When droughts hit northeastern Brazil, thousands of rural workers are forced to abandon their homes for the cities in search of work. The double impact of drought and corruption—with politicians taking advantage of drought to buy votes and pilfer government accounts—contributes to an endless cycle of human suffering.
 
In order to understand the impact of drought and the phenomenon of drought politics, Nicholas Gabriel Arons goes beyond traditional social-science scholarship to sources such as novels, poetry, popular art, and oral history. For many people in the region, these artistic renditions of life are, ironically, a better reflection of reality than political rhetoric, government archives, and newspaper accounts—even though they are infused with myth or hyperbole.
 
Drawing on interviews with artists and poets and on his own experiences in the Brazilian Northeast, Arons has written a poignant account of how drought has impacted the region’s culture. He intertwines ecological, social, and political issues with the words of some of Brazil’s most prominent authors and folk poets to show how themes surrounding drought—hunger, migration, endurance, nostalgia for the land—have become deeply embedded in Nordeste identity. Through this tapestry of sources, Arons shows that what is often thought of as a natural phenomenon is actually the result of centuries of social inequality, political corruption, and unsustainable land use.
 
Waiting for Rain dramatically depicts a region still suffering from austere social and political realities, where drought—even during rainy seasons—is ubiquitous in the hearts and minds of its residents. A book of hope and resistance, myth and reality, and suffering and salvation, it is also a personal narrative of self-discovery, tracing a young man’s struggle to understand how human tragedy on a grand scale can exist alongside natural beauty.

In this first-ever anthology of Indigenous science fiction Grace Dillon collects some of the finest examples of the craft with contributions by Native American, First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.

Organized by sub-genre, the book starts with Native slipstream, stories infused with time travel, alternate realities and alternative history like Vizenor's "Custer on the Slipstream." Next up are stories about contact with other beings featuring, among others, an excerpt from Gerry William's The Black Ship. Dillon includes stories that highlight Indigenous science like a piece from Archie Weller's Land of the Golden Clouds, asserting that one of the roles of Native science fiction is to disentangle that science from notions of "primitive" knowledge and myth. The fourth section calls out stories of apocalypse like William Sanders' "When This World Is All on Fire" and a piece from Zainab Amadahy's The Moons of Palmares. The anthology closes with examples of biskaabiiyang, or "returning to ourselves," bringing together stories like Eden Robinson's "Terminal Avenue" and a piece from Robert Sullivan's Star Waka.

An essential book for readers and students of both Native literature and science fiction, Walking the Clouds is an invaluable collection. It brings together not only great examples of Native science fiction from an internationally-known cast of authors, but Dillon's insightful scholarship sheds new light on the traditions of imagining an Indigenous future.

 

In the Dene worldview, relationships form the foundation of a distinct way of knowing. For the Tlicho Dene, indigenous peoples of Canada's Northwest Territories, as stories from the past unfold as experiences in the present, so unfolds a philosophy for the future. Walking the Land, Feeding the Fire vividly shows how—through stories and relationships with all beings—Tlicho knowledge is produced and rooted in the land.

Tlicho-speaking people are part of the more widespread Athapaskan-speaking community, which spans the western sub-arctic and includes pockets in British Columbia, Alberta, California, and Arizona. Anthropologist Allice Legat undertook this work at the request of Tlicho Dene community elders, who wanted to provide younger Tlicho with narratives that originated in the past but provide a way of thinking through current critical land-use issues. Legat illustrates that, for the Tlicho Dene, being knowledgeable and being of the land are one and the same.

Walking the Land, Feeding the Fire marks the beginning of a new era of understanding, drawing both connections to and unique aspects of ways of knowing among other Dene peoples, such as the Western Apache. As Keith Basso did with his studies among the Western Apache in earlier decades, Legat sets a new standard for research by presenting Dene perceptions of the environment and the personal truths of the storytellers without forcing them into scientific or public-policy frameworks. Legat approaches her work as a community partner—providing a powerful methodology that will impact the way research is conducted for decades to come—and provides unique insights and understandings available only through traditional knowledge.

Fleeing a failed marriage and haunted by ghosts of his past, Luis Alberto Urrea jumped into his car and headed west. Driving cross-country with a cat named Rest Stop, Urrea wandered the West from one year’s spring through the next.

Hiking into aspen forests where leaves “shiver and tinkle like bells” and poking alongside creeks in the Rockies, he sought solace and wisdom. In the forested mountains he learned not only the names of trees—he learned how to live. As nature opened Urrea’s eyes, writing opened his heart. In journal entries that sparkle with discovery, Urrea ruminates on music, poetry, and the landscape. With wonder and spontaneity, he relates tales of marmots, geese, bears, and fellow travelers. He makes readers feel mountain air “so crisp you feel you could crunch it in your mouth” and reminds us all to experience the magic and healing of small gestures, ordinary people, and common creatures.

Urrea has been heralded as one of the most talented writers of his generation. In poems, novels, and nonfiction, he has explored issues of family, race, language, and poverty with candor, compassion, and often astonishing power. Wandering Time offers his most intimate work to date, a luminous account of his own search for healing and redemption.

The Indian powwow, with its colorful war dance, is among the most vital aspects of American Indian culture. William Powers has witnessed both the traditions and trends in Plains Indian music and dance over the past thirty years, and here encapsulates his long career in what may be the first book that deals with Plains Indian musical culture as a unit. After providing background material on the study of American Indian music, Powers gives a full description of the popular war dance, discusses the powwow as the context in which the war dance appears, and describes associated dances. While observing that a fascination with "pan-Indianism" temporarily misdirected the study of Plains Indian music and dance by focusing too sharply on what many believed was a nationalization of American Indians, Powers notes that individual tribes continue to be concerned with maintaining their ethnic identities through their styles of music and dance. In the balance of the book, Powers offers essays describing Plains songs available on disc and tape, including notes on the history and culture of tribes and some translations of Lakota songs. A concluding essay offers some observations of why Plains Indian music and dance have received the interest they have and why they will continue to symbolize a burgeoning contemporary American Indian culture--not only on the Plains, but in every corner of the world where American Indians are respected, admired, and imitated.

More than forty years have passed since President Richard Nixon described illegal drugs as “public enemy number one” and declared a “War on Drugs.” Recently the United Nations Global Commission on Drug Policy declared that “the global war on drugs has failed with devastating consequences for individuals and societies around the world.” Arguably, no other country has suffered as much from the War on Drugs as Mexico. From 2006 to 2012 alone, at least sixty thousand people have died. Some experts have said that the actual number is more than one hundred thousand. Because the war was conceived and structured by US policymakers and officials, many commentators believe that the United States is deeply implicated in the bloodshed.

A War that Can’t Be Won is the first book to include contributions from scholars on both sides of the US–Mexico border. It provides a unique breadth of perspective on the many dimensions of the societal crisis that affects residents of both nations—particularly those who live and work in the borderlands. It also proposes practical steps toward solving a crisis that shows no signs of abating under current policies. Each chapter is based on well-documented data, including previously unavailable evidence that was obtained through freedom-of-information inquiries in Mexico. By bringing together views from both sides of the border, as well as from various academic disciplines, this volume offers a much wider view of a complex problem—and possible solutions.

Warfare is a constant in human history. According to the contributors to this volume, archaeologists have assumed that—within certain socioenvironmental parameters—war is always essentially the same phenomenon and follows a common logic, breaking out under similar conditions and having analogous effects on the people involved. In pursuit of this idea, archaeologists have built models to account for the occurrence of war in various times and places. The models are then tested against prehistoric evidence to make the causes and conduct of war predictable and data-based.

However, contributors argue, this model-and-evidence approach has given rise to multiple competing hypotheses and ambiguity rather than to full, coherent explanations of what turns out to be surprisingly complex acts of war. The chapters in Warfare in Cultural Context contend that agency and culture, inherited values and dispositions (such as religion and other cultural practices), beliefs, and institutions are always woven into the conduct of war.

This revealing book focuses on the ways that specific people construed their interests and life projects, and their problems and possibilities, and consequently chose among alternative courses of action. Using archaeological and ethnohistorical data from various parts of the world, the contributors explore the multiple avenues for the cultural study of warfare that these ideas make possible. Contributions focus on cultural aspects of warfare in Mesoamerica, South America, North America, and Southeast Asia. Case studies include warfare among the Maya, Inca, southwestern Pueblos, Mississippian cultures, and the Enga of Papua New Guinea.

When Spanish conquistadores marched north from Mexico's interior, they encountered one harsh reality that eclipsed all others: the importance of water in an arid land. Covering a time when legal precedents were being set for many water rights laws, this study contributes much to an understanding of the modern Southwest, especially disputes involving Indian water rights. The paperback edition includes a new afterword by the author which discusses the results of recent research.

Though not as well known as the U.S. military campaigns against the Apache, the ethnic warfare conducted against indigenous people of the Colorado River basin was equally devastating. In less than twenty-five years after first encountering Anglos, the Hualapais had lost more than half their population and nearly all their land and found themselves consigned to a reservation.

This book focuses on the historical construction of the Hualapai Nation in the face of modern American colonialism. Drawing on archival research, interviews, and participant observation, Jeffrey Shepherd describes how thirteen bands of extended families known as The Pai confronted American colonialism and in the process recast themselves as a modern Indigenous nation.

Shepherd shows that Hualapai nation-building was a complex process shaped by band identities, competing visions of the past, creative reactions to modernity, and resistance to state power. He analyzes how the Hualapais transformed an externally imposed tribal identity through nationalist discourses of protecting aboriginal territory; and he examines how that discourse strengthened the Hualapais’ claim to land and water while simultaneously reifying a politicized version of their own history. Along the way, he sheds new light on familiar topics—Indian–white conflict, the creation of tribal government, wage labor, federal policy, and Native activism—by applying theories of race, space, historical memory, and decolonization.

Drawing on recent work in American Indian history and Native American studies, Shepherd shows how the Hualapai have strived to reclaim a distinct identity and culture in the face of ongoing colonialism. We Are an Indian Nation is grounded in Hualapai voices and agendas while simultaneously situating their history in the larger tapestry of Native peoples’ confrontations with colonialism and modernity.

For many communities around the world, the revitalization or at least the preservation of an indigenous language is a pressing concern. Understanding the issue involves far more than compiling simple usage statistics or documenting the grammar of a tongue—it requires examining the social practices and philosophies that affect indigenous language survival.

In presenting the case of Kaska, an endangered language in an Athabascan community in the Yukon, Barbra A. Meek asserts that language revitalization requires more than just linguistic rehabilitation; it demands a social transformation. The process must mend rips and tears in the social fabric of the language community that result from an enduring colonial history focused on termination. These “disjunctures” include government policies conflicting with community goals, widely varying teaching methods and generational viewpoints, and even clashing ideologies within the language community.

This book provides a detailed investigation of language revitalization based on more than two years of active participation in local language renewal efforts. Each chapter focuses on a different dimension, such as spelling and expertise, conversation and social status, family practices, and bureaucratic involvement in local language choices. Each situation illustrates the balance between the desire for linguistic continuity and the reality of disruption.

We Are Our Language reveals the subtle ways in which different conceptions and practices—historical, material, and interactional—can variably affect the state of an indigenous language, and it offers a critical step toward redefining success and achieving revitalization.

Chavistas are the local leaders and activists in Venezuela’s Bolivarian Revolution, working to establish democracy through government-sponsored social missions, community self-governance, and popular collectives. We Are the State! tells the story of their grassroots activism. In perspectives gleaned from participant observation with barrio residents in workplaces, communal kitchens, city-wide forums, and grassroots meetings and assemblies, as well as family and recreational events, anthropologist Cristobal Valencia vividly recounts tensions between activists, local officials, and the wealthy opposition.

The author offers an anthropological analysis of the state, social movements, and democracy as lived experiences of the poor, gendered, and racialized residents of two parishes in Caracas, Venezuela, and Afro-Venezuelan communities nearby. Ethnographic research reveals the shift in relationships of power and the evolving political practices among the Chavistas, the Chávez government, and the opposition. Examining the subjective experiences of barrio residents in everyday processes of state formation, this book provides a new perspective on the Chavistas, arguing that they are a broad-based social movement and driving force behind a revolution struggling to transfer state power to organized civil society.

Through his intense engagement with the constantly changing social, political, and economic dynamics, Valencia dramatically challenges top-down understandings of the state and power in Venezuela. He shows the unequal relationships between sectors of civil society, and he shows state formation as a process enmeshed in the struggles for social justice, demonstrating that the state is a sociopolitical entity that acts through civil society, rather than above it.

Nearing graduation from  Phoenix Indian School, Peterson Zah decided he wanted to attend college. He was refused the reference letters needed for college admission by teachers who told him he would fail and thus embarrass them. Several years later, these instructors would receive invitations from Zah to a party celebrating his graduation from Arizona State University.

And so began a career that took Zah to the presidency of the Navajo Nation. His life and accomplishments have exemplified the ongoing efforts by American Indian communities to gain greater control over their lives and lands. He has made important contributions in many areas, but education has always been one of his main priorities. Perhaps  no one in the Southwest has done more than Peterson Zah to increase the recruitment, retention, and graduation of American Indian students from colleges and universities.

Zah's presentations to Peter Iverson's classes at Arizona State University,  employed  examples drawn from his own experiences. Students praised his thoughtful, honest and direct observations.  He reinforced a central theme in Iverson's classesthat Indian history encompasses triumph as well as tragedy and victory as well as victimization.

This book grew out of  Iverson's determination to share Zah's insights  with a wider audience. The two met every few months to consider many subjects related to Zah's life.  These sessions formed the foundation for this volume.

Part autobiography, part interview, and part conversation, Zah and Iverson's account touches on a wide range of overlapping topics, but two central themes prevail: education and empowerment. We Will Secure Our Future is a fascinating look into the life of a man who  became a respected visionary and passionate advocate for his people. 
 

From floods and droughts to tsunamis and hurricanes, recent years have seen a distressing and often devastating increase in extreme climatic events. While it is possible to study these disasters from a purely scientific perspective, a growing preponderance of evidence suggests that changes in the environment are related to both a shift in global economic relations and these weather-related disasters.
 
In Weathering Risk in Rural Mexico, Hallie Eakin draws on ethnographic data collected in three agricultural communities in rural Mexico to show how economic and climatic change not only are linked in cause and effect at the planetary scale but also interact in unpredictable and complex ways in the context of regional political and trade relationships, national economic and social programs, and the decision-making of institutions, enterprises, and individuals. She shows how the parallel processes of globalization and climatic change result in populations that are “doubly exposed” and thus particularly vulnerable.
 
Chapters trace the effects of El Niño in central Mexico in the late 1990s alongside some of the principal changes in the country’s agricultural policy. Eakin argues that in order to develop policies that effectively address rural poverty and agricultural development, we need an improved understanding of how households cope simultaneously with various sources of uncertainty and adjust their livelihoods to accommodate evolving environmental, political, and economic realities.

Evocative, haunting, and ultimately hopeful, Karenne Wood’s Weaving the Boundary explores personal and collective memories and contemporary American Indian realities through lenses of human loss, desire, violence, and love.

This focused, accessible collection carries readers into a deep and intimate understanding of the natural world, the power of language, and the interconnectedness of life. Untold stories are revealed through documented events in various tribal histories, and indictments of destructive encounters between Western colonialism and Native peoples are juxtaposed with a lyric voice that gently insists on reweaving the past, honoring women and all life, creating a sovereign space for indigenous experience. Wood writes, “Nothing was discovered. Everything was already loved.”

Political yet universal, Weaving the Boundary tells of love and betrayal, loss and forgiveness. Wood intertwines important and otherwise untold stories and histories with a heightened sense of awareness of Native peoples’ issues and present realities.

Moving from elegy to evocations of hope and desire, the poems call for respect toward Mother Earth and feminine sensibility. One hears in this collection a longing to be carried deeper into the world, to return to tradition, to nature, to truth, to an innate belonging in the “weaving” of all life.

Seven essays, collected here for the first time, define some of the central concerns of linguistic anthropology through the close study of Western Apache, a language of astonishing complexity. All of the essays have been revised for this anthology. Basso, a major authority in the field of linguistic anthropology, has drawn on fieldwork at the village of Cibecue, whose residents speak a dialect of Western Apache that is spoken nowhere else. He shows how intricacies of language—place names, metaphor, uses of silence—help a people define their very existence, so that, in the words of one Apache woman, "If we lose our language, we will lose our breath; then we will die and blow away like leaves." His essays amply demonstrate that, while Apache language and culture are changing in response to modernization, they remain intricate, vital and unique. These essays illustrate not only the complexity of a particular cultural world as it has emerged to one observer over a protracted period of intensive fieldwork, but also the natural movement from the study of grammatical categories to that of language use and on to the study of the conceptual system underlying it. Each essay addresses a significant theoretical problem; taken together they constitute a microcosm of the anthropological understanding of language.

CONTENTS
The Western Apache Classificatory Verb System: A Semantic Analysis
Semantic Aspects of Linguistic Acculturation
A Western Apache Writing System: The Symbols of Silas John
"Wise Words" of the Western Apache: Metaphor and Semantic Theory
"To Give Up on Words": Silence in Western Apache Culture
"Stalking With Stories": Names, Places, and Moral Narratives among the Western Apache
"Speaking with Names": Language and Landscapes among the Western Apache

This is a remarkable series of personal narrations from Western Apaches before and just after the various agencies and sub-agencies were established. It also includes extensive commentary on weapons and traditions, with Apache words and phrases translated and complete annotation.

An ethnographic contribution describing the beliefs and ideas associated with witchcraft as shared "knowledge" that the Apaches have about their universe. Uncovers the types of interpersonal relationships with which witchcraft accusations are regularly associated and posits explanations for these associations.

In these engaging and often gripping short stories, Fred Arroyo takes us into the lives of working-class Hispanic migrants and immigrants, who are often invisible while they work in plain sight across America. As characters intertwine and evolve across stories, Arroyo creates a larger narrative that dramatizes the choices we make to create identity, make meaning, and deal with hardships and loss. His stories are linked by a concern with borders, both real and imagined, and the power that memory and imagination have to shape and structure our lives.

Through his characters and their true-to-life situations, Arroyo makes visible both internal and external conflicts that are deeply rooted in—and affected by—place. A bodega, a university town, a factory, a Chicago street, some dusty potato fields: here is where we encounter ordinary people who work, dream, love, and persist in the face of violence, bereavement, disappointment, and loss—particularly the loss of mothers, fathers, and loved ones.

Arroyo's characters experience a strange wonder as the midwestern United States increasingly appears to be a place created by the Latinas and Latinos who remain out of the sight and minds of Anglos. In lyrical language weighted by detail, exquisite imagery, and evocative story, Arroyo imagines characters who confront the tattered connections between memory and longing, generations and geographies, place and displacement, as they begin to feel their own longings, "breathing in whatever was offered, feeling, deep in the small and fragile borders of my heart," as one character puts it, "that it came with a sorrow I could never betray."
 

Identifying distinct social groups of the past has always challenged archaeologists because understanding how people perceived their identity is critical to the reconstruction of social organization. Material culture has been the standard measure of distinction between groups, and the distribution of ceramics and other artifacts has often been used to define group boundaries. Western Pueblo Identities argues that such an approach is not always appropriate: demographic and historical factors may affect the extent to which material evidence can define such boundaries. Andrew Duff now examines a number of other factors—relationships among settlement size, regional population densities, the homogeneity of material culture, and local and long-distance exchange—in order to trace the history of interaction and the formation of group identity in east-central Arizona and west-central New Mexico from A.D. 1275 to 1400.

Using comparative data from the Upper Little Colorado and Zuni regions, Duff demonstrates differences in patterns of interaction within and between regions with different population densities. He then links these differences to such factors as occupational history, immigrant populations, the negotiation of social identities, and the emergence of new ritual systems. Following abandonments in the Four Corners area in the late 1200s, immigrants with different historical backgrounds occupied many Western Pueblo regions—in contrast to the Hopi and Zuni regions, which had more stable populations and deeper historical roots.

Duff uses chemical analyses of ceramics to document exchange among several communities within these regions, showing that people in less densely settled regions were actively recruited by residents of the Hopi and Zuni regions to join their settlements. By the time of the arrival of the Spaniards, two distinct social and territorial groups—the Hopi and Zuni peoples—had emerged from this scattering of communities. Duff's new interpretations, along with new data on ceramic exchange patterns, suggest that interaction is a better way to measure identity than more commonly used criteria. His work offers new perspectives on the role of ritual in social organization and on identity formation in Pueblo IV society and is rich in implications for the study of other sedentary, middle-range societies.

Ferrell Secakuku remembers the ancient farming rites of his Hopi people but saw them replaced by a cash economy. Sheep rancher Joe Manterola recalls watching hard scrabble farms on what is now tree-studded grassland on Garland Prairie. Navajo Rose Gishie once saw freshly dug holes fill with clean, drinkable water where none rises today. All over northern Arizona, people have seen the landscapes change, and livelihoods with them. In this remarkable book they share their stories.

Thirteen narratives—from ranchers, foresters, scientists, Native American farmers, and others—tell how northern Arizona landscapes and livelihoods reflect rapid social and environmental change. The twentieth century saw huge changes as Arizona’s human population swelled and vacation-home developments arose in the backcountry. Riparian areas dried up, cattle ranching declined, and some wildlife species vanished while others thrived. The people whose words are preserved here have watched it all happen.

The book is a product of Northern Arizona University’s Ecological Oral Histories project, which has been collecting remembrances of long-time area residents who have observed changes to the land from the 1930s to the present day. It carves a wide swath, from the Arizona Strip to the Mogollon Rim, from valleys near Prescott to the New Mexico line. It takes readers to the Bar Heart Ranch north of Williams and to the Doy Reidhead Ranch southeast of Holbrook, to the forests of Flagstaff and the mesas of Indian country.

Enhanced with more than fifty illustrations, this book brings environmental change down to earth by allowing us to see it through the eyes of those whose lives it has directly touched. What Has Passed and What Remains is a window on the past that carries important lessons for the future.

A physical anthropologist exposes the inner workings of archaeology and anthropology, illustrating what can be learned from fossils and fragments of ancient cultures and civilizations. Schwartz ranges from digs in the Negev Desert through Africa and Europe to the local coroner's office to explain how interpretations of the past are made.

Archaeologist Watson Smith participated in such important excavations as the Lowry Ruin, the Rainbow Bridge-Monument Valley Expedition, and Awatovi. This volume gathers ten of his essays on archaeological topics--especially on Anasazi and Hopi prehistory.

Contents:
The Vitality of the Hopi Way: Mural Decorations from Ancient Hopi Kivas
Pit House and Kiva Pitfalls: When Is a Kiva?
D-Shaped Features: The Kiva at Site 4
The Kiva Beneath the Altar: Room 788
"Ethnology Itself Carried Back": Extent of Ethnographic Studies Among the Pueblos
Birds of a Feather: Feathers
Pots on the Kiva Wall: Ceremonial Bowls
The Potsherd Paradigm: Analysis of Hooks, Scrolls, and Keys
A School for Cracked Pots: Schools, Pots, and Potters; The Jeddito School

When it was first released in 1982, When It Rains was one of the earliest published literary works in the O’odham language. Speakers from across generations shared poems that showcased the aesthetic of the written word and aimed to spread interest in reading and writing in O’odham.

The poems capture brief moments of beauty, the loving bond between family members, and a deep appreciation of Tohono O’odham culture and traditions, as well as reverent feelings about the landscape and wildlife native to the Southwest. A motif of rain and water is woven throughout the poetry in When It Rains, tying in the collection’s title to the importance of this life-giving and sustaining resource to the Tohono O’odham people. With the poems in both O’odham and English, the volume serves as an important reminder of the beauty and changeability of the O’odham language.

The themes and experiences expressed by the language educators in this volume capture still-rural community life: children are still bussed for miles to school, and parents still have hours-long daily commutes to work. The Sonoran Desert also remains an important part of daily life—seasons, rain on desert plants, and sacred mountains serve as important markers.

In a new foreword to the volume, Sun Tracks editor Ofelia Zepeda reflects on how meaningful this volume was when it was first published and its continued importance. “Things have changed but many things remain the same,” writes Zepeda. “The pieces in this collection will be meaningful to many still.”

"I write what I eat and smell," says Diana García, and her words are a bountiful harvest. Her poems color the page with the vibrancy and sweetness of figs, the freshness of tortillas, and the sensuality of language.

In this, García's first collection of poems, she takes a bittersweet look back at the migrant labor camps of California and offers a tribute to the people who toiled there. Writing from the heart of California's San Joaquin Valley, she catapults the reader into the lives of the campesinos with their daily joys and sorrows.

Bold, political, and familial, García's poems gift the reader with a sense of earth, struggle, and pride—each line filled with the sounds of agrarian music, from mariachi melodies to repatriation revolts. Embodied with such spirit, her poems rise with the convictions of power and equality

Life in the desert is a waiting game: waiting for rain. And in a year of drought, the stakes are especially high.

John Alcock knows the Sonoran Desert better than just about anyone else, and in this book he tracks the changes he observes in plant and animal life over the course of a drought year. Combining scientific knowledge with years of exploring the desert, he describes the variety of ways in which the wait for rain takes place—and what happens when it finally comes.

The desert is a land of five seasons, featuring two summers—hot, dry months followed by monsoon—and Alcock looks at the changes that take place in an entire desert community over the course of all five. He describes what he finds on hikes in the Usery Mountains near Phoenix, where he has studied desert life over three decades and where frequent visits have enabled him to notice effects of seasonal variation that might escape a casual glance.

Blending a personal perspective with field observation, Alcock shows how desert ecology depends entirely on rainfall. He touches on a wide range of topics concerning the desert’s natural history, noting the response of saguaro flowers to heat and the habits of predators, whether soaring red-tailed hawk or tiny horned lizard. He also describes unusual aspects of insects that few desert hikers will have noticed, such as the disruptive color pattern of certain grasshoppers that is more effective than most camouflage.

When the Rains Come is brimming with new insights into the desert, from the mating behaviors of insects to urban sprawl, and features photographs that document changes in the landscape as drought years come and go. It brings us the desert in the harshest of times—and shows that it is still teeming with life.

Most readers and critics view Mexican American writing as a subset of American literature—or at best as a stream running parallel to the main literary current. José Aranda now reexamines American literary history from the perspective of Chicano/a studies to show that Mexican Americans have had a key role in the literary output of the United States for one hundred fifty years.

In this bold new look at the American canon, Aranda weaves the threads of Mexican American literature into the broader tapestry of Anglo American writing, especially its Puritan origins, by pointing out common ties that bind the two traditions: narratives of persecution, of immigration, and of communal crises, alongside chronicles of the promise of America. Examining texts ranging from María Amparo Ruiz de Burton's 1872 critique of the Civil War, Who Would Have Thought It?, through the contemporary autobiographies of Richard Rodriguez and Cherríe Moraga, he surveys Mexican American history, politics, and literature, locating his analyses within the context of Chicano/a cultural criticism of the last four decades.

When We Arrive integrates Early American Studies and Chicano/a Studies into a comparative cultural framework by using the Puritan connection to shed new light on dominant images of Chicano/a narrative, such as Aztlán and the borderlands. Aranda explores the influence of a nationalized Puritan ethos on nineteenth- and twentieth-century writers of Mexican descent, particularly upon constructions of ethnic identity and aesthetic values. He then frames the rise of contemporary Chicano/a literature within a critical body of work produced from the 1930s through the 1950s, one that combines a Puritan myth of origins with a literary history in which American literature is heralded as the product and producer of social and political dissent.

Aranda's work is a virtual sourcebook of historical figures, texts, and ideas that revitalizes both Chicano/a studies and American literary history. By showing how a comparative study of two genres can produce a more integrated literary history for the United States, When We Arrive enables critics and readers alike to see Mexican American literature as part of a broader tradition and establishes for its writers a more deserving place in the American literary imagination.

Interactions between societies are among the most powerful forces in human history. However, because they are difficult to reconstruct from archaeological data, they have often been overlooked and understudied by archaeologists. This is particularly true for hunter-gatherer societies, which are frequently seen as adapting to local conditions rather than developing in the context of large-scale networks. When Worlds Collide presents a new model for discerning interaction networks based on the archaeological record, and then applies the model to long-term change in an Arctic society.

Max Friesen has adapted and expanded world-system theory in order to develop a model that explains how hunter-gatherer interaction networks, or world-systems, are structured—and why they change. He has utilized this model to better understand the development of Inuvialuit society in the western Canadian Arctic over a 500-year span, from the pre-contact period to the early twentieth century.

As Friesen combines local archaeological data with more extensive ethnographic and archaeological evidence from the surrounding region, a picture emerges of a dynamic Inuvialuit world-system characterized by bounded territories, trade, warfare, and other forms of interaction. This world-system gradually intensified as the impacts of Euroamerican colonial activities increased. This intensification, Friesen suggests, was based on pre-existing Inuvialuit social and economic structures rather than on patterns imposed from outside. Ultimately, this intense interacting network collapsed near the end of the nineteenth century. When Worlds Collide offers a new way to comprehend small-scale world-systems from the point of view of indigenous people. Its approach will prove valuable for understanding hunter-gatherer societies around the globe.

Ofelia Zepeda is a Native American poet who possesses a kind of double vision. She sees the contemporary world through her own highly observant eyes and, at the same time, through the eyes of her Tohono O’odham ancestors. Seeing this way infuses her poetry with a resonance and depth that makes it a delight to read—and re-read.

Zepeda is as clear-eyed about the past as she is about the present. She recalls waiting for the school bus on a cold morning inside her father’s truck, listening to the sounds of the engine, the windshield wipers, and the “soft rain on the hood.” She remembers celebrating Mass on the “cold dirt floor of the Winter Solstice.” In the present, she sees both the frustration and the humor in a woman she observes trying to eat pancakes with one hand while her other resides in a cast: “Watching her, I realize eating pancakes is a two-handed job.”

Whatever she sees, she filters through her second set of eyes, which keep the past always present. She tells of traveling to Waw Giwulig, the most sacred mountain of the Tohono O’odham, to ask for blessings—and forgiveness. She writes that one should always bring music to the mountains, “so they are generous with the summer rains.” And, still, “the scent of burning wood / holds the strongest memory. / Mesquite, cedar, piñon, juniper, . . . / we catch the scent of burning wood; / we are brought home.” It is a joy to see the world afresh through her eyes.

Thomas Sheridan's study of the municipio of Cucurpe, Sonora, offers new insight into the ability of peasants to respond to ecological and political change. In order to survive as small rancher-farmers, the Cucurpeños battle aridity and one another in a society characterized by sharp economic inequality and long-standing conflict over the distribution of land and water.

Sheridan has written an ethnography of resource control, one that weds the approaches of political economy and cultural ecology in order to focus upon both the external linkages and internal adaptations that shape three peasant corporate communities. He examines the ecological and economic constraints which scarce and necessary resources place upon households in Cucurpe, and then investigates why many such households have formed corporate communities to insure their access to resources beyond their control. Finally, he identifies the class differences that exist within the corporate communities as well as between members of those organizations and the private ranchers who surround them.

Where the Dove Calls (the meaning of "Cucurpe" in the language of the Opata Indians), an important contribution to peasant studies, reveals the household as the basic unit of Cucurpe society. By viewing Cucurpe's corporate communities as organizations of fiercely independent domestic units rather than as expressions of communal solidarity, Sheridan shows that peasants are among the exploiters as well as the exploited. Cucurpe¤os struggle to maintain the autonomy of their households even as they join together to protect corporate grazing lands and irrigation water. Any attempt to weaken or destroy that independence is met with opposition that ranges from passive resistance to violence.

“Strange Roads is a small gem of travel literature in the tradition of works by John Van Dyke, Carl Lumholtz, Charles Lummus, Mary Austin, Edward Hoagland, and Bruce Chatwin. But for all its absorbing detail about topography, flora, and fauna, its keen observations of character, and its vivid re-creation of the sense of place, it is much more than a travel memoir. For on every page one senses the strength, character, and distinctive perspective of Mary del Villar herself. An uncommon woman by any standards, she seems all the more remarkable when one recalls the profoundly reactionary gender ideologies that prevailed in the postwar era in which she lived and wrote. Like other great female wanderers, she transcended the confining notions of woman her society would have imposed on her, living her life according to the dictates of her own intrepid spirit.” –From the foreword by Susan Hardy Aiken

Where the Wind Blows Us unites critical practice with a community-based approach to archaeology. Author Natasha Lyons describes an inclusive archaeology that rests on a flexible but rigorous approach to research design and demonstrates a responsible, ethical practice. She traces the rise and application of community archaeologies, develops a wide-ranging set of methods for community practice, and maps out a “localized critical theory” that is suited to the needs of local and descendant communities as they pursue self-defined heritage goals. Localized critical theory aims to decenter the focus on global processes of capitalism in favor of the local processes of community dynamics. Where the Wind Blows Us emphasizes the role of individuals and the relationships they share with communities of the past and present.
 
Lyons offers an extended case study of her work with the Inuvialuit community of the Canadian Western Arctic. She documents the development of this longstanding research relationship and presents both the theoretical and practical products of the work to date. Integrating knowledge drawn from archaeology, ethnography, oral history, and community interviews, Lyons utilizes a multivocal approach that actively listens to Inuvialuit speak about their rich and textured history.
 
The overall significance of this volume lies in outlining a method of practicing archaeology that embraces local ways of knowing with a critically constructed and evolving methodology that is responsive to community needs. It will serve as a handbook to mine for elements of critical practice, a model of community-based archaeology, and a useful set of concepts and examples for classroom study.

In recent years, efforts to recognize and accommodate cultural diversity have gained some traction in the politics of US health care. But to date, anthropological perspectives have figured unevenly in efforts to define and address mental health problems. Particularly challenging are examinations of Native peoples’ experiences with alcohol.

Erica Prussing provides the first in-depth assessment of the politics of Native sobriety by focusing on the Northern Cheyenne community in southeastern Montana, where for many decades the federally funded health care system has relied on the Twelve Step program of Alcoholics Anonymous. White Man’s Water provides a thoughtful and careful analysis of Cheyenne views of sobriety and the politics that surround the selective appeal of Twelve Step approaches despite wide-ranging local critiques. Narratives from participants in these programs debunk long-standing stereotypes about ”Indian drinking” and offer insight into the diversity of experiences with alcohol that actually occur among Native North Americans.

This critical ethnography employs vivid accounts of the Northern Cheyenne people to depict how problems with alcohol are culturally constructed, showing how differences in age, gender, and other social features can affect involvement with both drinking and sobriety. These testimonies reveal the key role that gender plays in how Twelve Step program participants engage in a selective and creative process of appropriation at Northern Cheyenne, adapting the program to accommodate local cultural priorities and spiritual resources. The testimonies also illuminate community reactions to these adaptations, inspiring deeper inquiry into how federally funded health services are provided on the reservation.

This book will appeal to readers with an interest in Native studies, ethnography, women’s studies, and medical anthropology. With its critical consideration of how cultural context shapes drinking and sobriety, White Man’s Water offers a multivocal perspective on alcohol’s impact on health and the cultural complexities of sobriety.

A study of the styles of decoration found on the early southwestern pottery known as White Mountain Redware. The White Mountain Redware tradition, an arbitrary division of the Cibola painted pottery tradition, is composed of those vessels which have a red slip and painted decoration in either black or black and white, which when grouped into pottery types have a geographic locus within or immediately adjacent to the Cibola area, and which share a number of other attributes indicative of close historical relationships.

Maya sacbeob, or raised “white roads,” are often considered a single class of features, with a sole purpose. In this first systematic examination of their functions, meanings, arrangements, and construction styles, Justine Shaw reveals that these causeways served a variety of cultural and natural functions. In White Roads of the Yucatán, author Justine Shaw presents original field data collected with the Cochuah Regional Archaeological Survey at two ancient Maya sites, Ichmul and Yo’okop. Both centers chose to invest enormous resources in the construction of monumental roadways during a time of social and political turmoil in the Terminal Classic period. Shaw carefully examines why it was at this point—and no other—that the settlements made such a decision. She argues that both settlements used the sacbeob as a method of socially integrating the largest, most diverse and dispersed population in the Cochuah region. She further demonstrates that their use of the sacbeob, in concert with other innovative strategies, allowed Ichmul and Yo’okop to outlast many of the sites that they may have sought to emulate and to flourish during a time of tremendous sociopolitical and economic change. In addition to her detailed discussion of these two sites, Shaw provides an exhaustive review of the literature of Maya sacbeob archaeology, describing various interpretations of construction, features, and variability. This synthetic and interpretive treatment will aid researchers working on a variety of complex civilizations with road systems, as well as those interested in core-periphery relationships, cultural collapse, and social integration.

"Like many other Americans, judging from the amount of predawn traffic, I am on the move, scurrying through the dark like a coyote, nose down in pursuit of something-my work, an ephemeral desire that has no name, a life, an end of restlessness, a true place in the world."

A true place in the world: how many people have looked for it and how many have finally found it in the American West? Here, with writer Gary Holthaus, readers will reflect upon their own sense of place as they travel the lands and enter the lives of people in small towns and on ranches all over the West from Utah to Oregon to Alaska. Farmers and merchants, writers and teachers, truckers and trappers: their stories ring with hope and fear as their wide-open spaces increasingly come under siege.

Here are reflections on a long journey, together with notes of a personal odyssey and a plea for preserving the West's natural beauty-its meadows and mountains, its bears and Golden Eagles, its antelope and wolverines. This is important, says Holthaus, because if the region is home for him and for others, too, then it is crucial for newcomers and old-timers alike not to "further foul a nest that is becoming increasingly crowded." As he finds his way and adjusts his eyes to modern realities of greed and indifference, he also comes to grips with loss and learns to balance "the harm one inevitably does" with acts of compassion and positive change.

Deep in the national consciousness, the mythical West of film and fiction continues to shape our vision of ourselves as Americans. This book is a view not from the media, not from think tanks or legislators or policy makers, but from Westerners themselves, who tell us about the circumstances of their lives. Their West is indisputably the real West, and only as we come to understand better its realities will we come to know ourselves both as individuals and as a nation.

When the Spanish explorers brought horses to North America, the horses were, in a sense, returning home. Beginning with their origins fifty million years ago, the wild horse has been traced from North America through Asia to the plains of Spain’s Andalusia and then back across the Atlantic to the ranges of the American West. When given the chance, these horses simply took up residence in the landscape that their ancestors had roamed so long ago.

In Wild Horses of the West, J. Edward de Steiguer provides an entertaining and well-researched look at one of the most controversial animal welfare issues of our time—the protection of free-roaming horses on the West’s public lands. This is the first book in decades to include the entire story of these magnificent animals, from their evolution and biology to their historical integration into conquistador, Native American, and cowboy cultures. And the story isn’t over. De Steiguer goes on to address the modern issues— ecology, conservation, and land management—surrounding wild horses in the West today.

Featuring stunning color photographs of wild horses, this extremely thorough and engaging blend of history, science, and politics will appeal to students of the American West, conservation activists, and anyone interested in the beauty and power of these striking animals.

Many people have lamented the pollution and outright loss of beaches along the coasts of California and Mexico, but very few people have fought on behalf of beaches as hard—or as successfully—as Serge Dedina. Whether taking on an international conglomerate or tackling a state transportation agency, Dedina is truly an eco-warrior. In this sparkling collection of articles, many written for popular magazines, Dedina tells the stories as only an insider could. He writes with a firm grasp of facts along with an advocate’s passion and outrage. Sprinkled with just the right mix of humor and surf lingo, Dedina’s writing is “weapons grade”—surfer speak for totally awesome.

Dedina grew up in Imperial Beach, California, just north of the Mexican border, and he feels equally at home in Mexico and the States. An expert on gray whales, he eloquently describes the fight he helped to lead against the Mitsubishi Corporation, whose plan to build a salt-processing plant in the San Ignacio Lagoon in Baja California would have destroyed the world’s last undeveloped gray whale lagoon. With similar fervor, Dedina describes helping to construct the unlikely coalition that succeeded in defeating a proposed toll road that would have decimated a legendary California surf spot.

In between, he writes about the first surfers in Baja, the Great Baja Land Rush of the 1990s, Tijuana’s punk music scene, the pop-culture wrestling phenomenon lucha libre, the reasons why ocean pollution must be stopped, and the way HBO took over his hometown. Anyone interested in what’s happening to our natural places or just yearning to read about someone really making a difference in the world will find this a book worth sinking their teeth into.

Lively, readable nature writing. As she details several treks through the beautiful, rocky canyons, [Zwinger's] feel for the animals and plants native to this arid region enhances the precise sketches which punctuate the text. Readers interested in ancient Indian cultures of the Southwest will also find fascinating reading, as Zwinger describes their campsites and lifestyles. —Library Journal

The Wind Shifts gathers, for the first time, works by emerging Latino and Latina poets in the twenty-first century. Here readers will discover 25 new and vital voices including Naomi Ayala, Richard Blanco, David Dominguez, Gina Franco, Sheryl Luna, and Urayoán Noel. All of the writers included in this volume have published poetry in well-regarded literary magazines. Some have published chapbooks or first collections, but none had published more than one book at the time of selection. This results in a freshness that energizes the enterprise.

Certainly there is poetry here that is political, but this is not a polemical book; it is a poetry book. While conscious of their roots, the artists are equally conscious of living in the contemporary world—fully engaged with the possibilities of subject and language. The variety is tantalizing. There are sonnets and a sestina; poems about traveling and living overseas; poems rooted in the natural world and poems embedded in suburbia; poems nourished by life on the U.S.–Mexico border and poems electrified by living in Chicago or Los Angeles or San Francisco or New York City.

Some of the poetry is traditional; some is avant-garde; some is informed by traditional poetry in Spanish; some follows English forms that are hundreds of years old. There are love poems, spells that defy logic, flashes of hope, and moments of loss. In short, this is the rich and varied poetry of young, talented North American Latinos and Latinas.

The Missouri River Basin is home to thousands of bird species that migrate across the Great Plains of North America each year, marking the seasonal cycle and filling the air with their song. In time immemorial, Native inhabitants of this vast region established alliances with birds that helped them to connect with the gods, to learn the workings of nature, and to live well.

This book integrates published and archival sources covering archaeology, ethnohistory, historical ethnography, folklore, and interviews with elders from the Blackfoot, Assiniboine, Mandan, Hidatsa, Arikara, and Crow communities to explore how relationships between people and birds are situated in contemporary practice, and what has fostered its cultural persistence. Native principles of ecological and cosmological knowledge are brought into focus to highlight specific beliefs, practices, and concerns associated with individual bird species, bird parts, bird objects, the natural and cultural landscapes that birds and people cohabit, and the future of this ancient alliance.

Detailed descriptions critical to ethnohistorians and ethnobiologists are accompanied by thirty-four color images. A unique contribution, The Winged expands our understanding of sets of interrelated dependencies or entanglements between bird and human agents, and it steps beyond traditional scientific and anthropological distinctions between humans and animals to reveal the intricate and eminently social character of these interactions.

There is a common but often unspoken arrogance on the part of outside observers that folk science and traditional knowledge—the type developed by Native communities and tribal groups—is inferior to the “formal science” practiced by Westerners. In this lucidly written and humanistic account of the O’odham tribes of Arizona and Northwest Mexico, ethnobiologist Amadeo M. Rea exposes the limitations of this assumption by exploring the rich ornithology that these tribes have generated about the birds that are native to their region. He shows how these peoples’ observational knowledge provides insights into the behaviors, mating habits, migratory patterns, and distribution of local bird species, and he uncovers the various ways that this knowledge is incorporated into the communities’ traditions and esoteric belief systems. Drawing on more than four decades of field and textual research along with hundreds of interviews with tribe members, Rea identifies how birds are incorporated, both symbolically and practically, into Piman legends, songs, art, religion, and ceremonies. Through highly detailed descriptions and accounts loaded with Native voice, this book is the definitive study of folk ornithology. It also provides valuable data for scholars of linguistics and North American Native studies, and it makes a significant contribution to our understanding of how humans make sense of their world. It will be of interest to historians of science, anthropologists, and scholars of indigenous cultures and folk taxonomy.

Bootleggers and bankrobbers in the Oklahoma Dust Bowl. Proctors and punters at Oxford. Activists and agitators of the American Indian Movement. Carter Revard has known them all, and in this book— a memoir in prose and poetry— he interweaves the many threads of his life as only a gifted writer can. Winning the Dust Bowl traces Revard's development from a poor Oklahoma farm boy during the depths of the Depression to a respected medieval scholar and outstanding Native American poet. It recounts his search for a personal and poetic voice, his struggle to keep and expand it, and his attempt to find ways of reconciling the disparate influences of his life. In these pages, readers will find poems both new and familiar: poems of family and home, of loss and survival. In linking— what he calls "cocooning"— essays, Revard shares what he has noticed about how poems come into being, how changes in style arise from changes in life, and how language can be used to deal with one's relationship to the world. He also includes stories of Poncas and Osages, powwow stories and Oxford fables, and a gallery of photographs that capture images of his past. Revard has crafted a book about poetry and authorship, about American history and culture. Lyrical in one breath and stingingly political in the next, he calls on his mastery of language to show us the undying connection between literature and life.

In January 1999, five women were elected to the highest offices in Arizona, including governor, secretary of state, attorney general, treasurer, and superintendent of public instruction. The “Fab Five,” as they were dubbed by the media, were sworn in by U.S. Supreme Court Justice Sandra Day O’Connor, herself a former member of the Arizona legislature. Some observers assumed that the success of women in Arizona politics was a result of the modern women’s movement, but Winning Their Place convincingly demonstrates that these recent political victories have a long and fascinating history.

This landmark book chronicles for the first time the participation of Arizona women in the state’s early politics. Incorporating impressive original research, Winning Their Place traces the roots of the political participation of women from the territorial period to after World War II. Although women in Arizona first entered politics for traditional reasons—to reform society and protect women and children—they quickly realized that male politicians were uninterested in their demands. Most suffrage activists were working professional women, who understood that the work place discriminated against them. In Arizona they won the vote because they demanded rights as working women and aligned with labor unions and third parties that sympathized with their cause. After winning the vote, the victorious suffragists ran for office because they believed men could not and would not represent their interests.

Through this process, these Arizona women became excellent politicians. Unlike women in many other states, women in Arizona quickly carved out a place for themselves in local and state politics, even without the support of the reigning Democratic Party, and challenged men for county office, the state legislature, state office, Congress, and even for governor. This fascinating book reveals how they shattered traditional notions about “a woman’s place” and paved the way for future female politicians, including the “Fab Five” and countless others who have changed the course of Arizona history.

On the cutting edge of world-systems theory comes The Wintu and Their Neighbors, the first case study to compare and contrast systematically an indigenous Native American society with the modern world at large. Using an interdisciplinary approach that combines sociology, anthropology, political science, geography, and history, Christopher Chase-Dunn and Kelly M. Mann have scoured the archaeological record of the Wintu, an aboriginal people without agriculture, metallurgy, or class structure who lived in the wooded valleys and hills of northern California. By studying the household composition, kinship, and trade relations of the Wintu, they call into question some of the basic assumptions of prior sociological theory and analysis.

Chase-Dunn and Mann argue that Immanuel Wallerstein's world-systems perspective, originally applied only to the study of modern capitalistic societies, can also be applied to the study of the social, economic, and political relationships in small stateless societies. They contend that, despite the fact that the Wintu appear on the surface to have been a household-based society, this indigenous group was in fact involved in a myriad of networks of interaction, which resulted in intermarriage and which extended for many miles around the region. These networks, which were not based on the economic dominance of one society over another—a concept fundamental to Wallerstein's world-systems theory—led to the eventual expansion of the Wintu as a cultural group.

Thus, despite the fact that the Wintu did not behave like a modern society—lacking wealth accumulation, class distinctions, and cultural dominance—Chase-Dunn and Mann insist that the Wintu were involved in a world-system and argue, therefore, that the concept of the "minisystem" should be discarded. They urge other scholars to employ this comparative world-systems perspective in their research on stateless societies.

Winner, Spur Award for Best Western Long Novel (Western Writers of America) and Southwest Book Award (Border Regional Library Association)

On February 10, 1918, John Power woke to the sound of bells and horses’ hooves. He was sharing a cabin near the family mine with his brother Tom and their father Jeff; hired man Tom Sisson was also nearby. Then gunfire erupted, and so began the day when the Power brothers engaged the Graham County Sheriff’s Department in the bloodiest shootout in Arizona history.

Now Thomas Cobb, author of Crazy Heart and Shavetail, has taken up the story in this powerful and meticulously researched nonfiction novel. What seems at first a simple tale of crime and pursuit takes on much greater meaning and complexity as the story traces the past lives of the main characters and interconnects them—all leading back to the deadly confrontation that begins the book. Cobb cunningly weaves the story of the Power brothers’ escape with flashbacks of the boys’ father’s life and his struggle to make a living ranching, logging, and mining in the West around the turn of the century. Deftly drawn characters and cleverly concealed motivations work seamlessly to blend a compelling family history with a desperate story of the brothers as they attempt to escape.

Grappling with themes of loyalty, masculinity, technology, and honor, this sweeping saga reveals the passion and brutality of frontier life in Arizona a hundred years ago. Richly authentic and beautifully written, With Blood in Their Eyes breathes dramatic new life into this nearly forgotten episode of the American West.

Muriel Painter's account of Yaqui beliefs and ceremonies is based on her firsthand observations over the course of four decades. By the time Painter died in 1974, she was as familiar with Yaqui culture as on outsider could be and left behind the manuscript from which this volume arose. It was reviewed before the original publication in 1986 by a Yaqui committee and edited for publication by Edward Spicer.

Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection.

Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants.

“What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems.

The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento.

With the River on Our Face drips deep like water, turning into amistad—an inquisition into human relationships with planet and self.

The widely acclaimed autobiography of a lone woman rancher and country school teacher--the life she lived on the land she loved.

There’s no denying that the U.S.–Mexico border region has changed in the past twenty years. With the emergence of the North American Free Trade Agreement (NAFTA), the curtailment of welfare programs, and more aggressive efforts by the United States to seal the border against undocumented migrants, the prospect of seeking a livelihood—particularly for women—has become more tenuous in the twenty-first century. In the face of the ironic juxtaposition of free trade and limited mobility, this book takes a new look at women on both sides of the border to portray them as active participants in the changing structures of life, often engaging in political struggles. The contributions—including several chapters by Mexican as well as U.S. scholars—examine environmental and socioeconomic conditions on the border as they shape and are shaped by both daily life at the local level and the global economy. The contributors focus on issues related to migration, both short- and long-term; empowerment, especially reflecting shifts in women’s consciousness in the workplace; and political and social activism in border communities. The chapters consider a broad range of topics, such as the changing gender composition of the maquiladora work force over the past decade and border women’s non-governmental organizations and political activism. In most of the studies, both sides of the border are considered to provide insights into differences created by an international boundary and similarities produced by cross-border interactions. Together, these chapters show the border region to be a dynamic social, economic, cultural, and political context in which women face both obstacles and opportunities for change—and make clear the vital role that women play in shaping the border region and their own lives. This collection builds on Susan Tiano and Vicki Ruiz’s groundbreaking volume Women on the U.S.–Mexico Border by continuing to show the human face of changes wrought by manufacturing and militarization. By illustrating the current state of social science research on gender and women’s lives in the region, it offers fresh perspectives on the material reality of women’s daily lives in this culturally and historically rich region.

Paloma Martinez-Cruz argues that the medicine traditions of Mesoamerican women constitute a hemispheric intellectual lineage that continues to thrive despite the legacy of colonization. Martinez-Cruz asserts that indigenous and mestiza women healers are custodians of a knowledge base that remains virtually uncharted.

The few works looking at the knowledge of women in Mesoamerica generally examine only the written—even academic—world, accessible only to the most elite segments of (customarily male) society. These works have consistently excluded the essential repertoire and performed knowledge of women who think and work in ways other than the textual. And while two of the book’s chapters critique contemporary novels, Martinez-Cruz also calls for the exploration of non-textual knowledge transmission. In this regard, the book's goals and methods are close to those of performance scholarship and anthropology, and these methods reveal Mesoamerican women to be public intellectuals. In Women and Knowledge in Mesoamerica, fieldwork and ethnography combine to reveal women healers as models of agency.

Her multidisciplinary approach allows Martinez-Cruz to disrupt Euro-based intellectual hegemony and to make a case for the epistemic authority of Native women. Written from a Chicana perspective, this study is learned, personal, and engaging for anyone who is interested in the wisdom that prevailing analytical cultures have deemed “unintelligible.” As it turns out, those who are unacquainted with the sometimes surprising extent and depth of wisdom of indigenous women healers simply haven’t been looking in the right places—outside the texts from which they have been consistently excluded.

Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. 

Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history.

With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women and Ledger Art reflects the new life these women have brought to an important transcultural form of expression.

Studies of the Spanish conquest in the Americas traditionally have explained European-Indian encounters in terms of such factors as geography, timing, and the charisma of individual conquistadores. Yet by reconsidering this history from the perspective of gender roles and relations, we see that gender ideology was a key ingredient in the glue that held the conquest together and in turn shaped indigenous behavior toward the conquerors. This book tells the hidden story of women during the missionization of California. It shows what it was like for women to live and work on that frontier—and how race, religion, age, and ethnicity shaped female experiences. It explores the suppression of women's experiences and cultural resistance to domination, and reveals the many codes of silence regarding the use of force at the missions, the treatment of women, indigenous ceremonies, sexuality, and dreams.

Virginia Bouvier has combed a vast array of sources— including mission records, journals of explorers and missionaries, novels of chivalry, and oral histories— and has discovered that female participation in the colonization of California was greater and earlier than most historians have recognized. Viewing the conquest through the prism of gender, Bouvier gives new meaning to the settling of new lands and attempts to convert indigenous peoples. By analyzing the participation of women— both Hispanic and Indian— in the maintenance of or resistance to the mission system, Bouvier restores them to the narrative of the conquest, colonization, and evangelization of California. And by bringing these voices into the chorus of history, she creates new harmonies and dissonances that alter and enhance our understanding of both the experience and meaning of conquest.

Too often in the history of Mexico, women have been portrayed as marginal figures rather than legitimate participants in social processes. As the twentieth century draws to a close, Mexican women of the countryside can be seen as true historical actors: mothers and heads of households, factory and field workers, community activists, artisans, and merchants. In this new book, thirteen contributions by historians, anthropologists, and sociologists—from Mexico as well as the United States—elucidate the roles of women and changing gender relations in Mexico as rural families negotiated the transition from an agrarian to an industrial society.

Drawing on Mexican community studies, gender studies, and rural studies, these essays overturn the stereotypes of Mexican peasant women by exploring the complexity of their lives and roles and examining how these have changed over time. The book emphasizes the active roles of women in the periods of civil war, 1854-76, and the commercialization of agriculture, 1880-1910. It highlights their vigorous responses to the violence of revolution, their increased mobility, and their interaction with state reforms in the period from 1910 to 1940. The final essays focus on changing gender relations in the countryside under the impact of rapid urbanization and industrialization since 1940. Because histories of Latin American women have heretofore neglected rural areas, this volume will serve as a touchstone for all who would better understand women's lives in a region of increasing international economic importance. Women of the Mexican Countryside demonstrates that, contrary to the peasant stereotype, these women have accepted complex roles to meet constantly changing situations.

CONTENTS
I—Women and Agriculture in Nineteenth-Century Mexico
1. Exploring the Origins of Democratic Patriarchy in Mexico: Gender and Popular Resistance in the Puebla Highlands, 1850-1876, Florencia Mallon
2. "Cheaper Than Machines": Women and Agriculture in Porfirian Oaxaca (1880-1911), Francie R. Chassen-López
3. Gender, Work, and Coffee in C¢rdoba, Veracruz, 1850-1910, Heather Fowler-Salamini
4. Gender, Bridewealth, and Marriage: Social Reproduction of Peons on Henequen Haciendas in Yucatán (1870-1901), Piedad Peniche Rivero
II—Rural Women and Revolution in Mexico
5. The Soldadera in the Mexican Revolution: War and Men's Illusions, Elizabeth Salas
6. Rural Women's Literacy and Education During the Mexican Revolution: Subverting a Patriarchal Event?, Mary Kay Vaughan
7. Doña Zeferina Barreto: Biographical Sketch of an Indian Woman from the State of Morelos, Judith Friedlander
8. Seasons, Seeds, and Souls: Mexican Women Gardening in the American Mesilla (1900-1940), Raquel Rubio Goldsmith
III—Rural Women, Urbanization, and Gender Relations
9. Three Microhistories of Women's Work in Rural Mexico, Patricia Arias
10. Intergenerational and Gender Relations in the Transition from a Peasant Economy to a Diversified Economy, Soledad González Montes
11. From Metate to Despate: Rural Women's Salaried Labor and the Redefinition of Gendered Spaces and Roles, Gail Mummert
12. Changes in Rural Society and Domestic Labor in Atlixco, Puebla (1940-1990), Maria da Glória Marroni de Velázquez
13. Antagonisms of Gender and Class in Morelos, Mexico, JoAnn Martin

Women Who Stay Behind examines the social, educational, and cultural resources rural Mexican women employ to creatively survive the conditions created by the migration of loved ones. Using narrative, research, and theory, Ruth Trinidad Galván presents a hopeful picture of what is traditionally viewed as the abject circumstances of poor and working-class people in Mexico who are forced to migrate to survive. 

The book studies women’s and families’ use of cultural knowledge, community activism, and teaching and learning spaces. Throughout, Trinidad Galván provides answers to these questions: How does the migration of loved ones alter community, familial, and gender dynamics? And what social relations (convivencia), cultural knowledge, and women-centered pedagogies sustain women’s survival (supervivencia)?

Researchers, educators, and students interested in migration studies, gender studies, education, Latin American studies, and Mexican American studies will benefit from the ethnographic approach and theoretical insight of this groundbreaking work.

Hindus and Muslims of northern South Asia share the belief that women should seclude themselves from men and that men must supervise the conduct of women so that their behavior will not sully men's honor. While these practices are well known, until now no book has attempted to explain why they are so crucially important to so many people.

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.

This collection of critical essays unveils for the first time Norma Elia Cantú’s contribution as a folklorist, writer, scholar, and teacher. Word Images unites two valuable ways to view and use Cantú’s work: Part 1 comprises essays that individually examine Cantú’s oeuvre through critical analysis. Part 2 is dedicated to ideas and techniques to improve the use of this literature by teachers and professors, with a particular focus on tools for using Canícula.
 
Contributors:

Steven W. Bender
Aurora Chang
Vanessa Fonseca
Gabriella Gutiérrez y Muhs
María Herrera-Sobek
Ellen McCracken
María Esther Quintana Millamoto
Aldo Ulisses Reséndiz Ramírez
Rose Rodríguez-Rabin
Jesús Rosales
Carlos Sibaja García
María Socorro Tabuenca
Juan Velasco
 

My red pickup choked on burnt oil as I drove down Highway 99. . . . Abraham Tovar is a young man who works in a sausage factory and desperately longs to create a history of his own. As Abraham's life becomes absorbed into the blood and spice of pork, his thoughts explore his ancestry, roam the stars, and reflect upon the despairs and strengths of factory workers who live with "the unyielding memory of pig."

I pulled into Galdini Sausage at noon.
The workers walked out of production
and swatted away the flies desperate for pork.
Pork gripped the men and was everywhere,
in the form of blood, in the form of fat,
and in pink meat that stuck to the workers' shoes.

Work Done Right is a sequence of narrative poems, told with a lyricist's tenderness and an eye for detail, that address the human condition in unexpected ways. David Dominguez explores Abraham's struggle to maintain personal dignity in harsh circumstances, juxtaposing bleak images of the sausage factory with the hope of finding one's true place in the world. Through his sensuously textured words, he pays tribute to people and place as he takes readers on a mystic journey toward redemption.

Combining approaches from anthropology and cultural studies, Working from Within examines how issues of identity, agency, and social movements shape the lives of Chicana and Chicano activist educators in U.S. schools. Luis Urrieta Jr. skillfully utilizes the cultural concepts of positioning, figured worlds, and self-authorship, along with Chicano Studies and Chicana feminist frameworks, to tell the story of twenty-four Mexican Americans who have successfully navigated school systems as students and later as activist educators.

Working from Within is one of the first books to show how identity is linked to agency--individually and collectively--for Chicanas and Chicanos in education. Urrieta set out to answer linked questions: How do Chicanas and Chicanos negotiate identity, ideology, and activism within educational institutions that are often socially, culturally, linguistically, emotionally, and psychologically alienating? Analyzing in-depth interviews with twenty-four educators, Urrieta offers vivid narratives that show how activist identities are culturally produced through daily negotiations.

Urrieta’s work details the struggles of activist Chicana and Chicano educators to raise consciousness in a wide range of educational settings, from elementary schools to colleges. Overall, Urrieta addresses important questions about what it means to work for social justice from within institutions, and he explores the dialogic spaces between the alternatives of reproduction and resistance. In doing so, he highlights the continuity of Chicana and Chicano social movement, the relevance of gender, and the importance of autochthonous frameworks in understanding contemporary activism. Finally, he shows that it is possible for minority activist educators to thrive in a variety of institutional settings while maintaining strong ties to their communities.

The years from the Porfiriato to the post-Revolutionary regimes were a time of rising industrialism in Mexico that dramatically affected the lives of workers. Much of what we know about their experience is based on the histories of male workers; now Susie Porter takes a new look at industrialization in Mexico that focuses on women wage earners across the work force, from factory workers to street vendors. Working Women in Mexico City offers a new look at this transitional era to reveal that industrialization, in some ways more than revolution, brought about changes in the daily lives of Mexican women. Industrialization brought women into new jobs, prompting new public discussion of the moral implications of their work. Drawing on a wealth of material, from petitions of working women to government factory inspection reports, Porter shows how a shifting cultural understanding of working women informed labor relations, social legislation, government institutions, and ultimately the construction of female citizenship. At the beginning of this period, women worked primarily in the female-dominated cigarette and clothing factories, which were thought of as conducive to protecting feminine morality, but by 1930 they worked in a wide variety of industries. Yet material conditions transformed more rapidly than cultural understandings of working women, and although the nation's political climate changed, much about women's experiences as industrial workers and street vendors remained the same. As Porter shows, by the close of this period women's responsibilities and rights of citizenship—such as the right to work, organize, and participate in public debate—were contingent upon class-informed notions of female sexual morality and domesticity. Although much scholarship has treated Mexican women's history, little has focused on this critical phase of industrialization and even less on the circumstances of the tortilleras or market women. By tracing the ways in which material conditions and public discourse about morality affected working women, Porter's work sheds new light on their lives and poses important questions for understanding social stratification in Mexican history.

Can nature be restored to a pristine state through deliberate action? Must the preservation of wilderness always subordinate the interests of humans to those of other species? Can indigenous peoples be entrusted with the guardianship of their own wild resources? This collection of international writings tackles tough questions like these as it expands wilderness conservation beyond its American roots. One of the first anthologies to consider wilderness as a global issue, it takes a stand against the notion that wilderness is a northern colonialist conceit and is irrelevant to the plans of third world countries. Contributions from all over the planet— Nepal, Borneo, Brazil, Chile, Mexico, Papua New Guinea, Kenya, South Africa, India, and the United States— show instead that wilderness has an important place in the environmental thought and policy of any nation, industrial or developing. The World and the Wild boldly advances the idea that our concept of wilderness must expand to take in new vistas. It breaks fresh ground in global environmentalism and is essential reading for anyone concerned with development issues related to conservation. Contents
Foreword: Whither World Wilderness? / Vance G. Martin
Introduction: Wilderness in the Rest of the World / David Rothenberg
How Can Four Trees Make a Jungle? / Pramod Parajuli
The Unpaintable West / Zeese Papanikolas
Restoring Wilderness or Reclaiming Forests? / Sahotra Sarkar
For Indian Wilderness / Philip Cafaro and Monish Verma
In the Dust of Kilimanjaro / David Western
Why Conservation in the Tropics Is Failing / John Terborgh
"Trouble in Paradise": An Exchange / David Western and John Terborgh
Zulu History / Ian Player
Bruno Manser and the Penan / William W. Bevis
Roads Where There Have Long Been Trails / Kathleen Harrison
Volcano Dreams / Tom Vanderbilt
Recycled Rain Forest Myths / Antonio Carlos Diegues
The Park of Ten Thousand Waterfalls / Dan Imhoff
Mapping the Wild / Edward A. Whitesell
Earth Jazz / Evan Eisenberg
They Trampled on Our Taboos / Damien Arabagali

In her second collection of poems, Valerie Martínez builds on the artistic command of language that characterized her award-winning first volume, Absence, Luminescent. Taking on not only such familiar themes as love and loss, family and culture, but also the creative act of poetry itself, World to World crosses new boundaries to chart a mature poet’s awareness of her own voice and style.

Martínez explores the dynamic of creation/dissolution in original and intriguing ways. Here are the strange and provocative landscapes of the body and its disappearance . . . of matter and the absence of matter . . . of what is formed and what is falling from form. Throughout this compelling cycle, her deft manipulations of poetic structure disclose the boundaries where flesh, matter, and language become spirit, space, and "cataractical brilliance."

In charting the relationships between time, form, body, language, and emptiness, World to World maps the territories where the visible and the invisible meet, offering unexpected discoveries for discerning readers.

Ever since early stargazers discovered that some heavenly bodies wandered among the others, people have been fascinated by the planets. Kepler calculated their orbits from naked-eye observations; Galileo’s telescope made it possible to discern their markings; now observations from spacecraft provide electronically enhanced images that bring these distant worlds even closer.
 
In Worlds in the Sky, William Sheehan gives us a history of this long fascination, weaving together scientific history, anecdotes surrounding planetary discoveries, and the personal reflections of an incurable amateur astronomer. He describes how we arrived at our current understanding of the Moon and the planets and shows how certain individuals in history shaped the world’s knowledge about the Solar System.

"What I do as a writer, teacher, and storyteller is to demystify language," says Simon Ortiz. Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication.

Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives.

In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle.

"Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."

First published in 1939, this nostalgic guide includes chapters on Montana's natural setting, history, economy, and cultural life as of half a century ago, plus separate entries for Billings, Butte, Great Falls, Helena, and Missoula--which at the time boasted four hotels and five-cent bus fares. There then follow, in the WPA Guide tradition, 18 tours that crisscross the state and point out not only natural splendors along the way but also such noteworthy historic sites as Custer Battlefield, the Blackfeet Indian Reservation, Boothill Cemetery in Virginia City, and the site of the "holing-up" shanty of Calamity Jane. Fourteen additional tours--four for roads, ten for trails--guide readers through Glacier National Park.

Mexican American literature brings a much-needed approach to the increasingly urgent challenges of climate change and environmental injustice. Although current environmental studies work to develop new concepts, Writing the Goodlife looks to long-established traditions of thought that have existed in Mexican American literary history for the past century and a half. During that time period, Mexican American writing consistently shifts the focus from the environmentally destructive settler values of individualism, domination, and excess toward the more beneficial refrains of community, non-possessiveness, and humility. The decolonial approaches found in these writings provide rich examples of mutually respectful relations between humans and nature, an approach that Priscilla Solis Ybarra calls “goodlife” writing.

Goodlife writing has existed for at least the past century, Ybarra contends, but Chicana/o literary history’s emphasis on justice and civil rights eclipsed this tradition and hidden it from the general public’s view. Likewise, in ecocriticism, the voices of people of color most often appear in deliberations about environmental justice. The quiet power of goodlife writing certainly challenges injustice, to be sure, but it also brings to light the decolonial environmentalism heretofore obscured in both Chicana/o literary history and environmental literary studies.

Ybarra’s book takes on two of today’s most discussed topics—the worsening environmental crisis and the rising Latino population in the United States—and puts them in literary-historical context from the U.S.-Mexico War up to today’s controversial policies regarding climate change, immigration, and ethnic studies. This book uncovers 150 years’ worth of Mexican American and Chicana/o knowledge and practices that inspire hope in the face of some of today’s biggest challenges.