The struggle is real.  It has purpose.  You are not alone.  These sixty-some meditations by Roger A. form a record of his battle with the demons of addiction.  We trust it will allow others in recovery to find hope.

“ I have read all of Daniel Aaron’ s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.”

— Harold Bloom

 

“ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’ s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.”

— David Herbert Donald, Professor Emeritus, Harvard University

 

 

The Americanist is author and critic Daniel Aaron’ s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard.

 

Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’ s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “ I am large, I contain multitudes,” he could have been describing Daniel Aaron— the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty.

 

Not only should Aaron’ s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’ s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few.

 

Aaron’ s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed— miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

In The Unwritten War, Daniel Aaron examines the literary output of American writers—major and minor—who treated the Civil War in their works. He seeks to understand why this devastating and defining military conflict has failed to produce more literature of a notably high and lasting order, why there is still no "masterpiece" of Civil War fiction.

In his portraits and analyses of 19th- and some 20th-century writers, Aaron distinguishes between those who dealt with the war only marginally—Henry Adams, Henry James, William Dean Howells, Mark Twain-and those few who sounded the war's tragic import—Herman Melville, Walt Whitman, and William Faulkner. He explores the extent to which the war changed the direction of American literature and how deeply it entered the consciousness of American writers. Aaron also considers how writers, especially those from the South, discerned the war's moral and historical implications.

The Unwritten War was originally published by Alfred A. Knopf in 1973. The New Republic declared, [This book's] major contribution will no doubt be to American literary history. In this respect it resembles Edmund Wilson's Patriotic Gore and is certain to become an indispensable guide for anyone who wants to explore the letters, diaries, journals, essays, novels, short stories, poems-but apparently no plays-which constitute Civil War literature. The mass of material is presented in a systematic, luminous, and useful way.
 

The Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. With a history spanning nearly a century, it stands as a chronicle of Jewish scholarship through the twentieth century and into the twenty-first.

The Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. With a history spanning nearly a century, it stands as a chronicle of Jewish scholarship through the twentieth century and into the twenty-first.
 

Welsh Gothic introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Calling on postcolonial and psychoanalytic theory, Jane Aaron argues that many of the fears encoded in Welsh Gothic writing are specific to the history of the Welsh and reveal much about the varying ways in which the Welsh people have been perceived and have viewed themselves throughout history. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on the figures specific to the Welsh Gothic genre who have entered literature from folklore and local superstition, such as the sin-eater, hellhounds, dark druids, and Welsh witches.

Coined in the early 1990s to describe a burgeoning film movement, “New Queer Cinema” has turned the attention of film theorists, students, and audiences to the proliferation of intelligent, stylish, and daring work by lesbian and gay filmmakers within independent cinema and to the infiltration of “queer” images and themes into the mainstream. Why did this shift take place? Was it political gains, cultural momentum, or market forces that energized the evolution and transformation of this cinematic genre?

New Queer Cinema: A Critical Reader provides a definitive and highly readable guide to the development of this important and controversial film movement. The volume is divided into four sections: defining “new queer cinema,” assessing its filmmakers, examining geographic and national differences, and theorizing spectatorship. Chapters address the work of pivotal directors (such as Todd Haynes and Gregg Araki) and salient films (including Paris is Burning and Boys Don’t Cry), as well as unconventional and non-Anglo-American work (experimental filmmaking and third world cinema).

With a critical eye to its uneasy relationship to the mainstream, New Queer Cinema explores the aesthetic, sociocultural, political, and, necessarily, commercial investments of the movement. It is the first full-length study of recent developments in queer cinema that combines indispensable discussions of central issues with exciting new work by key writers.

Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century—gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensions that produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of “postmemory”; the intergenerational and ongoing transmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocation and anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation.

In the wake of civil protest in Seattle during the 1999 World Trade Organization meeting, many issues raised by globalization and increasingly free trade have been in the forefront of the news. But these issues are not necessarily new. Taking Trade to the Streets describes how so many individuals and nongovernmental organizations came over time to see trade agreements as threatening national systems of social and environmental regulations. Using the United States as a case study, Susan Ariel Aaronson examines the history of trade agreement critics, focusing particular attention on NAFTA (the North American Free Trade Agreement between Canada, Mexico, and the United States) and the Tokyo and Uruguay Rounds of trade liberalization under the GATT. She also considers the question of whether such trade agreement critics are truly protectionist.

The book explores how trade agreement critics built a fluid global movement to redefine the terms of trade agreements (the international system of rules governing trade) and to redefine how citizens talk about trade. (The "terms of trade" is a relationship between the prices of exports and of imports.) That movement, which has been growing since the 1980s, transcends borders as well as longstanding views about the role of government in the economy. While many trade agreement critics on the left say they want government policies to make markets more equitable, they find themselves allied with activists on the right who want to reduce the role of government in the economy.

Aaronson highlights three hot-button social issues--food safety, the environment, and labor standards--to illustrate how conflicts arise between trade and other types of regulation. And finally she calls for a careful evaluation of the terms of trade from which an honest debate over regulating the global economy might emerge.

Ultimately, this book links the history of trade policy to the history of social regulation. It is a social, political, and economic history that will be of interest to policymakers and students of history, economics, political science, government, trade, sociology, and international affairs.

Susan Ariel Aaronson is Senior Fellow at the National Policy Institute and occasional commentator on National Public Radio's "Morning Edition."

The Professional Guinea Pig documents the emergence of the professional research subject in Phase I clinical trials testing the safety of drugs in development. Until the mid-1970s Phase I trials were conducted on prisoners. After that practice was outlawed, the pharmaceutical industry needed a replacement population and began to aggressively recruit healthy, paid subjects, some of whom came to depend on the income, earning their living by continuously taking part in these trials. Drawing on ethnographic research among self-identified “professional guinea pigs” in Philadelphia, Roberto Abadie examines their experiences and views on the conduct of the trials and the risks they assume by participating. Some of the research subjects he met had taken part in more than eighty Phase I trials. While the professional guinea pigs tended to believe that most clinical trials pose only a moderate health risk, Abadie contends that the hazards presented by continuous participation, such as exposure to potentially dangerous drug interactions, are discounted or ignored by research subjects in need of money. The risks to professional guinea pigs are also disregarded by the pharmaceutical industry, which has become dependent on the routine participation of experienced research subjects. Arguing that financial incentives compromise the ethical imperative for informed consent to be freely given by clinical-trials subjects, Abadie confirms the need to reform policies regulating the participation of paid subjects in Phase I clinical trials.

Latin@s’ Presence in the Food Industry takes the holistic culinary approach of bringing together multidisciplinary criticism to explore the diverse, and not always readily apparent, ways that Latin@s relate to food and the food industry.

The networks Latin@s create, the types of identities they fashion through food, and their relationship to the US food industry are analyzed to understand Latin@s as active creators of food-based communities, as distinctive cultural representations, and as professionals. This vibrant new collection acknowledges issues of labor conditions, economic politics, and immigration laws—structural vulnerabilities that certainly cannot be ignored—and strives to understand more fully the active and conscious ways that Latina@s create spaces to maneuver global and local food systems.

Dr. Seuss's classic character the Lorax has delighted children for decades while passing along a powerful message about environmental responsibility. The book's young readers, and their parents, would likely be surprised by the emergence of a new character, Truax, a kindly logger created by a longtime employee of the wood products industry, who, not surprisingly, has a far different viewpoint to share. Yet the Truax character, and the book of the same name, is just one example of a growing genre of conservative-themed narratives for young readers spawned by the continuing strength of the American political right.

Highlighting the works of William Bennett, Lynne Cheney, Bill O'Reilly, and others, Michelle Ann Abate brings together such diverse fields as cultural studies, literary criticism, political science, childhood studies, brand marketing, and the cult of celebrity. Raising Your Kids Right dispels lingering societal attitudes that narratives for young readers are unworthy of serious political study by examining a variety of texts that offer information, ideology, and even instructions on how to raise kids right, not just figuratively but politically.

Starting with the figure of the bold, boisterous girl in the mid-19th century and ending with the “girl power” movement of the 1990’s, Tomboys is the first full-length critical study of this gender-bending code of female conduct. Michelle Abate uncovers the origins, charts the trajectory, and traces the literary and cultural transformations that the concept of “tomboy” has undergone in the United States. 

Abate focuses on literature including Louisa May Alcott's Little Women and Carson McCullers's The Member of the Wedding and films such as Peter Bogdanovich's Paper Moon and Jon Avnet's Fried Green Tomatoes. She also draws onlesser-known texts like E.D.E.N. Southworth's once wildly popular 1859 novel The Hidden Hand, Cold War lesbian pulp fiction, and New Queer Cinema from the 1990s.

Tomboys also explores the gender and sexual dynamics of tomboyism, and offers intriguing discussions of race and ethnicity's role in the construction of the enduring cultural archetype. Abate’s insightful analysis provides useful, thought-provoking connections between different literary works and eras. The result demystifies this cultural phenomenon and challenges readers to consider tomboys in a whole new light.

A meditation on the nature of betrayal, the constraints of identity, and the power of narrative, the lyric monologues in Troy, Unincorporated offer a retelling, or refraction, of Chaucer’s tragedy Troilus and Criseyde. The tale’s unrooted characters now find themselves adrift in the industrialized farmlands, strip malls, and half-tenanted “historic” downtowns of south-central Wisconsin, including the real, and literally unincorporated, town of Troy. Allusive and often humorous, they retain an affinity with Chaucer, especially in terms of their roles: Troilus, the good courtly lover, suffers from the weeps, or, in more modern terms, depression. Pandarus, the hard-working catalyst who brings the lovers together in Chaucer’s poem, is here a car mechanic.

            Chaucer’s narrator tells a story he didn’t author, claiming no power to change the course of events, and the narrator and characters in Troy, Unincorporated struggle against a similar predicament. Aware of themselves as literary constructs, they are paradoxically driven by the desire to be autonomous creatures—tale tellers rather than tales told. Thus, though Troy, Unincorporated follows Chaucer’s plot—Criseyde falls in love with Diomedes after leaving Troy to live with her father, who has broken his hip, and Troilus dies of a drug overdose—it moves beyond Troilus’s death to posit a possible fate for Criseyde on this “litel spot of erthe.”

Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty.

The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true?

This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis.

Plastics have transformed every aspect of our lives. Yet the very properties that make them attractive—they are cheap to make, light, and durable—spell disaster when trash makes its way into the environment. Plastic Soup: An Atlas of Ocean Pollution is a beautifully-illustrated survey of the plastics clogging our seas, their impacts on wildlife and people around the world, and inspirational initiatives designed to tackle the problem. 

In Plastic Soup, Michiel Roscam Abbing of the Plastic Soup Foundation reveals the scope of the issue: plastic trash now lurks on every corner of the planet. With striking photography and graphics, Plastic Soup brings this challenge to brilliant life for readers. Yet it also sends a message of hope; although the scale of the problem is massive, so is the dedication of activists working to check it. Plastic Soup highlights a diverse array of projects to curb plastic waste and raise awareness, from plastic-free grocery stores to innovative laws and art installations. 

According to some estimates, if we continue on our current path, the oceans will contain more plastic than fish by the year 2050. Created to inform and inspire readers, Plastic Soup is a critical tool in the fight to reverse this trend.

In this vital new study, Andrew Abbott presents a fresh and daring analysis of the evolution and development of the social sciences. Chaos of Disciplines reconsiders how knowledge actually changes and advances. Challenging the accepted belief that social sciences are in a perpetual state of progress, Abbott contends that disciplines instead cycle around an inevitable pattern of core principles. New schools of thought, then, are less a reaction to an established order than they are a reinvention of fundamental concepts.
Chaos of Disciplines uses fractals to explain the patterns of disciplines, and then applies them to key debates that surround the social sciences. Abbott argues that knowledge in different disciplines is organized by common oppositions that function at any level of theoretical or methodological scale. Opposing perspectives of thought and method, then, in fields ranging from history, sociology, and literature, are to the contrary, radically similar; much like fractals, they are each mutual reflections of their own distinctions.

In this detailed history of the Chicago School of Sociology, Andrew Abbott investigates central topics in the emergence of modern scholarship, paying special attention to "schools of science" and how such schools reproduce themselves over time. What are the preconditions from which schools arise? Do they exist as rigid rules or as flexible structures? How do they emerge from the day-to-day activities of academic life such as editing journals and writing papers?

Abbott analyzes the shifts in social scientific inquiry and discloses the intellectual rivalry and faculty politics that characterized different stages of the Chicago School. Along the way, he traces the rich history of the discipline's main journal, the American Journal of Sociology.

Embedded in this analysis of the school and its practices is a broader theoretical argument, which Abbott uses to redefine social objects as a sequence of interconnected events rather than as fixed entities. Abbott's theories grow directly out of the Chicago School's insistence that social life be located in time and place, a tradition that has been at the heart of the school since its founding one hundred years ago.

Today’s researchers have access to more information than ever before. Yet the new material is both overwhelming in quantity and variable in quality. How can scholars survive these twin problems and produce groundbreaking research using the physical and electronic resources available in the modern university research library? In Digital Paper, Andrew Abbott provides some much-needed answers to that question.

Abbott tells what every senior researcher knows: that research is not a mechanical, linear process, but a thoughtful and adventurous journey through a nonlinear world. He breaks library research down into seven basic and simultaneous tasks: design, search, scanning/browsing, reading, analyzing, filing, and writing. He moves the reader through the phases of research, from confusion to organization, from vague idea to polished result. He teaches how to evaluate data and prior research; how to follow a trail to elusive treasures; how to organize a project; when to start over; when to ask for help. He shows how an understanding of scholarly values, a commitment to hard work, and the flexibility to change direction combine to enable the researcher to turn a daunting mass of found material into an effective paper or thesis.

More than a mere  how-to manual, Abbott’s guidebook helps teach good habits for acquiring knowledge, the foundation of knowledge worth knowing. Those looking for ten easy steps to a perfect paper may want to look elsewhere. But serious scholars, who want their work to stand the test of time, will appreciate Abbott’s unique, forthright approach and relish every page of Digital Paper.

For the past twenty years, noted sociologist Andrew Abbott has been developing what he calls a processual ontology for social life. In this view, the social world is constantly changing—making, remaking, and unmaking itself, instant by instant. He argues that even the units of the social world—both individuals and entities—must be explained by these series of events rather than as enduring objects, fixed in time. This radical concept, which lies at the heart of the Chicago School of Sociology, provides a means for the disciplines of history and sociology to interact with and reflect on each other.

In Processual Sociology, Abbott first examines the endurance of individuals and social groups through time and then goes on to consider the question of what this means for human nature. He looks at different approaches to the passing of social time and determination, all while examining the goal of social existence, weighing the concepts of individual outcome and social order. Abbott concludes by discussing core difficulties of the practice of social science as a moral activity, arguing that it is inescapably moral and therefore we must develop normative theories more sophisticated than our current naively political normativism. Ranging broadly across disciplines and methodologies, Processual Sociology breaks new ground in its search for conceptual foundations of a rigorously processual account of social life.

In The System of Professions Andrew Abbott explores central questions about the role of professions in modern life: Why should there be occupational groups controlling expert knowledge? Where and why did groups such as law and medicine achieve their power? Will professionalism spread throughout the occupational world? While most inquiries in this field study one profession at a time, Abbott here considers the system of professions as a whole. Through comparative and historical study of the professions in nineteenth- and twentieth-century England, France, and America, Abbott builds a general theory of how and why professionals evolve.

What do variables really tell us? When exactly do inventions occur? Why do we always miss turning points as they transpire? When does what doesn't happen mean as much, if not more, than what does? Andrew Abbott considers these fascinating questions in Time Matters, a diverse series of essays that constitutes the most extensive analysis of temporality in social science today. Ranging from abstract theoretical reflection to pointed methodological critique, Abbott demonstrates the inevitably theoretical character of any methodology.

Time Matters focuses particularly on questions of time, events, and causality. Abbott grounds each essay in straightforward examinations of actual social scientific analyses. Throughout, he demonstrates the crucial assumptions we make about causes and events, about actors and interaction and about time and meaning every time we employ methods of social analysis, whether in academic disciplines, market research, public opinion polling, or even evaluation research. Turning current assumptions on their heads, Abbott not only outlines the theoretical orthodoxies of empirical social science, he sketches new alternatives, laying down foundations for a new body of social theory.

 The Vital Lie is the first book to examine the reality-illusion conflict in modern drama from Ibsen to present-day playwrights. The book questions why vital lies, lies necessary for life itself, are such an obsessive concern for playwrights of the last hundred years. Using the work of fifteen playwrights, Abbott seeks to discover if modern playwrights treat illusions as helpful or necessary to life, or as signals of sicknesses from which human beings need to be cured. What happens to characters when they are forced to face the truth about themselves and their worlds without the protection of their illusions? The author develops a three-part historical analysis of the use of the reality-illusion theme, from its origins as a metaphysical search to its current elaborations as a theatrical game.

When the American West represented the country's frontier, many of its cities may have seemed little more than trading centers to serve the outlying populace. Now the nation's most open and empty region is also its most heavily urbanized, with 80 percent of Westerners living in its metropolitan areas. The process of urbanization that had already transformed the United States from a rural to an urban society between 1815 and 1930 has continued most clearly and completely in the modern West, where growth since 1940—spurred by mobilization for World War II—has constituted a distinct era in which Western cities have become national and even international pacesetters.

The Metropolitan Frontier places this last half-century of Western history in its urban context, making it the first comprehensive overview of urban growth in the region. Integrating the urban experience of all nineteen Western states, Carl Abbott ranges for evidence from Honolulu to Houston and from Fargo to Fairbanks to show how Western cities organize the region's vast spaces and connect them to the even larger sphere of the world economy. His survey moves from economic change to social and political response, examining the initial boom of the 1940s, the process of change in the following decades, and the ultimate impact of Western cities on their environments, on the Western regional character, and on national identity.

Today, a steadily decreasing number of Western workers are engaged in rural industries, but Western cities continue to grow. As ecological and social crises begin to affect those cities, Abbott's study will prove required reading for historians, geographers, sociologists, urban planners, and all citizens concerned with America's future.

Since 1976, newcomers and natives alike have learned about the rich history of the magnificent place they call home from Colorado: A History of the Centennial State. In the fifth edition, coauthors Carl Abbott, Stephen J. Leonard, and Thomas J. Noel incorporate recent events, scholarship, and insights about the state in an accessible volume that general readers and students will enjoy.

The new edition tells of conflicts, shifting alliances, and changing ways of life as Hispanic, European, and African American settlers flooded into a region that was already home to Native Americans. Providing a balanced treatment of the entire state’s history—from Grand Junction to Lamar and from Trinidad to Craig—the authors also reveal how Denver and its surrounding communities developed and gained influence.

While continuing to elucidate the significant impact of mining, agriculture, manufacturing, and tourism on Colorado, the fifth edition broadens and focuses its coverage by consolidating material on Native Americans into one chapter and adding a new chapter on sports history. The authors also expand their discussion of the twentieth century with updated sections on the environment, economy, politics, and recent cultural conflicts. New illustrations, updated statistics, and an extensive bibliography including Internet resources enhance this edition.

Since 1976 newcomers and natives alike have learned about the rich history of the magnificent place they call home from Colorado: A History of the Centennial State. In this revised edition, co-authors Carl Abbott, Stephen J. Leonard, and Thomas J. Noel incorporate more than a decade of new events, findings, and insights about Colorado in an accessible volume that general readers and students will enjoy.

The new edition tells of conflicts, new alliances, and changing ways of life as Hispanic, European, and African American settlers flooded into a region that was already home to Native Americans. Providing balanced coverage of the entire state's history - from Grand Junction to Lamar and from Trinidad to Craig - the authors also reveal how Denver and its surrounding communities developed and gained influence.

While continuing to elucidate the significant impact of mining, agriculture, manufacturing, and tourism on Colorado, this new edition broadens its coverage. The authors expand their discussion of the twentieth century with several new chapters on the economy, politics, and cultural conflicts of recent years. In addition, they address changes in attitudes toward the natural environment as well as the contributions of women, Hispanics, African Americans, and Asian Americans to the state. Dozens of new illustrations, updated statistics, and an extensive bibliography of the most recent research on Colorado history enhance this edition.

The Indoor Gardener was first published in 1939. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The Northern Garden was first published in 1938. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In the prehispanic Southwest, Pueblo Grande was the site of the largest platform mound in the Phoenix basin and the most politically prominent village in the region. It has long been held to represent the apex of Hohokam culture that designates the Classic period.

New data from major excavations in Phoenix, however, suggest that little was "classic" about the Classic period at Pueblo Grande. These findings challenge views of Hohokam society that prevailed for most of the twentieth century, suggesting that for Pueblo Grande it was a time of decline rather than prosperity, a time marked by overpopulation, environmental degradation, resource shortage, poor health, and social disintegration. During this period, the Hohokam in the lower Salt River Valley began a precipitous slide toward the eventual abandonment of a homeland that they had occupied for more than one thousand years.

This volume is a long-awaited summary of one of the most important data-recovery projects in Southwest archaeology, synthesizing thousands of pages of data and text published in seven volumes of contract reports. The authors—all leading authorities in Hohokam archaeology who played primary roles in this revolution of understanding—here craft a compelling argument for the eventual collapse of Hohokam society in the late fourteenth century as seen from one of the largest and seemingly most influential irrigation communities along the lower Salt River.

Drawing on extremely large and well-preserved collections, the book reveals startling evidence of a society in decline as reflected in catchment analysis, archaeofaunal assemblage composition, skeletal studies, burial assemblages, artifact exchange, and ceramic production. The volume also includes a valuable new summary of the archival reconstruction of the architectural sequence for the Pueblo Grande platform mound.

With its wealth of data, interpretation, and synthesis, Centuries of Decline represents a milestone in our understanding of Hohokam culture. It is a key reference for Southwest archaeologists who seek to understand the Hohokam collapse and a benchmark for anyone interested in the prehistory of Arizona.

Among desert farmers of the prehistoric Southwest, irrigation played a crucial role in the development of social complexity. This innovative study examines the changing relationship between irrigation and community organization among the Hohokam and shows through ceramic data how that dynamic relationship influenced sociopolitical development.
 

David Abbott contends that reconstructions of Hohokam social patterns based solely on settlement pattern data provide limited insight into prehistoric social relationships. By analyzing ceramic exchange patterns, he provides complementary information that challenges existing models of sociopolitical organization among the Hohokam of central Arizona.

Through ceramic analyses from Classic period sites such as Pueblo Grande, Abbott shows that ceramic production sources and exchange networks can be determined from the composition, surface treatment attributes, and size and shape of clay containers. The distribution networks revealed by these analyses provide evidence for community boundaries and the web of social ties within them.

Abbott's meticulous research documents formerly unrecognized horizontal cohesiveness in Hohokam organizational structure and suggests how irrigation was woven into the fabric of their social evolution. By demonstrating the contribution that ceramic research can make toward resolving issues about community organization, this work expands the breadth and depth of pottery studies in the American Southwest.

About forty miles north of Phoenix, Arizona, Perry Mesa is today part of Agua Fria National Monument, but during the late thirteenth and early fourteenth centuries, this windswept arid landscape became the site of numerous farming communities. This book explores why people moved to Perry Mesa at that time. Analyses of Perry Mesa contrast with those of the iconic large-scale migrations in the prehistoric Southwest such as the Kayenta diaspora and the gathering of the clans at Hopi. Unlike those long-distance movements into occupied regions, the Perry Mesa case is one of relatively localized aggregation on a largely vacant landscape. But, as was discovered with the iconic migrations, ethnogenesis (the creation of new identities) took hold on Perry Mesa, making it an extremely interesting counterpoint to the better-known migrations of the period.
     Contributors to this volume examine the migration process under two explanatory frameworks: alliance and landscape. These frameworks are used to explore competing hypotheses, positing either a rapid colonization associated with an alliance organized for warfare at a regional scale, or a more protracted migration as this landscape became comparatively more attractive for migrating farmers in the late thirteenth century.
     As the first major publication on the archaeology of Perry Mesa, this volume contributes to theoretical perspectives on migration and ethnogenesis, the study of warfare in the prehistoric Southwest, the study of intensive agricultural practices in a marginal environment, and the cultural history of a little studied and largely unknown portion of the ancient Southwest. It not only documents the migration but also the ensuing birth of a new ethnic identity that arose from the coalescence of diverse groups atop Perry Mesa.

Abbott's community is pure Americana, a wild world inhabited by gloriously street-smart smartasses: overeducated, underemployed men mourning for the confident women who have left them—or have they?—but knowing that equally confident women are just around the corner—or are they? His urgent, maximalist style allows their exhilarating voices to be heard and remembered.

“This is not a memoir. Rather, this is a fraternal meditation on the question: ‘Are we friends, my brother?’ The story is uncertain, the characters are in flux, the voices are plural, the photographs are as troubled as the prose. This is not a memoir.” 
     Thus Scott Abbott introduces the reader to his exploration of the life of his brother John, a man who died of AIDS in 1991 at the age of forty. Writing about his brother, he finds he is writing about himself and about the warm-hearted, educated, and homophobic LDS family that forged the core of his identity.
     Images and quotations are interwoven with the reflections, as is a critical female voice that questions his assertions and ridicules his rhetoric. The book moves from the starkness of a morgue’s autopsy through familial disintegration and adult defiance to a culminating fraternal conversation. This exquisitely written work will challenge notions of resolution and wholeness.

Winner of the book manuscript prize in creative nonfiction in the Utah Arts Council’s Original Writing Competition. 
Winner of the 15 Bytes Book Award for Creative Nonfiction.

This deeply felt memoir is a journey through family history, feminist insight, and southern mythology. In it a daughter reflects on the complicated and volatile love she and her father shared. Shirley Jean Abbott grew up in Hot Springs, Arkansas, in the 1940s and 50s and was the beloved daughter of Alfred Bemont Abbott, affectionately known as “Hat.” Hat wasn’t a bookmaker in the literary sense, even though he allowed Shirley’s mother to believe as much while they were dating. Rather, his craft was gambling, and his business was horse racing.

Despite the corruption, which put food on the table and rabbit coats in the closet, Abbott remembers the kind and attentive father who spent nights reading to her. He alone is responsible for opening the door to a world of language and literature for her. And she ran with it. Against her father’s wishes, after graduation she headed for New York City. In the end, the girl he had nurtured into an independent and intelligent young woman had outgrown the small town where she grew up. The Bookmaker’s Daughter was originally published by Ticknor and Fields in 1992 and was a Book of the Month Club selection.

A classic that has been in print since its first publication in 1983, Womenfolks is both a personal memoir and a meditation on the often pernicious mythologies of southern cultural history. Shirley Abbott gives us the gritty, independent women of the backwoods, the South’s true heroines, whose hardscrabble world is one of red dirt and hard work—a far cry from the hoopskirts and magnolias of southern lore. As honest, vibrant, and remarkable as the women whose stories illuminate these pages, Womenfolks draws a vivid portrait of a rural culture beset by poverty and sustained by deeply rooted traditions. In her new preface to this edition, Abbott assesses what has changed—and what may never change—about the burdens of southern history and expresses her hope that the better angels of our nature may prevail in our still-new century.

This lyrical novel tells the story of a young man living in Egypt in the 1990s, a time of great turmoil. We see student riots at Cairo University, radical politics, and the first steps towards the making of a writer. But his story is not told in isolation: through his experiences and memories Yasser Abdellatif also unfolds the experiences of his Nubian family through the epochal changes the country underwent in the twentieth-century.
 
The symphonic four-part text presents us with narratives of Egyptian identity, a constant knitting and unravelling that moves us back and forth through time, as the reader slides and leaps across the shifting tectonic plates of Abdellatif’s vignettes, his immaculately limpid prose poetry bringing forth the same questions. Nobody quite belongs in Cairo, it seems, but at the same time none of them belongs anywhere else: a relative emigrates from his Nubian village to the Cairo of the 1930s, where Italian fascists chase him through the streets and into a Maltese exile, only for him to return and make his way back South to the homeland he left. Another relative falls into religious esotericism and later madness, spinning away from Cairo and back to the wasteland of a village relocated after it had been flooded by the Aswan Dam. Meanwhile, in the 1990s, students fight security forces and binge on pills amid the dysfunctional remnants of a centralized state whose gravitational pull uprooted their parents and offered the possibility of assimilation into a national identity.
 
Through the clear sky of Abdellatif’s novel his characters, the spaces they call home, their way-stations, and even the nation that contains them all are a murmuration of starlings, held together and apart forever.
 

This book presents three of the works of Abduʾl-Bahā, son of the founder of the Bahāʾi Faith, which deal with social and political issues.

In The Secret of Divine Civilization (1875) Abduʾl-Bahā supports the administrative and broader social reforms of Mirzā Hosayn Khān, but looks mainly for organic reform through the efforts of Iranian intellectuals to awaken and educate the masses. In this work, Abduʾl-Bahā gives virtuous and progressive Islamic clerics a leading role among these intellectuals—indeed most of his appeals are directed specifically to them.  A Traveller’s Narrative (1889/90) is an authoritative statement of the overarching concepts of Bahā’i social and political thinking. The Art of Governance (1892/93) was written as Iran entered a prerevolutionary phase, and ideas that we recognize today as the precursors of political Islam were spreading. It sets out the principles underlying the ideal relationship between religion and politics and between the government and the people.

In addition to presenting the first parallel text translations of these works, the Persian texts incorporate notes on variants in the early published sources. An introduction outlines the intellectual and political landscape from which Abduʾl-Bahā wrote, and in which his readers lived.

In Against the Closet, Aliyyah I. Abdur-Rahman interrogates and challenges cultural theorists' interpretations of sexual transgression in African American literature. She argues that, from the mid-nineteenth century through the twentieth, black writers used depictions of erotic transgression to contest popular theories of identity, pathology, national belonging, and racial difference in American culture. Connecting metaphors of sexual transgression to specific historical periods, Abdur-Rahman explains how tropes such as sadomasochism and incest illuminated the psychodynamics of particular racial injuries and suggested forms of social repair and political redress from the time of slavery, through post-Reconstruction and the civil rights and black power movements, to the late twentieth century.

Abdur-Rahman brings black feminist, psychoanalytic, critical race, and poststructuralist theories to bear on literary genres from slave narratives to science fiction. Analyzing works by African American writers, including Frederick Douglass, Pauline Hopkins, Harriet Jacobs, James Baldwin, and Octavia Butler, she shows how literary representations of transgressive sexuality expressed the longings of African Americans for individual and collective freedom. Abdur-Rahman contends that those representations were fundamental to the development of African American forms of literary expression and modes of political intervention and cultural self-fashioning.

This richly illustrated book explores the large body of sculpture, paintings, and other religious imagery produced for China's common classes from the third to the sixth centuries C.E. In contrast to the works made for imperial patrons, illustrious monastics, or other luminaries, these ordinary images-modest in scale, mass produced, and at times incomplete-were created for those of lesser standing. Because they cannot be related to well-known historical figures or social groups, these images have been considered a largely nebulous, undistinguished mass of works.

Situating his study in the gaps between conventional categories such as Buddhism, Daoism, and Chinese popular art, Abe examines works—including some of the earliest known examples of Buddha-like images in China—that were commissioned by patrons of modest standing and produced by nameless artists and artisans. Sophisticated and lucidly written, Ordinary Images offers an unprecedented exploration of the lively and diverse nature of image making and popular practices.

This volume is devoted to the syntax and semantics of various languages, studied with models based on constraints. Both French and international linguists present their work in tribute to Danièle Godard, emeritus research director at the Centre national de la recherche scientifique in France, a member of the Laboratoire de Linguistique Formelle at Université Paris Diderot, and a specialist in the syntax and semantics of French and Romance languages.

Past research conducted on natural language syntax has occasionally employed the well-known mathematical formalism Context-Free Grammar, defined by Noam Chomsky in 1957. But recent studies have indicated that this approach may not always be ideal in analyzing all types of natural languages. Researchers in theoretical linguistics, psycholinguistics, cognitive science, and in natural language processing have recently converged on a collective insight: formalizing the syntax of words is central to describing, understanding, and analyzing language. This insight has sparked considerable interest in Tree Adjoining Grammar (TAG). Unlike traditional approaches for analyzing natural language syntax, TAG is a lexically-oriented mathematical formalism that can precisely capture the syntactic properties of natural languages such as English, French, and Korean. Tree Adjoining Grammars is the first ever collection of works that discusses the use of the TAG framework in natural language research. The volume begins with an introductory chapter that provides an overview of TAG and key research projects that have utilized the TAG framework in the past. Contributors discuss the formalism itself, its use in analyzing linguistic phenomena, and its use in building natural language processing systems. A glossary and extensive bibliography is included, allowing the volume to be accessible to a broad audience. The selection of works in this volume were presented at the Third International Workshop in Tree Adjoining Grammars and Related Formalisms held in Paris in 1994.

Justice and Administration is an ambitious effort to grapple with justice as a theoretical component of the practice of public administration, yet with sufficient theoretical power to be meaningful in philosophy, political studies, and sociology.

 

The time is ripe for such an effort, as the questions that gather under the labels of modernity, the postmodern and critical theory now transcend a single discipline. The work of John Rawls on justice in public life has had a generation of influence on scholarship, and this work seems to have a high degree of likelihood of making meaningful statements on these questions in the field.

"A stunning, brilliant, absolutely compelling reading of Woolf through the lens of Kleinian and Freudian psychoanalytic debates about the primacy of maternality and paternality in the construction of consciousness, gender, politics, and the past, and of psychoanalysis through the lens of Woolf's novels and essays. In addition to transforming our understanding of Woolf, this book radically expands our understanding of the historicity and contingent construction of psychoanalytic theory and our vision of the potential of psychoanalytic feminism."—Nancy J. Chodorow, University of California at Berkeley

"Virginia Woolf and the Fictions of Psychoanalysis brings Woolf's extraordinary craftsmanship back into view; the book combines powerful claims about sexual politics and intellectual history with the sort of meticulous, imaginative close reading that leaves us, simply, seeing much more in Woolf's words than we did before. It is the most exciting book on Woolf to come along in some time."—Lisa Ruddick, Modern Philology

Selected from the first thirty issues of Signs: Journal of Women in Culture and Society, the thirteen articles in this volume indicate salient trends in feminist scholarship since 1975. Covering a wide variety of disciplines, this collection is representative of that scholarship, which has permanently altered accustomed patterns of thought by challenging basic theoretical frameworks in many academic disciplines. The contributors to this volume are Joan Kelly-Gadol, Carroll Smith-Rosenberg, Fatima Mernissi, Myra Jehlen, Elaine H. Pagels, Evelyn Fox Keller, Donna Haraway, Adrienne Rich, Diane K. Lewis, Heidi Hartmann, Catharine A. MacKinnon, Judith Herman, and Lisa Hirchman, and Helene Cixous.

Hospices have played a critical role in transforming ideas about death and dying. Viewing death as a natural event, hospices seek to enable people approaching mortality to live as fully and painlessly as possible. Award-winning medical historian Emily K. Abel provides insight into several important issues surrounding the growth of hospice care. Using a unique set of records, Prelude to Hospice expands our understanding of the history of U.S. hospices. Compiled largely by Florence Wald, the founder of the first U.S. hospice, the records provide a detailed account of her experiences studying and caring for dying people and their families in the late 1960s and early 1970s. Although Wald never published a report of her findings, she often presented her material informally. Like many others seeking to found new institutions, she believed she could garner support only by demonstrating that her facility would be superior in every respect to what currently existed. As a result, she generated inflated expectations about what a hospice could accomplish. Wald’s records enable us to glimpse the complexities of the work of tending to dying people. 

The history of medicine is much more than the story of doctors, nurses, and hospitals. Seeking to understand the patient’s perspective, historians scour the archives, searching for rare personal accounts. Bringing together a trove of more than 400 family letters by Charles Dwight Willard, Suffering in the Land of Sunshine provides a unique window into the experience of sickness.

A Los Angeles civic leader at the turn of the twentieth century, Willard is well known to historians of the West, but exclusively for his public life as a booster and reformer. Willard’s evocative story offers fresh insights into several critical issues, including how concepts of gender, class, and race shape patients’ representations of their illness, how expectations of cure affect the illness experience, how different cultures constrain the coping strategies of the sick, and why robust health is such an exalted value in certain societies.

Though notorious for its polluted air today, the city of Los Angeles once touted itself as a health resort. After the arrival of the transcontinental railroad in 1876, publicists launched a campaign to portray the city as the promised land, circulating countless stories of miraculous cures for the sick and debilitated. As more and more migrants poured in, however, a gap emerged between the city’s glittering image and its dark reality.

            Emily K. Abel shows how the association of the disease with “tramps” during the 1880s and 1890s and Dust Bowl refugees during the 1930s provoked exclusionary measures against both groups. In addition, public health officials sought not only to restrict the entry of Mexicans (the majority of immigrants) during the 1920s but also to expel them during the 1930s. 

            Abel’s revealing account provides a critical lens through which to view both the contemporary debate about immigration and the U.S. response to the emergent global tuberculosis epidemic.

The feminist campaign against pornography, the furor over a racial epithet in the O. J. Simpson trial, and Iran's continuing threat to kill Salman Rushdie exemplify the intense passions aroused by hurtful speech. Richard Abel offers an original framework for understanding and attempting to resolve these pervasive and intractable conflicts. Drawing on sociological theories of symbolic politics, he views such confrontations as struggles for respect among status categories defined by nationality, religion, race, gender, sexual orientation, and physical difference. Abel convincingly exposes the inadequacies of the conventional responses to speech: absolutist civil libertarianism and enthusiastic state regulation. Instead, he argues, only apologies exchanged within the communities that construct collective identities can readjust social standing damaged by hurtful words and images. In recasting the problem in terms of equalizing cultural capital, Abel opens a new pathway through the wrongs and rights of speech.

The majority of the 30,000-plus undergraduates at the University of Illinois, Urbana-Champaign—including the large population of Korean American students—come from nearby metropolitan Chicago. Among the campus’s largest non-white ethnicities, Korean American students arrive at college hoping to realize the liberal ideals of the modern American university, in which individuals can exit their comfort zones to realize their full potential regardless of race, nation, or religion. However, these ideals are compromised by their experiences of racial segregation and stereotypes, including images of instrumental striving that set Asian Americans apart. In The Intimate University, Nancy Abelmann explores the tensions between liberal ideals and the particularities of race, family, and community in the contemporary university.

Drawing on ten years of ethnographic research with Korean American students at the University of Illinois and closely following multiple generations of a single extended Korean American family in the Chicago metropolitan area, Abelmann investigates the complexity of racial politics at the American university today. Racially hyper-visible and invisible, Korean American students face particular challenges as they try to realize their college dreams against the subtle, day-to-day workings of race. They frequently encounter the accusation of racial self-segregation—a charge accentuated by the fact that many attend the same Evangelical Protestant church—even as they express the desire to distinguish themselves from their families and other Korean Americans. Abelmann concludes by examining the current state of the university, reflecting on how better to achieve the university’s liberal ideals despite its paradoxical celebration of diversity and relative silence on race.

Henry Abelove, literary critic, astute historian, and pioneer in queer studies, offers interdisciplinary views on the connections between politics, culture, and sexuality. Deep Gossip addresses the willful misreading of Freud's views on homosexuality among American psychoanalysts; reconsiders sexual practice during England's eighteenth century; assesses the contemporary relevance of Thoreau's Walden, particularly to queer politics; and traces the emergence of a queer critique of previous approaches to lesbian and gay history. Abelove uncovers the origins of American studies as a scholarly discipline and evaluates the impact of literature - specifically the same-sex eroticism found in works by such writers as James Baldwin, Elizabeth Bishop, Paul Bowles, and Ned Rorem - on the gay liberation movement of the 1970s. The essays gathered in Deep Gossip confirm Henry Abelove's reputation as one of America's leading thinkers on the cultural politics of sexuality.

In Austronesia—the region that stretches from Madagascar in the west to Easter Island in the east—music plays a vital role in both the construction and expression of social and cultural identities. Yet research into the music of Austronesia has hitherto been sparse. Drawing together contemporary cultural studies and musical analysis, Austronesian Soundscapes will fill this research gap, offering a comprehensive analysis of traditional and contemporary Austronesian music and, at the same time, investigating how music reflects the challenges that Austronesian cultures face in this age of globalization.

Daring new theories of masculinity, built from a large and geographically diverse interview study of transgender men
 

American masculinity is being critiqued, questioned, and reinterpreted for a new era. In Men in Place Miriam J. Abelson makes an original contribution to this conversation through in-depth interviews with trans men in the U.S. West, Southeast, and Midwest, showing how the places and spaces men inhabit are fundamental to their experiences of race, sexuality, and gender.

Men in Place explores the shifting meanings of being a man across cities and in rural areas. Here Abelson develops the insight that individual men do not have one way to be masculine—rather, their ways of being men shift between different spaces and places. She reveals a widespread version of masculinity that might be summed up as “strong when I need to be, soft when I need to be,” using the experiences of trans men to highlight the fundamental construction of manhood for all men.

With an eye to how societal institutions promote homophobia, transphobia, and racism, Men in Place argues that race and sexuality fundamentally shape safety for men, particularly in rural spaces, and helps us to better understand the ways that gender is created and enforced.

Winner of the seventh annual Arkansas Poetry Award, William Aberg presents in The Listening Chamber a gallery of poetic forms, from short free-verse lyrics and crafted prose poems to original forms skillfully matched with their subjects. He writes comfortably of cats or derringers, the idylls of childhood, or of patients in mental hospitals. Throughout his poetry there runs a proletarian strain of dissatisfaction, an unrest coupled with dexterous wit and a remarkable sense of wonder. Convincingly, he populates these poems with farm workers, romantics, fugitives, lovers, beeches, elms, and constellations. With influences as wide ranging as William Stafford, Miklos Radnoti, and René Magritte, Aberg has fashioned a first collection in which every poem is a unique and haunting experience.

In School Choice and the Future of American Democracy, Scott Franklin Abernathy shows what is lost in the school choice debate. Abernathy looks at parents as citizens who exert power over the educational system through everything from their votes on school budgets to their membership on school boards. Challenging the assumption that public schools will improve when confronted with market-based reforms, Abernathy examines the possibility that public schools will become more disconnected and isolated as civic life is privatized.

"Scott Abernathy takes up big questions and provides answers grounded in the complex reality of policy and politics. School Choice and the Future of American Democracy is a book written for those who understand that the world does not fit the simple explanations too often put forward."
--Clarence Stone, Professor Emeritus, University of Maryland, and Research Professor, George Washington University

"Will school choice revive or eviscerate democratic processes and institutions? Will it narrow or exacerbate the range of educational inequities? This book takes several differently angled slices into these questions and draws intriguing answers."
--Jeffrey R. Henig, Teachers College, Columbia University, and author of Rethinking School Choice: Limits of the Market Metaphor

"Through extensive research and refreshingly impartial analysis, Scott Abernathy probes how the use of market principles to reform public schools affects democratic citizenship. Treating citizens first and foremost as customers, he finds, threatens civic engagement and the well-being of schools, especially in the nation's neediest communities. This thoughtful and balanced appraisal is must-reading for those concerned about the future of American education and democracy."
--Suzanne Mettler, Alumni Associate Professor, Syracuse University, and author of Soldiers to Citizens: The G.I. Bill and the Making of the Greatest Generation

Scott Franklin Abernathy is Assistant Professor of Political Science, University of Minnesota

A reprint of Abernethy's excellent historical study of the state of Tennesse from its founding through the antebellum years. In documenting the development of an agrarian society on the frontier, Abernethy develops important and controversial theses on the relation between frontier life and the development of American democracy, calling into question the mythology and motives previously associated with leaders such as William Blount, Andrew Jackson, James K. Polk, and Andrew Johnson.

The Formative Period in Alabama, 1815-1828 is a beautifully crafted history of the evolution of the state written by Thomas Perkins Abernethy in 1922. The work shows how Alabama grew out of the Mississippi Territory and discusses the economic and political development during the years just before and just after Alabama became a state.

In Colcha, Aaron Abeyta blends the contrasting rhythms of the English and Spanish languages, finding music in a simple yet memorable lyricism without losing the complexity and mystery of personal experience. His forty-two poems take the reader on a journey through a contemplative personal history that explores communal, political and societal issues as well as the individual experiences of family and friends. With his distinctive voice, Abeyta invites people of all cultures to enter his poems by exploring the essence of humanity as expressed by his particular Hispanic culture and heritage.

Marked by intimacy and deep sentiment, Colcha not only acquaints us with the land of Abeyta's people, but also reveals the individuals from his life and family history in the most colorful and delicate detail. We meet his abuelitos (grandparents) in poems such as "colcha" and "3515 Wyandot," and hear of their connection to the tierra and its seasons, their labor and its bounty presented both viscerally and lovingly. We also meet the nameless people: the rancheros and the herders and the farmers, the locals in their pick-up trucks, and the women who make the tortillas. Abeyta's reflections on the plight, loves, joys, failures, and exploitation of the common person in such poems as "cuando se secan las acequias," "untitled (verde)," and "cinco de mayo" belong to the literary heritage of such poets as Pablo Neruda, Federico Garcia Lorca, and Walt Whitman.

Colcha is not just for those who love poetry, but for all people who wish to be moved by the music of language and, while listening, perhaps to gain some personal insight into their own lives and cultural traditions.

Through epistolary essays and poems, American Book Award- and Colorado Book Award-winning author and poet Aaron A. Abeyta captures the soul of the cultural and geographical crossroads of the driest quadrant in the nation, the Colorado headwaters, source to all the rivers in the southwestern and mid-western United States. Originating from and expanding on the themes of twenty-five years of “Headwaters” conferences at Western State Colorado University, these essays and poems embrace the region’s past while also exploring the struggles of a present that seeks a sustainable future for the borderlands that define the very cross-cultural essence of the American experience.

In the early 1990s, at the watershed age of thirty, Marilyn Abildskov decided she needed to start over. She accepted an offer to move from Utah to Matsumoto, Japan, to teach English to junior high school students. “All I knew is that I had to get away and when I stared at my name on the Japanese contract, the squiggles of katakana, my name typed in English sturdily beneath, I liked how it looked. As if it—as if I—were translated, transformed, emerging now as someone new.”

The Men in My Country is the story of an American woman living and loving in Japan. Satisfied at first to observe her exotic surroundings, the woman falls in love with the place, with the light, with the curve of a river, with the smell of bonfires during obon, with blue and white porcelain dishes, with pencil boxes, and with small origami birds. Later, struggling for a deeper connection—“I wanted the country under my skin”—Abildskov meets the three men who will be part of her transformation and the one man with whom she will fall deeply in love.

A travel memoir offering an artful depiction of a very real place, The Men in My Country also covers the terrain of a complex emotional journey, tracing a geography of the heart, showing how we move to be moved, how in losing ourselves in a foreign place we can become dangerously—and gloriously—undone.

This volume breaks new ground in the study of how national culture, disciplinary tradition, epistemological choice, and political expediency affect the construction of collective memory and, then, how historians work with—and sometimes against—those constructions. Essays focus on a variety of commemorative rites, ranging from the quincentennial of Copernicus to the centennials of Pasteur, Darwin, and Planck; from the tercentenary of Harvard to the half centennial of Los Alamos; from the centennial of evolutionary theory to anniversaries of research schools in molecular biology.

Contributors include Clark A. Elliott, Owen Gingerich, Dieter Hoffmann, Dominque Pestre, Robert W. Seidel, and V. Betty Smocovitis.

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Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas. Still others focus on early cinema's intertextual relations with various forms of mass culture (from magazine stories or sensational melodramas in the United States to the tango craze in Russia), and on reception in silent cinema (from black audiences in Chicago to women's fan magazines of the 1920s). Taken together, the contributors to this volume suggest provocative parallels between silent cinema at the turn of the last century and "postmodern" cinema at the end of our own. This book is an important contribution to the study of silent film and a key addition to this new series.

Twenty-six leading American geographers meditate on the themes that unify contemporary geography. They emphasize the concepts and methods that run through all geography's sub-disciplines and give it a distinctive place among both the natural and social sciences.

Prepared under the sponsorship of the American Association of Geographers for the International Geographical Congress 1992, these insightful essays on the character of the discipline and its future will be required reading for every student of the field.

Hosam Aboul-Ela provides a startlingly original perspective on Faulkner, examining his work in the transnational context of the “Global South”: the geopolitical and economic dynamics of the post-Reconstruction period that link the American South to the larger colonial tradition. Other South thus raises new questions as to the scope and attitude of Faulkner's project, positioning Faulkner's work as an inherent critique of colonialism and emphasizing a more specific conceptualization of coloniality.

Engaging with ideas and thinkers from the former colonies, Aboul-Ela draws on an understanding of economics, social structures, and the colonial/neocolonial status of the Third World, stepping outside the preconceptions of current postcolonial studies to offer a fresh perspective on our shared literary heritage and a new look at an iconic literary figure.

Domestications traces a genealogy of American global engagement with the Global South since World War II. Hosam Aboul-Ela reads American writers contrapuntally against intellectuals from the Global South in their common—yet ideologically divergent—concerns with hegemony, world domination, and uneven development. Using Edward Said’s Culture and Imperialism as a model, Aboul-Ela explores the nature of U.S. imperialism’s relationship to literary culture through an exploration of five key terms from the postcolonial bibliography: novel, idea, perspective, gender, and space.

Within this framework the book examines juxtapositions including that of Paul Bowles’s Morocco with North African intellectuals’ critique of Orientalism, the global treatment of Vietnamese liberation movements with the American narrative of personal trauma in the novels of Tim O’Brien and Hollywood film, and the war on terror’s philosophical idealism with Korean and post-Arab nationalist materialist archival fiction.

Domestications departs from other recent studies of world literature in its emphases not only on U.S. imperialism but also on intellectuals working in the Global South and writing in languages other than English and French. Although rooted in comparative literature, its readings address issues of key concern to scholars in American studies, postcolonial studies, literary theory, and Middle Eastern studies.