BiblioVault - Books about 1185-1600

Dancing the Dharma

Religious and Political Allegory in Japanese Noh Theater

Susan Blakeley Klein

Harvard University Press, 2021

Dancing the Dharma examines the theory and practice of allegory by exploring a select group of medieval Japanese noh plays and treatises. Susan Blakeley Klein demonstrates how medieval esoteric commentaries on the tenth-century poem-tale Ise monogatari (Tales of Ise) and the first imperial waka poetry anthology Kokin wakashū influenced the plots, characters, imagery, and rhetorical structure of seven plays (Maiguruma, Kuzu no hakama, Unrin’in, Oshio, Kakitsubata, Ominameshi, and Haku Rakuten) and two treatises (Zeami’s Rikugi and Zenchiku’s Meishukushū). In so doing, she shows that it was precisely the allegorical mode—vital to medieval Japanese culture as a whole—that enabled the complex layering of character and poetic landscape we typically associate with noh. Klein argues that understanding noh’s allegorical structure and paying attention to the localized historical context for individual plays are key to recovering their original function as political and religious allegories. Now viewed in the context of contemporaneous beliefs and practices of the medieval period, noh plays take on a greater range and depth of meaning and offer new insights to readers today into medieval Japan.

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Lords of the Sea

Pirates, Violence, and Commerce in Late Medieval Japan

Peter D. Shapinsky

University of Michigan Press, 2014

Lords of the Sea revises our understanding of the epic political, economic, and cultural transformations of Japan’s late medieval period (ca. 1300–1600) by shifting the conventional land-based analytical framework to one centered on the perspectives of seafarers who, though usually dismissed as "pirates," thought of themselves as sea lords.

Over the course of these centuries, Japan’s sea lords became maritime magnates who wielded increasing amounts of political and economic authority by developing autonomous maritime domains that operated outside the auspices of state authority. They played key roles in the operation of networks linking Japan to the rest of the world, and their protection businesses, shipping organizations, and sea tenure practices spread their influence across the waves to the continent, shaping commercial and diplomatic relations with Korea and China. Japan's land-based authorities during this time not only came to accept the autonomy of "pirates" but also competed to sponsor sea-lord bands who could administer littoral estates, fight sea battles, protect shipping, and carry trade. In turn, prominent sea-lord families expanded their dominion by shifting their locus of service among several patrons and by appropriating land-based rhetorics of lordship, which forced authorities to recognize them as legitimate lords over sea-based domains.

By the end of the late medieval period, the ambitions, tactics, and technologies of sea-lord mercenary bands proved integral to the naval dimensions of Japan’s sixteenth-century military revolution. Sea lords translated their late medieval autonomy into positions of influence in early modern Japan and helped make control of the seas part of the ideological foundations of the state.

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Preachers, Poets, Women, and the Way

Izumi Shikibu and the Buddhist Literature of Medieval Japan

R. Keller Kimbrough

University of Michigan Press, 2008

According to a sixteenth-century Japanese commentary on the Lotus Sutra, the venerable Chinsō Kashō was once preaching on the “ten wickednesses of women” when an angry old nun stepped out from the audience and shouted, “It’s not just women who are so evil—you’ve got plenty of wickedness in you, too!” Women were reviled in much of the popular Buddhist rhetoric of medieval Japan, castigated for their “filthy femininity,” but their low spiritual status was in fact frequently contested. This dispute over the place of women in Buddhism was often played out in the realm of medieval preachers’ and storytellers’ apocryphal tales of the lives, deaths, and inevitable religious awakenings of prominent female literary figures of an earlier age. Inspired by the folklorist Yanagita Kunio’s groundbreaking work of the early 1930s, Preachers, Poets, Women, and the Way explores the ways in which such fictional and usually scandalous stories of the Heian women authors Izumi Shikibu, Ono no Komachi, Murasaki Shikibu, and Sei Shōnagon were employed in the competitive preaching and fund-raising of late-Heian and medieval Japan.

The book draws upon a broad range of medieval textual and pictorial sources to describe the diverse and heretofore little-studied roles of itinerant and temple-based preacher-entertainers in the formation and dissemination of medieval literary culture. By plumbing the medieval roots of Heian women poets’ contemporary fame, Preachers, Poets, Women, and the Way illuminates a forgotten world of doctrinal and institutional rivalry, sectarian struggle, and passionately articulated belief, revealing the processes by which Izumi Shikibu and her peers came to be celebrated as the national cultural icons that they are today.

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The Road to Komatsubara

A Classical Reading of the Renga Hyakuin

Steven D. Carter

Harvard University Press, 1987

Uncertain Powers

Sen’yōmon-in and Landownership by Royal Women in Early Medieval Japan

Sachiko Kawai

Harvard University Press

Uncertain Powers is an original and much-needed analysis of female leadership in medieval Japan. In challenging current scholarship by exploring the important political and economic roles of twelfth- and thirteenth-century Japanese royal women, Sachiko Kawai questions the traditional view of the era as one dominated by male retired monarchs and a warrior government. Instead the author populates it with royal wives and daughters who held the title of premier royal lady (nyoin) and owned extensive estates across the Japanese archipelago. Nyoin, whose power varied according to marital status, networks, and age, used their wealth and human networks to build temples and organize their entourages as salons to assert religious, cultural, and political influence. Confronted with social factors and gender disparities, they were motivated to develop coping strategies, the workings of which Kawai masterfully teases out from the abundant primary sources.

Uncertain Powers presents a nuanced and groundbreaking study of the relationship between a nyoin’s authority (her acknowledged rights) and her actual power (the ability to enforce those rights), demonstrating how, as members of political factions, as landlords, and as religious and cultural patrons, nyoin struggled to transform authority into power by means of cooperation, persuasion, compromise, and coercion.

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