In 1872 Lyman Ayres acquired a controlling interest in the Trade Place, a dry-goods store in Indianapolis. Two years later, he bought out his partners and renamed the establishment L. S. Ayres and Company. For the next century, Ayres was as much a part of Indianapolis as Monument Circle or the Indianapolis 500. Generations of midwestern families visited the vast store to shop, to see the animated Christmas windows, and, of course to visit Santa Claus and enjoy lunch in the Tea Room. But Ayres was more than just a department store. At its helm across three generations was a team of visionary retailers who took the store from its early silk-and-calico days to a diversified company with interests in specialty stores and discount stores (before Target and Wal-Mart). At the same time, Ayres never lost sight of its commitment to women’s fashion that gave the store the same cachet as its larger competitors in New York and Chicago.
On March 1, 1966, the voters of Tucson approved the Pueblo Center Redevelopment Project—Arizona’s first major urban renewal project—which targeted the most densely populated eighty acres in the state. For close to one hundred years, tucsonenses had created their own spatial reality in the historical, predominantly Mexican American heart of the city, an area most called “la calle.” Here, amid small retail and service shops, restaurants, and entertainment venues, they openly lived and celebrated their culture. To make way for the Pueblo Center’s new buildings, city officials proceeded to displace la calle’s residents and to demolish their ethnically diverse neighborhoods, which, contends Lydia Otero, challenged the spatial and cultural assumptions of postwar modernity, suburbia, and urban planning.
Otero examines conflicting claims to urban space, place, and history as advanced by two opposing historic preservationist groups: the La Placita Committee and the Tucson Heritage Foundation. She gives voice to those who lived in, experienced, or remembered this contested area, and analyzes the historical narratives promoted by Anglo American elites in the service of tourism and cultural dominance.
La Calle explores the forces behind the mass displacement: an unrelenting desire for order, a local economy increasingly dependent on tourism, and the pivotal power of federal housing policies. To understand how urban renewal resulted in the spatial reconfiguration of downtown Tucson, Otero draws on scholarship from a wide range of disciplines: Chicana/o, ethnic, and cultural studies; urban history, sociology, and anthropology; city planning; and cultural and feminist geography.
La Cenerentola (Cinderella) is a masterpiece significantly different from Rossini's earlier comic operas. Deftly combining aspects of several genres, Rossini plays off comic characters in the great Italian tradition—Don Magnifico (Cinderella's stepfather) and the valet Dandini—against the sentimental principal roles of Cinderella and the Prince. For his heroine Rossini not only adapts the popular semiseria genre, but also exploits the coloratura style of opera seria, as she is transformed into a princess not by magic but by love and her own innate goodness.
For the hastily-prepared premiere of La Cenerentola in Rome in 1817 a collaborator wrote the simple recitatives, a chorus, and arias for Alidoro (the Prince's tutor) and Clorinda (a stepsister). The chorus was soon dropped, and in 1821 Rossini wrote a new aria for Alidoro. This critical edition provides all the music for the first version, including variants for Clorinda. Appendixes include Rossini's own aria for Alidoro and his variations for Cinderella's final Rondo.
La Chicana is the story of a marginal group in society, neither fully Mexican or fully American, who suffer under triple oppression: as women, as members of a colonized culture, and as victims of a cultural heritage dominated by the cult of machismo. Tracing the role of Chicanas from pre-Columbian society to the present, the authors reveal the antecedents and roots of contemporary cultural expectations in Aztec, colonial, and revolutionary Mexican historical periods. A discussion of the contribution of modern Chicanas to their community and to feminism and a look at literary stereotypes and the emergence of Chicana literature to counter them round out this perceptive and sympathetic analysis.
This unique book is a graphic novel and performance poem, a mixed-media musical cartoon, an animated feature film come to life. Lee Breuer’s La Divina Caricatura is in the pataphysical tradition of Alfred Jarry—if Jarry had been a Dante fan. In this play we meet unforgettable characters: Rose the Dog, who thinks she is a woman; her lover John, a junkie filmmaker; Ponzi Porco, PhD, a pig in love with the New York Times; and the Warrior Ant, who, to impress his father, Trotsky the Termite, declares the “perpetual revolution” of the bugs of the fifth world. Each a soul on its own pilgrimage, seldom with a Virgil or a Beatrice to guide them, they often try to guide each other, only to get more lost. A dazzling, comic, potent mix of ideas and character, invention and reality, the plays in La Divina Caricatura reinvigorate the stage for our time.
La España que sobrevive
Fernando Diaz-Plaja Georgetown University Press, 1997 Library of Congress PC4127.S63D53 1997 | Dewey Decimal 468.6421
Students of Spanish language and culture can now benefit from a text that provides them with an understanding of contemporary Spanish history and society while refining their knowledge of the language and expanding their vocabulary.
La España que sobrevive (originally published in Madrid in 1987) explores the aftermath of the Franco era in Spain. It presents an objective and nonpartisan, yet humorous and affectionate, view of the important aspects of contemporary Spanish history and society. Topics include the transition to democracy; regionalism and nationalism; key players in current affairs; important institutions such as the monarchy, military, and the church; sexual mores; culture; the media; and politicized approaches to Spanish history.
For this edition, William W. Cressey has edited Fernando Díaz-Plaja's text to make it accessible to English-speaking students at an advanced level of Spanish reading skills. Cressey has also added study aids to the book—vocabulary and footnotes, glosses on proper names, questions for discussion, notes on grammar and rhetoric, and exercises. The study aids are gradually phased out, so that the final chapter is presented as stand-alone reading without any supplementary materials.
Cressey's adaptation of Díaz-Plaja's highly respected work provides an alternative to literary sources for foreign language instruction—a new resource for teaching foreign languages across the curriculum and instruction through content. Bridging the gap between the fairly simple intermediate readers and texts written for adult native speakers, this book can serve as either a supplementary or main text in the advanced study of language or history, or in preparation for study abroad. La España que sobrevive is a practical tool for teaching not only the language but also the many facets of modern Spanish culture.
Eric Linsker University of Iowa Press, 2014 Library of Congress PS3612.I5547A6 2014 | Dewey Decimal 811.6
How far are we from the Lake District? How far from the garden? Eric Linsker’s first book scrolls down the Anthropocene, tracking our passage through a technophilic pastoral where work and play are both forms of making others suffer in order to exist. In La Far, the world is faraway near, a hell conveniently elsewhere in which workers bundle Foxconn’s “rare earths” into the “frosty kits” that return us our content, but also the sea meeting land as it always has. Both are singable conditions and lead, irreversibly, to odes equally comfortable with praise and lament. The poems in La Far hope that by making the abstract concrete and the concrete abstract, “literalizing / a nightingale beyond / knowledge,” we might construct what Wordsworth called a “Common Day,” a communized life partaken of by all.
A cross-disciplinary view of an important De Soto chronicle.
Among the early Spanish chroniclers who contributed to popular images of the New World was the Amerindian-Spanish (mestizo) historian and literary writer, El Inca Garcilaso de la Vega (1539-1616). He authored several works, of which La Florida del Inca (1605) stands out as the best because of its unique Amerindian and European perspectives on the De Soto expedition (1539-1543). As the child of an Indian mother and a Spanish father, Garcilaso lived in both worlds--and saw value in each. Hailed throughout Europe for his excellent contemporary Renaissance writing style, his work was characterized as literary art. Garcilaso revealed the emotions, struggles, and conflicts experienced by those who participated in the historic and grandiose adventure in La Florida. Although criticized for some lapses in accuracy in his attempts to paint both the Spaniards and the Amerindians as noble participants in a world-changing event, his work remains the most accessible of all the chronicles.
In this volume, Jonathan Steigman explores El Inca’s rationale and motivations in writing his chronicle. He suggests that El Inca was trying to influence events by influencing discourse; that he sought to create a discourse of tolerance and agrarianism, rather than the dominant European discourse of intolerance, persecution, and lust for wealth. Although El Inca's purposes went well beyond detailing the facts of De Soto’s entrada, his skill as a writer and his dual understanding of the backgrounds of the participants enabled him to paint a more complete picture than most--putting a sympathetic human face on explorers and natives alike.
La Follette Insurgent Spirit
David P. Thelen University of Wisconsin Press, 1986 Library of Congress E664.L16T52 1985 | Dewey Decimal 973.910924
Robert M. La Follette and the Insurgent Spirit is a closely argued, lively, and readable biography of the central figure in the American Progressive movement. Wisconsin's “Fighting Bob” La Follette embodied the heart of Progressive sentiment and principle. He was a powerful force in shaping national political events between the eras of Populism and the New Deal
Written in lucid, vigorous prose, La Follette's Autobiography is the famous Wisconsin senator's own account of his political life and philosophy. Both memoir and a history of the Progressive cause in the United States, it charts La Follette's formative years in politics, his attempts to abolish entrenched, ruthless state and corporate influences, and his embattled efforts to advance Progressive policies as Wisconsin governor and U.S. senator. With a new foreword by Matthew Rothschild, editor of The Progressive—the magazine that La Follette himself founded—the Autobiography remains a powerful reminder of the legacies of Progressivism and reform and the enduring voice of the man who fought for them.
The La Follettes of Wisconsin—Robert, Belle, and their children, Bob Jr., Phil, Fola, and Mary—are vividly brought to life in this collective biography of an American political family. As governor of Wisconsin (1901–06) and U.S. Senator (1906–25), "Fighting Bob" battled relentlessly for his Progressive vision of democracy—an idealistic mixture of informed citizenry and enlightened egalitarianism.
By contrast, the private man suffered from intense, isolated periods of depression and relied heavily on his family for survival. Together, "Old Bob" and his beloved wife, Belle Case La Follette—a lawyer, journalist, and Progressive leader in her own right—raised their children in the distinctly uncompromising La Follette tradition of challenging social and political ills. Fola became a campaigner for women's suffrage, Phil was governor of Wisconsin, and "Young Bob" became a U.S. senator.
In La Frontera, Thomas Miller Klubock offers a pioneering social and environmental history of southern Chile, exploring the origins of today’s forestry "miracle" in Chile. Although Chile's forestry boom is often attributed to the free-market policies of the Pinochet dictatorship, La Frontera shows that forestry development began in the early twentieth century when Chilean governments turned to forestry science and plantations of the North American Monterey pine to establish their governance of the frontier's natural and social worlds. Klubock demonstrates that modern conservationist policies and scientific forestry drove the enclosure of frontier commons occupied by indigenous and non-indigenous peasants who were defined as a threat to both native forests and tree plantations. La Frontera narrates the century-long struggles among peasants, Mapuche indigenous communities, large landowners, and the state over access to forest commons in the frontier territory. It traces the shifting social meanings of environmentalism by showing how, during the 1990s, rural laborers and Mapuches, once vilified by conservationists and foresters, drew on the language of modern environmentalism to critique the social dislocations produced by Chile's much vaunted neoliberal economic model, linking a more just social order to the biodiversity of native forests.
The libretto for La gazzetta, written by Giuseppe Palomba, was based on a play by Carlo Goldoni entitled Il matrimonio per concorso. Rossini drew a two-act comic opera from this libretto chiefly by recycling old music, a fact that has weighed heavily in critical reaction to the work. But as this edition reveals, this view is misleading. Rossini himself wrote each borrowed piece or section anew in its entirety by significantly modifying details, changing vocal lines throughout, and introducing numerous orchestral modifications. The resulting opera—first performed on September 26, 1816, at the Teatro dei Fiorentini in Naples—is delightful, with Goldoni's wonderful structure and characters given superb musical life by Rossini. This critical edition, edited by Fabrizio Scipioni, presents the full score in two volumes, along with a separate volume of insightful commentary.
Informative and provocative, La Gente: Hispano History and Life in Colorado collects eleven essays by a cross-section of Colorado scholars and writers. The book opens with an examination of Spanish-Mexican exploration, conquest, and settlement of the Colorado region. Moving from exploration to biographical sketches, the book profiles the enigmatic Teresita Sandoval, cofounder of Pueblo; provides the turn-of-the-century memoir of vaquero Elfido Lopez; and offers a bilingual version of the autobiography of Pablo Cabeza de Baca, who recalls the values of his youth and his days at Denver's Sacred Heart College, the precursor of Regis University.
Several essays address the employment patterns of the early part of this century, when desperate native-born Hispanos and Mexican immigrants competed by the thousands for jobs at mining and agricultural corporations throughout Colorado. Four essays study particular expressions of this conflict, including the infamous Ludlow coal strike of 1913-1914; Colorado's sugar beet industry, where Mexican immigrants faced constant discrimination; the growth of the state's sugar industry, the collapse of which devastated Mexicans (the preferred labor force in the field); and a New Deal-era experiment in which laid-off miners were trained to weave Río Grande-style blankets, in the process revitalizing a dying folk art.
Finally, four essays encompass the recent political and cultural rebirth of Hispanos, including a study of the origins of the Crusade for Justice, Denver's leading Chicano rights organization of the 1960s, which - based on declassified FBI documents - proves that government agencies tried to suppress the Crusade and its popular leader, Corky Gonzales.
La Grande Italia traces the history of the myth of the nation in Italy along the curve of its rise and fall throughout the twentieth century. Starting with the festivities for the fiftieth anniversary of the unification of Italy in 1911 and ending with the centennial celebrations of 1961, Emilio Gentile describes a dense sequence of events: from victorious Italian participation in World War I through the rise and triumph of Fascism to Italy’s transition to a republic.
Gentile’s definition of “Italians” encompasses the whole range of political, cultural, and social actors: Liberals and Catholics, Monarchists and Republicans, Fascists and Socialists. La Grande Italia presents a sweeping study of the development of Italian national identity in all its incarnations throughout the twentieth century. This important contribution to the study of modern Italian nationalism and the ambition to achieve a “great Italy” between the unification of Italy and the advent of the Italian Republic will appeal to anyone interested in modern European history, Fascism, and nationalism.
Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for Regional General Interests, selected by the Public Library Association
This major contribution to contact period studies points to the Lasley Vore site in modern Oklahoma as the most likely first meeting place of Plains Indians and Europeans more than 300 years ago.
In 1718, Jean-Baptiste Bénard, Sieur de la Harpe, departed St. Malo in Brittany for the New World. La Harpe, a member of the French bourgeoisie, arrived at Dauphin Island on the Gulf coast to take up the entrepreneurial concession provided by the director of the French colony, Jean Baptiste LeMoyne de Bienville. La Harpe's charge was to open a trading post on the Red River just above a Caddoan village not far from present-day Texarkana. Following the establishment of this post, La Harpe ventured farther north to extend his trade market into the region occupied by the Wichita Indians. Here he encountered a Tawakoni village with an estimated 6,000 inhabitants, a number that swelled to 7,000 during the ten-day visit.
Despite years of ethnohistoric and archaeological research, no scholar had successfully established where this important meeting took place. Then in 1988, George Odell and his crew surveyed and excavated an area 13 miles south of Tulsa, along the Arkansas River, that revealed undeniable association of Native American habitation refuse with 18th-century European trade goods.
Odell here presents a full account of the presumed location of the Tawakoni village as revealed through the analysis of excavated materials from nine specialist collaborators. In a strikingly well-written narrative report, employing careful study and innovative analysis supported by appendixes containing the excavation data, Odell combines documentary history and archaeological evidence to pinpoint the probable site of the first European contact with North American Plains Indians.
Vanessa Place University of Alabama Press, 2008 Library of Congress PS3616.L33L3 2008 | Dewey Decimal 813.6
La Medusa is a polyphonic novel of post-conceptual consciousness. At the heart of the whole floats Medusa, an androgynous central awareness that anchors the novel throughout. La Medusa is at once the city of Los Angeles, with its snaking freeways and serpentine shifts between reality and illusion, and a brain—a modern mind that is both expansive and penetrating in its obsessions and perceptions.
Vanessa Place’s characters—a trucker and his wife, a nine-year-old saxophonist, an ice cream vendor, a sex worker, and a corpse, among others—are borderless selves in a borderless city, a city impossible to contain. Her expert ventriloquism and explosive imagination anchor this epic narrative in language that is fierce and vibrant, a penetrating a cross-section of contemporary Los Angeles and a cross-section of the modern mind.
Why would a man tie up a cheap suitcase with grass rope, leave his family and his paesani in Italy to risk his life and meager possessions among the dock thieves of Naples and Genoa to suffer the congestion and stench of steerage accommodations aboard ship, to endure the assembly-line processing of Ellis Island, to wander almost incommunicado through a city of sneering strangers speaking an unknown tongue, to perform ten to twelve hours of heavy manual labor a day for wages of perhaps $1.65—most of which he probably owed to the "company store" before he got it? Why were there not just a few such men but droves of them coming to the United States in the late nineteenth and early twentieth century? How did they survive and—some of them—prosper? How did they surmount the language barrier? Why did some stay, some go home, and some bounce back and forth repeatedly across the Atlantic? Michael La Sorte examines these questions and more in this lively study of Italian immigration prior to World War I. In exploring for answers, he draws upon the commentary of recent scholars, as well as the statistical documents of the day. But most importantly, he has searched out individual stories in the published and unpublished diaries, letters, and autobiographies of immigrants who lived the "greenhorn" (grignoni) experience. In their own language, the men bring to life the teeming tenements of New York's Mulberry Street, the exploitative labor-recruiting practices of Boston's North Square, and the harsh squalor of work camp life along the country's expanding railroad lines. What emerges is a powerful, moving, alternately funny and appalling picture of their everyday lives. Through detailed narration, La Sorte traces the men's lives from their native villages across the Atlantic through the ports of entry to their first immigrant jobs. He describes their views of Italy, America, and each other, the cultural and linguistic adjustments that they were compelled to make, and their motives for either Americanizing or repatriating themselves. His chapter on "Italglish" (a hybrid language developed by the greenhorns) will echo in the ears of Italian-Americans as the sound of their parents' and grandparents' voices.
Julien Offray de la Mettrie, best known as the author of L’Homme machine, appears as a minor character in most accounts of the Enlightenment. But in this intellectual biography by Kathleen Wellman, La Mettrie—physician-philosophe—emerges as a central figure whose medical approach to philosophical and moral issues had a profound influence on the period and its legacy. Wellman’s study presents La Mettrie as an advocate of progressive medical theory and practice who consistently applied his medical concerns to the reform of philosophy, morals, and society. By examining his training with the Dutch physician Hermann Boerhaave, his satires lampooning the ignorance and venality of the medical profession, and his medical treatises on subjects ranging from vertigo to veneral disease, Wellman illuminates the medical roots of La Mettrie’s philosophy. She shows how medicine encouraged La Mettrie to undertake an impiricist critique of the philosophical tradition and provided the foundation for a medical materialism that both shaped his understanding of the possibilities of moral and social reform and led him to espouse the cause of the philosophers. Elucidating the medical view of nature, human beings, and society that the Enlightenment and La Mettrie in particular bequethed to the modern world, La Mettrie makes an important contribution to our understanding of both that period and our own.
On one level, Peter Moogk's latest book, La Nouvelle France: The Making of French Canada—A Cultural History, is a candid exploration of the troubled historical relationship that exists between the inhabitants of French- and English- speaking Canada. At the same time, it is a long- overdue study of the colonial social institutions, values, and experiences that shaped modern French Canada. Moogk draws on a rich body of evidence—literature; statistical studies; government, legal, and private documents in France, Britain, and North America— and traces the roots of the Anglo-French cultural struggle to the seventeenth century. In so doing, he discovered a New France vastly different from the one portrayed in popular mythology. French relations with Native Peoples, for instance, were strained. The colony of New France was really no single entity, but rather a chain of loosely aligned outposts stretching from Newfoundland in the east to the Illinois Country in the west.
Moogk also found that many early immigrants to New France were reluctant exiles from their homeland and that a high percentage returned to Europe. Those who stayed, the Acadians and Canadians, were politically conservative and retained Old Régime values: feudal social hierarchies remained strong; one's individualism tended to be familial, not personal; Roman Catholicism molded attitudes and was as important as language in defining Acadian and Canadian identities. It was, Moogk concludes, the pre-French Revolution Bourbon monarchy and its institutions that shaped modern French Canada, in particular the Province of Quebec, and set its people apart from the rest of the nation.
This translation of Severo Martínez Peláez’s La Patria del Criollo, first published in Guatemala in 1970, makes a classic, controversial work of Latin American history available to English-language readers. Martínez Peláez was one of Guatemala’s foremost historians and a political activist committed to revolutionary social change. La Patria del Criollo is his scathing assessment of Guatemala’s colonial legacy. Martínez Peláez argues that Guatemala remains a colonial society because the conditions that arose centuries ago when imperial Spain held sway have endured. He maintains that economic circumstances that assure prosperity for a few and deprivation for the majority were altered neither by independence in 1821 nor by liberal reform following 1871. The few in question are an elite group of criollos, people of Spanish descent born in Guatemala; the majority are predominantly Maya Indians, whose impoverishment is shared by many mixed-race Guatemalans.
Martínez Peláez asserts that “the coffee dictatorships were the full and radical realization of criollo notions of the patria.” This patria, or homeland, was one that criollos had wrested from Spaniards in the name of independence and taken control of based on claims of liberal reform. He contends that since labor is needed to make land productive, the exploitation of labor, particularly Indian labor, was a necessary complement to criollo appropriation. His depiction of colonial reality is bleak, and his portrayal of Spanish and criollo behavior toward Indians unrelenting in its emphasis on cruelty and oppression. Martínez Peláez felt that the grim past he documented surfaces each day in an equally grim present, and that confronting the past is a necessary step in any effort to improve Guatemala’s woes. An extensive introduction situates La Patria del Criollo in historical context and relates it to contemporary issues and debates.
The Wisconsin Historical Society Press has republished a long-out-of-print classic of Wisconsin history, La Pointe: Village Outpost, by Hamilton Nelson Ross (1889-1957). The book, which first appeared in 1960, provides a 300-year history of La Pointe, a community on Madeline Island, one of Lake Superior's Apostle Islands.
With flair, humor, and solid scholarship, Ross tells the story of the region's evolution. Madeline Island served initially as a refuge for the local Ojibway from their enemy the Sioux before the arrival of French explorers in 1659, then an epicenter of the fur-trade era in the eighteenth century, and finally a summer vacation spot for businessmen and industrialists. Today the island attracts thousands of summer tourists who vastly outnumber the 200 or so year-round residents.
Ross first visited Madeline Island from his native Beloit as an eight-year-old, returning again and again over his lifetime to the Ross family cabin in La Pointe. His years of careful study and observation served him well. Ross told the region's story so eloquently that his book helped persuade Congress and the President in 1970 to preserve the islands in perpetuity as the Apostle Islands National Lakeshore.
L.A. Private Eyes
Dahlia Schweitzer Rutgers University Press, 2019 Library of Congress PS374.D4S394 2019 | Dewey Decimal 813.087209979494
L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930’s through the present day. It takes a closer look at narratives—both on screen and on the printed page—in which detectives travel the streets of Los Angeles, uncovering corruption, moral ambiguity, and greed with the conviction of urban cowboys, while always ultimately finding truth and redemption. With a review of Los Angeles history, crime stories, and film noir, L.A. Private Eyes explores the metamorphosis of the solitary detective figure and the many facets of the genre itself, from noir to mystery, on the screen. While the conventions of the genre may have remained consistent and recognizable, the points where they evolve illuminate much about our changing gender and power roles.
La Raza Unida Party
Armando Navarro Temple University Press, 2000 Library of Congress JK2391.R39N38 2000 | Dewey Decimal 324.2738
Over the years, third parties have arisen sporadically to challenge the hegemony of the United States' two major political parties. But not until the emergence of the Raza Unida Party (RUP) in 1970 did an ethnic group organize to fight for political control at the country's ballot boxes. This book, by noted Chicano movement theorist Armando Navarro, is the most comprehensive study of the party ever put together.
La Raza Unida Party traces the party from its beginnings in 1970 to its demise in 1981 -- the events, leaders, ideology, structure, strategy and tactics, successes and problems, and electoral campaigns that marked its trajectory. The book covers political organizing in California, Texas, Colorado, New Mexico, Arizona, and the Midwest, as well as RUP's national and international politics and its party profile. In addition, its suggests options for future political arena. Based on 161 interviews, access to numerous documents, letters, minutes, diaries, and position papers, as well as such published sources as contemporary newspaper and magazine accounts and campaign literature, the study is enriched by Professor Navarro's accounts of his own experiences as one of the organizers of the RUP in California.
La Raza Unida Party represents the culmination of the story of Chicano militancy that Professor Navarro has related in his earlier books. It goes beyond mere history-telling to discuss the strengths and weaknesses of ethnic-identity political parties and the perils of challenging the two-party dictatorship that characterizes U.S. electoral politics.
Les médias de masse forment un système qui s’autoalimente indépendamment de toute intervention extérieure, dans lequel nous avons pris l’habitude d’évoluer sans le questionner. Niklas Luhmann propose une analyse minutieuse des modes de fonctionnement de ce système, de ses implications et des sélections simplificatrices qu’il opère au sein de la complexité et de la contingence définissant le monde. Selon lui, l’actualité émerge ainsi au sein des médias de masse en suivant des règles précises et en respectant les constructions que ceux qui l’écrivent ou la filment plaquent sur le réel. Ils façonnent la réalité tout autant qu’ils la décrivent. D’une actualité indiscutable, cet essai invite à reconsidérer la manière dont le monde se conçoit lui-même.
La Selva, a nature reserve and field station in Costa Rica, is one of
the most intensively studied and best-understood tropical field sites
in the world. For over thirty years, La Selva has been a major focus
of research on rainforest ecology, flora, and fauna. This volume
provides the first comprehensive review of this research, covering La
Selva's geographical history and physical setting, its plant and
animal life, and agricultural development and land use.
Drawing together a wealth of information never before available in a
single volume, La Selva offers a substantive treatment of the
ecology of a rainforest. Part 1 summarizes research on the physical
setting and environment of the rainforest, as well as the history of
the research station. Some chapters in this part focus on climate,
geomorphology, and aquatic systems, while others look at soils,
nutrient acquisition, and cycles of energy.
Part 2 synthesizes what is known about the plant community. It begins
with chapters on vegetation types and plant diversity, and also
explores plant demography, spatial patterns of trees, and the impact
of treefall gaps on forest structure and dynamics. Other chapters
address plant physiological ecology, as well as plant reproductive
Part 3 covers the animal community, summarizing information on the six
best-known animal taxa of the region: fishes, amphibians, reptiles,
birds, mammals, and butterflies. This part includes an overview of
faunal studies at La Selva and a chapter on animal population biology,
which examines animal demography and abundance, and interactions
between predators and prey. Part 4 addresses interactions between
plants and animals and the effects of these interactions on species
Part 5 considers the impact of land use and agricultural development
on La Selva and other areas of Costa Rica. One chapter examines land
colonization and conservation in Sarapiqui, another covers subsistence
and commercial agricultural development in the Atlantic lowlands
region, and a third looks at the forest industry in northeastern Costa
Rica. This part also assesses the role and research priorities of La
La Selva provides an introduction to tropical ecology for
students and researchers at La Selva, a major source of comparative
information for biologists working in other tropical areas, and a
valuable resource for conservationists.
LA Sports brings together sixteen essays covering various aspects of the development and changing nature of sport in one of America’s most fascinating and famous cities. The writers cover a range of topics, including the history of car racing and ice skating, the development of sport venues, the power of the Mexican fan base in American soccer leagues, the intersecting life stories of Jackie and Mack Robinson, the importance of the Showtime Lakers, the origins of Muscle Beach and surfing, sport in Hollywood films, and more.
Sharp decreases in union membership over the last fifty years have caused many to dismiss organized labor as irrelevant in today's labor market. In the private sector, only 8 percent of workers today are union members, down from 24 percent as recently as 1973. Yet developments in Southern California—including the successful Justice for Janitors campaign—suggest that reports of organized labor's demise may have been exaggerated. In L.A. Story, sociologist and labor expert Ruth Milkman explains how Los Angeles, once known as a company town hostile to labor, became a hotbed for unionism, and how immigrant service workers emerged as the unlikely leaders in the battle for workers' rights. L.A. Story shatters many of the myths of modern labor with a close look at workers in four industries in Los Angeles: building maintenance, trucking, construction, and garment production. Though many blame deunionization and deteriorating working conditions on immigrants, Milkman shows that this conventional wisdom is wrong. Her analysis reveals that worsening work environments preceded the influx of foreign-born workers, who filled the positions only after native-born workers fled these suddenly undesirable jobs. Ironically, L.A. Story shows that immigrant workers, who many union leaders feared were incapable of being organized because of language constraints and fear of deportation, instead proved highly responsive to organizing efforts. As Milkman demonstrates, these mostly Latino workers came to their service jobs in the United States with a more group-oriented mentality than the American workers they replaced. Some also drew on experience in their native countries with labor and political struggles. This stock of fresh minds and new ideas, along with a physical distance from the east-coast centers of labor's old guard, made Los Angeles the center of a burgeoning workers' rights movement. Los Angeles' recent labor history highlights some of the key ingredients of the labor movement's resurgence—new leadership, latitude to experiment with organizing techniques, and a willingness to embrace both top-down and bottom-up strategies. L.A. Story's clear and thorough assessment of these developments points to an alternative, high-road national economic agenda that could provide workers with a way out of poverty and into the middle class.
“I complain bitterly of the editions of my last operas, made with such little care, and filled with an infinite number of errors.”—Giuseppe Verdi
The University of Chicago Press, in collaboration with Casa Ricordi, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The series, based exclusively on original sources, is the only one to present authentic versions of all of the composer’s works; together with his operas, the critical edition presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental works.
The Works of Giuseppe Verdi will be an invaluable standard reference work—a necessary acquisition for all music libraries and a joy to own for all lovers of opera. The new series of study scores presents an adaptation of each critical edition that provides scholars with an affordable and portable option for exploring Verdi’s oeuvre. The study scores have been designed to distinguish editors’ marks from Verdi’s own notations while remaining clear enough for use in performance. The introduction to each score discusses the work’s sources, composition, and performance history, as well as performance practices, instrumentation, and problems of notation. The newest editions of the study scores examine two of Verdi’s three-act operas: La traviata and Rigoletto.
Now one of Verdi's most beloved works, La traviata was initially far from a success. Verdi declared its 1853 premiere a "fiasco," and later reworked parts of five pieces in the first two acts, retaining the original setting for the rest. The first performance of the new version in 1854 was a tremendous success, and the opera was quickly taken up by theaters around the world.
This critical edition presents the 1854 version as the main score, and also makes available for the first time in full score the original 1853 settings of the revised pieces. For this edition Fabrizio della Seta used not only the composer's autograph and many secondary sources, but also Verdi's previously unknown sketches. These sketches helped corroborate the original readings and illuminate the work's compositional stages. The editor's wide-ranging introduction traces the opera's genesis, sources, performance history and practices, and a detailed critical commentary discusses source problems and ambiguities.
From its earliest days, hip hop was more than just music, encapsulating the ideas of community and exchange. Artists like Mellow Man Ace and Kid Frost opened doors by infusing Spanish into their lyrics, calling for racial and social equality; others employed hip hop to comment on the effects of neo-liberalization and global capital. In recent decades, the cultural exchange has expanded—the music traveling from the United States to Latin America and back as visual artists, music producers, MCs, vocalists, and dancers combine their Latin cultures with influences from north of the U.S. border to create new artistic experiences. And while there is an extensive body of work on U.S. hip hop, it continues to evolve in an increasingly multilingual, multiethnic, intergenerational, and global collection of cultural expressions.
A truly international effort, La Verdad: An International Dialogue on Hip Hop Latinidades brings together exciting new work about Latino/a hip hop across more than a dozen countries, from scholars and practitioners in the United States and in Latin America, highlighting in new ways the participation of women, indigenous peoples, and Afro-descendants in a reimagined global, hip hop nation. From graffitera crews in Costa Rica and Nicaragua to Mexican hip hop in New York, from Aymara rap in Bolivia to Chicano rap in Taiwan, this volume explodes stereotypes of who and how hip hop is consumed, lived, and performed. Examining hip hop movements in Spanish, English, Portuguese, Aymara, and Creole, La Verdad demonstrates that Latino hip hop is a multilingual expression of gender, indigeneity, activism, and social justice.
First published in 1554 and banned by the Inquisition, the anonymous Lazarillo de Tormes begat a whole new genre—the picaresque novel. This classic has had enduring popularity as a literary expression of Spanish identity and emotion. Through its daring autobiographical form the reader observes the magnificent, conquering Spain of Charles the Fifth through the inner consciousness of the humble Lazarillo.
This editon includes the annotated Spanish-language text and prologue (with modernized and regularized spelling) , a full vocabulary, and concise footnotes explaining allusions and translating phrases of varying difficulty.
Exegetically noteworthy and culturally-theologically relevant
Violence in its wide range of horrifying expressions is real in people’s lives, and biblical interpreters must take violence in the world seriously to arrive at relevant ideas about the place of the Bible in the world. Each essay addresses people’s experiences of violence in the study of the Bible through the context of la violencia, the Spanish noun referring to the brutal, repressive, and murderous policies of state-sponsored violence practiced in many South and Central American and Caribbean countries during the twentieth century that external powers such as the USA often endorsed and fostered. The volume represents an important contribution to biblical studies and to the field of Latina/o studies. The contributors are Cheryl B. Anderson, Pablo Andiñach, Nancy Bedford, Lee Cuéllar, Steed V. Davidson, Serge Frolov, Renata Furst, Julia M. O’Brien, Todd Penner, José Enrique Ramírez, Ivoni Richter Reimer, and Susanne Scholz.
Twelve essays by scholars living and working on the American continent
Articles reveal the complex historical, political, and cultural conditions on the American continent that have contributed to our understanding of violence in the Bible
Focus on themes of racial, social, and cultural violence
The Lab explains the idea of the “culture lab,” Edwards’ concept for experimental art and design centers like those he recently founded in Paris and at Harvard. He presents the lab as a new kind of educational art studio based on a contemporary science lab model, and he shows how students learn by translating ideas alongside experienced creators by exhibiting risky experimental processes in gallery settings.
In this compelling study of labor and nationalism during and after Namibia's struggle for liberation, Gretchen Bauer addresses the very difficult task of consolidating democracy in an independent Namibia. Labor and Democracy in Namibia, 1971-1996 argues that a vibrant and autonomous civil society is crucial to the consolidation of new democracies, and it identifies trade unions, in particular, as especially important organizations of civil society. In Namibia, however, trade unions have emerged from the liberation struggle and the first years of independence in a weakened state. Dr. Bauer gives a lucid explanation for this phenomenon by tracing the origins and evolution of the trade unions in Namibia and discusses the implications thereof for the future of democracy in Namibia.
Based on material not widely available before independence in 1990, this study takes a critical look at the nationalist movement in Namibia. Through the use of dozens of interviews with political leaders, trade unionists, community activists, and others, Bauer offers the controversial suggestion that there are many within the nationalist movement (now the ruling party in government) who would rather not see a strong trade union movement (or any other potential rival) emerge in independent Namibia.
Labor in the New Economy
Edited by Katharine G. Abraham, James R. Spletzer, and Michael Harper University of Chicago Press, 2010 Library of Congress HD5724.C683 2007 | Dewey Decimal 331.120973
As the structure of the economy has changed over the past few decades, researchers and policy makers have been increasingly concerned with how these changes affect workers. In this book, leading economists examine a variety of important trends in the new economy, including inequality of earnings and other forms of compensation, job security, employer reliance on temporary and contract workers, hours of work, and workplace safety and health.
In order to better understand these vital issues, scholars must be able to accurately measure labor market activity. Thus, Labor in the New Economy also addresses a host of measurement issues: from the treatment of outliers, imputation methods, and weighting in the context of specific surveys to evaluating the strengths and weaknesses of data from different sources. At a time when employment is a central concern for individuals, businesses, and the government, this volume provides important insight into the recent past and will be a useful tool for researchers in the future.
Analyzing the history of the movement to shorten the workday in late nineteenth-century New York City and Berlin, this book explores what Karl Polanyi has termed the “fictitious commodification” of labor. Despite the concept’s significance for present-day social movements, European and North American historiography has largely ignored the impact of free-market rhetoric on the formation of organized labor. Filling this gap, Philipp Reick provides both a contribution to the current reevaluation of Polanyian thought and theory and an interdisciplinary investigation of the trans-Atlantic transmission of ideas.
As Reick demonstrates, while on both sides of the Atlantic workers opposed the unchecked commodification of labor power as a violation of their political, social, and economic rights, the emerging movements for protection from commodification did not promote a universalist concept of rights. By showing that American and German workers drew upon a strikingly similar rationality when formulating demands, this book reveals that we cannot label either the US labor movement as a deviation from the supposed norm of industrial contestation or its German counterpart as the embodiment of that norm.
Opinions of specialized labor courts differ, but labor justice undoubtedly represented a decisive moment in worker 's history. When and how did these courts take shape? Why did their originators consider them necessary? Leon Fink and Juan Manuel Palacio present essays that address these essential questions. Ranging from Canada and the United States to Chile and Argentina, the authors search for common factors in the appearance of labor courts while recognizing the specific character of the creative process in each nation. Their transnational and comparative approach advances a global perspective on the various mechanisms for regulating industrial relations and resolving labor conflicts. The result is the first country-by-country study of its kind, one that addresses a defining shift in law in the first half of the twentieth century. Contributors: Rossana Barragán Romano, Angela de Castro Gomes, David Díaz-Arias, Leon Fink, Frank Luce, Diego Ortúzar, Germán Palacio, Juan Manuel Palacio, William Suarez-Potts, Fernando Teixeira da Silva, Victor Uribe-Urán, Angela Vergara, and Ronny J. Viales-Hurtado.
On April 5, 1918, as American troops fought German forces on the Western Front, German American coal miner Robert Prager was hanged from a tree outside Collinsville, Illinois, having been accused of disloyal utterances about the United States and chased out of town by a mob. In Labor, Loyalty, and Rebellion: Southwestern Illinois Coal Miners and World War I, Carl R. Weinberg offers a new perspective on the Prager lynching and confronts the widely accepted belief among labor historians that workers benefited from demonstrating loyalty to the nation.
The first published study of wartime strikes in southwestern Illinois is a powerful look at a group of people whose labor was essential to the war economy but whose instincts for class solidarity spawned a rebellion against mine owners both during and after the war. At the same time, their patriotism wreaked violent working-class disunity that crested in the brutal murder of an immigrant worker. Weinberg argues that the heightened patriotism of the Prager lynching masked deep class tensions within the mining communities of southwestern Illinois that exploded after the Great War ended.
Five million workers are employed in a variety of settings along the U.S.–Mexico border, yet labor market outcomes on each side often differ. U.S. workers tend to have low earnings and high unemployment compared with the rest of the country, while workers on the Mexican side of the border are often more prosperous than those in the interior. This book sheds new light on these socioeconomic differentials, along with other labor market issues affecting both sides of the border.
The contributors take up issues that dominate the current discourse— migration, trade, gender, education, earnings, and employment. They analyze labor conditions and their relationship to immigration, and also provide insight into income levels and population concentrations, the relative prosperity of Mexico’s border region, and NAFTA’s impact on trade and living conditions.
Drawing on demographic, economic, and labor data, the chapters treat topics ranging from historical context to directions for future research. They cover the importance of trade to both the United States and Mexico, salary differentials, the determinants of wages among Mexican immigrant women on the U.S. side, and the net effect of Mexican migration on the public coffers in U.S. border states. The book’s concluding policy prescriptions are geared toward improving conditions on the U.S. side without dampening the success of workers in Mexico.
Written to be equally accessible to social scientists, policy makers, and concerned citizens, this book deals with issues often overlooked in national policy discussions and can help readers better understand real-life conditions along the border. It dispels misconceptions regarding labor interdependence between the two countries while offering policy recommendations useful for improving the economic and social well-being of border residents.
This volume, the fourth to result from a remarkably productive collaboration between the National Bureau of Economic Research and the Japan Center for Economic Research, presents a selection of thirteen high-caliber papers addressing issues in the employment practices, labor markets, and health, benefit, and pension policies of the United States and Japan.
After an opening chapter assessing the recent ascendance of the U.S. economy, papers diverge to tackle a range of specific issues. Focusing less on international comparison than on the assembly of high-quality research, contributors hone in on a variety of individual topics. Chapters delve into issues of youth employment, participatory employment, information sharing, fringe benefits, and drug coverage in Japan, as well as the dynamics of medical savings accounts, private insurance coverage, and benefit options in the U.S.
Like previous volumes stemming from NBER/JCER collaboration, this book represents a valuable mass of empirical data on some of the most notable employment and benefits issues in each nation, information that will both anchor and provoke scholarly analysis of these topics well into the future.
Wisconsin’s workers and their leaders have always been in the vanguard of those concerned with social justice, fair labor practices, humane working conditions, and political equality. Professor Ozanne’s book, based upon years of research in newspapers, manuscripts, and the archives of both labor and management, provides a broad overview of an important chapter in Wisconsin history.
For generations, migration moved in one direction at a time: migrants to host countries, and money to families left behind. The Labor of Care argues that globalization has changed all that. Valerie Francisco-Menchavez spent five years alongside a group of working migrant mothers. Drawing on interviews and up-close collaboration with these women, Francisco-Menchavez looks at the sacrifices, emotional and material consequences, and recasting of roles that emerge from family separation. She pays particular attention to how technologies like Facebook, Skype, and recorded video open up transformative ways of bridging distances while still supporting traditional family dynamics. As she shows, migrants also build communities of care in their host countries. These chosen families provide an essential form of mutual support. What emerges is a fascinating portrait of today's transnational family—sundered, yet inexorably linked over the distances by timeless emotions and new forms of intimacy.
In The Labor of Faith Judith Casselberry examines the material and spiritual labor of the women of the Church of Our Lord Jesus Christ of the Apostolic Faith, Inc., which is based in Harlem and one of the oldest and largest historically Black Pentecostal denominations in the United States. This male-headed church only functions through the work of the church's women, who, despite making up three-quarters of its adult membership, hold no formal positions of power. Casselberry shows how the women negotiate this contradiction by using their work to produce and claim a spiritual authority that provides them with a particular form of power. She also emphasizes how their work in the church is as significant, labor intensive, and critical to their personhood, family, and community as their careers, home and family work, and community service are. Focusing on the circumstances of producing a holy black female personhood, Casselberry reveals the ways twenty-first-century women's spiritual power operates and resonates with meaning in Pentecostal, female-majority, male-led churches.
In Labor of Fire, Bruno Gullì offers a timely and much needed re-examination of the concept of labor. Distinguishing between "productive labor" (working for money or subsistence) and "living labor" (working for artistic creation), Gullì convincingly argues for a definition of work that recognizes the importance of artistic and social creativity to our definition of labor and the self.
Gullì lays the groundwork for his book by offering a critique of productive labor, and then maps out his productive/living labor distinction in detail, reviewing the work of Marx and others.
In The Labor of Job, the renowned Marxist political philosopher Antonio Negri develops an unorthodox interpretation of the Old Testament book of Job, a canonical text of Judeo-Christian thought. In the biblical narrative, the pious Job is made to suffer for no apparent reason. The story revolves around his quest to understand why he must bear, and why God would allow, such misery. Conventional readings explain the tale as an affirmation of divine transcendence. When God finally speaks to Job, it is to assert his sovereignty and establish that it is not Job’s place to question what God allows. In Negri’s materialist reading, Job does not recognize God’s transcendence. He denies it, and in so doing becomes a co-creator of himself and the world.
The Labor of Job was first published in Italy in 1990. Negri began writing it in the early 1980s, while he was a political prisoner in Italy, and it was the first book he completed during his exile in France (1983–97). As he writes in the preface, understanding suffering was for him in the early 1980s “an essential element of resistance. . . . It was the problem of liberation, in prison and in exile, from within the absoluteness of Power.” Negri presents a Marxist interpretation of Job’s story. He describes it as a parable of human labor, one that illustrates the impossibility of systems of measure, whether of divine justice (in Job’s case) or the value of labor (in the case of late-twentieth-century Marxism). In the foreword, Michael Hardt elaborates on this interpretation. In his commentary, Roland Boer considers Negri’s reading of the book of Job in relation to the Bible and biblical exegesis. The Labor of Job provides an intriguing and accessible entry into the thought of one of today’s most important political philosophers.
By producing literature in nontraditional forms -- books made of cardboard trash, posters in subway stations, miniature shopping bags, digital publications, and even children's toys -- Chileans have made and circulated literary objects in defiance of state censorship and independent of capitalist definitions of value. In The Labor of Literature Jane D. Griffin studies amateur and noncommercial forms of literary production in Chile that originated in response to authoritarian state politics and have gained momentum throughout the postdictatorship period. She argues that such forms advance a model of cultural democracy that differs from and sometimes contradicts the model endorsed by the state and the market.
By examining alternative literary publications, Griffin recasts the seventeen-year Pinochet dictatorship as a time of editorial experimentation despite widespread cultural oppression and shows how grassroots cultural activism has challenged government-approved corporate publishing models throughout the postdictatorship period. Griffin's work also points to the growing importance of autogestión, or do-it-yourself cultural production, where individuals combine artisanal forms with new technologies to make and share creative work on a global scale.
While the practice of surrogacy has existed for millennia, new fertility technologies have allowed women to act as gestational surrogates, carrying children that are not genetically their own. While some women volunteer to act as gestational surrogates for friends or family members, others get paid for performing this service. The first ethnographic study of gestational surrogacy in the United States, Labor of Love examines the conflicted attitudes that emerge when the ostensibly priceless act of bringing a child into the world becomes a paid occupation.
Heather Jacobson interviews not only surrogate mothers, but also their family members, the intended parents who employ surrogates, and the various professionals who work to facilitate the process. Seeking to understand how gestational surrogates perceive their vocation, she discovers that many regard surrogacy as a calling, but are reluctant to describe it as a job. In the process, Jacobson dissects the complex set of social attitudes underlying this resistance toward conceiving of pregnancy as a form of employment.
Through her extensive field research, Jacobson gives readers a firsthand look at the many challenges faced by gestational surrogates, who deal with complicated medical procedures, delicate work-family balances, and tricky social dynamics. Yet Labor of Love also demonstrates the extent to which advances in reproductive technology are affecting all Americans, changing how we think about maternity, family, and the labor involved in giving birth.
In The Labor Question in America: Economic Democracy in the Gilded Age, Rosanne Currarino traces the struggle to define the nature of democratic life in an era of industrial strife. As Americans confronted the glaring disparity between democracy's promises of independence and prosperity and the grim realities of economic want and wage labor, they asked, "What should constitute full participation in American society? What standard of living should citizens expect and demand?" Currarino traces the diverse efforts to answer to these questions, from the fledgling trade union movement to contests over immigration, from economic theory to popular literature, from legal debates to social reform. The contradictory answers that emerged--one stressing economic participation in a consumer society, the other emphasizing property ownership and self-reliance--remain pressing today as contemporary scholars, journalists, and social critics grapple with the meaning of democracy in post-industrial America.
In this textbook designed for courses on aviation labor relations, the authors-experts with many years of experience in these sectors-examine and evaluate the labor process for all aspects of the aviation and aerospace industries, including aerospace manufacturing, airlines, general aviation, federal and state administrative agencies, and public airports.
Divided into three parts-Public Policy and Labor Law; Principles, Practices and Procedures in Collective Bargaining and Dispute Resolution; and the Changing Labor Relations Environment-the book provides an overview of the industries and the development of US labor law and policy, then explores the statutory, regulatory, and case laws applicable to each industry segment before concluding with an examination of current and developing issues and trends. The authors present the evolution of aviation and aerospace labor laws, going as far back as the early nineteenth century to lay the historical foundation, and cover the development and main features of the principal statutes governing labor relations in the United States today, the Railway Labor Act, the National Labor Relations Act, and the Civil Service Reform Act. They also investigate the growth of the industries and their impact on labor relations, as well as the current issues and challenges facing management and labor in each segment of this dynamic, sometimes volatile, business and their implications for collective bargaining. Twenty case studies not only illuminate practical applications of such fundamental concepts as unfair labor practices and unions' duty of fair representation but also enliven the subject, preparing the reader to use the concepts in real-world decision making.
A study guide with review questions, online assignments, supplemental readings, and exercises is available for students. For those teachers using the textbook in their courses, there is an instructor's manual with additional resources for developing courses in the classroom, online, or by blended learning, as well as a variety of assignments and materials to enhance and vary the mock negotiation exercise.
A revision and expansion of Robert W. Kaps's Air Transport Labor Relations, this outstanding new volume provides students and teachers with valuable information and perspectives on industries that are highly dependent on technologically skilled labor. Labor Relations in the Aviation and Aerospace Industries offers a sweeping and thorough treatment of labor relations, public policy, law, and practice and is the definitive work on the labor process in the aviation and aerospace sectors.
The Alabama coal miners’ strike of 1894 to gain improved working conditions and to protect themselves from wage reductions. The authors recount the depression of the early 1890s, which set the stage for the strike, and the subsequent use of convict labor, which became a catalyst. The gripping story of the strike includes the dramatic decision to strike and corporate attempts to break the strike by the use of company guards and "scab" labor. In Alabama corporate bosses inflamed passions further by deploying African American “black leg” workers, ultimately requiring the deployment of the state militia to restore peace.
Labor Statistics Measurement Issues
Edited by John Haltiwanger, Marilyn E. Manser, and Robert H. Topel University of Chicago Press, 1998 Library of Congress HC106.3.C714 vol. 60 | Dewey Decimal 330
Rapidly changing technology, the globalization of markets, and the declining role of unions are just some of the factors that have led to dramatic changes in working conditions in the United States. Little attention has been paid to the difficult measurement problems underlying analysis of the labor market. Labor Statistics Measurement Issues helps to fill this gap by exploring key theoretical and practical issues in the measurement of employment, wages, and workplace practices.
Some of the chapters in this volume explore the conceptual issues of what is needed, what is known, or what can be learned from existing data, and what needs have not been met by available data sources. Others make innovative uses of existing data to analyze these topics. Also included are papers examining how answers to important questions are affected by alternative measures used and how these can be reconciled. This important and useful book will find a large audience among labor economists and consumers of labor statistics.
As the distribution of wealth between rich and poor in the United States grew more and more unequal over the past twenty years, this economic gap assumed a life of its own in the popular culture. The news and entertainment media increasingly portrayed the lives of the poor with such stereotypes as the lazy welfare mother and the thuggish teen, offering Americans few ways to learn how the "other half" really lives. Laboring Below the Line works to bridge this gap by synthesizing a wide range of qualitative scholarship on the working poor. The result is a coherent, nuanced portrait of how life is lived below the poverty line, and a compelling analysis of the systemic forces in which poverty is embedded, and through which it is perpetuated. Laboring Below the Line explores the role of interpretive research in understanding the causes and effects of poverty. Drawing on perspectives of the working poor, welfare recipients, and marginally employed men and women, the contributors—an interdisciplinary roster of ethnographers, oral historians, qualitative sociologists, and narrative analysts—dissect the life circumstances that affect the personal outlook, ability to work, and expectations for the future of these people. For example, Carol Stack views the work aspirations of an Oakland teenager for whom a job is important, even though it strains her academic performance. And Ruth Buchanan looks at low-wage telemarketing workers who are attempting to move up the economic ladder while balancing family, education, and other important commitments. What emerges is a compelling picture of low-wage workers—one that illustrates the precarious circumstances of individuals struggling with the economic conditions and institutions that surround them Each chapter also explores the capacity for economic survival from a different angle, with ancillary commentary complementing the ethnographies with perspectives from other fields of study, such as economics. At this moment of governmental retrenchment, ethnography's complex, nonstereotypical portraits of individual people fighting against poverty are especially important. Laboring Below the Line reveals the ambiguities of real lives, the potential for individuals to change in unexpected ways, and the even greater intricacy of the collective life of a community.
Laboring For Rights
edited by Gerald Hunt Temple University Press, 1999 Library of Congress HD6285.L33 1999 | Dewey Decimal 331.53
How do unions around the world respond to issues raised by sexual minorities? Much as been written on labor's response to issues raised by women and racial minorities, but there has been little work done on labor's engagement with gays, lesbians, bisexuals, and the transgendered. The original essays in this collection attempt to fill that void by bringing together a group of experts who examine labor's response to such issues as benefits for same-sex partners, anti-discrimination language in collective agreements, and education. Speaking from a variety of racial backgrounds, sexual orientations, and political views, the contributors bring their unique personal perspectives and scholarly approaches to this groundbreaking book.
The chapters included in Laboring for Rights give a global vision to the increasingly important subject of equity in the workplace. They offer a much-needed look at labor's involvement with current international workplace conditions from such diverse countries as the United States, Canada, Australia, Germany, Britain, France, the Netherlands, and South Africa, as well as parts of the South Pacific. Some of these countries have strong and progressive labor unions; some, like the U.S., have relatively weak labor organizations. But whatever the context, as these articles demonstrate, there seems to be a growing and in some instances prospering gay/lesbian labor alliance in many parts of the world.
Laboring for Rights is a pioneering text in an important new area of labor study. It will engage readers interested in equality in the workplace, labor and organizational studies, gay and lesbian activism, and international, comparative studies.
A compelling analysis of how "middling" Americans entertained themselves and how these entertainments changed over time.
The changing styles of middle-class home entertainments, Melanie Dawson argues, point to evolving ideas of class identity in U.S. culture. Drawing from 19th- and early-20th-century fiction, guidebooks on leisure, newspaper columns, and a polemical examination of class structures, Laboring to Play interrogates the ways that leisure performances (such as parlor games, charades, home dramas, and tableaux vivants) encouraged participants to test out the boundaries that were beginning to define middle-class lifestyles.
From 19th-century parlor games involving grotesque physical contortions to early-20th-century recitations of an idealized past, leisure employments mediated between domestic and public spheres, individuals and class-based affiliations, and ideals of egalitarian social life and visible hierarchies based on privilege. Negotiating these paradigms, home entertainments provided their participants with unique ways of performing displays of individual ambitions within a world of polite social interaction.
Laboring to Play deals with subjects as wide ranging as social performances, social history (etiquette and gentility), literary history, representations of childhood, and the history of the book.
In Labors Appropriate to Their Sex Elizabeth Quay Hutchison addresses the plight of working women in early twentieth-century Chile, when the growth of urban manufacturing was transforming the contours of women’s wage work and stimulating significant public debate, new legislation, educational reform, and social movements directed at women workers. Challenging earlier interpretations of women’s economic role in Chile’s industrial growth, which took at face value census figures showing a dramatic decline in women’s industrial work after 1907, Hutchison shows how the spread of industrial sweatshops and changing definitions of employment in the census combined to make female labor disappear from census records at the same time that it was in fact burgeoning in urban areas.
In addition to population and industrial censuses, Hutchison culls published and archival sources to illuminate such misconceptions and to reveal how women’s paid labor became a locus of anxiety for a society confronting social problems—both real and imagined—that were linked to industrialization and modernization. The limited options of working women were viewed by politicians, elite women, industrialists, and labor organizers as indicative of a society in crisis, she claims, yet their struggles were also viewed as the potential springboard for reform. Labors Appropriate to Their Sex thus demonstrates how changing norms concerning gender and work were central factors in conditioning the behavior of both male and female workers, relations between capital and labor, and political change and reform in Chile.
This study will be rewarding for those whose interests lie in labor, gender, or Latin American studies; as well as for those concerned with the histories of early feminism, working-class women, and sexual discrimination in Latin America.
How does an Aboriginal community see itself, its work, and its place on the land? Elizabeth Povinelli goes to the Belyuen community of northern Australia to show how it draws from deep connections between labor, language, and the landscape. Her findings challenge Western notions of "productive labor" and longstanding ideas about the role of culture in subsistence economies.
In Labor's Lot, Povinelli shows how everyday activities shape Aboriginal identity and provide cultural meaning. She focuses on the Belyuen women's interactions with the countryside and on Belyuen conflicts with the Australian government over control of local land. Her analysis raises serious questions about the validity of Western theories about labor and culture and their impact on Aboriginal society.
Povinelli's focus on women's activities provides an important counterpoint to recent works centering on male roles in hunter-gatherer societies. Her unique "cultural economy" approach overcomes the dichotomy between the two standard approaches to these studies. Labor's Lot will engage anyone interested in indigenous peoples or in the relationship between culture and economy in contemporary social practice.
Two generations ago, young men and women with only a high-school degree would have entered the plentiful industrial occupations which then sustained the middle-class ideal of a male-breadwinner family. Such jobs have all but vanished over the past forty years, and in their absence ever-growing numbers of young adults now hold precarious, low-paid jobs with few fringe benefits. Facing such insecure economic prospects, less-educated young adults are increasingly forgoing marriage and are having children within unstable cohabiting relationships. This has created a large marriage gap between them and their more affluent, college-educated peers. In Labor’s Love Lost, noted sociologist Andrew Cherlin offers a new historical assessment of the rise and fall of working-class families in America, demonstrating how momentous social and economic transformations have contributed to the collapse of this once-stable social class and what this seismic cultural shift means for the nation’s future. Drawing from more than a hundred years of census data, Cherlin documents how today’s marriage gap mirrors that of the Gilded Age of the late-nineteenth century, a time of high inequality much like our own. Cherlin demonstrates that the widespread prosperity of working-class families in the mid-twentieth century, when both income inequality and the marriage gap were low, is the true outlier in the history of the American family. In fact, changes in the economy, culture, and family formation in recent decades have been so great that Cherlin suggests that the working-class family pattern has largely disappeared. Labor's Love Lost shows that the primary problem of the fall of the working-class family from its mid-twentieth century peak is not that the male-breadwinner family has declined, but that nothing stable has replaced it. The breakdown of a stable family structure has serious consequences for low-income families, particularly for children, many of whom underperform in school, thereby reducing their future employment prospects and perpetuating an intergenerational cycle of economic disadvantage. To address this disparity, Cherlin recommends policies to foster educational opportunities for children and adolescents from disadvantaged families. He also stresses the need for labor market interventions, such as subsidizing low wages through tax credits and raising the minimum wage. Labor's Love Lost provides a compelling analysis of the historical dynamics and ramifications of the growing number of young adults disconnected from steady, decent-paying jobs and from marriage. Cherlin’s investigation of today’s “would-be working class” shines a much-needed spotlight on the struggling middle of our society in today’s new Gilded Age.
Business leaders, conservative ideologues, and even some radicals of the early twentieth century dismissed working people's intellect as stunted, twisted, or altogether missing. They compared workers toiling in America's sprawling factories to animals, children, and robots. Working people regularly defied these expectations, cultivating the knowledge of experience and embracing a vibrant subculture of self-education and reading. Labor's Mind uses diaries and personal correspondence, labor college records, and a range of print and visual media to recover this social history of the working-class mind. As Higbie shows, networks of working-class learners and their middle-class allies formed nothing less than a shadow labor movement. Dispersed across the industrial landscape, this movement helped bridge conflicts within radical and progressive politics even as it trained workers for the transformative new unionism of the 1930s. Revelatory and sympathetic, Labor's Mind reclaims a forgotten chapter in working-class intellectual life while mapping present-day possibilities for labor, higher education, and digitally enabled self-study.
Labor's Text charts how the worker has been portrayed and often misrepresented in American fiction. Laura Hapke offers hundreds of depictions of wage earners: from fiction on the early artisan "aristocrats" to the Gilded Age's union-busting novelists to the year 2000's marginalized, apolitical men and women. Whether the authors discussed are pro- or anti-labor, Hapke illuminates the literary, historical, and intellectual contexts in which their fiction was produced and read.
The movement for a shorter workweek that once defined the labor movement in the United States was largely displaced by the new corporatist structure of organized labor in the post-New Deal era. Labor's Time examines the changes that occurred within organized labor and traces their influence on the decline of the shorter hours movement. Focusing on the internal union politics of the influential United Automobile Workers and Local 600, its chapter at Henry Ford's massive River Rouge factory, Jonathan Cutler demonstrates how an all-but-forgotten interracial movement for a shorter workweek during the 1950s and 1960s became a casualty of an increasingly top-heavy union bureaucracy that lost touch with the desires, fears, and aspirations of rank and file workers and dug its own grave in the process. Jonathan Cutler examines the political context in which the shorter hours movement emerged within Local 600 in the 1940s, then chronicles the attempts by Walter Reuther, the head of the UAW, to suppress it. Cutler also reviews the role the Communist Party played in the controversy. Finally, he documents the UAW response to rank and file pressure for a shorter workweek, and how the local's own organizational flaws allowed Reuther and the national union to wrest control from the dissidents. Fresh and boldly written, Labor's Time recreates a moment when unions—as a movement, not as an amalgam of leaders—could have transformed the landscape of work in the United States.
Labor's War at Home examines a critical period in American politics and labor history, beginning with the outbreak of war in Europe in 1939 through the wave of major industrial strikes that followed the war and accompanied the reconversion to a peacetime economy. Nelson Lichtenstein is concerned both with the internal organizations and social dynamics of the labor movement—especially the Congress of Industrial Organizations—and with the relationship between the CIO, as well as other bodies of organized labor, and the Roosevelt administration. He argues that tensions within the labor movement and within the ranks of American business profoundly affected government policy during the war and the nature of organized labor's political relations with Roosevelt and the Democratic Party. Moreover, the political arrangements worked out during the war established the foundations of social stability and labor politics that came to characterize the postwar world.
This study confronts the double paradox of state-regulated labor migration: while markets benefit from open borders that allow them to meet the demand for migrant workers, the boundaries of citizenship impose a degree of limitation on cross-border migration. At the same time, the exclusivity of citizenship requires closed membership, yet civil and human rights undermine the state’s capacity to exclude foreigners once they are inside the country. By considering how Malaysia and Spain have responded to the demand for foreign labor, this book analyzes the unavoidable clash of markets, citizenship, and rights.
“This truly comparative book will become a standard work in the field. It opens new research venues, with major implications for a state migration control theory that has too long been Atlanto-centred.”—Leo Lucassen, Leiden University
A compelling collection by one of the pioneers of revisionist approaches to the history of literacy in North America and Europe, The Labyrinths of Literacy offers original and controversial views on the relation of literacy to society, leading the way for scholars and citizens who are willing to question the importance and function of literacy in the development of society today.
Lacan in Public argues that Lacan’s contributions to the theory of rhetoric are substantial and revolutionary and that rhetoric is, in fact, the central concern of Lacan’s entire body of work.
Scholars typically cite Jacques Lacan as a thinker primarily concerned with issues of desire, affect, politics, and pleasure. And though Lacan explicitly contends with some of the pivotal thinkers in the field of rhetoric, rhetoricians have been hesitant to embrace the French thinker both because his writing is difficult and because Lacan’s conception of rhetoric runs counter to the American traditions of rhetoric in composition and communication studies.
Lacan’s conception of rhetoric, Christian Lundberg argues in Lacan in Public, upsets and extends the received wisdom of American rhetorical studies—that rhetoric is a science, rather than an art; that rhetoric is predicated not on the reciprocal exchange of meanings, but rather on the impossibility of such an exchange; and that rhetoric never achieves a correspondence with the real-world circumstances it attempts to describe.
As Lundberg shows, Lacan’s work speaks directly to conversations at the center of current rhetorical scholarship, including debates regarding the nature of the public and public discourses, the materiality of rhetoric and agency, and the contours of a theory of persuasion.
Around 1700 AD the Lacandon Maya took refuge in the forest lowlands of Chiapas, Mexico, and in western Petén, Guatemala. They were never conquered by the Spanish and thus maintained many of their cultural practices well into the twentieth century. Their language belongs to the Yucatecan branch of the Maya language, a branch that is believed to have begun to diversify at least one thousand years ago. Today the Lancandon are split into northern and southern linguistic groups. This dictionary focuses on the southern Lacandon of Lacanjá.
Following the same trilingual format as Hofling’s Mopan Maya-Spanish-English Dictionary, this reference contains pronunciation and grammatical information. It is a hybrid of a root dictionary and one with words in alphabetical order; words can be looked up in these two different ways, making it easy to use for both native and nonnative speakers. It also accommodates Spanish speakers who wish to learn Lacandon, and in the future is likely to be helpful to Lacandon-speaking children, who increasingly use Spanish outside the home, while preserving a record of this indigenous language.
Claire McQuerry Southern Illinois University Press, 2012 Library of Congress PS3613.C5875L33 2012 | Dewey Decimal 813.6
In Lacemakers, Claire McQuerry investigates the timeless questions of relationships, of loss and longing, and of environment both natural and manmade. This informal yet haunting collection juxtaposes a myriad of perspectives—public and personal, interior and exterior, sacred and secular—to explore the fathomless mysteries that abound between one human and another. From the metallic hum of the air conditioner to the thrumming of quail wings in the Arizona desert, from the necklace of brake lights on the freeway to the more dangerous and intimate highways of the human heart, McQuerry explores the impact of our environments, both urban and natural, on humankind. Spirituality clashes with modernity in the holiest of places, and we are relentlessly confronted with the irreconcilable otherness of our fellow man. Above all, Lacemakers returns obsessively to separations, offering searing insight into our inability to truly know another person, meditating on the subtle abysses that eternally divide us from others.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
"One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."-—New York Times Book Review
"Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."-—The Spectator
"So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."-—New York Times
Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
A Ladder of Cranes
Tom Sexton University of Alaska Press, 2015 Library of Congress PS3569.E88635A6 2015 | Dewey Decimal 811.54
Whether watching men releasing caged birds at dawn in New York City or a ladder of cranes rising from a field in Manitoba, Tom Sexton is a keen observer of the interconnectedness of the natural and human worlds. The former Alaska poet laureate takes to the road in this new collection, wending a lyrical and at times mystical path between Alaska and New England.
Travelers along the way include the fabled wolf of Gubbio, old and lame and long past his taming encounter with Saint Francis of Assisi, and Chinese poet Li Bai chanting to a Yangtze River dolphin. Yet, while Sexton’s journey crosses borders—and occasionally centuries—his ultimate destination is always the landscape and people of Alaska. A Ladder of Cranes showcases Sexton’s mastery of both traditional forms and free verse. The tensions of his formal influences, Chinese and European, force the reader to experience these spare lines and tight observations in stunning new ways.
Ladie Borlaise's Receiptes Booke, an English manorial and culinary manuscript, has been in existence for at least 333 years. This manuscript, bearing dates from 1665 to 1822, provides a unique compendium of culinary history that opens a window to the aristocratic, social, agricultural, horticultural, economic, and medicinal aspects of English country life.
The Borlase manuscript is a kind of miscellany. Included are recipes not only for all kinds of foods but also for distilled waters, remedies, dyes, soaps, and perfumes. A housewife of that period was responsible for keeping her family healthy and her house clean and sweet smelling, and so the manuscript features directions for preparing medicinal “oyles,” waters, “glysters,” powders, “ballsoms,”a “true Majistery,” and a julep, with healing powers for a number of ailments from apoplexy and gout to cancer and the plague.
The cookery recipes concentrate almost entirely on sweets and meats with only a few mentions of vegetables. More than half of the recipes included in this manuscript are for sweets. This was important as sugar was entering Britain in greater quantities and because people believed in sugar's supposed health benefits. Several recipes for preserved fruits reflect a changing diet and appetite among the British as the availability of fruits and vegetables increased in both quantity and variety.
David Schoonover's informative introduction places the Borlase manuscript in its historical context with special attention to the economic and social changes of the sixteenth and seventeenth centuries, which brought about a new emphasis on housewifery and the management of households. He also provides a brief summary of the Borlase family history—born in 1621, Alice Bankes, Lady Borlase, died in 1683 at the age of sixty-two years—and a description of their home at Bockmer Manor at Medmenham, Buckinghamshire.
Filled with Curt Leviant's signature blend of humor and drama, these two enchanting and original novellas lure readers into a dazzling storybook world.
"Ladies and Gentlemen, the Original Music of the Hebrew Alphabet" is set in Budapest during the Communist era. The story focuses on the tenuous seesaw between Dr. Isaac Gantz, a musicologist, and engineer Ferdinand Friedman, a Holocaust survivor who believes that he possesses one of the greatest manuscripts of the ages, a Rosetta Stone of Judaica. Friedman is willing to share it—but there is a "but." In pursuing this prize, Gantz enters a world of strange human relationships filled with doubts and surprises. A vibrant cast of characters adds dimension to this gripping story in which Jewish folklore, music, and history coalesce.
"Weekend in Mustara" unfolds on the fictional island of Mustara in southern Europe, a mountainous, totalitarian country that tolerates Judaism. Its few Jews cling to their heritage, embodied in their beautiful but sparsely attended synagogue and their museum, where a great memorial book is inscribed with the names of all Mustara Jews martyred during World War II. A scholar of medieval Hebrew manuscripts comes to the island, searching for traces of Yehuda Halevi, the great Hebrew poet of the Spanish Golden Age. He is soon enmeshed among elusive personalities and tangled loyalties, but only when he finds himself displaced in time—in a kind of theater of the absurd—are the purposes of his journey finally realized.
Ladies and Gents: Public Toilets and Gender
edited by Olga Gershenson and Barbara Penner, foreword by Judith Plaskow, afterword by Peter Greenaway Temple University Press, 2009 Library of Congress GT476.L34 2009 | Dewey Decimal 628.4508
Public toilets provide a unique opportunity for interrogating how conventional assumptions about the body, sexuality, privacy, and technology are formed in public spaces and inscribed through design across cultures. This collection of original essays from international scholars is the first to explore the cultural meanings, histories, and ideologies of public toilets as gendered spaces.
Ladies and Gents consists of two sets of essays. The first, "Potty Politics: Toilets, Gender and Identity," establishes the importance of accessible, secure public toilets to the creation of inclusive cities, work, and learning environments. The second set of essays, "Toilet Art: Design and Cultural Representations," discusses public toilets as spaces of representation and representational spaces, with reference to architectural design, humor, film, theater, art, and popular culture. Compelling visual materials and original artwork are included throughout, depicting subjects as varied as female urinals, art installations sited in public restrooms, and the toilet in contemporary art.
Taken together, these seventeen essays demonstrate that public toilets are often sites where gendered bodies compete for resources and recognition—and the stakes are high.
Contributors include: Nathan Abrams, Jami L. Anderson, Johan Andersson, Kathryn H. Anthony, Kathy Battista, Andrew Brown-May, Ben Campkin, Meghan Dufresne, Peg Fraser, Deborah Gans, Clara Greed, Robin Lydenberg, Claudia Mitchell, Alison Moore, Frances Pheasant-Kelly, Bushra Rehman, Alex Schweder, Naomi Stead, and the editors.
The issue of a woman’s place—and the possibility that she might stray from it—was one of early modern Italy’s most persistent social concerns. Ladies Errant takes as its starting point the vast literature of this era devoted to the proper conduct and education of women. Deanna Shemek uses this foundation to present the problem of wayward feminine behavior as it was perceived to threaten male identity and social order in the artistic and intellectual articulations of the Italian Renaissance. Seeing errancy as an act of resistance rather than of error, Shemek carries her study beyond the didactic and prescriptive literature on femininity in early modern Italy to an arena in which theories about femininity are considered jointly with real and fictional instances of women’s waywardness. As prostitutes, warriors, lovers, and poets, the women of Shemek’s study are found in canonical texts, marginal works, and popular artistic activity, appearing, for instance, in literature, paintings, legal proceedings, and accounts of public festivals. By juxtaposing these varied places of errancy—from Ariosto’s chivalric Orlando furioso to the prostitutes’ race in the Palio di San Giorgio—Shemek points to the important contact between elite and popular cultures in early modernity, revealing the strength and flexibility of a gender boundary fundamental to early modern conceptions of social order.
Prior to the late nineteenth century, most Americans viewed dining as a utilitarian duty characterized by common “meat and potato” dishes and complemented by little, if any, polite conversation. With the boom in industrialism and the sudden growth of the middle class in the 1880s, America's interest in social etiquette rose dramatically.
Consisting of two separate publications—The Ladies' Handbook and Household Assistant(1886) and Short Hints on Social Etiquette (1887)—The Ladies' Etiquette Handbook can be read as a testament to the growing division between social classes and, at the same time, as a reflection of the middle class' overwhelming desire to cross social lines through the graces of fine etiquette.
Written by a Methodist women's church group in Manchester, New Hampshire, The Ladies' Handbook and Household Assistant provides advice on subjects such as church etiquette and the proper handling of cutlery as well as recipes for the socially active household. Short Hints on Social Etiquette, published as a promotional piece by a Philadelphia soap manufacturer—including descriptions of lavish meals, advice on proper word pronunciation, and illustrations of tasteful calling cards—strives to bring “aristocratic” values into the “republican” home.
The foreword by Kenneth Cmiel, professor of history at the University of Iowa, provides an overview of the historic and social trends leading up to the publication of both handbooks and traces the creation and ultimate development of modern social etiquette.
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world.
Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them.
Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos.
Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony.
Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.
"A great read about some great ladies, Pat Majher's Ladies of the Lights pays long overdue homage to an overlooked part of Great Lakes maritime history in which a select group of stalwart women beat the odds to succeed in a field historically reserved for men."
---Terry Pepper, Great Lakes Lighthouse Keepers Association
Michigan once led the country in the number of lighthouses, and they're still a central part of the mystique of the state. What even the region's lighthouse enthusiasts might not know is the rich history of female lighthouse keepers in the area.
Fifty women served the sailing communities on Lakes Huron, Michigan, and Superior, as well as on the Detroit River, for more than 100 years. From Catherine Shook, who raised eight children while maintaining the Pointe Aux Barques light at the entrance to Saginaw Bay; to Eliza Truckey, who assumed responsibility for the lighthouse in Marquette while her husband fought for four years in the Civil War; to Elizabeth Whitney, whose combined service on Beaver Island and in Harbor Springs totaled forty-one years---the stories of Michigan's "ladies of the lights" are inspiring.
This is no technical tome documenting the minutiae of Michigan's lighthouse specifications. Rather, it's a detailed, human portrait of the women who kept those lighthouses running, defying the gender expectations of their time.
Patricia Majher is Editor of Michigan History magazine, published by the Historical Society of Michigan. Prior, she was Assistant Director of the Michigan Women's Historical Center and Hall of Fame in Lansing, Michigan. In addition, she has been writing both advertising and editorial copy for almost thirty years and has been a frequent contributor to Michigan newspapers and magazines.
Long overlooked in histories of finance, women played an essential role in areas such as banking and the stock market during the late nineteenth and early twentieth centuries. Yet their presence sparked ongoing controversy. Hetty Green's golden touch brought her millions, but she outraged critics with her rejection of domesticity. Progressives like Victoria Woodhull, meanwhile, saw financial acumen as more important for women than the vote. George Robb's pioneering study sheds a light on the financial methods, accomplishments, and careers of three generations of women. Plumbing sources from stock brokers' ledgers to media coverage, Robb reveals the many ways women invested their capital while exploring their differing sources of information, approaches to finance, interactions with markets, and levels of expertise. He also rediscovers the forgotten women bankers, brokers, and speculators who blazed new trails--and sparked public outcries over women's unsuitability for the predatory rough-and-tumble of market capitalism. Entertaining and vivid with details, Ladies of the Ticker sheds light on the trailblazers who transformed Wall Street into a place for women's work.
Beginning in the late nineteenth century, mainstream magazines established ideal images of white female culture, while comparable African American periodicals were cast among the shadows. Noliwe M. Rooks’s Ladies’ Pages sheds light on the most influential African American women’s magazines––Ringwood’sAfro-American Journal of Fashion, Half-Century Magazine for the Colored Homemaker, Tan Confessions, Essence, and O, the Oprah Magazine––and their little-known success in shaping the lives of black women.
Ladies’ Pages demonstrates how these rare and thought-provoking publications contributed to the development of African American culture and the ways in which they in turn reflect important historical changes in black communities. What African American women wore, bought, consumed, read, cooked, and did at home with their families were all fair game, and each of the magazines offered copious amounts of advice about what such choices could and did mean. At the same time, these periodicals helped African American women to find work and to develop a strong communications network. Rooks reveals in detail how these publications contributed to the concepts of black sexual identity, rape, migration, urbanization, fashion, domesticity, consumerism, and education. Her book is essential reading for everyone interested in the history and culture of African Americans.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to ladies’-tresses is the first in a series that will cover all the wild orchids of the United States and Canada.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. He includes information on 256 species, 3 additional varieties, and 7 hybrids.
Wild ladies’-tresses occur from British Columbia, with the hooded ladies’-tresses, Spiranthes romanzoffiana, to Florida, with Eaton’s-ladies’-tresses, S. eatonii. The newest species to science, Spiranthes stellata, the starry ladies’-tresses, is featured. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answer three simple questions—when, where, and how does it grow? Then compare the living plant with the striking photos in these backpack-friendly laminated guides and consult the keys that Brown has created. Following these steps should enable both professional and amateur naturalists to achieve the satisfaction of identifying specific orchids in their native environment.
Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century.
Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.
Penny Schine Gold provides a bold analysis of key literary and artistic images of women in the Middle Ages and the relationship between these images and the actual experience of women. She argues that the complex interactions between men and women as expressed in both image and experience reflect a common pattern of ambivalence and contradiction. Thus, women are seen as both helpful and harmful, powerful and submissive, and the actuality of women's experience encompasses women in control and controlled, autonomous and dependent.
Vividly recreating the rich texture of medieval life, Gold effectively and eloquently goes beyond a simple equation of social context and representation. In the process. she challenges equally simple judgments of historical periods as being either "good" or "bad" for women.
"[The Lady and the Virgin] presents its findings in a form that should attract students as well as their instructors. The careful and controlled use of so many different kinds of sources . . . offers us a valuable medieval case study in the inner-relationship between the segments of society and its ethos or value system."—Joel T. Rosenthal, The History Teacher
"Something of a tour de force in an interdisciplinary approach to history."—Jo Ann McNamara, Speculum
"[A] well-written, extremely well-researched book. . . . The Lady and the Virgin is useful, readable, and well informed."—R. Howard Bloch, Modern Philology
Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills the sexuality of a beautiful, intelligent woman frequently married or engaged to a sexually incompetent, educated, upper-class man. This body guy exhibits a masterful athletic, penile-centered sexual performance that enlivens and transforms the previously discontented woman's life.
Peter Lehman and Susan Hunt relate a host of wide-ranging films to a literary tradition dating back to D. H. Lawrence's Lady Chatterley's Lover and an emerging body culture of our time. Through an engaging and compelling narrative, they argue that the hero's body, lovemaking style, and penis-revealed through extensive male nudity-celebrate conformity to norms of masculinity and male sexuality. Simultaneously, these films denigrate the vital, creative, erotic world of the mind. Just when women began to successfully compete with men in the workplace, these movies, if you will, unzip the penis as the one thing women do not have but want and need for their fulfillment.
But Lehman and Hunt also find signs of a yearning for alternative forms of sexual and erotic pleasure in film, embracing diverse bodies and vibrant minds. Lady Chatterley's Legacy in the Movies shows how filmmakers, spectators, and all of us can be empowered to dethrone the body guy, his privileged body, and preferred style of lovemaking, replacing it with a wide range of alternatives.
November 1925 found David and Frieda Lawrence on the Italian Riviera, looking for sun, sea air, and health. The Lawrences were exhilarated by life in their rented villa, set amid olive groves and vineyards, with a view of the sparkling Mediterranean. The drab English winter couldn’t have been farther away.
But before long Frieda found herself irresistibly attracted to their landlord, a dashing Italian army officer, and the resulting affair served as the background for Lawrence’s writing: while in the villa, he turned out two stories, “Sun” and “The Virgin and the Gypsy,” both prefiguring Lady Chatterley’s Lover in their depiction of women fatally drawn to earthy, muscular men.
Built on the unpublished, and previously unexplored, letters and diaries of Rina Secker, the Anglo-Italian wife of Lawrence’s publisher, and featuring never-before-published letters from Lawrence, Lady Chatterley’s Villa reconstructs the drama of the tempestuous marriage, and the ways it fired Lawrence’s creativity. Along the way, Richard Owen offers a new accounting of Lawrence’s passion for Italy, tracing his travels along the coasts and islands and his deep engagement with Italian culture. This exploration of a little-studied, but crucial period of the writer’s life will be a must for Lawrence’s many fans.
Out of a small, hand-to-mouth women’s theater collective called the WOW Café located on the lower east side of Manhattan there emerged some of the most important theater troupes and performance artists of the 1980s and 1990s. Appearing on the cultural scene at a critical turning point in both the women’s movement and feminist theory, WOW put a witty, hilarious, gender-bending, and erotically charged aesthetic on stage for women in general and lesbians in particular. Featured performers included the Split Britches Company, the Five Lesbian Brothers, Carmelita Tropicana, Holly Hughes, Lisa Kron, Deb Margolin, Reno, Peggy Shaw, and Lois Weaver. For three decades the WOW Café Theatre has nurtured fledgling women writers, designers, and performers who continue to create important performance work. Lady Dicks and Lesbian Brothers offers the first critical history of the WOW Café, based on dozens of interviews with WOW performers and other participants, newspaper reviews of the earliest productions, and unpublished photographs, and suggests why the collective has had such amazing longevity and an enduring legacy.“A rich and detailed picture of a particular historical moment that has now passed . . . Davy’s longstanding association with this world pays off handsomely—it is impossible to imagine that anyone could write a more informative portrait.”
—Charlotte Canning, University of Texas at Austin
When the first company of Mormon settlers arrived in the Great Salt Lake Valley in July 1847, it was immediately apparent that thier survival depended upon what resources they found in the mountains surrounding them. The Great Basin soil was baked hard by the sun and yielded to the plow with great difficulty. And as pioneer William Clayton noted, surveying the valley floor, "Timber is evidently lacking." But within a week of arrival, a small dam had been constructed to channel irrigation water to crops, parties had been dispatched to explore the nearby canyons for trees suitable for lumber, and names had been attached to several dozen features of the landscape including peaks, creeks, and canyons.
These place names, as well as the physcial traces and artifacts that persist in three Wasatch canyons—Mill Creek, Big Cottonwood, and Little Cottonwood—tantalize with what they suggest, but do not tell, about the history of settlement and development in the canyons. Charles Keller has extracted a wealth of information to create The Lady in the Ore Bucket, a faxcinating history of the lumber, mining, and hydropower industries built from the rich natural resources of the canyons. With more than six dozen photographs and maps, the book is alive with details concerning the personalities, politics, pacts, and peregrinations of local leaders from white settlement in 1847 through the early 1900s. It will delight any reader with an interest in the magnificent canyones that open onto the modern Wasatch Front.
According to the popular press in the mid twentieth century, American women, in a misguided attempt to act like men in work and leisure, were drinking more. “Lady Lushes” were becoming a widespread social phenomenon. From the glamorous hard-drinking flapper of the 1920s to the disgraced and alcoholic wife and mother played by Lee Remick in the 1962 film “Days of Wine and Roses,” alcohol consumption by American women has been seen as both a prerogative and as a threat to health, happiness, and the social order.
In Lady Lushes, medical historian Michelle L. McClellan traces the story of the female alcoholic from the late-nineteenth through the twentieth century. She draws on a range of sources to demonstrate the persistence of the belief that alcohol use is antithetical to an idealized feminine role, particularly one that glorifies motherhood. Lady Lushes offers a fresh perspective on the importance of gender role ideology in the formation of medical knowledge and authority.
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to lady’s-slippers is the first in a series that will cover all the wild orchids of the United States and Canada.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. For the lady’s-slippers he includes information on 12 species, 2 additional varieties, and 6 hybrids.
Wild lady’s-slippers grow from Alaska, with the spotted lady’s-slipper, Cypripedium guttatum, to Texas, with the ivory-lipped lady’s-slipper, C. kentuckiense. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answer three simple questions—when, where, and how does it grow? Then compare the living plant with the striking photos in these backpack-friendly laminated guides and consult the keys that Brown has created. Following these steps should enable both professional and amateur naturalists to achieve the satisfaction of identifying specific orchids in their native environment.
Sylvia Neely provides both the first scholarly study of Lafayette’s life after the French Revolution and a detailed analysis of French politics during the early Restoration.
Lafayette, advocating a liberalism based on the American example, used both legal and illegal means to overturn a conservative government. The personification of liberalism for many of his contemporaries, he and his friends Benjamin Constant, Voyer d’Argenson, and Charles Goyet saw themselves as fighters in an international struggle that set liberalism against the forces of reaction and obscurantism. Although he ultimately failed, Lafayette was convinced that the liberal ideals derived from the Enlightenment and from his personal mentor, George Washington, would prevail.
Neely makes Lafayette’s actions clear by considering seriously the principles that guided his life and by describing the political climate of the early nineteenth century. She discloses previously overlooked features of the revolutions of the 1820s which account for the divisions among the revolutionary groups. She also examines relationships between Lafayette and the prominent writers and thinkers of the period, among them Augustin Thierry, Jeremy Bentham, Lady Morgan, and Frances Wright.