This book examines the creation, characteristics, and tribulations of the first United States National Recreation Area. It also addresses the National Park Service’s historic role in managing reservoir-based recreation in a uniquely arid region. First named the Boulder Dam Recreation Area, this parkland was created in 1936 by a memorandum of agreement between the National Park Service and the U.S. Bureau of Reclamation. Over the course of its existence, the area has served as a model for a subsequent system of National Recreation Areas. The area’s extreme popularity has, in combination with changing public attitudes regarding preservation and safety, presented the National Park Service with tremendous challenges in recent decades. Jonathan Foster’s examination of these challenges and the responses to them reveal an increasingly anxious relationship between the government, the public, and special interest groups in the American West.
 

In 1960, renowned Nevada writer Robert Laxalt moved himself and his family to a small Basque village in the French Pyrenees. The son of Basque emigrants, Laxalt wanted to learn as much as he could about the ancient and mysterious people from which he was descended and about the country from which his parents came. Thanks to his Basque surname and a wide network of family connections, Laxalt was able to penetrate the traditional reserve of the Basques in a way that outsiders rarely can. In the process, he gained rare insight into the nature of the Basques and the isolated, beautiful mountain world where they have lived for uncounted centuries. Based on Laxalt’s personal journals of this and a later sojourn in 1965, The Land of My Fathers is a moving record of a people and their homeland. Through Laxalt’s perceptive eyes and his wife Joyce’s photographs, we observe the Basques’ market days and festivals, join their dove hunts and harvests, share their humor and history, their deep sense of nationalism, their abiding pride in their culture and their homes, and discover the profound sources of the Basques’ strength and their endurance as a people. Photography by Joyce Laxalt.

At the beginning of the twentieth century, Las Vegas was a dusty, isolated desert town. By century’s end, it was the country’s fastest-growing city, a world-class travel destination with a lucrative tourist industry hosting millions of visitors a year. This transformation came about in large part because of a symbiotic relationship between airlines, the city, and the airport, facilitated by the economic democratization and deregulation of the airline industry, the development of faster and more comfortable aircraft, and the ambitious vision of Las Vegas city leaders and casino owners. Landing in Las Vegas is a compelling study of the role of fast, affordable transportation in overcoming the vast distances of the American West and binding western urban centers to the national and international tourism, business, and entertainment industries.

            The meteoric rise of Las Vegas from a remote Mormon outpost to an international entertainment center was never a sure thing. In its first decades, the town languished, but when Nevada legalized casino gambling in 1931, Las Vegas met its destiny. This act—combined with the growing popularity of the automobile, cheap land and electricity, and changing national attitudes toward gambling—led to the fantastic casinos and opulent resorts that became the trademark industry of the city and created the ambiance that has made Las Vegas an icon of pleasure.

            This volume celebrates the city’s unparalleled growth, examining both the development of its gaming industry and the creation of an urban complex that over two million people proudly call home. Here are the colorful characters who shaped the city as well as the political, business, and civic decisions that influenced its growth. The story extends chronologically from the first Paiute people to the construction of the latest megaresorts, and geographically far beyond the original township to include the several municipalities that make up today’s vast metropolitan Las Vegas area.

This expanded edition is the perfect book for the southern Nevada-bound traveler or the armchair adventurer. The very name of the city conjures a collection of images: fun, excitement, escape . . . or, more concretely, mega-sized hotels and casinos, spectacular showrooms, theme parks, and marquees as large as office buildings lit with the names of the biggest stars.
Las Vegas: The Great American Playground, illustrated with many fine historical photographs, traces the city’s history from its first Native American occupants more than 10,000 years ago to its present status as a premier tourist destination. It is the story of a group of colorful, enterprising individuals who made the desert bloom with undreamed-of possibilities.

Much of the wealth from the great mining bonanzas of the nineteenth century American West flowed into San Francisco and made possible the growth of the city and some fabulous personal fortunes. Among the wealthiest and most powerful of the Bonanza Kings were William Bowers Bourn I and his son and successor, William Bowers Bourn II. Their wealth came from rich mines in Nevada’s Comstock Lode and Treasure Hill and California’s Sierra foothills, as well as astute business ventures in the booming port city of San Francisco. Last Bonanza Kings tells their story with all the colorful detail and sweeping sense of epic drama that the characters and their times demand, setting them into the turbulent context of an age of rampant financial and civic growth, major technological advances in mining, lavish philanthropy, and opulent personal lifestyles.

Mathieu Etchiberri wants nothing more than to leave his family’s Arizona sheep ranch and go to college, but his father insists that he take over the ranch instead. Then his father is killed in an accident, and Matt discovers that he is not the heir to the ranch. So he travels to the French Pyrenees from which his father and grandparents came to settle the questions about his legacy. Instead, he discovers a vast Basque family and a mystery that drove his father to America and still festers in the mountain village. As Matt resolves the mystery of his family, he also discovers his Basque roots and learns the nature of love of family, responsibility, and the tension between individual desires and the needs of a community.

Matt’s journey to manhood takes place in a vividly depicted landscape populated by lively, memorable characters. This is the powerful story of a young man’s search for an identity that encompasses two cultures and one complex, scattered family.

In this collection of sixteen short stories, Robert Laxalt illuminates the Nevada of the 1950s. Written when Laxalt was in his twenties, the stories are as fresh as if they were penned yesterday. Humanity good and bad, humor and cruelty, satire and adventure are found in these early stories of a Nevada poised on the brink of change.

In the lead story, Cowboy Clint Hamilton laments that the town is “getting more like a big city every day” as the traditional gambling joints of earlier times give way to the gaudy casinos that will soon become modern glitz.

Sobering experiences from his days as a reporter give Laxalt an insight into murderers and prison life and lethal gas chambers. In a chilling short story, “The Snake Pen,” we find the seed of Robert Laxalt’s celebrated novel, A Man In the Wheatfield.

In this edited collection, Gioia Woods and her contributors bring together histories, biographies, close readings, and theories about the literary and cultural Left in the American West—as it is distinct from the more often-theorized literary left in major eastern metropolitan centers. Left in the West expands our understanding of what constitutes the literary left in the U.S. by including writers, artists, and movements not typically considered within the traditional context of the literary left. In doing so, it provides a new understanding of the region’s place among global and political ideologies.

From the early 19th century to the present, a remarkably complex and varied body of literary and cultural production has emerged out of progressive social movements. While the literary left in the West shared many interests with other regional expressions—labor, class, anti-fascism, and anti-imperialism, the influence of Manifest Destiny—the distinct history of settler colonialism in western territories caused western leftists to develop concerns unique to the region. 

Chapters in the volume provide an impressive range of analysis, covering artists and movements from suffragist writers to bohemian Californian photographers, from civil rights activists to popular folk musicians, from Latinx memoirists to Native American experimental writers, to name just a few.

The unique consideration of the West as a socio-political region establishes a framework for political critique that moves beyond class consequences, anti-fascism, and civil liberties, and into distinct Western concerns such as Native American sovereignty, environmental exploitation, and the legacies of settler colonialism. What emerges is a deeper understanding of the region and its unique people, places, and concerns.

In this tribute to Charlton Laird, ten scholars in the fields of language and linguistics provide ordinary readers with new insight into the workings of the English language. Laird, one of Nevada's treasured authors, was a professor of English at the University of Nevada, Reno.

The development of the modern world has brought with it rampant light pollution, destroying the ancient mystery of night and exacting a terrible price--wasted energy, damage to human health, and the sometimes fatal interruption of the life patterns of many species of wildlife. In Let There Be Night, twenty-nine writers, scientists, poets, and scholars share their personal experiences of night and help us to understand what we miss when dark skies and nocturnal wildness vanish. They also propose ways by which we might restore the beneficence of true night skies to our cities and our culture. Let There Be Night is an engaging examination, both intimate and enlightening, of a precious aspect of the natural world. The diverse voices and perceptions gathered here provide a statement of hope that he ancient magic of night can be returned to our lives.

Liberty Lanes is a bowling alley in a small Montana town where a senior bowling league meets three times a week. Nelson Moore, one of the bowlers, has recently become a local hero by saving a teammate from choking on a happy hour chicken bone. Now he must deal with his newfound fame while coping with the early stages of dementia.

This is an engaging and often moving novel about a group of senior citizens bound together by old friendships and romances, and by their determination to live life to its fullest. Senescence is not for sissies, but these characters show us that it is still a time to love, dream, and explore their own potential.

These seven precedent-setting case studies taken from the files of the Nevada Gaming Control Board and Commission illustrate vital issues addressed in the first decade of Las Vegas' megaresorts.

This autobiographical work was written by one of the country's most well-known Native American women, Sarah Winnemucca. She was a Paiute princess and a major figure in the history of Nevada; her tribe still resides primarily in the state. Life Among the Piutes deals with Winnemucca's life and the plight of the Paiute Indians. Life Among the Piutes is Winnemucca's powerful legacy to both white and Paiute cultures. Following the oral tradition of Native American people, she reaches out to readers with a deeply personal appeal for understanding. She also records historical events from a unique perspective. She managed to record the Native American viewpoint of whites settling the West, told in a language that was not her own and by a woman during the time when even white women were not allowed to vote. Sarah Winnemucca dedicated her life to improving the living and social conditions for her people. She gave more than 400 speeches across the United States and Europe to gain support for the Paiutes. She died of tuberculosis in 1891. Life Among the Piutes was originally published in 1883.

More than simply a history of the bow and arrow, The Lightening Stick brings together a broad range of significant people and events, spiritual usages, medicinal treatments, and an unusual array of subject matter related to the weapon itself. Henrietta Stockel conveys a host of information derived from primary documents and provides readers with a fascinating book. Her descriptive storytelling—serious, humorous, and even gory at times—takes the reader from modern uses of bows and arrows (including a previously little-known incident in the atomic city of Los Alamos, New Mexico) to an early era of western history, before guns changed the frontier forever.

Over 200 writings about Nevada with selections from Native American tales to contemporary writings on urban experience and environmental concerns. The state of Nevada embodies paradox and contradiction—home to one of the fastest-growing cities in the nation and to isolated ranches scattered across a sparsely populated backcountry. Nevada is a place where the lust for sudden wealth has prompted both wild mining booms and glittering casinos, and where forbidding atomic test sites coexist with alluring tourist meccas. The variety and distinctiveness of Nevada’s landscape and peoples have inspired writers from the beginning of immigrant contact with the region. This contact has produced abundant literary wealth that includes the rich oral traditions of Native American peoples and an amazing spectrum of contemporary voices. Literary Nevada is the first comprehensive literary anthology of Nevada. It contains over 200 selections ranging from traditional Native American tales, explorers’ and emigrants’ accounts, and writing from the Comstock Lode and other mining boomtowns, as well as compelling fiction, poetry, and essays from throughout the state’s history. There is work by well-known Nevada writers such as Sarah Winnemucca, Mark Twain, and Robert Laxalt, by established and emerging writers from all parts of the state, and by some nonresident authors whose work illuminates important facets of the Nevada experience. The book includes cowboy poetry, travel writing, accounts of nuclear Nevada, narratives about rural life and urban life in Las Vegas and Reno, poetry and fiction from the state’s best contemporary writers, and accounts of the special beauty of wild Nevada’s mountains and deserts. Editor Cheryll Glotfelty provides insightful introductions to each section and author. The book also includes a photo gallery of selected Nevada writers and a generous list of suggested further readings. Nevada has inspired an exceptionally rich panorama of fine writing and a dazzling array of literary voices. The selections in Literary Nevada will engage and delight readers while revealing the complex and exciting diversity of the state’s history, people, and life.

Set in Boise, Idaho in the early 1980s, Little Lost River is the story of two young women who come together in the wake of tragedy. Cindy Morgan is still reeling from the loss of her mother when an accident leaves her boyfriend missing and presumed drowned. When Frances Rogers happens upon the accident site, she stays with Cindy until help arrives. In the aftermath of that night’s events, as Cindy faces her future with a determination often misunderstood as indifference, Frances becomes her source of both support and compassion. Cindy and Frances are determined to find their own lives unencumbered by conventional expectations, but their path to adulthood is neither easy nor clear, and the future that each girl finds is not what she expected or planned. One generation follows another, and in the end, the girls learn that life moves on its own path, that “transformation is what takes you forward. It’s the only constant thing.”

In 1972, Dennis Parks, a young potter with a promising academic career ahead of him, decided to move to Tuscarora, a near-abandoned mining town in remote northeastern Nevada. Parks and his wife were attracted to Tuscarora's isolation and beautiful setting, and they believed that it might be a healthy environment in which to raise their two small sons. This is Parks' account of his family's life in Tuscarora, a tiny settlement whose population even forty years later numbers fewer than twenty permanent residents.

Parks created a pottery school that attracts students from around the world and developed for himself an international reputation as the creator of powerful, innovative works in clay. Meanwhile, he and his family had to master the skills required of those who choose to live in the back country--growing and hunting their own food, renovating or building from scratch the structures they needed for residences or studios, resolving conflicts with neighbors, inventing their own amusements. The transformation from middle-class urbanity to small-town simplicity is, as Parks reveals, a lurching and sometimes hilarious process, and the achievement of self-sufficiency is similarly fraught with unexpected challenges.

In 1968, Jackson J. Benson, then a naïve young literature professor, set out to write a critical appraisal of John Steinbeck, a writer who Benson thought was greatly undervalued by the scholarly establishment. To Benson's amazement, he shortly found his project turning into an authorized biography. Looking for Steinbeck's Ghost is Benson's engaging account of his experiences over the fifteen years he devoted to writing that biography. On one level, the book is a rich collection of anecdotes, character sketches, and memories of Steinbeck and the people with whom he shared his life—wives and children, siblings, friends. Benson interviewed scores of people who knew Steinbeck and read thousands of letters and other primary sources in the course of his research, and the fruits of this diligence offer rich insights into the personalities of Steinbeck—a fiercely private man—and of his closest associates. There is important new information here about Steinbeck's career, the inspiration for some of his characters and plot lines, and some of the people who, in various ways, influenced his writing and his personal life. On another level, Looking for Steinbeck's Ghost is a fascinating account of the biographer's task, with all its triumphs large and small and its numerous pitfalls and frustrations. We follow Benson as he struggles to master the skills of the biographer: locating sources of information, especially tracking down informants; learning to conduct interviews—and then to assess the veracity of his informants' memories; coping with the myriad frustrations inherent in the technologies of tape recording and photocopying; recognizing the pitfalls hidden in his own emotional biases and his tendency to identify with his subject; sifting through all the contradictions and prejudices, favorable and unfavorable, in his sources to find out just who John Steinbeck was. As such, Looking for Steinbeck's Ghost is a lively and completely engrossing case study of the biographer's demanding craft. First published in 1988 to enthusiastic reviews, and long out of print, Looking for Steinbeck's Ghost is available again in this new paperback edition.

In 1974 Jim Andersen and his wife, tired of the congestion and high taxes in California, decided to start a new life in rural Nevada. They settled on Austin, a town of about 250 people perched on a mountainside along the legendary Highway 50, “the loneliest road in America.” In the middle of the nineteenth century, Austin was a free-wheeling boomtown at the center of a silver bonanza. By the time the Andersens arrived, it had shrunk to a quiet, isolated community of self-sufficient souls who ran their lives, economy, and local government their own way, with ingenuity, wit, and a certain disregard for convention. Andersen’s account of his life in Austin is a charming, sometimes hilarious account of city folks adapting to life in a small town. He addresses such matters as making a living from a variety of odd jobs, some of them odder than others; serving as a deputy sheriff, deputy coroner, and elected justice of the peace, and administering Austin’s unique version of justice; raising a family; finding ways to have fun; and exploring the austerely beautiful backcountry of central Nevada. He also introduces some of Austin’s residents and their stories, and describes the way the community comes together for entertainment or to respond to crises.Lost in Austin is fascinating reading for anyone who cherishes nostalgic memories of living in a small town, or who contemplates moving to one. It offers an engaging portrait of a Nevada that exists far from the glitz and glitter of Las Vegas and Reno, “a happy Bermuda Triangle” where rugged individualism and community spirit flourish amidst sagebrush and vast open spaces.

The nature of the Old and New West is fully reflected through dialects, beliefs, occupations, and actions in this collection of thirteen plays with complete stage directions. Set in Arizona, Nevada, and Utah from the mid-1800s to the present day and focusing on veterans, children, prostitutes, priests, the newborn, and newly dead, these one-acts written by playwrights who know the region give voice to those who created and continue to recreate the West. This collection of contemporary plays, written out of love and concern for the region, examines as never before the western myths rooted in the national psyche. The characters battle limits, deny fate, and seek new beginnings. The plays examine symptoms, pose questions, and seek answers about the past and present West.

Unfolding from the bygone era of 1950s Las Vegas through the turbulent decades that followed, this epic novel examines the universal search for identity and reward in a world where the good life always seems out of reach. The streets of early Las Vegas are a tough place for a boy to grow up. Pete Elkins is fatherless, living in a cramped apartment with his mother, a party-girl with a penchant for falling in love with the wrong kind of man; and his older sister, who has grown up too fast from trying to parent both her brother and their reckless mother. Pete is headed for serious trouble when he is befriended by Willy Bobbins, a casino owner with a murky past and even murkier business practices. But Willy is also deeply compassionate and wise, and he soon becomes a surrogate father for the lonely Pete. Gradually, Pete becomes involved with Willy’s troubled family and comes to know both the scope of his mentor’s power and the depth of his vulnerabilities.