F. D. R. and the Press
Graham J. White University of Chicago Press, 1979 Library of Congress E806.W456 | Dewey Decimal 320.9730917
Franklin D. Roosevelt's tempestuous, adversary relationship with the American press is celebrated in the literature of his administrations. Historians have documented the skill and virtuosity that he displayed in his handling and exploitation of the press. Graham J. White discovers the well of Roosevelt's excessive ardor: an intractable political philosophy that pitted him against a fierce (though imaginary) enemy, the written press.
White challenges and disproves Roosevelt's contention that the press was unusually severe and slanted in its treatment of the Roosevelt years. His original work traces FDR's hostile assessment of the press to his own political philosophy: an ideology that ordained him a champion of the people, whose task it was to preserve American democracy against the recurring attempt by Hamiltonian minorities (newspaper publishers and captive reporters) to wrest control of their destiny from the masses.
White recounts Roosevelt's initial victory over the press corps, and the effect his wily manipulations had on press coverage of his administrations and on his own public image. He believes Roosevelt's denunciation of the press was less an accurate description of the press's behavior towards his administrations than a product of his own preconceptions about the nature of the Presidency. White concludes that Roosevelt's plan was to disarm those he saw as the foes of democracy by accusing them of unfairly maligning him.
F. Scott Fitzgerald - American Writers 15 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A study of the philosophical, intellectual, and political influences on the artistic creations of Fitzgerald and key early American modernist writers
F. Scott Fitzgerald and the American Scene continues Ronald Berman’s lifelong study of the philosophical, intellectual, and political influences on the artistic creations of key early American modernist writers. Each chapter in this volume elaborates on a crucial aspect of F. Scott Fitzgerald’s depiction of American society, specifically through the lens of the social sciences that most influenced his writing and thinking.
Berman addresses, among other subjects, Fitzgerald’s use of philosophy, cultural analyses, and sociology—all enriched by the insights of his own experience living an American life. He was especially interested in how life had changed from 1910 to 1920. Many Americans were unable to navigate between the 1920s and their own memories of a very different world before the Great War; especially Daisy Buchanan who evolves from girlhood (as typified in sentimental novels of the time) to wifehood (as actually experienced in the new decade). There is a profound similarity between what happens to Fitzgerald’s characters and what happened to the nation.
Berman revisits classics like The Great Gatsby but also looks carefully at Fitzgerald’s shorter fictions, analyzing a stimulating spectrum of scholars from more contemporary critics like Thomas Piketty to George Santayana, John Maynard Keynes, John Dewey, and Walter Lippmann. This fascinating addition to F. Scott Fitzgerald scholarship, although broad in its content, is accessible to a wide audience. Scholars and students of Fitzgerald and twentieth-century American literature, as well as dedicated Fitzgerald readers, will enjoy Berman’s take on a long-debated and celebrated author.
F. Scott Fitzgerald’s The Great Gatsby occupies a preeminent place in American letters. Scholars have argued that Jay Gatsby is, in fact, the embodiment of American cultural and social aspiration. Though The Great Gatsby has been studied in detail since its publication, both readers and scholars have continued to speculate about Fitzgerald’s sources of inspiration.
The essays in F. Scott Fitzgerald at Work examine fresh facts that illuminate the experiences and source materials upon which Fitzgerald based this quintessentially American masterpiece. They confirm author Horst Kruse’s view that Fitzgerald’s flights of fancy, even at their most spectacular, are firmly grounded in biographical experience as well as in the social, literary, and philosophical circumstances of his era.
In the first essay, Kruse reconstructs the life story of the individual who allegedly inspired the character of Jay Gatsby: Max von Gerlach. Kruse recounts his journeys to various archives and libraries in the United States as well as in Germany to unearth new facts about the genesis of the Gatsby characters. In another journey, readers travel with Kruse to Long Island to explore its physical and moral geography in relation to Fitzgerald, specifically the role of certain elite Long Island families in the advancement of the “science of eugenics” movement. The final two essays take Kruse across the globe to various destinations to consider the broader place of The Great Gatsby in American and international intellectual history.
Replete with fascinating discoveries and insights, F. Scott Fitzgerald at Work both corrects previous assumptions about The Great Gatsby and deepens our appreciation and understanding of Fitzgerald‘s imagination.
This thought-provoking collection explores significant new facets of an American author of lasting international stature.
As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works—protean, provocative, multilayered, and rich—continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art.
The subjects of these 19 essays reflect the contributors' wish to shine new light on less-frequently discussed aspects of Fitzgerald's work. Topics include Fitzgerald's Princeton influences and his expression of Catholic romanticism; his treatments of youth culture, the devil, and waste; parallels in the work of Mencken, Cather, and Murakami; and the ways gender, pastoral mode, humor, and the Civil War are variously presented in his work. One illustrated summary examines Fitzgerald's effect on popular culture through his appearance in the comics. Two broad overviews—one on Fitzgerald's career and another on the final developments in the author's style—round out the collection.
The international scope of the contributors to this volume reflects Fitzgerald's worldwide reputation and appeal. With extensive treatments of This Side of Paradise, The Beautiful and Damned, The Last Tycoon, and the Pat Hobby stories, this collection makes an unusual and significant contribution to the field of Fitzgerald studies.
For Western economists and journalists, the most distinctive facet of the post-war Japanese business world has been the keiretsu, or the insular business alliances among powerful corporations. Within keiretsu groups, argue these observers, firms preferentially trade, lend money, take and receive technical and financial assistance, and cement their ties through cross-shareholding agreements. In The Fable of the Keiretsu, Yoshiro Miwa and J. Mark Ramseyer demonstrate that all this talk is really just urban legend.
In their insightful analysis, the authors show that the very idea of the keiretsu was created and propagated by Marxist scholars in post-war Japan. Western scholars merely repatriated the legend to show the culturally contingent nature of modern economic analysis. Laying waste to the notion of keiretsu, the authors debunk several related “facts” as well: that Japanese firms maintain special arrangements with a “main bank,” that firms are systematically poorly managed, and that the Japanese government guided post-war growth. In demolishing these long-held assumptions, they offer one of the few reliable chronicles of the realities of Japanese business.
Fables, Foibles, and Foobles
Carl Sandburg University of Illinois Press, 1988 Library of Congress PS3537.A618A6 1988 | Dewey Decimal 818.5202
Carl Sandburg (1878-1967) is best known for his poetry (Chicago Poems, Smoke and Steel, and Good Morning, America), his books for children, including Rootabaga Country and Potato Face, and his six-volume biography of Abraham Lincoln. The Pulitzer Prize-winning Illinois author devoted his life to writing, lecturing, reading from his own works, and collecting and singing folk songs.
Sandburg often incorporated proverbs, riddles, aphorisms, and vernacular wisdom in lectures, poetry, children’s stories, and in his novel Remembrance Rock. Believing that silliness and fun helped preserve sanity and balance, he put together a collection of fanciful anecdotes - alive with alliteration - for his own amusement. Now, more than twenty years after his death, the publication of Fables, Foibles, and Foobles truly reveals, for perhaps the first time, the playful spirit of this great American poet.
George Hendrick has compiled the best of these never-before-published nonsensical pieces, which include Flies, Fleas, Flinyons, Flicks, Flooches, Flacks, Flatches, and assorted F-friends deep in dialogue about books and reading; the fascinating worlds of the curious hoomadooms, hongdorshes, and onkadonks; fables to rival Thurber; jokes about every conceivable type of nut; and cameo appearances by Hank the Honk and Flitty the Wid, among others. Robert Harvey’s whimsical drawings, scattered throughout the book, illuminate this charming cast of characters.
In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless. Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth’s origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L’Estrange, and Samuel Croxall. Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform.
From the acclaimed author of Winter (Mirror) and Rehearsal in Black, Fables of Representation is a powerful collection of essays on the state of contemporary poetry, free from the stultifying theoretical jargon of recent literary history.
With its title essay, "Fables of Representation," one of the most cogent studies ever written of the New York School of poets (a group that includes the influential poet John Ashbery), this book is required reading for anyone who seeks to understand the poetry and culture of the postmodern period.
Author Paul Hoover's wide-ranging subjects include African-American interdisciplinary studies; the position of poetry in the electronic age; the notion of doubleness in the work of Harryette Mullen and others; the lyricism of the New York School poets; and the role of reality in American poetry. Hoover also introduces two provocative essays sure to generate attention and discussion: "The Postmodern Era: A Final Exam" and "The New Millennium: Fifty Statements on Literature and Culture."
Paul Hoover is the editor of the anthology Postmodern American Poetry and author of nine poetry collections, including Totem and Shadow: New and Selected Poems and Viridian. His poetry has appeared in American Poetry Review, The New Republic, and The Paris Review, among others. He is Poet-in-Residence at Columbia College, Chicago.
Conceived as three companion volumes that form an introduction to the central ideas of the modern natural sciences, these books—intelligent, informative, and accessible—are an excellent source for those who have no technical knowledge of the subject.
Praise for The Fabric of the Heavens:
"I cannot remember when I last went through a book, any book, with such all-devouring zest. What is more, even the most complex technicalities are reduced to a positively crystalline clarity: If I can understand them, anyone can. The Fabric of the Heavens is, in every sense of the word, an eye-opener."—Peter Green, The Yorkshire Post
"Not until the last chapter of the book is [the reader] allowed to think again wholly as a modern man has become accustomed, by common sense, to think. The discipline is admirably suited to the authors' task, and cunningly devised for the reader's edification—and, indeed, for his delight."—Physics Today
Praise for The Architecture of Matter:
"The Architecture of Matter is to be warmly recommended. It is that rare achievement, a lively book which at the same time takes the fullest possible advantage of scholarly knowledge."—Charles C. Gillespie, New York Times Book Review
"One is impressed by the felicity of the examples and by the lively clarity with which significant experiments and ideas are explained. . . . No other history of science is so consistently challenging."—Scientific American
Praise for The Discovery of Time:
"A subject of absorbing interest . . . is presented not as a history of science, but as a chapter in the history of ideas from the ancient Greeks to our own time."—Times Literary Supplement
When rock star Bono told Oprah Winfrey that America is an ideal that is supposed to be contagious, the talk show host was moved to tears. Such an imagined America, rather than the nation-state USA, is the topic of Fabricating the Absolute Fake. Pop and politics become intertwined, as Hollywood, television, and celebrities spread the American Dream around the world. Using concepts such as the absolute fake and karaoke Americanism, the book examines this global mediation as well as the way America is appropriated in pop culture produced outside of the USA, as demonstrated by such diverse cultural icons as the Elvis-inspired crooner Lee Towers and the Moroccan-Dutch rapper Ali B. This revised and extended edition includes a new chapter on Barack Obama and Michael Jackson as global celebrities and a new afterword on teaching American pop culture.
From the pageantry of Oprah Winfrey’s daytime talk show to the Atlanta-based Coca-Cola empire, American “pop” culture—and the contemporary films, television programs, and cultural objects that determine it—dominates the rest of the world through its hegemonic presence. Does that make everyone a hybridized American or do these elements find mediation within the other cultures that consume them? Fabricating the Absolute Fake applies elements of postmodern theory—Jean Baudrillard’s hyperreality and Umberto Eco’s “absolute fake”, among others—to this globally mediated American pop culture in order to examine both the phenomenon itself and its specific appropriation in the Netherlands, as evidenced by diverse cultural icons like the Elvis-inspired crooner Lee Towers, the Moroccan-Dutch white rapper Ali B, musical tributes to an assassinated politician, and the Dutch reality soap opera scene.
A fascinating exploration of how global cultures struggle to create their own “America” within a post–September 11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American popular culture.
“A brilliant, thoroughly enjoyable work of cultural critique. . . . Jaap Kooijman takes seemingly exhausted concepts like “Americanization” and turns them on their head.”—Anne McCarthy, New York University
Between 1760 and 1800, British aristocrats became preoccupied with the acquisition of ancient Greek and Roman artifacts. From marble busts to intricately painted vases, these antiquities were amassed in vast collections held in country houses and libraries throughout Britain. In Fabricating the Antique, Viccy Coltman examines these objects and their owners, as well as dealers, restorers, designers, and manufacturers. She provides a close look at the classical revival that resulted in this obsession with collecting antiques.
Looking at the theoretical foundations of neoclassicism, Coltman contends this reinvention of ancient material culture was more than a fabrication of style. Based in the strong emphasis on classical education during this time, neoclassicism, Coltman claims, could be more accurately described as a style of thought translated into material possessions. Fabricating the Antique is a new take on both well-known collections of ancient art and newly cataloged artifacts. This book also covers how these objects—once removed from their original context—were received, preserved, and displayed. Art historians, classicists, and archaeologists alike will benefit from this important examination of British eighteenth-century history.
Since the 1960s, hostility and mistrust toward the U.S. government has risen precipitously. At the same time, the field of public administration has wrestled with its own crisis of legitimacy. What is at the root of current antigovernment sentiment? Conventionally, two explanations for this problem persist. Some see it primarily in moral terms, a deficit of Constitutional or democratic values in government. Others emphasize government’s performance failures and managerial inefficiency.
Thomas J. Catlaw departs from both explanations in this groundbreaking study and demonstrates that the current crisis of government originates in the uncritical manner in which we have accepted the idea of “the People.” He contends that this unifying, foundational concept—and the notion of political representation it entails—have failed. While illuminating some of our most pressing social and political problems, Catlaw shows how the idea of the People, far from serving to unify, relies in fact on a distinctive logic of exclusion. True political power is the power to determine what constitutes the normal, natural life of the electorate. Today, the exclusionary practices that once made up or fabricated the People are increasingly contested. In turn, government and political power now appear more invasive, less legitimate, and our shared reality appears more fragmented and disconnected.
In order to address this crisis and reinvigorate democracy, Catlaw argues, we must accept as bankrupt the premise of the People and the idea of representation itself. Fabricating the People boldly proposes post-representational governance that reframes the practice of modern democracy and reinvents the role of public administration.
In this innovative collaborative ethnography of Italian-Chinese ventures in the fashion industry, Lisa Rofel and Sylvia J. Yanagisako offer a new methodology for studying transnational capitalism. Drawing on their respective linguistic and regional areas of expertise, Rofel and Yanagisako show how different historical legacies of capital, labor, nation, and kinship are crucial in the formation of global capitalism. Focusing on how Italian fashion is manufactured, distributed, and marketed by Italian-Chinese ventures and how their relationships have been complicated by China's emergence as a market for luxury goods, the authors illuminate the often-overlooked processes that produce transnational capitalism—including privatization, negotiation of labor value, rearrangement of accumulation, reconfiguration of kinship, and outsourcing of inequality. In so doing, Fabricating Transnational Capitalism reveals the crucial role of the state and the shifting power relations between nations in shaping the ideas and practices of the Italian and Chinese partners.
Winner of the 2002 Berkshire Prize, presented by the Berkshire Conference of Women Historians
Fabricating Women examines the social institution of the seamstresses’ guild in France from the time of Louis XIV to the Revolution. In contrast with previous scholarship on women and gender in the early modern period, Clare Haru Crowston asserts that the rise of the absolute state, with its centralizing and unifying tendencies, could actually increase women’s economic, social, and legal opportunities and allow them to thrive in corporate organizations such as the guild. Yet Crowston also reveals paradoxical consequences of the guild’s success, such as how its growing membership and visibility ultimately fostered an essentialized femininity that was tied to fashion and appearances. Situating the seamstresses’ guild as both an economic and political institution, Crowston explores in particular its relationship with the all-male tailors’ guild, which had dominated the clothing fabrication trade in France until women challenged this monopoly during the seventeenth century. Combining archival evidence with visual images, technical literature, philosophical treatises, and fashion journals, she also investigates the techniques the seamstresses used to make and sell clothing, how the garments reflected and shaped modern conceptions of femininity, and guild officials’ interactions with royal and municipal authorities. Finally, by offering a revealing portrait of these women’s private lives—explaining, for instance, how many seamstresses went beyond traditional female boundaries by choosing to remain single and establish their own households—Crowston challenges existing ideas about women’s work and family in early modern Europe. Although clothing lay at the heart of French economic production, social distinction, and cultural identity, Fabricating Women is the first book to investigate this immense and archetypal female guild in depth. It will be welcomed by students and scholars of French and European history, women’s and labor history, fashion and technology, and early modern political economy.
Fabrication of GaAs Devices
Albert G. Baca The Institution of Engineering and Technology, 2005 Library of Congress TK7871.15.G3B33 2005 | Dewey Decimal 621.38152
This book provides fundamental and practical information on all aspects of GaAs processing and gives pragmatic advice on cleaning and passivation, wet and dry etching and photolithography. Other topics covered include device performance for HBTs (Heterojunction Bipolar Transistors) and FETs (Field Effect Transistors), how these relate to processing choices, and special processing issues such as wet oxidation, which are especially important in optoelectronic devices. This book is suitable for both new and practising engineers.
This special issue of positions deals at once with the concrete and abstract meaning of the word fabrication itself. In the concrete, fabrication refers to actual garments created and worn in a society. In the abstract, it alludes to the social characterizations of class, ethnicity, nationality, and gender attributed to fashion. This special issue explores the self-conscious efforts in cultural China and Japan to exert social position, using body and cloth as the crucial points in the construction of identity, modernity, and imagination.
By focusing on clothing and body practices in East Asia, this collection delves into the dynamic interplay between global trade, images, products, and standards as mediated through and on individual bodies. It investigates what fashion means in the Asian context, past and present, and enters into the debate on fashion as a modern phenomenon predicated upon capitalism and consumerism. One contributor critically assesses ideas about the proper proportions and display of breasts—including implants and other nonsurgical practices for enhancement—in Japan and how such norms may be affected and altered by the spread of a global Euro-American beauty ideology. Another essay debates the influence of globalization and cultural localization on the emergence and popularity of exposed short stockings in China. Fabrications also features a translation of Eileen Chang’s classic article "Chronicle of Changing Clothes," which has defined thinking on Chinese fashion since the 1920s.
Contributors. Peter Carroll, Tina Mai Chen, Matthew Chew, Antonia Finnane, Henrietta Harrison, Andrew Jones, Laura Miller, Henrietta Harrison, Paola Zamperini
Joy Katz Southern Illinois University Press, 2002 Library of Congress PS3611.A79F33 2002 | Dewey Decimal 811.6
In Fabulae, Joy Katz interrogates the physical world, constructing a sensual and striking autobiography. She turns to the familiarity and strangeness of the female body, its surfaces and inner workings, often, although her subjects range from Thomas Jefferson to an Adam and Eve plagued with obsessive-compulsive disorder to the streets of New York’s diamond district. The poems, by turns funny and philosophical, point to how we suffer from desire: the danger, she writes, is that we might love the world “like heaven and be lost.” But they come back to delight in a flawed world especially the palpable beauty of words, and even the erotic shapes of the letterforms that make them up.
Polari is a language that was used chiefly by gay men in the first half of the twentieth century. At a time when being gay could result in criminal prosecution—or worse—Polari offered its speakers a degree of public camouflage, a way of expressing humor, and a means of identification and of establishing a community. Its roots are colorful and varied—from thieves’ Cant to Lingua Franca and prostitutes’ slang—and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne: “Oh Mr. Horne, how bona to vada your dolly old eke!”
In Fabulosa!, Paul Baker recounts the story of Polari with skill, erudition, and tenderness. He traces its historical origins and describes its linguistic nuts and bolts, exploring the ways and the environments in which it was spoken, the reasons for its decline, and its unlikely reemergence in the twenty-first century. With a cast of drag queens and sailors, Dilly boys and macho clones, Fabulosa! is an essential document of recent history and a fascinating and fantastically readable account of this funny, filthy, and ingenious language.
From Josephine Baker to Judy Garland to Elton John, the figure of the diva occupies a fascinating place in American culture. This special issue of Camera Obscura explores the impact of divas (and divos) in film and popular culture and considers their fraught psychic and social positioning. Contributors examine how divas are frequently portrayed as both victims and villains and how they can be figures of worship as well as of ridicule for their attempts to confront, transcend, or carve a new space within the patriarchal dominant culture. This collection looks at how divas cause “category trouble” by refusing to stay in their proper culturally assigned roles—gender, race, and class—in order to live life on their own terms, making them important figures for other groups at the margins of the dominant culture.
The contributors to Fabulous! Divas I (the first in a two-part series) address how Baker’s dual image as sexualized black woman and multicultural mother has been used to question and invert stereotypes, how the diva witches in the Broadway musical Wicked have developed a cult following among adolescent girls, and how fans mix irony and sincerity in their admiration of daytime soap divas. One contributor explores the cultural work of camp, while another considers hair as a fetish item for diva devotees. Among the diva appreciations are a look at the life of the cross-dressing black disco diva Sylvester, a reading of Garland as a lesbian diva par excellence, an examination of Courtney Love as a martyr diva, and a consideration of how loving Julie Andrews can make people queer.
Contributors. Alexander Doty, Brett Farmer, Joshua Gamson, Chuck Jackson, Ramon Lobato, Edward R. O’Neill, Ann Pellegrini, Julie Levine Russo, Nick Salvato, Jeanne Scheper, Edward Baron Turk, Stacy Wolf
Will the future be one of economic expansion, greater tolerance, liberating inventions, and longer, happier lives? Or do we face economic stagnation, declining quality of life, and a technologically enhanced totalitarianism worse than any yet seen? The Fabulous Future? America and the World in 2040 draws its inspiration from a more optimistic time, and tome, The Fabulous Future: America in 1980, in which Fortune magazine celebrated its twenty-fifth anniversary by publishing the predictions of thought leaders of its time.
In the present volume, the world’s leading specialists from diverse fields project developments in their areas of expertise, from religion and the media to the environment and nanotechnology. Will we be happier, and what exactly does happiness have to do with our economic future? Where is higher education heading and how should it develop? And what is the future of prediction itself? These exciting essays provoke sharper questions, reflect unexpectedly on one another, and testify to our present anxieties about the surprising world to come.
Face Boss tells a story that few people have heard: what it is really like to labor inside the dark and dangerous world of a vast underground coal mine. With unflinching honesty, as well as considerable humor and insight, Michael Guillerman recalls his nearly eighteen years of working as both a union miner and a salaried section foreman-or “face boss”-at the Peabody Coal Company's Camp No. 2 mine in Union County, Kentucky.
Guillerman undertook this memoir because of the many misconceptions about coal mining that were evidenced most recently in the media coverage of the 2006 Sago Mine disaster. Shedding some much-needed light on this little-understood topic, Face Boss is riveting, authentic, and often raw. Guillerman describes in stark detail the risks, dangers, and uncertainties of coal mining: the wildcat and contract strikes, layoffs, shutdowns, mine fires, methane ignitions, squeezes, and injuries. But he also discusses the good times that emerged despite perilous working conditions: the camaraderie and immense sense of accomplishment that came with mining hundreds of tons of coal every day. Along the way, Guillerman spices his narrative with numerous anecdotes from his many years on the job and discusses race relations within mining culture and the expanding role of women in the industry.
While the book contributes significantly to the general knowledge of contemporary mining, Face Boss is also a tribute to those men and women who toil anonymously beneath the rolling hills of western Kentucky and the other coal-rich regions of the United States. More than just the story of one man's life and career, it is a stirring testament to the ingenuity, courage, and perseverance of the American coal miner.
Michael D. Guillerman worked for the Peabody Coal Company from 1974 to 1991. Over his long career, his jobs included belt shoveler, timberman, shooter, drill and shuttle car operator, rock duster, and finally section foreman. Now retired, he lives with his wife, Marie, in Union County, Kentucky.
Eight miles long and four miles wide, Grand Island lies off the south shore of Lake Superior. It was once home to a sizable community of Chippewa Indians who lived in harmony with the land and with each other. Their tragic demise began early in the nineteenth century when their fellow tribesmen from the mainland goaded them into waging war against rival Sioux. The war party was decimated; only one young brave, Powers of the Air, lived to tell the story that celebrated the heroism of his band and formed the basis of the legend that survives today. Distinguished historian Loren R. Graham has spent more than forty years researching and reconstructing the poignant tale of Powers of the Air and his people. A Face in the Rock is an artful melding of human history and natural history; it is a fascinating narrative of the intimate relation between place and people.
Powers of the Air lived to witness the desecration of Grand Island by the fur and logging industries, the Christianization of the tribe, and the near total loss of the Chippewa language, history, and culture. Graham charts the plight of the Chippewa as white culture steadily encroaches, forcing the native people off the island and dispersing their community on the mainland. The story ends with happier events of the past two decades, including the protection of Grand Island within the National Forest system, and the resurgence of Chippewa culture.
The rise of fascism in Europe created a body of works by authors for whom the choice of exile became the defining event in their lives, autobiographers who recounted terrifying stories of incarceration, flight, survival, and integration into a new culture. In The Face of Exile, Judith Melton offers a powerful and empathetic analysis of the autobiographies written by these unwilling participants in the social upheaval created by Hitler's war on Europe.
In The Face of Exile, Judith Melton first focuses on the disrupted lives revealed in early memoirs by such self-defined witnesses of history as Lion Feuchtwanger, Georg Grosz, and Yehuda Nir, emphasizing that their personal stories provide the modern reader with insight into the subjective responses to the crisis of going into exile. Given the traumatic nature of the experiences involved, Melton preserves an admirable balance between critical objectivity and sympathy in analyzing the lives of these suffering writers.
In the second and longer part, Melton situates exile autobiography within the appropriate critical theories before concentrating on the consistent themes of exile autobiography: loss, disruption, and reintegration; she examines psychological expressions of exile—often written years later—that seek to reconstitute a self fractured by the psychic and physical shocks of exile. Drawing on an amazingly diverse body of works, she shows how nostalgia for childhood (Vladimir Nabokov and Eva Hoffman), intellectual responses (Czeslaw Milosz and Thomas Mann), and spiritual meditations (Mircea Eliade) become major influences on exile autobiography.
The Face of Exile is a significant and validating examination of the cultural, psychological, and historical dimensions of exile autobiography. Clearly and compellingly, Judith Melton reveals the voices and concepts behind this important twentieth-century literature that has become a metaphor for alienation in our time.
From colonial history to the present, Americans have passionately, even violently, debated the nature and the character of money. They have painted it and sung songs about it, organized political parties around it, and imprinted it with the name of God—all the while wondering: is money a symbol of the value of human work and creativity, or a symbol of some natural, intrinsic value?
In Face Value, Michael O’Malley provides a deep history and a penetrating analysis of American thinking about money and the ways that this ambivalence unexpectedly intertwines with race. Like race, money is bound up in questions of identity and worth, each a kind of shorthand for the different values of two similar things. O’Malley illuminates how these two socially constructed hierarchies are deeply rooted in American anxieties about authenticity and difference.
In this compelling work of cultural history, O’Malley interprets a stunning array of historical sources to evaluate the comingling of ideas about monetary value and social distinctions. More than just a history, Face Value offers us a new way of thinking about the present culture of coded racism, gold fetishism, and economic uncertainty.
Are our identities attached to our faces? If so, what happens when the face connected to the self is gone forever—or replaced? In Face/On, Sharrona Pearl investigates the stakes for changing the face–and the changing stakes for the face—in both contemporary society and the sciences.
The first comprehensive cultural study of face transplant surgery, Face/On reveals our true relationships to faces and facelessness, explains the significance we place on facial manipulation, and decodes how we understand loss, reconstruction, and transplantation of the face. To achieve this, Pearl draws on a vast array of sources: bioethical and medical reports, newspaper and television coverage, performances by pop culture icons, hospital records, personal interviews, films, and military files. She argues that we are on the cusp of a new ethics, in an opportune moment for reframing essentialist ideas about appearance in favor of a more expansive form of interpersonal interaction. Accessibly written and respectfully illustrated, Face/On offers a new perspective on face transplant surgery as a way to consider the self and its representation as constantly present and evolving. Highly interdisciplinary, this study will appeal to anyone wishing to know more about critical interventions into recent medicine, makeover culture, and the beauty industry.
In this lively and engaging history, Madelon Powers recreates the daily life of the barroom, exploring what it was like to be a "regular" in the old-time saloon of pre-prohibition industrial America. Through an examination of saloongoers across America, her investigation offers a fascinating look at rich lore of the barroom—its many games, stories, songs, free lunch customs, and especially its elaborate system of drinking rituals that have been passed on for decades.
"A free-pouring blend of astonishing facts, folklore and firsthand period observations. . . . It's the rich details that'll inspire the casual reader to drink deep from this tap of knowledge."—Don Waller, USA Today recommended reading
"A surprise on every page."—Publishers Weekly
"Here we get social history that appreciates the bar talk even while dissecting its marvelous rituals."—Library Journal, starred review
"Careful scholarship with an anecdotal flair to please even the most sober of readers."—Nina C. Ayoub, Chronicle of Higher Education
In the 1880s the Bald Knobbers terrorized communities in the Ozarks and attracted the attention of both state and federal authorities. Sensationalized newspaper accounts of their exploits reached across the country, helping to form an image of the Ozarks as a violent and backward area. In contrast, the Bald Knobbers represented themselves as an alliance of law-abiding citizens dedicated to fighting rampant crime and corruption. At their height, they numbered an estimated nine hundred men, making them one of the largest vigilante organizations in the United States at the time.
Matthew Hernando sifts through the folklore and myth surrounding the Bald Knobbers to produce an accurate history of their rise and fall. Despite being one of America’s largest and most famous vigilante groups, the Bald Knobbers have not previously been examined in depth. Hernando’s exhaustive research, which includes a plethora of state and federal court records, newspaper articles, and firsthand accounts, remedies that lack.
Despite being one of America’s largest and most famous vigilante groups during the nineteenth century, the Bald Knobbers have not previously been examined in depth. Hernando’s exhaustive research, which includes a plethora of state and federal court records, newspaper articles, and firsthand accounts, remedies that lack. This account of the Bald Knobbers is vital to anyone not wanting to miss out on a major part of Missouri’s history.
In Faces of Internationalism, Eugene R. Wittkopf examines the changing nature of public attitudes toward American foreign policy in the post-Vietnam era and the role that public opinion plays in the American foreign policymaking process. Drawing on new data—four mass and four elite opinion surveys undertaken by the Chicago Council of Foreign Relations from 1974 to 1986—combined with sophisticated analysis techniques, Wittkopf offers a pathbreaking study that addresses the central question of the relationship of a democracy to its foreign policy. The breakdown of the “consensus” approach to American foreign policy after the Cold War years has become the subject of much analysis. This study contributes to revisionist scholarship by describing the beliefs and preferences that have emerged in the wake of this breakdown. Wittkopf counters traditional views by demonstrating the persistence of U.S. public opinion defined by two dominant and distinct attitudes in the post-Vietnam war years—cooperative and militant internationalism. The author explores the nature of these two “faces” of internationalism, focusing on the extent to which elites and masses share similar opinions and the political and sociodemographic correlates of belief systems. Wittkopf also offers an original examination of the relationship between beliefs and preferences.
Faces of Perfect Ebony
Catherine Molineux Harvard University Press, 2012 Library of Congress DA125.N4M65 2012 | Dewey Decimal 306.36209171241
Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. In her exploration of this emerging black presence, Molineux assembles evidence ranging from shop signs, tea trays, trading cards, board games, and playing cards to song ballads and William Hogarth’s graphic satires.
Fosters a holistic understanding of the roles of Maya heroic figures as cornerstones of cultural identity and political resistance and power.
In the sixteenth century, Q’eqchi’ Maya leader Aj Poop B’atz’ changed the course of Q’eqchi’ history by welcoming Spanish invaders to his community in peace to protect his people from almost certain violence. Today, he is revered as a powerful symbol of Q’eqchi’ identity. Aj Poop B’atz’ is only one of many indigenous heroes who has been recognized by Maya in Mexico and Guatemala throughout centuries of subjugation, oppression, and state-sponsored violence.
Faces of Resistance: Maya Heroes, Power, and Identity explores the importance of heroes through the analyses of heroic figures, some controversial and alternative, from the Maya area. Contributors examine stories of hero figures as a primary way through which Maya preserve public memory, fortify their identities, and legitimize their place in their country’s historical and political landscape. Leading anthropologists, linguists, historians, and others incorporate ethnographic, ethnohistoric, and archival material into their chapters, resulting in a uniquely interdisciplinary book for scholars as well as students.
The essays offer the first critical survey of the broad significance of these figures and their stories and the ways that they have been appropriated by national governments to impose repressive political agendas. Related themes include the role of heroic figures in the Maya resurgence movement in Guatemala, contemporary Maya concepts of “hero,” and why some assert that all contemporary Maya are heroes.
In this bold contribution to environmental law, Robert Verchick argues for a new perspective on disaster law that is based on the principles of environmental protection. He contends that government must assume a stronger regulatory role in managing natural infrastructure, distributional fairness, and public risk. Verchick proposes changes to the federal statutes governing environmental impact assessments, wetlands development, air emissions, and flood control, among others. This is a new vision of disaster law for the next generation.
For a generation or more, literary theorists have used the metaphor of "the death of the author" in considering the observation that to write is to abdicate control over the meanings one's text is capable of generating. But in the case of AIDS diaries, the metaphor can be literal. Facing It examines the genre not in classificatory terms but pragmatically, as the site of a social interaction. Through a detailed study of three such diaries, originating respectively in France, the United States, and Australia, Ross Chambers demonstrates that issues concerning the politics of AIDS writing and the ethics of reading are linked by a common concern with the problematics of survivorhood. Two of the diaries chosen for special attention in this light are video diaries: La Pudeur ou l'impudeur by Hervé Guibert (author of To the Friend Who Did Not Save My Life), and Silverlake Life, by the American videomaker Tom Joslin (aided by his lover and friends, notably Peter Friedman). The third is a defiant but anxious text, Unbecoming, by an American anthropologist, Eric Michaels, who died in Brisbane, Australia, in 1988. Other authors more briefly examined include Pascal de Duve, Bertrand Duquénelle, Alain Emmanuel Dreuilhe, David Wojnarowicz, Gary Fisher, and the filmmaker (not a diarist) Laurie Lynd. Finally, Facing It takes on the issue of its own relevance, asking what contributions literary criticism can make in the midst of an epidemic.
"Groundbreaking in its approach and potentially wide in its appeal. . . . The rigor of the ideas, their dramatic nature, and the political drive of the rhetoric all should win Facing It a large readership that could extend far beyond students of narrative or queer theory." --David Bergman, Towson University, editor of Camp Grounds: Style and Homosexuality
Ross Chambers is Distinguished University Professor of French and Comparative Literature, University of Michigan, and author of Room for Maneuver: Reading (the) Oppositional (in) Narrative and Story and Situation: Narrative Seduction and the Power of Fiction.
The only truly successful slave uprising in the Atlantic world, the Haitian Revolution gave birth to the first independent black republic of the modern era. Inspired by the revolution that had recently roiled their French rulers, black slaves and people of mixed race alike rose up against their oppressors in a bloody insurrection that led to the burning of the colony’s largest city, a bitter struggle against Napoleon’s troops, and in 1804, the founding of a free nation.
Numerous firsthand narratives of these events survived, but their invaluable insights into the period have long languished in obscurity—until now. In Facing Racial Revolution, Jeremy D. Popkin unearths these documents and presents excerpts from more than a dozen accounts written by white colonists trying to come to grips with a world that had suddenly disintegrated. These dramatic writings give us our most direct portrayal of the actions of the revolutionaries, vividly depicting encounters with the uprising’s leaders—Toussaint Louverture, Boukman, and Jean-Jacques Dessalines—as well as putting faces on many of the anonymous participants in this epochal moment. Popkin’s expert commentary on each selection provides the necessary background about the authors and the incidents they describe, while also addressing the complex question of the witnesses’ reliability and urging the reader to consider the implications of the narrators’ perspectives.
Along with the American and French revolutions, the birth of Haiti helped shape the modern world. The powerful, moving, and sometimes troubling testimonies collected in Facing Racial Revolution significantly expand our understanding of this momentous event.
Many Americans, holding fast to the American Dream and the promise of equal opportunity, claim that social class doesn't matter. Yet the ways we talk and dress, our interactions with authority figures, the degree of trust we place in strangers, our religious beliefs, our achievements, our senses of morality and of ourselves—all are marked by social class, a powerful factor affecting every domain of life. In Facing Social Class, social psychologists Susan Fiske and Hazel Rose Markus, and a team of sociologists, anthropologists, linguists, and legal scholars, examine the many ways we communicate our class position to others and how social class shapes our daily, face-to-face interactions—from casual exchanges to interactions at school, work, and home. Facing Social Class exposes the contradiction between the American ideal of equal opportunity and the harsh reality of growing inequality, and it shows how this tension is reflected in cultural ideas and values, institutional practices, everyday social interactions, and psychological tendencies. Contributor Joan Williams examines cultural differences between middle- and working-class people and shows how the cultural gap between social class groups can influence everything from voting practices and political beliefs to work habits, home life, and social behaviors. In a similar vein, Annette Lareau and Jessica McCrory Calarco analyze the cultural advantages or disadvantages exhibited by different classes in institutional settings, such as those between parents and teachers. They find that middle-class parents are better able to advocate effectively for their children in school than are working-class parents, who are less likely to challenge a teacher's authority. Michael Kraus, Michelle Rheinschmidt, and Paul Piff explore the subtle ways we signal class status in social situations. Conversational style and how close one person stands to another, for example, can influence the balance of power in a business interaction. Diana Sanchez and Julie Garcia even demonstrate that markers of low socioeconomic status such as incarceration or unemployment can influence whether individuals are categorized as white or black—a finding that underscores how race and class may work in tandem to shape advantage or disadvantage in social interactions. The United States has one of the highest levels of income inequality and one of the lowest levels of social mobility among industrialized nations, yet many Americans continue to buy into the myth that theirs is a classless society. Facing Social Class faces the reality of how social class operates in our daily lives, why it is so pervasive, and what can be done to alleviate its effects.
This selection of fiction by many of America's best writers, each coupled with a distinguished critic's response, is designed to defy the chronological secondariness of critical interpretation. During the creation of this book the majority of the contributions, chosen by the writers themselves, were as yet unpublished, providing an unmediated encounter between author and critic. Every reader extends what editors, authors, and critics have begun by adding to the imaginary space in which all texts may be woven together. This process serves as metaphor for the changing nature of any latter-day encounter with one's own literary tradition. The interfacing of texts not only illuminates the fiction, and the relationship of fiction to critics, but also informs our conceptions of text, criticism, and fiction itself.
In the diversity of their clients as well as their professional and student staff, writing centers present a complicated set of relationships that inevitably affect the instruction they offer. In Facing the Center, Harry Denny unpacks the identity matrices that enrich teachable moments, and he explores the pedagogical dynamics and implications of identity within the writing center.
The face of the writing center, be it mainstream or marginal, majority or miority, orthodox or subversive, always has implications for teaching and learning. Facing the Center will extend current research in writing center theory to bring it in touch with theories now common in cultural studies curricula. Denny takes up issues of power, agency, language, and meaning, and pushes his readers to ask how they themselves, or the centers in which they work, might be perpetuating cultures that undermine inclusive, progressive education.
"These essays...show us the human and inhuman realities of capital punishment through the eyes of the condemned and those who work with them. By focusing on those awaiting death, they present the awful truth behind the statistics in concrete, personal terms."
--William J. Bowers, author of Legal Homicide
Between 1930 and 1967, there were 3,859 executions carried out under state and civil authority in the United States. Since the ten-year moratorium on capital punishment ended in 1977, more than one hundred prisoners have been executed. There are more than two thousand men and women now living on death row awaiting their executions. Facing the Death Penalty offers an in-depth examination of what life under a sentence of death is like for condemned inmates and their families, how and why various professionals assist them in their struggle for life, and what these personal experiences with capital punishment tell us about the wisdom of this penal policy.
The contributors include historians, attorneys, sociologists, anthropologists, criminologists, a minister, a philosopher, and three prisoners. One of the prisoner-contributors is Willie Jasper Darden, Jr., whose case and recent execution after fourteen years on death row drew international attention. The inter-disciplinary perspectives offered in this book will not solve the death penalty debate, but they offer important and unique insights on the full effects of American capital punishment provisions. While the book does not set out to generate sympathy for those convicted of horrible crimes, taken together, the essays build a case for abolition of the death penalty.
"This work stands with the best of what's been written. It represents the best of those who have seen the worst."
--Colman McCarthy, The Washington Post Book World
The U.S. Congress is charged with responsibility for the protection and preservation of American Indian tribes, including Indian children. In 1978, Congress enacted the Indian Child Welfare Act (ICWA), with the intent to "protect the best interests of Indian children and to promote the stability and security of Indian tribes and families." ICWA sets federal requirements that apply to state child custody proceedings involving an Indian child who is a member of or eligible for membership in a federally recognized tribe. ICWA also sets out federal requirements regarding removal of Indian children and their placement in foster or adoptive homes, and it allows the child's tribe to intervene in the case.
The history of the Act is a tangle of legal, social, and emotional complications. Some state courts have found unusual legal arguments to avoid applying the law, while some states have gone beyond the terms of the Act to provide greater protections for Indian people. This collection brings together for the first time a multidisciplinary assessment of the law—with scholars, practitioners, lawyers, and social workers all offering perspectives on the value and importance of the Indian Child Welfare Act.
As a child growing up in Cambodia, Ronnie Yimsut played among the ruins of the Angkor Wat temples, surrounded by a close-knit community. As the Khmer Rouge gained power and began its genocidal reign of terror, his life became a nightmare. In this stunning memoir, Yimsut describes how, in the wake of death and destruction, he decides to live.
Escaping the turmoil of Cambodia, he makes a perilous journey through the jungle into Thailand, only to be sent to a notorious Thai prison. Fortunately, he is able to reach a refugee camp and ultimately migrate to the United States, where he attended the University of Oregon and became an influential leader in the community of Cambodian immigrants. Facing the Khmer Rouge shows Ronnie Yimsut’s personal quest to rehabilitate himself, make a new life in America, and then return to Cambodia to help rebuild the land of his birth.
In Facing the Planetary William E. Connolly expands his influential work on the politics of pluralization, capitalism, fragility, and secularism to address the complexities of climate change and to complicate notions of the Anthropocene. Focusing on planetary processes—including the ocean conveyor, glacier flows, tectonic plates, and species evolution—he combines a critical understanding of capitalism with an appreciation of how such nonhuman systems periodically change on their own. Drawing upon scientists and intellectuals such as Lynn Margulis, Michael Benton, Alfred North Whitehead, Anna Tsing, Mahatma Gandhi, Wangari Maathai, Pope Francis, Bruno Latour, and Naomi Klein, Connolly focuses on the gap between those regions creating the most climate change and those suffering most from it. He addresses the creative potential of a "politics of swarming" by which people in different regions and social positions coalesce to reshape dominant priorities. He also explores how those displaying spiritual affinities across differences in creed can energize a militant assemblage that is already underway.
Before the Second World War, the states of Washington and Oregon were thinly populated economic backwaters of the United States. Even the major cities of Portland and Seattle were dependent on agricultural industries, especially timber, for their economic health. That all changed during World War II and the Cold War.
By the dawn of the twenty-first century, the Pacific Northwest boasted a more diversified economy. Beer, tourism, and high tech moved in alongside timber and wheat as the region’s mainstay industries. In Washington, especially, a Cold War–driven military and national security state set up shop as an economic behemoth even as debates over the costs and consequences of the new Atomic Age raged.
Facing the World highlights these changes, as well as the politicians, business leaders, and ordinary people who helped bring them about. At the center of the story, Senators Henry Jackson, Wayne Morse, Slade Gorton, and Mark Hatfield; Congressman Tom Foley; and Governor Vic Atiyeh worked diligently for a generation to transform the region from insular and backward to cosmopolitan and forward-looking. Aligning the region with national security and international trade policies, these politicians made the Pacific Northwest economy what it is today.
Through extensive research in congressional and federal archives, historian Christopher P. Foss vividly brings to life the discussions, conflicts, and controversies that shaped this political era. Though it wasn’t perfect, its fading legacy of leadership is a lesson for our own time. Facing the World will prove a valuable resource to historians, political scientists, and civic-minded residents of the Pacific Northwest.
Steven Weinberg Harvard University Press, 2001 Library of Congress Q171.W419 2001 | Dewey Decimal 500
Each of these essays struggles in one way or another with the necessity of facing up to the discovery that the laws of nature are impersonal, with no hint of a special status for human beings. Defending the spirit of science against its cultural adversaries, these essays express a viewpoint that is reductionist, realist, and devoutly secular. Together, they afford the general reader the unique pleasure of experiencing the superb sense, understanding, and knowledge of one of the most interesting and forceful scientific minds of our era.ease fill in marketing copy
How diverse can, and should, TV programming be? And especially, in what precise ways does governmental regulation of TV affect (or fail to affect) the programs station owners produce—programs which, in the final analysis, shape in such large measure the values of Americans? It is to these timely and beguiling questions that Harvey Levin addresses his dispassionate assessment of the complex relationship between government and the TV industry. Analyzing data drawn from the history of the FCC's regulatory decisions, as well as from interviews with numerous government and industry officials, Professor Levin shows how the present form of restrictive governmental regulation almost always results in higher profits and rents for TV stations, with no concomitant increase in programming diversity. In addition, Professor Levin investigates various other aspects of the media market, from the particular kinds of crucial decisions that are made when, for example, a newspaper owns a TV station, to the kinds of problems that arise when commercial rents are taxed to fund public TV; from the brand of programming we are offered when a monopoly controls a given TV market to the nature of programming in a situation of steady and fair competition. Following a comprehensive assessment, the author makes a compelling case for diversification of station ownership, in order to be "safe rather than sorry." He also argues for the entry of new stations, more extensive support of public TV, and some form of quantitative program requirements—all of which will help bring about greater program diversity. Professor Levin's volume provides us with a fully documented and sharply focused analysis of the theories, policies, and problems of one of the most powerful and misunderstood of contemporary institutions.
The American Medical Association asked RAND Health to characterize the factors that affect physician professional satisfaction. RAND researchers sought to identify high-priority determinants of professional satisfaction by gathering data from 30 physician practices in six states, using a combination of surveys and semistructured interviews. This report presents the results of the subsequent analysis.
Gillian Darley Reaktion Books, 2003 Library of Congress NA6400.D37 2003 | Dewey Decimal 338.65
Despite its long history, the factory has a particular appeal to modern architects, who have often preferred this building type as "authentic" architecture to the grand public buildings and luxury private dwellings of the contemporary city. Many European architects who looked to America for inspiration in the early 20th century were far more excited by the great factories of Detroit than they were by the monuments of New York and Washington, DC.
This book examines the factory in a number of incarnations; as image, as icon, as innovator and as laboratory. It traces the history of the modern factory from the utopian schemes of Robert Owen or Claude Ledoux in the early 19th century, through the great modernist "cathedrals of industry" of Peter Behrens, Albert Kahn and Frank Lloyd Wright, to the post-industrial revival of former factories, such as Renzo Piano’s reconstruction of the Fiat Lingotto factory in Turin, or the landscaped industrial parks created out of former steel mills in the Ruhr area of Germany.
This is the first book in the "Objekt" series, which will examine a wide range of iconic modern objects across many design fields, including architecture, industrial design, graphics and fashion. The books are not intended as exhaustive histories of their subject, but are written as thematic and discursive essays, keeping in mind the broader cultural meanings of objects or buildings as much as their intended functions in the modern period.
Kenneth Straus weaves together many threads in Russian social history to develop a new theory of working-class formation in the years of Stalin’s First Five Year Plan. In so doing, he addresses a long-standing debate among historians by suggesting new answers to an old question: Was there social support for the Stalin regime among the Soviet working class during the 1930s, and if so, why?
Straus argues that the keys for interpreting Stalinism lie in occupational specialization, on the one hand, and community organization, on the other. He focuses on the daily life of the new Soviet workers in the factory and community, arguing that the most significant new trends saw peasants becoming open hearth steel workers, housewives becoming auto assembly line workers and machine operatives, and youth training en masse rather than occupations categories in the vocational schools in the factories, the FZU.
Tapping archival material only recently available and a wealth of published sources, Straus presents Soviet social history within a new analytical framework, suggesting that Stalinist forced industrialization and Soviet proletarianization is best understood within a comparative European framework, in which the theories of Marx, Durkheim, and Weber best elucidate both the broad similarities with Western trends and the striking exceptional aspects of the Soviet experience.
Archaeology in Israel is truly a national obsession, a practice through which national identity—and national rights—have long been asserted. But how and why did archaeology emerge as such a pervasive force there? How can the practices of archaeology help answer those questions? In this stirring book, Nadia Abu El-Haj addresses these questions and specifies for the first time the relationship between national ideology, colonial settlement, and the production of historical knowledge. She analyzes particular instances of history, artifacts, and landscapes in the making to show how archaeology helped not only to legitimize cultural and political visions but, far more powerfully, to reshape them. Moreover, she places Israeli archaeology in the context of the broader discipline to determine what unites the field across its disparate local traditions and locations.
Boldly uncovering an Israel in which science and politics are mutually constituted, this book shows the ongoing role that archaeology plays in defining the past, present, and future of Palestine and Israel.
At the most prestigious preparatory schools in the United States, the children of educators are referred to as “faculty brats.” Though generally lacking the privilege of the institution’s wealthy students, faculty brats enjoy access to the school’s extensive grounds and facilities and are part of everyday campus life.
Dominic Bucca’s art teacher mother married his music teacher stepfather twice, and the young boy wondered if the union might be twice as strong as a result. Instead, this faculty brat quickly discovered that the marriage was twice as flawed. When Dominic was nine years old, his stepfather began sexually abusing him in the faculty housing attached to the boys’ dorm his parents oversaw. Years later, he found escape by reaching out to his biological father, and learned to split his life between two realities.
For nearly twenty-five years, Bucca hid the secret of his stepfather’s abuse from his mother and sisters. When he decided to tell, hoping to prevent his stepfather from continuing to teach young boys, Bucca discovered the limits of both his family and the legal system.
This book provides the first in-depth examination of the experiences of a large sampling of faculty members of color in nursing, medicine, pharmacy, and dentistry schools across the United States. Anchoring her study in grounded theory, Dena Hassouneh draws on extraordinary interviews with one hundred diverse faculty members—together with rich contextual data—to illuminate the deeply entrenched cultural and institutional challenges to equity that they confront. She also presents practical strategies to overcome those challenges. The book documents the ways in which faculty members of color are excluded from full participation in their laboratory or department; yet Hassouneh’s research shows that faculty of color can survive and even thrive. The interviews and data clearly reveal both the social, educational, and departmental contexts that determine satisfaction and success in recruitment and advancement and the impact that faculty of color have had on their students, peers, patients, schools, and communities.
Niger most often comes into the public eye as an example of deprivation and insecurity. Urban centers have become concentrated areas of unemployment filled with young men trying, against all odds, to find jobs and fill their time with meaningful occupations. At the heart of Adeline Masquelier’s groundbreaking book is the fada—a space where men gather to escape boredom by talking, playing cards, listening to music, and drinking tea. As a place in which new forms of sociability and belonging are forged outside the unattainable arena of work, the fada has become an integral part of Niger’s urban landscape. By considering the fada as a site of experimentation, Masquelier offers a nuanced depiction of how young men in urban Niger engage in the quest for recognition and reinvent their own masculinity in the absence of conventional avenues to self-realization. In an era when fledgling and advanced economies alike are struggling to support meaningful forms of employment, this book offers a timely glimpse into how to create spaces of stability, respect, and creativity in the face of diminished opportunities and precarity.
To her contemporaries Amy Brown Lyman was a leader, admired for her dynamic personality, her inspiring public addresses, and especially for her remarkable vision of what Mormon women in the Relief Society could achieve. Yet today her name is barely known. This volume brings her work to light, showing how the accomplishments of Lyman and her peers benefitted their own and subsequent generations.
Placing Lyman’s story within a local and national context, award-winning author Dave Hall examines the roots and trajectory of Mormon women’s activism. Born into a polygamist family, Lyman entered the larger sphere of public life at the time when the practice of polygamy was ending and Mormonism had begun assimilating mainstream trends. The book follows her life as she prepared for a career, married, and sought meaning in a rapidly changing society. It recounts her involvement in the Relief Society, the Mormon women’s charity group that she led for many years and sought to transform into a force for social welfare, and it considers the influence of her connections with national and international women’s organizations. The final period of Lyman’s life, in which she resigned from the Relief Society amidst personal tragedy, offers insight into the reasons Mormon women abandoned their activist heritage for a more conservative role, a stance that is again evolving.
Winner of the Mormon History Association's Best First Book Award.
Fadeout is the first of Joseph Hansen's twelve classic mysteries featuring rugged Dave Brandstetter, an insurance investigator who is contentedly gay. When entertainer Fox Olson's car plunges off a bridge in a storm, a death claim is filed, but where is Olson's body? As Brandstetter questions family, fans, and detractors, he grows certain Olson is still alive and that Dave must find him before the would-be killer does. Suspenseful and wry, shrewd and deeply felt, Fadeout remains as fresh today as when it startled readers more than thirty years ago.
Fado and Other Stories
Katherine Vaz University of Pittsburgh Press, 1997 Library of Congress PS3572.A97F34 1997 | Dewey Decimal 813.54
Winner of the 1997 Drue Heinz Literature Prize
This collection is filled with narrative and character grounded in the meaning and value the earth gives to human existence. In one story, a woman sleeps with the village priest, trying to gain back the land the church took from her family; in another, relatives in the Azores fight over a plot of land owned by their expatriate American cousin. Even apparently small images are cast in terms of the earth: Milton, one narrator explains, has made apples the object of a misunderstanding by naming them as Eden’s fruit: “In the Bible, no fruit is named in the Garden of Eden - and to this day apples are misunderstood. They were trying to tempt people not into sin but into listening to the earth more closely. . . . their white meal runs wet with the knowledge of the language of the land, but people do not listen.”
Vaz’s beautiful, intensely conscious language often delicately slips her stories into the realm of the fado, the Portuguese song about fate and longing. “Listen for the nightingale that presses its breast against the thorns of the rose,” on character sings, “that the song might be more beautiful.” Such a verse might describe Vaz’s own motive behind her willingness to confront her subject’s ambiguities and her characters’ conflicts - the simultaneous joy and sorrow of some of life’s discoveries, the pain sometimes hidden within passion and pleasure.
Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the "soul" of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon's fado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and "soul."
Over time, male homosexuality and effeminacy have become indelibly associated, sometimes even synonymous. In Faeries, Bears, and Leathermen, Peter Hennen contends that this stigma of effeminacy exerts a powerful influence on gay subcultures. Through a comparative ethnographic analysis of three communities, Hennen explores the surprising ways that conventional masculinity is being collectively challenged, subverted, or perpetuated in contemporary gay male culture.
Hennen’s colorful study focuses on a trio of groups: the Radical Faeries, who parody effeminacy by playfully embracing it, donning prom dresses and glitter; the Bears, who strive to appear like “regular guys” and celebrate their larger, hairier bodies; and the Leathermen, who emulate hypermasculine biker culture, simultaneously paying homage to and undermining notions of manliness. Along with a historical analysis of the association between effeminacy and homosexuality, Hennen examines how this connection affects the groups’ sexual practices. Ultimately, he argues, while all three groups adopt innovative approaches to gender issues and sexual pleasure, masculine norms continue to constrain members of each community.
In 1898, in an era of racial terror at home and imperial conquest abroad, the United States sent its troops to suppress the Filipino struggle for independence, including three regiments of the famed African American "Buffalo Soldiers." Among them was David Fagen, a twenty-year-old private in the Twenty-Fourth Infantry, who deserted to join the Filipino guerrillas. He led daring assaults and ambushes against his former comrades and commanders—who relentlessly pursued him without success—and his name became famous in the Philippines and in the African American community.
The outlines of Fagen's legend have been known for more than a century, but the details of his military achievements, his personal history, and his ultimate fate have remained a mystery—until now. Michael Morey tracks Fagen's life from his youth in Tampa as a laborer in a phosphate camp through his troubled sixteen months in the army, and, most importantly, over his long-obscured career as a guerrilla officer. Morey places this history in its larger military, political, and social context to tell the story of the young renegade whose courage and defiance challenged the supremacist assumptions of the time.
The freedom of the individual to aim high is a deeply rooted part of the American ethos but we rarely acknowledge its flip side: failure. If people are responsible for their individual successes, is the same true of their failures? The Failed Individual brings together a variety of disciplinary approaches to explore how people fail in the United States and the West at large, whether economically, politically, socially, culturally, or physically. How do we understand individual failure, especially in the context of the zero-sum game of international capitalism? And what new spaces of resistance, or even pleasure, might failure open up for people and society?
Since the end of the Cold War, a new dynamic has arisen within the international system, one that does not conform to established notions of the state’s monopoly on war. In this changing environment, the global community must decide how to respond to the challenges posed to the state by military threats, political and economic decline, and social fragmentation. This insightful work considers the phenomenon of state failure and asks how the international community might better detect signs of state decay at an early stage and devise legally and politically legitimate responses.
This collection of essays brings military and social historians into conversation with political and social scientists and former military officers. In case studies from the former Yugoslavia, Somalia, Iraq, and Colombia, the distinguished contributors argue that early intervention to stabilize social, economic, and political systems offers the greatest promise, whereas military intervention at a later stage is both costlier and less likely to succeed.
Failing Law Schools
Brian Z. Tamanaha University of Chicago Press, 2012 Library of Congress KF272.T353 2012 | Dewey Decimal 340.071173
On the surface, law schools today are thriving. Enrollments are on the rise, and their resources are often the envy of every other university department. Law professors are among the highest paid and play key roles as public intellectuals, advisers, and government officials. Yet behind the flourishing facade, law schools are failing abjectly. Recent front-page stories have detailed widespread dubious practices, including false reporting of LSAT and GPA scores, misleading placement reports, and the fundamental failure to prepare graduates to enter the profession.
Addressing all these problems and more in a ringing critique is renowned legal scholar Brian Z. Tamanaha. Piece by piece, Tamanaha lays out the how and why of the crisis and the likely consequences if the current trend continues. The out-of-pocket cost of obtaining a law degree at many schools now approaches $200,000. The average law school graduate’s debt is around $100,000—the highest it has ever been—while the legal job market is the worst in decades, with the scarce jobs offering starting salaries well below what is needed to handle such a debt load. At the heart of the problem, Tamanaha argues, are the economic demands and competitive pressures on law schools—driven by competition over U.S. News and World Report ranking. When paired with a lack of regulatory oversight, the work environment of professors, the limited information available to prospective students, and loan-based tuition financing, the result is a system that is fundamentally unsustainable.
Growing concern with the crisis in legal education has led to high-profile coverage in the Wall Street Journal and the New York Times, and many observers expect it soon will be the focus of congressional scrutiny. Bringing to the table his years of experience from within the legal academy, Tamanaha has provided the perfect resource for assessing what’s wrong with law schools and figuring out how to fix them.
Both revealing and compelling, Annette Kolodny’s Failing the Future: A Dean Looks at Higher Education in the Twenty-first Century is drawn from the author’s experience as a distinguished teacher, a prize-winning scholar of American literature, a feminist thinker, and an innovative administrator at a major public university. In chapters that range from the changing structure of the American family and its impact on both curriculum and university benefits policies to recommendations for overhauling the culture of decision making on campus, this former Dean of the College of Humanities at the University of Arizona explores the present state of higher education and offers a sobering view of what lies ahead. In this volume Kolodny explains the reasons for the financial crisis in higher education today and boldly addresses the challenges that remain ignored, including rising birthrates, changing demographics both on campus and across the country, the accelerating globalization of higher education and advanced research, and the necessity for greater interdisciplinarity in undergraduate education. Moreover, while sensitive to the complex burdens placed on faculty today, Kolodny nonetheless reveals how the professoriate has allowed itself to become vulnerable to public misperceptions and to lampooning by the media. Not simply a book about current problems and future challenges, Failing the Future is rich with practical solutions and workable programs for change. Among her many insights, Kolodny offers a thorough defense of the role of tenure and outlines a new set of procedures to ensure its effective implementation; she proposes a structure for an “Antifeminist Intellectual Harassment Policy”; and she provides a checklist of family-sensitive policies universities can offer their staff, faculty, and administrators. Kolodny calls on union leaders, campus communities, policymakers, and the general public to work together in unprecedented partnerships. Her goal, as she states in a closing coda, is to initiate a revitalized conversation about public education. This book should be required reading for all those concerned with the future of higher education in this country—from college trustees to graduate students entering the professoriate, from faculty to university administrators, from officers of campus-based unions to education policymakers.
How do people decide which country came out ahead in a war or a crisis? In Failing to Win, Dominic Johnson and Dominic Tierney dissect the psychological factors that predispose leaders, media, and the public to perceive outcomes as victories or defeats--often creating wide gaps between perceptions and reality.
When used in conjunction with corporations, the term “public” is misleading. Anyone can purchase shares of stock, but public corporations themselves are uninhibited by a sense of societal obligation or strict public oversight. In fact, managers of most large firms are prohibited by law from taking into account the interests of the public in decision making, if doing so hurts shareholders. But this has not always been the case, as until the beginning of the twentieth century, public corporations were deemed to have important civic responsibilities.
With The Failure of Corporate Law, Kent Greenfield hopes to return corporate law to a system in which the public has a greater say in how firms are governed. Greenfield maintains that the laws controlling firms should be much more protective of the public interest and of the corporation’s various stakeholders, such as employees. Only when the law of corporations is evaluated as a branch of public law—as with constitutional law or environmental law—will it be clear what types of changes can be made in corporate governance to improve the common good. Greenfield proposes changes in corporate governance that would enable corporations to meet the progressive goal of creating wealth for society as a whole rather than merely for shareholders and executives.
The Failure of Latin Americais a collection of John Beverley’s previously published essays and pairs them with new material that reflects on questions of postcolonialism and equality within the context of receding continental socialism. Beverley sees an impasse within both the academic postcolonial project and the Bolivarian idea of Latin America. The Pink Tide may have failed to permanently reshape Latin America, but in its failure there remains the possibility of an alternative modernity not bound to global capitalism. Beverley proposes that equality, modified by the postcolonial legacy, is a particularly Latin American possibility that can break the impasse and redefine Latinamericanism.
Modern farm policy emerged in the United States in 1862, leading to an industrialized agriculture that made the farm sector collectively more successful even as many individual farmers failed. Ever since, a healthy farm economy has been seen as the key to flourishing rural communities, and the problems of rural nonfarmers, former farmers, nonfarm residents, and unfarmed regions were ignored by policymakers.
In The Failure of National Rural Policy, William P. Browne blends history, politics, and economics to show that federal government emphasis on farm productivity has failed to meet broader rural needs and actually has increased rural poverty. He explains how strong public institutions, which developed agrarianism, led to narrowed concepts of the public interest. Reviewing past efforts to expand farm policy benefits to other rural residents, Browne documents the fragmentation of farm policy within the agricultural establishment as farm services grew, the evolution of political turf protection, and the resultant difficulties of rural advocacy. Arguing for an integrated theory of governing institutions and related political interests, he maintains that nonfarm rural society can make a realistic claim for public policy assistance.
Written informally, each chapter is followed by comments on the implications of its topics and summaries of key points. The book will serve as a stimulating text for students of public policy, national affairs, rural sociology, and community development—as well as anyone concerned with the future of agrarian America.
Based on seven years of archival research, the book describes previously unknown aspects of the electoral college crisis of 1800, presenting a revised understanding of the early days of two great institutions that continue to have a major impact on American history: the plebiscitarian presidency and a Supreme Court that struggles to put the presidency's claims of a popular mandate into constitutional perspective. Through close studies of two Supreme Court cases, Ackerman shows how the court integrated Federalist and Republican themes into the living Constitution of the early republic.
For more than two hundred years, book reviewers have influenced American readers, setting our literary agenda by helping us determine not only what we read but also what we think about what we read. And for nearly as long, critics of these critics have lambasted book reviews for their overpraise, hostility, banality, and bias.
Faint Praise takes a hard and long-overdue look at the institution of book reviewing. Gail Pool, herself an accomplished reviewer and review editor, analyzes the inner workings of this troubled trade to show how it works—and why it so often fails to work well. She reveals why bad reviewing happens despite good intentions and how it is that so many intelligent people who love books can say so many unintelligent things on their behalf.
Reviewers have the power to award prestige to authors, give prominence to topics, and shape opinion and taste; yet most readers have little knowledge of why certain books are selected for review, why certain reviewers are selected to review them, and why they so often praise books that aren’t all that good. Pool takes readers behind the scenes to describe how editors choose books for review and assign them to reviewers, and she examines the additional roles played by publishers, authors, and readers. In describing the context of reviewing, she reveals a culture with little interest in literature, much antipathy to criticism, and a decided weakness for praise. In dissecting the language of reviews, Pool demonstrates how it often boils down to unbelievable hype.
Pool explores the multifaceted world of book reviewing today, contrasting traditional methods of reviewing with alternative book coverage, from Amazon.com to Oprah, and suggesting how the more established practices could be revised. She also explores the divide between service journalism practiced by reviewers versus the alleged high art served up by literary critics—and what this fuzzy boundary between reviewing and criticism really means.
This is the first book to analyze the field in depth, weighing the inherent difficulties of reviewing against the unacceptable practices that undermine the very reasons we read—and need—reviews. Faint Praise is a book not just for those who create and review books but also for everyone who loves books. By demystifying this hidden process, Pool helps everyone understand how to read reviews—and better decide what to read.
What does “fairness” mean internationally in terms of access to higher education? Increased competition for places in elite universities has prompted a worldwide discussion regarding the fairness of student admission policies. Despite budget cuts from governments—and increasing costs for students—competition is fierce at the most prestigious institutions. Universities, already under stress, face a challenge in balancing institutional research goals, meeting individual aspirations for upward social mobility, and promoting the democratic ideal of equal opportunity.
Fair Access to Higher Education addresses this challenge from a broad, transnational perspective. The chapters in this volume contribute to our thinking and reflection on policy developments and also offer new empirical findings about patterns of advantage and disadvantage in higher education access. Bringing together insights drawn from a variety of fields, including philosophy, linguistics, social psychology, sociology, and public policy, the book sheds light on how “fairness” in university admissions has been articulated worldwide.
Despite its prominence as a world cultural center and a locus of research on deaf culture, history, education, and language for more than 150 years, Gallaudet University has only infrequently been the focal point of historical study. Eminent historians Brian H. Greenwald and John Vickrey Van Cleve have remedied this scarcity with A Fair Chance in the Race of Life: The Role of Gallaudet University in Deaf History. In this collection, a remarkable cast of scholars examine the university and its various roles through time, many conducting new research in the Gallaudet University Archives, an unsurpassed repository of primary sources of deaf history.
Pulitzer-Prize-winning historian James M. McPherson sets the stage in his essay “A Fair Chance in the Race of Life,” President Abraham Lincoln’s statement when he chartered the first college for deaf students. The papers that follow scrutinize Gallaudet’s long domination by hearing presidents, its struggle to find a place within higher education, its easy acquiescence to racism, its relationship with the federal government, and its role in creating, shaping, and nurturing the deaf community.
These studies do more than simply illuminate the university, however. They also confront broad issues that deal with the struggles of social conformity versus cultural distinctiveness, minority cohesiveness, and gender discrimination. “Deaf” themes, such as the role of English in deaf education, audism, and the paternalism of hearing educators receive analysis as well.
Rebecca Hazelton The Ohio State University Press, 2012 Library of Congress PS3608.A9884F35 2012 | Dewey Decimal 811.6
Fair Copy, byRebecca Hazelton, is a meditation on the difficulties of distinguishing the real from the false, the copy from the original. It is in part an exploration of the disparity between our conception of love as either true or false and the messy reality that it can sometimes be both. If “true” love is not to be found, is an approximation a “fair” substitute? These poems repeatedly question the veracity of memory—sometimes toying with the seductiveness of nostalgia while at other times pleading for the real story. Here, the fairy tale and the everyday nervously coexist, the bride is an uneasy molecule, and happiness comes in the form of a pill. Composed of acrostics from lines by Emily Dickinson, the collection retains a direct and recurrent tie to Dickinson’s work, even while Hazelton deftly branches off into new sonic, rhythmic, and conceptual territories.
Everyone knows that the current tax system is unfair. Some of the richest people in America pay no tax, while a huge share of the tax burden falls on the rest of us. A mere glance at the tax code confirms that it is far too complex, with volumes of rules that no ordinary person could possibly comprehend. What is to be done? Some conservatives have called for a so-called flat tax. But a flat tax is not necessarily a simple tax, and "flat" means "more" for most taxpayers: a rise in middle-class taxes to finance tax cuts for the rich. Is there another choice?
In clear, easy-to-understand language, Edward J. McCaffery proposes a straightforward and fair alternative. A "fair not flat" tax that is consistent and progressive would tax spending, not income and savings. And if it were collected at its lower levels through a national sales tax, most people would not have to file a return. A supplemental tax on spending for the wealthiest individuals would make the national sales tax progressive. Under McCaffery's system, a family of four would pay no tax on their first $20,000 in spending, and 15 percent on the next $60,000. Only the few families who spend more than $80,000 a year would be subject to the supplemental tax. Necessities would be taxed less than ordinary and luxury items. No one would be taxed directly on savings. The estate and gift or so-called death tax would be abolished, for the simple reason that dead people don't spend. The "fair not flat" tax would fall on heirs when and as they spend their good fortune. Perhaps best of all, most Americans would not have to fill out tax returns.
Simpler, more efficient, fairer, and more reflective of America's current social values, McCaffery's "fair not flat" tax could help get us out of the tax mess that politicians and special interests have gotten us into, improving the whole country in the process. Read Fair Not Flat to find out how.
“In Fair Not Flat, Mr. McCaffery lays out the case for a consumption tax. He does so in a reader-friendly way, presenting his argument with very few footnotes, equations or technical terms. The consumption of the book, so to speak, is not at all taxing. And its argument is well worth pondering.”—Bruce Bartlett, Wall Street Journal
In Fair Rosamond Virgil B. Heltzel traces the character of Rosamond Clifford, known as “Fair Rosamond”—which has its origins as a theme in medieval literature—through its use in poetry and plays and novels, from the Renaissance through the early twentieth century. Heltzel’s book retains its importance today for scholars tracing certain thematic structures through all periods of literature.
In Fair Sex, Savage Dreams Jean Walton examines the work of early feminist psychoanalytic writing to decipher in it the unacknowledged yet foundational role of race. Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freud’s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead. Charting the fantasies of racial difference in these women’s writings, Walton establishes that race—particularly during this period—was inseparable from accounts of gender and sexuality. While arguing that these women remained notably oblivious to the racial meanings embedded in their own attempts to rearticulate feminine sexuality, Walton uses these very blindspots to understand how race and sex are deeply imbricated in the constitution of subjectivity. Challenging the notion that subjects acquire gender identities in isolation from racial ones, she thus demonstrates how white-centered psychoanalytic theories have formed the basis for more contemporary feminist and queer explorations of fantasy, desire, power, and subjectivity. Fair Sex, Savage Dreams will appeal to scholars of psychoanalysis, literary and cinematic modernism, race studies, queer theory, feminist theory, and anthropology.
We’ve been told, again and again, that life is unfair. But what if we’re wrong simply to resign ourselves to this situation? What if we have the power—and more, the duty—to change society for the better?
We do. And our very nature inclines us to do so. That’s the provocative argument Peter Corning makes in The Fair Society. Drawing on the evidence from our evolutionary history and the emergent science of human nature, Corning shows that we have an innate sense of fairness. While these impulses can easily be subverted by greed and demagoguery, they can also be harnessed for good. Corning brings together the latest findings from the behavioral and biological sciences to help us understand how to move beyond the Madoffs and Enrons in our midst in order to lay the foundation for a new social contract—a Biosocial Contract built on a deep understanding of human nature and a commitment to fairness. He then proposes a sweeping set of economic and political reforms based on three principles of fairness—equality, equity, and reciprocity—that together could transform our society and our world.
At this crisis point for capitalism, Corning reveals that the proper response to bank bailouts and financial chicanery isn’t to get mad—it’s to get fair.
In Fair to Middlin', Lynn Willoughby describes the livelihood of the regional antebellum economy surrounding the Apalachicola/Chattahoochee River valley and the resulting global impact of this industry. This study focuses on the port of Apalachicola, Florida and the business men who lived the trade, flourishing amongst the poor conditions of transportation, communication, money, and banking. Cotton businessmen located along the waterway and on the coast neatly divided the labour necessary to market the region's major source of income. Early regional economics revolved around and grew from the rivers that served as the primary form of transportation, and each patchwork of economy in the antebellum South relied on a different river system and its major transportation artery. Few people truly understand and realize how important cotton was to the world's economy, and no other American export came close to the importance of cotton. This power and success allowed the South to function self-sufficiently, eliminating the need to rely on other regions for goods. It was not until the introduction of the railroad system that these individual river economies blurred and faded into one another, gradually uniting to one integrated national economy.
Fair to Middlin' is the recipient of the 1992 Mrs. Simon Baruch University Award of The United Daughters of the Confederacy.
Reassessing interpretations of development with a new approach to fair trade
Is fair trade really fair? Who is it for, and who gets to decide? Fair Trade Rebels addresses such questions in a new way by shifting the focus from the abstract concept of fair trade—and whether it is “working”—to the perspectives of small farmers. It examines the everyday experiences of resistance and agricultural practice among the campesinos/as of Chiapas, Mexico, who struggle for dignified livelihoods in self-declared autonomous communities in the highlands, confronting inequalities locally in what is really a global corporate agricultural chain.
Based on extensive fieldwork, Fair Trade Rebels draws on stories from Chiapas that have emerged from the farmers’ interaction with both the fair-trade–certified marketplace and state violence. Here Lindsay Naylor discusses the racialized and historical backdrop of coffee production and rebel autonomy in the highlands, underscores the divergence of movements for fairer trade and the so-called alternative certified market, traces the network of such movements from the highlands and into the United States, and evaluates existing food sovereignty and diverse economic exchanges.
Putting decolonial thinking in conversation with diverse economies theory, Fair Trade Rebels evaluates fair trade not by the measure of its success or failure but through a unique, place-based approach that expands our understanding of the relationship between fair trade, autonomy, and economic development.
This critical account of the fair trade movement explores the vast gap between the rhetoric of fair trade and its practical results for poor countries, particularly those of Africa. In the Global North, fair trade often is described as a revolutionary tool for transforming the lives of millions across the globe. The growth in sales for fair trade products has been dramatic in recent years, but most of the benefit has accrued to the already wealthy merchandisers at the top of the value chain rather than to the poor producers at the bottom.
Ndongo Sylla has worked for Fairtrade International and offers an insider’s view of how fair trade improves—or doesn’t—the lot of the world’s poorest. His methodological framework first describes the hypotheses on which the fair trade movement is grounded before going on to examine critically the claims made by its proponents. By distinguishing local impact from global impact, Sylla exposes the inequity built into the system and the resulting misallocation of the fair trade premium paid by consumers. The Fair Trade Scandal is an empirically based critique of both fair trade and traditional free trade; it is the more important for exploring the problems of both from the perspective of the peoples of the Global South, the ostensible beneficiaries of the fair trade system.
This critical account of the fair trade movement explores the vast gap between the rhetoric of fair trade and its practical results for poor countries, particularly those of Africa. In the Global North, fair trade often is described as a revolutionary tool for transforming the lives of millions across the globe. The growth in sales for fair trade products has been dramatic in recent years, but most of the benefit has accrued to the already wealthy merchandisers at the top of the value chain rather than to the poor producers at the bottom.
Ndongo Sylla has worked for Fairtrade International and offers an insider’s view of how fair trade improves?—?or doesn’t?—?the lot of the world’s poorest. His methodological framework first describes the hypotheses on which the fair trade movement is grounded before going on to examine critically the claims made by its proponents. By distinguishing local impact from global impact, Sylla exposes the inequity built into the system and the resulting misallocation of the fair trade premium paid by consumers. The Fair Trade Scandal is an empirically based critique of both fair trade and traditional free trade; it is the more important for exploring the problems of both from the perspective of the peoples of the Global South, the ostensible beneficiaries of the fair trade system.
The turbulent history of Fairbanks, Alaska is far less well-known than most urban histories. With this volume, Dermot Cole chronicles the rollicking backstory of a city that owes its beginnings to a cargo boat accident and the Klondike gold rush. Cole engagingly recounts how Fairbanks and its hardy residents survived floods, fires, harsh weather, and economic crises to see the city flourish into the prosperous transportation hub and government seat it is today. Fairbanksis ultimately a fascinating historical saga of one of the last cities to be established on the American frontier.
Women on death row are such a rarity that, once condemned, they may be ignored and forgotten. Ohio, a typical, middle-of-the-road death penalty state, provides a telling example of this phenomenon. The Fairer Death: Executing Women in Ohio explores Ohio’s experience with the death penalty for women and reflects on what this experience reveals about the death penalty for women throughout the nation.
Victor Streib’s analysis of two centuries of Ohio death penalty legislation and adjudication reveals no obvious exclusion of women or even any recognition of an issue of sex bias. In this respect, Ohio’s justice system exemplifies the subtle and insidious nature of this cultural disparity.
Professor Streib provides detailed descriptions of the cases of the four women actually executed by Ohio since its founding and of the cases of the ten women sentenced to death in Ohio in the current death penalty era (1973–2005). Some of these cases had a profound impact on death penalty law, but most were routine and drew little attention. A generation later, reversals and commutations have left only one woman on Ohio’s death row.
Although Streib focuses specifically on Ohio, the underlying premise is that Ohio is, in many ways, a typical death penalty state. The Fairer Death provides insight into our national experience, provoking questions about the rationale for the death penalty and the many disparities in its administration.
Versions of the Snow White story have been shared across the world for centuries. Acclaimed folklorist and translator Maria Tatar places the well-known editions of Walt Disney and the Brothers Grimm alongside other tellings, inviting readers to experience anew a beloved fantasy of melodrama and imagination.
Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists.
In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.
Fairness versus Welfare
Louis KAPLOW Harvard University Press, 2002 Library of Congress K247.K37 2002 | Dewey Decimal 340.11
By what criteria should public policy be evaluated? Fairness and justice? Or the welfare of individuals? Debate over this fundamental question has spanned the ages. Fairness versus Welfare poses a bold challenge to contemporary moral philosophy by showing that most moral principles conflict more sharply with welfare than is generally recognized. Fairness versus Welfare has profound implications for the theory and practice of policy analysis and has already generated considerable debate in academia.
In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life—mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.”
Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.
When did fairy tales begin? What qualifies as a fairy tale? Is a true fairy tale oral or literary? Or is a fairy tale determined not by style but by content? To answer these and other questions, Jan M. Ziolkowski not only provides a comprehensive overview of the theoretical debates about fairy tale origins but includes an extensive discussion of the relationship of the fairy tale to both the written and oral sources. Ziolkowski offers interpretations of a sampling of the tales in order to sketch the complex connections that existed in the Middle Ages between oral folktales and their written equivalents, the variety of uses to which the writers applied the stories, and the diverse relationships between the medieval texts and the expressions of the same tales in the "classic" fairy tale collections of the nineteenth century. In so doing, Ziolkowski explores stories that survive in both versions associated with, on the one hand, such standards of the nineteenth-century fairy tale as the Brothers Grimm, Hans Christian Andersen, and Carlo Collodi and, on the other, medieval Latin, demonstrating that the literary fairy tale owes a great debt to the Latin literature of the medieval period.
Jan M. Ziolkowski is the Arthur Kingsley Porter Professor of Medieval Latin at Harvard University.
Volume 19, The Leonard J. Arrington Lecture Series
The Special Collections and Archives of Utah State University's Merrill-Cazier Library houses the personal and historical collection of Leonard J. Arrington, renowned scholar of the American West.
The Leonard J. Arrington Mormon History Lecture annually hosts the presentation of current research by a leading scholar. Among the lecturers have been such notable historians as Thomas G. Alexander, Richard L. Bushman, Sarah Barringer Gordon, Howard Lamar, Jan Shipps, Donald Worster, and Pulitzer Prize-winner Laurel Thatcher Ulrich.