earth is an erotic current linking all beings, a vibrant network of birth, death, and rebirth. A sacred intertwining from which we as humans have become disconnected. Tamez shares the perspective of other creatures in images that remind us of Nature's beauty and fragility. An invocation of birds: “Sudden hum / wings touching / wings in swift turn / hush / a fast red out of the flux.” An appreciation for the delicacy of insects, for spiderwebs “like a hundred needle-thin tubes of blown glass.”

Here too are reflections on childbirth and children—and on miscarriage, when damage inflicted on the environment by herbicides comes back to haunt all of us in our skin and bones, our very wombs. Warning of “the chemical cocktail seeping into the air ducts,” she brings the voice of someone who has experienced firsthand what happens when our land and water are compromised. For Tamez, earth, food, and family are the essentials of life, and we ignore them at our own peril. “If a person / does not admit the peril . . . that becomes a dangerous / form of existence.”

Written with the wisdom of one who knows and loves the land, her lyrical meditations speak to the naked wanting in us all.
 

Of all of the works of N. Scott Momaday,The Names may be the most personal. A memoir of his boyhood in Oklahoma and the Southwest, it is also described by Momaday as "an act of the imagination. When I turn my mind to my early life, it is the imaginative part of it that comes first and irresistibly into reach, and of that part I take hold." Complete with family photos, The Names is a book that will captivate readers who wish to experience the Native American way of life.

Naming the World examines language shift among the Northern Arapaho of the Wind River Reservation, Wyoming, and the community’s diverse responses as it seeks social continuity. Andrew Cowell argues that, rather than a single “Arapaho culture,” we find five distinctive communities of practice on the reservation, each with differing perspectives on social and more-than-human power and the human relationships that enact power.

As the Arapaho people resist Euro-American assimilation or domination, the Arapaho language and the idea that the language is sacred are key rallying points—but also key points of contestation. Cowell finds that while many at Wind River see the language as crucial for maintaining access to more-than-human power, others primarily view the language in terms of peer-oriented identities as Arapaho, Indian, or non-White. These different views lead to quite different language usage and attitudes in relation to place naming, personal naming, cultural metaphors, new word formation, and the understudied practice of folk etymology.

Cowell presents data from conversations and other natural discourse to show the diversity of everyday speech and attitudes, and he links these data to broader debates at Wind River and globally about the future organization of indigenous societies and the nature of Arapaho and indigenous identity.
 

At the beginning of the twentieth century, Hopi-Tewa potter Nampeyo revitalized Hopi pottery by creating a contemporary style inspired by prehistoric ceramics. Nampeyo (ca. 1860-1942) made clay pots at a time when her people had begun using manufactured vessels, and her skill helped convert pottery-making from a utilitarian process to an art form. The only potter known by name from that era, her work was unsigned and widely collected. Travel brochures on the Southwest featured her work, and in 1905 and 1907 she was a potter in residence at Grand Canyon National Park's Hopi House. This first biography of the influential artist is a meticulously researched account of Nampeyo's life and times. Barbara Kramer draws on historical documents and comments by family members not only to reconstruct Nampeyo's life but also to create a composite description of her pottery-making process, from gathering clay through coiling, painting, and firing. The book also depicts changes brought about on the Hopi reservation by outsiders and the response of American society to Native American arts.

During the period 1769-1850, republican national institutions slowly replaced colonial and monarchical rule. This was a turbulent time in rural Mexico. It was a period of political instability marked by violent peasant rebellions that were longer, more violent, and involved more people than those that occurred in the colonial era. Mexican villagers became skilled insurrectionists. In this book, Michael Ducey analyzes the peasant rebellions in Mexico’s Huasteca region over that time, beginning with short-lived colonial riots, progressing through a long and brutal insurrection associated with the war of independence and several region-wide uprisings, and culminating in the "Caste War of the Huasteca" of the 1840s.

He asks not just why villagers revolted but how their discontent fit into the political drama of early national Mexico. Ducey shows how the war offered opportunities for villagers to settle scores with members of the local elite as peasants discovered new ways of imagining the state. They were far from being the isolated traditionalists who occasionally rebelled against political or economic change described in older scholarship. At least until the 1848-1850 Caste War, political disputes were more important than land.

This region’s peasants were both remarkably diverse and politically astute. Villagers adapted colonial political culture and later republican ideas to fashion local institutions that fit their own needs. Over the course of a hundred years, peasant tactics and political discourse evolved in a constant dialogue with the changing political climate, shifting from rhetorical statements of loyalty to the king to proclamations of federalism and their rights as citizens. A Nation of Villages ably demonstrates that rural villagers were more aware of elite ideologies than urban rulers were of the villagers’ political ideas. This long-term analysis of one region illuminates how rural people helped shape the republican state.

Beliefs and feelings about language vary dramatically within and across Native American cultural groups and are an acknowledged part of the processes of language shift and language death. This volume samples the language ideologies of a wide range of Native American communities--from the Canadian Yukon to Guatemala--to show their role in sociocultural transformation.

These studies take up such active issues as "insiderness" in Cherokee language ideologies, contradictions of space-time for the Northern Arapaho, language socialization and Paiute identity, and orthography choices and language renewal among the Kiowa. The authors--including members of indigenous speech communities who participate in language renewal efforts--discuss not only Native Americans' conscious language ideologies but also the often-revealing relationship between these beliefs and other more implicit realizations of language use as embedded in community practice.

The chapters discuss the impact of contemporary language issues related to grammar, language use, the relation between language and social identity, and emergent language ideologies themselves in Native American speech communities. And although they portray obvious variation in attitudes toward language across communities, they also reveal commonalities--notably the emergent ideological process of iconization between a language and various national, ethnic, and tribal identities.

As fewer Native Americans continue to speak their own language, this timely volume provides valuable grounded studies of language ideologies in action--those indigenous to Native communities as well as those imposed by outside institutions or language researchers. It considers the emergent interaction of indigenous and imported ideologies and the resulting effect on language beliefs, practices, and struggles in today's Indian Country as it demonstrates the practical implications of recognizing a multiplicity of indigenous language ideologies and their impact on heritage language maintenance and renewal.

Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study.

This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance.

An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.

For more than four centuries, Europeans and Euroamericans have been making written records of the spoken words of American Indians. While some commentators have assumed that these records provide absolutely reliable information about the nature of Native American oral expression, even its aesthetic qualities, others have dismissed them as inherently unreliable. In Native American Verbal Art: Texts and Contexts, William Clements offers a comprehensive treatment of the intellectual and cultural constructs that have colored the textualization of Native American verbal art. Clements presents six case studies of important moments, individuals, and movements in this history. He recounts the work of the Jesuits who missionized in New France during the seventeenth and eighteenth centuries and textualized and theorized about the verbal expressions of the Iroquoians and Algonquians to whom they were spreading Christianity.

He examines in depth Henry Timberlake’s 1765 translation of a Cherokee war song that was probably the first printed English rendering of a Native American "poem." He discusses early-nineteenth-century textualizers and translators who saw in Native American verbal art a literature manqué that they could transform into a fully realized literature, with particular attention to the work of Henry Rowe Schoolcraft, an Indian agent and pioneer field collector who developed this approach to its fullest. He discusses the "scientific" textualizers of the late nineteenth century who viewed Native American discourse as a data source for historical, ethnographic, and linguistic information, and he examines the work of Natalie Curtis, whose field research among the Hopis helped to launch a wave of interest in Native Americans and their verbal art that continues to the present.

In addition, Clements addresses theoretical issues in the textualization, translation, and anthologizing of American Indian oral expression. In many cases the past records of Native American expression represent all we have left of an entire verbal heritage; in most cases they are all that we have of a particular heritage at a particular point in history. Covering a broad range of materials and their historical contexts, Native American Verbal Art identifies the agendas that have informed these records and helps the reader to determine what remains useful in them. It will be a welcome addition to the fields of Native American studies and folklore.

Spanish-led entradas—expeditions bent on the exploration and control of new territories—took place throughout the sixteenth century in what is now the southern United States. Although their impact was profound, both locally and globally, detailed analyses of these encounters are notably scarce. Focusing on several major themes—social, economic, political, military, environmental, and demographic—the contributions gathered here explore not only the cultures and peoples involved in these unique engagements but also the wider connections and disparities between these borderlands and the colonial world in general during the first century of Native–European contact in North America. Bringing together research from both the southwestern and southeastern United States, this book offers a comparative synthesis of Native–European contacts and their consequences in both regions. The chapters also engage at different scales of analysis, from locally based research to macro-level evaluations, using documentary, paleoclimatic, and regional archaeological data.

No other volume assembles such a wide variety of archaeological, ethnohistorical, environmental, and biological information to elucidate the experience of Natives and Europeans in the early colonial world of Northern New Spain, and the global implications of entradas during this formative period in borderlands history.

In Cherokee, the term for motion picture is a-da-yv-la-ti or a-da-yu-la-ti, meaning “something that appears.” In essence, motion pictures are machine-produced apparitions. While the Cherokee language recognizes that movies are not reality, Western audiences may on some level assume that film portrayals offer sincere depictions of imagined possibilities, creating a logic where what is projected must in part be true, stereotype or not.
 
Native Apparitions offers a critical intervention and response to Hollywood’s representations of Native peoples in film, from historical works by director John Ford to more contemporary works, such as Apocalypto and Avatar. But more than a critique of stereotypes, this book is a timely call for scholarly activism engaged in Indigenous media sovereignty. The collection clusters around three approaches: retrospective analysis, individual film analysis, and Native- and industry-centered testimonials and interviews, which highlight indigenous knowledge and cultural context, thus offering a complex and multilayered dialogic and polyphonic response to Hollywood’s representations.
 
Using an American Indian studies framework, Native Apparitions deftly illustrates the connection between Hollywood’s representations of Native peoples and broader sociopolitical and historical contexts connected to colonialism, racism, and the Western worldview. Most importantly, it shows the impact of racializing stereotypes on Native peoples, and the resilience of Native peoples in resisting, transcending, and reframing Hollywood’s Indian tropes.

CONTRIBUTORS

Chadwick Allen
Richard Allen
Joanna Hearne
Tom Holm
Jan-Christopher Horak
Jacqueline Land
Andrew Okpeaha MacLean
M. Elise Marubbio
Steve Pavlik
Rose Roberts
Myrton Running Wolf
Richard M. Wheelock

For too long, the Gulf Coast of Mexico has been dismissed by scholars as peripheral to the Mesoamerican heartland, but researchers now recognize that much can be learned from this region’s cultures. Peoples of the Gulf Coast—particularly those in Veracruz and Tabasco—share so many historical experiences and cultural features that they can fruitfully be viewed as a regional unit for research and analysis.

Native Peoples of the Gulf Coast of Mexico is the first book to argue that the people of this region constitute a culture area distinct from other parts of Mexico. A pioneering effort by a team of international scholars who summarize hundreds of years of history, this encyclopedic work chronicles the prehistory, ethnohistory, and contemporary issues surrounding the many and varied peoples of the Gulf Coast, bringing together research on cultural groups about which little or only scattered information has been published.

The volume includes discussions of the prehispanic period of the Gulf Coast, the ethnohistory of many of the neglected indigenous groups of Veracruz and the Huasteca, the settlement of the American Mediterranean, and the unique geographical and ecological context of the Chontal Maya of Tabasco. It provides descriptions of the Popoluca, Gulf Coast Nahua, Totonac, Tepehua, Sierra Ñähñu (Otomí), and Huastec Maya. Each chapter contains a discussion of each group’s language, subsistence and settlement patterns, social organization, belief systems, and history of acculturation, and also examines contemporary challenges to the future of each native people.

As these contributions reveal, Gulf Coast peoples share not only major cultural features but also historical experiences, such as domination by Hispanic elites beginning in the sixteenth century and subjection to forces of change in Mexico. Yet as contemporary people have been affected by factors such as economic development, increased emigration, and the spread of Protestantism, traditional cultures have become rallying points for ethnic identity.

Native Peoples of the Gulf Coast of Mexico highlights the significance of the Gulf Coast for anyone interested in the great encuentro between the Old and New Worlds and general processes of culture change. By revealing the degree to which these cultures have converged, it represents a major step toward achieving a broader understanding of the peoples of this region and will be an important reference work on these indigenous populations for years to come.

Native Studies Keywords explores selected concepts in Native studies and the words commonly used to describe them, words whose meanings have been insufficiently examined. This edited volume focuses on the following eight concepts: sovereignty, land, indigeneity, nation, blood, tradition, colonialism, and indigenous knowledge. Each section includes three or four essays and provides definitions, meanings, and significance to the concept, lending a historical, social, and political context.
 
Take sovereignty, for example. The word has served as the battle cry for social justice in Indian Country. But what is the meaning of sovereignty? Native peoples with diverse political beliefs all might say they support sovereignty—without understanding fully the meaning and implications packed in the word.  
 
The field of Native studies is filled with many such words whose meanings are presumed, rather than articulated or debated. Consequently, the foundational terms within Native studies always have multiple and conflicting meanings. These terms carry the colonial baggage that has accrued from centuries of contested words.
 
Native Studies Keywords is a genealogical project that looks at the history of words that claim to have no history. It is the first book to examine the foundational concepts of Native American studies, offering multiple perspectives and opening a critical new conversation.

Since the beginning of the reservation era, the bitter conflict between Indians and non-Indians over water rights was largely confined to the courtroom. But in the 1980s the federal government began to emphasize negotiated settlements over lawsuits, and the settlements are changing water rights in fundamental ways—not only for tribes but also for non-Indian communities that share scarce water resources with Indians. In Native Waters, Daniel McCool describes the dramatic impact these settlements are having both on Indian country and on the American West as a whole. Viewing the settlements as a second treaty era, he considers whether they will guarantee the water future of reservations—or, like treaties of old, will require tribes to surrender vast resources in order to retain a small part of their traditional homelands. As one tribal official observed, "It's like your neighbors have been stealing your horses for many years, and now we have to sit down and decide how many of those horses they get to keep." Unlike technical studies of water policy, McCool's book is a readable account that shows us real people attempting to end real disputes that have been going on for decades. He discusses specific water settlements using a combination of approaches—from personal testimony to traditional social science methodology—to capture the richness, complexity, and human texture of the water rights conflict. By explaining the processes and outcomes in plain language and grounding his presentation in relevant explanations of Indian culture, he conveys the complexity of the settlements for readers from a wide range of disciplines. Native Waters illustrates how America is coming to grips with an issue that has long been characterized by injustice and conflict, seeking to enhance our understanding of the settlements in the hope that this understanding will lead to better settlements for all parties. As one of the first assessments of a policy that will have a pervasive impact for centuries to come, it shows that how we resolve Indian water claims tells us a great deal about who we are as a nation and how we confront difficult issues involving race, culture, and the environment.

In Bolivia today, the ability to speak an indigenous language is highly valued among educated urbanites as a useful job skill, but a rural person who speaks a native language is branded with lower social status. Likewise, chewing coca in the countryside spells “inferior indian,” but in La Paz jazz bars it’s decidedly cool. In the Andes and elsewhere, the commodification of indianness has impacted urban lifestyles as people co-opt indigenous cultures for qualities that emphasize the uniqueness of their national culture.

This volume looks at how metropolitan ideas of nation employed by politicians, the media and education are produced, reproduced, and contested by people of the rural Andes—people who have long been regarded as ethnically and racially distinct from more culturally European urban citizens. Yet these peripheral “natives” are shown to be actively engaged with the idea of the nation in their own communities, forcing us to re-think the ways in which indigeneity is defined by its marginality.

The contributors examine the ways in which numerous identities—racial, generational, ethnic, regional, national, gender, and sexual—are both mutually informing and contradictory among subaltern Andean people who are more likely now to claim an allegiance to a nation than ever before. Although indians are less often confronted with crude assimilationist policies, they continue to face racism and discrimination as they struggle to assert an identity that is more than a mere refraction of the dominant culture. Yet despite the language of multiculturalism employed even in constitutional reform, any assertion of indian identity is likely to be resisted. By exploring topics as varied as nation-building in the 1930s or the chuqila dance, these authors expose a paradox in the relation between indians and the nation: that the nation can be claimed as a source of power and distinct identity while simultaneously making some types of national imaginings unattainable.

Whether dancing together or simply talking to one another, the people described in these essays are shown creating identity through processes that are inherently social and interactive. To sing, to eat, to weave . . . In the performance of these simple acts, bodies move in particular spaces and contexts and do so within certain understandings of gender, race and nation. Through its presentation of this rich variety of ethnographic and historical contexts, Natives Making Nation provides a finely nuanced view of contemporary Andean life.

Best known for its cactus-studded deserts and the awe-inspiring Grand Canyon, Arizona boasts even more natural features that surprise visitors and continue to amaze longtime residents. Using C. H. Merriam’s turn-of-the-twentieth-century descriptions of Arizona’s life zones, Charles Lowe first defined those biotic communities in his 1964 book Arizona’s Natural Environment. Now ten experts on Arizona’s natural setting build on that classic to reflect our increased knowledge of basic physical and biological processes and the impact of both natural and man-made disturbances on these environments.

Natural Environments of Arizona bridges the gap between coffee-table volumes and scientific literature, offering a nontechnical, single-volume overview that introduces readers to a myriad of topics and provides pointers toward deeper reading. It’s all here: climate, geology, soil and water resources, an amazing variety of flora and fauna—and of course human impacts on the state’s fragile ecosystems.

These chapters show the extent to which Arizona’s natural environments have changed since Lowe first set the stage for their study. They consider changes in forests and grasslands, the effects of soil erosion, questions about water quality, and the evolving status of rivers and wildlife communities. And while the common thread of environments makes the book a complete introduction to the subject, each chapter stands alone as an authoritative synopsis of its particular topic.

Ranging widely over the impacts of drought, floods, and wildfires, this practical guide clearly shows that nature is more than picturesque landscapes, vegetation, and wildlife. For anyone with a dog-eared copy of Lowe, this book will serve as the new standard on the subject—a valuable tool for resource managers, students, and general readers alike.

The Mojave Desert has a rich natural history. Despite being sandwiched between the larger Great Basin and Sonoran Deserts, it has enough mountains, valleys, canyons, and playas for any eager explorer. Ancient and current waterways carve the bajadas and valley bottoms. This diverse topography gives rise to a multitude of habitats for plants and animals, many of which are found nowhere else in the world.

A Natural History of the Mojave Desert explores how a combination of complex geology, varied geography, and changing climate has given rise to intriguing flora and fauna—including almost 3,000 plant species and about 380 terrestrial vertebrate animal species. Of these, one quarter of the plants and one sixth of the animals are endemic.

The authors, who, combined, have spent more than six decades living in and observing the Mojave Desert, offer a scientifically insightful and personally observed understanding of the desert. They invite readers to understand how the Mojave Desert looks, sounds, feels, tastes, and smells. They prompt us to understand how humans have lived in this desert where scant vegetation and water have challenged humans, past and present.

A Natural History of the Mojave Desert provides a lively and informed guide to understanding how life has adapted to the hidden riverbeds, huge salt flats, tiny wetlands, and windswept hills that characterize this iconic desert.

Natural Takeover of Small Things is a collection of poetry that offers an unflinching view of “California’s Heartland,” the San Joaquin Valley. In his distinctive, lyrical, pull-no-punches style, Tim Z. Hernandez offers a glimpse of the people, the landscape, the rhythm, and the detritus of the rural West. As Hernandez peels back the façade of the place, he reveals that home is not always where the heart is.

The book opens with an image of Fresno as “the inexhaustible nerve/in the twitching leg of a dog/three hours after being smashed/beneath the retread wheel/of a tomato truck en route to/a packing house that was raided/by the feds just days before the harvest.” It ends with “Adios, Fresno,” an astringent farewell to the city: “You can keep your fields,/the sun will follow me./I won’t reconsider./I’ve overstayed my welcome/by three generations.” By then, we have toured the breadth of the San Joaquin Valley, have tasted Fuyu persimmons and lengua, have witnessed a home crumbling to foreclosure, and listened to the last words of a dying campesino. We’re made aware that this is an atmosphere scented by an entirely organic stew—a melding of culture, objects, and forms. This is a place where rubble mirrors the refuse of lives. But garbage is also compost. And if we squint, we can see through the wreckage a few small patches where love could be taking root and hope might actually be sprouting.

Nature and Antiquities examines the relation between the natural sciences, anthropology, and archaeology in the Americas in the nineteenth and early twentieth centuries. Taking the reader across the Americas from the Southern Cone to Canada, across the Andes, the Brazilian Amazon, Mesoamerica, and the United States, the book explores the early history of archaeology from a Pan-American perspective.
 
The volume breaks new ground by entreating archaeologists to acknowledge the importance of ways of knowing that resulted from the study of nature in the history of archaeology. Some of the contributions to this volume trace the part conventions, practices, and concepts from natural history and the natural sciences played in the history and making of the discipline. Others set out to uncover, reassemble, or adjust our vision of collections that research historians of archaeology have disregarded or misrepresented—because their nineteenth-century makers would refuse to comply with today’s disciplinary borders and study natural specimens and antiquities in conjunction, under the rubric of the territorial, the curious or the universal. Other contributions trace the sociopolitical implications of studying nature in conjunction with “indigenous peoples” in the Americas—inquiring into what it meant and entailed to comprehend the inhabitants of the American continent in and through a state of nature.

Pollution of air, soil, and waterways has become a primary concern of urban environmental policy making, and over the past two decades there has emerged a new era of urban policy that links development with ecological issues, based on the notion that both nature and the economy can be enhanced through technological changes to production and consumption systems. This book takes a new look at this application of "ecological modernization" to contemporary urban political-ecological struggles. Considering policy processes around land-use in urban watersheds and pollution of air and soil in two disparate North American "global cities," it criticizes the dominant belief in the power of markets and experts to regulate environments to everyone’s benefit, arguing instead that civil political action by local constituencies can influence the establishment of beneficial policies.

The book emphasizes ‘subaltern’ environmental justice concerns as instrumental in shaping the policy process. Looking back to the 1990s—when ecological modernization began to emerge as a dominant approach to environmental policy and theory—Desfor and Keil examine four case studies: restoration of the Don River in Toronto, cleanup of contaminated soil in Toronto, regeneration of the Los Angeles River, and air pollution reduction in Los Angeles. In each case, they show that local constituencies can develop political strategies that create alternatives to ecological modernization. When environmental policies appear to have been produced through solely technical exercises, they warn, one must be suspicious about the removal of contention from the process.

In the face of economic and environmental processes that have been increasingly influenced by neo-liberalism and globalization, Desfor and Keil’s analysis posits that continuing modernization of industrial capitalist societies entails a measure of deliberate change to societal relationships with nature in cities. Their book shows that environmental policies are about much more than green capitalism or the technical mastery of problems; they are about how future urban generations live their lives with sustainability and justice.

Can “market forces” solve the world’s environmental problems? The stakes are undeniably high. With wildlife populations and biodiversity riches threatened across the globe, it is obvious that new and innovative methods of addressing the crisis are vital to the future of the planet. But is “the market” the answer?

As public funding for conservation efforts grows ever scarcer and the private sector is brimming with ideas about how its role—along with its profits— can grow, market forces have found their way into environmental management to a degree unimaginable only a few years ago. Ecotourism, payment for environmental services (PES), and new conservation finance instruments such as species banking, carbon trading, and biodiversity derivatives are only some of the market mechanisms that have sprung into being. This is “Nature™ Inc.”: a fast-growing frontier of networks, activities, knowledge, and regulations that are rapidly changing the relations between people and nature on both global and local scales.

Nature™ Inc. brings together cutting-edge research by respected scholars from around the world to analyze how “neoliberal conservation” is reshaping human–nature relations that have been fashioned over two centuries of capitalist development. Contributors synthesize and add to a growing body of academic literature that cuts across the disciplinary boundaries of geography, sociology, anthropology, political science, and development studies to critically interrogate the increasing emphasis on neoliberal market-based mechanisms in environmental conservation. They all grapple with one overriding question: can capitalist market mechanisms resolve the environmental problems they have helped create?

Cities are often thought to be separate from nature, but recent trends in ecocriticism demand that we consider them as part of the total environment. This new collection of essays sharpens the focus on the nature of cities by exploring the facets of an urban ecocriticism, by reminding city dwellers of their place in ecosystems, and by emphasizing the importance of this connection in understanding urban life and culture.

The editors—both raised in small towns but now living in major urban areas—are especially concerned with the sociopolitical construction of all environments, both natural and manmade. Following an opening interview with Andrew Ross exploring the general parameters of urban ecocriticism, they present essays that explore urban nature writing, city parks, urban "wilderness," ecofeminism and the city, and urban space. The volume includes contributions on topics as wide-ranging as the urban poetry of English writers from Donne to Gay, the manufactured wildness of a gambling casino, and the marketing of cosmetics to urban women by idealizing Third World "naturalness." These essays seek to reconceive nature and its cultural representations in ways that contribute to understanding the contemporary cityscape. They explore the theoretical issues that arise when one attempts to adopt and adapt an environmental perspective for analyzing urban life.

The Nature of Cities offers the ecological component often missing from cultural analyses of the city and the urban perspective often lacking in environmental approaches to contemporary culture. By bridging the historical gap between environmentalism, cultural studies, and urban experience, the book makes a statement of lasting importance to the development of the ecocritical movement. 

“As long as humans have been around, we’ve had to move in order to survive.” So arises that most universal and elemental human longing for home, and so begins Greta Gaard’s exploration of just precisely what it means to be at home in the world.

Gaard journeys through the deserts of southern California, through the High Sierras, the Wind River Mountains, and the Northern Cascades, through the wildlands and waterways of Washington and Minnesota, through snow season, rain season, mud season, and lilac season, yet her essays transcend mere description of natural beauty to investigate the interplay between place and identity. Gaard examines the earliest environments of childhood and the relocations of adulthood, expanding the feminist insight that identity is formed through relationships to include relationships to place. “Home” becomes not a static noun, but an active verb: the process of cultivating the connections with place and people that shape who we become.

Striving to create a sense of home, Gaard involves herself socially, culturally, and ecologically within her communities, discovering that as she works to change her environment, her environment changes her. As Gaard investigates environmental concerns such as water quality, oil spills, or logging, she touches on their parallels to community issues such as racism, classism, and sexism, uncovering the dynamic interaction by which “humans, like other life on earth, both shape and are shaped by our environments.”

While maintaining an understanding of the complex systems and structures that govern communities and environments, Gaard’s writing delves deeper to reveal the experiences and realities we displace through euphemisms or stereotypes, presenting issues such as homelessness or hunger with compelling honesty and sensitivity. Gaard’s essays form a quest narrative, expressing the process of letting go that is an inherent part of an impermanent life. And when a person is broken, in the aftermath of that letting go, it is a place that holds the pieces together.

As long as we are forced to move—by economics, by war, by colonialism—the strategies we possess to make and redefine home are imperative to our survival, and vital in the shaping of our very identities.

Today crisis appears to be the normal order of things. We seem to be turning in widening gyres of economic failure, species extinction, resource scarcity, war, and climate change. These crises are interconnected ecologically, economically, and politically. Just as importantly, they are connected—and disconnected—in our imaginations. Public imaginations are possibly the most important stage on which crises are played out, for these views determine how the problems are perceived and what solutions are offered.

In The Nature of Spectacle, Jim Igoe embarks on multifaceted explorations of how we imagine nature and how nature shapes our imaginations. The book traces spectacular productions of imagined nature across time and space—from African nature tourism to transnational policy events to green consumer appeals in which the push of a virtual button appears to initiate a chain of events resulting in the protection of polar bears in the Arctic or jaguars in the Amazon rainforest. These explorations illuminate the often surprising intersections of consumerism, entertainment, and environmental policy. They show how these intersections figure in a strengthening and problematic policy consensus in which economic growth and ecosystem health are cast as mutually necessitating conditions. They also take seriously the potential of these intersections and how they may facilitate other alignments and imaginings that may become the basis of alternatives to our current socioecological predicaments.
 

At the beginning of the twentieth century, the greater Northwest was ablaze with change and seemingly obsessed with progress. The promotional literature of the time praising railroads, population increases, and the growing sophistication of urban living, however, ignored the reality of poverty and ethnic and gender discrimination. During the course of the next century, even with dramatic changes in the region, one constant remained— inequality.

With an emphasis on the region’s political economy, its environmental history, and its cultural and social heritage, this lively and colorful history of the Pacific Northwest—defined here as Oregon, Washington, Idaho, Montana, and southern British Columbia—places the narrative of this dynamic region within a national and international context.

Embracing both Canadian and American stories in looking at the larger region, renowned historians William Robbins and Katrine Barber offer us a fascinating regional history through the lens of both the environment and society. Understanding the physical landscape of the greater Pacific Northwest—and the watersheds of the Columbia, Fraser, Snake, and Klamath rivers—sets the stage for understanding the development of the area. Examining how this landscape spawned sawmills, fish canneries, railroads, logging camps, agriculture, and shared immigrant and ethnic traditions reveals an intricate portrait of the twentieth-century Northwest.

Impressive in its synthesis of myriad historical facts, this first-rate regional history will be of interest to historians studying the region from a variety of perspectives and an informative read for anyone fascinated by the story of a landscape rich in diversity, natural resources, and Native culture.

"In this handsome volume, the author discusses the region from geologic times until its withdrawal by an act of Congress as our first 'national park' in 1872. . . .This is an exceptionally fine book, a noteworthy blending of scholarly and popular history. Bartlett knows his subject well, both as a student and as an outdoorsman." —Pacific Northwest Quarterly

"A timely work; its 'mission' is to make the reader wish 'to have seen Yellowstone before the people came.' The author must be commended for writing a scholarly book with appeal for a popular audience." —Journal of American History

"A joy for the recreational reader and a solid reference for scholarly researchers . . .The author has been both energetic and fortunate in gathering material from a rich variety of original accounts and later writings, and he has used them skillfully." —Western Historical Quarterly

Navajo Architecture may well be the most complete study to date of the folk architecture of a tribal society. Enhanced by nearly 200 photographs and drawings, the book explores the whole range of a Native American tradition as it has evolved through the present day—and is already yielding to modernization.
 
Stephen C. Jett and Virginia E. Spencer have devoted years of fieldwork to studying the origin, evolution, and construction of Navajo buildings: not only hogans, houses, and summer dwellings, but also numerous other structures related to activities such as food preparation, hunting, sweat-bathing, and funerary observation. In addition, they have defined the geographic distribution of dwelling forms to reveal both utilization of local resources and local differences in degree of acculturation.

A new approach to the study of myths relating to the origin of the Navajos. Based on extensive fieldwork and research, including Navajo hunter informants and unpublished manuscripts of Father Berard Haile.

Part 1: The Navajo Tradition, Perspectives and History
Part II: Navajo Hunter Mythology A Collection of Texts
Part III: The Navajo Hunter Tradition: An Interpretation

Navajo peacemaking is one of the most renowned restorative justice programs in the world. Neither mediation nor alternative dispute resolution, it has been called a “horizontal system of justice” because all participants are treated as equals with the purpose of preserving ongoing relationships and restoring harmony among involved parties. In peacemaking there is no coercion, and there are no “sides.” No one is labeled the offender or the victim, the plaintiff or the defendant. This is a book about peacemaking as it exists in the Navajo Nation today, describing its origins, history, context, and contributions with an eye toward sharing knowledge between Navajo and European-based criminal justice systems. It provides practitioners with information about important aspects of peacemaking—such as structure, procedures, and outcomes—that will be useful for them as they work with the Navajo courts and the peacemakers. It also offers outsiders the first one-volume overview of this traditional form of justice. The collection comprises insights of individuals who have served within the Navajo Judicial Branch, voices that authoritatively reflect peacemaking from an insider’s point of view. It also features an article by Justice Sandra Day O’Connor and includes contributions from other scholars who, with the cooperation of the Navajo Nation, have worked to bring a comparative perspective to peacemaking research. In addition, some chapters describe the personal journey through which peacemaking takes the parties in a dispute, demonstrating that its purpose is not to fulfill some abstract notion of Justice but to restore harmony so that the participants are returned to good relations. Navajo Nation Peacemaking seeks to promote both peacemaking and Navajo common law development. By establishing the foundations of the Navajo way of natural justice and offering a vision for its future, it shows that there are many lessons offered by Navajo peacemaking for those who want to approach old problems in sensible new ways.

The last few decades have given rise to an electrifying movement of Native American activism, scholarship, and creative work challenging five hundred years of U.S. colonization of Native lands. Indigenous communities are envisioning and building their nations and are making decolonial strides toward regaining power from colonial forces.

The Navajo Nation is among the many Native nations in the United States pushing back. In this new book, Diné author Lloyd L. Lee asks fellow Navajo scholars, writers, and community members to envision sovereignty for the Navajo Nation. He asks, (1) what is Navajo sovereignty, (2) how do various Navajo institutions exercise sovereignty, (3) what challenges does Navajo sovereignty face in the coming generations, and (4) how did individual Diné envision sovereignty?

Contributors expand from the questions Lee lays before them to touch on how Navajo sovereignty is understood in Western law, how various institutions of the Navajo Nation exercise sovereignty, what challenges it faces in coming generations, and how individual Diné envision power, authority, and autonomy for the people.

A companion to Diné Perspectives: Revitalizing and Reclaiming Navajo Thought, each chapter offers the contributors’ individual perspectives. The book, which is organized into four parts, discusses Western law’s view of Diné sovereignty, research, activism, creativity, and community, and Navajo sovereignty in traditional education. Above all, Lee and the contributing scholars and community members call for the rethinking of Navajo sovereignty in a way more rooted in Navajo beliefs, culture, and values.

Contributors:

Raymond D. Austin

Bidtah N. Becker

Manley A. Begay, Jr.

Avery Denny

Larry W. Emerson

Colleen Gorman

Michelle L. Hale

Michael Lerma

Leola Tsinnajinnie

William Randolph Hearst's collection of Navajo textiles is one of the most complete gatherings of nineteenth-century Navajo weaving in the world. Comprising dozens of Classic Period serapes, chief blankets, Germantown eyedazzlers, and turn-of-the-century rugs, the 185-piece collection was donated to the Los Angeles County Museum of Natural History in 1942 but for the next forty years was known only to a handful of scholars. Hearst began acquiring textiles from the Fred Harvey Company after viewing an exhibit of Indian artifacts.

Over four decades he amassed a collection spanning more than a century of Navajo weaving and including nearly every major type produced from 1800 to 1920. Hearst's passion for American Indian artifacts was so strong that he had originally visualized his now-famous castle in San Simeon as a showplace for his Navajo textile collection. At a time when the Harvey Company was itself influencing the development of Indian handcrafts by opening up the tourist market, Hearst contributed to this influence by expressing his own artistic preference for rare and unusual pieces.

This catalogue raisonné, featuring nearly 200 illustrations, provides the general public with the first look at this important collection. Nancy Blomberg's narrative introduces the reader to the history of Navajo weaving and documents Hearst's role in its development. The heart of the book provides a detailed analysis of each textile: fibers, yarn types, dyes, and designs. Navajo Textiles thus constitutes an invaluable reference for scholars and collectors and will be enjoyed by anyone who appreciates these beautiful creations from the Navajo loom.

Gladwell "Toney" Richardson came from a long line of Indian traders and published nearly three hundred western novels under pseudonyms like "Maurice Kildare." His forty years of managing trading posts on the Navajo Reservation are now recalled in this colorful memoir.

According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beauty—a rich tradition that continues to the present day.

In testimony to this living art form, this book presents 74 dazzling color plates of Navajo rugs and wall hangings woven between 1971 and 1996. Drawn from a private southwestern collection, they represent the work of sixty of the finest native weavers in the American Southwest. The creations depicted here reflect a number of styles—revival, sandpainting, pictorial, miniature, sampler—and a number of major regional variations, from Ganado to Teec Nos Pos.

Textile authority Ann Hedlund provides an introductory narrative about the development of Navajo textile collecting—including the shift of attention from artifacts to art—and a brief review of the history of Navajo weaving. She then comments on the shaping of the particular collection represented in the book, offering a rich source of knowledge and insight for other collectors.

Explaining themes in Navajo weaving over the quarter-century represented by the Santa Fe Collection, Hedlund focuses on the development of modern rug designs and the influence on weavers of family, community, artistic identity, and the marketplace. She also introduces each section of plates with a description of the representative style, its significance, and the weavers who perpetuate and deviate from it. In addition to the textile plates, Hedlund’s color photographs show the families, landscapes, livestock, hogans, and looms that surround today’s Navajo weavers.

Navajo Weaving in the Late Twentieth Century explores many of the important connections that exist today among weavers through their families and neighbors, and the significant role that collectors play in perpetuating this dynamic art form. For all who appreciate American Indian art and culture, this book provides invaluable guidance to the fine points of collecting and a rich visual feast.

Although Neandertals lived in Europe and western Asia for more than 200,000 years, we know surprisingly little about them or about their everyday lives. Evidence of their behavior is largely derived from the surviving pieces of chipped stone and animal bone that resulted from their activities. One of the largest concentrations of stone and bone artifacts left by Neandertals was at the famous archaeological site of La Quina in southwestern France.

This study of the significance of changes through time revealed by an analysis of the chipped stone at La Quina reports on the excavations of the Cooperative American–French Excavation Project from 1985 to 1994. It moves beyond the largely descriptive and subjective approaches that have traditionally been applied to this kind of evidence and applies several important quantitative analytical techniques. These new approaches incorporate the history of previous excavations at the site, the results of the work of the Cooperative Project, and the most recent scientific understanding of relevant climatic changes.

This is a major contribution to our understanding of Neandertal behavior and industry. It adds new dimensions and perspectives based on innovative techniques of analysis. The analytic methods applied to lithic artifacts that form the heart of the book are the product of considerations about how to best interpret a sequence of  multiple contextual samples. The author concludes the book with an extraordinarily useful chapter that places his findings into the larger context of our contemporary knowledge of Neandertal life in the region.

The book comes with a compact disc, which includes coded observations used in the analysis in as many as 47 data fields for the more than 11,500 artifacts that will allow professionals and students to further explore the collection of lithic artifacts.

Seeking out wildflowers and whitewater, Ann Zwinger has called many places home. The Nearsighted Naturalist brings together work from more than two decades in her career as one of our most distinguished natural history writers. From the Indiana landscape of her youth to her Colorado mountain retreat, from Arizona's Aravaipa Canyon to New Zealand's Kapiti Island, Zwinger leads an ever-widening armchair tour of natural places both ordinary and astonishing. Whether anticipating the first day of spring or seeing the elegance of the subtle hues of a moth's papery wings, Zwinger's trademark eye for detail brings the landscape alive. Her travels trace her evolution from a home-centered wife and mother to a wandering adventurer, an evolution that has taught her to be at home in nature no matter where she is. Sprinkled with Zwinger's own charming pen-and-ink drawings, The Nearsighted Naturalist reminds us of the power of the very best nature writing. It is an invitation to wander, to travel to faraway places, to revisit your own backyard, to chase dragonflies, and to experience the healing power of a sea-smoothed pebble. With the author, readers will embark on a fascinating exploration into distant deserts of the mind and hillsides of the heart.

Conquest usually has a negative impact on the vanquished, but it can also provide the disenfranchised in conquered societies with new tools for advancement within their families and communities. This study examines the ways in which Mexican and Native women challenged the patriarchal traditional culture of the Spanish, Mexican, and early American eras in California, tracing the shifting contingencies surrounding their lives from the imposition of Spanish Catholic colonial rule in the 1770s to the ascendancy of Euro-American Protestant capitalist society in the 1880s.

Negotiating Conquest begins with an examination of how gender and ethnicity shaped the policies and practices of the Spanish conquest, showing that Hispanic women, marriage, and the family played a central role in producing a stable society on Mexico’s northernmost frontier. It then examines how gender, law, property, and ethnicity shaped social and class relations among Mexicans and native peoples, focusing particularly on how women dealt with the gender-, class-, and ethnic-based hierarchies that gave Mexican men patriarchal authority. With the American takeover in 1846, the text’s focus shifts to how the imposition of foreign legal, economic, linguistic, and cultural norms affected the status of Mexican women, male-female relations, and the family.

Addressing such issues as divorce, legitimacy, and inheritance, it describes the manner in which the conquest weakened the economic position of both Mexican women and men while at the same time increasing the leverage of Mexican women in their personal and social relationships with men. Drawing on archival materials—including dozens of legal cases—that have been largely ignored by other scholars, Chávez-García examines federal, state, and municipal laws across many periods in order to reveal how women used changing laws, institutions, and norms governing property, marriage and sexuality, and family relations to assert and protect their rights. By showing that mexicanas contested the limits of male rule and insisted that patriarchal relationships be based on reciprocity, Negotiating Conquest expands our knowledge of how patriarchy functioned and evolved as it reveals the ways in which conquest can transform social relationships in both family and community.

The citrus industry in Belize could be said to exist primarily to satisfy the needs of people in other countries. A business that is highly dependent on global markets and the geopolitics of international trade, it comprises some 500 farmers, many hundreds of wage laborers, and two processing companies that produce frozen juice concentrate for export. This new study examines how those farmers, laborers, and companies define and pursue shared interests, and how they respond differently to the impact of national development strategies and global economic and political forces. Laurie Kroshus Medina analyzes the development of the citrus industry in Belize over fifteen years to explore the relationship between the production of collective identities and the negotiation of development policies at the interface of global and local processes. She shows how citrus farmers and workers, processing companies, and politicians compete to construct shared identities, how they mobilize collective actors, and how their collective action shapes the goals, policies, and practices associated with development. Taking an ethnographic approach, Medina describes how the Belizean citrus industry responds to cycles of boom and bust, and the implications of such cycles for workers and growers. She offers a close look at the major actors—workers, union members, small and large growers, and politicians—as they respond to global changes in the citrus industry. Her analysis is made more compelling through an account of two open struggles in the industry over the formation of a rival union and the attempt to buy the processing company, owned by the multinational corporation Nestlé. She also includes a discussion of the impact of NAFTA on the industry. Medina's research demonstrates how collective agency in Belize has pushed the citrus industry's development in directions that simultaneously conform to and diverge from the trajectories laid out by foreign agencies. Negotiating Economic Development provides a bridge from old to new studies of Latin American social movements as it offers key insights into competing forms of identity for a wide range of social scientists concerned with the human and social aspects of development issues and globalization.

Ralph Waldo Emerson once said that “all history becomes subjective,” that, in fact, “properly there is no history, only biography.” Today, Emerson’s observation is hardly revolutionary for archaeologists; it has become conventional wisdom that the present is a battleground where interpretations of the events and meanings of the past are constantly being disputed. What were the major events? Whose lives did these events impact, and how? Who were the key players? What was their legacy? We know all too well that the answers to these questions can vary considerably depending on what political, social, or personal agenda is driving the response.

Despite our keen eye for discerning historical spin doctors operating today, it has been only in recent years that archaeologists have begun exploring in detail how the past was used in the past itself. This volume of ten original works brings critical insight to this frequently overlooked dimension of earlier societies. Drawing on the concepts of identity, memory, and landscape, the contributors show how these points of entry can lead to substantially new accounts of how people understood their lives and why things changed as they did.

Chapters include the archaeologies of the eastern Mediterranean, including Mesopotamia, Iran, Greece, and Rome; prehistoric Greece; Achaemenid and Hellenistic Armenia; Athens in the Roman period; Nubia and Egypt; medieval South India; and northern Maya Quintana Roo. The contributors show how and why, in each society, certain versions of the past were promoted while others were aggressively forgotten for the purpose of promoting innovation, gaining political advantage, or creating a new group identity.

Commentaries by leading scholars Lynn Meskell and Jack Davis blend with newer voices to create a unique set of essays that is diverse but interrelated, exceptionally researched, and novel in its perspectives.
CONTENTS

1. Peering into the Palimpsest: An Introduction to the Volume
Norman Yoffee

2. Collecting, Defacing, Reinscribing (and Otherwise Performing) Memory in the Ancient World
Catherine Lyon Crawford

3. Unforgettable Landscapes: Attachments to the Past in Hellenistic Armenia
Lori Khatchadourian

4. Mortuary Studies, Memory, and the Mycenaean Polity
Seth Button

5. Identity under Construction in Roman Athens
Sanjaya Thakur

6. Inscribing the Napatan Landscape: Architecture and Royal Identity
Lindsay Ambridge

7. Negotiated Pasts and the Memorialized Present in Ancient India: Chalukyas of Vatapi
Hemanth Kadambi

8. Creating, Transforming, Rejecting, and Reinterpreting Ancient Maya Urban Landscapes: Insights from Lagartera and Margarita
Laura P. Villamil

9. Back to the Future: From the Past in the Present to the Past in the Past
Lynn Meskell

10. Memory Groups and the State: Erasing the Past and Inscribing the Present in the Landscapes of the Mediterranean and Near East
Jack L. Davis

About the Editor
About the Contributors
Index

Water conflicts plague every river in the West, with the thorniest dilemmas found in the many basins with Indian reservations and reserved water rights—rights usually senior to all others in over-appropriated rivers. Negotiations and litigation over tribal water rights shape the future of both Indian and non-Indian communities throughout the region, and intense competition for limited water supplies has increased pressure to address tribal water claims.

Much has been written about Indian water rights; for the many tribal and non-Indian stakeholders who rely upon western water, this book now offers practical guidance on how to negotiate them. By providing a comprehensive synthesis of western water issues, tribal water disputes, and alternative approaches to dispute resolution, it offers a valuable sourcebook for all—tribal councils, legislators, water professionals, attorneys—who need a basic understanding of the complexities of the situation.

The book reviews the history, current status, and case law related to western water while revealing strategies for addressing water conflicts among tribes, cities, farms, environmentalists, and public agencies. Drawing insights from the process, structure, and implementation of water rights settlements currently under negotiation or already agreed to, it presents a detailed analysis of how these cases evolve over time. It also provides a wide range of contextual materials, from the nuts and bolts of a Freedom of Information Act request to the hydrology of irrigation. It also includes contributed essays by expert authors on special topics, as well as interviews with key individuals active in water management and tribal water cases.

As stakeholders continue to battle over rights to water, this book clearly addresses the place of Native rights in the conflict. Negotiating Tribal Water Rights offers an unsurpassed introduction to the ongoing challenges these claims present to western water management while demonstrating the innovative approaches that states, tribes, and the federal government have taken to fulfill them while mitigating harm to both non-Indians and the environment.

Recent realizations that prehispanic cities in Mesoamerica were fundamentally different from western cities of the same period have led to increasing examination of the neighborhood as an intermediate unit at the heart of prehispanic urbanization. This book addresses the subject of neighborhoods in archaeology as analytical units between households and whole settlements.

The contributions gathered here provide fieldwork data to document the existence of sociopolitically distinct neighborhoods within ancient Mesoamerican settlements, building upon recent advances in multi-scale archaeological studies of these communities. Chapters illustrate the cultural variation across Mesoamerica, including data and interpretations on several different cities with a thematic focus on regional contrasts. This topic is relatively new and complex, and this book is a strong contribution for three interwoven reasons. First, the long history of research on the “Teotihuacan barrios” is scrutinized and withstands the test of new evidence and comparison with other Mesoamerican cities. Second, Maya studies of dense settlement patterns are now mature enough to provide substantial case studies. Third, theoretical investigation of ancient urbanization all over the world is now more complex and open than it was before, giving relevance to Mesoamerican perspectives on ancient and modern societies in time and space.

This volume will be of interest not only to scholars and student specialists of the Mesoamerican past but also to social scientists and urbanists looking to contrast ancient cultures worldwide.

Casas Grandes, or Paquimé, in northwestern Mexico was of one of the few socially complex prehistoric civilizations in North America. Now, based on more than a decade of surveys, excavations, and field work, Michael Whalen and Paul Minnis provide a comprehensive new look at Casas Grandes and its surrounding communities in The Neighbors of Casas Grandes.

This volume provides a fascinating and detailed look into the culture of the Casas Grandes area, involving not just the research of the architecture and artifacts left behind but also the ecology of the area. The authors’ research reveals the complex relationship Casas Grandes had with its neighbors, varying from very direct contact with some communities to more indirect links with others. Important internal influences on the area’s development come to light and population sizes throughout the period demonstrate the absorption of the surrounding populations into Casas Grandes as it reached the peak of its power in the region.

New discoveries suggest the need to revise the previously held beliefs about the age of Casas Grandes and the dates of its rise to power. This ancient civilization may have developed as early as 1180 AD. Such breakthroughs provide fresh insight about not only Casas Grandes but the nearby settlements as well. The Neighbors of Casas Grandes is an important and vital piece of primary field research for all those interested in the Southwest’s archaelogy and history. Its contribution to the knowledge of the Casas Grandes region is monumental in helping us better understand the society that once flourished there.
 

One of humanity's most important milestones was the transition from hunting and gathering to food production and permanent village life. This Neolithic Revolution first occurred in the Near East, changing the way humans interacted with their environment and each other, setting the stage, ultimately, for the modern world.     

Based on more than thirty years of fieldwork, this timely volume examines the Neolithic Revolution in the Levantine Near East and the Mediterranean island of Cyprus. Alan H. Simmons explores recent research regarding the emergence of Neolithic populations, using both environmental and theoretical contexts, and incorporates specific case studies based on his own excavations. In clear and graceful prose, Simmons traces chronological and regional differences within this land of immense environmental contrasts—woodland, steppe, and desert. He argues that the Neolithic Revolution can be seen in a variety of economic, demographic, and social guises and that it lacked a single common stimulus.      

Each chapter includes sections on history, terminology, geographic range, specific domesticated species, the composition of early villages and households, and the development of social, symbolic, and religious behavior. Most chapters include at least one case study and conclude with a concise summary. In addition, Simmons presents a unique chapter on the island of Cyprus, where intriguing new research challenges assumptions about the impact and extent of the Neolithic.      

The Neolithic Revolution in the Near East conveys the diversity of our Neolithic ancestors, providing a better understanding of the period and the new social order that arose because of it. This insightful volume will be especially useful to Near Eastern scholars and to students of archaeology and the origins of agriculture.

By most accounts Pete Likins has had a successful life. But his personal accomplishments are only the backdrop for the real story—the story of his family, whose trials and triumphs hold lessons for many American families in the twenty-first century.

This poignant but ultimately empowering memoir tells the story of Peter Likins, his wife Patricia, and the six children they adopted in the 1960s, building a family beset by challenges that ultimately strengthened all bonds. With issues such as inter-racial adoption, mental illness, drug addiction, unwed pregnancy, and homosexuality entwined in their lives, the Likins’ tale isn’t just a family memoir—it’s a story of the American experience, a memoir with a message. With circumstances of race, age, and health making all of their children virtually unadoptable by 1960s standards, Pat and Pete never strayed from the belief that loyalty and love could build a strong family.

Both Pete and Pat have served as teachers, and Pete’s long academic career—holding positions as a professor, dean, provost, and then president—illuminates more than just his personal success. Pete’s professional attainments produce a context for his family story, wherein high achievements in educational, athletic, and financial terms coexist with the joys and sorrows of this exceptional family.

"This impressive collection augurs a bright future for Chicana/Chicano literature, and will be of interest to those who keep track of the wide diversity of American and world literature." —Publishers Weekly

"A sampling of typically captivating contemporary Chicano literature by established and emerging writers." —El Puente. The Quarterly Newsletter of the Hispanic Culture Foundation

Arizona’s art history is emblematic of the story of the modern West, and few periods in that history were more significant than the era of the New Deal. From Dorothea Lange and Ansel Adams to painters and muralists including Native American Gerald Nailor, the artists working in Arizona under New Deal programs were a notable group whose art served a distinctly public purpose. Their photography, paintings, and sculptures remain significant exemplars of federal art patronage and offer telling lessons positioned at the intersection of community history and culture.

Art is a powerful instrument of historical record and cultural construction, and many of the issues captured by the Farm Security Administration photographers remain significant issues today: migratory labor, the economic volatility of the mining industry, tourism, and water usage. Art tells important stories, too, including the work of Japanese American photographer Toyo Miyatake in Arizona’s internment camps, murals by Native American artist Gerald Nailor for the Navajo Nation Council Chamber in Window Rock, and African American themes at Fort Huachuca. Illustrated with 100 black-andwhite photographs and covering a wide range of both media and themes, this fascinating and accessible volume reclaims a richly textured story of Arizona history with potent lessons for today.

As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets.

In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject.

In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts.

McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.

In Glen Canyon waters rose, inundating petroglyphs and creating Lake Powell. Now the Colorado River basin is experiencing the longest dry spell in modern history—one that shows alarming signs of becoming the new normal.
 
In A New Form of Beauty photographer Peter Goin and writer Peter Friederici tackle science from the viewpoint of art, creating a lyrical exploration in words and photographs, setting Glen Canyon and Lake Powell as the quintessential example of the challenges of perceiving place in a new era of radical change. Through evocative photography and extensive reporting, the two document their visits to the canyon country over a span of many years. By motorboat and kayak, they have ventured into remote corners of the once-huge reservoir to pursue profound questions: What is this place? How do we see it? What will it become?
 
Goin’s full-color photographs are organized in three galleries—Flora and Fauna, Artifacts, and Low Water—interspersed with three essays by Friederici, and an epilogue gallery on Fire. The book includes two foldout photographs, which allow readers to fully see Lake Powell at high water and low water points

Contemplating humanity’s role in the world it is creating, Goin and Friederici ask if the uncertainties inherent in Glen Canyon herald an unpredictable new future for every place. They challenge us to question how we look at the world, how we live in it, and what the future will be.

During the last two decades of the twentieth century, U.S. Latina writers have made a profound impact on American letters with fiction in both mainstream and regional venues. Following on the heels of this vibrant and growing body of work, New Latina Narrative offers the first in-depth synthesis and literary analysis of this transethnic genre. Focusing on the dynamic writing published in the 1980s and 1990s by Mexican American, Puerto Rican, Cuban American, and Domincan American women, New Latina Narrative illustrates how these writers have redefined the concepts of multiculturalism and diversity in American society. As participants in both mainstream and grassroots forms of multiculturalism, these new Latina narrativists have created a feminine space within postmodern ethnicity, disrupting the idealistic veneer of diversity with which publishers often market this fiction. In this groundbreaking study, author Ellen McCracken opens the conventional boundaries of Latino/a literary criticism, incorporating elements of cultural studies theory and contemporary feminism. Emphasizing the diversity within new Latina narrative, McCracken discusses the works of more than two dozen writers, including Julia Alvarez, Denise Chávez, Sandra Cisneros, Cristina Garcia, Graciela Limón, Demetria Martínez, Pat Mora, Cherríe Moraga, Mary Helen Ponce, and Helena María Viramontes. She stresses such themes as the resignification of master narrative, the autobiographical self and collective identity, popular religiosity, subculture and transgression, and narrative harmony and dissonance. New Latina Narrative provides readers an enriched basis for reconceiving the overall Latino/a literary field and its relation to other contemporary literary and cultural trends. McCracken's original approach extends the Latina literary canon—both the works to be studied and the issues to be examined—resulting in a valuable work for all readers of women's studies, contemporary American literature, ethnic studies, communications, and sociology.

Over many millennia, farmers across the world have domesticated literally thousands of species and developed tens of thousands of varieties of these plants. Despite the astonishing agricultural diversity that existed long ago, the world’s current food base has narrowed to a dangerous level. By studying the long and dynamic history of farming in the ancient past, archaeology can play a part in helping ensure the stability of the human food supply by identifying once-important crops and showing where and how such crops were grown in the past. Thanks to this work, extinct crops might even be redomesticated from their wild progenitors.

New Lives for Ancient and Extinct Crops profiles nine plant species that were important contributors to human diets and had medicinal uses in antiquity: maygrass, chenopod, marshelder, agave, little barley, chia, arrowroot, little millet, and bitter vetch. Each chapter is written by a well-known scholar, who illustrates the global value of the ancient crop record to inform the present. From eastern and western North America, Mesoamerica, South America, western Asia, and south-central Asia, the contributors provide examples of the unexpected wealth of information available in the archaeological record about ancient and extinct crops.

In the early 1970s, understanding of the Mimbres region as a whole was in its infancy. In the following decades, thanks to dedicated work by enterprising archaeologists and nonprofit organizations, our understanding of the Mimbres region has become more complex, nuanced, and rich.

New Perspectives on Mimbres Archaeology brings together these experts in a single volume for the first time. The contributors discuss current knowledge of the people who lived in the Mimbres region of the southwestern United States and how our knowledge has changed since the Mimbres Foundation, directed by Steven A. LeBlanc, began the first modern archaeological investigations in the region. Many of these authors have spent decades conducting the fieldwork that has allowed for a broader understanding of Mimbres society.

Focusing on a variety of important research topics of interest to archaeologists—including the social contexts of people and communities, the role of ritual and ideology in Mimbres society, evidence of continuities and cultural change through time, and the varying impacts of external influences throughout the region—New Perspectives on Mimbres Archaeology presents recent data on and interpretations of the entire pre-Hispanic sequence of occupation. Additional contributions include a history of nonprofit archaeology by William H. Doelle and a concluding chapter by Steven A. LeBlanc reflecting on his decades-long work in Mimbres archaeology and outlining important areas for the next wave of research.
 

In June 1990, Ecuador saw the first major indigenous rebellion within its borders since the colonial era.  For weeks, indigenous protesters participated in marches, staged demonstrations, seized government offices, and blockaded roads. Since this insurrection, indigenous movements have become increasingly important in the fight against Latin American Neoliberalism.

Roberta Rice's New Politics of Protest seeks to analyze when, where, and why indigenous protests against free-market reforms have occurred in Latin America. Comparing cases in Ecuador, Peru, Bolivia, and Chile, this book details the emergence of indigenous movements under and against Neoliberal governments. Rice uses original field research and interviews with indigenous leaders to examine long-term patterns of indigenous political activism and overturn accepted theories on the role of the Indian in democracy. 

A useful and engaging study, The New Politics of Protest seeks to determine when indigenous movements become viable political parties. It covers the most recent rounds of protest to demonstrate how a weak and unresponsive government is more likely to experience revolts against unpopular reforms. This influential work will be of interest to scholars of Latin American politics and indigenous studies as well as anyone studying oppressed peoples who have organized nationwide strikes and protests, blocked economic reforms, toppled corrupt leaders, and even captured presidencies.
 

Established barely a decade ago, the New Western History has retold the story of the American West from the point of view of the oppressed, colonized, and conquered. Scholars led by William Cronon, Patricia Nelson Limerick, Richard White, and Donald Worster have challenged the Turnerian myth of the frontier and have forced scholars to reexamine their understanding of the region. Now seven scholars in American Studies, English, women's studies, philosophy, and environmental studies take a closer look at the work of the New Western Historians. While recognizing that these revisionists have broken important new ground, they observe that many of their claims to uniqueness may be overstated and identify areas of investigation that may have been overlooked. These articles discuss the need to expand the horizons of the New Western History to include fiction, women's literature, racial categories, and works of writers such as Wallace Stegner who presaged the movement. They also argue for more serious consideration of popular culture as represented in western fiction and films and include an analysis of the New Western History's treatment of nature by two natural resource managers. The New Western History was first published as a special issue of the Arizona Quarterly: A Journal of American Literature, Culture, and Theory and is now being made available to a wider audience for the first time. It was named Best Special Issue in the 1997 Council of Editors of Learned Journals International Awards Competition and was cited for its interest to general readers. This collection of essays clearly shows that the response to the New Western History is both vigorous and mixed. It advances the lively and important discussion that the New Western Historians have set in motion and makes that debate accessible to anyone with an interest in the history of the West. CONTENTS
Introduction / Jerome Frisk and Forrest G. Robinson
The Theoretical (Re)Positions of the New Western History / Jerome Frisk
Clio Bereft of Calliope: Literature and the New Western History / Forrest G. Robinson
Literature, Gender Studies, and the New Western History / Krista Comer
Haunting Presences and the New Western History: Reading Repetition, Negotiating Trauma / Carl Gutiérrez Jones
The Problem of the "Popular" in the New Western History / Stephen Tatum
The New Western History: An Essay from the Woods (and Rangelands) / Sally K. Fairfax and Lynn Huntsinger

Journey with Diana Kappel-Smith into the nocturnal world of wild North America. Night Life combines scientific descriptions and personal reflections on creatures ranging from spiders and snakes to large predators of the northern Plains.

At the Indian artisans show in Santa Clara Pueblo, Cecelia Bluespruce sits with her wares in the middle of a row of booths—a good place to catch buyers. She is a successful Native American artist, a sculptor and potter of renown. But Cecelia is in the middle of something deeper than an art show, for she has become trapped by dreams and shadows of her past.

Night Sky, Morning Star is a story of remembrance and reconciliation in one Native American family separated by time and chance. Cecelia’s grown son, Jude, now wants to learn about the father he has never known. Political activist Julian Morning Star, imprisoned twenty years for a crime he did not commit, is unaware that his son even exists. Troubled by dreams, lies, and denial of the past, Cecelia is guided toward wholeness by family and friends who have their own pasts to confront.

This compelling novel plunges readers into the hubbub of the Indian arts market and into the grim reality of prison life. Evelina Zuni Lucero introduces us to experiences we may find unfamiliar: diverse Native American traditions, life on a BIA Indian agency compound, the making of an Indian activist. But she also reintroduces us to two things we all live for: the power of story and the power of love.

Night Sky, Morning Star is the fiction winner of the 1999 First Book Awards competition of the Native Writers’ Circle of the Americas.
 

Eric Walz's Nikkei in the Interior West tells the story of more than twelve thousand Japanese immigrants who settled in the interior West--Arizona, Colorado, Idaho, Nebraska, and Utah. They came inland not as fugitives forced to relocate after Pearl Harbor but arrived decades before World War II as workers searching for a job or as picture brides looking to join husbands they had never met.    

Despite being isolated from their native country and the support of larger settlements on the West Coast, these immigrants formed ethnic associations, language schools, and religious institutions. They also experienced persecution and discrimination during World War II in dramatically different ways than the often-studied immigrants living along the Pacific Coast.  Even though they struggled with discrimination, these interior communities grew both in size and in permanence to become an integral part of the American West.

Using oral histories, journal entries, newspaper accounts, organization records, and local histories, Nikkei in the Interior West explores the conditions in Japan that led to emigration, the immigration process, the factors that drew immigrants to the interior, the cultural negotiation that led to ethnic development, and the effects of World War II. Examining not only the formation and impact of these Japanese communities but also their interaction with others in the region, Walz demonstrates how these communities connect with the broader Japanese diaspora.
 

From the author of the widely acclaimed Woman in Levi’s, this colorful autobiography follows a year in the lives of the lone woman rancher, her students, and their families in 1930s rural Southern Arizona.

Few other places in the United States are as high, dry, sparsely inhabited—and urbanized—as the Great Basin of Utah and Nevada. The great majority of the population of this rapidly growing region lives in the two metropolitan areas at its edges, Salt Lake City and the Wasatch Front, and Reno and the Truckee Meadows. These cities embody the allure and the challenge of the contemporary American West, deemed by some “The New American Heartland.”

No Communication with the Sea is a journey through this urbanizing Great Basin landscape. Here, the land fosters illusions of limitless space and resources, but its space and resources are severely limited; its people live clustered in cities but are often reluctant to embrace urbanity. These tensions led journalist and urban planner Tim Sullivan to explore the developing centers and edges of the Great Basin cities and the ways some are trying to build livable and sustainable urban environments.

In this highly readable book of creative nonfiction, Sullivan employs a variety of methods—including interviews, research, travelogues, and narrative—to survey the harsh landscape for clues to the ways cities can adapt to their geography, topography, ecology, hydrography, history, and culture. No Communication with the Sea embarks on a quest for a livable future for the heart of the interior West. In the process, it both unearths the past and ponders the present and future Great Basin cities.

"These thirteen essays comprise a richly patterned 'quilt,' expertly addressing the influence of Mexico and Latin and South America upon the North American imagination. . . . Cecil Robinson's impressive breadth of expertise, his fascinating interpretations, make this collection of essays invaluable regional reading. The bibliography alone is a treasure—a gift from a man whose life's work was to form a bridge of humanistic understanding between the two primary cultures of the New World."—El Palacio

"In graceful prose, the longtime English professor leads readers on a leisurely stroll through the literary landscape of the Southwest."—Journal of Arizona History

"Does more for reconstructing American literature than any of the contemporary American literature anthologies that are on the market today. . . . Strongly recommended."—Choice

In the darkness of the star-studded desert, bats and moths feed on the nectar of night-blooming cactus flowers. By day, birds and bees do the same, taking to blooms for their sweet sustenance. In return these special creatures pol­linate the equally intriguing plants in an ecological circle of sustainability.

The Sonoran Desert is the most biologically diverse desert in the world. Four species of columnar cacti, including the iconic saguaro and organ pipe, are among its most conspicuous plants. No Species Is an Island describes Theodore H. Fleming’s eleven-year study of the pollination biology of these species at a site he named Tortilla Flats in Sonora, Mexico, near Kino Bay.

Now Fleming shares the surprising results of his intriguing work. Among the novel findings are one of the world’s rarest plant-breeding sys­tems in a giant cactus; the ability of the organ pipe cactus to produce fruit with another species’ pollen; the highly specialized moth-cactus pollination system of the senita cactus; and the amazing lifestyle of the lesser long-nosed bat, the major nocturnal pollinator of three of these species.

These discoveries serve as a primer on how to conduct ecological re­search, and they offer important conservation lessons for us all. Fleming high­lights the preciousness of the ecological web of our planet—Tortilla Flats is a place where cacti and migratory bats and birds connect such far-flung habitats as Mexico’s tropical dry forest, the Sonoran Desert, and the temper­ate rain forests of southeastern Alaska. Fleming offers an insightful look at how field ecologists work and at the often big surprises that come from looking carefully at a natural world where no species stands alone.
 

Once in a while, a book comes along that redefines the concept of family. Frank McCourt did it with Angela’s Ashes; Annie Dillard did it with An American Childhood. In Nobody Rich or Famous, author Richard Shelton (b. 1933) immerses us in the hardscrabble lives of his Boise, Idaho, clan during the 1930s and ’40s. Using a framework of journals, road trips, and artful storytelling, Shelton traces three generations of women. We meet his mother, Hazel, a model of western respectability, who carefully dresses in her finest clothes before walking into a bar and emptying a loaded handgun in the general direction of her husband. We meet his great-grandmother, Josephine, who homesteads a sod shanty and dies too young on the Kansas prairie. We follow his grandmother, Charlotte, as she grows from a live-in servant girl to a fiddle-playing schoolteacher who burns through two marriages before taking up with the iceman.

Known for his storytelling, Shelton crafts a tale of poverty and its attendant sorrows: alcoholism, neglect, and abuse. But the tenacity of the human spirit shines through. This is an epic tale of Steinbeckian proportions, but it is not fiction. This is memoir in its finest tradition, illuminating today’s cultural chasm between the haves and have-nots. In the author’s words, Nobody Rich or Famous is “the story of a family and how it got that way.”

Here's a story about a family that comes from Tijuana and settles into the 'hood, hoping for the American Dream.
. . . I'm not saying it's our story. I'm not saying it isn't. It might be yours. "How do you tell a story that cannot be told?" writes Luis Alberto Urrea in this potent memoir of a childhood divided. Born in Tijuana to a Mexican father and an Anglo mother from Staten Island, Urrea moved to San Diego when he was three. His childhood was a mix of opposites, a clash of cultures and languages. In prose that seethes with energy and crackles with dark humor, Urrea tells a story that is both troubling and wildly entertaining. Urrea endured violence and fear in the black and Mexican barrio of his youth. But the true battlefield was inside his home, where his parents waged daily war over their son's ethnicity. "You are not a Mexican!" his mother once screamed at him. "Why can't you be called Louis instead of Luis?" He suffers disease and abuse and he learns brutal lessons about machismo. But there are gentler moments as well: a simple interlude with his father, sitting on the back of a bakery truck; witnessing the ultimate gesture of tenderness between the godparents who taught him the magical power of love. "I am nobody's son. I am everybody's brother," writes Urrea. His story is unique, but it is not unlike thousands of other stories being played out across the United States, stories of other Americans who have waged war—both in the political arena and in their own homes—to claim their own personal and cultural identity. It is a story of what it means to belong to a nation that is sometimes painfully multicultural, where even the language both separates and unites us. Brutally honest and deeply moving, Nobody's Son is a testament to the borders that divide us all.

You see them as faceless shapes on the median or in city parks. You recognize them by their cardboard signs, their bags of aluminum cans, or their weathered skin. But you do not know them.

In Nomads of a Desert City Barbara Seyda meets the gazes of our homeless neighbors and, with an open heart and the eye of an accomplished photographer, uncovers their compelling stories of life on the edge.

Byrdy is a teenager from Alaska who left a violent husband and misses the young daughter her mother now cares for. Her eyes show a wisdom that belies her youth. Samuel is 95 and collects cans for cash. His face shows a lifetime of living outside while his eyes hint at the countless stories he could tell. Lamanda worked as an accountant before an act of desperation landed her in prison. Now she struggles to raise the seven children of a woman she met there. Dorothy—whose earliest memories are of physical and sexual abuse—lives in a shelter, paycheck to paycheck, reciting affirmations so she may continue “to grace the world with my presence.”

They live on the streets or in shelters. They are women and men, young and old, Native or Anglo or Black or Hispanic. Their faces reflect the forces that have shaped their lives: alcoholism, poverty, racism, mental illness, and abuse. But like desert survivors, they draw strength from some hidden reservoir.

Few recent studies on homelessness offer such a revealing collection of oral history narratives and compelling portraits. Thirteen homeless women and men open a rare window to enrich our understanding of the complex personal struggles and triumphs of their lives. Nomads of a Desert City sheds a glaring light on the shadow side of the American Dream—and takes us to the crossroads of despair and hope where the human spirit survives.

On the border of the United States and Mexico, few policy issues face such acute challenges as those related to water. Border cities face an uncertain future water supply, low-income neighborhoods often lack water and sewer services, and water contamination poses a risk to the health of residents and the environment. Responses by government agencies on both sides of the border have been insufficient. Increasing economic development has mainly resulted in increasing problems. These limitations of government and market forces suggest that nonprofit organizations—the so-called “third sector”—might play an important role in meeting the growing challenges in the region.

Finding that these organizations do have a positive impact, Daniel Sabet seeks to understand how autonomous nonprofit organizations have emerged and developed along the border. He employs data from more than 250 interviews with members of civil society organizations and public officials, surveys of neighborhood association leaders, observations at public meetings, and many secondary sources. His research compares the experiences of third-sector organizations in four prominent Mexican border cities: Tijuana, Nogales, Ciudad Juárez, and Nuevo Laredo.

Sabet finds that political change is a necessary precondition for the establishment of an independent third sector. The demise of one-party rule in Mexico has given nonprofit organizations greater opportunities to flourish, he finds, but persistent informal rules still obstruct their emergence and development. Sabet concludes that the success of the third sector will depend on the organizations’ networks. He examines organizational ties to three key groups—U.S. nonprofits, the business community, and government-created methods for public participation—and evaluates the importance of these connections for the future.

Despite evidence of warfare and violent conflict in pre-Columbian North America, scholars argue that the scale and scope of Native American violence is exaggerated. They contend that scholarly misrepresentation has denigrated indigenous peoples when in fact they lived together in peace and harmony. In rebutting that contention, this groundbreaking book presents clear evidence—from multiple academic disciplines—that indigenous populations engaged in warfare and ritual violence long before European contact. In ten well-documented and thoroughly researched chapters, fourteen leading scholars dispassionately describe sources and consequences of Amerindian warfare and violence, including ritual violence. Originally presented at an American Anthropological Association symposium, their findings construct a convincing case that bloodshed and killing have been woven into the fabric of indigenous life in North America for many centuries.

The editors argue that a failure to acknowledge the roles of warfare and violence in the lives of indigenous North Americans is itself a vestige of colonial repression—depriving native warriors of their history of armed resistance. These essays document specific acts of Native American violence across the North American continent. Including contributions from anthropologists, archaeologists, historians, and ethnographers, they argue not only that violence existed but also that it was an important and frequently celebrated component of Amerindian life.

CONTENTS

Acknowledgments

Introduction
Richard J. Chacon and Rubén G. Mendoza

1.  Traditional Native Warfare in Western Alaska
Ernest S. Burch Jr.

2.  Barbarism and Ardour of War from the Tenderest Years”: Cree-Inuit Warfare in the Hudson Bay Region
Charles A. Bishop and Victor P. Lytwyn

3.  Aboriginal Warfare on the Northwest Coast: Did the Potlatch Replace Warfare?
Joan A. Lovisek

4.  Ethnohistoric Descriptions of Chumash Warfare
John R. Johnson

5.  Documenting Conflict in the Prehistoric Pueblo Southwest
Polly Schaafsma

6.  Cahokia and the Evidence for Late Pre-Columbian War in the North American Midcontinent
Thomas E. Emerson

7.  Iroquois-Huron Warfare
Dean R. Snow

8.  Desecrating the Sacred Ancestor Temples: Chiefly Conflict and Violence in the American Southeast
David H. Dye and Adam King

9.  Warfare, Population, and Food Production in Prehistoric Eastern North America
George R. Milner

10.  The Osteological Evidence for Indigenous Warfare in North America
Patricia M. Lambert

11.  Ethical Considerations and Conclusions Regarding Indigenous Warfare and Violence in North America
Richard J. Chacon and Rubén G. Mendoza

References
About the Contributors
Index

Repeatedly, if paradoxically, the Northeast has led national developments in fire. Its intellectuals argued for model preserves in the Adirondacks and at Yellowstone, oversaw the first mapping of the American fire scene for the 1880 census, staffed the 1896 National Academy of Sciences forest commission that laid down guidelines for the national forests, and spearheaded legislation that allowed those reserves to expand by purchase. It trained the leaders who staffed those protected areas and produced most of America’s first environmentalists.

The Northeast has its roster of great fires, beginning with dark days in the late 18th century, followed by a chronicle of conflagrations continuing as late as 1903 and 1908, with a shocking after-tremor in 1947. It hosted the nation’s first forestry schools. It organized the first interstate (and international) fire compact. And it was the Northeast that pioneered the transition to the true Big Burn—industrial combustion—as America went from burning living landscapes to burning lithic ones.

In this new book in the To the Last Smoke series, renowned fire expert Stephen J. Pyne narrates this history and explains how fire is returning to a place not usually thought of in America’s fire scene. He examines what changes in climate and land use mean for wildfire, what fire ecology means for cultural landscapes, and what experiments are underway to reintroduce fire to habitats that need it. The region’s great fires have gone; its influence on the national scene has not.
The Northeast: A Fire Survey samples the historic and contemporary significance of the region and explains how it fits into a national cartography and narrative of fire.

Included in this volume:
How the region shaped America’s understanding of and policy toward fire
How fire fits into the region today
What fire in the region means for the rest of the country
What changes in climate, land use, and institutions may mean for the region
 

Any university is composed of faculty, students, and staff. But these living components change over time and in varying degrees, while the campus buildings are more permanent, remaining for decades, a century, or longer.

This book looks at the buildings that have graced the campus of Northern Arizona University from its opening in 1898 to the present. The school began with a single building, Old Main, and it was joined by five other structures prior to World War I. In the following decades the campus remained relatively small, expanding to approximately twenty-five structures by the late 1950s. During the tenure of President J. Lawrence Walkup (1957–1979), the university effectively doubled in size, spreading southward and adding more than forty buildings, including an entire south campus academic center. Since 1979 the campus has witnessed the addition of more than thirty structures, most as infill within the existing campus layout.

Arranged chronologically, this extensively illustrated volume briefly describes the history of every building that has been a part of the university’s physical layout. The authors describe various structural aspects of each building and provide entertaining and informative anecdotes about events and people associated with the structures. By combing the university’s archives, Drickamer and Runge have turned up photographs of each building as it looked shortly after construction and at present, providing a fascinating visual time lapse.

With more than two hundred images of campus buildings, many of them never before published, Northern Arizona University: Buildings as History provides a wonderful pictorial chronicle of the campus that will interest architectural historians as well as all those who have called NAU home.

This research guide was first conceived to fulfill multiple needs of the research team of the Documentary Relations of the Southwest (DRSW) project at the Arizona State Museum. In performing research tasks, it became evident that reference material was scattered throughout scores of books and monographs. A single complete source book was simply not available. Hence, the editors of the DRSW project compiled this guide. The territory under study comprises all of northern Mexico in colonial times.

It’s a place of big skies and big fires, big burns like those of 1910 and 1988 that riveted national attention. Conflagrations like those of 1934 and 2007 that reformed national policy. Blowups like that in Mann Gulch that shaped the literature of American fire. Big fires mostly hidden in the backcountry like the Fitz Creek and Howler fires that inspired the practice of managed wildfires. Until the fire revolution of the 1960s, no region so shaped the American way of fire.

The Northern Rockies remain one of three major hearths for America’s fire culture. They hold a major fire laboratory, an equipment development center, an aerial fire depot, and a social engagement with fire—even a literature. Missoula is to fire in the big backcountry what Tallahassee is to prescribed burning and what Southern California is to urban-wildland hybrids. On its margins, Boise hosts the National Interagency Fire Center. In this structured collection of essays on the region, Stephen J. Pyne explores what makes the Northern Rockies distinctive and what sets it apart from other regions of the country. Surprisingly, perhaps, the story is equally one of big bureaucracies and of generations that encounter the region’s majestic landscapes through flame.

The Northern Rockies is part of a multivolume series describing the nation’s fire scene region by region. The volumes in To the Last Smoke also cover Florida, the Northern Rockies, the Great Plains, the Southwest, and several other critical fire regions. The series serves as an important punctuation point to Pyne’s 50-year career with wildland fire—both as a firefighter and a fire scholar. These unique surveys of regional pyrogeography are Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”

Raucous adobe hearts and urban violet mascara. Televised immigration games and ethnic sit-coms. Chile con karma served on a bed of race. In a startling melange of poetry, prose, journal entries, and even a screenplay, Zen Chicano desperado Juan Felipe Herrera fixes his gaze on his own life and times to craft his most personal work to date.

Notebooks of a Chile Verde Smuggler is a river of faces and phrases, jottings and reflections—a personal pilgrimage and collective parade of love, mock-prophecy, and chiste. Tuning in voices from numerous time zones, languages, and minds, Herrera recalls his childhood and coming of age, his participation in the Chicano Movement, and the surreal aspects of postmodern America. He uses broad strokes to paint a historical, social, and familial portrait that moves from the twilight of the nineteenth century to the dawn of the twenty-first, then takes up a finer brush to etch the eternal tension between desire and frustration, hope and disillusionment, violence and tenderness.

Here are transamerican sutras spanning metrocenters from Mexico City to San Francisco, or slinking across the border from Juárez to El Paso. Outrageous, rhythmic lists—"Foodstuffs They Never Told Us About," "Things Religion Makes Me Do"—that fire the imagination. Celebrations of his Plutomobile that "runs on ham hawks & bird grease," and of Chicano inventions such as cilantro aftershave and "the art of eating Vicks VapoRub with your dedos."

Pushing forms to the edge of possibility while forcing readers to rethink reality as well as language, Herrera invokes childhoods and neighborhoods, stand-up clowns and Movimiento gypsies, grandmothers of the buñuelo kitchen and tragicomic soliloquies of dizzy-headed outcasts of paradise. Notebooks of a Chile Verde Smuggler is a crucible of flavorful language meant to be rolled lazily on the mind's tongue—and then swallowed whole to let its hot and savory sweetness fill your soul.

An eclectic collection of poetry, prose, and politics, Notebooks of Elizabeth Cook-Lynn is a text, a narrative, a song, a story, a history, a testimony, a witnessing. Above all, it is a fiercely intelligent, brave, and sobering work that re-examines and interrogates our nation’s past and the distorted way that its history has been written. In topics including recent debates over issues of environmental justice, the contradictions surrounding the Crazy Horse Monument, and the contemporary portrayal of the Lewis and Clark Expedition as one of the great American epic odysseys, Elizabeth Cook-Lynn stitches together a patchwork of observations of racially charged cultural materials, personal experiences, and contemporary characterizations of this country’s history and social climate.

Through each example, she challenges the status quo and piques the reader’s awareness of persistent abuses of indigenous communities. The voices that Cook-Lynn brings to the texts are as varied as the genres in which she writes. They are astute and lyrical, fierce and heartbreaking. Through these intonations, she maintains a balance between her roles as a scholar and a poet, a popular teacher and a woman who has experienced deep personal loss.

A unique blend of form and content that traverses time, space, and purpose, this collection is a thoroughly original contribution to modern American Indian literature. Moreover, it presents an alternative narrative of the nation’s history and opens an important window into the political challenges that Natives continue to face.

“Prime source material, readable reporting of the day-by-day observations, preoccupations, and ideas of an Arizonan in 1870. . . . Marion, editor of the Arizona Miner in Prescott, details the inspection trip on which he accompanied General Stoneman and others. His little book, widely read in Arizona at the time, remains, says Donald Powell, ‘one of the best and least known such accounts from this period.’ . . . The book is notable for its descriptions of the frontier forts, the mesquite forests of southern Arizona valleys, and the adobe town of Tucson with its population of 3,000. . . . This well-edited volume . . . is a welcome addition to the Western shelf.”—Southern California Quarterly

“A valuable and well written document, now made available to the general public and enhanced by the addition of an introduction and notes by Mr. Powell. . . . the publication will be of value to serious students of Arizona history.”—Journal of Arizona History
 

In recent years the Náyari (Cora) people of northwestern Mexico have experienced violence at the hands of drug producers and traffickers. Although a drug economy may seem potentially lucrative to such peasants, spreading violence tied to this trade threatens to destroy their community. This book argues that the source of the problem lies not solely in drug trafficking but also in the breakdown of traditional political authority.

By studying the history of religious practices that legitimate such authority, Philip Coyle shows that a contradiction exists between ceremonially based forms of political authority and the bureaucratic and military modes of power that have been deployed by outside governments in their attempts to administer the region. He then shows how the legitimacy of traditional authority is renewed or undermined through the performance of ceremonies.

Coyle explores linkages between long-term political and economic processes and changes in Náyari ceremonial life from Spanish contact to the present day. As a participant-observer of Náyari ceremonies over a ten-year period, he gained an understanding of the history of their ceremonialism and its connections to practically every other aspect of Náyari life. His descriptions of the Holy Week Festival, mitote ceremonies, and other public performances show how struggles over political legitimacy are intimately tied to the meanings of the ceremonies. With its rich ethnographic descriptions, provocative analyses, and clear links between data and theory, Coyle's study marks a major contribution to the ethnography of the Indians of western Mexico and Latin America more generally. It also provides unusual insight into the violence raging across the Mexican countryside and helps us understand the significance of indigenous people in a globalizing world.