P Is For Philadelphia
Susan Korman Temple University Press, 2005 Library of Congress F158.33.K67 2005 | Dewey Decimal 974.811
P Is for Philadelphia is a unique, alphabetic tour of the city and the region, illustrated by the area's public school children, who participated in a city-wide drawing contest. From A is for Athlete to Z is for Zoo, all of the city's rich history is explored. P Is for Philadelphia includes entries on William Penn's arrival and historic treaty with the Delaware Indians, the city's heritage as the cradle of American liberty, as well as its food, sports teams, neighborhoods, and festivals. This book will have the kind of impact on Philadelphia and the region that few children's books ever have. It belongs on the bedside tables of every child in the Delaware Valley and the bookshelves of every visitor.
Pablo Neruda (1904–73) is one of Latin America’s best known poets, adored by readers for the passionate love lyrics written during his early years in his native Chile, and respected by critics for the dark, hypnotic verses he composed during his later, solitary years as a diplomat based in the Far East. As Dominic Moran shows in his concise biography of Neruda, rarely have the life and works of a writer been so intimately and dramatically bound up as they are in Neruda.
In Pablo Neruda, Moran takes a detailed and often critical look at this relationship, focusing as much on what the poetry sometimes strategically hides about Neruda the poet, the lover, and the political proselytizer, as what it reveals. Moran describes a life that was marked by an increasingly militant communism, the seeds of which can be traced to Neruda’s experiences in Spain during the early months of the Spanish Civil War. Throughout the 1950s and 1960s, Neruda became a literary torchbearer for the International Left, and he spent his final years campaigning to bring socialism to his beloved Chile. He lived just long enough to see his hero Salvador Allende unseated by Augusto Pinochet’s bloody coup.
Pablo Neruda paints a fascinating picture of one of the most prodigiously gifted literary figures of the twentieth century. It will appeal to fans of Neruda’s verse who wish to learn more about the life behind it, as well as to readers interested in Latin American literature, politics, and history.
"What is a face, really? Its own photo? Its make-up? Or is it a face as painted by such or such painter? That which is in front? Inside? Behind? And the rest? Doesn't everyone look at himself in his own particular way?"
With these words, Pablo Picasso described the revolutionary methods of painting and artistic perspective with which he challenged the ways people and the world were defined. His life was a similarly complex prism of people, places, and ideologies that spanned most of the twentieth century. Acclaimed scholar Mary Ann Caws provides in Pablo Picasso a fresh and concise examination of Picasso's life and art, revisiting the themes that occupied him throughout his life and weaving these themes through his crucial close relationships.
Caws embarks on a global journey to retrace the footsteps of Picasso, giving biographical context to his work from Les Demoiselles d'Avignon through Guernica and analyzing the changes and inconsistencies in his oeuvre over the course of the twentieth century. She examines Picasso's attempts to balance various viewpoints, artistic strategies, lovers, and friends, positing the central figures of the Harlequin, the clown, and the acrobat in his art as emblematic of his actions. Gertrude Stein, Max Jacob, Apollinaire, Jean Cocteau, André Breton, Salvador Dalí, Paul Eluard, and Roland Penrose all make appearances in these pages as Caws examines their influence on Picasso. Caws also delves into Picasso's tumultuous relationships with his lovers Dora Maar, Françoise Gilot, and Jacqueline Roque to understand their effects on his art.
A compelling and original portrait, Pablo Picasso offers a lively exploration into the personal networks that both challenged and sustained Picasso.
One of the most important stories in Latin American studies today is the emergence of left-leaning social movements sweeping across Latin America includes the mobilization of militant indigenous politics. Formed in 1995 in Ecuador to advance the interests of a variety of people’s organizations and to serve as an alternative to the country’s traditional political parties, Pachakutik Plurinational Unity Movement (Pachakutik) is an indigenist-based movement and political party.
In this critical work, Kenneth J. Mijeski and Scott H. Beck evaluate the successes and failures experienced by Ecuador’s Indians in their quest to transform the state into a participative democracy that would address the needs of the country’s long-ignored and impoverished majority, both indigenous and nonindigenous. Using a powerful statistical technique and in-depth interviews with political activists, the authors show that the political election game failed to advance the cause of either Ecuador’s poor majority or the movement’s own indigenous base.
Pachakutik and the Rise and Decline of the Ecuadorian Indigenous Movement is an extraordinarily valuable case study that examines the birth, development, and in this case, waning of Ecuador’s indigenous movement.
The mobilization of militant indigenous politics is one of the most important stories in Latin American studies today. In this critical work, Kenneth J. Mijeski and Scott H. Beck examine the rise and decline of Ecuador’s leading indigenous party, Pachakutik, as it tried to transform the state into a participative democracy.
Using in-depth interviews with political activists, as well as a powerful statistical analysis of election results, the authors show that the political election game failed to advance the causes of Ecuador’s poor or the movement’s own indigenous supporters. Pachakutik and the Rise and Decline of the Ecuadorian Indigenous Movement is an extraordinarily valuable case study of Ecuador’s indigenous movement and the challenges it still faces.
When the Zoot Suit Riots ignited in Los Angeles in 1943, they quickly became headline news across the country. At their center was a series of attacks by U.S. Marines and sailors on young Mexican American men who dressed in distinctive suits and called themselves pachucos. The media of the day portrayed these youths as miscreants and hoodlums. Even though the outspoken First Lady, Eleanor Roosevelt, quickly labeled them victims of race riots, the initial portrayal has distorted images ever since. A surprising amount of scholarship has reinforced those images, writes Laura Cummings, proceeding from what she calls “the deviance school of thought.”
This innovative study examines the pachuco phenomenon in a new way. Exploring its growth in Tucson, Arizona, the book combines ethnography, history, and sociolinguistics to contextualize the early years of the phenomenon, its diverse cultural roots, and its language development in Tucson.
Unlike other studies, it features first-person research with men and women who—despite a wide span of ages—self-identify as pachucos and pachucas. Through these interviews and her archival research, the author finds that pachuco culture has deep roots in Tucson and the Southwest. And she discovers the importance of the pachuco/caló language variety to a shared sense of pachuquismo. Further, she identifies previously neglected pachuco ties to indigenous Indian languages and cultures in Mexico and the United States.
Cummings stresses that the great majority of people conversant with the culture and language do not subscribe to the dynamics of contemporary hardcore gangs, but while zoot suits are no longer the rage today, the pachuco language and sensibilities do live on in Mexican American communities across the Southwest and throughout the United States.
Offering a window into a critical era in Japanese American life, Pacific Citizens collects key writings of Larry S. Tajiri, a multitalented journalist, essayist, and popular culture maven. He and his wife, Guyo, who worked by his side, became leading figures in Nisei political life as the central purveyors of news for and about Japanese Americans during World War II, both those confined in government camps and others outside.
The Tajiris made the community newspaper the Pacific Citizen a forum for liberal and progressive views on politics, civil rights, and democracy, insightfully addressing issues of assimilation, multiracialism, and U.S. foreign relations. Through his editorship of the Pacific Citizen as well as in articles and columns in outside media, Larry Tajiri became the Japanese American community's most visible spokesperson, articulating a broad vision of Nisei identity to a varied audience.
In this thoughtfully framed and annotated volume, Greg Robinson interprets and examines the contributions of the Tajiris through a selection of writings, columns, editorials, and correspondence from before, during, and after the war. Pacific Citizens contextualizes the Tajiris' output, providing a telling portrait of these two dedicated journalists and serving as a reminder of the public value of the ethnic community press.
Michael R. Auslin Harvard University Press, 2011 Library of Congress E183.8.J3A927 2011 | Dewey Decimal 303.48273052
Beginning with the first Japanese and Americans to make contact in the early 1800s, Michael Auslin traces a unique cultural relationship. He focuses on organizations devoted to cultural exchange, such as the American Friends’ Association in Tokyo and the Japan Society of New York, as well as key individuals who promoted mutual understanding.
With a history now stretching back four decades, Pacific festivals of Aotearoa assert a multicultural identity of New Zealand and situate the country squarely within a sea of islands. In this volume Jared Mackley-Crump gives a provocative look at the changing demographics and cultural landscape of a place frequently viewed through a bicultural lens, Pakeha and Maori.
Taking the post–World War II migrations of Pacific peoples to New Zealand as its starting point, the story begins in 1972 with the inaugural Polynesian Festival, an event that was primarily designed as a Māori festival, now known as Te Matatini, the largest Māori performing arts event in the world. Two major moments of festivalization are considered: the birth of Polyfest in 1976, and the inaugural Pasifika Festival of 1993. Both began in Auckland, the home of the largest Pacific communities in New Zealand, and both have spawned a series of events that follow these models they successfully established. While Polyfests focus primarily on the transmission of performance traditions from culture bearers to the young, largely New Zealand-born generations, Pasifika festivals are highly public community events, in which diverse displays of material culture are offered up for consumption by both cultural tourists and Pacific communities alike. Both models have experienced a significant period of growth since 1993, and here, the author presents a thought-provoking and wide-ranging analysis to explain the phenomenon that has been called a “Pacific renaissance.”
Written from an ethnomusicological perspective The Pacific Festivals of Aotearoa New Zealand incorporates lively first-person observations as well as interviews with festival organizers, performers, and other important historical figures. The second half of the book delves into the festival space, uncovering new meanings about the function and role of music performance and public festivity. The author skillfully challenges accounts that label festivals as inauthentic recreations of culture for tourist audiences and gives both observers and participants an uplifting new approach to understand these events as meaningful and symbolic extensions of the ways diasporic Pacific communities operate in New Zealand.
"Starting out, my mind and spirit were open to the mystery of foreign cultures, the spareness of aridity, the tension of seismicity, the heat of fire, the exuberance of the vast, the abundance of rot and rebirth, the kindness of strangers, the indomitable rules of climate, the triumph of life, the limits of the earth.""—from the prologue.On a crisp January morning, the first day of a new year, writer Tim Palmer and his wife set out in their custom-outfitted van on a nine-month journey through the Pacific Coast Ranges. With a route stretching from the dry mesas of the Baja Peninsula to the storm-swept Alaskan island of Kodiak, they embarked on an incomparable tour of North America's coastal mountains high above the Pacific.In Pacific High, Palmer recounts that adventure, interweaving tales of exploration and discovery with portraits of the places they visited and the people they came to know along the way. Bringing together images of places both exotic and familiar with profiles of intriguing people and descriptions of outdoor treks on foot, skis, mountain bike, canoe, and whitewater raft, Palmer captures the brilliant wonders of nature, the tragedy of irreversible loss, and the hope of everyone who cares for this extraordinary but threatened edge of North America.At the heart of the story is author's concern for the health of the land and all its life. Nature thrives in many parts of the Coast Ranges—pristine rivers and ancient forests that promise refuge to the king salmon and the grizzly bear—but with a human population of 36 million, nature is under attack throughout the region. Oil spills, clearcutting, smog, sprawling development and more threaten even national parks and refuges. Yet Palmer remains hopeful, introducing readers to memorable people who strive for lasting stewardship in this land they call home.
In this rich and engaging history, Tami Parr shows how regional cheesemaking found its way back to the farm. It’s a lively story that begins with the first fur traders in the Pacific Northwest and ends with modern-day small farmers in Oregon, Washington, and Idaho.
For years, farmers in the Pacific Northwest made and sold cheese to support themselves, but over time the craft of cheesemaking became a profitable industry and production was consolidated into larger companies and cooperatives. Eventually, few individual cheesemakers were left in the region. In the late sixties and early seventies, influenced by the counterculture and back-to-the-land movements, the number of small farms and cheesemakers began to grow, initiating an artisan cheese renaissance that continues today.
Along with documenting the history of cheese in the region, Parr reveals some of the Pacific Northwest’s untold cheese stories: the fresh cheese made on the Oregon Trail, the region’s thriving blue cheese and regional swiss cheese makers, and the rise of goat’s milk and goat’s milk cheese (not the modern phenomenon many assume it to be).
While the coast of the Pacific Northwest becomes populated with houses, condominiums, motels, and restaurants, its beaches and cliffs continue to be altered by ocean currents and winter storms. A companion volume to Living with the Shore of Puget Sound and the Georgia Strait, The Pacific Northwest Coast serves as a source of information about the coast of the Pacific Northwest, its geological setting, the natural responses of beaches and cliffs to ocean processes, and the ever-present problem of erosion. In this guide, Paul D. Komar, one of the nation’s leading coastal oceanographers, examines the lessons taught by ages of geological and cultural history. With explanations of the area’s geological evolution, including natural shoreline erosion and sea-cliff landsliding, Komar details human interaction with the coast: erosion caused by early settlers, the development and destruction of Bayocean Spit, the disastrous effects caused by the 1982–1983 El Niño, and the notorious failure of a construction project on the picturesqueæbut unstableæbluffs at Jump-Off Joe. Emphasizing the actual and potential harm to human projects and to the natural heritage of the coast, Komar provides the knowledge necessary for finding a safe home near the shore while preserving the beauty that draws us to it.
In the late 1800s and early 1900s, colonial powers clashed over much of Central and East Asia: Great Britain and Germany fought over New Guinea, the Bismarck Archipelago, Fiji, and Samoa; France and Great Britain competed over control of continental Southwest Asia; and the United States annexed the Philippines and Hawaii. Meanwhile, the possible disintegration of China and Japan’s growing nationalism added new dimensions to the rivalries.
Surveying these and other international developments in the Pacific basin during the three decades preceding World War I, Kees van Dijk traces the emergence of superpowers during the colonial race and analyzes their conduct as they struggled for territory. Extensive in scope, Pacific Strife is a fascinating look at a volatile moment in history.
Ez Keneret and Wendell Spear are Hollywood veterans who have committed the only sin in the movie business: they've grown old. Having been cast aside, they face their obsolescence and the harsh reality that the art they appreciate (and profit from) is just a business powered by money and celebrity. While Spear is consoled and comforted by his granddaughter, Keneret centers his comeback film on Leet de Loor, a stunning but painfully wooden "actress" he discovers in Fiji.
Richard Stern Northwestern University Press, 2001 Library of Congress PS3569.T39P28 2001 | Dewey Decimal 813.54
Ez Keneret and Wendell Spear are Hollywood veterans who have committed the only sin in the movie business: they've grown old. Having been cast aside, they face their obsolescence and the harsh reality that the art they appreciate (and profit from) is just a business powered by money and celebrity. While Spear is consoled and comforted by his granddaughter, Keneret centers his comeback film on Leet de Loor, a stunning but painfully wooden "actress" he discovers in Fiji.
Pacifica Radio 2E
Matthew Lasar Temple University Press, 2000 Library of Congress HE8697.75.U6L37 2000 | Dewey Decimal 384.5406573
In the public radio landscape, the Pacifica stations stand out as inn0ovators of diverse and controversial broadcasting. Pacifica's fifty years of struggle against social and political conformity began with a group of young men and women who hoped to change the world with a credo of non-violence. Pacifica Radio traces the cultural and political currents that shaped the first listener-supported radio station, KPFA FM in Berkeley, and accompanied Pacifica's gradual expansion into a 5 station network.
In this expanded paperback edition, Lasar provides a postscript ("A Crisis of Containment") that examines the external pressures and organizational problems within the Pacifica Foundation that led, in early 1999, to the police shutdown of network station KPFA. Lasar, an admittedly pro-KPFA partisan in the conflict, gives a first-person account, calling it "the worst crisis in the history of community radio."
Yet Pacifica Radio is about more than just the network's recent troubles. It is the story of visionary Lewis Hill and the small band of pacifists who in 1946, set out to build institutions that would promote dialogue between individuals and nations. KPFA took to the air in 1949 with stunningly unconventional programs that challenged the dreary cultural consensus of the Cold War. No one in the Bay Area, or anywhere else, had heard anything like it on the airwaves.
The first edition of Pacifica Radio, which made the San Francisco Chronicle's non-fiction bestseller list, was praised as "fascinating reading" by In These Times, "Lasar has an eye for paradox, irony and contradiction," wrote the Santa Rose Press Democrat, "but he is first and foremost an able and astute historian."
In this important new work, Nicholas Townsend explores what men say about being fathers, and about what fatherhood means to them. He shows how men negotiate the prevailing cultural values about fatherhood, marriage, employment, and home ownership that he conceptualizes as a "package deal." Townsend identifies the conflicts and contradictions within the gendered expectations of men and fathers, and analyzes the social and economic contexts that make emotionally involved fathering an elusive ideal.Drawing on the lives and life stories of a group of men in their late forties who graduated from high school together in the early 1970s, The Package Deal demystifies culture's image of fatherhood in the United States. These men are depicted as neither villains nor victims, but as making their best efforts to achieve successful adult masculinity. This book shows what fathers really think about fatherhood, the division of labor between fathers and mothers, the gendered difference in expectations, and the privileging of the relationship between fathers and sons.These revealing accounts of how fatherhood fits into the rest of men's lives help us better understand what men can and cannot do as fathers. And they clearly illustrate that women are not alone in trying to "have it all" as they strive to combine work and family.
From the candy bar to the cigarette, records to roller coasters, a technological revolution during the last quarter of the nineteenth century precipitated a colossal shift in human consumption and sensual experience. Food, drink, and many other consumer goods came to be mass-produced, bottled, canned, condensed, and distilled, unleashing new and intensified surges of pleasure, delight, thrill—and addiction.
In Packaged Pleasures, Gary S. Cross and Robert N. Proctor delve into an uncharted chapter of American history, shedding new light on the origins of modern consumer culture and how technologies have transformed human sensory experience. In the space of only a few decades, junk foods, cigarettes, movies, recorded sound, and thrill rides brought about a revolution in what it means to taste, smell, see, hear, and touch. New techniques of boxing, labeling, and tubing gave consumers virtually unlimited access to pleasures they could simply unwrap and enjoy. Manufacturers generated a seemingly endless stream of sugar-filled, high-fat foods that were delicious but detrimental to health. Mechanically rolled cigarettes entered the market and quickly addicted millions. And many other packaged pleasures dulled or displaced natural and social delights. Yet many of these same new technologies also offered convenient and effective medicines, unprecedented opportunities to enjoy music and the visual arts, and more hygienic, varied, and nutritious food and drink. For better or for worse, sensation became mechanized, commercialized, and, to a large extent, democratized by being made cheap and accessible. Cross and Proctor have delivered an ingeniously constructed history of consumerism and consumer technology that will make us all rethink some of our favorite things.
Charles Hudson University of Alabama Press, 2009 Library of Congress PS3608.U343P33 2009 | Dewey Decimal 813.6
In April 1735, twenty-year-old William MacGregor, possessing little more than a bottle of Scotch whiskey and a set of Shakespeare’s plays, arrives in Charles Town, South Carolina, to make his fortune in the New World. The Scottish Highlands, while dear to his heart, were in steep economic decline and hopelessly entangled in dangerous political intrigue. With an uncle in Carolina, the long ocean voyage seemed his best chance for a new start. He soon discovers that the Jacobite politics of Scotland extend to Carolina, and when his mouth gets him in trouble with the Charles Town locals, dimming his employment opportunities, he seizes the one option still open for him and takes a job as a frontier packhorseman.
Soon young MacGregor is on the Cherokee trail to Indian country, where he settles in as a novice in the deerskin trade. Along the way William learns not only the arts of managing a pack train and trading with the Indians, but of reading the land and negotiating cultural differences with the Cherokee—whose clan system is much different from the Scottish clans of his homeland. William also learns that the Scottish enlightenment he so admires has not made much headway in the Carolina backcountry, where the real challenges are to survive, day to day, during the tense times after the Yamasee War and to remember that while in Indian country . . . it is their country. A scholar of the native Southeast, Charles Hudson has turned his hand to this work of historical fiction, bringing to life the packhorsemen, Indian traders, and southeastern Indians of the early 18th-century Carolina. With a comfortable and engaging style, Hudson peoples the Carolina frontier with believable characters, all caught up in a life and time that is historically well-documented but little-known to modern popular readers.
Over the past thirty years, late Quaternary environments in the arid interior of western North America have been revealed by a unique source of fossils: well-preserved fragments of plants and animals accumulated locally by packrats and quite often encased, amberlike, in large masses of crystallized urine. These packrat middens are ubiquitous in caves and rock crevices throughout the arid West, where they can lie preserved for tens of thousands of years. More than a thousand of these deposits have been dated and analyzed, and middens have supplanted pollen records as a touchstone for studying vegetation dynamics and climatic change in radiocarbon time (the last 40,000 years). Now, similar deposits made by other mammals like hyraxes are being reported from other parts of the world.
This book brings together the findings and views of many of the researchers investigating fossil middens in the United States, Mexico, Africa, the Middle East, and Australia. The contributions serve to open a forum for methodological concerns, update the fossil record of various geographic regions, introduce new applications, and display the vast potential for fossil midden analysis in arid regions worldwide. The findings presented here will serve to foster regional research and to promote general studies devoted to global climate change. Included in the text are more than two hundred charts, photographs, and maps.
Growing up on a secluded smuggling route along the border of Northern Ireland and the Republic, Packy Jim McGrath regularly heard the news, songs, and stories of men and women who stopped to pass the time until cover of darkness. In his early years, he says, he was all ears—but now it is his turn to talk.
Ray Cashman, who has been interviewing McGrath for more than fifteen years, demonstrates how Packy Jim embellishes daily conversation with stories of ghosts and fairies, heroic outlaws and hateful landlords. Such folklore is a boundless resource that he uses to come to grips with the past and present, this world and the next. His stories reveal an intricate worldview that is both idiosyncratic and shared—a testament to individual intelligence and talent, and a window into Irish vernacular culture.
When Henry Hudson explored the Delaware River in 1609, he dubbed it “one of the finest, best, and pleasantest rivers in the world.” Today, those same qualities make the Delaware one of the most popular rivers for recreational use in the United States. Although in places a near-wilderness, the Delaware is easily accessible to millions of residents. On any summer day there may be thousands of people rushing down its exciting rapids or lazing through its serene eddies.
A Paddler’s Guide to the Delaware River is an indispensable resource for anyone who wants to experience the Delaware River in a kayak, canoe, raft, or tube—or, for that matter, an automobile or an armchair. Reading the book is like travelling down the river with an experienced guide. It charts the non-tidal Delaware 200 miles from Hancock, New York, to Trenton, New Jersey, describing access points, rapids, natural features, villages, historical sites, campgrounds, outfitters, and restaurants. The Delaware comes alive as the author introduces some of the people, places, events, and controversies that have marked the river from earliest times to the present day.
Completely revised, the third edition offers:
An overview of the river including watershed, history, place names, paddlecraft, safety, and fishing.
The River Guide: ten sections that can each be paddled in one day (about 20 miles), with a mile-by-mile account of rapids, access, natural features, historic sites, and other features.
All new maps, with names for virtually every rapid, eddy, and other river feature, plus detailed diagrams for routes through even the most severe rapids.
Features in the River Guide highlight the people, events, natural history, and communities that define the river experience, such as Tom Quick, the infamous “avenger of the Delaware”; the mysterious migration of eels, the battle over Tocks Island Dam; and many others.
Appendices of Important Contacts, Outfitters and Campgrounds, River Trip Checklists, and more.
Whether you are a novice out for an afternoon float, a seasoned adventurer on an overnight expedition, or a resident fascinated by the lore of the Delaware Valley, this book is an invaluable guide.
In late August 1998, Kim Trevathan and his dog, Jasper, set out by canoe on a long, slow trip down the 652 miles of the Tennessee River, the largest tributary of the Ohio. Trevathan wanted to experience the river in its entirety, from Knoxville’s narrow, winding channel, which flows past rocky bluffs, to the wide-open waters of Kentucky Lake at its lower end.
Over the course of the five-week voyage, Trevathan rediscovered the people and places that made history on the Tennessee’s banks. He crossed the path of the explorer Meriwether Lewis along the Natchez Trace, noted the sites of Ulysses S. Grant’s Civil War battles, and passed Hiwassee Island, the spot where a teenaged runaway named Sam Houston lived with Cherokee Chief Jolly.
Trevathan also came to know the modern river’s dwellers, including a towboat pilot, two couples who traded in their landlocked homes for life on the river, a campground owner, and a meteorologist for NASA. He placed his life in the hands of U.S. Army Corps of Engineers lock operators as he and Jasper navigated the river’s nine dams.
Paddling the Tennessee River is a powerful travel narrative that captures the river’s wild, turbulent, and defiant past and confronts what it has become—an overused and overdeveloped series of lakes. But first and foremost, the book is the story of a man and his dog, riding low enough to smell the water and to discover the promise of a slow river running through the southern heartland.
The Author: Kim Trevathan, who earned his M.F.A. in creative writing at the University of Alabama, works as a new media writer and producer and writes a column for the Maryville Daily Times. His essays and short stories have been published in The Distillery, New Millennium Writings, The Texas Review, New Delta Review, and Under the Sun. He lives in Rockford, Tennessee.
This authoritative work sheds light on the religious world of the Kalasha people of the Birir valley in the Chitral district of Pakistan, focusing on their winter feasts, which culminate every year in a great winter solstice festival. The Kalasha are not only the last example of a pre-Islamic culture in the Hindu Kush and Karakorum mountains but also practice the last observable example anywhere in the world of an archaic Indo-European religion. In this book, Augusto S. Cacopardo takes readers inside the world of the Kalasha people.
Cacopardo outlines the history and culture of this ancient but still extant people. Exploring an array of relevant literature, he enriches our understanding of their practices and beliefs through illuminating comparisons with both the Indian religious world and the religious folklore of Europe. Bringing together several disciplinary approaches and drawing on extensive ethnographic fieldwork, this book offers the first extended study of this little-known but fascinating Kalasha community. It will take its place as a standard international reference source on the anthropology, ethnography, and history of religions in Pakistan and Central South Asia.
In 1462 Pope Pius II performed the only reverse canonization in history, damning a living man to an afterlife of torment. What had Sigismondo Malatesta, Lord of Rimini and a patron of the arts, done to merit this fate? Anthony D’Elia shows how the recovery of classical literature and art during the Italian Renaissance led to a revival of paganism.
Now remembered primarily as Franz Kafta's friend and literary executor, Max Brod was an accomplishered thinker and writer in his own right. In this volume, he considers the nature and differences between Judaism and Christianity, addressing some of the most perplexing questions at the heart of human existence.
“One of the most famous and widely discussed books of the 1920’s, Max Brod’s Paganism—Christianity—Judaism, has at last found its way into English translation to confront a new generation of readers. Max Brod is best remembered today as the literary editor and friend of Franz Kafka. In his day, however, he was the more famous of the two by far. A major novelist, playwright, poet, essayist, and composer, he was also, as this book demonstrates, a serious thinker on the perennial questions that are at the heart of human existence. . . .Some of his judgments are open to question. Still, with all its limitations, this is a forthright and passionate proclamation of the uniqueness of Judaism. Paganism—Christianity—Judaism was an intellectual and spiritual event when it was first published and it remains a valuable document even now.” —Rabbi Jack Riemer, Hadassah
Michigan Monograph Series in Japanese Studies No. 64
Kinugasa Teinosuke’s 1926 film, A Page of Madness (Kurutta ichipeiji), is celebrated as one of the masterpieces of silent cinema. It was an independently produced, experimental, avant-garde work from Japan whose brilliant use of cinematic technique was equal to if not superior to that of contemporary European cinema. Those studying Japan, focusing on the central involvement of such writers as Yokomitsu Riichi and the Nobel Prize winner Kawabata Yasunari, have seen it as a pillar of the close relationship in the Taisho era between film and artistic modernism, as well as a marker of the uniqueness of prewar Japanese film culture.
But is this film really what it seems to be? Using meticulous research on the film’s production, distribution, exhibition, and reception, as well as close analysis of the film’s shooting script and shooting notes recently made available, Aaron Gerow draws a new picture of this complex work, one revealing a film divided between experiment and convention, modernism and melodrama, the image and the word, cinema and literature, conflicts that play out in the story and structure of the film and its context. These different versions of A Page of Madness were developed at the time in varying interpretations of a film fundamentally about differing perceptions and conflicting worlds, and ironically realized in the fact that the film that exists today is not the one originally released. Including a detailed analysis of the film and translations of contemporary reviews and shooting notes for scenes missing from the current print, Gerow’s book offers provocative insight into the fascinating film A Page of Madness was—and still is—and into the struggles over this work that tried to articulate the place of cinema in Japanese society and modernity.
At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play. Page to Stage describes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, including The Grapes of Wrath (adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.
Pages from Hopi History
Harry C. James University of Arizona Press, 1974 Library of Congress E99.H7J27 | Dewey Decimal 970.00497
"More than half a century of contact between the author and the Hopi people has resulted in an unusual opportunity for long informative talks with friends from the villages. These conversations in a variety of circumstances have helped to give depth to an understanding and appreciation uncommon among persons not born and raised in the Hopi way. . . . This work gives a comprehensive view of the Hopi as a people, in length of time covered as well as in depth and breadth."—Utah Historical Quarterly
"It is personal yet precise, emotional and involved, yet objective and factual. . . . Readers who know something of Hopi history will be fascinated by the new insights and interpretations presented by James."—Arizona and the West
"The author has been an active supporter of Hopi interests for some fifty years and this book is as much a testimony to his unflagging personal devotion to a small and neglected tribe as it is a history of the Hopis' determination to maintain their identity and self-respect."—Journal of Arizona History
"Harry James writes with sympathy and restraint about a proud people who have suffered unjustly in the past, and who today are seeking an identity. He brings into sharp focus the dreams for tomorrow of the Hopi tribe. Let these dreams be shared by others before it is too late."—The American West
"An amazing and gripping account of a very great and intelligent people, concentrating on fact rather than the fantastic legends that have grown up around this unique culture."—The Masterkey
"The Hopi are indeed a most interesting people, and this authentic account of their way of life is a valuable contribution to our knowledge of the Indian tribes of Arizona."—The Book Exchange
"For an excellent account of the history of the Hopi, the Southwest, typical government intervention into tribal affairs and the lives of the people . . . a must for any library."—Whispering Winds
The Pages of Day and Night
Adonis Northwestern University Press, 2001 Library of Congress PJ7862.A519A24 2000 | Dewey Decimal 892.716
Calling poetry a "question that begets another question," Adonis sets into motion this stream of unending inquiry with difficult questions about exile, identity, language, politics, and religion. Repeatedly mentioned as a possible Nobel laureate, Adonis is a leading figure in twentieth-century Arabic poetry.
Restless and relentless, Adonis explores the pain and otherness of exile, a state so complete that absence replaces identity and becomes the exile's only presence. Exile can take many forms for the Arabic poet, who must practice his craft as an outsider, separated not only from the nation of his birth but from his own language; in the present as in the past, that exile can mean censorship, banishment, or death. Through these poems, Adonis gives an exquisite voice to the silence of absence.
While the modern science of medicine often seems nothing short of miraculous, religion still plays an important role in the past and present of many hospitals. When three-quarters of Americans believe that God can cure people who have been given little or no chance of survival by their doctors, how do today’s technologically sophisticated health care organizations address spirituality and faith?
Through a combination of interviews with nurses, doctors, and chaplains across the United States and close observation of their daily routines, Wendy Cadge takes readers inside major academic medical institutions to explore how today’s doctors and hospitals address prayer and other forms of religion and spirituality. From chapels to intensive care units to the morgue, hospital caregivers speak directly in these pages about how religion is part of their daily work in visible and invisible ways. In Paging God: Religion in the Halls of Medicine, Cadge shifts attention away from the ongoing controversy about whether faith and spirituality should play a role in health care and back to the many ways that these powerful forces already function in healthcare today.
The reign of the last Shah of Iran, Mohammad Reza Pahlavi (1941–79), marked the high point of Iran’s global interconnectedness. Never before had Iranians felt the impact of global political, social, economic, and cultural forces so intimately in their national and daily lives, nor had Iranian actors played such an important global role – on battlefields, barricades, and in board rooms far beyond Iran’s borders. Iranian intellectuals, technocrats, politicians, workers, artists, and students alike were influenced by the global ideas, movements, markets, and conflicts that they also helped to shape.
From the launch of the Shah’s White Revolution in 1963 to his overthrow in the popular revolution of 1978–79, Iran saw the longest period of sustained economic growth that the country had ever experienced. An entire generation took its cue from the shift from oil consumption to oil production to dream of, and aspire to, a modernized Iran, and the history of Iran in this period has tended to be presented as a prologue to the revolution. Those histories usually locate the political, social, and cultural origins of the revolution firmly within a national context, into which global actors intruded as Iranian actors retreated. While engaging with that national narrative, this volume is concerned with Iran’s place in the global history of the 1960s and ’70s. It examines and highlights the transnational threads that connected Pahlavi Iran to the world, from global traffic in modern art and narcotics to the embrace of American social science by Iranian technocrats and the encounter of European intellectuals with the Iranian Revolution. In doing so, this book seeks to fully incorporate Pahlavi Iran into the global history of the 1960s and ’70s, when Iran mattered far beyond its borders.
On any given night in living rooms across America, women gather for a fun girls’ night out to eat, drink, and purchase the latest products—from Amway to Mary Kay cosmetics. Beneath the party atmosphere lies a billion-dollar industry, Direct Home Sales (DHS), which is currently changing how women navigate work and family.
Drawing from numerous interviews with consultants and observations at company-sponsored events, Paid to Party takes a closer look at how DHS promises to change the way we think and feel about the struggles of balancing work and family. Offering a new approach to a flexible work model, DHS companies tell women they can, in fact, have it all and not feel guilty. In DHS, work time is not measured by the hands of the clock, but by the emotional fulfillment and fun it brings.
Schwartz’s analysis of the Catechetical Homilies of Theodore of Mopsuestia explores the role of education and worship in the complex process of conversion and Christianization. Catechesis emerges here as invaluable for comprehending clergy’s ability to initiate new members as Christianity gained increasing prominence within the late Roman world.
Today, the Tower of London is a tourist site, home only to the crown jewels, but not long ago the imposing structure held traitors, political prisoners, and more, often on their way to the chopping block. Even outside of this famous building, prisons have changed radically since the Norman Conquest in 1066. In the first book on the history of prisons in Britain, former prison governor and professor of criminology David Wilson offers unrivaled insight into the penal system in England, Scotland, and Wales, charting the rise and fall of forms of punishments that take place behind their walls.
Pain and Retribution explores prisons as an institution and examines how they are designed, organized, and managed. Wilson reveals that prisons have to satisfy the demands of three interested parties: the public, from politicians and media commentators to everyday citizens; the prison staff; and the prisoners themselves. He shows how prevailing concerns and issues of the times allow one faction or another to have more power at varying points in history, and he considers how prisons are unable to satisfy all three at the same time—leading to the system being seen as a failure, despite rising numbers of prisoners and growing funds invested in keeping them incarcerated. With intriguing comparisons between the prisons of New York City and Britain and searching questions about the purposes of the current penal system, Pain and Retribution provides unparalleled access to prison landings, staffs, and the people behind the locked doors.
In this brief but staggering two-act, playwright Norris demonstrates his skill at drawing out the dark truth that lurks beneath the surface of the “perfect” family. His crackling satire takes dead aim at the self-satisfied, left-leaning American upper-middle class and its many self-delusions.
On a winter afternoon, Kelly and Clay—an attractive, prosperous, seemingly happy couple with a four-year-old daughter and a newborn baby—must explain to a visitor the events of the previous Thanksgiving, on which, so it seems, someone or something had been gnawing at the avocados on their kitchen table. In the course of this holiday gathering—attended by Clay’s mother, a well-meaning but clueless first-grade teacher who spouts pointless liberal bromides; his brother, a plastic surgeon with a nihilistic streak and a taste for martinis; and his brother's girlfriend, a sexy Balkan immigrant with a love for all things American (racism included)—the recent past is unearthed along with revelations of failed marriages, fraternal hatred, infidelity and venereal disease, in the form of their daughter’s nasty genital infection. And it’s a comedy. As the story is gradually unfolded to their visitor, a Muslim cab driver, his relationship to the events becomes increasingly clear, as does the emptiness of the family’s supposed benevolence and sensitivity.
With its crashing emotion and cutting humor, this vicious dissection of the comfortable progressive life lays bare the lies that people use to feel righteous even as they veer off a genuinely ethical path.
Pain, Death, and the Law
Austin Sarat, Editor University of Michigan Press, 2001 Library of Congress KF9227.C2P35 2001 | Dewey Decimal 345.730773
This collection of essays examines the relationship between pain, death, and the law and addresses the question of how the law constructs pain and death as jurisprudential facts. The empirical focus of these essays enables the reader to delve into both the history and the theoretical complexities of the pain-death-law relationship. The combination of the theoretical and the empirical broadens the contribution this volume will undoubtedly make to debates in which the right to live or die is the core issue at hand.
This volume will be an important read for policy makers and legal practitioners and a valuable text for courses in law, the social sciences, and the humanities.
Austin Sarat is William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst College.
How should we weigh the costs and benefits of scientific research on humans? Is it right that a small group of people should suffer in order that a larger number can live better, healthier lives? Or is an individual truly sovereign, unable to be plotted as part of such a calculation?
These are questions that have bedeviled scientists, doctors, and ethicists for decades, and in Pain, Pleasure, and the Greater Good, Cathy Gere presents the gripping story of how we have addressed them over time. Today, we are horrified at the idea that a medical experiment could be performed on someone without consent. But, as Gere shows, that represents a relatively recent shift: for more than two centuries, from the birth of utilitarianism in the eighteenth century, the doctrine of the greater good held sway. If a researcher believed his work would benefit humanity, then inflicting pain, or even death, on unwitting or captive subjects was considered ethically acceptable. It was only in the wake of World War II, and the revelations of Nazi medical atrocities, that public and medical opinion began to change, culminating in the National Research Act of 1974, which mandated informed consent. Showing that utilitarianism is based in the idea that humans are motivated only by pain and pleasure, Gere cautions that that greater good thinking is on the upswing again today and that the lesson of history is in imminent danger of being lost.
Rooted in the experiences of real people, and with major consequences for how we think about ourselves and our rights, Pain, Pleasure, and the Greater Good is a dazzling, ambitious history.
At the age of fourteen, a young man in Waveland, Indiana, had taken over the family farm after the death of his father. Now responsible for taking care of his widowed mother and supporting his four brothers, he took up the reins on the plow to begin preparing the field for planting. Family legend has it that the young farmer, Theodore Clement Steele, tied “colored ribbons to the handles of the plow so that he could watch the ribbons in the wind and the effect that they had on the [surrounding] colors.” Recognizing Steele’s passion for art, his mother supported his choice to make his living as an artist. T. C. Steele, the eighth volume in the Indiana Historical Society Press’s youth biography series, traces the path of Steele’s career as an artist from his early studies in Germany to his determination to paint what he knew best, the Indiana landscape. Steele, along with fellow artists William Forsyth, Otto Stark, Richard Gruelle, and J. Ottis Adams, became a member of the renowned Hoosier Group and became a leader in the development of Midwestern art.
Painted by a Distant Hand
Steven A. LeBlanc Harvard University Press, 2005 Library of Congress E99.M76L383 2004 | Dewey Decimal 738.309789692
Highlighting one of the Peabody Museum's most important archaeological expeditions—the excavation of the Swarts Ranch Ruin in southwestern New Mexico by Harriet and Burton Cosgrove in the mid-1920s—Steven LeBlanc's book features rare, never-before-published examples of Mimbres painted pottery, considered by many scholars to be the most unique of all the ancient art traditions of North America. Made between ad 1000 and 1150, these pottery bowls and jars depict birds, fish, insects, and mammals that the Mimbres encountered in their daily lives, portray mythical beings, and show humans participating in both ritual and everyday activities. LeBlanc traces the origins of the Mimbres people and what became of them, and he explores our present understanding of what the images mean and what scholars have learned about the Mimbres people in the 75 years since the Cosgroves' expedition.
The Painted Canoe
Anthony Winkler University of Chicago Press, 1989 Library of Congress PS3573.I53218P35 1989 | Dewey Decimal 813.54
"You learn dat dis world don't love negar! And negar don't make for dis world!" Zachariah's mother warned him when he was still a boy. Yet, poor and abominably ugly, the Jamaican fisherman grasps lovingly for life, though the worst forces of nature conspire against him. Washed far out to sea in the night, Zachariah is attacked by a hammerhead shark, scorched by the Caribbean sun, hurled about by the sea which both frightens and entices him, and confused by his own encroaching madness. In a rare weave of humor and sadness, Zachariah forces himself to reflect on his life and the strangeness of chance, on anything but his place as a small man in a fragile boat in the boundless sea.
Still on land are the villagers, the woman, and the sons who comprise life for Zachariah. While he struggles with the forces of nature, the natural faith of the villagers encounters the incapacity for belief of the troubled English doctor. As the superstitions and certainties of Jamaican life and the consequences of science meet, Winkler reveals a rich understanding of the precarious balance between thought and reality, between the coincidental and the miraculous.
"This is one of those rare novels that announces its presence with such modest grace that the size of its ambition and accomplishments steals gently into the consciousness."—Michael Thelwell, Washington Post Book World
"Mr. Winkler deftly unfurls his exquisitely written story, which is redolent of the colorful patois and chaotic flavor of rural Jamaican culture."—Bob Allen, Baltimore Sun
Most people who are familiar with the Painted Desert of northeastern Arizona know it only from having pulled off at the Petrified Forest exit on Interstate 40. If they happen to come by it at midday, as most do, they find a landscape drained of color and flattened under the direct sunlight.
But this remote pocket of the Arizona desert, sandwiched between the Little Colorado River on one side and bold escarpments on the other, is much more than most tourists ever experience. An ethereal landscape of sculpted rock, wind-fluted cliffs, and elegantly drifting sand, the Painted Desert is a rich storehouse of natural beauty, colorful history, and scientific wonders. Here the strongest winds in Arizona blow across extensive dunefields, where less than ten inches of rain falls each year and only a few desert-savvy Navajo are able to live.
Now, for the first time award-winning writer Scott Thybony and freelance photographer David Edwards offer an intimate look at a place that remains inhospitable and inaccessible to so many. They share insights about the geology, paleontology, anthropology, and human history of the region as well as personal stories that dispel the misconceptions and mysteries that surround this delicate and difficult landscape.
With fifteen stunning photographs gracing the text, this book offers a vibrant portrait of one of the Southwest’s most barren, and most colorful landscapes.
A mystery set around an artist’s studio in Toronto.
A Toronto artist finds herself in the unlikely role of amateur sleuth as she sets about unraveling the strange death of her mentor, a renowned artist, through the tangle of a working art studio and the legacies left behind by the murdered artist’s love of mythology and Shakespeare.
“A triple treat for mystery lovers! There’s the murder investigation of a wonderful
artist, his unique legacies, each requiring a knowledge of mythology and
in the artist’s studio we discover how paintings are made . . .”
The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing—in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organizations played a role in shaping patterns of growth and innovation—as early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers—though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.
Painting Culture tells the complex story of how, over the past three decades, the acrylic "dot" paintings of central Australia were transformed into objects of international high art, eagerly sought by upscale galleries and collectors. Since the early 1970s, Fred R. Myers has studied—often as a participant-observer—the Pintupi, one of several Aboriginal groups who paint the famous acrylic works. Describing their paintings and the complicated cultural issues they raise, Myers looks at how the paintings represent Aboriginal people and their culture and how their heritage is translated into exchangeable values. He tracks the way these paintings become high art as they move outward from indigenous communities through and among other social institutions—the world of dealers, museums, and critics. At the same time, he shows how this change in the status of the acrylic paintings is directly related to the initiative of the painters themselves and their hopes for greater levels of recognition.
Painting Culture describes in detail the actual practice of painting, insisting that such a focus is necessary to engage directly with the role of the art in the lives of contemporary Aboriginals. The book includes a unique local art history, a study of the complete corpus of two painters over a two-year period. It also explores the awkward local issues around the valuation and sale of the acrylic paintings, traces the shifting approaches of the Australian government and key organizations such as the Aboriginal Arts Board to the promotion of the work, and describes the early and subsequent phases of the works’ inclusion in major Australian and international exhibitions. Myers provides an account of some of the events related to these exhibits, most notably the Asia Society’s 1988 "Dreamings" show in New York, which was so pivotal in bringing the work to North American notice. He also traces the approaches and concerns of dealers, ranging from semi-tourist outlets in Alice Springs to more prestigious venues in Sydney and Melbourne.
With its innovative approach to the transnational circulation of culture, this book will appeal to art historians, as well as those in cultural anthropology, cultural studies, museum studies, and performance studies.
The Painting of T'ang Yin
Anne De Coursey Clapp University of Chicago Press, 1991 Library of Congress ND1049.T29C58 1991 | Dewey Decimal 759.951
+This richly illustrated volume documents the art and fully examines the career of the sixteenth-century Chinese master T'ang Yin. One of the four great painters of the middle Ming period, the ambitious T'ang Yin rose above the merchant class into which he was born to become a member of the elite scholarly circle in the city of Suchou. Deprived by accident of his academic degrees and so forced to paint for a living, T'ang Yin became a social anomaly whose style of life cut across the conventions of his time. His experiences throw into sharp relief the realities faced by a Chinese painter who was both elite Confucian scholar and professional painter.
Anne De Coursey Clapp's work also explores larger issues of Ming painting raised by the artist's turbulent career. She describes the social and intellectual values exalted in Ming Suchou, its system of patronage, the contrast between the professional and amateur artist, and the formative influence of twelfth-century Sung dynasty styles on Suchou painters. Clapp shows how T'ang Yin's artistic inventions were made in the course of leading the revival of Sung dynasty styles in Suchou: tracing T'ang Yin's early studies of ancient and contemporary masters, she describes how he reworked an antique style, converting it into a vehicle of expression that reached fruition in a long series of fresh and powerful paintings of landscapes and birds-and-flowers. In the process, she revises the distorted version of middle Ming painting written by later Chinese art theorists to justify their own social and artistic values, noting especially the role of art patrons and their effect on artistic production.
Clapp analyzes the increasing currency of painting as a means of social exchange in ancient China. In particular, she identifies commemorative painting as a major genre of the later dynasties and explores the role it played in the oeuvres of professional masters with its humanistic implications for the Chinese view of the ideal scholarly man. Her broad view of T'ang Yin's career shows him divided between the professional and amateur camps of his time: in landscape and figural subjects he was aligned with the professionals; in flower subjects with the amateurs. Clap argues that the uneven distribution of styles and genres between this master who was subject to the market, and those who were independent of it, suggests that T'ang deliberately tried to expand the range of his paintings in order to appeal to buyers in the lower educational and social strata. Illustrated by some of T'ang Yin's most celebrated paintings and by some which are published for the first time, her work is of tremendous importance to art, literary, and cultural historians of Ming China.
"In this important work, Anne de Coursey Clapp has drawn a clear picture of T'ang Yin's life, patronage relationships, and contribution to the history of Chinese painting. In the person of T'ang Yin, she has chosen an ideal focus around which to examine some of the misleading stereotypes
which have distorted our understanding of Chinese painting since the seventeenth century. Marked by analytical clarity and scrupulous scholarship, her work is a welcome addition to the few works in English on individual Chinese artists."—Louise Yuhas, Occidental College
PAINTING OUTSIDE THE LINES
David W. Galenson Harvard University Press, 2001 Library of Congress ND212.G25 2001 | Dewey Decimal 750.19
In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.
Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China’s abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage.
Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans’ villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing. In Painting the City Red, Braester reveals the role that film and theater have played in mediating state power, cultural norms, and the struggle for civil society in Chinese cities.
The picture plane of a painting creates boundaries and perspectives. It governs the relationship of daubs of pigment on a canvas to reality, allowing the viewer to connect with the imagined world of a work of art. Charles Harrison's latest endeavor, Painting the Difference, explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator. One of the most respected teachers and theorists of modern art, Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane.
Arguing that the representation of women in art was crucial to the character of modernity, Harrison traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining sweeping conceptual history with telling investigations into the details of particular paintings, Painting the Difference deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. Harrison shows how artists, reflecting the underlying anxieties of the time about gender, used female subjects' gazes both to create a sexualized relationship between these subjects and their viewers, and to simultaneously question that relationship. In considering works by artists such as Renoir, Manet, Degas, Cézanne, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and many more, Harrison incorporates elements of cultural criticism and social history into his arguments, and generous color illustrations permit the reader to test Harrison's claims against the works on which they are based. Rich with detail and compelling analysis, Painting the Difference offers cutting-edge interpretation grounded in the reality of magnificent works of art.
Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery.
Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.
Lavishly illustrated with nearly 400 color images, Painting the Maya Universe is the most thorough study and brilliant display of Classic Maya ceramic painting yet published. Building on twenty years of research and debate, Dorie Reents-Budet and her collaborators Joseph W. Ball, Ronald L. Bishop, Virginia M. Fields, and Barbara MacLeod bring together many perspectives, including the art historical, archaeological, epigraphical, and ethnohistorical, to examine one of the world’s great but overlooked painting traditions. With an emphasis on sixth- to eighth-century pottery featuring both pictorial and hieroglyphic imagery, Painting the Maya Universe presents an extraordinary exploration of the cultural roles and meanings of these Guatemalan, Belizean, and Mexican elite painted ceramics. Maya pottery is discussed both in aesthetic terms and for the important information it reveals about Maya society, artistry, politics, history, religion, and ritual. The range of ceramic painting styles developed during this period is also presented and defined in detail. Painting the Maya Universe is the first publication to present a definitive translation of the hieroglyphic texts painted on these objects. With many glyphs deciphered here for the first time, this analysis reveals much about how these vessels were perceived and used by the Maya, their owners’ names, and, in several cases, the names of the artists who created them. This information is combined with archaeological and other data, including nuclear chemical analyses, to correlate painting styles with specific Maya sites. Published in conjunction with Duke University Museum of Art and an exhibition touring the United States, Painting the Maya Universe presents an astonishing visual record as well as a monumental scholarly achievement. With photographs by Justin Kerr, the foremost photographer of pre-Columbian art, it includes over 90 unique full-color rollout photographs, each showing the entire surface of an object in a single frame. The book also addresses the questions and controversy regarding the loss of information that occurs when objects are removed from their archaeological context to become part of public and private collections. Painting the Maya Universe will energize discussion of Maya pottery, hieroglyphic texts, and iconography. Its photographs, a lasting resource on this great painting tradition, will stimulate and delight the eye. It is a breakthrough in art history and Latin American scholarship that will enrich general readers and scholars alike.
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it.
Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types.
Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples.
María Isabel Álvarez Icaza Longoria
Bruno Giovanni Brunetti
Élodie Dupey García
Tatiana Falcón Álvarez
Anne Genachte-Le Bail
Patricia Horcajada Campos
Linda R. Manzanilla Naim
Virgina E. Miller
Patricia Quintana Owen
Franco D. Rossi
María Luisa Vázquez de Ágredos Pascual
Cristina Vidal Lorenzo
Painting the Soul is a beautifully illustrated study of the creation and development of the icon.
"This book is a firework display. It sets off scores of explosions which light up the sky over-arching our field, terrain that is normally traversed nose down and too mindful of the footsteps of our predecessors."—Burlington Magazine
As made abundantly clear in the classified documents recently made public by WikiLeaks, Pakistan is the keystone in the international fight against terrorism today. After the US-led coalition targeted terrorist groups operating in Afghanistan, these groups, including al Qaeda and the Taliban, relocated to the Federally Administered Tribal Area of Pakistan. From its base in this remote, inhospitable region of Pakistan, al Qaeda and its associated cells have planned, prepared, and executed numerous terrorist attacks around the world, in addition to supporting and waging insurgencies in Iraq, Afghanistan, Yemen, Somalia, and elsewhere.
This book is the first detailed analysis of the myriad insurgent groups working in Pakistan. Written by well-known expert on global terrorism Rohan Gunaratna and Khuram Iqbal, a leading scholar in Pakistan, the book examines and reviews the nature, structure, and agendas of the groups, their links to activists in other countries, such as India and Iran, and the difficulties of defeating terrorism in this part of the world. Drawing on extensive field research and interviews with government officials and former terrorists, the authors argue that Pakistan faces grave and continuing pressures from within, and that without steadfast international goodwill and support, the threats of extremism, terrorism, and insurgency will continue to grow.
This timely and necessary book argues that if the international community is to win the battle against ideological extremism and operational terrorism around the world, then Pakistan should be in the vanguard of the fight.
Pakistan, which since 9/11 has come to be seen as one of the world’s most dangerous places and has been referred to as “the epicenter of international terrorism,” faces an acute counterterrorism (CT) challenge. The book focuses on violence being perpetrated against the Pakistani state by Islamist groups and how Pakistan can address these challenges, concentrating not only on military aspects but on the often-ignored political, legal, law enforcement, financial, and technological facets of the challenge.
Edited by Moeed Yusuf of the US Institute of Peace, and featuring the contributions and insights of Pakistani policy practitioners and scholars as well as international specialists with deep expertise in the region, the volume explores the current debate surrounding Pakistan’s ability—and incentives—to crack down on Islamist terrorism and provides an in-depth examination of the multiple facets of this existential threat confronting the Pakistani state and people.
The book pays special attention to the non-traditional functions of force that are central to Pakistan’s ability to subdue militancy but which have not received the deserved attention from the Pakistani state nor from western experts. In particular, this path-breaking volume, the first to explore these various facets holistically, focuses on the weakness of political institutions, the role of policing, criminal justice systems, choking financing for militancy, and regulating the use of media and technology by militants. Military force alone, also examined in this volume, will not solve Pakistan’s Islamist challenge. With original insights and attention to detail, the authors provide a roadmap for Western and Pakistani policymakers alike to address the weaknesses in Pakistan’s CT strategy.
The Palace of Bones
Allison Eir Jenks Ohio University Press, 2001 Library of Congress PS3560.E5147P35 2002 | Dewey Decimal 811.54
Winner of the 2001 Hollis Summers Poetry Prize.
The Palace of Bones by Allison Eir Jenks is an often stark and startling vision of the way we live, the places we inhabit, and the relics we make to comfort ourselves.
Haunted by a quiet, unquenchable longing, Jenks expertly and calmly guides the reader through a vivid dreamscape in this first full-length collection of poems.
The Palace of Bones was selected by final judge and Pulitzer Prize winner Carolyn Kizer. At once dark in its vision and light in its tone, this remarkable book is its author's self-confident invitation for us to join her in a world she knows intimately and has made almost familiar if not entirely safe.
Palace of Books
Roger Grenier University of Chicago Press, 2014 Library of Congress PQ2613.R4323P3513 2014 | Dewey Decimal 844.914
For decades, French writer, editor, and publisher Roger Grenier has been enticing readers with compact, erudite books that draw elegant connections between the art of living and the work of art. Under Grenier’s wry gaze, clichés crumble, and offbeat anecdotes build to powerful insights.
With Palace of Books, he invites us to explore the domain of literature, its sweeping vistas and hidden recesses. Engaging such fundamental questions as why people feel the need to write, or what is involved in putting one’s self on the page, or how a writer knows she’s written her last sentence, Grenier marshals apposite passages from his favorite writers: Chekhov, Baudelaire, Proust, James, Kafka, Mansfield and many others. Those writers mingle companionably with tales from Grenier’s half-century as an editor and friend to countless legendary figures, including Albert Camus, Romain Gary, Milan Kundera, and Brassai,.
Grenier offers here a series of observations and quotations that feel as spontaneous as good conversation, yet carry the lasting insights of a lifetime of reading and thinking. Palace of Books is rich with pleasures and surprises, the perfect accompaniment to old literary favorites, and the perfect introduction to new ones.
Andrew Carnegie is remembered as one of the world’s great philanthropists. As a boy, he witnessed the benevolence of a businessman who lent his personal book collection to laborer’s apprentices. That early experience inspired Carnegie to create the “Free to the People” Carnegie Library in 1895 in Pittsburgh, Pennsylvania. In 1896, he founded the Carnegie Institute, which included a music hall, art museum, and science museum. Carnegie deeply believed that education and culture could lift up the common man and should not be the sole province of the wealthy. Today, his Pittsburgh cultural institution encompasses a library, music hall, natural history museum, art museum, science center, the Andy Warhol Museum, and the Carnegie International art exhibition.
In Palace of Culture, Robert J. Gangewere presents the first history of a cultural conglomeration that has served millions of people since its inception and inspired the likes of August Wilson, Andy Warhol, and David McCullough. In this fascinating account, Gangewere details the political turmoil, budgetary constraints, and cultural tides that have influenced the caretakers and the collections along the way. He profiles the many benefactors, trustees, directors, and administrators who have stewarded the collections through the years. Gangewere provides individual histories of the library, music hall, museums, and science center, and describes the importance of each as an educational and research facility.
Moreover, Palace of Culture documents the importance of cultural institutions to the citizens of large metropolitan areas. The Carnegie Library and Institute have inspired the creation of similar organizations in the United States and serve as models for museum systems throughout the world.
Real people don’t run away from. . .But real people can run away to. . .
In 1936, a child is born in the mountains of West Virginia. In 2005, he scatters his past into a deep canyon of rock. The Pale Light of Sunset: Scattershots and Hallucinations in an Imagined Life illuminates the journey of this boy, a constant tourist and visitor, who travels everywhere, yet belongs nowhere. Through tales of swarming hornets and swinging bullies, love affairs with the land and its people, and near death by frostbite and heat stroke, the absurd hilarity and clear, tender voice found within this story navigates a surreal road paved by the experiences of one man.
Author of nationally acclaimed and locally banned novels Crum and Screaming with the Cannibals, Lee Maynard details an imaginative account of his journey through seventy years of hard living—from West Virginia, to Mexico, the Arctic Circle, and beyond. Scattered and hallucinated, The Pale Light of Sunset grants a long-awaited glimpse into the bent condition of the Maynard brain.
Pale Morning Dun: Stories
Stories by Richard Dokey University of Missouri Press, 2004 Library of Congress PS3554.O42P35 2004 | Dewey Decimal 813.54
When Gramp tied those thin-bodied ephemerella, as he called them, on size-eighteen hooks, their pale green bodies and diaphanous gray wings reminded us of tiny, unmoored sailboats, and when the duns themselves were adrift upon the surface of the pool, we watched as an entire armada of delicate, translucent ships spun and took flight. . . . I couldn't fish right away. I never can when the duns first come up. I have to watch them, suddenly upon the surface, their wings drying for that one day of life above the stream. . . . To have a chance at life, each pale dun for a time must drift, ignorant of the forms that wait below.
In the thirteen stories of Pale Morning Dun, Richard Dokey endeavors to suggest common truths that uncover the human reality any time, in any place. He explores the ephemeral nature of life through an assemblage of characters as diverse as the settings they inhabit: from a beggar on the streets of San Francisco, “The West Coast Coliseum of Consumption,” to a boy and his brother fly-fishing in a peaceful mountain stream, unaware that they have stumbled upon the threshold of a horrific crime; from a desperate husband pursuing his estranged wife into the bloody arena of a bullfight, to a lakeside cottage where two lovers reveal perhaps too much of themselves. Each uniquely rendered character faces a dilemma that leads him beyond what he knows of himself, forcing him to new insights. The characters’ struggles, though distinctively their own, reveal universal truths about human nature and the transient quality of life. Employing an inspired blend of humor, irony, and imagination in seamless narration, Dokey allows one to enter readily into these idiosyncratic lives, inviting the reader to explore his own capacity to be human, to empathize and respond.
About 12,000 years ago, a major river ran from the Sevier Basin to the Great Salt Lake, feeding a wetland delta system and creating riparian habitat along its length. But after three thousand years the river dried up and the surrounding lands became more like what we see today. Because the Old River Bed Delta experienced less environmental and human disturbance than other areas, many of the Paleoarchaic sites found there have remained relatively intact—a rare find in the Great Basin. This book presents a comprehensive synthesis of a decade of investigations conducted by research teams working in different parts of the delta and explores questions about how the old riverbed was formed, how its distributary system changed through time, and how these changes affected early foragers. It concludes with an integrated summary and interpretation. Additional material from this study will be available online at UofUpress.com.
Supplementary Material for The Paleoarchaic Occupation of the Old River Bed Delta
The Paleobiological Revolution chronicles the incredible ascendance of the once-maligned science of paleontology to the vanguard of a field. With the establishment of the modern synthesis in the 1940s and the pioneering work of George Gaylord Simpson, Ernst Mayr, and Theodosius Dobzhansky, as well as the subsequent efforts of Stephen Jay Gould, David Raup, and James Valentine, paleontology became embedded in biology and emerged as paleobiology, a first-rate discipline central to evolutionary studies. Pairing contributions from some of the leading actors of the transformation with overviews from historians and philosophers of science, the essays here capture the excitement of the seismic changes in the discipline. In so doing, David Sepkoski and Michael Ruse harness the energy of the past to call for further study of the conceptual development of modern paleobiology.
The southeastern United States has one of the richest records of early human settlement of any area of North America. This book provides the first state-by-state summary of Paleoindian and Early Archaic research from the region, together with an appraisal of models developed to interpret the data. It summarizes what we know of the peoples who lived in the Southeast more than 8,000 years ago—when giant ice sheets covered the northern part of the continent, and such mammals as elephants, saber-toothed tigers, and ground sloths roamed the landscape. Extensively illustrated, this benchmark collection of essays on the state of Paleoindian and Early Archaic research in the Southeast will guide future studies on the subject of the region's first inhabitants for years to come.
Divided in three parts, the volume includes:
Part I: Modeling Paleoindian and Early Archaic Lifeways in the Southeast
Environmental and Chronological Considerations, David G. Anderson, Lisa D. O'Steen, and Kenneth E. Sassaman
Modeling Paleoindian and Early Archaic Settlement in the Southeast: A Historical Perspective, David G. Anderson and Kenneth E. Sassaman
Models of Paleoindian and Early Archaic Settlement in the Lower Southeast, David G. Anderson
Early Archaic Settlement in the South Carolina Coastal Plain, Kenneth E. Sassaman
Raw Material Availability and Early Archaic Settlement in the Southeast, I. Randolph Daniel Jr.
Paleoindian and Early Archaic Settlement along the Oconee Drainage, Lisa D. O'Steen
Haw River Revisited: Implications for Modeling Terminal Late Glacial and Early Holocene Hunter-Gatherer Settlement Systems in the Southeast, John S. Cable
Early Archiac Settlement and Technology: Lessons from Tellico, Larry R. Kimball
Paleoindians Near the Edge: A Virginia Perspective, Michael F. Johnson
Part II: The Regional Record
The Need for a Regional Perspective, Kenneth E. Sassaman and David G. Anderson
Paleoindian and Early Archaic Research in the South Carolina Area, David G. Anderson and Kenneth E. Sassaman
The Taylor Site: An Early Occupation in Central South Carolina, James L. Michie
Paleoindian and Early Archaic Research in Tennessee, John B. Boster and Mark R. Norton
A Synopsis of Paleoindian and Early Archaic Research in Alabama, Eugene M. Futato
Statified Late Pleistocene and Early Holocene Deposits at Dust Cave, Northwestern Alabama, Boyce N. Driskell
Bone and Ivory Tools from Submerged Paleoindian Sites in Florida, James S. Dunbar and S. David Webb
Paleoindian and Early Archaic Data from Mississippi, Samuel O. McGahey
Early and Middle Paleoindian Sites in the Northeastern Arkansas Region, J. Christopher Gillam
Part III: Commentary
A Framework for the Paleoindian/Early Archaic Transition, Joel Gunn
Modeling Communities and Other Thankless Tasks, Dena F. Dincauze
An Arkansas View, Dan F. Morse
Comments, Henry T. Wright
Paleoindian Lifeways of the Cody Complex represents the first synthesis in the more than fifty year history of one of the most important Paleoindian cultural traditions in North America. Research on the Cody complex (~10,000–8,000 radiocarbon yrs B.P.) began in the 1940s; however, until now publications have focused almost exclusively on specific sites, issues of projectile point technology and typology, and bison hunting. This volume provides fresh perspectives and cutting-edge research that significantly increases our understanding of the Cody complex by focusing more squarely on the human behaviors that created the archaeological record, rather than on more strictly technical aspects of the artifacts and faunal remains.
Because the Cody complex extends from the central Canadian plains to the Gulf of Mexico and from Nevada to the eastern Great Lakes—making it second only to Clovis in geographical expanse—this volume will appeal to a wide range of North American archaeologists. Across this broad geographic distribution, the contributors address hunter-gatherer adaptive strategies from diverse ecosystems at the onset of the Holocene, which will also make it of interest to human ecologists and paleoenvironmental researchers. Paleoindian Lifeways of the Cody Complex provides an innovative synthesis of a well-known but little-studied cultural tradition that opens the door for a new generation of exciting research.
Were the earliest inhabitants of the Great Basin 'Paleoindians' in the traditional sense? Were they highly mobile foragers? Did they hunt large, now extinct animals like mammoth, horse, and camel?
Great Basin archaeologists have argued that the earliest inhabitants possessed an organization strategy of mixed 'Paleoindian' and 'Archaic' lifeways, referring to them as 'Paleoarchaic.'
Recent excavations of rock shelters and caves, coupled with innovative studies of the surface archaeological record have increased our understanding of human organization in the Great Basin during the late Pleistocene and early Holocene. When did humans first inhabit the Great Basin? How do we interpret projectile point variability from late Pleistocene and early Holocene contexts? What land-use and foraging strategies characterized the early inhabitants? Did these hunter-gatherers possess a Paleoindian or Paleoarchaic lifeway?
This volume offers an updated perspective of human ecology and organization during the Pleistocene-Holocene transition in the Great Basin, 13,000–8,000 years ago.
"Endlessly absorbing and informative. It would be hard to imagine a better introduction to this most important and fascinating field.”—Bill Bryson, author of A Short History of Nearly Everything
Paleontology: A Brief History of Life is the fifth title published in the Templeton Science and Religion Series, in which scientists from a wide range of fields distill their experience and knowledge into brief tours of their respective specialties.
In this volume, Ian Tattersall, a highly esteemed figure in the fields of anthropology, archaeology, and paleontology, leads a fascinating tour of the history of life and the evolution of human beings.
Starting at the very beginning, Tattersall examines patterns of change in the biosphere over time, and the correlations of biological events with physical changes in the Earth’s environment. He introduces the complex of evolutionary processes, situates human beings in the luxuriant diversity of Life (demonstrating that however remarkable we may legitimately find ourselves to be, we are the product of the same basic forces and processes that have driven the evolutionary histories of all other creatures), and he places the origin of our extraordinary spiritual sensibilities in the context of the exaptational and emergent acquisition of symbolic cognition and thought.
Concise and yet comprehensive, historically penetrating and yet up-to-date, responsibly factual and yet engaging, Paleontology serves as the perfect entrée to science's greatest story.
Mark Q. Sutton, Kristin D. Sobolik, and Jill K. Gardner University of Arizona Press, 2010 Library of Congress GN799.F6S88 2010 | Dewey Decimal 306.4613
Paleonutrition is the analysis of prehistoric human diets and the interpretation of dietary intake in relation to health and nutrition. As a field of study, it addresses prehistoric diets in order to determine the biological and cultural implications for individuals as well as for entire populations, placing archaeological interpretations into an anthropological context. Throughout history, and long before written records, human culture has been constantly in flux. The study of paleonutrition provides valuable insights into shifts and changes in human history, whatever their causes.
This is the most comprehensive and up-to-date book on the topic. Intended for students and professionals, it describes the nature of paleonutrition studies, reviews the history of paleonutrition research, discusses methodological issues in the reconstruction of prehistoric diets, presents theoretical frameworks frequently used in paleonutrition research, and showcases examples in which paleonutritional analyses have been successfully conducted on prehistoric individuals, groups, and populations. It offers an integrative approach to understanding state-of-the-art anthropological dietary, health, and nutritional assessments. The most recent and innovative methods used to reconstruct prehistoric diets are discussed, along with the major ways in which paleonutrition data are recovered, analyzed, and interpreted.
Paleonutrition includes five contemporary case studies that provide useful models of how to conduct paleonutrition research. Topics range from ancient diets in medieval Nubia to children’s health in the prehistoric American Southwest to honey use by an ethnographic group of East African foragers. As well as providing interesting examples of applying paleonutrition techniques, these case studies illustrate the mutually beneficial linkages between ethnography and archaeology.
The scholars included in A Paler Shade of Red cover the 2008 presidential election with detailed, state-by-state analyses of how the presidential election, from the nomination struggle through the casting of votes in November, played out in the South. The book also includes examinations of important elections other than for president, and in addition to the single-state perspectives, there are three chapters that look at the region as a whole. Contributors are Scott E. Buchanan, John A. Clark, Patrick R. Cotter, Charles Bullock III, Rogert E. Hogan and Eunice H. McCarney, David A. Breaux and Stephen D. Shaffer, Cole Blease Graham, Jay Barth, Janine A. Parry and Todd G. Shields, Jonathan Knuckey, Charles Prysby, Ronald Keith Gaddie, Brian Arbour and Mark McKenzie, and John J. McGlennon, all collected here to provide powerful insight into southern politics today.
Roberto Alajmo Haus Publishing, 2017 Library of Congress DG975.P2A7413 2010 | Dewey Decimal 945.82
Palermo’s heart lies hidden under its many outer layers. In this unusual guide to the beautiful Sicilian capital, Roberto Alajmo uncovers each stratum to reveal its true character. Although disguised as a tourist’s handbook, Palermo has much more to offer than ordinary recommendations for the intrepid traveler—it gives an insight into the city from a lifelong resident’s point of view, showcasing its hidden cultural and culinary jewels; portraying its people and their secrets; touching on its politics and contentious mafia involvement. Seeing Palermo with one’s own eyes is an ineffable experience, even for Alajmo; the essence of the city, its beauty, is the only aspect left to the reader to discover.
The dispute over Palestine between the Palestinian Arabs and the Israelis is one of the most volatile and intractable conflicts in the world today. Palestine and Israel examines the history of this battle from the perspective of international law, and it argues that a long-term solution to the conflict must protect legitimate interests to remain viable—an element the author believes has so far been seriously neglected. This extensively documented work details the complex politics and agonizing struggles that have characterized the clash between Jews and Arabs, examining in depth the competing claims to Palestine and the extent to which legitimate interests remain to be fulfilled. Beginning with the early Zionist settlement in Palestine that rose from the effort by Jews to escape long-standing discrimination in Europe, Qigley investigates the origins of the dispute, including the British occupation of Palestine, the British Mandate, and the involvement of the United Nations. He examines the 1948 War, the establishment of Israel, and explores the legal and political status of Jews there. After a detailed analysis of the 1967 War and Israel’s occupation of the West Bank and Gaza Strip, he concludes with recommendations for resolving the conflict, including discussions of the responsibility of other states for the persisting injustice, the role of other states in settling the dispute, and steps to a possible solution.
Palestine and Jewish History was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This provocative and personal series of meditations on the Israeli-Palestinian conflict argues that it represents a struggle not as much about land and history as about space, time, and memory. Juxtaposing entries from Jonathan Boyarin's field diary with critical and theoretical articulations, Palestine and Jewish History shows not only the unfinished nature of anthropological endeavor, but also the author's personal stake in the ethical predicament of being a Jew at this point in history.
Boyarin comes to Israel as a specialist in modern Jewish studies, an individual who has kin, friends, and colleagues there, a scholar with a long history of peace activism. He interweaves fascinating descriptions of ordinary life-parties, walks, classes, visits to homes-with a selection of his related writings on cultural studies and anthropology. Some sections are polemical; others are witty analyses of bumper stickers, slogans, the ambiguities in conversations. Boyarin foregrounds the messiness and lack of closure inherent in this process, presenting "raw materials" (field notes) in some sections of the book that reappear in other sections as various kinds of "finished" products (conference papers, published articles).
In the process, we learn a good deal about the Middle East and its debates and connections to other places. Boyarin addresses two fundamental issues: the difficulty of linking different sorts of memories and memorializations, and the importance of moving beyond objectivity and multiculturalism into a situated, engaged, and nontotalizing framework for fieldwork and ethnography.
Palestine and Jewish History enacts rather than reports on Boyarin's process of error, pain, impatience, uncertainty, discovery, embarrassment, self-criticism, intellectual struggle, and dawning awareness, challenging and engaging us in the process of discovery. Ultimately, it gives the lie, as the Palestinian presence does in Israel, to any concept of a "finishedness" that successfully conceals its unruly and painful multiple processes.
Jonathan Boyarin is the Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought in the Department of Religious Studies at the University of North Carolina at Chapel Hill. He is the author of Storm from Paradise, co-author of Powers of Diaspora, and the co-editor of Remapping Memory and Jews and Other Differences, all available from Minnesota.
This important volume rethinks the conventional parameters of Middle East studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. The contributors consider how Palestinian and Israeli popular culture influences and is influenced by political, economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and checkpoints and within the global marketplace.
The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture.
Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari
This long-awaited project presents the results of a major research effort to determine the parameters of the stylistic variability of Arab folk music in Israel. Central to this old and highly improvised musical tradition is a unique modal framework that combines the concept of maqam—the foundation of Arab music theory—with other characteristics, including those of the text. Palestinian Arab Music is a comprehensive analysis of this music as actually practiced, examining both musical and nonmusical factors, their connection with the traits of individual performers, and their interaction with sociocultural phenomena.
Working initially with their own 1957 invention, the Cohen-Katz Melograph, and later with computers, Dalia Cohen and Ruth Katz recorded and digitized several hundred Palestinian music performances. The authors analyzed the musical tradition in light of its main variables. These include musical parameters, modal frameworks, the form and structure of the music, its poetic texts, and aspects of the social functions of the tradition. As a result of their study, the vexed aspect of intonation in practice is revealed to exist in a special relationship with the scale systems or maqamat, which are in turn of great importance to organizing the music and determining its modal systems.
Gannit Ankori Reaktion Books, 2006 Library of Congress N7277.A55 2006 | Dewey Decimal 704.039274
Turmoil and violence have defined the lives of Palestinian people over the last few decades, yet in the midst of the chaos artists live and thrive, creating little-seen work that is a powerful response to their situation. Gannit Ankori's Palestinian Art is the first in-depth English-language assessment of contemporary Palestinian art, and it offers an unprecedented and wholly original overview of this art in all its complexity.
Ankori comprehensively traces the full history and development of Palestinian art, from its roots in folk art and traditional Christian and Islamic painting to the predominance of nationalistic themes and diverse media used today. Drawing on over a decade of extensive research, studio visits, and interviews, Ankori explores the vast oeuvre of prominent contemporary Palestinian artists, navigating between the personal and biographical dimensions of specific artworks and the symbolic meanings embedded within them. She provides detailed interpretations of many works and considers the complex historical, geographical, political, and cultural contexts in which the art was created. Questions of gender, exile, colonialism, postcolonialism, and hybridity are integral to Ankori's investigation as she probes the influence and thematic dominance of issues such as rootedness and displacement in Palestinian art.
Palestinian Art is a fascinating introduction to a virtually unknown visual culture that has been subsumed under the torrent of current political turmoil. A groundbreaking and essential work of art scholarship, Palestinian Art illuminates new and unique facets of the Palestinian cultural identity.
The Palestinian People
Baruch KIMMERLING Harvard University Press, 2003 Library of Congress DS119.7.K4943 2003 | Dewey Decimal 956.940049274
A Palette of Particles
Jeremy Bernstein Harvard University Press, 2013 Library of Congress QC793.26.B47 2013 | Dewey Decimal 539.72
Jeremy Bernstein guides readers through high-energy physics from early twentieth-century atomic models to leptons, mesons, quarks, and the newly discovered Higgs boson, drawing them into the excitement of a universe where 80 percent of all matter has never been identified. From molecules to galaxies, the more we discover, the less we seem to know.
The extraordinary palm: diverse and prolific, symbolic and often sacred, essential and exotic (and at times erotic), exploited and controversial. The signature greenery of the tropics and subtropics, these record-breaking plants produce the world’s biggest and heaviest seed, the longest leaf, and the longest stem. In the superbly illustrated, similarly extraordinary Palm, Fred Gray portrays the immense cultural and historical significance of these iconic and controversial plants, unfurling a tale as long and beguiling as their bladed fronds.
As Gray shows, palms sustained rainforest communities for thousands of years, contributing to the development of ancient civilizations across the globe. But as palms gained mystical and religious significance, they also became a plant of abstractions and fantasies, a contradictory symbol of leisure and luxury, of escaping civilization and getting closer to nature—and at times to danger and devastation. In the era of industry and empire, the palm and its myriad meanings were exported to far colder climes. Palms were shown off as exceptional performers in iconic greenhouses and used to clothe, romanticize, and glamorize an astonishing diversity of new places far from their natural homelands. And today, as millions of people worldwide consume palm oil daily, the plant remains embedded in consumer society—and mired in environmental controversy.
In many societies and for many people, religiosity is only incidentally connected with texts or theologies, church or mosque, temple or monastery. Drawing on a lifetime of ethnographic work among people for whom religion is not principally a matter of faith, doctrine, or definition, Michael Jackson turns his attention to those situations in life where we come up against the limits of language, our strength, and our knowledge, yet are sometimes thrown open to new ways of understanding our being-in-the-world, to new ways of connecting with others.
Through sixty-one beautifully crafted essays based on sojourns in Europe, West Africa, the United States, Australia, and New Zealand, and taking his cue from Wallace Stevens’s late poem, “Of Mere Being,” Jackson explores a range of experiences where “the palm at the end of the mind” stands “beyond thought,” on “the edge of space,” “a foreign song.” Moments of crisis as well as everyday experiences in cafés, airports, and offices disclose the subtle ways in which a single life shades into others, the boundaries between cultures become blurred, fate unfolds through genealogical time, elective affinities make their appearance, and different values contend.
Virgil Suárez University of Arizona Press, 2001 Library of Congress PS3569.U18P35 2001 | Dewey Decimal 811.54
Hibiscus, banyan trees, and royal palms. Mango jam, white slices of sugarcane, and oxtail stew. Childhood games with fireflies and snail shells. These are images of a Cuba that many remember and others have never known, captured here in the powerful poems of Virgil Suárez.
Born in Havana in the wake of the Cuban Revolution, Suárez is now one of more than a million Cubans living in the United States. In Palm Crows Suárez offers a compelling canción of loss, longing, and memory as he explores the meaning of exile. In poems that range from playful and fantastic to elegiac and meditative, he writes about “the in-betweenness of spirit” of those who have left their home and must try to forge a new one in the United States.
Palm Crows shows us an almost mythical Cuba, offering a compelling testament both to the immigrant experience and to our own search for home.
Palm Frond with Its Throat Cut uses both humor and sincerity to capture moments in time with a sense of compassion for the hard choices we must make to survive. Vértiz’s poetry shows how history, oppression, and resistance don’t just refer to big events or movements; they play out in our everyday lives, in the intimate spaces of family, sex, and neighborhood. Vértiz’s poems ask us to see Los Angeles—and all cities like it—as they have always been: an America of code-switching and reinvention, of lyric and fight.
Michael Taussig University of Chicago Press, 2018 Library of Congress SB299.P3T38 2018 | Dewey Decimal 338.17385109861
“It is the contemporary elixir from which all manner of being emerges, the metamorphic sublime, an alchemist’s dream.” So begins Palma Africana, the latest attempt by anthropologist Michael Taussig to make sense of the contemporary moment. But to what elixir does he refer?
Palm oil. Saturating everything from potato chips to nail polish, palm oil has made its way into half of the packaged goods in our supermarkets. By 2020, world production will be double what it was in 2000. In Colombia, palm oil plantations are covering over one-time cornucopias of animal, bird, and plant life. Over time, they threaten indigenous livelihoods and give rise to abusive labor conditions and major human rights violations. The list of entwined horrors—climatic, biological, social—is long. But Taussig takes no comfort in our usual labels: “habitat loss,” “human rights abuses,” “climate change.” The shock of these words has passed; nowadays it is all a blur. Hence, Taussig’s keen attention to words and writing throughout this work. He takes cues from precursors’ ruminations: Roland Barthes’s suggestion that trees form an alphabet in which the palm tree is the loveliest; William Burroughs’s retort to critics that for him words are alive like animals and don’t like to be kept in pages—cut them and the words are let free.
Steeped in a lifetime of philosophical and ethnographic exploration, Palma Africana undercuts the banality of the destruction taking place all around us and offers a penetrating vision of the global condition. Richly illustrated and written with experimental verve, this book is Taussig’s Tristes Tropiques for the twenty-first century.
Located northeast of Damascus, in an oasis surrounded by palms and two mountain ranges, the ancient city of Palmyra has the aura of myth. According to the Bible, the city was built by Solomon. Regardless of its actual origins, it was an influential city, serving for centuries as a caravan stop for those crossing the Syrian Desert. It became a Roman province under Tiberius and served as the most powerful commercial center in the Middle East between the first and the third centuries CE. But when the citizens of Palmyra tried to break away from Rome, they were defeated, marking the end of the city’s prosperity. The magnificent monuments from that earlier era of wealth, a resplendent blend of Greco-Roman architecture and local influences, stretched over miles and were among the most significant buildings of the ancient world—until the arrival of ISIS. In 2015, ISIS fought to gain control of the area because it was home to a prison where many members of the outlawed Muslim Brotherhood had been held, and ISIS went on to systematically destroy the city and murder many of its inhabitants, including the archaeologist Khaled al-Asaad, the antiquities director of Palymra.
In this concise and elegiac book, Paul Veyne, one of Palymra’s most important experts, offers a beautiful and moving look at the history of this significant lost city and why it was—and still is—important. Today, we can appreciate the majesty of Palmyra only through its pictures and stories, and this book offers a beautifully illustrated memorial that also serves as a lasting guide to a cultural treasure.
In the twilight of the third century C.E., the unity of the Western world was threatened by financial crisis, invasion, and plague. The Syrian city Palmyra had long protected Rome against Persian invasion, but under its queen Zenobia, Palmyra broke away from Roman hegemony. The Roman Empire had never been closer to disintegration, nor had it suffered so much before at the hands of a woman.
This volume is the first comprehensive historical treatment in any language of Roman Syria, the revolt of Zenobia, and the city of Palmyra. Drawing on discoveries in archaeology, the history of the Silk Road, numismatics, and Roman and Persian history, Richard Stoneman has assembled a rich collage of knowledge about this intriguing period. As he tells the story of this major revolt and its leader, the author surveys the history of the spice trade in antiquity, the religious ferment of third- century Syria, early modern travelers to Palmyra, and in particular Zenobia's changing image through the ages.
The lucid text and numerous illustrations will attract all who are intrigued by the third- century Roman Empire and its frontiers, by pre-Islamic Arab culture, by Roman Syria and Palmyra itself, and by the fascinating Queen Zenobia.
". . . an excellent synthesis of current knowledge and a sound introduction to the third cen-tury, especially in the East. . . ."--Journal of Military History
". . . Stoneman provides an excellent and readable introduction to what is known about Palmyra, and particularly the astonishing period in the mid-third century A.D. . . . [He] marshalls recent reinterpretations of the politics of the eastern frontier by both historians and archaeologists, as well as the inspiration of his own visits to Syria, to underline Palmyra's unique commercial position and the ability over the centuries of Roman rule of its ethnically and religiously highly heterogeneous ruling class to exploit the caravan trade from East and South Asia to their economic and political advantage."--Greece & Rome
Richard Stoneman has published numerous books on the ancient world and on travel in the Eastern Mediterranean. He is Senior Editor at Routledge.
The first comprehensive biography of progressive labor organizer, peace worker, and economist Clinton Jencks (1918–2005), this book explores the life of one of the most important political and social activists to appear in the Southwestern United States in the twentieth century. A key figure in the radical International Union of Mine, Mill, and Smelter Workers (IUMMSW) Local 890 in Grant County, New Mexico, Jencks was involved in organizing not only the mine workers but also their wives in the 1951 strike against the Empire Zinc Company. He was active in the production of the 1954 landmark labor film dramatizing the Empire Zinc strike, Salt of the Earth, which was heavily suppressed during the McCarthy era and led to Jencks's persecution by the federal government.
Labor historian James J. Lorence examines the interaction between Jencks's personal experience and the broader forces that marked the world and society in which he worked and lived. Following the work of Jencks and his equally progressive wife, Virginia Derr Jencks, Lorence illuminates the roots and character of Southwestern unionism, the role of radicalism in the Mexican-American civil rights movement, the rise of working-class feminism within Local 890 and the Grant County Mexican American community, and the development of Mexican-American identity in the Southwest. Chronicling Jencks's five-year-long legal battle against charges of perjury, this biography also illustrates how civil liberties and American labor were constrained by the specter of anticommunism during the Cold War.
Drawing from extensive research as well as interviews and correspondence, this volume highlights Clinton Jencks's dramatic influence on the history of labor culture in the Southwest through a lifetime devoted to progress and change for the social good.
First published in 1932, this book is perhaps the earliest work by an American scholar on a Chinese woman intellectual. Nancy Lee Swann presents a sketch of the Eastern Han period when Pan lived and wrote, of her family background, and of the literary milieu of which she was a part. In addition, Swann provides translations of writings definitively identified with Pan that survive from the years when she was active (ca. 89--105 a.d.).
While Pan is well known for her contribution to the great Han-shu, of special interest is her treatise on the moral training of women, in which she makes a plea for girls to be given the same education as boys and points to principles that led young women to success in ancient China. Swann also includes memorials, short poems, and an essay, all of which demonstrate Pan's rhetorical skills and her concerns at the Han court.
A considerable work of scholarship, Pan Chao is grounded in Swann's detailed knowledge of the history and literature of the late Han and it includes the Chinese for shorter works and a comprehensive list of primary sources on this important early scholar.
Panaceia’s Daughters provides the first book-length study of noblewomen’s healing activities in early modern Europe. Drawing on rich archival sources, Alisha Rankin demonstrates that numerous German noblewomen were deeply involved in making medicines and recommending them to patients, and many gained widespread fame for their remedies. Turning a common historical argument on its head, Rankin maintains that noblewomen’s pharmacy came to prominence not in spite of their gender but because of it.
Rankin demonstrates the ways in which noblewomen’s pharmacy was bound up in notions of charity, class, religion, and household roles, as well as in expanding networks of knowledge and early forms of scientific experimentation. The opening chapters place noblewomen’s healing within the context of cultural exchange, experiential knowledge, and the widespread search for medicinal recipes in early modern Europe. Case studies of renowned healers Dorothea of Mansfeld and Anna of Saxony then demonstrate the value their pharmacy held in their respective roles as elderly widow and royal consort, while a study of the long-suffering Duchess Elisabeth of Rochlitz emphasizes the importance of experiential knowledge and medicinal remedies to the patient’s experience of illness.
The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity means. Pan-African American Literature is dedicated to charting the contours of literature by African born or identified authors centered around life in the United States. The texts examined here deliberately signify on the African American literary canon to encompass new experiences of immigration, assimilation and identification that challenge how blackness has been previously conceived. Though race often alienates and frustrates immigrants who are accustomed to living in all-black environments, Stephanie Li holds that it can also be a powerful form of community and political mobilization.
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust.
According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation.
The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
Building on Sol Tax's pioneering work of the economic organization of Panajachel in the 1930s, Hinshaw describes this Guatemalan village and analyzes the differences among Indians in other villages responding to environmental, social, and economic changes in the next quarter century. This book offers a unique examination of belief patterns and social relations, and the continuity and change in the society's worldview.
The Panama Hat Trail
Tom Miller University of Arizona Press, 1986 Library of Congress F3716.M55 2017 | Dewey Decimal 918.6604
Critically acclaimed author Tom Miller reveals the making and marketing of one Panama hat, from the straw fields of Ecuador’s coastal lowland to a hat shop in Southern California. Along the way, the hat becomes a literary device allowing Miller to give us his impressions from the tributaries of the Amazon to the mountainsides of the Andes. The Panama Hat Trail is at once a study in global economics and a lively travelogue.