When Christianity was imposed on Native peoples in the Andes, visual images played a fundamental role, yet few scholars have written about this significant aspect. Object and Apparition proposes that Christianity took root in the region only when both Spanish colonizers and native Andeans actively envisioned the principal deities of the new religion in two- and three-dimensional forms. The book explores principal works of art involved in this process, outlines early strategies for envisioning the Christian divine, and examines later, more effective approaches.

Maya Stanfield-Mazzi demonstrates that among images of the divine there was constant interplay between concrete material objects and ephemeral visions or apparitions. Three-dimensional works of art, specifically large-scale statues of Christ and the Virgin Mary, were key to envisioning the Christian divine, the author contends. She presents in-depth analysis of three surviving statues: the Virgins of Pomata and Copacabana (Lake Titicaca region) and Christ of the Earthquakes from Cusco.

Two-dimensional painted images of those statues emerged later. Such paintings depicted the miracle-working potential of specific statues and thus helped to spread the statues’ fame and attract devotees. “Statue paintings” that depict the statues enshrined on their altars also served the purpose of presenting images of local Andean divinities to believers outside church settings.

Stanfield-Mazzi describes the unique features of Andean Catholicism while illustrating its connections to both Spanish and Andean cultural traditions. Based on thorough archival research combined with stunning visual analysis, Object and Apparition analyzes the range of artworks that gave visual form to Christianity in the Andes and ultimately caused the new religion to flourish.

With its clear skies and low humidity, the southwestern United States is an astronomer’s paradise where observatories like Kitt Peak have redefined the art of skywatching. The region is unique in its loose federation of like-minded research outposts and in the quantity and diversity of its observatories—places captured in this unique guidebook.

Douglas Isbell and Stephen Strom, both intimately involved in southwestern astronomy, have written a practical guide to the major observatories of the region for those eager to learn what modern telescopes are doing, to understand the role each of these often quirky places has played in advancing our understanding of the cosmos, and hopefully to visit and see the tools of the astronomer up close. For each observatory, the authors describe its history, highlights of its contributions to astronomy—with an emphasis on recent results—and information for visitors. Also included are wide-ranging interviews with astronomers closely associated with each site.

Observatories covered range from McDonald in Texas to Palomar in California, with significant outposts in between: Arizona’s Kitt Peak National Observatory southwest of Tucson, the Lowell Observatory in Flagstaff, and the Whipple Observatory outside Amado; and New Mexico’s Very Large Array near Socorro and Sacramento Peak close to Sunspot. In addition to describing these established institutions, they also take a look ahead to the most powerful ground-based telescope in the world just beginning to operate at full power on Mount Graham in Safford, Arizona.

With more than three dozen illustrations, Observatories of the Southwest is accessible to amateur astronomers, tourists, students, and teachers—anyone fascinated with the contributions that astronomy has made to deepening our understanding of humanity’s place in the universe, whether exploring the solar system from Lowell Observatory or studying the birth of stars using the army of giant radio telescopes at the Very Large Array. This book aims to inspire visits to these sites by illuminating the major scientific questions being pursued every clear night beneath the dark skies of the Southwest and the amazing machinery that makes these pursuits possible.

Obsidian was long valued by ancient peoples as a raw material for producing stone tools, and archaeologists have increasingly come to view obsidian studies as a crucial aid in understanding the past. Steven Shackley now shows how the geochemical and contextual analyses of archaeological obsidian can be applied to the interpretation of social and economic organization in the ancient Southwest. This book, the capstone of decades of investigation, integrates a wealth of obsidian research in one volume. It covers advances in analytical chemistry and field petrology that have enhanced our understanding of obsidian source heterogeneity, presents the most recent data on and interpretations of archaeological obsidian sources in the Southwest, and explores the ethnohistorical and contemporary background for obsidian use in indigenous societies. Shackley provides a thorough examination of the geological origin of obsidian in the region and the methods used to collect raw material and determine its chemical composition, and descriptions of obsidian sources throughout the Southwest. He then describes the occurrence of obsidian artifacts and shows how their geochemical fingerprints allow archaeologists to make conclusions regarding the procurement of obsidian. The book presents three groundbreaking applications of obsidian source studies. It first discusses an application to early Preceramic groups, showing how obsidian sources can reflect the range they inhabited over time as well as their social relationships during the Archaic period. It then offers an examination of the Late Classic Salado in Arizona’s Tonto Basin, where obsidian data, along with ceramic and architectural evidence, suggest that Mogollon migrants lived in economic and social harmony with the Hohokam, all the while maintaining relationships with their homeland. Finally, it provides an intensive look at social identity and gender differences in the Preclassic Hohokam of central Arizona, where obsidian source provenance and projectile point styles suggest that male Hohokam sought to create a stylistically defined identity in at least three areas of the Hohokam core area. These male “sodalities” were organized quite differently from female ceramic production groups. Today, obsidian research in the American Southwest enjoys an equal standing with ceramic, faunal, and floral studies as a method of revealing social process and change in prehistory. Shackley’s book discusses the ways in which archaeologists should approach obsidian research, no matter what the region, offering a thorough survey of archaeological obsidian studies that will have methodological and theoretical applications worldwide. The volume includes an extensive glossary created specifically for archaeologists.

Native peoples of the Amazon view objects, especially human artifacts, as the first cosmic creations and the building blocks from which the natural world has been shaped. In these constructional cosmologies, spears became the stings of wasps, hammocks became spiderwebs, stools became the buttocks of human beings.

A view so antithetical to Western thought offers a refreshing perspective on the place and role of objects in human social life—one that has remained under-studied in Amazonian anthropology. In this book, ten scholars re-introduce objects to contemporary studies of animism in order to explore how various peoples envision the lives of material objects: the occult, or extraordinary, lives of “things,” whose personas are normally not visible to lay people.

Combining linguistic, ethnological, and historical perspectives, the contributors draw on a wealth of information gathered from ten Amerindian peoples belonging to seven different linguistic families to identify the basic tenets of what might be called a native Amazonian theory of materiality and personhood. They consider which objects have subjective dimensions and how they are manifested, focusing on three domains regarding Amazonian conceptions of things: the subjective life of objects, considering which things have a subjective dimension; the social life of things, seeing the diverse ways in which human beings and things relate as subjectivities; and the historical life of things, recognizing the fact that some things have value as ritual objects or heirlooms.

These chapters demonstrate how native Amazonian peoples view animals, plants, and things as “subjectivities” possessing agency, intentionality, and consciousness, as well as a composite anatomy. They also show how materiality is intimately linked to notions of personhood, with artifacts classified as natural or divine creations and living beings viewed as cultural or constructed. The Occult Life of Things offers original insights into these elaborate native ontologies as it breaks new ground in Amazonian studies.

Winifred Bryan Horner Outstanding Book Award Winner

Occupying Our Space sheds new light on the contributions of Mexican women journalists and writers during the late nineteenth and early twentieth centuries, marked as the zenith of Mexican journalism. Journalists played a significant role in transforming Mexican social and political life before and after the Revolution (1910–1920), and women were a part of this movement as publishers, writers, public speakers, and political activists. However, their contributions to the broad historical changes associated with the Revolution, as well as the pre- and post-revolutionary eras, are often excluded or overlooked.
 
This book fills a gap in feminine rhetorical history by providing an in-depth look at several important journalists who claimed rhetorical puestos, or public speaking spaces. The book closely examines the writings of Laureana Wright de Kleinhans (1842–1896), Juana Belén Gutiérrez de Mendoza (1875­–1942), the political group Las mujeres de Zitácuaro (1900), Hermila Galindo (1896–1954), and others. Grounded in the overarching theoretical lens of mestiza rhetoric, Occupying Our Space considers the ways in which Mexican women journalists negotiated shifting feminine identities and the emerging national politics of the late nineteenth and early twentieth centuries. With full-length Spanish primary documents along with their translations, this scholarship reframes the conversation about the rhetorical and intellectual role women played in the ever-changing political and identity culture in Mexico.

The annual seasons and rhythms of the desert are a dance of clouds, wind, rain, and flood—water in it roles from bringer of food to destroyer of life. The critical importance of weather and climate to native desert peoples is reflected with grace and power in this personal collection of poems, the first written creative work by an individual in O'odham and a landmark in Native American literature.

Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.

Octavio Paz: Nobel Prize winner, author of The Labyrinth of Solitude and Sor Juana, or, the Traps of Faith, precursor and pathfinder, a guiding light of the Mexican intelligentsia in the twentieth century. In this small, memorable meditation on Octavio Paz as a thinker and man of action, Ilan Stavans—described by the Washington Post as "one of our foremost cultural critics" and by the New York Times as "the czar of Latino culture in the United States"—ponders Paz's intellectual courage against the ideological tapestry of his epoch and shows us what lessons can be learned from him. He does so by exploring such timeless issues as the crossroads where literature and politics meet, the place of criticism in society, and Mexico’s difficult quest to come to terms with its own history. Stavans reflects on Paz's personal struggle with Marxism and surrealism, his reflections on pachucos, his analysis of love and eroticism, his study of the life and legacy of Sor Juana Inés de la Cruz, and his influence as a magazine editor. But this extraordinary rumination is not only a thought-provoking appraisal of Paz; it is also a feast for the myriad admirers of Stavans, himself a spirited, mordant essayist who is not afraid of controversy. This explains why Richard Rodriguez has portrayed Stavans as "the rarest of North American writers—he sees the Americas whole," and then added, "Not since Octavio Paz has Mexico given us an intellectual so able to violate borders with learning and grace." Octavio Paz: A Meditation is a fitting addition to Stavans’s own oeuvre that will stimulate discerning readers.

In her debut poetry collection, Carmen Giménez Smith illuminates Latina identity in the prismatic light of postcolonial history, feminism, myth, and the fragmentation of modernity. From these disparate elements she fashions a female persona—“clairvoyant with great shoes”—who is both bracingly modern and movingly vulnerable. Through her poems we traverse the landscape of a woman’s life (girl, mother, lover), navigating a terrain tinted with mythology and relic yet still fresh and uncharted. The poems revolve around issues of identity—and the ways in which identity is both inherited and constructed/reconstructed. Or, as one poem puts it, “The planet floating backwards / whirling some of us older than the stars, some of us nascent and bare.” Although she employs techniques of avant-garde poetry, Giménez Smith shades and deepens the New World landscape into a territory of rare lyric intensity and energy. Humorous, sly, sexy, sophisticated, these poems are animated by passion and hard-won knowledge.

In these poems we encounter such strange beauties as a girl assembling and disassembling, a moth trapped in a glass of water, new-age fairy godmothers, and a lark who sings for the milkman. Yet we are also made aware of how these beauties reflect the speaker’s troubles—her effort to employ, in the words of one of her most memorable poems, “Only the invisible post where she writes the encounters / with air’s lusters. Only the imagined hour / with which she’s made a fragile craft.”

Vivid and charged with an inner light, these are poems that linger and expand in the mind and memory.

One of our generation’s most important literary voices, Esther G. Belin was raised in the Los Angeles area as part of the legacy following the federally run Indian relocation policy. Her parents completed the Special Navajo Five-Year Program that operated from 1946 to 1961 at Sherman Institute in Riverside, California. Drawing from this experience, her poetry, activism, and multimedia work speaks to larger issues of urban Indian identity, acceptance, adaptation, and cultural estrangement.

In this long-anticipated collection, Belin daringly maps the poetics of womanhood, the body, institution, family, and love. Depicting the personal and the political, Of Cartography is an exploration of identity through language. With poems ranging from prose to typographic and linguistic illustrations, this distinctive collection pushes the boundaries of traditional poetic form.

Marking territory and position according to the Diné cardinal points, Of Cartography demands much from the reader, gives meaning to abstraction, and demonstrates the challenges of identity politics.
 

“This text reveals [Fontana’s] interaction with his [Tohono O’odham] neighbors and how geography and climate define life and culture in this piece of dry land. Fontana’s words introduce the reader to people and provide an excellent overview of tribal history, but no notice of this book can overlook John P. Schaefer’s photographs . . . [which] give the reader a feeling for what day-to-day life is like . . . for the 12,000 or so people who call Papaguería their homeland.”—Journal of Arizona History

While it was once believed that agriculture and pottery developed concurrently in prehistoric societies, modern research has concluded that agriculture preceded pottery making, since a sedentary life with greater food production led to both the need and time to create storage containers. Bruce Huckell has been at the forefront of a movement in Arizona archaeology that has greatly modified our understanding of the transition from the Archaic to the agricultural periods in the Southwest. Work done by Huckell and others at Matty Canyon has produced the most detailed account available of a Late Archaic village and has been extremely influential in suggesting that the cultivation of maize predated the appearance of pottery. Of Marshes and Maize presents archaeological information obtained from small-scale investigations at two deeply buried preceramic sites in the Cienega Creek Basin. Its report on excavations at the Donaldson Site and at Los Ojitos offers a thorough description of archaeological features and artifacts, floral and faunal remains, and their geological and chronological contexts. From this data, the author concludes that a major shift toward a sedentary lifeway dependent on maize agriculture had already occurred by Late Archaic times (c. 500 to 800 B.C.), demonstrating that previous research on late preceramic sites in this region has provided an inadequate picture of the period. This monograph represents the first full presentation in the literature of an important set of data that is well-known among researchers but has thus far not been easily accessible. It is a classic example of the use of fragmentary evidence in well-dated contexts to introduce new ideas, and will stand not only as an important record of the evidence but also as the primary reference for this significant new interpretation of the late Archaic and the introduction of agriculture into the Southwest.

Baja California is one of the Earth’s last great wilderness areas that is easily accessible to travelers. Whether you enter from the United States to the north or from Cabo San Lucas to the south, it doesn’t take long to find yourself passing through a unique desert ecosystem of islands and land bound by the Pacific Ocean on the west and the Gulf of California on the east. But where, you might ask, can you go to best experience the physical majesty of Baja California? This book holds the answer.

Off-Trail Adventures in Baja California describes—and maps and illustrates—nine hikes along outcrops on islands and peninsular shores where geography, geology, and ecology meet in singular ways. Each spot tells a story about the nature of the place—the cumulative effects of millions of years of natural forces at work. During the course of his long teaching career, Markes E. Johnson has hiked much of Baja California, often with students in tow. He brings a lifetime of study to his simple descriptions of the stories that are revealed by looking closely at natural phenomena framed by rocks and fossils.

This hiking guide offers a wealth of stories that seem to encompass everything, and can clearly communicate Johnson’s deep understanding of how our planet’s ecosystems function. Whether you like to hike with your boots on or from the comfort of your favorite chair, this book is a must-have for anyone who has visited or hopes to visit Baja California’s Gulf Coast.
 

Archaeological settlement patterns—the ways in which ancient people distributed themselves across a natural and cultural landscape—provide the central theme for this long-overdue update to our understanding of the Mexican Gulf lowlands Olmec to Aztec offers the only recent treatment of the region that considers its entire prehistory from the second millennium B.C. to A.D. 1519. The editors have assembled a distinguished group of international scholars, several of whom here provide the first widely available English-language account of ongoing research. Several studies present up-to-date syntheses of the archaeological record in their respective areas. Other chapters provide exciting new data and innovative insights into future directions in Gulf lowland archaeology. Olmec to Aztec is a crucial resource for archaeologists working in Mexico and other areas of Latin America. Its contributions help dispel long-standing misunderstandings about the prehistory of this region and also correct the sometimes overzealous manner in which cultural change within the Gulf lowlands has been attributed to external forces. This important book clearly demonstrates that the Gulf lowlands played a critical role in ancient Mesoamerica throughout the entirety of pre-Columbian history.

Marcos McPeek Villatoro is not afraid to discuss mysteries, truths, or injustices. He has lived them. Poet and novelist, activist and radio personality, Villatoro writes poetry steeped in formalism, free verse, and his own Salvadoran syntax. This new collection is a memoir-in-poems telling how the world appears to a Latin American immigrant. His sense of humanity is intact. He has a family, a job, a life in the States. But the face of the Mayan hero Tekún Umán hangs in his office, and he has "made clear all political positions by standing behind the wooden mask of a dead man."

Villatoro is a writer with a keen political sensibility and a sense of humor besides. After confronting the reader with weighty issues, he pauses to have an encounter with a curandera in a cornfield; to speculate on a visit from extraterrestrials; and to pay tribute to his free-spirited, loose-living Uncle Jack, who "chewed forest mushrooms like a rabbit, / Then howled at a California night / While whispering querida above open thighs." Combining Borgean logic, the grit of Neruda, and a heady dose of Zen, Villatoro offers a primer on how to integrate a history of brutality and injustice with the privilege and comfort of life in America. A final section of poems is presented in Spanish only—a statement of ascendance, a strategy for identity preservation, a gift to the cognoscenti.

Reading On Tuesday, When the Homeless Disappeared may make you shift in your seat—perhaps even toss in your sleep—as you encounter a poignant human voice that is unafraid to speak from the heart.

Like many rivers of the arid Southwest, the Gila is for much of its length a dry bed except after seasonal rains. Yet a mere century ago it hosted a thriving biological community, and two centuries ago American Indians fished from its banks.

It is no mystery how the desert swallowed up the Gila. Beaver trapping, overgrazing, and woodcutting first ruined natural watersheds, then damming confined the last drops of its surface flow. Historical sources and archaeological data inform us of the Gila's past, but its bird life further testifies to the changes.

Amadeo Rea traces the decline of bird life on the Middle Gila in a book that addresses the broader issue of habitat deterioration. Bird lovers will find it a storehouse of data on avian migration patterns and on ornithological classification based on skeletal structure. Anthropologists can draw on its Piman ethnoclassification of birds, which links the Gila River tribe with various other Uto-Aztecan peoples of Mexico's west coast.

But for all concerned with protecting our environment, Once a River offers evidence of change that might be apprehended elsewhere. It is a case history of a loss that perhaps need never have occurred.

Cuban-American writers have been studied primarily within the context of Latino literature as a whole. Seeing a need to distinguish and define this unique literary perspective, Eduardo del Rio selected twelve important well-known authors and conducted interviews. He chose writers who were born in Cuba but have lived in the United States for a significant amount of time and whose works include themes he considers elemental to Cuban-American literature: identity, duality, memory, and exile. But rather than a cohesive, homogeneous group, these conversations unveiled a kaleidoscope of individuality, style, and motive. The authors’ bonds to Cuba inform their creative work in vastly different ways, and attempts to categorize their similarities only highlight the range of character and experience within this assemblage of talented writers.

From playwright Dolores Prida to author and literary critic Gustavo Pérez Firmat, these voices run the gamut of both genre and personality. In addition to the essential facts of literary accomplishment, the interviews include a wealth of insight into each writer’s history, motivations, concerns, and relationship to language. These personal details serve to humanize and illuminate the unique circumstances and realities that have shaped both the authors and their work.

What del Rio has ultimately brought together is a series of intimate sketches that will not only serve as an important reference for any discussion of the literature but will also help readers to develop for themselves a sense of what Cuban-American writing is, and what it is not.

CONTENTS
Preface
Acknowledgments
Introduction
Nilo Cruz
Roberto Fernández
Cristina García
Carolina Hospital
Eduardo Machado
Dionisio Martínez
Pablo Medina
Achy Obejas
Ricardo Pau-Llosa
Gustavo Pérez Firmat
Dolores Prida
Virgil Suárez
Epilogue
Notes
Bibliography
Index

Mike Burns—born Hoomothya—was around eight years old in 1872 when the US military murdered his family and as many as seventy-six other Yavapai men, women, and children in the Skeleton Cave Massacre in Arizona. One of only a few young survivors, he was adopted by an army captain and ended up serving as a scout in the US army and adventuring in the West. Before his death in 1934, Burns wrote about the massacre, his time fighting in the Indian Wars during the 1880s, and life among the Kwevkepaya and Tolkepaya Yavapai. His precarious position between the white and Native worlds gives his account a distinctive narrative voice.

Because Burns was unable to find a publisher during his lifetime, these firsthand accounts of history from a Native perspective remained unseen through much of the twentieth century, archived at the Sharlot Hall Museum in Prescott. Now Gregory McNamee has brought Burns's text to life, making this extraordinary tale an accessible and compelling read. Generations after his death, Mike Burns finally gets a chance to tell his story.

This autobiography offers a missing piece of Arizona history—as one of the only Native American accounts of the Skeleton Cave Massacre—and contributes to a growing body of history from a Native perspective. It will be an indispensable tool for scholars and general readers interested in the West—specifically Arizona history, the Apache wars, and Yavapai and Apache history and lifeways.

The origin stories of the O’odham (Pima) Indians of Arizona are renowned for their beauty and complexity but have been collected in only a handful of books. This volume—the third full O’odham telling of ancientness to appear in print—brings together dozens of stories collected in 1927 by anthropologist Ruth Benedict during her only visit to the Pimas. Never before published, they helped inspire Benedict to write her groundbreaking book Patterns of Culture.

The Pimas represented a way of life that Benedict at first called “Dionysian” after hearing the stories, narratives, songs, and oratory collected from various tellers during her three-month stay. The oral literature concerns the creation of the world and its transformations over time, the creation of the O’odham people, and other cultural traditions. Featuring a pair of man-gods, a female monster born of woman, and a conquest of Pimas by Pimas, they serve to mark the O’odham as a people distinct from their neighbors near and far.

The present volume contains more stories than any other source of Pima tales, plus more of the songs and orations that accompanied a telling. It includes “The Rafter,” a host of ancillary stories, numerous Coyote tales, and additional speeches tied to the narratives of ancientness. One long story, “The Feud,” found only in this collection, shows similarities to the Maya Popol Vuh.

Donald Bahr, a preeminent authority on the O’odham, has not only clarified the text but has also written an introduction that provides the background to the collection and analyzes Benedict’s probable reasons for never having published it. He has also included a previously unpublished text by Benedict, “Figures of Speech among the Pima.” O’odham Creation and Related Events represents an invaluable sourcebook of a people’s oral literature as well as a tribute to a singular scholar’s dedication and vision.

In 1600 they were the largest, most technologically advanced indigenous group in northwest Mexico, but today, though their descendants presumably live on in Sonora, almost no one claims descent from the Ópatas. The Ópatas seem to have “disappeared” as an ethnic group, their languages forgotten except for the names of the towns, plants, and geography of the Opatería, where they lived. Why did the Ópatas disappear from the historical record while their neighbors survived?

David Yetman, a leading ethnobotanist who has traveled extensively in Sonora, consulted more than two hundred archival sources to answer this question. The result is an accessible ethnohistory of the Ópatas, one that embraces historical complexity with an eye toward Opatan strategies of resistance and assimilation. Yetman’s account takes us through the Opatans’ initial encounters with the conquistadors, their resettlement in Jesuit missions, clashes with Apaches, their recruitment as miners, and several failed rebellions, and ultimately arrives at an explanation for their “disappearance.”

Yetman’s account is bolstered by conversations with present-day residents of the Opatería and includes a valuable appendix on the languages of the Opatería by linguistic anthropologist David Shaul. One of the few studies devoted exclusively to this indigenous group, The Ópatas: In Search of a Sonoran People marks a significant contribution to the literature on the history of the greater Southwest.

Nurses, show girls, housewives, farm workers, casino managers, and government inspectors—together these hard-working members of society contributed to the development of towns across the West. The essays in this volume show how oral history increases understanding of work and community in the twentieth century American West.

In many cases occupations brought people together in myriad ways. The Latino workers who picked lemons together in Southern California report that it was baseball and Cinco de Mayo Queen contests that united them. Mormons in Fort Collins, Colorado, say that building a church together bonded them together. In separate essays, African Americans and women describe how they fostered a sense of community in Las Vegas. Native Americans detail the “Indian economy” in Northern California.

As these essays demonstrate, the history of the American West is the story of small towns and big cities, places both isolated and heavily populated. It includes groups whose history has often been neglected. Sometimes, western history has mirrored the history of the nation; at other times, it has diverged in unique ways. Oral history adds a dimension that has often been missing in writing a comprehensive history of the West. Here an array of oral historians—including folklorists, librarians, and public historians—record what they have learned from people who have, in their own ways, made history.

In the 1970s, the Fort McDowell Reservation in Arizona came under threat by a dam construction project that, if approved, would potentially flood most of its 24,680 acres of land. As part of the effort to preserve the reservation, Mike Harrison and John Williams, two elders of the Yavapai tribe, sought to have their history recorded as they themselves knew it, as it had been passed down to them from generation to generation, so that the history of their people would not be lost to future generations. In March 1974, Arizona State University anthropologist Sigrid Khera first sat down with Harrison and Williams to begin recording and transcribing their oral history, a project that would continue through the summer of 1976 and beyond.

Although Harrison and Williams have since passed away, their voices shine through the pages of this book and the history of their people remains to be passed along and shared. Thanks to the efforts of Scottsdale, Arizona, resident and Orme Dam activist Carolina Butler, this important document is being made available to the public for the first time.

Oral History of the Yavapai offers a wide range of information regarding the Yavapai people, from creation beliefs to interpretations of historical events and people. Harrison and Williams not only relate their perspectives on the relationship between the “White people” and the Native American peoples of the Southwest, but they also share stories about prayers, songs, dreams, sacred places, and belief systems of the Yavapai.

In Euroamerican annals of contact with Native Americans, Indians have consistently been portrayed as master orators who demonstrate natural eloquence during treaty negotiations, councils, and religious ceremonies. Esteemed by early European commentators more than indigenous storytelling, oratory was in fact a way of establishing self-worth among Native Americans, and might even be viewed as their supreme literary achievement. William Clements now explores the reasons for the acclaim given to Native oratory. He examines in detail a wide range of source material representing cultures throughout North America, analyzing speeches made by Natives as recorded by whites, such as observations of treaty negotiations, accounts by travelers, missionaries' reports, captivity narratives, and soldiers' memoirs.

Here is a rich documentation of oratory dating from the earliest records: Benjamin Franklin's publication of treaty proceedings with the Six Nations of the Iroquois; the travel narratives of John Lawson, who visited Carolina Indians in the early 1700s; accounts of Jesuit missionary Pierre De Smet, who evangelized to Northern Plains Indians in the nineteenth century; and much more. The book also includes full texts of several orations. These texts are comprehensive documents that report not only the contents of the speeches but the entirety of the delivery: the textures, situations, and contexts that constitute oratorical events. While there are valid concerns about the reliability of early recorded oratory given the prejudices of those recording them, Clements points out that we must learn what we can from that record.

He extends the thread unwoven in his earlier study Native American Verbal Art to show that the long history of textualization of American Indian oral performance offers much that can reward the reader willing to scrutinize the entirety of the texts. By focusing on this one genre of verbal art, he shows us ways in which the sources are—and are not—valuable and what we must do to ascertain their value. Oratory in Native North America is a panoramic work that introduces readers to a vast history of Native speech while recognizing the limitations in premodern reporting. By guiding us through this labyrinth, Clements shows that with understanding we can gain significant insight not only into Native American culture but also into a rich storehouse of language and performance art.

Distinguished by its slender vertical branches, which resemble the tubes of a pipe organ, and growing to the imposing height of 15 to more than 30 feet, it’s obvious how the organ pipe cactus got its name. In the United States, these spectacular and intriguing plants are found exclusively in a small area of the Sonoran Desert in the southwestern corner of Arizona. With a landscape marked by sharp, rocky slopes and daytime highs in the summer reaching 110 degrees Fahrenheit, the region is inhospitable for most ordinary life, whether plant or animal. But the organ pipe cactus is far from ordinary. Although it is the most common columnar cactus, it is so unusual in the United States that it is only one of three cacti to have a national preserve established to protect it. In this regard, it joins a select group of plants—including Joshua trees, redwoods, and sequoias—upon which that honor has been conferred. In this beautifully illustrated, large-format book, David Yetman provides an in-depth and comprehensive look at these intriguing and picturesque plants that most Americans will never have the opportunity to see. Chapters explore their ethnobotanical uses, their habitat, their distribution, and special conditions required for their germination, establishment, growth, and survival. Yetman also places the organ pipe in perspective as a member of a genus with at least twenty-three species, ranging from the prostrate Stenocereus eruca of Baja California to the 50-foot high giant S. chacalapensis of the coast of Oaxaca.

Deep in the heart of the Sonoran Desert lies an oasis of ebony mountains, golden poppies, stately saguaros—and the organ pipe cactus, "a prickly octopus turned on its head."

A terrain where one learns to pay attention to the details: the tracks of a sidewinder in the sand, the tiny eggs of a cactus wren, the flash of a vermilion flycatcher against the azure sky.

Organ Pipe Cactus National Monument lies in southwestern Arizona on the Mexican border. It is an isolated park that for Carol Ann Bassett has long been a place of solitude—a silent refuge where she often camped out alone to capture the natural rhythms of the desert. Photographer Michael Hyatt hiked through Organ Pipe to visually document its subtle beauty in the Ajo Mountains and the valley of the Ajo, and at Quitobaquito, a rare desert oasis.

Few visitors may brave Organ Pipe during summer, when the temperature can reach 120 degrees, but for Bassett and Hyatt the searing heat is but a harbinger of rain, when normally dry arroyos surge with rust-colored water and desert tarantulas come out to mate. Bassett introduces readers to Organ Pipe’s cultural heritage as well: Spanish missionaries, Anglo settlers, and the Tohono O’odham and the Hia Ced O’odham people who still travel there to gather cactus fruit during Hasan Bakmasad, "saguaro moon." She also considers the changes taking place throughout the park, including the onrush of immigrants passing through in search of better lives in the United States.

This small, lyrical book is a sensitive reflection on the heart of the Sonoran Desert. It reminds us of the beauty to be found in unexpected places—and of our intimate connection with the wild.

In 1933 the United States Office of Indian Affairs began a major reform of Indian policy, organizing tribal governments under the provisions of the Indian Reorganization Act and turning over the administration of reservations to these new bodies. Organizing the Lakota considers the implementation of this act among the Lakota (Western Sioux or Teton Dakota) from 1933 through 1945.

Biolsi pays particular attention to the administrative means by which the OIA retained the power to design and implement tribal "self-government" as well as the power to control the flow of critical resources—rations, relief employment, credit—to the reservations. He also shows how this imbalance of power between the tribes and the federal bureaucracy influenced politics on the reservations, and argues that the crisis of authority faced by the Lakota tribal governments among their own would-be constituents—most dramatically demonstrated by the 1973 Wounded Knee occupation—is a direct result of their disempowerment by the United States.

Although the age and origin of katsina ceremonialism have long fascinated scholars, the reasons for its development have remained unexplored until now. E. Charles Adams here examines the concept of the katsina and the religion that developed around it, focusing on what makes katsinas unique, why the concept was developed, and what adaptive value it had for prehistoric Pueblo culture.

An integrated discussion of the similarities and differences between the atmospheres of various bodies of the solar system, including the Earth.

The age-old question of how our home planet and its satellite originated has in recent times undergone a minor revolution. The emergence of the "giant impact theory" as the most successful model for the origin of the Moon has been difficult to reconcile with some aspects of the Earth, and the development of an integrated model for the origin of the Earth-Moon system has been difficult for this reason. However, recent technical advances in experimental and isotopic work, together with intensified interest in the modeling of planetary dynamics, have produced a wealth of new results requiring a rethinking of models for the origin of the Earth and Moon.

This book is intended to serve as a resource for those scientists working closely in this field, while at the same time it provides enough balance and depth to offer an introduction for students or technically minded general readers. Its thirty chapters address isotopic and chemical constraints on accretion, the dynamics of terrestrial planet formation, the impact-triggered formation of the Earth-Moon system, differentiation of the Earth and Moon, the origin of terrestrial volatiles, and conditions on the young Earth and Moon.

Covering such subjects as the history and origin of the Moon's orbit, water on the Earth, and the implications of Earth-Moon interactions for terrestrial climate and life, the book constitutes a state-of-the-art overview of the most recent investigations in the field. Although many advances have been made in our ability to evaluate competing models of the formation of the Earth-Moon system, there are still many gaps in our understanding. This book makes great strides toward closing those gaps by highlighting the extensive progress that has been made and pointing toward future research.

People have always been attracted to foods rich in calories, fat, and protein; yet the biblical admonition that meat be eaten “with bitter herbs” suggests that unpalatable plants play an important role in our diet. So-called primitive peoples show a surprisingly sophisticated understanding of how their bodies interact with plant chemicals, which may allow us to rediscover the origins of diet by retracing the paths of biology and culture.
 
The domestication of the potato serves as the focus of Timothy Johns’s interdisciplinary study, which forges a bold synthesis of ethnobotany and chemical ecology. The Aymara of highland Bolivia have long used varieties of potato containing potentially toxic levels of glycoalkaloids, and Johns proposes that such plants can be eaten without harm owing to human genetic modification and cultural manipulation. Drawing on additional fieldwork in Africa, he considers the evolution of the human use of plants, the ways in which humans obtain foods from among the myriad poisonous and unpalatable plants in the environment, and the consequences of this history for understanding the basis of the human diet. A natural corollary to his investigation is the origin of medicine, since the properties of plants that make them unpalatable and toxic are the same properties that make them useful pharmacologically.
 
As our species has adapted to the use of plants, plants have become an essential part of our internal ecology. Recovering the ancient wisdom regarding our interaction with the environment preserves a fundamental part of our human heritage.

Originally published in hardcover as With Bitter Herbs They Shall Eat It: Chemical Ecology and the Origins of Human Diet and Medicine

The Origins of Modern Environmental Thought provides readers with a concise and lively introduction to the seminal thinkers who created the modern environmental movement and inspired activism and policy change. Beginning with a brief overview of the works of Thoreau, Mill, Malthus, Leopold, and others, de Steiguer examines some of the earliest philosophies that underlie the field. He then describes major socioeconomic factors in post–World War II America that created the milieu in which the modern environmental movement began, with the publication of Rachel Carson’s Silent Spring. The following chapters offer summaries and critical reviews of landmark works by scholars who helped shape and define modern environmentalism.

Among others, de Steiguer examines works by Barry Commoner, Paul Ehrlich, Kenneth Boulding, Garrett Hardin, Herman Daly, and Arne Naess. He describes the growth of the environmental movement from 1962 to 1973 and explains a number of factors that led to a decline in environmental interest during the mid-1970s. He then reveals changes in environmental awareness in the 1980s and concludes with commentary on the movement through 2004. Updated and revised from The Age of Environmentalism, this expanded edition includes three new chapters on Stewart Udall, Roderick Nash, and E. F. Schumacher, as well as a new concluding chapter, bibliography, and updated material throughout. This primer on the history and development of environmental consciousness and the many modern scholars who have shaped the movement will be useful to students in all branches of environmental studies and philosophy, as well as biology, economics, and physics.

From blackbirds and orioles to meadowlarks, grackles, and cowbirds, the variety and variation shown by members of the family Icteridae is legend. The family exhibits great diversity in size and coloration, mating and nest building, and habits and habitats. This group of 94 New World species once known as the troupials is well represented in backyards across America; yet most icterids are tropical or semi-tropical species that remain largely unstudied.

The least known of these species are perhaps best known to Alexander Skutch, who has studied birds in a Costa Rican tropical valley for more than half a century. In this fascinating book the first devoted exclusively to the icterids—he combines his own observations with those of other naturalists to provide a comparative natural history and biology of this remarkable family of birds. Devoting a separate chapter to each major group or genus, he delineates the outstanding characteristics of each and includes observations of little-studied tropical species such as caciques and oropendolas.

Orioles, Blackbirds, and Their Kin is an eminently readable natural history in the classic style. Enhanced by 31 scratchboard illustrations, this book will delight nature enthusiasts everywhere with its fascinating exposition of avian diversity. Because so much of the published information on the icterids is widely scattered, Skutch's painstaking compilation has created a valuable reference work that will provide students and researchers with a wealth of new insights into the tropical members of this New World family.

Corrupt lawmen, insatiable businessmen, and an oil boom on Indian land. This is the milieu in which Tom Holm sets his gritty and provocative detective novel.

Life is looking easy for J. D. Daugherty, a crusty ex-cop who has set up his own PI firm in Tulsa, Oklahoma, just after World War I. J. D. expects to make a straightforward living off the intrigues of the city’s wealthy socialites, but then Rose Chichester, a privileged young white woman, runs off with Tommy Ruffle, a young Indian who is heir to Osage oil. Hired by Rose’s father to track down the young pair, J. D. and his associate, a Cherokee named Hoolie Smith, find themselves caught in the cross fire of a deadly scheme. When Tommy turns up murdered and with Rose still missing, J. D. and Hoolie must navigate a twisting maze of deception, race riots, and gun battles in their unrelenting search for the truth—a search that ultimately leads to an intimate secret no one suspected.

Tom Holm writes a true private-eye mystery, yet he entwines the story’s layers of conspiracy and deceit with the realities of prejudice and hatred that existed during the early years of Oklahoma statehood. Rooted firmly in its time, Holm’s well-researched novel tells a complex and compelling story of individuals struggling to find justice at any cost in a world still caught between modernity and its Wild West legacy.

The award-winning American environmental writer Barry Lopez has traveled extensively in remote and populated parts of the world. Lopez’s fiction and nonfiction focus on the relationship between the physical landscape and human culture, posing abiding questions about ethics, intimacy, and place.

Other Country presents a full-scale treatment of Lopez’s work. James Perrin Warren examines the relationship between Lopez’s writing and the work of several contemporary artists, composers, and musicians, whose works range from landscape photography, painting, and graphic arts to earth art, ceramics, and avant-garde music. The author demonstrates Lopez’s role in creating this community of artists who have led cultural change, and shows that Lopez’s writing—and his engagement with the natural world—creates an “other country” by redefining boundaries, rediscovering a place, and renewing our perceptions of landscapes.

Warren’s critique examines manuscripts and typescripts from the 1960s to the present, interviews with Lopez conducted from 2008 to 2013, and interviews with artists. Part 1 focuses on the relationship between Lopez’s storytelling, which he calls “a conversation with the land,” and Robert Adams’s landscape photography. For both Lopez and Adams, a worthy artistic expression serves the cultural memory of a community, reminding us how to behave properly toward other people and the land. Part 2 looks at the collaborative friendship of Lopez and visual artist Alan Magee, tracking the development of Lopez’s short stories through a consideration of Magee’s career.  Part 3 moves farther afield, discussing Lopez’s relationship to Richard Long’s earth art, Richard Rowland’s ceramics, and John Luther Adams’s soundscapes.

Other Country reveals the dynamic relationships between Lopez, considered by many the most important environmental writer working in America, and the artistic community, who seek to explore the spiritual and ethical dimensions of an honorable and attentive relationship to the land and thus offer profound implications for the future of the planet.

“The stereotype spells death to the imagination by shrinking all possibilities to one. Generalizations encourage us to stop considering what can be.” —from the Introduction

The sheer number of different ethnic groups and cultures in the United States makes it tempting to classify them according to broad stereotypes, ignoring their unique and changing identities. Because of their growing diversity within the United States, Latinas and Latinos face this problem in their everyday lives. With cultural roots in Mexico, Puerto Rico, Cuba, the Dominican Republic, or a variety of other locales, Hispanic-origin people in the United States are too often consigned to a single category. With this book Blas Falconer and Lorraine M. López set out to change this.

The Other Latin@ is a diverse collection of essays written by some of the best emerging and established contemporary writers of Latin origin to help answer the question: How can we treat U.S. Latina and Latino literature as a definable whole while acknowledging the many shifting identities within their cultures? By telling their own stories, these authors illuminate the richness of their cultural backgrounds while adding a unique perspective to Latina and Latino literature.

This book sheds light on the dangers of abandoning identity by accepting cultural stereotypes and ignoring diversity within diversity. These contributors caution against judging literature based on the race of the author and lament the use of the term Hispanic to erase individuality. Honestly addressing difficult issues, this book will greatly contribute to a better understanding of Latina and Latino literature and identity.

For decades, Stafford Poole has stood at the forefront of scholarship on the historicity of the Virgin of Guadalupe, an icon that serves as one of the most important formative religious and national symbols in the history of Mexico. Poole’s groundbreaking first edition of Our Lady of Guadalupe was the first ever to examine in depth every historical source of the Guadalupe apparitions. In this revised edition, Poole employs additional sources and commentary to further challenge common interpretations and assumptions about the Guadalupan tradition.

“If you want to know who you are and where you come from, follow the maíz.” That was the advice given to author Roberto Cintli Rodriguez when he was investigating the origins and migrations of Mexican peoples in the Four Corners region of the United States.

Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture.

Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge.
 

About half of all species under threat of extinction in the world today are plants. The loss of plant biodiversity is disturbing for many reasons, but especially because it is a reflection of the growing disconnect between humans and nature. Plants have been used for millennia in traditional systems of healing and have held a significant place in drug development for Western medicine as well. Despite the recent dominance of synthetic drug production, natural product discovery remains the backbone of drug development. As the diversity of life on Earth is depleted and increasing numbers of species become lost to extinction, we continue to lose opportunities to achieve advances in medicine.

Through stories of drug revelation in nature and forays into botany, human behavior, and conservation, Kara Rogers sheds light on the multiple ways in which humans, medicine, and plants are interconnected. With accessible and engaging writing, she explores the relationships between humans and plants, relating the stories of plant hunters of centuries past and examining the impact of human activities on the environment and the world's biodiversity. Rogers also highlights the role that plant-based products can play in encouraging conservation and protecting the heritage and knowledge of indigenous peoples.

Out of Nature provides a fresh perspective on modern drug innovation and its relationship with nature. The book delves into the complexity of biophilia—the innate human attraction to life in the natural world—and suggests that the reawakening of this drive is fundamental to expanding conservation efforts and improving medicine. Rogers's examination of plants, humans, and drug discovery also conveys a passionate optimism for the future of biodiversity and medicine. Including a collection of hand-drawn maps and plant illustrations created by the author, this well-researched narrative will inspire as well as inform.
 

He has been out there somewhere for a while now, a poet at large in America.
 
Simon Ortiz, one of our finest living poets, has been a witness, participant, and observer of interactions between the Euro-American cultural world and that of his Native American people for many years. In this collection of haunting new work, he confronts moments and instances of his personal past—and finds redemption in the wellspring of his culture.
 
A writer known for deeply personal poetry, Ortiz has produced perhaps his most personal work to date. In a collage of journal entries, free-verse poems, and renderings of poems in the Acoma language, he draws on life experiences over the past ten years—recalling time spent in academic conferences and writers' colonies, jails and detox centers—to convey something of the personal and cultural history of dislocation. As an American Indian artist living at times on the margins of mainstream culture, Ortiz has much to tell about the trials of alcoholism, poverty, displacement. But in the telling he affirms the strength of Native culture even under the most adverse conditions and confirms the sustaining power of Native beliefs and connections: "With our hands, we know the sacred earth. / With our spirits, we know the sacred sky."
 
Like many of his fellow Native Americans, Ortiz has been "out there somewhere"—Portland and San Francisco, Freiburg, Germany, and Martinique—away from his original homeland, culture, and community. Yet, as these works show, he continues to be absolutely connected socially and culturally to Native identity: "We insist that we as human cultural beings must always have this connection," he writes, "because it is the way we maintain a Native sense of existence." Drawing on this storehouse of places, times, and events, Out There Somewhere is a rich fusion taking readers into the heart and soul of one of today's most exciting and original American poets.

The Mexican Revolution was a tumultuous struggle for social and political reform that ousted an autocrat and paved the way for a new national constitution. The conflict, however, came late to Yucatán, where a network of elite families with largely European roots held the reins of government. This privileged group reaped spectacular wealth from haciendas, cash-crop plantations tended by debt-ridden servants of Maya descent. When a revolutionary army from central Mexico finally gained a foothold in Yucatán in 1915, the local custom of agrarian servitude met its demise.

Drawing on a dozen years of archaeological and historical investigation, Allan Meyers breaks new ground in the study of Yucatán haciendas. He explores a plantation village called San Juan Bautista Tabi, which once stood at the heart of a vast sugar estate. Occupied for only a few generations, the village was abandoned during the revolutionary upheaval. Its ruins now lie within a state-owned ecological reserve.

Through oral histories, archival records, and physical remains, Meyers examines various facets of the plantation landscape. He presents original data and fresh interpretations on settlement organization, social stratification, and spatial relationships. His systematic approach to "things underfoot," small everyday objects that are now buried in the tropical forest, offers views of the hacienda experience that are often missing in official written sources. In this way, he raises the voices of rural, mostly illiterate Maya speakers who toiled as laborers. What emerges is a portrait of hacienda social life that transcends depictions gleaned from historical methods alone.

Students, researchers, and travelers to Mexico will all find something of interest in Meyers's lively presentation. Readers will see the old haciendas—once forsaken but now experiencing a rebirth as tourist destinations—in a new light. These heritage sites not only testify to social conditions that prevailed before the Mexican Revolution, but also remind us that the human geography of modern Yucatán is as much a product of plantation times as it is of more ancient periods.

 

Taking a cue from influential French philosopher Jacques Rancière, who in The Emancipated Spectator rejects the idea of the passive, ignorant, duped spectators in need of instruction to become active, Stuart A. Day’s goal in Outside Theater is to highlight written words and performances that exemplify effective strategies, past and present, to reveal and promote civic engagement, to provoke disruptions, or to highlight fissures—and opportunities—in oppressive social structures.

Through the study of one or two primary models per chapter, as well as multiple examples in the introduction and conclusion, Day presents Mexican plays from 1905 to 2015, including the 2010 Mexico City performance of Zoot Suit by Chicano playwright Luis Valdez. Using these plays, Day explores the concept of “outside theater,” where people or groups translate the tools of the theatrical trade to a different stage, outside the walls of the theater, and play the part of fictional or real life Celestinas—matchmakers who unite seemingly disparate entities to promote social awareness and social action by working the borders between life and art.

Each work in this innovative analysis reveals productive social connections that, with the help of crucial artistic alliances, contradict the perception that art is somehow secondary to or disconnected from the public sphere of influence and the struggles of everyday life. With this book, Day shows that Mexican theater can and does bolster civil society and thus the country’s fragile democracy.