This is the first biography of the important but long-forgotten American inventor Charles Francis Jenkins (1867-1934). Historian Donald G. Godfrey documents the life of Jenkins from his childhood in Indiana and early life in the West to his work as a prolific inventor whose productivity was cut short by an early death. Jenkins was an inventor who made a difference.
As one of America's greatest independent inventors, Jenkins's passion was to meet the needs of his day and the future. In 1895 he produced the first film projector able to show a motion picture on a large screen, coincidentally igniting the first film boycott among his Quaker viewers when the film he screened showed a woman's ankle. Jenkins produced the first American television pictures in 1923, and developed the only fully operating broadcast television station in Washington, D.C. transmitting to ham operators from coast to coast as well as programming for his local audience.
Godfrey's biography raises the profile of C. Francis Jenkins from his former place in the footnotes to his rightful position as a true pioneer of today's film and television. Along the way, it provides a window into the earliest days of both motion pictures and television as well as the now-vanished world of the independent inventor.
C. L. R. James in Imperial Britain chronicles the life and work of the Trinidadian intellectual and writer C. L. R. James during his first extended stay in Britain, from 1932 to 1938. It reveals the radicalizing effect of this critical period on James's intellectual and political trajectory. During this time, James turned from liberal humanism to revolutionary socialism. Rejecting the "imperial Britishness" he had absorbed growing up in a crown colony in the British West Indies, he became a leading anticolonial activist and Pan-Africanist thinker. Christian Høgsbjerg reconstructs the circumstances and milieus in which James wrote works including his magisterial study The Black Jacobins. First published in 1938, James's examination of the dynamics of anticolonial revolution in Haiti continues to influence scholarship on Atlantic slavery and abolition. Høgsbjerg contends that during the Depression C. L. R. James advanced public understanding of the African diaspora and emerged as one of the most significant and creative revolutionary Marxists in Britain.
C. L. R. James’s Caribbean
Paget Henry and Paul Buhle, eds. Duke University Press, 1992 Library of Congress PR9272.9.J35Z63 1992 | Dewey Decimal 818
For more than half a century, C. L. R. James (1901–1989)—"the Black Plato," as coined by the London Times—has been an internationally renowned revolutionary thinker, writer, and activist. Born in Trinidad, his lifelong work was devoted to understanding and transforming race and class exploitation in his native West Indies, as well as in Britain and the United States. In C. L. R. James's Caribbean, noted scholars examine the roots of both James's life and oeuvre in connection with the economic, social, and political environment of the West Indies.
Drawing upon James's observations of his own life as revealed to interviewers and close friends, this volume provides an examination of James's childhood and early years as colonial literatteur and his massive contribution to West Indian political-cultural understanding. Moving beyond previous biographical interpretations, the contributors here take up the problem of reading James's texts in light of poststructuralist criticism, the implications of his texts for Marxist discourse, and for problems of Caribbean development.
Between 1896 and 1906, Charles Rennie Mackintosh (1868–1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship", in which the structure, features, interiors and furnishings of each individual building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved allowing for the formulation of an almost infinite series of ensembles.
After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system – the suffused eroticism of the sleek, "feminine" and intensely private "white interiors". A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.
Cabbage has as many faces as it does leafy furbelows. How could a vegetable be so beloved, so universal, and at the same time so disdained? One of the oldest crops in the world, cabbage has for millennia provided European and Asian peoples with vitamins A and C . . . and babies—a belief lent credence by folktales about infants found “under a cabbage leaf” as well as contemporary Cabbage Patch Kids. Cabbage is both a badge of poverty and an emblem of national pride; a food derided as cheap, common, and crass, and an essential ingredient in iconic dishes from sauerkraut to kimchi. Cabbage is also easy to grow, because it contains sulfurous compounds that repel insect pests in the wild—and human diners who smell its distinctive aroma.
We can’t live without cabbage, but we don’t want to stand downwind of it, and in this lively book, Meg Muckenhoupt traces this culinary paradox. From senators’ speeches in ancient Rome to South Korean astronauts’ luggage, she explores the cultural and chemical basis for cabbage’s smelly reputation and enduring popularity. Filled with fascinating facts and recipes for everything from French cabbage soup to sauerkraut chocolate cake, Cabbage is essential reading for both food lovers and historians around the globe—and anyone craving their daily dose of leafy greens.
Cabin, Clearing, Forest
Zach Falcon University of Alaska Press, 2015 Library of Congress PS3606.A4235A6 2016 | Dewey Decimal 813.6
“People break my heart. Every single one of them does.” In settings that range from rural fishing communities to the urban capital, the stories of Cabin, Clearing, Forest are a lyrical road map to the human landscape of contemporary Alaska. In “Blue Ticket,” a stranger finds solace in a Juneau homeless encampment. Old friends argue over the pleasures and perils of small-town life in “A Beginner’s Guide to Leaving Your Hometown,” and in “Every Island Longs for the Continent,” a young family falls apart after moving to Kodiak. In these thirteen stories, Zach Falcon explores the burdens of familiarity and the pains of estrangement through characters struggling with their place in the world.
In May 1940, the British War Cabinet debated over the course of nine meetings a simple question: Should Britain fight on in the face of overwhelming odds, sacrificing hundreds of thousands of lives, or seek a negotiated peace? Using Cabinet papers from the United Kingdom’s National Archives, David Owen illuminates in fascinating detail this little-known, yet pivotal, chapter in the history of World War II.
Eight months into the war, defeat seemed to many a certainty. With the United States still a year and half away from entering, Britain found itself in a perilous position, and foreign secretary Lord Halifax pushed prime minister Winston Churchill to explore the possibility of a negotiated peace with Hitler, using Mussolini as a conduit. Speaking for England is the story of Churchill’s triumph in the face of this pressure, but it is also about how collective debate and discussion won the day—had Churchill been alone, Owen argues, he would almost certainly have lost to Halifax, changing the course of history. Instead, the Cabinet system, all too often disparaged as messy and cumbersome, worked in Britain’s interests and ensured that a democracy on the brink of defeat had the courage to fight on.
An important case study of chiefdom collapse and societal reemergence.
Caborn-Welborn, a late Mississippian (A.D. 1400-1700) farming society centered at the confluence of the Ohio and Wabash Rivers (in what is now southwestern Indiana, southeastern Illinois, and northwestern Kentucky), developed following the collapse of the Angel chiefdom (A.D. 1000-1400). Using ceramic and settlement data, David Pollack examines the ways in which that new society reconstructed social, political, and economic relationships from the remnants of the Angel chiefdom. Unlike most instances of the demise of a complex society led by elites, the Caborn-Welborn population did not become more inward-looking, as indicated by an increase in extraregional interaction, nor did they disperse to smaller more widely scattered settlements, as evidenced by a continuation of a hierarchy that included large villages.
This book makes available for the first time detailed, well-illustrated descriptions of Caborn-Welborn ceramics, identifies ceramic types and attributes that reflect Caborn-Welborn interaction with Oneota tribal groups and central Mississippi valley Mississippian groups, and offers an internal regional chronology. Based on intraregional differences in ceramic decoration, the types of vessels interred with the dead, and cemetery location, Pollack suggests that in addition to the former Angel population, Caborn-Welborn society may have included households that relocated to the Ohio/Wabash confluence from nearby collapsing polities, and that Caborn-Welborn's sociopolitical organization could be better considered as a riverine confederacy.
Cuba’s patron saint, the Virgin of Charity of El Cobre, also called Cachita, is a potent symbol of Cuban national identity. Jalane D. Schmidt shows how groups as diverse as Indians and African slaves, Spanish colonial officials, Cuban independence soldiers, Catholic authorities and laypeople, intellectuals, journalists and artists, practitioners of spiritism and Santería, activists, politicians, and revolutionaries each have constructed and disputed the meanings of the Virgin. Schmidt examines the occasions from 1936 to 2012 when the Virgin's beloved, original brown-skinned effigy was removed from her national shrine in the majority black- and mixed-race mountaintop village of El Cobre and brought into Cuba's cities. There, devotees venerated and followed Cachita's image through urban streets, amassing at large-scale public ceremonies in her honor that promoted competing claims about Cuban religion, race, and political ideology. Schmidt compares these religious rituals to other contemporaneous Cuban street events, including carnival, protests, and revolutionary rallies, where organizers stage performances of contested definitions of Cubanness. Schmidt provides a comprehensive treatment of Cuban religions, history, and culture, interpreted through the prism of Cachita.
Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the important questions of identity and personhood of the cemí icons and their human “owners” and the implications of cemí gift-giving and gift-taking that sustains a complex web of relationships between caciques (chiefs) of Puerto Rico and Hispaniola.
Oliver provides a careful analysis of the four major forms of cemís—three-pointed stones, large stone heads, stone collars, and elbow stones—as well as face masks, which provide an interesting contrast to the stone heads. He finds evidence for his interpretation of human and cemí interactions from a critical review of 16th-century Spanish ethnohistoric documents, especially the Relación Acerca de las Antigüedades de los Indios written by Friar Ramón Pané in 1497–1498 under orders from Christopher Columbus. Buttressed by examples of native resistance and syncretism, the volume discusses the iconoclastic conflicts and the relationship between the icons and the human beings. Focusing on this and on the various contexts in which the relationships were enacted, Oliver reveals how the cemís were central to the exercise of native political power. Such cemís were considered a direct threat to the hegemony of the Spanish conquerors, as these potent objects were seen as allies in the native resistance to the onslaught of Christendom with its icons of saints and virgins.
"For persons with a special interest in succulents, and cacti in particular, this book is a must. Others will find the volume of value not only as a means of naming these highly specialized plants but as a source of information on the structure and distribution of the various species."—American Scientist
"Of tremendous value to the professional botanist and ecologist, and with layman English and careful instructions, the work provides the amateur botanist insight into a fascinating family."—Garden Journal
"For the general desert lover as well as the botanist."—Books of the Southwest
Cacti are full of contradictions. Although many are found in the driest and most barren environments on earth, some grow exclusively in the branches of the rainforest canopy. Many species bristle with ferocious-looking spines, while other varieties are perfectly smooth. And while they might strike us as the most austere plants on earth, nearly all of them exhibit remarkable floral displays—some even larger than the plant itself. In Cactus, Dan Torre explores these unique plants as they appear all around the world and throughout art, literature, and popular culture.
As Torre shows, cacti have played a prominent role in human history for thousands of years. Some species were revered by ancient civilizations, playing a part in their religious ceremonies; other varieties have been cultivated for their medicinal properties and even as a source of dye, as in the case of the prickly pear cactus and the cochineal insect, the source of red carmine used in everything from food to lipstick. Torre examines how cacti have figured in low-footprint gardens, as iconic features of the landscapes of Westerns, and as a delicious culinary ingredient, from nutritious Nopal pads to alluring Pitaya—or Dragon—fruits. Entertaining and informative, this book will appeal to any of us who have admired these hardy, efficient plants.
Set primarily in the lonesome southwest desert lands of the 1920s, this novella is a powerful story in which landscape reflects and defines character. In this beautifully written tale, a promising young politician, Grant Arliss, flees from this pressure-ridden life in New York City to the serenity of the desert’s open spaces.
There, he finds not only a place to sort out his confusion but also a remarkable woman, unlike any he has met. In his eyes, Dulcie Adelaid is an aloof creature of the desert who relies only on herself. Challenged and yet inhibited by the desert’s unrelenting force, Arliss admires Dulcie’s instinctive ability to thrive in the harsh country. She also provides a spiritual sustenance that he has never found with any other woman. Together they engage in lively conversations about his political convictions and her beliefs and values. Inspired, Arliss returns to New York where he delivers eloquent speeches to an overwhelmingly supportive constituency.
Placing Cactus Thorn in biographical, feminist, and literary perspective, Melody Graulich's commentary discusses how Austin’s themes are timeless in setting and moral tone. Foreword and afterword by Melody Graulich.
Throughout history the control of land has been the basis of power. Cadastral maps, records of property ownership, played an important role in the rise of modern Europe as tools for the consolidation and extension of land-based national power.
The Cadastral Map in the Service of the State, illustrated with 126 maps, traces the development and application of rural property mapping in Europe from the Renaissance through the nineteenth century. Beginning with a review of the roots of cadastral mapping in the Roman Empire, the authors concentrate on the use of cadastral maps in the Netherlands, France, England, the Nordic countries, the German lands, the territories of the Austrian Habsburgs, and the European colonies. During the sixteenth century government institutions began to use maps to secure economic and political bases; by the nineteenth century these maps had become tools for aggressive governmental control of land as tax bases, natural resources, and national territories. This work demonstrates how the seemingly neutral science of cartography became a political instrument for national
The manuscript of Cadastral Maps in the Service ofthe State was awarded the Kenneth Nebenzahl Prize in 1991.
Douglas R. Parks University of Chicago Journals, 1977
This volume includes texts from 6 languages of the Caddoan family with word-by-word glosses. This format illustrates the richness of Caddoan grammar as it is used in context. These texts will be of interest to linguists, typologists, and aficionados of oral narrative, as well as to speakers and learners of Caddoan languages.
Drawing on a rich trove of documents never before available to scholars, the author sketches the early pioneers, their daily lives, their beliefs, and their struggles to survive and prosper in this isolated mountain community, now within the confines of the Great Smoky Mountains National Park.
In moving detail this book brings to life an isolated mountain community, its struggle to survive, and the tragedy of its demise.
"Professor Dunn provides us with a model historical investigation of a southern mountain community. His findings on commercial farming, family, religion, and politics will challenge many standard interpretations of the Appalachian past."
--Gordon B. McKinney, Western Carolina University.
"This is a fine book. . . . It is mostly about community and interrelationships, and thus it refutes much of the literature that presents Southern Mountaineers as individualistic, irreligious, violent, and unlawful."
—Loyal Jones, Appalachian Heritage.
"Dunn . . . has written one of the best books ever produced about the Southern mountains."
—Virginia Quarterly Review.
"This study offers the first detailed analysis of a remote southern Appalachian community in the nineteenth century. It should lay to rest older images of the region as isolated and static, but it raises new questions about the nature of that premodern community."
—Ronald D Eller, American Historical Review
Not only is his book a worthy addition to the growing body of work recognizing the complexities of southern mountain society; it is also a lively testament to the value of local history and the variety of levels at which it can provide significant enlightenment."
—John C. Inscoe,LOCUS
More than two millennia have passed since Brutus and his companions murdered Julius Caesar—and inaugurated his legend. Though the assassins succeeded in ending Caesar’s dictatorship, they could never have imagined that his power and influence would only grow after his death, reaching mythic proportions and establishing him as one of the central icons of Western culture, fascinating armchair historians and specialists alike.
With Caesar, Maria Wyke takes up the question of just why Julius Caesar has become such an exalted figure when most of his fellow Romans have long been forgotten. Focusing on key events in Caesar’s life, she begins with accounts from ancient sources, then traces the ways in which his legend has been adapted and employed by everyone from Machiavelli to Madison Avenue, Shakespeare to George Bernard Shaw. Napoleon and Mussolini, for example, cited Caesar’s crossing of the Rubicon in defense of their own dictatorial aims, while John Wilkes Booth fancied himself a new Brutus, ridding America of an imperial scourge. Caesar’s personal life, too, has long been fair game—but the lessons we draw from it have changed: Suetonius derided Caesar for his lustfulness and his love of luxury, but these days he and his lover Cleopatra serve as the very embodiment of glamour, enticingly invoked everywhere from Caesars Palace in Las Vegas to the hit HBO series Rome.
Caesar is the witty and perceptive work of a writer who is as comfortable with the implications of Xena: Warrior Princess as with the long shadow cast by the Annals of Tacitus. Wyke gives us a Caesar for our own time: complicated, hotly contested, and perpetually, fascinatingly renewed.
Cafe Indiana is both a guide to Indiana’s hometown mom-and-pop restaurants and a reclamation and celebration of small-town Midwest culture. The hungry diner looking for adventure and authenticity can use Cafe Indiana simply as a guide to the state’s quintessential eats: the best fiddlers, macaroni and cheese, soup beans, and beef Manhattan. But Stuttgen also captures the spirit of the locals, bringing to life the people whose stories give the book—and the food—its soul.
Over plates of chicken and noodles, fried bologna sandwiches, and sugar cream pie, folks are crafting community at the Main Street eatery. In Cafe Indiana, Hoosiers and out-of-staters alike are invited to pull out a chair and sit a spell.
Cafe Indiana Cookbook
Joanne Raetz Stuttgen University of Wisconsin Press, 2010 Library of Congress TX715.2.M53S775 2010 | Dewey Decimal 641.5977
Joanne Raetz Stuttgen’s cafe guides showcase popular regional diner traditions. In her companion book Cafe Indiana she introduces travelers to the state’s top mom-and-pop restaurants. Now, Cafe Indiana Cookbook allows you to whip up local cafe classics yourself. Breakfast dishes range from Swiss Mennonite eier datch (egg pancakes) to biscuits and gravy; entree highlights include chicken with noodles (or with dumplings) and the iconic Hoosier breaded pork tenderloin sandwich. For dessert, try such Indiana favorites as apple dapple cake or rhubarb, coconut cream, or sugar cream pie . All 130 recipes have been kitchen-tested by Jolene Ketzenberger, food writer for the Indianapolis Star. Cafe Indiana Cookbook reveals the favorite recipes of Indiana’s Main Street eateries, including some rescued for publication before a diner’s sad closure, and documents old-fashioned delicacies now fading from the culinary landscape—like southern Indiana’s fried brain sandwiches.
Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, the boogie-woogie pianists, and legendary gospel and folk artists. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society." Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
Cafe Wisconsin returns in a new, updated version that provides a sure-bet guide to Wisconsin’s best small town, home-cooking cafes. For this second edition, author Joanne Raetz Stuttgen traveled more than 12,000 miles in six months, revisiting old business districts and main streets in search of the ultimate cafe, the perfect slice of homemade pie, and the meaning of life in Wisconsin’s down-home cafes.
Featuring 133 cafes, with another 101 Next Best Bets alternatives, Cafe Wisconsin is every hungry traveler’s guide to real mashed potatoes, melt-in-your-mouth hot beef, from-scratch baked goods, and colorful coffee klatches. At the counter of aptly named cafes like the Coffee Cup, Main Street, and Chatterbox, you’ll laugh with owners, shake dice with customers, and find the authentic taste and flavor of Wisconsin.
Come on. Let’s go out to eat!
Cafe Wisconsin Cookbook
Joanne Raetz Stuttgen and Terese Allen University of Wisconsin Press, 2007 Library of Congress TX715.2.M53S78 2007 | Dewey Decimal 641.59775
Joanne Stuttgen's popular book Cafe Wisconsin guides travelers to Wisconsin's best home-style cafes. Now, continue the journey with the Cafe Wisconsin Cookbook, a compilation of more than one hundred cherished recipes that showcase the distinct culinary and cultural traditions of Wisconsin. From classic pot roasts and country-style pies to long-simmering soups and heritage specialties, the whole soul-satisfying spectrum of Wisconsin cafe fare is here.
Stuttgen tracked down Wisconsin's best small town cafes, from Boscobel to Sturgeon Bay, chatted with owners and customers, took notes, and recorded the history, anecdotes, and recipes behind the food. Tested and fine-tuned by Wisconsin food writer and former chef Terese Allen, these favorite recipes will bring an authentic slice of Wisconsin into your home kitchen.
“It’s Magic Time!” That colorful promise began each performance at the Caffe Cino, the storied Greenwich Village coffeehouse that fostered the gay and alternative theatre movements of the 1960s and launched the careers of such stage mainstays as Sam Shepard, Lanford Wilson, Robert Heide, Harry Koutoukas, Robert Patrick, Robert Dahdah, Helen Hanft, Al Pacino, and Bernadette Peters. As Off-Off-Broadway productions enjoy a deserved resurgence, theatre historian and actor Wendell C. Stone reopens the Cino’s doors in this vibrant look at the earliest days of OOB.
Rife with insider interviews and rich with evocative photographs, Caffe Cino: The Birthplace of Off-Off-Broadway provides the first detailed account of Joe Cino’s iconic café theatre and its influence on American theatre. A hub of artistic innovation and haven for bohemians, beats, hippies, and gays, the café gave a much-sought outlet to voices otherwise shunned by mainstream entertainment. The Cino’s square stage measured only eight feet, but the dynamic ideas that emerged there spawned the numerous alternative theatre spaces that owe their origins to the risky enterprise on Cornelia Street.
Laura Wilmote is a television journalist living in Paris. Her life couldn’t be better—a stimulating job, a loving boyfriend, interesting friends—until her phone rings in the middle of one night. It is C., an old school friend whom Laura recently helped find a job at the same television station: “My phone rang. I knew right away it was you.”
Thus begins the story of C.’s unrelenting, obsessive, incurable love/hatred of Laura. She is convinced that Laura shares her love, but cannot—or will not—admit it. C. begins to dress as Laura, to make her friends and family her own, and even succeeds in working alongside Laura on the unique program that is Laura’s signature achievement. The obsession escalates, yet is artfully hidden. It is Laura who is perceived as the aggressor at work, Laura who appears unwell, Laura who is losing it. Even Laura’s adoring boyfriend begins to question her. Laura seeks the counsel of a psychiatrist who diagnoses C. with De Clérambault syndrome—she is convinced that Laura is in love with her. And worse, the syndrome can only end in one of two ways: the death of the patient, or that of the object of the obsession.
A Cage in Search of a Bird is the gripping story of two women caught in the vise of a terrible delusion. Florence Noiville brilliantly narrates this story of obsession and one woman’s attempts to escape the irrational love of another—an inescapable, never-ending love, a love that can only end badly.
Haiku at its best is an art in which the poet takes a natural, most ordinary event, and without fuss, ornament or inflated words makes of it a rare moment — sparely rendered, crystallized into a microcosm which reveals transcendent unity. Small wonder haiku has a growing audience throughout the world.
In all arts — music, painting, dance, theatre — change has come with that startling moment of dissatisfaction when the artist upends complacency, shocks the old to its foundations, and emerges with clear vision. He has had the courage to rescue his art from dullness. Two of Japan’s “Great Four” of haiku, Basho (1644-94) and Shiki (1862-1902), were such revolutionaries, albeit two hundred years apart. Before Basho, haiku was but a pleasant occupation for the idle. He set about transforming it with such success that experts to this day agree that his were the first true haiku.
Shiki, who lived into the 20th century, was passionate in his attempt to salvage haiku from its past, sending out shock waves by dismissing virtually all earlier work, including most of Basho’s. He saw it as his mission to make a difference — to let nothing, not even the most revered, stand in the way. He proclaimed, “A poem has no meaning. It is feeling alone.” And he practiced what he preached.
lies, lies, lies.
These modern Japanese poets, many of whom are translated here into English for the first time, learned as much from Basho as from Shiki, and from Buson (1715-83) and Issa (1763-1827), the “Great Four.” Yet in a sense they are followers of Shiki, in spite of the harshness of his views and the impossibly high standards he demanded. They were forced to reckon with him, became willing participants in a heated dialogue with him. They had to: his spirit dominated the age. Stryk captures that spirit here, in this Cage of Fireflies.
Caged in on the Outside is an intimate ethnographic exploration of the ways in which Minangkabau people understand human value. Minangkabau, an Islamic society in Indonesia that is also the largest matrilineal society in the world, has long fascinated anthropologists. Gregory Simon’s book, based on extended ethnographic research in the small city of Bukittinggi, shines new light on Minangkabau social life by delving into people’s interior lives, calling into question many assumptions about Southeast Asian values and the nature of Islamic practice. It offers a deeply human portrait that will engage readers interested in Indonesia, Islam, and psychological anthropology and those concerned with how human beings fashion and reflect on the moral meanings of their lives.
Simon focuses on the tension between the values of social integration and individual autonomy—both of which are celebrated in this Islamic trading society. The book explores a series of ethnographic themes, each one illustrating a facet of this tension and its management in contemporary Minangkabau society: the moral structure of the city and its economic life, the nature of Minangkabau ethnic identity, the etiquette of everyday interactions, conceptions of self and its boundaries, hidden spaces of personal identity, and engagements with Islamic traditions. Simon draws on interviews with Minangkabau men and women, demonstrating how individuals engage with cultural forms and refashion them in the process: forms of etiquette are transformed into a series of symbols tattooed on and then erased from a man’s skin; a woman shares a poem expressing an identity rooted in what cannot be directly revealed; a man puzzles over his neglect of Islamic prayers that have the power to bring him happiness.
Applying the lessons of the Minangkabau case more broadly to debates on moral life and subjectivity, Simon makes the case that a deep understanding of moral conceptions and practices, including those of Islam, can never be reached simply by delineating their abstract logics or the public messages they send. Instead, we must examine the subtle meanings these conceptions and practices have for the people who live them and how they interact with the enduring tensions of multidimensional human selves. Borrowing a Minangkabau saying, he maintains that whether emerging in moments of suffering or flourishing, moral subjectivity is always complex, organized by ambitions as elusive as being “caged in on the outside.”
Blending political, historical, and sociological analysis, Bernard S. Silberman offers a provocative explanation for the bureaucratic development of the modern state. The study of modern state bureaucracy has its origins in Max Weber's analysis of the modes of social domination, which Silberman takes as his starting point.
Whereas Weber contends that the administration of all modern nation-states would eventually converge in one form characterized by rationality and legal authority, Silberman argues that the process of bureaucratic rationalization took, in fact, two courses. One path is characterized by permeable organizational boundaries and the allocation of information by "professionals." The other features well-defined boundaries and the allocation of information by organizational rules. Through case studies of France, Japan, the United States, and Great Britain, Silberman demonstrates that this divergence stems from differences in leadership structure and in levels of uncertainty about leadership succession in the nineteenth century.
Silberman concludes that the rise of bureacratic rationality was primarily a response to political problems rather than social and economic concerns. Cages of Reason demonstrates how rationalization can have occurred over a wide range of cultures at various levels of economic development. It will be of considerable interest to readers in a number of disciplines: political science, sociology, history, and public administration.
"Silberman has produced an invaluable, densely packed work that those with deep knowledge of public administrative development will find extremely rewarding." —David H. Rosenbloom, American Political Science Review
"An erudite, incisive, and vibrant book, the product of intensive study and careful reflection. Given its innovative theoretical framework and the wealth of historical materials contained in it, this study will generate debate and stimulate research in sociology, political science, and organizational theory. It is undoubtedly the best book on the comparative evolution of the modern state published in the last decade."—Mauro F. Guillen, Contemporary Sociology
With a death rate of 5 percent, Alabama's Cahaba Federal Prison boasted a better survival rate than the notorious Confederate prisoner-of-war camps of Andersonville, Libby Prison, Elmira, Rock Island, Johnson's Island, and Camp Douglas. Yet it was a ghastly facility, a hastily converted agricultural warehouse so overcrowded that each man barely had space to lie down to sleep.
At the war's conclusion in 1865, however, in a harrowing reversal of the inmates' fates, captured Union soldiers were sent on a grueling overland march to the Mississippi River. Held there in camps at Vicksburg along with other prisoners of war, the soldiers embarked on the steamship Sultana for transportation north.
Traveling first to New Orleans and then heading north, the vessel held by some estimates six times more passengers than its safe limit, many of them ill, injured, or malnourished. The flow of the swollen Mississippi that April was wide, swift, and cold, and the Sultana struggled to make the journey. Then, on April 27, 1865, seven miles north of Memphis, a series of three boilers exploded within seconds of one another.
The lucky passengers were flung into the water as chunks of the Sultana blasted apart. The remaining wooden structure caught fire and the upper deck collapsed. Only an estimated one third of the passengers survived, hundreds of whom later died from their wounds.
First published in 1988, Bryant's account weaves together the many strands of the Cahaba story. Combining masterful storytelling and insightful analysis, he describes Civil War prisons, the history of the Cahaba Federal Prison and its construction, as well as the prison's commanders, prisoners, and local women who provided medical care and food to the prisoners. He tells of the violent struggles among Union inmates, a mutiny and flood that occurred during the final days of the camp, and the harrowing deaths of the liberated soldiers aboard the Sultana. Bryant's Cahaba Prison and the Sultana Disaster remains a vital part of any library of Civil War history.
This study uses the theoretical concepts of agency, power, and ideology to explore the development of cultural complexity within the hierarchically organized Cahokia Middle Mississippian society of the American Bottom from the 11th to the 13th centuries. By scrutinizing the available archaeological settlement and symbolic evidence, Emerson demonstrates that many sites previously identified as farmsteads were actually nodal centers with specialized political, religious, and economic functions integrated into a centralized administrative organization. These centers consolidated the symbolism of such 'artifacts of power' as figurines, ritual vessels, and sacred plants into a rural cult that marked the expropriation of the cosmos as part of the increasing power of the Cahokian rulers.
During the height of Cahokian centralized power, it is argued, the elites had convinced their subjects that they ruled both the physical and the spiritual worlds. Emerson concludes that Cahokian complexity differs significantly in degree and form from previously studied Eastern Woodlands chiefdoms and opens new discussion about the role of rural support for the Cahokian ceremonial center.
Cahokia: Mirror of the Cosmos
Sally A. Kitt Chappell University of Chicago Press, 2002 Library of Congress E99.M6815C55 2002 | Dewey Decimal 977.389
At the turn of the last millennium, a powerful Native American civilization emerged and flourished in the American Midwest. By A.D. 1050 the population of its capital city, Cahokia, was larger than that of London. Without the use of the wheel, beasts of burden, or metallurgy, its technology was of the Stone Age, yet its culture fostered widespread commerce, refined artistic expression, and monumental architecture. The model for this urbane world was nothing less than the cosmos itself. The climax of their ritual center was a four-tiered pyramid covering fourteen acre rising a hundred feet into the sky—the tallest structure in the United States until 1867. This beautifully illustrated book traces the history of this six-square-mile area in the central Mississippi Valley from the Big Bang to the present.
Chappell seeks to answer fundamental questions about this unique, yet still relatively unknown space, which was designated a UNESCO World Heritage Site in 1982. How did this swampy land become so amenable to human life? Who were the remarkable people who lived here before the Europeans came? Why did the whole civilization disappear so rapidly? What became of the land in the centuries after the Mississippians abandoned it? And finally, what can we learn about ourselves as we look into the changing meaning of Cahokia through the ages?
To explore these questions, Chappell probes a wide range of sources, including the work of astronomers, geographers, geologists, anthropologists, and archaeologists. Archival photographs and newspaper accounts, as well as interviews with those who work at the site and Native Americans on their annual pilgrimage to the site, bring the story up to the present.
Tying together these many threads, Chappell weaves a rich tale of how different people conferred their values on the same piece of land and how the transformed landscape, in turn, inspired different values in them-cultural, spiritual, agricultural, economic, and humanistic.
The Cahokia Mounds
Warren King Moorehead, edited and with an introduction by John E. Kelly University of Alabama Press, 2000 Library of Congress E78.I3M66 2000 | Dewey Decimal 977.389
A Dan Josselyn Memorial Publication
This edition of Moorehead's excavations at Cahokia provides a comprehensive collection of Moorehead's investigations of the nation's largest prehistoric mound center.
Covering almost fourteen square kilometers in Illinois, Cahokia Mounds State Historic Site is the largest prehistoric mound center in North America and has been designated a World Heritage Site by the United Nations. Built between A.D. 1050 and 1350, Cahokia originally contained the remains of over 100 earthen mounds that were used as places for Native American rituals, homes of chiefs, or elite tombs. Earlier scientists debated whether the mounds were part of the natural landscape, and many were destroyed by urban and industrial development
This book is a report of archaeological investigations conducted at Cahokia from 1921 to 1927 by Warren K. Moorehead, who confirmed that the mounds were built by indigenous peoples and who worked to assure preservation of the site. The volume includes Moorehead's final 1929 report along with portions of two preliminary reports, covering both Cahokia and several surrounding mound groups.
John Kelly's introduction to the book sets Moorehead's investigations in the context of other work conducted at Cahokia prior to the 1920s and afterwards. Kelly reviews Moorehead's work, which employed 19th-century excavation techniques combined with contemporary analytical methods, and explains how Moorehead contended with local social and political pressures.
Moorehead's work represented important excavations at a time when little other similar work was being done in the Midwest. The reissue of his findings gives us a glimpse into an important archaeological effort and helps us better appreciate the prehistoric legacy that he helped preserve.
Critical new discoveries and archaeological patterns increase understanding of early Mississippian culture and society.
The reasons for the rise and fall of early cities and ceremonial centers around the world have been sought for centuries. In the United States, Cahokia has been the focus of intense archaeological work to explain its mysteries. Cahokia was the first and exponentially the largest of the Mississippian centers that appeared across the Midwest and Southeast after AD 1000. Located near present-day East St. Louis, Illinois, the central complex of Cahokia spanned more than 12 square kilometers and encompassed more than 120 earthen mounds.
As one of the foremost experts on Cahokia, Susan M. Alt addresses long-standing considerations of eastern Woodlands archaeology—the beginnings, character, and ending of Mississippian culture (AD 1050–1600)—from a novel theoretical and empirical vantage point. Through this case study on farmers’ immigration and resettling, Alt’s narrative reanalyzes the relationship between administration and diversity, incorporating critical new discoveries and archaeological patterns from outside of Cahokia.
Alt examines the cultural landscape of the Cahokia flood plain and the layout of one extraordinary upland site, Grossman, as an administrative settlement where local farmers might have seen or participated in Cahokian rituals and ceremonies involving a web of ancestors, powers, and places. Alt argues that a farming district outside the center provides definitive evidences of the attempted centralized administration of a rural hinterland.
Ever since its scientific discovery, the great Nasca site of Cahuachi on the south coast of the Central Andes has captured the attention of archaeologists, art historians, and the general public. Until Helaine Silverman's fieldwork, however, ancient Nasca culture was seen as an archaeological construct devoid of societal context. Silverman's long-term, multistage research as published in this volume reconstructs Nasca society and contextualizes the traces of this brilliant civilization (ca. 200 B.C.-A.D. 600).
Silverman shows that Cahuachi was much larger and more complex than portrayed in the current literature but that, surprisingly, it was not a densely populated city. Rather, Cahuachi was a grand ceremonial center whose population, size, density, and composition changed to accommodate a ritual and political calendar. Silverman meticulously presents and interprets an abundance of current data on the physical complexities, burials, and artifacts of this prominent site; in addition, she synthesizes the history of previous fieldwork at Cahuachi and introduces a corrected map and a new chronological chart for the Rio Grande de Nazca drainage system.
On the basis of empirical field data, ethnographic analogy, and settlement pattern analysis, Silverman constructs an Andean model of Nasca culture that is crucial to understanding the development of complex society in the Central Andes. Written in a clear and concise style and generously illustrated, this first synthesis of the published data about the ancient Nasca world will appeal to all archaeologists, art historians, urban anthropologists, and historians of ancient civilizations.
In 1980, when the Cabazon Band first opened a small poker club on their Indian reservation in the isolated desert of California, they knew local authorities would challenge them. Cabazon persisted and ultimately won, defeating the State of California in a landmark case before the Supreme Court. By fighting for their right to operate a poker club, Cabazon opened up the possibility for native nations across the United States to open casinos on their own reservations, spurring the growth of what is now a $30 billion industry.
Cahuilla Nation Activism and the Tribal Casino Movement tells the bigger story of how the Cahuilla nations—including the Cabazon—have used self-reliance and determination to maintain their culture and independence against threats past and present. From California’s first governor’s “war of extermination” against native peoples through today’s legal and political challenges, Gordon shows that successful responses have depended on the Cahuilla’s ability to challenge non-natives’ assumptions and misconceptions.
Nezar AlSayyad Harvard University Press, 2011 Library of Congress NA1583.A47 2011 | Dewey Decimal 720.96216
Nezar AlSayyad narrates the many Cairos that have existed through time, offering a panorama unmatched in temporal and geographic scope, through an in-depth examination of the city’s architecture and urban form. His narration illuminates how there can be “no one history of the city, but rather multiple, contested, and often invented histories.”
Cairo is a 1,400-year-old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people's equanimity to the very limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that color and shape lives. Packed with incident and anecdote Cairo: City of Sand describes the city's given circumstances and people's attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world's most illustrious and irreducible cities.
Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition and bureaucracy in everyday life. The book explores Cairo's relationship with its "others", from the French and British occupations to modern influences like tourism and consumerism. Cairo also discusses characteristic styles of communication, and linguistic mêmes, including slang, grandiloquence, curses and jokes.
Cairo exists by virtue of these interactions, synergies of necessity, creativity and the presence or absence of power. Cairo: City of Sand reveals a peerless balancing act, and transmits the city's overriding message: the breadth of the human capacity for loss, astonishment and delight.
Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.
Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and ’60s and even into the ’70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the ‘ud—the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.
In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya—and its role in the lives of a nation’s youth.
Lloyd Schwartz University of Chicago Press, 2000 Library of Congress PS3569.C5667C35 2000 | Dewey Decimal 811.54
In Cairo Traffic, his third book of poems, Lloyd Schwartz asks the Sphinx to explain the riddle "about, you know, / Time and Power and Families-the one you think you / have the answer to. Tell me your answer! / No . . . don't." The search for answers takes the poet to some surprising, often phantasmagoric places, and back again to the self, to dreams, to home, and even to the nursing home where his mother-sphinxlike herself-becomes the person asking the dark questions and providing some unexpected answers. These extraordinary narratives-funny and frightening, seductive and profoundly moving-explore the intersections of character and language, the places where common speech mysteriously transforms itself into poetry. This book, which includes several translations of contemporary Brazilian poems, confirms Schwartz's growing reputation as an intensely compelling and original poet.
Be it a birthday or a wedding—let them eat cake. Encased in icing, crowned with candles, emblazoned with congratulatory words—cake is the ultimate food of celebration in many cultures around the world. But how did cake come to be the essential food marker of a significant occasion? In Cake: A Global History, Nicola Humble explores the meanings, legends, rituals, and symbolism attached to cake through the ages.
Humble describes the many national differences in cake-making techniques, customs, and regional histories—from the French gâteau Paris-Brest, named for a cycle race and designed to imitate the form of a bicycle wheel, to the American Lady Baltimore cake, likely named for a fictional cake in a 1906 novel by Owen Wister. She also details the role of cake in literature, art, and film—including Miss Havisham’s imperishable wedding cake in Great Expectations and Marcel Proust’s madeleine of memory—as well as the art and architecture of cake making itself.
Featuring a large selection of mouthwatering images, as well as many examples and recipes for some particularly unusual cakes, Cake will provide many sweet reasons for celebration.
From the author of Mr. Wilson's Cabinet of Wonder, Calamities of Exile combines three gripping narratives that afford a sort of double CAT scan into the natures of both modern totalitarianism and timeless exile.
"Beautiful but harrowing chronicles of three exiles that probe the moral and personal risks of their encounters with totalitarianism. . . . Piercing and timely."—Kirkus Reviews, starred review
"Weschler . . . combines a novelist's gift for drama with the objectivity and research skills of a journalist. . . . The result is three gripping profiles of very human but also extraordinary men."—Publishers Weekly
"[Weschler's] thorough accounting of the men's covert operations, assumed identities and strained relationships with fathers, wives, and colleagues creates a disturbing triptych of the perils of totalitarianism."—Lance Gould, New York Times Book Review
"Weschler tells these three tragic tales with an admirable combination of psychological penetration, intellectual thrust, concision and compassion."—Francis King, Spectator
"Endlessly absorbing. . . . Breathtaking."—Jeri Laber, Los Angeles Times Book Review
California’s Calaveras County—made famous by Mark Twain and his celebrated Jumping Frog—is the focus of this comprehensive study of Mother Lode mining. Most histories of the California Mother Lode have focused on the mines around the American and Yuba Rivers. However, the “Southern Mines”—those centered around Calaveras County in the central Sierra—were also important in the development of California’s mineral wealth. Calaveras Gold offers a detailed and meticulously researched history of mining and its economic impact in this region from the first discoveries in the 1840s until the present. Mining in Calaveras County covered the full spectrum of technology from the earliest placer efforts through drift and hydraulic mining to advanced hard-rock industrial mining. Subsidiary industries such as agriculture, transportation, lumbering, and water supply, as well as a complex social and political structure, developed around the mines. The authors examine the roles of race, gender, and class in this frontier society; the generation and distribution of capital; and the impact of the mines on the development of political and cultural institutions. They also look at the impact of mining on the Native American population, the realities of day-to-day life in the mining camps, the development of agriculture and commerce, the occurrence of crime and violence, and the cosmopolitan nature of the population. Calaveras County mining continued well into the twentieth century, and the authors examine the ways that mining practices changed as the ores were depleted and how the communities evolved from mining camps into permanent towns with new economic foundations and directions. Mining is no longer the basis of Calaveras’s economy, but memories of the great days of the Mother Lode still attract tourists who bring a new form of wealth to the region.
Modern political culture features a deep-seated faith in the power of numbers to find answers, settle disputes, and explain how the world works. Whether evaluating economic trends, measuring the success of institutions, or divining public opinion, we are told that numbers don’t lie. But numbers have not always been so revered. Calculated Values traces how numbers first gained widespread public authority in one nation, Great Britain.
Into the seventeenth century, numerical reasoning bore no special weight in political life. Complex calculations were often regarded with suspicion, seen as the narrow province of navigators, bookkeepers, and astrologers, not gentlemen. This changed in the decades following the Glorious Revolution of 1688. Though Britons’ new quantitative enthusiasm coincided with major advances in natural science, financial capitalism, and the power of the British state, it was no automatic consequence of those developments, William Deringer argues. Rather, it was a product of politics—ugly, antagonistic, partisan politics. From Parliamentary debates to cheap pamphlets, disputes over taxes, trade, and national debt were increasingly conducted through calculations. Some of the era’s most pivotal political moments, like the 1707 Union of England and Scotland and the 1720 South Sea Bubble, turned upon calculative conflicts.
As Britons learned to fight by the numbers, they came to believe, as one calculator wrote in 1727, that “facts and figures are the most stubborn evidences.” Yet the authority of numbers arose not from efforts to find objective truths that transcended politics, but from the turmoil of politics itself.
When first published posthumously in 1963, this bookpresented a radically different approach to the teaching of calculus. In sharp contrast to the methods of his time, Otto Toeplitz did not teach calculus as a static system of techniques and facts to be memorized. Instead, he drew on his knowledge of the history of mathematics and presented calculus as an organic evolution of ideas beginning with the discoveries of Greek scholars, such as Archimedes, Pythagoras, and Euclid, and developing through the centuries in the work of Kepler, Galileo, Fermat, Newton, and Leibniz. Through this unique approach, Toeplitz summarized and elucidated the major mathematical advances that contributed to modern calculus.
Reissued for the first time since 1981 and updated with a new foreword, this classic text in the field of mathematics is experiencing a resurgence of interest among students and educators of calculus today.
Calendar of Regrets
Lance Olsen University of Alabama Press, 2010 Library of Congress PS3565.L777C36 2010 | Dewey Decimal 813.54
Calendar of Regrets is a wildly inventive and visually rich collage of twelve interconnected narratives, one for each month of the year, all pertaining to notions of travel—through time, space, narrative, and death.
The poisoning of the painter Hieronymus Bosch; anchorman Dan Rather’s mysterious mugging on Park Avenue as he strolls home alone one October evening; a series of postcard meditations on the idea of travel from a young American journalist visiting Burma; a husband-and-wife team of fundamentalist Christian suicide bombers; the myth of Iphigenia from Agamemnon’s daughter’s point of view—these and other stories form a mosaic, connected through a pattern of musical motifs, transposed scenes, and recurring characters. It is a narrative about narrativity itself, the human obsession with telling ourselves and our worlds over and over again in an attempt to stabilize a truth that, as Nabokov once said, should only exist within quotation marks.
These days everyone has something to say (or declaim!) about the U.S.–Mexico border. Whether it’s immigration, resource management, educational policy, or drugs, the borderlands are either the epicenter or the emblem of a current crisis facing the nation. At a time when the region has been co-opted for every possible rhetorical use, what endures is a resilient and vibrant local culture that resists easy characterization. For an honest picture of life on the border, what remains is to listen to voices that are too often drowned out: the people who actually live and work there, who make their homes and livings amid a confluence of cultures and loyalties. For many of these people, the border is less a hyphenated place than a meeting place, a merging. This aspect of the border is epitomized in the names of two cities that straddle the line: Calexico and Mexicali.
A “sleepy crossroads that exists at a global flashpoint,” Calexico serves as the reference point for veteran journalist Peter Laufer’s chronicle of day-to-day life on the border. This wide-ranging, interview-driven book finds Laufer and travel companion/photographer on a weeklong road trip through the Imperial Valley and other border locales, engaging in earnest and revealing conversations with the people they meet along the way. Laufer talks to secretaries and politicians, restaurateurs and salsa dancers, poets and real estate agents about the issues that matter to them the most.
What draws them to border towns? How do they feel about border security and the fences that may someday run through their backyards? Is “English-only” a realistic policy? Why have some towns flourished and others declined? What does it mean to be Mexican or American in such a place? Waitress Bonnie Peterson banters with customers in Spanish and English. Mayor Lewis Pacheco laments the role that globalization has played in his city’s labor market. Some of their anecdotes are humorous, others grim. Moreover, not everyone agrees. But this very diversity is part of the fabric of the borderlands, and these stories demand to be heard.
Although John C. Calhoun (1782-1850) remains one of the major figures in American political thought, many of his critics have tried to discredit him as merely a Southern partisan whose ideas were obsolete even during his lifetime. In Calhoun and Popular Rule, H. Lee Cheek, Jr., attempts to correct such misconceptions by presenting Calhoun as an original political thinker who devoted his life to the recovery of a "proper mode of popular rule." He argues that Calhoun had a coherent, systematic view of human nature and society and made a lasting contribution to the theory of constitutionalism and democracy.
Cheek suggests that Calhoun was not a political or philosophical aberration, but an authentic exponent of American constitutionalism. He contends that Calhoun's view of democracy forms part of a philosophy of humankind and politics that has relevance beyond the American experience. Although his idea of popular rule was original, it was also related to earlier attempts in America and elsewhere to limit the power of the majority and protect minority interests. According to Cheek, Calhoun stood in the American political tradition and attempted to rearticulate some of its central elements. He explains Calhoun's idea of the concurrent majority and examines how it has been presented by Calhoun's critics, as well as his followers.
As the first combined evaluation of Calhoun's most important treatises, The Disquisition and The Discourse, this work merges Calhoun's theoretical position with his endeavors to restore the need for popular rule. It also compares Calhoun's ideas with those of other great political thinkers such as Thomas Jefferson and James Madison--while explaining what is truly unique about Calhoun's political thought.
Calhoun's philosophy—his understanding of the need for ethical and political restraint and for institutional means for obtaining concurrence—is still relevant today, especially given the current growing ethnic and cultural conflict of the Western world. Scholars of government, American history, and political thought, as well as those interested in understanding "popular rule" and its theoretical and practical impact on modern American government, will find this groundbreaking work to be of great value.
Ever present in the work of contemporary Barbadian novelist George Lamming, author of In the Castle of My Skin, Natives of My Person, The Emigrants, and The Pleasures of Exile, are the subjects of history and revolution. In Caliban's Curse, Supriya M. Nair traces these themes and situates Lamming's work within the ongoing discourses of nationalism and identity. Retracing the history of colonial intervention in the anglophone Caribbean and seeking connections among Africa, the Caribbean, and England, Caliban's Curse moves beyond the popular perception of the archipelago as an ahistorical tourist paradise and presents the islands as a space populated by the tragic and triumphant cultures of the black diaspora.
Caliban's Curse draws upon a range of theories--postcolonial, Marxist, and feminist--to contextualize the black diaspora of the modern Caribbean through one of its primary anglophone novelists. Putting George Lamming in conversation with such contemporaries as C.L.R. James, Derek Walcott, and Wilson Harris, Nair argues that Lamming's works expand the protest of Shakespeare's Caliban to articulate a reinvention of Caribbean cultures. Both cursed by and cursing the weight of colonial history, Lamming works against the paralysis induced by such an encounter; his work serves to rewrite canonical icons and to reimagine popular cultures.
"Supriya Nair writes about the problems of history and social revolution with passion and clarity and an amazing range of critical and cultural reference. . . . She brings to existing studies of Lamming a wide and sustained knowledge of the forces that have shaped the West Indian novel, and the wider postcolonial debates in which these novels are read and discussed." --Simon Gikandi, University of Michigan
Supriya Nair is Associate Professor of English, Tulane University.
Proposes an entirely new socially and politically conscious way of reading.
Ato Quayson explores a practice of reading that oscillates rapidly between domains--the literary-aesthetic, the social, the cultural, and the political--in order to uncover the mutually illuminating nature of these domains. He does this not to assert the often repeated postmodernist view that there is nothing outside the text, but to outline a method of reading he calls calibrations: a form of close reading of literature with what lies beyond it as a way of understanding structures of transformation, process, and contradiction that inform both literature and society.
Quayson surveys a wide array of texts--ranging from Bob Marley lyrics, Toni Morrison's work, Walter Benjamin's Theses on the Philosophy of History, and Althusser's reflections on political economy--and treats a broad range of themes: the comparative structures of alienation in literature and anthropology, cultural heroism as a trope in African society and politics, literary tragedy as a template for reading the life and activism of Ken Saro-Wiwa, trauma and the status of citizenship in post-apartheid South Africa, representations of physical disability, and the clash between enchanted and disenchanted time in postcolonial texts.
Ato Quayson is director of the African Studies Centre, lecturer in English, and fellow of Pembroke College at the University of Cambridge.
California: A Fire Survey
Stephen J. Pyne University of Arizona Press, 2016 Library of Congress SD421.32.C2C685 2016 | Dewey Decimal 363.3709794
The coastal sage and shrublands of California burn. The mountain-encrusting chaparral burns. The conifer forests of the Sierra Nevada, Cascades, and Trinity Alps burn. The rain-shadowed deserts after watering by El Niño cloudbursts and the thick forests of the rumpled Coast Range—all burn according to local rhythms of wetting and drying. Fire season, so the saying goes, lasts 13 months.
In this collection of essays on the region, Stephen J. Pyne colorfully explores the ways the region has approached fire management and what sets it apart from other parts of the country. Pyne writes that what makes California’s fire scene unique is how its dramatically distinctive biomes have been yoked to a common system, ultimately committed to suppression, and how its fires burn with a character and on a scale commensurate with the state’s size and political power. California has not only a ferocity of flame but a cultural intensity that few places can match. California’s fires are instantly and hugely broadcast. They shape national institutions, and they have repeatedly defined the discourse of fire’s history. No other place has so sculpted the American way of fire.
California is part of the multivolume series describing the nation’s fire scene region by region. The volumes in To the Last Smoke also cover Florida, the Northern Rockies, the Great Plains, the Southwest, and several other critical fire regions. The series serves as an important punctuation point to Pyne’s fifty-year career with wildland fire—both as a firefighter and a fire scholar. These unique surveys of regional pyrogeography are Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”
“The re-creation of a viable population of condors in the Northwest would constitute an achievement of substantial importance…This book goes a long way toward justifying such an effort.” —Noel Snyder, retired U.S. Fish and Wildlife Service biologist in charge of condor research in the 1980s and lead author of The California Condor: A Saga of Natural History and Conservation
Despite frequent depiction as a bird of California and the desert southwest, North America’s largest avian scavenger once graced the skies of the Pacific Northwest, from northern California to British Columbia. This important volume documents the condor’s history in the region, from prehistoric times to the early twentieth century, and explores the challenges of reintroduction.
Jesse D’Elia and Susan Haig investigate the paleontological and observational record as well as the cultural relationships between Native American tribes and condors, providing the most complete assessment to date of the condor’s occurrence in the Pacific Northwest. They evaluate the probable causes of regional extinction and the likelihood that condors once bred in the region, and they assess factors that must be considered in determining whether they could once again thrive in Northwest skies.
Incorporating the newest research and findings and more than eighty detailed historical accounts of human encounters with these birds of prey, California Condors in the Pacific Northwest sets a new standard for examining the historical record of a species prior to undertaking a reintroduction effort. It is a vital reference for academics, agency decision makers, conservation biologists, and readers interested in Northwest natural history. The volume is beautifully illustrated by Ram Papish and includes a number of previously unpublished photographs.
At the turn of the 20th century, the California dream was a suburban ideal where life on the farm was exceptional. Agrarian virtue existed alongside good roads, social clubs, cultural institutions, and business commerce. The California suburban dream was the ultimate symbol of progress and modernity.
California Dreaming: Boosterism, Memory, and Rural Suburbs in the Golden State analyzes the growth, promotion, and agricultural colonization that fed this dream during the early 1900s. Through this analysis, Paul J. P. Sandul introduces a newly identified rural-suburban type: the agriburb, a rural suburb deliberately planned, developed, and promoted for profit. Sandul reconceptualizes California’s growth during this time period, establishing the agriburb as a suburban phenomenon that occurred long before the booms of the 1920s and 1950s.
Sandul’s analysis contributes to a new suburban history that includes diverse constituencies and geographies and focuses on the production and construction of place and memory. Boosters purposefully “harvested” suburbs with an eye toward direct profit and metropolitan growth. State boosters boasted of unsurpassable idyllic communities while local boosters bragged of communities that represented the best of the best, both using narratives of place, class, race, lifestyle, and profit to avow images of the rural and suburban ideal.
This suburban dream attracted people who desired a family home, nature, health, culture, refinement, and rural virtue. In the agriburb, a family could live on a small home grove while enjoying the perks of a progressive city. A home located within the landscape of natural California with access to urban amenities provided a good place to live and a way to gain revenue through farming.
To uncover and dissect the agriburb, Sandul focuses on local histories from California’s Central Valley and the Inland Empire of Southern California, including Ontario near Los Angeles and Orangevale and Fair Oaks outside Sacramento. His analysis closely operates between the intersections of history, anthropology, geography, sociology, and the rural and urban, while examining a metanarrative that exposes much about the nature and lasting influence of cultural memory and public history upon agriburban communities.
What does it mean to be "Californian"? California Polyphony: Ethnic Voices, Musical Crossroads suggests an answer that lies at the intersection of musicology, cultural history, and politics. Consisting of a series of musical case studies of major ethnic groups in California, this book approaches the notion of Californian identity from diverse perspectives, each nuanced by class, gender, and sexuality.
In the early twentieth century, the concept of the Pacific Rim and an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians, influencing their interactions with the Asian Other. Several decades later, as tensions rose between the Los Angeles Police Department and the African American community, the once-thriving jazz and blues nightclub scene of 1940s Central Avenue became a primary target for law enforcement's anti-vice crusade. The reactionary nature of the musical scores for Hollywood's noir films of the World War II and postwar eras negotiated the perceived demise of white female sexuality in the face of black culture and urban corruption. Mina Yang also considers Mexican Americans' conflicted assimilation into the white American mainstream from the early 1900s through the 1970s, as well as contemporary Korean Americans' struggles to express their cultural and national identities through hip-hop, a genre usually associated with African Americans.
According to Yang, there has never been a straightforward definition of "Californian." This most populous and most affluent state in the Union has been setting musical and cultural trends for decades, and Yang's study thoughtfully illuminates the multiculutral nature of its musics.